Datasets:

nmcco
/

bookv5-may-12-evaluation-100word

Dataset card Data Studio Files Files and versions Community

Split (2)

train · 8.58k rows

Text stringlengths 2 21.9k	Speaker stringclasses 67 values	Text_10_word_context stringlengths 63 22k	Text_20_word_context stringlengths 101 22k	Text_100_word_context stringlengths 320 22.4k	Text_200_word_context stringlengths 638 23k	Text_400_word_context stringlengths 1.15k 24.1k	Text_800_word_context stringlengths 2.38k 26.2k	Text_1600_word_context stringlengths 4.52k 30.6k	Text_variable_400_to_1200_word_context stringlengths 1.36k 26.3k	Book stringclasses 4 values	chat_prompt stringlengths 320 22.4k	chat_text dict	chat_speaker stringclasses 67 values
"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"	Tony Last	went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said	Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint	we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design	and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?"	my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll	to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?"	She's a grand girl." "Grand girl." The cab turned into Golden Square and then down Sink Street, a dingy little place inhabited for the most part by Asiatics. "D'you know, I believe he's taking us to the Old Hundredth." "Can't still be open? Thought they closed it down years ago." But the door was brightly illuminated and a seedy figure in peaked cap and braided overcoat stepped out to open the taxi for them. The Old Hundredth has never been shut. For a generation, while other night clubs have sprung into being, with various names and managers, and various pretensions to respectability, have enjoyed a precarious and brief existence, and come to grief at the hands either of police or creditors, the Old Hundredth has maintained a solid front against all adversity. It has not been immune from persecution; far from it. Times out of number, magistrates have struck it off, cancelled its licence, condemned its premises; the staff and proprietor have been constantly in and out of prison; there have been questions in the House and committees of enquiry, but whatever Home Secretaries and Commissioners of Police have risen into eminence and retired discredited, the doors of the Old Hundredth have always been open from nine in the evening until four at night, and inside there has been an unimpeded flow of dubious, alcoholic preparations. A kindly young lady admitted Tony and Jock to the ramshackle building. "D'you mind signing on?" Tony and Jock inscribed fictitious names at the foot of a form which stated, _I have been invited to a Bottle Party at 100 Sink Street given by Captain Weybridge_. "That's five bob each, please." It is not an expensive club to run, because none of the staff, except the band, receive any wages; they make what they can by going through the overcoat pockets and giving the wrong change to drunks. The young ladies get in free but they have to see to it that their patrons spend money. "Last time I was here, Tony, was the bachelor party before your wedding." "Tight that night." "Stinking." "I'll tell you who else was tight that night--Reggie. Broke a fruit gum machine." "Reggie was stinking." "I say, you don't still feel low about that girl?" "I don't feel low." "Come on, we'll go downstairs." The dance-room was fairly full. An elderly man had joined the band and was trying to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make	are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs.	A Handful Of Dust	we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "we can't come round this evening after all.\" \"Oh.\" \"You don't think it very rude, I hope, but we have a lot to attend to.\" \"That's all right, Tony.\" \"Did I wake you up by any chance?\" \"That's all right, Tony.\" \"Well, good night.\" Tony went down to the table.<\|quote\|>\"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?\"</\|quote\|>\"We promised we would,\" said Jock. \"You should never disappoint a lady,\" said Milly. \"Oh, it's too late now.\" Babs said, \"You two are officers, aren't you?\" \"No, why?\" \"I thought you were.\" Milly said, \"I like business gentlemen best, myself. They've more to say.\" \"What d'you do?\" \"I design", "role": "user" }, { "content": "Tony Last", "role": "assistant" } ] }	Tony Last
"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."	Anne Shirley	the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too	excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said	raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing	hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day	through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly	lamp they once had. But it's nice to imagine the fairies lost it one night when they had a ball, so we call it the fairy glass. Matthew is going to make us a table. Oh, we have named that little round pool over in Mr. Barry's field Willowmere. I got that name out of the book Diana lent me. That was a thrilling book, Marilla. The heroine had five lovers. I'd be satisfied with one, wouldn't you? She was very handsome and she went through great tribulations. She could faint as easy as anything. I'd love to be able to faint, wouldn't you, Marilla? It's so romantic. But I'm really very healthy for all I'm so thin. I believe I'm getting fatter, though. Don't you think I am? I look at my elbows every morning when I get up to see if any dimples are coming. Diana is having a new dress made with elbow sleeves. She is going to wear it to the picnic. Oh, I do hope it will be fine next Wednesday. I don't feel that I could endure the disappointment if anything happened to prevent me from getting to the picnic. I suppose I'd live through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession \|ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the	not stop in the middle of things to let your thoughts rove all over creation. Now, get out your patchwork and have your square done before teatime." "I do _not_ like patchwork," said Anne dolefully, hunting out her workbasket and sitting down before a little heap of red and white diamonds with a sigh. "I think some kinds of sewing would be nice; but there's no scope for imagination in patchwork. It's just one little seam after another and you never seem to be getting anywhere. But of course I'd rather be Anne of Green Gables sewing patchwork than Anne of any other place with nothing to do but play. I wish time went as quick sewing patches as it does when I'm playing with Diana, though. Oh, we do have such elegant times, Marilla. I have to furnish most of the imagination, but I'm well able to do that. Diana is simply perfect in every other way. You know that little piece of land across the brook that runs up between our farm and Mr. Barry's. It belongs to Mr. William Bell, and right in the corner there is a little ring of white birch trees--the most romantic spot, Marilla. Diana and I have our playhouse there. We call it Idlewild. Isn't that a poetical name? I assure you it took me some time to think it out. I stayed awake nearly a whole night before I invented it. Then, just as I was dropping off to sleep, it came like an inspiration. Diana was _enraptured_ when she heard it. We have got our house fixed up elegantly. You must come and see it, Marilla--won't you? We have great big stones, all covered with moss, for seats, and boards from tree to tree for shelves. And we have all our dishes on them. Of course, they're all broken but it's the easiest thing in the world to imagine that they are whole. There's a piece of a plate with a spray of red and yellow ivy on it that is especially beautiful. We keep it in the parlor and we have the fairy glass there, too. The fairy glass is as lovely as a dream. Diana found it out in the woods behind their chicken house. It's all full of rainbows--just little young rainbows that haven't grown big yet--and Diana's mother told her it was broken off a hanging lamp they once had. But it's nice to imagine the fairies lost it one night when they had a ball, so we call it the fairy glass. Matthew is going to make us a table. Oh, we have named that little round pool over in Mr. Barry's field Willowmere. I got that name out of the book Diana lent me. That was a thrilling book, Marilla. The heroine had five lovers. I'd be satisfied with one, wouldn't you? She was very handsome and she went through great tribulations. She could faint as easy as anything. I'd love to be able to faint, wouldn't you, Marilla? It's so romantic. But I'm really very healthy for all I'm so thin. I believe I'm getting fatter, though. Don't you think I am? I look at my elbows every morning when I get up to see if any dimples are coming. Diana is having a new dress made with elbow sleeves. She is going to wear it to the picnic. Oh, I do hope it will be fine next Wednesday. I don't feel that I could endure the disappointment if anything happened to prevent me from getting to the picnic. I suppose I'd live through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession \|ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the spotless table and singing, "Nelly of the Hazel Dell" with a vigor and expression that did credit to Diana's teaching, "did you see anything of my amethyst brooch? I thought I stuck it in my pincushion when I came home from church yesterday evening, but I can't find it anywhere." "I--I saw it this afternoon when you were away at the Aid Society," said Anne, a little slowly. "I was passing your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne." "I did put it back," said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting	think I am? I look at my elbows every morning when I get up to see if any dimples are coming. Diana is having a new dress made with elbow sleeves. She is going to wear it to the picnic. Oh, I do hope it will be fine next Wednesday. I don't feel that I could endure the disappointment if anything happened to prevent me from getting to the picnic. I suppose I'd live through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER	Anne Of Green Gables	raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>\"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it.\"</\|quote\|>\"You set your heart too much on things, Anne,\" said Marilla, with a sigh. \"I'm afraid there'll be a great many disappointments in store for you through life.\" \"Oh, Marilla, looking forward to things is half the pleasure of them,\" exclaimed Anne. \"You mayn't get the things themselves; but nothing", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
said Anne resolutely.	No speaker	"You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I	broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you	be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to	would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could	aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could leave you alone in your trouble, Marilla, after all you've done for me. I've been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won't have any bother over that. And I'm going to teach. I've applied for the school here--but I don't expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won't be quite as nice or convenient as if I had	alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could leave you alone in your trouble, Marilla, after all you've done for me. I've been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won't have any bother over that. And I'm going to teach. I've applied for the school here--but I don't expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won't be quite as nice or convenient as if I had the Avonlea school. But I can board home and drive myself over to Carmody and back, in the warm weather at least. And even in winter I can come home Fridays. We'll keep a horse for that. Oh, I have it all planned out, Marilla. And I'll read to you and keep you cheered up. You sha'n't be dull or lonesome. And we'll be real cozy and happy here together, you and I." Marilla had listened like a woman in a dream. "Oh, Anne, I could get on real well if you were here, I know. But I can't let you sacrifice yourself so for me. It would be terrible." "Nonsense!" Anne laughed merrily. "There is no sacrifice. Nothing could be worse than giving up Green Gables--nothing could hurt me more. We must keep the dear old place. My mind is quite made up, Marilla. I'm _not_ going to Redmond; and I _am_ going to stay here and teach. Don't you worry about me a bit." "But your ambitions--and--" "I'm just as ambitious as ever. Only, I've changed the object of my ambitions. I'm going to be a good teacher--and I'm going to save your eyesight. Besides, I mean to	and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road \|MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know," said Marilla wearily, looking up. "I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could leave you alone in your trouble, Marilla, after all you've done for me. I've been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won't have any bother over that. And I'm going to teach. I've applied for the school here--but I don't expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won't be quite as nice or convenient as if I had the Avonlea school. But I can board home and drive myself over to Carmody and back, in the warm weather at least. And even in winter I can come home Fridays. We'll keep a horse for that. Oh, I have it all planned out, Marilla. And I'll read to you and keep you cheered up. You sha'n't be dull or lonesome. And we'll be real cozy and happy here together, you and I." Marilla had listened like a woman in a dream. "Oh, Anne, I could get on real well if you were here, I know. But I can't let you sacrifice yourself so for me. It would be terrible." "Nonsense!" Anne laughed merrily. "There is no sacrifice. Nothing could be worse than giving up Green Gables--nothing could hurt me more. We must keep the dear old place. My mind is quite made up, Marilla. I'm _not_ going to Redmond; and I _am_ going to stay here and teach. Don't you worry about me a bit." "But your ambitions--and--" "I'm just as ambitious as ever. Only, I've changed the object of my ambitions. I'm going to be a good teacher--and I'm going to save your eyesight. Besides, I mean to study at home here and take a little college course all by myself. Oh, I've dozens of plans, Marilla. I've been thinking them out for a week. I shall give life here my best, and I believe it will give its best to me in return. When I left Queen's my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don't know what lies around the bend, but I'm going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes--what there is of green glory and soft, checkered light and shadows--what new landscapes--what new beauties--what curves and hills and valleys further on." "I don't feel as if I ought to let you give it up," said Marilla, referring to the scholarship. "But you can't prevent me. I'm sixteen and a half," ?obstinate as a mule,' "as Mrs. Lynde once told me," laughed Anne. "Oh, Marilla, don't you go pitying me. I don't like to be pitied, and there is no need for it. I'm heart glad over the very thought of staying at dear Green Gables. Nobody could love it as you and I do--so we must keep it." "You blessed girl!" said Marilla, yielding. "I feel as if you'd given me new life. I guess I ought to stick out and make you go to college--but I know I can't, so I ain't going to try. I'll make it up to you though, Anne." When it became noised abroad in Avonlea that Anne Shirley had given up the idea of going to college and intended to stay home and teach there was a good deal of discussion over it. Most of the good folks, not knowing about Marilla's eyes, thought she was foolish. Mrs. Allan did not. She told Anne so in approving words that brought tears of pleasure to the girl's eyes. Neither did good Mrs. Lynde. She came up one evening and found Anne and Marilla sitting at the front door in the warm, scented summer dusk. They liked to sit there when the twilight came down and the white moths flew about in the garden and the odor of mint filled the dewy air. Mrs. Rachel deposited her substantial person upon	"What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could leave you alone in your trouble, Marilla, after all you've done for me. I've been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won't have any bother over that. And I'm going to teach. I've applied for the school here--but I don't expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won't be quite as nice or convenient as if I had the Avonlea school. But I can board home and drive myself over to Carmody and back, in the warm weather at least. And even in winter I can come home Fridays. We'll keep a horse for that. Oh, I have it all planned out, Marilla. And I'll read to you and keep you cheered up. You sha'n't be dull or lonesome. And we'll be real cozy and happy here together, you and I." Marilla had listened like a woman in a dream. "Oh, Anne, I could get on real well if you were here, I know. But I can't let you sacrifice yourself	Anne Of Green Gables	be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow.\" Marilla broke down and wept bitterly. \"You mustn't sell Green Gables,\"<\|quote\|>said Anne resolutely.</\|quote\|>\"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would.\" \"You won't have to stay here alone, Marilla. I'll be with you. I'm not going to", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."	Diana Barry	in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded	in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that	you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through	Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small	Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I've come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think	but I'm a pretty good judge of human nature, that's what." "I'm such an unlucky girl," mourned Anne. "I'm always getting into scrapes myself and getting my best friends--people I'd shed my heart's blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It's because you're too heedless and impulsive, child, that's what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment's reflection." "Oh, but that's the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven't you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that's what. The proverb you need to go by is ?Look before you leap'--especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde's she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I've come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we've apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana's heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I've been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady's eyes by this time and was replaced by a twinkle of amused interest. But she still said severely: "I don't think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when I was young. You don't know what it is to be awakened out of a sound sleep, after a long and arduous journey, by two great girls coming bounce down on you." "I don't _know_, but I can _imagine_," said Anne eagerly. "I'm sure it must have been very disturbing. But then, there is our side of it too.	soon. She's awfully prim and proper and she'll scold dreadfully about this, I know. Well, we'll have to sleep with Minnie May--and you can't think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn't disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde's on an errand for Marilla. "So you and Diana nearly frightened poor old Miss Barry to death last night?" said Mrs. Lynde severely, but with a twinkle in her eye. "Mrs. Barry was here a few minutes ago on her way to Carmody. She's feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning--and Josephine Barry's temper is no joke, I can tell you that. She wouldn't speak to Diana at all." "It wasn't Diana's fault," said Anne contritely. "It was mine. I suggested racing to see who would get into bed first." "I knew it!" said Mrs. Lynde, with the exultation of a correct guesser. "I knew that idea came out of your head. Well, it's made a nice lot of trouble, that's what. Old Miss Barry came out to stay for a month, but she declares she won't stay another day and is going right back to town tomorrow, Sunday and all as it is. She'd have gone today if they could have taken her. She had promised to pay for a quarter's music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they'd like to keep on the good side of her. Of course, Mrs. Barry didn't say just that to me, but I'm a pretty good judge of human nature, that's what." "I'm such an unlucky girl," mourned Anne. "I'm always getting into scrapes myself and getting my best friends--people I'd shed my heart's blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It's because you're too heedless and impulsive, child, that's what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment's reflection." "Oh, but that's the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven't you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that's what. The proverb you need to go by is ?Look before you leap'--especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde's she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I've come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we've apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana's heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I've been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady's eyes by this time and was replaced by a twinkle of amused interest. But she still said severely: "I don't think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when I was young. You don't know what it is to be awakened out of a sound sleep, after a long and arduous journey, by two great girls coming bounce down on you." "I don't _know_, but I can _imagine_," said Anne eagerly. "I'm sure it must have been very disturbing. But then, there is our side of it too. Have you any imagination, Miss Barry? If you have, just put yourself in our place. We didn't know there was anybody in that bed and you nearly scared us to death. It was simply awful the way we felt. And then we couldn't sleep in the spare room after being promised. I suppose you are used to sleeping in spare rooms. But just imagine what you would feel like if you were a little orphan girl who had never had such an honor." All the snap had gone by this time. Miss Barry actually laughed--a sound which caused Diana, waiting in speechless anxiety in the kitchen outside, to give a great gasp of relief. "I'm afraid my imagination is a little rusty--it's so long since I used it," she said. "I dare say your claim to sympathy is just as strong as mine. It all depends on the way we look at it. Sit down here and tell me about yourself." "I am very sorry I can't," said Anne firmly. "I would like to, because you seem like an interesting lady, and you might even be a kindred spirit although you don't look very much like it. But it is my duty to go home to Miss Marilla Cuthbert. Miss Marilla Cuthbert is a very kind lady who has taken me to bring up properly. She is doing her best, but it is very discouraging work. You must not blame her because I jumped on the bed. But before I go I do wish you would tell me if you will forgive Diana and stay just as long as you meant to in Avonlea." "I think perhaps I will if you will come over and talk to me occasionally," said Miss Barry. That evening Miss Barry gave Diana a silver bangle bracelet and told the senior members of the household that she had unpacked her valise. "I've made up my mind to stay simply for the sake of getting better acquainted with that Anne-girl," she said frankly. "She amuses me, and at my time of life an amusing person is a rarity." Marilla's only comment when she heard the story was, "I told you so." This was for Matthew's benefit. Miss Barry stayed her month out and over. She was a more agreeable guest than usual, for Anne kept her in good humor. They became firm friends. When Miss Barry	to stay for a month, but she declares she won't stay another day and is going right back to town tomorrow, Sunday and all as it is. She'd have gone today if they could have taken her. She had promised to pay for a quarter's music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they'd like to keep on the good side of her. Of course, Mrs. Barry didn't say just that to me, but I'm a pretty good judge of human nature, that's what." "I'm such an unlucky girl," mourned Anne. "I'm always getting into scrapes myself and getting my best friends--people I'd shed my heart's blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It's because you're too heedless and impulsive, child, that's what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment's reflection." "Oh, but that's the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven't you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that's what. The proverb you need to go by is ?Look before you leap'--especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde's she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I've come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we've apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana's heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I've been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady's eyes by this time and was replaced by a twinkle of amused interest. But she still said severely: "I don't think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when	Anne Of Green Gables	you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "you alive!\" \"Don't frighten me any more than I am frightened,\" implored Anne. \"I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately.\" \"Well, she's in the room,\" said Diana.<\|quote\|>\"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good.\"</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp \"Come in\" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through", "role": "user" }, { "content": "Diana Barry", "role": "assistant" } ] }	Diana Barry
she said frankly.	No speaker	spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come	Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables.	and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne	white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing	it, stood Anne and Diana, gazing bashfully at each other over a clump of gorgeous tiger lilies. The Barry garden was a bowery wilderness of flowers which would have delighted Anne's heart at any time less fraught with destiny. It was encircled by huge old willows and tall firs, beneath which flourished flowers that loved the shade. Prim, right-angled paths neatly bordered with clamshells, intersected it like moist red ribbons and in the beds between old-fashioned flowers ran riot. There were rosy bleeding-hearts and great splendid crimson peonies; white, fragrant narcissi and thorny, sweet Scotch roses; pink and blue and white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But	important point. Mrs. Barry, not hearing or not comprehending, merely shook hands and said kindly: "How are you?" "I am well in body although considerable rumpled up in spirit, thank you ma'am," said Anne gravely. Then aside to Marilla in an audible whisper, "There wasn't anything startling in that, was there, Marilla?" Diana was sitting on the sofa, reading a book which she dropped when the callers entered. She was a very pretty little girl, with her mother's black eyes and hair, and rosy cheeks, and the merry expression which was her inheritance from her father. "This is my little girl Diana," said Mrs. Barry. "Diana, you might take Anne out into the garden and show her your flowers. It will be better for you than straining your eyes over that book. She reads entirely too much--" this to Marilla as the little girls went out--" "and I can't prevent her, for her father aids and abets her. She's always poring over a book. I'm glad she has the prospect of a playmate--perhaps it will take her more out-of-doors." Outside in the garden, which was full of mellow sunset light streaming through the dark old firs to the west of it, stood Anne and Diana, gazing bashfully at each other over a clump of gorgeous tiger lilies. The Barry garden was a bowery wilderness of flowers which would have delighted Anne's heart at any time less fraught with destiny. It was encircled by huge old willows and tall firs, beneath which flourished flowers that loved the shade. Prim, right-angled paths neatly bordered with clamshells, intersected it like moist red ribbons and in the beds between old-fashioned flowers ran riot. There were rosy bleeding-hearts and great splendid crimson peonies; white, fragrant narcissi and thorny, sweet Scotch roses; pink and blue and white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish	better than being a trial to you." "Nonsense," said Marilla, vexed at herself for having made the child cry. "I don't want to send you back to the asylum, I'm sure. All I want is that you should behave like other little girls and not make yourself ridiculous. Don't cry any more. I've got some news for you. Diana Barry came home this afternoon. I'm going up to see if I can borrow a skirt pattern from Mrs. Barry, and if you like you can come with me and get acquainted with Diana." Anne rose to her feet, with clasped hands, the tears still glistening on her cheeks; the dish towel she had been hemming slipped unheeded to the floor. "Oh, Marilla, I'm frightened--now that it has come I'm actually frightened. What if she shouldn't like me! It would be the most tragical disappointment of my life." "Now, don't get into a fluster. And I do wish you wouldn't use such long words. It sounds so funny in a little girl. I guess Diana ?ll like you well enough. It's her mother you've got to reckon with. If she doesn't like you it won't matter how much Diana does. If she has heard about your outburst to Mrs. Lynde and going to church with buttercups round your hat I don't know what she'll think of you. You must be polite and well behaved, and don't make any of your startling speeches. For pity's sake, if the child isn't actually trembling!" Anne _was_ trembling. Her face was pale and tense. "Oh, Marilla, you'd be excited, too, if you were going to meet a little girl you hoped to be your bosom friend and whose mother mightn't like you," she said as she hastened to get her hat. They went over to Orchard Slope by the short cut across the brook and up the firry hill grove. Mrs. Barry came to the kitchen door in answer to Marilla's knock. She was a tall black-eyed, black-haired woman, with a very resolute mouth. She had the reputation of being very strict with her children. "How do you do, Marilla?" she said cordially. "Come in. And this is the little girl you have adopted, I suppose?" "Yes, this is Anne Shirley," said Marilla. "Spelled with an E," gasped Anne, who, tremulous and excited as she was, was determined there should be no misunderstanding on that important point. Mrs. Barry, not hearing or not comprehending, merely shook hands and said kindly: "How are you?" "I am well in body although considerable rumpled up in spirit, thank you ma'am," said Anne gravely. Then aside to Marilla in an audible whisper, "There wasn't anything startling in that, was there, Marilla?" Diana was sitting on the sofa, reading a book which she dropped when the callers entered. She was a very pretty little girl, with her mother's black eyes and hair, and rosy cheeks, and the merry expression which was her inheritance from her father. "This is my little girl Diana," said Mrs. Barry. "Diana, you might take Anne out into the garden and show her your flowers. It will be better for you than straining your eyes over that book. She reads entirely too much--" this to Marilla as the little girls went out--" "and I can't prevent her, for her father aids and abets her. She's always poring over a book. I'm glad she has the prospect of a playmate--perhaps it will take her more out-of-doors." Outside in the garden, which was full of mellow sunset light streaming through the dark old firs to the west of it, stood Anne and Diana, gazing bashfully at each other over a clump of gorgeous tiger lilies. The Barry garden was a bowery wilderness of flowers which would have delighted Anne's heart at any time less fraught with destiny. It was encircled by huge old willows and tall firs, beneath which flourished flowers that loved the shade. Prim, right-angled paths neatly bordered with clamshells, intersected it like moist red ribbons and in the beds between old-fashioned flowers ran riot. There were rosy bleeding-hearts and great splendid crimson peonies; white, fragrant narcissi and thorny, sweet Scotch roses; pink and blue and white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't," said Anne eagerly. "I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here	in. And this is the little girl you have adopted, I suppose?" "Yes, this is Anne Shirley," said Marilla. "Spelled with an E," gasped Anne, who, tremulous and excited as she was, was determined there should be no misunderstanding on that important point. Mrs. Barry, not hearing or not comprehending, merely shook hands and said kindly: "How are you?" "I am well in body although considerable rumpled up in spirit, thank you ma'am," said Anne gravely. Then aside to Marilla in an audible whisper, "There wasn't anything startling in that, was there, Marilla?" Diana was sitting on the sofa, reading a book which she dropped when the callers entered. She was a very pretty little girl, with her mother's black eyes and hair, and rosy cheeks, and the merry expression which was her inheritance from her father. "This is my little girl Diana," said Mrs. Barry. "Diana, you might take Anne out into the garden and show her your flowers. It will be better for you than straining your eyes over that book. She reads entirely too much--" this to Marilla as the little girls went out--" "and I can't prevent her, for her father aids and abets her. She's always poring over a book. I'm glad she has the prospect of a playmate--perhaps it will take her more out-of-doors." Outside in the garden, which was full of mellow sunset light streaming through the dark old firs to the west of it, stood Anne and Diana, gazing bashfully at each other over a clump of gorgeous tiger lilies. The Barry garden was a bowery wilderness of flowers which would have delighted Anne's heart at any time less fraught with destiny. It was encircled by huge old willows and tall firs, beneath which flourished flowers that loved the shade. Prim, right-angled paths neatly bordered with clamshells, intersected it like moist red ribbons and in the beds between old-fashioned flowers ran riot. There were rosy bleeding-hearts and great splendid crimson peonies; white, fragrant narcissi and thorny, sweet Scotch roses; pink and blue and white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place	Anne Of Green Gables	and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "and winds, beguiled into loitering, purred and rustled. \"Oh, Diana,\" said Anne at last, clasping her hands and speaking almost in a whisper, \"oh, do you think you can like me a little--enough to be my bosom friend?\" Diana laughed. Diana always laughed before she spoke. \"Why, I guess so,\"<\|quote\|>she said frankly.</\|quote\|>\"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough.\" \"Will you swear to be my friend forever and ever?\" demanded Anne", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Would you like anything to eat?"	Jock Grant-Menzies	"There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat."	twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and	me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did	did not speak on her way to her flat. She sat beside Jock as he drove, looking straight ahead. When they arrived she unlocked her door and led him in. The room was extremely empty of furniture. She sat down in the only chair. "There's plenty of time really. Tell me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did I?" "You know what you said." "Yes, I know... I didn't mean... I don't think it's any good trying to explain." Jock said, "Are you sure you've got everything?" "Yes, that's everything," she nodded towards the little case on the bed. She looked quite hopeless. "Well, we'd better go to	Polly's." "Shall I talk to her?" "Better not." "All right... I'll meet that train. Are you coming too?" "No." "Well, you've been wonderful. I don't know what I should have done without you and Mrs Rattery." "Oh, that's all right. I'll see Brenda off." She had stopped crying and sat crouched in the chair. She did not look up while Jock telephoned. Then she said, "Yes, I'll go by that train." "We ought to start. I suppose you will have to get some things from the flat." "My bag... upstairs. You get it. I can't go in there again." She did not speak on her way to her flat. She sat beside Jock as he drove, looking straight ahead. When they arrived she unlocked her door and led him in. The room was extremely empty of furniture. She sat down in the only chair. "There's plenty of time really. Tell me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did I?" "You know what you said." "Yes, I know... I didn't mean... I don't think it's any good trying to explain." Jock said, "Are you sure you've got everything?" "Yes, that's everything," she nodded towards the little case on the bed. She looked quite hopeless. "Well, we'd better go to the station." "All right. It's early. But it doesn't matter." Jock took her to the train. As it was Wednesday the carriages were full of women returning after their day's shopping. "Why not go first-class?" "No, no. I always go third." She sat in the middle of a row. The women on either side looked at her curiously, wondering if she were ill. "Don't you want anything to read?" "Nothing to read." "Or eat?" "Or eat." "Then I'll say good-bye." "Good-bye." Another woman pushed past Jock into the carriage, laden with light parcels. * * * * * When the	is. There's been a very serious accident." "John?" "Yes." "Dead?" He nodded. She sat down on a hard little Empire chair against the wall, perfectly still with her hands folded in her lap, like a small well-brought-up child introduced into a room full of grown-ups. She said, "Tell me what happened. Why do you know about it first?" "I've been down at Hetton since the week-end." "Hetton?" "Don't you remember? John was going hunting to-day." She frowned, not at once taking in what he was saying. "John... John Andrew... I... oh, thank God..." Then she burst into tears. She wept helplessly, turning round in the chair and pressing her forehead against its gilt back. Upstairs Mrs Northcote had Souki Foucauld-Esterhazy by the foot and was saying, "There are four men dominating your fate. One is loyal and tender but has not yet disclosed his love..." [VII] In the silence of Hetton, the telephone rang near the housekeeper's room and was switched through to the library. Tony answered it. "This is Jock speaking. I've just seen Brenda. She's coming down by the seven o'clock train." "Is she terribly upset?" "Yes, naturally." "Where is she now?" "She's with me. I'm speaking from Polly's." "Shall I talk to her?" "Better not." "All right... I'll meet that train. Are you coming too?" "No." "Well, you've been wonderful. I don't know what I should have done without you and Mrs Rattery." "Oh, that's all right. I'll see Brenda off." She had stopped crying and sat crouched in the chair. She did not look up while Jock telephoned. Then she said, "Yes, I'll go by that train." "We ought to start. I suppose you will have to get some things from the flat." "My bag... upstairs. You get it. I can't go in there again." She did not speak on her way to her flat. She sat beside Jock as he drove, looking straight ahead. When they arrived she unlocked her door and led him in. The room was extremely empty of furniture. She sat down in the only chair. "There's plenty of time really. Tell me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did I?" "You know what you said." "Yes, I know... I didn't mean... I don't think it's any good trying to explain." Jock said, "Are you sure you've got everything?" "Yes, that's everything," she nodded towards the little case on the bed. She looked quite hopeless. "Well, we'd better go to the station." "All right. It's early. But it doesn't matter." Jock took her to the train. As it was Wednesday the carriages were full of women returning after their day's shopping. "Why not go first-class?" "No, no. I always go third." She sat in the middle of a row. The women on either side looked at her curiously, wondering if she were ill. "Don't you want anything to read?" "Nothing to read." "Or eat?" "Or eat." "Then I'll say good-bye." "Good-bye." Another woman pushed past Jock into the carriage, laden with light parcels. * * * * * When the news became known, Marjorie said to Allan, "Well, anyway, this will mean the end of Mr Beaver." But Polly Cockpurse said to Veronica, "That's the end of Tony so far as Brenda is concerned." The impoverished Lasts were stunned by the telegram. They lived on an extensive but unprofitable chicken farm near Princes Risborough. It did not enter the heads of any of them that now, if anything happened, they were the heirs to Hetton. Had it done so, their grief would have been just as keen. Jock drove from Paddington to Bratt's. One of the men by the bar said, "Ghastly thing about Tony Last's boy." "Yes, I was there." "No, were you? What a ghastly thing." Later a telephone message came: "Princess Abdul Akbar wishes to know whether you are in the club." "No, no, tell her I'm not here," said Jock. [VIII] The inquest was held at eleven o'clock next morning; it was soon over. The doctor, the bus-driver, Ben and Miss Ripon gave evidence. Miss Ripon was allowed to remain seated. She was very white and spoke in a trembling voice; her father glared at her from a nearby seat; under her hat was a small	the sole with the point of a silver pencil case. Brenda wriggled her toes luxuriously and settled down to listen. Next door they said, "Where's Mr Beaver to-day?" "He's flown over to France with his mother to see some new wallpapers. She's been worrying all day thinking he's had an accident." "It's all very touching, isn't it? Though I can't see his point myself..." "You must never do anything on Thursdays," said Mrs Northcote. "Nothing?" "Nothing important. You are intellectual, imaginative, sympathetic, easily led by others, impulsive, affectionate. You are highly artistic and are not giving full scope to your capabilities." "Isn't there anything about love?" "I am coming to love. All these lines from the great toe to the instep represent lovers." "Yes, go on some more about that..." Princess Abdul Akbar was announced. "Where's Brenda?" she said. "I thought she'd be here." "Mrs Northcote's doing her now." "Jock Menzies wants to see her. He's downstairs." "Darling Jock... Why on earth didn't you bring him up?" "No, it's something terribly important. He's got to see Brenda alone." "My dear, how mysterious. Well, she won't be long now. We can't disturb them. It would upset Mrs Northcote." Jenny told them the news. On the other side of the door, Brenda's leg was beginning to feel slightly chilly. "Four men dominate your fate," Mrs Northcote was saying, "one is loyal and tender but he has not yet disclosed his love, one is passionate and overpowering, you are a little afraid of him." "Dear me," said Brenda. "How very exciting. Who _can_ they be?" "One you must avoid; he bodes no good for you, he is steely hearted and rapacious." "I bet that's my Mr Beaver, bless him." Downstairs Jock was waiting in the small front room where Polly's guests usually assembled before luncheon. It was five past six. Soon Brenda pulled on her stocking, stepped into her shoe and joined the ladies. "_Most_ enjoyable," she pronounced. "Why, how odd you all look." "Jock Grant-Menzies wants to see you downstairs." "Jock? How very extraordinary. It isn't anything awful, is it?" "You'd better go and see him." Suddenly Brenda became frightened by the strange air of the room and the unfamiliar expression in her friends' faces. She ran downstairs to the room where Jock was waiting. "What is it, Jock? Tell me quickly, I'm scared. It's nothing awful, is it?" "I'm afraid it is. There's been a very serious accident." "John?" "Yes." "Dead?" He nodded. She sat down on a hard little Empire chair against the wall, perfectly still with her hands folded in her lap, like a small well-brought-up child introduced into a room full of grown-ups. She said, "Tell me what happened. Why do you know about it first?" "I've been down at Hetton since the week-end." "Hetton?" "Don't you remember? John was going hunting to-day." She frowned, not at once taking in what he was saying. "John... John Andrew... I... oh, thank God..." Then she burst into tears. She wept helplessly, turning round in the chair and pressing her forehead against its gilt back. Upstairs Mrs Northcote had Souki Foucauld-Esterhazy by the foot and was saying, "There are four men dominating your fate. One is loyal and tender but has not yet disclosed his love..." [VII] In the silence of Hetton, the telephone rang near the housekeeper's room and was switched through to the library. Tony answered it. "This is Jock speaking. I've just seen Brenda. She's coming down by the seven o'clock train." "Is she terribly upset?" "Yes, naturally." "Where is she now?" "She's with me. I'm speaking from Polly's." "Shall I talk to her?" "Better not." "All right... I'll meet that train. Are you coming too?" "No." "Well, you've been wonderful. I don't know what I should have done without you and Mrs Rattery." "Oh, that's all right. I'll see Brenda off." She had stopped crying and sat crouched in the chair. She did not look up while Jock telephoned. Then she said, "Yes, I'll go by that train." "We ought to start. I suppose you will have to get some things from the flat." "My bag... upstairs. You get it. I can't go in there again." She did not speak on her way to her flat. She sat beside Jock as he drove, looking straight ahead. When they arrived she unlocked her door and led him in. The room was extremely empty of furniture. She sat down in the only chair. "There's plenty of time really. Tell me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did I?" "You know what you said." "Yes, I know... I didn't mean... I don't think it's any good trying to explain." Jock said, "Are you sure you've got everything?" "Yes, that's everything," she nodded towards the little case on the bed. She looked quite hopeless. "Well, we'd better go to the station." "All right. It's early. But it doesn't matter." Jock took her to the train. As it was Wednesday the carriages were full of women returning after their day's shopping. "Why not go first-class?" "No, no. I always go third." She sat in the middle of a row. The women on either side looked at her curiously, wondering if she were ill. "Don't you want anything to read?" "Nothing to read." "Or eat?" "Or eat." "Then I'll say good-bye." "Good-bye." Another woman pushed past Jock into the carriage, laden with light parcels. * * * * * When the news became known, Marjorie said to Allan, "Well, anyway, this will mean the end of Mr Beaver." But Polly Cockpurse said to Veronica, "That's the end of Tony so far as Brenda is concerned." The impoverished Lasts were stunned by the telegram. They lived on an extensive but unprofitable chicken farm near Princes Risborough. It did not enter the heads of any of them that now, if anything happened, they were the heirs to Hetton. Had it done so, their grief would have been just as keen. Jock drove from Paddington to Bratt's. One of the men by the bar said, "Ghastly thing about Tony Last's boy." "Yes, I was there." "No, were you? What a ghastly thing." Later a telephone message came: "Princess Abdul Akbar wishes to know whether you are in the club." "No, no, tell her I'm not here," said Jock. [VIII] The inquest was held at eleven o'clock next morning; it was soon over. The doctor, the bus-driver, Ben and Miss Ripon gave evidence. Miss Ripon was allowed to remain seated. She was very white and spoke in a trembling voice; her father glared at her from a nearby seat; under her hat was a small bare patch, where they had shaved off her hair to clean her cut. In his summary the coroner remarked that it was clear from the evidence that nobody was in any way to blame for the misadventure; it only remained to express the deep sympathy of the court to Mr Last and Lady Brenda in their terrible loss. The people fell back to allow Tony and Brenda to leave the room. Colonel Inch and the hunt secretary were both present. Everything was done with delicacy and to show respect for their sorrow. Brenda said, "Wait a minute. I must just speak to that poor Ripon girl." She did it charmingly. When everyone had gone. Tony said, "I wish you had been here yesterday. There were so many people about and I didn't know what to say to them." "What did you do all day?" "There was the Shameless Blonde... we played animal snap some of the time." "Animal snap? Was that any good?" "Not much... It's odd to think that yesterday this time it hadn't happened." "Poor little boy," said Brenda. They had scarcely spoken to each other since Brenda's arrival. Tony had driven to the station to meet her; by the time they reached the house Mrs Rattery had gone to bed; that morning she left in her aeroplane without seeing either of them. They heard the machine pass over the house, Brenda in her bath, Tony downstairs in his study attending to the correspondence that had become necessary. A day of fitful sunshine and blustering wind; white and grey clouds were scarcely moving, high overhead, but the bare trees round the house swayed and shook and there were swift whirlpools of straw in the stable yard. Ben changed from the Sunday suit he had worn at the inquest and went about his duties. Thunderclap, too, had been kicked yesterday and was very slightly lame in the off fore. Brenda took off her hat and threw it down on a chair in the hall. "Nothing to say, is there?" "There's no need to talk." "No. I suppose there'll have to be a funeral." "Well, of course." "Yes: to-morrow?" She looked into the morning-room. "They've done quite a lot, haven't they?" All Brenda's movements were slower than usual and her voice was flat and expressionless. She sank down into one of the armchairs in the centre of the hall, which	isn't anything awful, is it?" "You'd better go and see him." Suddenly Brenda became frightened by the strange air of the room and the unfamiliar expression in her friends' faces. She ran downstairs to the room where Jock was waiting. "What is it, Jock? Tell me quickly, I'm scared. It's nothing awful, is it?" "I'm afraid it is. There's been a very serious accident." "John?" "Yes." "Dead?" He nodded. She sat down on a hard little Empire chair against the wall, perfectly still with her hands folded in her lap, like a small well-brought-up child introduced into a room full of grown-ups. She said, "Tell me what happened. Why do you know about it first?" "I've been down at Hetton since the week-end." "Hetton?" "Don't you remember? John was going hunting to-day." She frowned, not at once taking in what he was saying. "John... John Andrew... I... oh, thank God..." Then she burst into tears. She wept helplessly, turning round in the chair and pressing her forehead against its gilt back. Upstairs Mrs Northcote had Souki Foucauld-Esterhazy by the foot and was saying, "There are four men dominating your fate. One is loyal and tender but has not yet disclosed his love..." [VII] In the silence of Hetton, the telephone rang near the housekeeper's room and was switched through to the library. Tony answered it. "This is Jock speaking. I've just seen Brenda. She's coming down by the seven o'clock train." "Is she terribly upset?" "Yes, naturally." "Where is she now?" "She's with me. I'm speaking from Polly's." "Shall I talk to her?" "Better not." "All right... I'll meet that train. Are you coming too?" "No." "Well, you've been wonderful. I don't know what I should have done without you and Mrs Rattery." "Oh, that's all right. I'll see Brenda off." She had stopped crying and sat crouched in the chair. She did not look up while Jock telephoned. Then she said, "Yes, I'll go by that train." "We ought to start. I suppose you will have to get some things from the flat." "My bag... upstairs. You get it. I can't go in there again." She did not speak on her way to her flat. She sat beside Jock as he drove, looking straight ahead. When they arrived she unlocked her door and led him in. The room was extremely empty of furniture. She sat down in the only chair. "There's plenty of time really. Tell me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did I?" "You know what you said." "Yes, I know... I didn't mean... I don't think it's any good trying to explain." Jock said, "Are you sure you've got everything?" "Yes, that's everything," she nodded towards the little case on the bed. She looked quite hopeless. "Well, we'd better go to the station." "All right. It's early. But it doesn't matter." Jock took her to the train. As it was Wednesday the carriages were full of women returning after their day's shopping. "Why not go first-class?" "No, no. I always go third." She sat in the middle of a row. The women on either side looked at her curiously, wondering if she were ill. "Don't you want anything to read?" "Nothing to read." "Or eat?" "Or eat." "Then I'll say good-bye." "Good-bye." Another woman pushed past Jock into the carriage, laden with light parcels. * * * * * When the news became known, Marjorie said to Allan, "Well, anyway, this will mean the end of Mr Beaver." But Polly Cockpurse said to Veronica, "That's the end of Tony so far as Brenda is concerned." The impoverished Lasts were stunned by the telegram. They lived on an extensive but unprofitable chicken farm near Princes Risborough. It did not enter the heads of any of them that now, if anything happened, they were the heirs to Hetton. Had it done so, their grief would have been just as keen. Jock drove from Paddington to Bratt's. One of the men by the bar said, "Ghastly thing about Tony Last's boy." "Yes, I was there." "No, were you? What a ghastly thing." Later a telephone message came: "Princess Abdul Akbar wishes to know whether you are in the club." "No, no, tell her I'm not here," said Jock. [VIII] The inquest was held at eleven o'clock next morning; it was soon over. The doctor, the bus-driver, Ben and Miss Ripon gave evidence. Miss Ripon was allowed to remain seated. She was very white and spoke in a trembling voice; her father glared at her from a nearby seat; under her hat was a small bare patch, where they had shaved off her hair to clean her cut. In his summary the coroner remarked that it was clear from the evidence that nobody was in any way to blame for the misadventure; it only remained to express the deep sympathy of the court to Mr Last and Lady Brenda in their terrible loss. The people fell back to allow Tony and Brenda to leave the room. Colonel Inch and the hunt secretary were both present. Everything was done with delicacy and to show respect for their sorrow. Brenda said, "Wait a minute. I must just speak to that poor Ripon girl." She did it charmingly. When everyone had gone. Tony said, "I wish	A Handful Of Dust	me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "me exactly what happened.\" Jock told her. \"Poor little boy,\" she said. \"Poor little boy.\" Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. \"That's everything,\" she said. \"There's still too much time.\"<\|quote\|>\"Would you like anything to eat?\"</\|quote\|>\"Oh no, nothing to eat.\" She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. \"When you first told me,\" she said. \"I didn't understand. I didn't know what I was saying.\" \"I know.\" \"I didn't say anything, did", "role": "user" }, { "content": "Jock Grant-Menzies", "role": "assistant" } ] }	Jock Grant-Menzies
said the Gryphon.	No speaker	curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the	curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I	listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the	from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what	going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what	said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of	you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes, I think you'd better leave off," said the Gryphon: and Alice was only too glad to do so. "Shall we try another figure of the Lobster Quadrille?" the Gryphon went on. "Or would you like the Mock Turtle to sing you a song?" "Oh, a song, please, if the Mock Turtle would be so kind," Alice replied, so eagerly that the Gryphon said, in a rather offended tone, "Hm! No accounting for tastes! Sing her '_Turtle Soup_,' will you, old fellow?" The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:-- "Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" "Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup? Pennyworth only of beautiful Soup? Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beauti--FUL SOUP!" "Chorus again!" cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of "The trial's beginning!" was heard in the distance. "Come on!" cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song. "What trial is it?" Alice panted as she ran; but the Gryphon only answered "Come on!" and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:-- "Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" CHAPTER XI. Who Stole the Tarts? The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the	wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the	Alices Adventures In Wonderland	listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "listeners were perfectly quiet till she got to the part about her repeating \"_You are old, Father William_,\" to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said \"That's very curious.\" \"It's all about as curious as it can be,\"<\|quote\|>said the Gryphon.</\|quote\|>\"It all came different!\" the Mock Turtle repeated thoughtfully. \"I should like to hear her try and repeat something now. Tell her to begin.\" He looked at the Gryphon as if he thought it had some kind of authority over Alice. \"Stand up and repeat ''_Tis the voice of the", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
sobbed Diana,	No speaker	caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another	matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to	stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me	she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana.	of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh,	home and behave yourself." Anne's lips quivered. "Won't you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do _not_ think she is a well-bred woman. There is nothing more to do except to pray and I haven't much hope that that'll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn't say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne's tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a	all a mistake and you weren't to blame, but she just simply didn't believe me. And she rubbed it well in about my currant wine and how I'd always said it couldn't have the least effect on anybody. I just told her plainly that currant wine wasn't meant to be drunk three tumblerfuls at a time and that if a child I had to do with was so greedy I'd sober her up with a right good spanking." Marilla whisked into the kitchen, grievously disturbed, leaving a very much distracted little soul in the porch behind her. Presently Anne stepped out bareheaded into the chill autumn dusk; very determinedly and steadily she took her way down through the sere clover field over the log bridge and up through the spruce grove, lighted by a pale little moon hanging low over the western woods. Mrs. Barry, coming to the door in answer to a timid knock, found a white-lipped eager-eyed suppliant on the doorstep. Her face hardened. Mrs. Barry was a woman of strong prejudices and dislikes, and her anger was of the cold, sullen sort which is always hardest to overcome. To do her justice, she really believed Anne had made Diana drunk out of sheer malice prepense, and she was honestly anxious to preserve her little daughter from the contamination of further intimacy with such a child. "What do you want?" she said stiffly. Anne clasped her hands. "Oh, Mrs. Barry, please forgive me. I did not mean to--to--intoxicate Diana. How could I? Just imagine if you were a poor little orphan girl that kind people had adopted and you had just one bosom friend in all the world. Do you think you would intoxicate her on purpose? I thought it was only raspberry cordial. I was firmly convinced it was raspberry cordial. Oh, please don't say that you won't let Diana play with me any more. If you do you will cover my life with a dark cloud of woe." This speech which would have softened good Mrs. Lynde's heart in a twinkling, had no effect on Mrs. Barry except to irritate her still more. She was suspicious of Anne's big words and dramatic gestures and imagined that the child was making fun of her. So she said, coldly and cruelly: "I don't think you are a fit little girl for Diana to associate with. You'd better go home and behave yourself." Anne's lips quivered. "Won't you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do _not_ think she is a well-bred woman. There is nothing more to do except to pray and I haven't much hope that that'll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn't say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne's tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation. "If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you." "I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I'm going round by the road. I couldn't bear to go by the Birch Path all alone. I should weep bitter tears if I did." Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue--a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied	hands. "Oh, Mrs. Barry, please forgive me. I did not mean to--to--intoxicate Diana. How could I? Just imagine if you were a poor little orphan girl that kind people had adopted and you had just one bosom friend in all the world. Do you think you would intoxicate her on purpose? I thought it was only raspberry cordial. I was firmly convinced it was raspberry cordial. Oh, please don't say that you won't let Diana play with me any more. If you do you will cover my life with a dark cloud of woe." This speech which would have softened good Mrs. Lynde's heart in a twinkling, had no effect on Mrs. Barry except to irritate her still more. She was suspicious of Anne's big words and dramatic gestures and imagined that the child was making fun of her. So she said, coldly and cruelly: "I don't think you are a fit little girl for Diana to associate with. You'd better go home and behave yourself." Anne's lips quivered. "Won't you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do _not_ think she is a well-bred woman. There is nothing more to do except to pray and I haven't much hope that that'll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn't say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne's tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation. "If you're	Anne Of Green Gables	stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "stay ten minutes and she's timing me by the clock.\" \"Ten minutes isn't very long to say an eternal farewell in,\" said Anne tearfully. \"Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?\" \"Indeed I will,\"<\|quote\|>sobbed Diana,</\|quote\|>\"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you.\" \"Oh, Diana,\" cried Anne, clasping her hands, \"do you _love_ me?\" \"Why, of course I do. Didn't you know that?\" \"No.\" Anne drew a long breath. \"I thought you _liked_ me", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.	No speaker	bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well."	She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you	dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said	nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing	you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace,	Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; Tony had it in mind to revive the practice next winter. On Christmas Day and Harvest Thanksgiving Tony read the lessons from the back of the brass eagle. When service was over he stood for a few minutes at the porch chatting affably with the vicar's sister and the people from the village. Then he returned home by a path across the fields which led to a side door in the walled garden; he visited the hothouses and picked himself a buttonhole, stopped by the gardeners' cottages for a few words (the smell of Sunday dinners rising warm and overpowering from the little doorways) and then, rather solemnly, drank a glass of sherry in the library. That was the simple, mildly ceremonious order of his Sunday morning, which had evolved, more or less spontaneously, from the more severe practices of his parents; he adhered to it with great satisfaction. Brenda teased him whenever she caught him posing as an upright, God-fearing gentleman of the old school	up by the evening train. Does he have to work on Monday morning?" "I shouldn't know." * * * * * Three-eighteen was far from being the most convenient time for arrival. One reached the house at about a quarter to four and if, like Beaver, one was a stranger, there was an awkward time until tea; but without Tony there to make her self-conscious, Brenda could carry these things off quite gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark soon and we might get some of the sun while we can..." and so on. If Tony had been there it would have been difficult, for she would have caught his eye and her manner as ch?telaine would have collapsed. Beaver was well used to making conversation, so they went out together through the french windows on to the terrace, down the steps, into the Dutch garden, and back round the orangery without suffering a moment's real embarrassment. She even heard herself telling Beaver that his mother was one of her oldest friends. Tony returned in time for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; Tony had it in mind to revive the practice next winter. On Christmas Day and Harvest Thanksgiving Tony read the lessons from the back of the brass eagle. When service was over he stood for a few minutes at the porch chatting affably with the vicar's sister and the people from the village. Then he returned home by a path across the fields which led to a side door in the walled garden; he visited the hothouses and picked himself a buttonhole, stopped by the gardeners' cottages for a few words (the smell of Sunday dinners rising warm and overpowering from the little doorways) and then, rather solemnly, drank a glass of sherry in the library. That was the simple, mildly ceremonious order of his Sunday morning, which had evolved, more or less spontaneously, from the more severe practices of his parents; he adhered to it with great satisfaction. Brenda teased him whenever she caught him posing as an upright, God-fearing gentleman of the old school and Tony saw the joke, but this did not at all diminish the pleasure he derived from his weekly routine, or his annoyance when the presence of guests suspended it. For this reason his heart sank when, emerging from his study into the great hall at a quarter to eleven, he met Beaver already dressed and prepared to be entertained; it was only a momentary vexation, however, for while he wished him good morning he noticed that his guest had an _A.B.C._ in his hands and was clearly looking out a train. "I hope you slept all right?" "Beautifully," said Beaver, though his wan expression did not confirm the word. "I'm so glad. I always sleep well here myself. I say, I don't like the look of that train guide. I hope you weren't thinking of leaving us yet?" "Alas, I've got to get up to-night, I'm afraid." "Too bad. I've hardly seen you. The trains aren't very good on Sundays. The best leaves at five-forty-five and gets up about nine. It stops a lot and there's no restaurant car." "That'll do fine." "Sure you can't stay until to-morrow?" "Quite sure." The church bells were ringing across the park. "Well, I'm just off to church. I don't suppose you'd care to come." Beaver always did what was expected of him when he was staying away, even on a visit as unsatisfactory as the present one. "Oh yes, I should like to very much." "No, really, I shouldn't if I were you. You wouldn't enjoy it. I only go because I more or less have to. You stay here. Brenda will be down directly. Ring for a drink when you feel like it." "Oh, all right." "See you later then." Tony took his hat and stick from the lobby and let himself out. "Now I've behaved inhospitably to that young man again," he reflected. The bells were clear and clamorous in the drive and Tony walked briskly towards them. Presently they ceased and gave place to a single note, warning the village that there was only five minutes to go before the organist started the first hymn. He caught up nanny and John, also on their way to church. John was in one of his rare, confidential moods; he put his small gloved hand into Tony's and, without introduction, embarked upon a story which lasted them all the way to the	for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate	A Handful Of Dust	dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. \"I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him.\" She said, \"Oh, it wasn't bad really. He's rather pathetic.\"<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>\"I hope you sleep well.\" \"I'm sure I shall.\" \"D'you like to be called in the morning?\" \"May I ring?\" \"Certainly. Got everything you want?\" \"Yes, thanks. Good night.\" \"Good night.\" But when he got back he said, \"You know, I feel awful about Beaver.\" \"Oh, Beaver's all right,\" said", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Good night... don't mind, do you?... so tired."	Brenda	"I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed	of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay	for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up	darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John	had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the	he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that	little bastard, that's a lousy way to speak of your dad." "And you ought not to say bastard or lousy in front of me, nanny says not." So Tony went over alone to Little Bayton, where he had some business to discuss with Colonel Brink. He hoped they would ask him to stay on, but the Colonel and his wife were themselves going out to tea, so he drove back in the dusk to Hetton. A thin mist lay breast-high over the park; the turrets and battlements of the abbey stood grey and flat; the boiler man was hauling down the flag on the main tower. * * * * * "My poor Brenda, it's an appalling room," said Mrs Beaver. "It's not one we use a great deal," said Tony very coldly. "I should think not," said the one they called Veronica. "I can't see much wrong with it," said Polly, "except it's a bit mouldy." "You see," Brenda explained, not looking at Tony. "What I thought was that I must have _one_ habitable room downstairs. At present there's only the smoking-room and the library. The drawing-room is vast and quite out of the question. I thought what I needed was a small sitting-room more or less to myself. Don't you think it has possibilities?" "But, my angel, the _shape's_ all wrong," said Daisy, "and that chimney-piece--what is it made of, pink granite, and all the plaster work and the dado. _Everything's_ horrible. It's so _dark_." "I know exactly what Brenda wants," said Mrs Beaver more moderately. "I don't think it will be impossible. I must think about it. As Veronica says, the structure does rather limit one... you know, I think the only thing to do would be to disregard it altogether and find some treatment so definite that it _carried_ the room, if you see what I mean... supposing we covered the walls with white chromium plating and had natural sheepskin carpet... I wonder if that would be running you in for more than you meant to spend?" "I'd blow the whole thing sky-high," said Veronica. Tony left them to their discussion. * * * * * "D'you really want Mrs Beaver to do up the morning-room?" "Not if you don't, sweet." "But can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her coming twice--Lyonesse can't be as beastly as most of the rooms, can it. Also charming girl I have taken up with who I want us to be kind to. She's had a _terrible_ life and she lives in one of these flats, called Jenny Abdul Akbar. Not black but married one. Get her to tell you. She'll come by train 3.18 I expect. Must stop now and go to lecture. Keep away from the Demon Rum. x x x x x x Brenda. Saw Jock last night at Caf? de Paris with shameless blonde. Who? Gin. No, Djin--how?--has rheumatism and Marjorie is v. put out about it. She thinks his pelvis is out of place and Cruttwell won't do him which is pretty mean considering all the people she has brought there. "Are you _certain_ Jenny will be Tony's tea?" "You can't ever be certain," said Polly. "She bores my pants off, but she's a good trier." * * * * * "Is mummy coming down to-day, daddy?" "Yes." "Who else?" "Someone called Jenny Abdul Akbar." "What a silly name. Is she foreign?" "I don't know." "Sounds foreign, doesn't she, daddy? D'you think she won't be able to talk any English? Is she black?" "Mummy says not." "Oh... who else?" "Lady Cockpurse." "The monkey-woman. You know she wasn't a bit like a monkey except perhaps her face and I don't think she had a tail because I looked as close as anything... unless perhaps she has it rolled up between her legs. D'you think she has, daddy?" "I shouldn't be surprised." "_Very_ uncomfortable." Tony and John were friends again; but it had been a leaden week. * * * * *	what I mean... supposing we covered the walls with white chromium plating and had natural sheepskin carpet... I wonder if that would be running you in for more than you meant to spend?" "I'd blow the whole thing sky-high," said Veronica. Tony left them to their discussion. * * * * * "D'you really want Mrs Beaver to do up the morning-room?" "Not if you don't, sweet." "But can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her	A Handful Of Dust	for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. \"Why, Tony,\" she said, \"I was almost asleep.\" \"Very tired?\" \"Mm.\" \"Want to be left alone?\" \"So tired... and I've just drunk a lot of that stuff of Polly's.\" \"I see... well, good night.\"<\|quote\|>\"Good night... don't mind, do you?... so tired.\"</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * \"Lady Brenda not ill, I hope?\" \"No, nothing serious, thank you very much. She gets rather done up", "role": "user" }, { "content": "Brenda", "role": "assistant" } ] }	Brenda
"if I had it written down: but I can't quite follow it as you say it."	Alice	better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I	think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose,"	more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A	yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning	replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she	like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you	that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell	can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The	Alices Adventures In Wonderland	more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'\" \"I think I should understand that better,\" Alice said very politely,<\|quote\|>\"if I had it written down: but I can't quite follow it as you say it.\"</\|quote\|>\"That's nothing to what I could say if I chose,\" the Duchess replied, in a pleased tone. \"Pray don't trouble yourself to say it any longer than that,\" said Alice. \"Oh, don't talk about trouble!\" said the Duchess. \"I make you a present of everything I've said as yet.\" \"A", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
"Well, I shan't go, at any rate,"	Alice	miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not	said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented	busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in	which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be	roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The	and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone	out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to	your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You	Alices Adventures In Wonderland	busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "busily writing in his note-book, cackled out \"Silence!\" and read out from his book, \"Rule Forty-two. _All persons more than a mile high to leave the court_.\" Everybody looked at Alice. \"_I'm_ not a mile high,\" said Alice. \"You are,\" said the King. \"Nearly two miles high,\" added the Queen.<\|quote\|>\"Well, I shan't go, at any rate,\"</\|quote\|>said Alice: \"besides, that's not a regular rule: you invented it just now.\" \"It's the oldest rule in the book,\" said the King. \"Then it ought to be Number One,\" said Alice. The King turned pale, and shut his note-book hastily. \"Consider your verdict,\" he said to the jury, in", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
"But Bertram saw it all and he at once plunged into the current, exclaiming,"	Anne Shirley	wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my	over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he	she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more	But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics.	romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said	Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with	up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I'm glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I'm having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn't say there was a great deal" was Marilla's encouraging answer. "I'm sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn't always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been	I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back	Anne Of Green Gables	she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking,\" ?Ha, ha, ha.'<\|quote\|>\"But Bertram saw it all and he at once plunged into the current, exclaiming,\"</\|quote\|>?I will save thee, my peerless Geraldine.' \"But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
"Oh, Marilla,"	Anne Shirley	and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up,	step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall	tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed	on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when	anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she	in such a state of shyness and nervousness that Marilla had given him up in despair, but Anne took him in hand so successfully that he now sat at the table in his best clothes and white collar and talked to the minister not uninterestingly. He never said a word to Mrs. Allan, but that perhaps was not to be expected. All went merry as a marriage bell until Anne's layer cake was passed. Mrs. Allan, having already been helped to a bewildering variety, declined it. But Marilla, seeing the disappointment on Anne's face, said smilingly: "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat	preceding evening; but nothing short of absolute pneumonia could have quenched her interest in culinary matters that morning. After breakfast she proceeded to make her cake. When she finally shut the oven door upon it she drew a long breath. "I'm sure I haven't forgotten anything this time, Marilla. But do you think it will rise? Just suppose perhaps the baking powder isn't good? I used it out of the new can. And Mrs. Lynde says you can never be sure of getting good baking powder nowadays when everything is so adulterated. Mrs. Lynde says the Government ought to take the matter up, but she says we'll never see the day when a Tory Government will do it. Marilla, what if that cake doesn't rise?" "We'll have plenty without it" was Marilla's unimpassioned way of looking at the subject. The cake did rise, however, and came out of the oven as light and feathery as golden foam. Anne, flushed with delight, clapped it together with layers of ruby jelly and, in imagination, saw Mrs. Allan eating it and possibly asking for another piece! "You'll be using the best tea set, of course, Marilla," she said. "Can I fix the table with ferns and wild roses?" "I think that's all nonsense," sniffed Marilla. "In my opinion it's the eatables that matter and not flummery decorations." "Mrs. Barry had _her_ table decorated," said Anne, who was not entirely guiltless of the wisdom of the serpent, "and the minister paid her an elegant compliment. He said it was a feast for the eye as well as the palate." "Well, do as you like," said Marilla, who was quite determined not to be surpassed by Mrs. Barry or anybody else. "Only mind you leave enough room for the dishes and the food." Anne laid herself out to decorate in a manner and after a fashion that should leave Mrs. Barry's nowhere. Having abundance of roses and ferns and a very artistic taste of her own, she made that tea table such a thing of beauty that when the minister and his wife sat down to it they exclaimed in chorus over it loveliness. "It's Anne's doings," said Marilla, grimly just; and Anne felt that Mrs. Allan's approving smile was almost too much happiness for this world. Matthew was there, having been inveigled into the party only goodness and Anne knew how. He had been in such a state of shyness and nervousness that Marilla had given him up in despair, but Anne took him in hand so successfully that he now sat at the table in his best clothes and white collar and talked to the minister not uninterestingly. He never said a word to Mrs. Allan, but that perhaps was not to be expected. All went merry as a marriage bell until Anne's layer cake was passed. Mrs. Allan, having already been helped to a bewildering variety, declined it. But Marilla, seeing the disappointment on Anne's face, said smilingly: "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the mistakes one person can make, and when I get to the end of them, then I'll be through with them. That's a very comforting thought." "Well, you'd better go and give that cake to the pigs," said Marilla. "It isn't fit for any human to eat, not even Jerry Boute." CHAPTER XXII. Anne is Invited Out to Tea "AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. ?Miss Anne Shirley, Green Gables.' That is the first time I was ever called ?Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures." "Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child." For Anne to take things calmly would have been to change her nature. All "spirit and fire and dew," as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows.	her own, she made that tea table such a thing of beauty that when the minister and his wife sat down to it they exclaimed in chorus over it loveliness. "It's Anne's doings," said Marilla, grimly just; and Anne felt that Mrs. Allan's approving smile was almost too much happiness for this world. Matthew was there, having been inveigled into the party only goodness and Anne knew how. He had been in such a state of shyness and nervousness that Marilla had given him up in despair, but Anne took him in hand so successfully that he now sat at the table in his best clothes and white collar and talked to the minister not uninterestingly. He never said a word to Mrs. Allan, but that perhaps was not to be expected. All went merry as a marriage bell until Anne's layer cake was passed. Mrs. Allan, having already been helped to a bewildering variety, declined it. But Marilla, seeing the disappointment on Anne's face, said smilingly: "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the	Anne Of Green Gables	tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "tears under this double disgrace. \"I couldn't--I had such a cold!\" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>\"Oh, Marilla,\"</\|quote\|>sobbed Anne, without looking up, \"I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."	Matthew Cuthbert	admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to	or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the	been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch	the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his	lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla,	pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and	often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is." "Well, you needn't suffer any longer," said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne's consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could not have borne it if she had not been going to the concert, for nothing else was discussed that day in school. The Avonlea Debating Club, which met fortnightly all winter, had had several smaller free entertainments; but this was to be a big affair, admission ten cents, in aid of the library. The Avonlea young people had been practicing for weeks, and all the scholars were especially interested in it by reason of older brothers and sisters who were going to take part. Everybody in school over nine years of age expected to go, except Carrie Sloane, whose father shared Marilla's opinions about small girls going out to night concerts. Carrie Sloane cried into her grammar all the afternoon and felt that life was not worth living. For Anne the real excitement began with the dismissal of school and increased therefrom in crescendo until it reached to a crash of positive ecstasy in the concert itself. They had a "perfectly elegant tea;" and then came the delicious occupation of dressing in Diana's little room upstairs. Diana did Anne's front hair in the new pompadour style and Anne tied Diana's bows with the especial knack she possessed; and they experimented with at least half a dozen different ways of arranging their back hair. At last they were ready, cheeks scarlet and eyes glowing with excitement. True, Anne could not help a little pang when she contrasted her plain black tam and shapeless, tight-sleeved, homemade gray-cloth coat with Diana's jaunty fur cap and smart little jacket. But she remembered in time that she had an imagination and could use it. Then Diana's cousins, the Murrays from Newbridge, came; they all crowded into the big pung sleigh, among straw and furry robes. Anne reveled in the drive to the hall, slipping along over the satin-smooth roads with the snow crisping under the runners. There was a magnificent sunset, and the snowy hills and deep-blue water of the St. Lawrence Gulf seemed to rim in the splendor like a huge bowl of pearl	and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne's consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could	Anne Of Green Gables	been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: \"Well now, Marilla, I think you ought to let Anne go.\" \"I don't then,\" retorted Marilla. \"Who's bringing this child up, Matthew, you or me?\" \"Well now, you,\" admitted Matthew. \"Don't interfere then.\"<\|quote\|>\"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go.\"</\|quote\|>\"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt\" was Marilla's amiable rejoinder. \"I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch", "role": "user" }, { "content": "Matthew Cuthbert", "role": "assistant" } ] }	Matthew Cuthbert
laughs my sister,	No speaker	have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite	long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries	my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am	glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We	Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for	my head, then I take off my helmet and look up. Yes, it is my eldest sister. "Paul," she cries, "Paul----" I nod, my pack bumps against the banisters; my rifle is so heavy. She pulls a door open and calls: "Mother, mother, Paul is here." I can go no further--mother, mother, Paul is here. I lean against the wall and grip my helmet and rifle. I hold them as tight as I can, but I cannot take another step, the staircase fades before my eyes, I support myself with the butt of my rifle against my feet and clench my teeth fiercely, but I cannot speak a word, my sister's call has made me powerless, I can do nothing, I struggle to make myself laugh, to speak, but no word comes, and so I stand on the steps, miserable, helpless, paralysed, and against my will the tears run down my cheeks. My sister comes back and says: "Why, what is the matter?" Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice. "I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the	sentries. I pick up my pack and fasten the straps, I take my rifle in my hand and stumble down the steps. On the platform I look round; I know no one among all the people hurrying to and fro. A red-cross sister offers me something to drink. I turn away, she smiles at me too foolishly, so obsessed with her own importance: "Just look, I am giving a soldier coffee!" --She calls me "Comrade," but I will have none of it. Outside in front of the station the stream roars alongside the street, it rushes foaming from the sluices of the mill bridge. There stands the old, square watch-tower, in front of it the great mottled lime tree and behind it the evening. Here we have often sat--how long ago it is--; we have passed over this bridge and breathed the cool, acid smell of the stagnant water; we have leaned over the still water on this side of the lock, where the green creepers and weeds hang from the piles of the bridge;--and on hot days we rejoiced in the spouting foam on the other side of the lock and told tales about our school-teachers. I pass over the bridge, I look right and left; the water is as full of weeds as ever, and it still shoots over in gleaming arches; in the tower-building laundresses still stand with bare arms as they used to over the clean linen, and the heat from the ironing pours out through the open windows. Dogs trot along the narrow street, before the doors of the houses people stand and follow me with their gaze as I pass by, dirty and heavy laden. In this confectioner's we used to eat ices, and there we learned to smoke cigarettes. Walking down the street I know every shop, the colonial warehouse, the chemist's, the tobacconist's. Then at last I stand before the brown door with its worn latch and my hand grows heavy. I open the door and a wonderful freshness comes out to meet me, my eyes are dim. The stairs creak under my boots. Upstairs a door rattles, someone is looking over the railing. It is the kitchen door that was opened, they are cooking potato-cakes, the house reeks of it, and to-day of course is Saturday; that will be my sister leaning over. For a moment I am shy and lower my head, then I take off my helmet and look up. Yes, it is my eldest sister. "Paul," she cries, "Paul----" I nod, my pack bumps against the banisters; my rifle is so heavy. She pulls a door open and calls: "Mother, mother, Paul is here." I can go no further--mother, mother, Paul is here. I lean against the wall and grip my helmet and rifle. I hold them as tight as I can, but I cannot take another step, the staircase fades before my eyes, I support myself with the butt of my rifle against my feet and clench my teeth fiercely, but I cannot speak a word, my sister's call has made me powerless, I can do nothing, I struggle to make myself laugh, to speak, but no word comes, and so I stand on the steps, miserable, helpless, paralysed, and against my will the tears run down my cheeks. My sister comes back and says: "Why, what is the matter?" Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice. "I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the food. Suddenly my mother seizes hold of my hand and asks falteringly: "Was it very bad out there, Paul?" Mother, what should I answer to that! You would not understand, and never realize it. And you never should realize it. Was it bad, you ask.--You, Mother,--I shake my head and say: "No, mother, not so very. There are always a lot of us together so it isn't so bad." "Yes, but Heinrich Bredemeyer was here just lately and he said it was terrible out there now, with the gas and all the rest of it." It is my mother who says that. She says: "With the gas and all the rest of it." She does not know what she is saying, she is merely anxious for me. Should I tell her how we once found three enemy trenches with their garrison all stiff as though stricken with apoplexy? Against the parapet, in the dugouts, just where they were, the men stood and lay about, with blue faces, dead. "No, mother, that's only talk," I answer, "there's not very much in what Bredemeyer says. You see for instance, I'm well and fit----" Before my mother's tremulous anxiety I recover my composure. Now I can walk about and talk and answer questions without fear of having suddenly to lean against the wall because the world turns soft as rubber and my veins become brimstone. My mother wants to get up. So I go for a while to my sister in the kitchen. "What is the matter with her?" I ask. She shrugs her shoulders: "She has been in bed two months now, but we did not want to write and tell you. Several doctors have been to see her. One of them said it is probably cancer again." * * I go to the district commandant to report myself. Slowly I wander through the streets. Occasionally someone speaks to me. I do not delay long for I have little inclination to talk. On my way back from the barracks a loud voice calls out to me. Still lost in thought I turn round and find myself confronted by a Major. "Can't you salute?" he blusters. "Sorry, Major," I say in embarrassment, "I didn't notice you." "Don't you know how to speak properly?" he roars. I would like to hit him in the face, but control myself, for my leave depends on it.	Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army	All Quiet on the Western Front	my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "my sister, who is continually running to the kitchen to watch that the food does not burn: \"And put out the jar of preserved whortleberries--you like that, don't you?\" she asks me. \"Yes, mother, I haven't had any for a long time.\" \"We might almost have known you were coming,\"<\|quote\|>laughs my sister,</\|quote\|>\"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too.\" \"And it is Saturday,\" I add. \"Sit here beside me,\" says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
I reassure him:	No speaker	over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you	I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full	helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over	to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering	some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!" He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out: "Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If	was only a nose-cap, it landed in the bushes over there." I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says: "Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!" He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out: "Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes tangled in them and falls, then he stands up again. Detering raises his gun and aims. Kat hits it up in the air. "Are you mad----?" Detering trembles and throws his rifle on the ground. We sit down and hold our ears. But this appalling noise, these groans and screams penetrate, they penetrate everywhere. We can bear almost anything. But now the sweat breaks out on us. We must get up and run, no matter where, but where these cries can no longer be heard. And it is not men, only horses. From the dark group stretchers move off again. Then single shots crack out. The black heap is convulsed and becomes thinner. At last! But still it is not the end. The men cannot overtake the wounded beasts which	minute before they burn out. Immediately fresh ones shoot up to the sky, and again green, red, and blue stars. "Bombardment," says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there." I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says: "Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!" He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out: "Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes tangled in them and falls, then he stands up again. Detering raises his gun and aims. Kat hits it up in the air. "Are you mad----?" Detering trembles and throws his rifle on the ground. We sit down and hold our ears. But this appalling noise, these groans and screams penetrate, they penetrate everywhere. We can bear almost anything. But now the sweat breaks out on us. We must get up and run, no matter where, but where these cries can no longer be heard. And it is not men, only horses. From the dark group stretchers move off again. Then single shots crack out. The black heap is convulsed and becomes thinner. At last! But still it is not the end. The men cannot overtake the wounded beasts which fly in their pain, their wide open mouths full of anguish. One of the men goes down on his knee, a shot--one horse drops--another. The last one props himself on his forelegs and drags himself round in a circle like a merry-go-round; squatting, it drags round in circles on its stiffened forelegs, apparently its back is broken. The soldier runs up and shoots it. Slowly, humbly it sinks to the ground. We take our hands from our ears. The cries are silenced. Only a long-drawn, dying sigh still hangs on the air. Then again only the rockets, the singing of the shells, and the stars--and they shine out wonderfully. Detering walks up and down cursing: "Like to know what harm they've done." He returns to it once again. His voice is agitated, it sounds almost dignified as he says: "I tell you it is the vilest baseness to use horses in the war." * * We go back. It is time we returned to the lorries. The sky is become a bit brighter. Three o'clock in the morning. The breeze is fresh and cool, the pale hour makes our faces look grey. We trudge onward in single file through the trenches and shell-holes and come again to the zone of mist. Katczinsky is restive, that's a bad sign. "What's up, Kat?" says Kropp. "I wish I were back home." Home--he means the huts. "It won't last much longer, Kat." He is nervous. "I don't know, I don't know----" We come to the communication-trench and then to the open fields. The little wood reappears; we know every foot of ground here. There's the cemetery with the mounds and the black crosses. That moment it breaks out behind us, swells, roars, and thunders. We duck down--a cloud of flame shoots up a hundred yards ahead of us. The next minute under a second explosion part of the wood rises slowly in the air, three or four trees sail up and then crash to pieces. The shells begin to hiss like safety-valves--heavy fire---- "Take cover!" yells somebody-- "Cover!" The fields are flat, the wood is too distant and dangerous--the only cover is the graveyard and the mounds. We stumble across in the dark and as though spirited away every man lies glued behind a mound. Not a moment too soon. The dark goes mad. It heaves and raves. Darknesses blacker than the night	says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there." I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says: "Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!" He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out: "Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes tangled in them and falls, then he stands up again. Detering raises his gun and aims. Kat hits it up in the air. "Are you mad----?" Detering trembles and throws his rifle on the ground. We sit down and hold our ears. But this appalling noise, these groans and screams penetrate, they penetrate everywhere. We can bear almost anything. But now the sweat breaks out on us. We must get up and run, no matter where, but where these cries can no longer be heard. And it is not men, only horses. From the dark group stretchers move off again. Then single shots crack out. The black heap is convulsed and becomes thinner. At last! But still it is not the end. The men cannot overtake the wounded beasts which fly in their pain, their wide open mouths full of anguish. One of the men goes down on his knee, a shot--one horse drops--another. The last one props himself on his forelegs and drags himself round in a circle like a	All Quiet on the Western Front	helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. \"That's no disgrace,\"<\|quote\|>I reassure him:</\|quote\|>\"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----\" * * He goes off. Things become quieter, but the cries do not cease. \"What's up, Albert?\" I ask. \"A couple of columns over", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
Alice cautiously replied, not feeling at all anxious to have the experiment tried.	No speaker	the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess:	your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite.	is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice.	done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to	not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow	that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping	the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go	well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out	Alices Adventures In Wonderland	is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice.	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "is of finding morals in things!\" Alice thought to herself. \"I dare say you're wondering why I don't put my arm round your waist,\" the Duchess said after a pause: \"the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?\" \"He might bite,\"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>\"Very true,\" said the Duchess: \"flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'\" \"Only mustard isn't a bird,\" Alice remarked. \"Right, as usual,\" said the Duchess: \"what a clear way you have of putting things!\" \"It's a mineral, I _think_,\" said Alice.", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."	Marilla Cuthbert	I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to	always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne.	right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt	you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't	if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated	about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall;	could have made it much more flowery if I'd had a little more time to think it over." Poor Marilla was only preserved from complete collapse by remembering that it was not irreverence, but simply spiritual ignorance on the part of Anne that was responsible for this extraordinary petition. She tucked the child up in bed, mentally vowing that she should be taught a prayer the very next day, and was leaving the room with the light when Anne called her back. "I've just thought of it now. I should have said, ?Amen' in place of ?yours respectfully,' shouldn't I?--the way the ministers do. I'd forgotten it, but I felt a prayer should be finished off in some way, so I put in the other. Do you suppose it will make any difference?" "I--I don't suppose it will," said Marilla. "Go to sleep now like a good child. Good night." "I can only say good night tonight with a clear conscience," said Anne, cuddling luxuriously down among her pillows. Marilla retreated to the kitchen, set the candle firmly on the table, and glared at Matthew. "Matthew Cuthbert, it's about time somebody adopted that child and taught her something. She's next door to a perfect heathen. Will you believe that she never said a prayer in her life till tonight? I'll send her to the manse tomorrow and borrow the Peep of the Day series, that's what I'll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can't get through this world without our share of trouble. I've had a pretty easy life of it so far, but my time has come at last and I suppose I'll just have to make the best of it." CHAPTER VIII. Anne's Bringing-up Is Begun \|FOR reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card	perfect heathen. Will you believe that she never said a prayer in her life till tonight? I'll send her to the manse tomorrow and borrow the Peep of the Day series, that's what I'll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can't get through this world without our share of trouble. I've had a pretty easy life of it so far, but my time has come at last and I suppose I'll just have to make the best of it." CHAPTER VIII. Anne's Bringing-up Is Begun \|FOR reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another	Anne Of Green Gables	right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September.\" \"What am I to call you?\" asked Anne. \"Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?\"<\|quote\|>\"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous.\"</\|quote\|>\"It sounds awfully disrespectful to just say Marilla,\" protested Anne. \"I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it.\" \"I'd love to call you Aunt", "role": "user" }, { "content": "Marilla Cuthbert", "role": "assistant" } ] }	Marilla Cuthbert
"Who said? Who are you talking about?"	Marilla Cuthbert	every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here	hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the	like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house.	mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to	dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of	floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects.	she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla," ?what a tangled web we weave when first we practice to deceive.' "That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne's unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the end of the week Marilla said decidedly: "It's no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can't go out with it looking like that." Anne's lips quivered, but she realized the bitter truth of Marilla's remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it over. Oh, I feel that my heart is broken. This is such an unromantic affliction. The girls in books lose their hair in fevers or sell it to get money for some good deed, and I'm sure I wouldn't mind losing my hair in some such fashion half so much. But there is nothing comforting in having your hair cut off because you've dyed it a dreadful color, is there? I'm going to weep all the time you're cutting it off, if it won't interfere. It seems such a tragic thing." Anne wept then, but later on, when she went upstairs and looked in the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I'll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I'd do penance for being wicked that way. I'll look at myself	now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla," ?what a tangled web we weave when first we practice to deceive.' "That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie	Anne Of Green Gables	like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house.	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_.\"<\|quote\|>\"Who said? Who are you talking about?\"</\|quote\|>\"The peddler that was here this afternoon. I bought the dye from him.\" \"Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all.\" \"Oh, I didn't let him in the house.", "role": "user" }, { "content": "Marilla Cuthbert", "role": "assistant" } ] }	Marilla Cuthbert
said Tony.	No speaker	a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You	think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold,"	off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's,	well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once	was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's. "That's a pretty girl in the corner." "I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be	had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's. "That's a pretty girl in the corner." "I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial light; for some reason, however, they remained very blue. So Milly and Tony went to Dan's friend's place and had the best of everything.	ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's. "That's a pretty girl in the corner." "I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial light; for some reason, however, they remained very blue. So Milly and Tony went to Dan's friend's place and had the best of everything. There was a party of twenty or thirty people, all more or less like Dan. Dan's friend was most hospitable. When he was not fiddling with the wireless, which gave trouble off and on throughout the evening, he was sauntering among his guests refilling their glasses. "This stuff's all right," he said, showing the label, "it won't hurt you. It's the right stuff." They had a lot of the right stuff. Quite often Dan's friend noticed that Tony seemed to be out of the party. Then he would come across and put his hand on Tony's shoulder. "I'm so glad Dan brought you," he would say. "Hope you're getting all you want. Delighted to see you. Come again when there isn't a crowd and see over the place. Interested in roses?" "Yes, I like them very much." "Come when the roses are out. You'd like that if you're interested in roses. Damn that radio, it's going wonky again." Tony wondered whether he was as amiable when people he did not know were brought over unexpectedly to Hetton. At one stage in the evening he found himself sitting on a sofa with Dan, who said, "Nice kid, Milly." "Yes." "I'll tell you a thing I've noticed about her. She attracts quite a different type from the other girls. People like you and me." "Yes." "You wouldn't think she had a daughter of eight, would you?" "No, it's very surprising." "I didn't know for ages. Then I was taking her to Dieppe for the week-end and she wanted to bring the child along too. Of course that put the kybosh on it, but I've always liked Milly just the same. You can trust her to behave anywhere." He said this with a sour glance towards Baby, who was full of the right stuff and showing it. It was after three before the party broke up. Dan's friend renewed his invitation to come again when the roses were out. "I doubt if you'll find a better show of roses anywhere in the south of England," he said. Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back.	pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's. "That's a pretty girl in the corner." "I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial	A Handful Of Dust	off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's,	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. \"We'll soon warm you up,\" he said. \"This place stinks of Yids,\" said Baby. \"I always think that's the sign of a good hotel, don't you?\"<\|quote\|>said Tony.</\|quote\|>\"Like hell,\" said Baby. \"You mustn't mind Baby, she's cold,\" Dan explained. \"Who wouldn't be, in your lousy car?\" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's,", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"No, indeed."	Tony Last	aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at	well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and	knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a	met her." "Well, won't she do?" "No." "Oh dear, I don't know who to suggest." "We'd better go and study the market at the Old Hundredth," said Jock. They dined at Jock's house. Lately they had found it a little gloomy at Brown's, for people tended to avoid anyone they knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said	a legal form it is rather insulting, and if you suggest going the whole hog it's rather fresh--suddenly, I mean, if you've never paid any particular attention to her before and don't propose to carry on with it afterwards... Of course there's always old Sybil." But even Sybil refused. "I'd do it like a shot any other time," she said, "but just at the moment it wouldn't suit my book. There's a certain person who might hear about it and take it wrong... There's an awfully pretty girl called Jenny Abdul Akbar. I wonder if you've met her." "Yes, I've met her." "Well, won't she do?" "No." "Oh dear, I don't know who to suggest." "We'd better go and study the market at the Old Hundredth," said Jock. They dined at Jock's house. Lately they had found it a little gloomy at Brown's, for people tended to avoid anyone they knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle	infidelity. A suite was engaged at a seaside hotel (" "We always send our clients there. The servants are well accustomed to giving evidence" ") and private detectives were notified. "It only remains to select a partner," said the solicitor; no hint of naughtiness lightened his gloom. "We have on occasions been instrumental in accommodating our clients but there have been frequent complaints, so we find it best to leave the choice to them. Lately we had a particularly delicate case involving a man of very rigid morality and a certain diffidence. In the end his own wife consented to go with him and supply the evidence. She wore a red wig. It was quite successful." "I don't think that would do in this case." "No. Exactly. I was merely quoting it as a matter of interest." "I expect I shall be able to find someone," said Tony. "I have no doubt of it," said the solicitor, bowing politely. But when he came to discuss the question later with Jock, it did not seem so easy. "It's not a thing one can ask every girl to do," he said, "whichever way you put it. If you say it is merely a legal form it is rather insulting, and if you suggest going the whole hog it's rather fresh--suddenly, I mean, if you've never paid any particular attention to her before and don't propose to carry on with it afterwards... Of course there's always old Sybil." But even Sybil refused. "I'd do it like a shot any other time," she said, "but just at the moment it wouldn't suit my book. There's a certain person who might hear about it and take it wrong... There's an awfully pretty girl called Jenny Abdul Akbar. I wonder if you've met her." "Yes, I've met her." "Well, won't she do?" "No." "Oh dear, I don't know who to suggest." "We'd better go and study the market at the Old Hundredth," said Jock. They dined at Jock's house. Lately they had found it a little gloomy at Brown's, for people tended to avoid anyone they knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No."	talking to Allan. He's just told me about your change of mind." "I'm not sure I know what you mean." "That you want to leave Beaver and come back to Hetton." "Did Allan say that?" "Yes; isn't it true?" "I'm afraid it's not. Allan is an interfering ass. I had him here this afternoon. He told me that you didn't want a divorce but that you were willing to let me stay on alone in London and do as I liked provided there was no public scandal. It seemed a good idea and I was going to ring you up about it. But I suppose that's just his diplomacy too. Anyway, I'm afraid there's no prospect of my coming back to Hetton just at present." "Oh, I see. I didn't think it was likely... I just rang you up." "That's all right. How are you, Tony?" "All right, thanks." "Good, so am I. Good-bye." That was all he had heard of her. Both avoided places where there was a likelihood of their meeting. * * * * * It was thought convenient that Brenda should appear as the plaintiff. Tony did not employ the family solicitors in the matter but another less reputable firm who specialized in divorce. He had steeled himself to expect a certain professional gusto, even levity, but found them instead disposed to melancholy and suspicion. "I gather Lady Brenda is being far from discreet. It is quite likely that the King's Proctor may intervene... Moreover, there is the question of money. You understand that by the present arrangement since she is the innocent and injured party she will be entitled to claim substantial alimony from the courts?" "Oh, that's all right," said Tony. "I've been into all that with her brother-in-law and have decided to make a settlement of five hundred a year. She has four hundred of her own and I understand Mr Beaver has something." "It's a pity we can't put it in writing," said the solicitor, "but that might constitute Conspiracy." "Lady Brenda's word is quite good enough," said Tony. "We like to protect our clients against even the most remote contingencies," said the lawyer with an air of piety, for he had not had Tony's opportunities to contract the habit of loving and trusting Brenda. * * * * * The fourth week-end after Brenda's departure from Hetton was fixed for Tony's infidelity. A suite was engaged at a seaside hotel (" "We always send our clients there. The servants are well accustomed to giving evidence" ") and private detectives were notified. "It only remains to select a partner," said the solicitor; no hint of naughtiness lightened his gloom. "We have on occasions been instrumental in accommodating our clients but there have been frequent complaints, so we find it best to leave the choice to them. Lately we had a particularly delicate case involving a man of very rigid morality and a certain diffidence. In the end his own wife consented to go with him and supply the evidence. She wore a red wig. It was quite successful." "I don't think that would do in this case." "No. Exactly. I was merely quoting it as a matter of interest." "I expect I shall be able to find someone," said Tony. "I have no doubt of it," said the solicitor, bowing politely. But when he came to discuss the question later with Jock, it did not seem so easy. "It's not a thing one can ask every girl to do," he said, "whichever way you put it. If you say it is merely a legal form it is rather insulting, and if you suggest going the whole hog it's rather fresh--suddenly, I mean, if you've never paid any particular attention to her before and don't propose to carry on with it afterwards... Of course there's always old Sybil." But even Sybil refused. "I'd do it like a shot any other time," she said, "but just at the moment it wouldn't suit my book. There's a certain person who might hear about it and take it wrong... There's an awfully pretty girl called Jenny Abdul Akbar. I wonder if you've met her." "Yes, I've met her." "Well, won't she do?" "No." "Oh dear, I don't know who to suggest." "We'd better go and study the market at the Old Hundredth," said Jock. They dined at Jock's house. Lately they had found it a little gloomy at Brown's, for people tended to avoid anyone they knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony. "I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her." "All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?" "Would you like to go by train or car?" "Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the	consented to go with him and supply the evidence. She wore a red wig. It was quite successful." "I don't think that would do in this case." "No. Exactly. I was merely quoting it as a matter of interest." "I expect I shall be able to find someone," said Tony. "I have no doubt of it," said the solicitor, bowing politely. But when he came to discuss the question later with Jock, it did not seem so easy. "It's not a thing one can ask every girl to do," he said, "whichever way you put it. If you say it is merely a legal form it is rather insulting, and if you suggest going the whole hog it's rather fresh--suddenly, I mean, if you've never paid any particular attention to her before and don't propose to carry on with it afterwards... Of course there's always old Sybil." But even Sybil refused. "I'd do it like a shot any other time," she said, "but just at the moment it wouldn't suit my book. There's a certain person who might hear about it and take it wrong... There's an awfully pretty girl called Jenny Abdul Akbar. I wonder if you've met her." "Yes, I've met her." "Well, won't she do?" "No." "Oh dear, I don't know who to suggest." "We'd better go and study the market at the Old Hundredth," said Jock. They dined at Jock's house. Lately they had found it a little gloomy at Brown's, for people tended to avoid anyone they knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't	A Handful Of Dust	knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, \"Is it any good going there yet?\" \"We may as well try. After all, we aren't going there for enjoyment.\"<\|quote\|>\"No, indeed.\"</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a", "role": "user" }, { "content": "Tony Last", "role": "assistant" } ] }	Tony Last
"Wild horses won't drag the secret from me,"	Anne Shirley	promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would	my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret	things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to	Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of	to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of	it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew's heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word," said Matthew eagerly. "Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people	with herself as with Anne, because, whenever she recalled Mrs. Rachel's dumbfounded countenance her lips twitched with amusement and she felt a most reprehensible desire to laugh. CHAPTER X. Anne's Apology \|MARILLA said nothing to Matthew about the affair that evening; but when Anne proved still refractory the next morning an explanation had to be made to account for her absence from the breakfast table. Marilla told Matthew the whole story, taking pains to impress him with a due sense of the enormity of Anne's behavior. "It's a good thing Rachel Lynde got a calling down; she's a meddlesome old gossip," was Matthew's consolatory rejoinder. "Matthew Cuthbert, I'm astonished at you. You know that Anne's behavior was dreadful, and yet you take her part! I suppose you'll be saying next thing that she oughtn't to be punished at all!" "Well now--no--not exactly," said Matthew uneasily. "I reckon she ought to be punished a little. But don't be too hard on her, Marilla. Recollect she hasn't ever had anyone to teach her right. You're--you're going to give her something to eat, aren't you?" "When did you ever hear of me starving people into good behavior?" demanded Marilla indignantly. "She'll have her meals regular, and I'll carry them up to her myself. But she'll stay up there until she's willing to apologize to Mrs. Lynde, and that's final, Matthew." Breakfast, dinner, and supper were very silent meals--for Anne still remained obdurate. After each meal Marilla carried a well-filled tray to the east gable and brought it down later on not noticeably depleted. Matthew eyed its last descent with a troubled eye. Had Anne eaten anything at all? When Marilla went out that evening to bring the cows from the back pasture, Matthew, who had been hanging about the barns and watching, slipped into the house with the air of a burglar and crept upstairs. As a general thing Matthew gravitated between the kitchen and the little bedroom off the hall where he slept; once in a while he ventured uncomfortably into the parlor or sitting room when the minister came to tea. But he had never been upstairs in his own house since the spring he helped Marilla paper the spare bedroom, and that was four years ago. He tiptoed along the hall and stood for several minutes outside the door of the east gable before he summoned courage to tap on it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew's heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word," said Matthew eagerly. "Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so	you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word," said Matthew eagerly. "Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she	Anne Of Green Gables	things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "things over--that's a good girl.\" \"Very well,\" said Anne resignedly. \"I'll tell Marilla as soon as she comes in I've repented.\" \"That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that.\"<\|quote\|>\"Wild horses won't drag the secret from me,\"</\|quote\|>promised Anne solemnly. \"How would wild horses drag a secret from a person anyhow?\" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.	No speaker	directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this	arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought	she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this	For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like	of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence.	impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it	to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural	took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its	Alices Adventures In Wonderland	she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, \"just like a star-fish,\"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>\"If I don't take this child away with me,\" thought Alice, \"they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?\" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"It's a bit better. But it's rot all the same, everything they teach you."	Paul	to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can	have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that	go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it	light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a	offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever	as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any	fancy," he retorts. The red moustache twitches: "You don't recognize me any more, what?" Tjaden now opens his eyes. "I do though." Himmelstoss turns to him: "Tjaden, isn't it?" Tjaden lifts his head. "And do you know what you are?" Himmelstoss is disconcerted. "Since when have we become so familiar? I don't remember that we ever slept in the gutter together?" He has no idea what to make of the situation. He didn't expect this open hostility. But he is on his guard: someone has already dinned some rot into him about getting a shot in the back. The question about the gutter makes Tjaden so mad that he becomes almost witty: "No, you slept there by yourself." Himmelstoss begins to boil. But Tjaden gets in ahead of him. He must bring off his insult: "Wouldn't you like to know what you are? A dirty hound, that's what you are. I've been wanting to tell you that for a long time." The satisfaction of months shines in his dull pig's eyes as he spits out: Dirty hound! Himmelstoss lets fly too, now. "What's that, you muck-rake, you dirty peat-stealer? Stand up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?" urges the thoroughgoing Müller. "Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war. * * The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?" the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully. "You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off with Himmelstoss in his wake. "I have a feeling that next time we go up wiring I'll be letting a bundle of wire fall on Himmelstoss's leg," hints Kropp. "We'll have quite a lot of jokes with him," laughs Müller.-- That is our sole ambition: to knock the conceit out of a postman.-- I go into the hut and put Tjaden wise. He disappears. Then we change our possy and lie down again to play cards. We know how to do that: to play cards, to swear, and to fight. Not much for twenty years;--and yet too much for twenty years. Half an hour later Himmelstoss is back again. Nobody pays any attention to him. He asks for Tjaden. We shrug our shoulders. "Then you'd better find him," he persists. "Haven't you been to look for him?" Kropp lies back in the grass and says: "Have you ever been out here before?" "That's none of your business," retorts Himmelstoss. "I expect an answer." "Very good," says Kropp, getting up. "See up there where those little white clouds are. Those are anti-aircraft. We were over there yesterday. Five dead and eight wounded. It was a lot of fun. Next time, when you go up with us, before they die the fellows will come up to you, click their heels,	sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't	All Quiet on the Western Front	go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "go back and sit on the forms again.\" I consider that out of the question. \"We might take a special exam.\" \"That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil.\"<\|quote\|>\"It's a bit better. But it's rot all the same, everything they teach you.\"</\|quote\|>Kropp supports me: \"How can a man take all that stuff seriously when he's once been out here?\" \"Still you must have an occupation of some sort,\" insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it", "role": "user" }, { "content": "Paul", "role": "assistant" } ] }	Paul
"I've ordered an ice,"	Milly	sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I	her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want	Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't,	kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to	looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just	askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had	companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece," he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague, "He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?" said	said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of	A Handful Of Dust	Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't,	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "Blenkinsop, \"the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes.\" * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>\"I've ordered an ice,\"</\|quote\|>said Milly. \"Quite right.\" \"I want late dinner. I want late dinner.\" \"No, dear, not late dinner. You have an ice up here.\" Tony returned to the bar. \"Mr James,\" he said. \"Did I understand you to say you were fond of children.\" \"Yes, in their right place.\" \"You wouldn't,", "role": "user" }, { "content": "Milly", "role": "assistant" } ] }	Milly
"Oh, don't talk about trouble!"	The Duchess	longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make	yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything	Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her	you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the	a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the	bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard	the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice	be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the	Alices Adventures In Wonderland	Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "Alice said very politely, \"if I had it written down: but I can't quite follow it as you say it.\" \"That's nothing to what I could say if I chose,\" the Duchess replied, in a pleased tone. \"Pray don't trouble yourself to say it any longer than that,\" said Alice.<\|quote\|>\"Oh, don't talk about trouble!\"</\|quote\|>said the Duchess. \"I make you a present of everything I've said as yet.\" \"A cheap sort of present!\" thought Alice. \"I'm glad they don't give birthday presents like that!\" But she did not venture to say it out loud. \"Thinking again?\" the Duchess asked, with another dig of her", "role": "user" }, { "content": "The Duchess", "role": "assistant" } ] }	The Duchess
Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.	No speaker	attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said,	All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely,	in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them	be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full	"Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him,	hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad." "Poor mumsy." "I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst of bonhomie immediately after the war. It was intended for young men, to be a place where they could straddle across the fire and be jolly in the card-room without incurring scowls from older members. But now these founders were themselves passing into middle age; they were heavier, balder and redder in the face than when they had been demobilized, but their joviality persisted and	after his father's death. There was little in it to suggest the austerely elegant interiors which Mrs Beaver planned for her customers. It was crowded with the unsaleable furniture of two larger houses, without pretension to any period, least of all to the present. The best pieces and those which had sentimental interest for Mrs Beaver were in the L-shaped drawing-room upstairs. Beaver had a dark little sitting-room (on the ground floor, behind the dining-room) and his own telephone. The elderly parlourmaid looked after his clothes. She also dusted, polished and maintained in symmetrical order on his dressing table and on the top of his chest of drawers the collection of sombre and bulky objects that had stood in his father's dressing-room; indestructible presents for his wedding and twenty-first birthday, ivory, brass bound, covered in pigskin, crested and gold mounted, suggestive of expensive Edwardian masculinity--racing flasks and hunting flasks, cigar cases, tobacco jars, jockeys, elaborate meerschaum pipes, buttonhooks and hat brushes. There were four servants, all female and all, save one, elderly. When anyone asked Beaver why he stayed there instead of setting up on his own, he sometimes said that he thought his mother liked having him there (in spite of her business she was lonely); sometimes that it saved him at least five pounds a week. His total income varied around six pounds a week, so this was an important saving. He was twenty-five years old. From leaving Oxford until the beginning of the slump he had worked in an advertising agency. Since then no one had been able to find anything for him to do. So he got up late and sat near his telephone most of the day, hoping to be rung up. Whenever it was possible, Mrs Beaver took an hour off in the middle of the morning. She was always at her shop punctually at nine, and by half-past eleven she needed a break. Then, if no important customer was imminent, she would get into her two-seater and drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad." "Poor mumsy." "I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst of bonhomie immediately after the war. It was intended for young men, to be a place where they could straddle across the fire and be jolly in the card-room without incurring scowls from older members. But now these founders were themselves passing into middle age; they were heavier, balder and redder in the face than when they had been demobilized, but their joviality persisted and it was their turn now to embarrass their successors, deploring their lack of manly and gentlemanly qualities. Six broad backs shut Beaver from the bar. He settled in one of the armchairs in the outer room and turned over the pages of the _New Yorker_, waiting until someone he knew should turn up. Jock Grant-Menzies came upstairs. The men at the bar greeted him saying, "Hullo, Jock old boy, what are you drinking?" or, more simply, "Well, old boy?" He was too young to have fought in the war but these men thought he was all right; they liked him far more than they did Beaver, who, they thought, ought never to have got into the club at all. But Jock stopped to talk to Beaver. "Well, old boy," he said. "What are you drinking?" "Nothing so far." Beaver looked at his watch. "But I think it's time I had one. Brandy and ginger ale." Jock called to the barman and then said: "Who was the old girl you wished on me at that party last night?" "She's called Mrs Tipping." "I thought she might be. That explains it. They gave me a message downstairs that someone with a name like that wanted me to lunch with her." "Are you going?" "No, I'm no good at lunch parties. Besides, I decided when I got up that I'd have oysters here." The barman came with the drinks. "Mr Beaver, sir, there's ten shillings against you in my books for last month." "Ah, thank you, Macdougal, remind me some time, will you?" "Very good, sir." Beaver said, "I'm going to Hetton to-morrow." "Are you now? Give Tony and Brenda my love." "What's the form?" "Very quiet and enjoyable." "No paper games?" "Oh, no, nothing like that. A certain amount of bridge and backgammon and low poker with the neighbours." "Comfortable?" "Not bad. Plenty to drink. Rather a shortage of bathrooms. You can stay in bed all the morning." "I've never met Brenda." "You'll like her, she's a grand girl. I often think Tony Last's one of the happiest men I know. He's got just enough money, loves the place, one son he's crazy about, devoted wife, not a worry in the world." "Most enviable. You don't know anyone else who's going, do you? I was wondering if I could get a lift down there." "I don't, I'm afraid. It's quite easy by	you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant	A Handful Of Dust	in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more.\" \"Mumsy, you are wonderful. I believe you know about everyone.\" \"It's a great help. All a matter of paying attention while people are talking.\"<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>\"That's the way,\" she said, \"you are doing very nicely, Joyce. I'll soon get you on to something more interesting.\" \"Thank you, Mrs Beaver.\" They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"What's got them?"	Müller	start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must	soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a	a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think	recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of	cheerful were not cannon embowered there. The air becomes acrid with the smoke of the guns and the fog. The fumes of powder taste bitter on the tongue. The roar of the guns makes our lorry stagger, the reverberation rolls raging away to the rear, everything quakes. Our faces change imperceptibly. We are not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of speech; it is fact. It is the front, the consciousness of the front, that makes this contact. The moment that the first shells whistle over and the air is rent with the explosions there is suddenly in our veins, in our hands, in our eyes a tense waiting, a watching, a heightened alertness, a strange sharpening of the senses. The body with one bound is in full readiness. It often seems to me as though it were the vibrating, shuddering air that with a noiseless leap springs upon us; or as though the front itself emitted an electric current which	lurch along and are often almost pitched out. That does not worry us, however. It can happen if it likes; a broken arm is better than a hole in the guts, and many a man would be thankful enough for such a chance of finding his way home again. Beside us stream the munition-columns in long files. They are making the pace, they overtake us going forward. We joke with them and they answer back. A wall becomes visible, it belongs to a house which lies on the side of the road. I suddenly prick up my ears. Am I deceived? Again I hear distinctly the cackle of geese. A glance at Katczinsky--a glance from him to me; we understand one another. "Kat, I hear some aspirants for the frying-pan over there." He nods. "It will be attended to when we come back. I have their number." Of course Kat has their number. He knows all about every leg of goose within a radius of fifteen miles. The lorries arrive at the artillery lines. The gun-emplacements are camouflaged with bushes against aerial observation, and look like a kind of military Feast of the Tabernacles. These branches might seem gay and cheerful were not cannon embowered there. The air becomes acrid with the smoke of the guns and the fog. The fumes of powder taste bitter on the tongue. The roar of the guns makes our lorry stagger, the reverberation rolls raging away to the rear, everything quakes. Our faces change imperceptibly. We are not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of speech; it is fact. It is the front, the consciousness of the front, that makes this contact. The moment that the first shells whistle over and the air is rent with the explosions there is suddenly in our veins, in our hands, in our eyes a tense waiting, a watching, a heightened alertness, a strange sharpening of the senses. The body with one bound is in full readiness. It often seems to me as though it were the vibrating, shuddering air that with a noiseless leap springs upon us; or as though the front itself emitted an electric current which awakened unknown nerve-centres. Every time it is the same. We start out for the front plain soldiers, either cheerful or gloomy: then come the first gun-emplacements and every word of our speech has a new ring. When Kat stands in front of the hut and says: "There'll be a bombardment," that is merely his own opinion; but if he says it here, then the sentence has the sharpness of a bayonet in the moonlight, it cuts clean through the thought, it thrusts nearer and speaks to this unknown thing that is awakened in us, a dark meaning-- "There'll be a bombardment." Perhaps it is our inner and most secret life that shivers and falls on guard. * * To me the front is a mysterious whirlpool. Though I am in still water far away from its centre, I feel the whirl of the vortex sucking me slowly, irresistibly, inescapably into itself. From the earth, from the air, sustaining forces pour into us--mostly from the earth. To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from	yell that was immediately hushed. Tjaden unbuttoned Himmelstoss's braces and pulled down his trousers, holding the whip meantime in his teeth. Then he stood up and set to work. It was a wonderful picture: Himmelstoss on the ground; Haie bending over him with a fiendish grin and his mouth open with blood-lust, Himmelstoss's head on his knees; then the convulsed, striped drawers, the knock knees, executing at every blow most original movements in the lowered breeches, and towering over them like a woodcutter the indefatigable Tjaden. In the end we had to drag him away to get our turn. Finally Haie stood Himmelstoss on his feet again and gave one last personal remonstrance. As he stretched out his right arm preparatory to giving him a box on the ear he looked as if he were going to reach down a star. Himmelstoss staggered. Haie stood him up again, made ready and fetched him a second, well-aimed beauty with the left hand. Himmelstoss yelled and fell down on all fours cursing. His striped postman's backside gleamed in the moonlight. We disappeared at full speed. Haie looked round once again and said wrathfully, satisfied and rather mysteriously: "Revenge is black-pudding." Himmelstoss ought to have been pleased; his saying that we should each educate one another had borne fruit for himself. We had become successful students of his method. He never discovered whom he had to thank for the business. At any rate he scored a bed-cover out of it; for when we returned a few hours later to look for it, it was no longer to be found. That evening's work made us more or less content to leave next morning. And an old buffer was pleased to describe us as "young heroes." CHAPTER IV We have to go up on wiring fatigue. The motor lorries roll up after dark. We climb in. It is a warm evening and the twilight seems like a canopy under whose shelter we feel drawn together. Even the stingy Tjaden gives me a cigarette and then a light. We stand jammed in together, shoulder to shoulder, there is no room to sit. But we do not expect that. Müller is in a good mood for once; he is wearing his new boots. The engines drone, the lorries bump and rattle. The roads are worn and full of holes. We dare not show a light so we lurch along and are often almost pitched out. That does not worry us, however. It can happen if it likes; a broken arm is better than a hole in the guts, and many a man would be thankful enough for such a chance of finding his way home again. Beside us stream the munition-columns in long files. They are making the pace, they overtake us going forward. We joke with them and they answer back. A wall becomes visible, it belongs to a house which lies on the side of the road. I suddenly prick up my ears. Am I deceived? Again I hear distinctly the cackle of geese. A glance at Katczinsky--a glance from him to me; we understand one another. "Kat, I hear some aspirants for the frying-pan over there." He nods. "It will be attended to when we come back. I have their number." Of course Kat has their number. He knows all about every leg of goose within a radius of fifteen miles. The lorries arrive at the artillery lines. The gun-emplacements are camouflaged with bushes against aerial observation, and look like a kind of military Feast of the Tabernacles. These branches might seem gay and cheerful were not cannon embowered there. The air becomes acrid with the smoke of the guns and the fog. The fumes of powder taste bitter on the tongue. The roar of the guns makes our lorry stagger, the reverberation rolls raging away to the rear, everything quakes. Our faces change imperceptibly. We are not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of speech; it is fact. It is the front, the consciousness of the front, that makes this contact. The moment that the first shells whistle over and the air is rent with the explosions there is suddenly in our veins, in our hands, in our eyes a tense waiting, a watching, a heightened alertness, a strange sharpening of the senses. The body with one bound is in full readiness. It often seems to me as though it were the vibrating, shuddering air that with a noiseless leap springs upon us; or as though the front itself emitted an electric current which awakened unknown nerve-centres. Every time it is the same. We start out for the front plain soldiers, either cheerful or gloomy: then come the first gun-emplacements and every word of our speech has a new ring. When Kat stands in front of the hut and says: "There'll be a bombardment," that is merely his own opinion; but if he says it here, then the sentence has the sharpness of a bayonet in the moonlight, it cuts clean through the thought, it thrusts nearer and speaks to this unknown thing that is awakened in us, a dark meaning-- "There'll be a bombardment." Perhaps it is our inner and most secret life that shivers and falls on guard. * * To me the front is a mysterious whirlpool. Though I am in still water far away from its centre, I feel the whirl of the vortex sucking me slowly, irresistibly, inescapably into itself. From the earth, from the air, sustaining forces pour into us--mostly from the earth. To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and gives him a new lease of ten seconds of life, receives him again and often for ever. Earth!--Earth!--Earth! Earth with thy folds, and hollows and holes, into which a man may fling himself and crouch down! In the spasm of terror, under the hailing of annihilation, in the bellowing death of the explosions, O Earth, thou grantest us the great resisting surge of new-won life. Our being, almost utterly carried away by the fury of the storm, streams back through our hands from thee, and we, thy redeemed ones, bury ourselves in thee, and through the long minutes in a mute agony of hope bite into thee with our lips! At the sound of the first droning of the shells we rush back, in one part of our being, a thousand years. By the animal instinct that is awakened in us we are led and protected. It is not conscious; it is far quicker, much more sure, less fallible, than consciousness. One cannot explain it. A man is walking along without thought or heed;--suddenly he throws himself down on the ground and a storm of fragments flies harmlessly over him;--yet he cannot remember either to have heard the shell coming or to have thought of flinging himself down. But had he not abandoned himself to the impulse he would now be a heap of mangled flesh. It is this other, this second sight in us, that has thrown us to the ground and saved us, without our knowing how. If it were not so, there would not be one man alive from Flanders to the Vosges. We march up, moody or good-tempered soldiers--we reach the zone where the front begins and become on the instant human animals. * * An indigent looking wood receives us. We pass by the soup-kitchens. Under cover of the wood we climb out. The lorries turn back. They are to collect us again in the morning, before dawn. Mist and the smoke of guns lie breast-high over the fields. The moon is shining. Along the road troops file. Their helmets gleam softly in the moonlight. The heads and the rifles stand out above the white mist, nodding heads, rocking carriers of guns.	Katczinsky--a glance from him to me; we understand one another. "Kat, I hear some aspirants for the frying-pan over there." He nods. "It will be attended to when we come back. I have their number." Of course Kat has their number. He knows all about every leg of goose within a radius of fifteen miles. The lorries arrive at the artillery lines. The gun-emplacements are camouflaged with bushes against aerial observation, and look like a kind of military Feast of the Tabernacles. These branches might seem gay and cheerful were not cannon embowered there. The air becomes acrid with the smoke of the guns and the fog. The fumes of powder taste bitter on the tongue. The roar of the guns makes our lorry stagger, the reverberation rolls raging away to the rear, everything quakes. Our faces change imperceptibly. We are not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of speech; it is fact. It is the front, the consciousness of the front, that makes this contact. The moment that the first shells whistle over and the air is rent with the explosions there is suddenly in our veins, in our hands, in our eyes a tense waiting, a watching, a heightened alertness, a strange sharpening of the senses. The body with one bound is in full readiness. It often seems to me as though it were the vibrating, shuddering air that with a noiseless leap springs upon us; or as though the front itself emitted an electric current which awakened unknown nerve-centres. Every time it is the same. We start out for the front plain soldiers, either cheerful or gloomy: then come the first gun-emplacements and every word of our speech has a new ring. When Kat stands in front of the hut and says: "There'll be a bombardment," that is merely his own opinion; but if he says it here, then the sentence has the sharpness of a bayonet in the moonlight, it cuts clean through the thought, it thrusts nearer and speaks to this unknown thing that is awakened in us, a dark meaning-- "There'll be a bombardment." Perhaps it is	All Quiet on the Western Front	a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "a bombardment to-night.\" We all listen. The front is restless. \"The Tommies are firing already,\" says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>\"What's got them?\"</\|quote\|>says Müller, \"their clocks must be fast.\" \"There'll be a bombardment, I tell you, I can feel it in my bones.\" Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think", "role": "user" }, { "content": "Müller", "role": "assistant" } ] }	Müller
(The jury all looked puzzled.)	No speaker	the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody	the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King.	nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes	be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It	rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to	you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the	next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?" said Alice, (she had grown to her full size by this time.) "You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half	little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none	Alices Adventures In Wonderland	nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "nothing written on the _outside_.\" He unfolded the paper as he spoke, and added \"It isn't a letter, after all: it's a set of verses.\" \"Are they in the prisoner's handwriting?\" asked another of the jurymen. \"No, they're not,\" said the White Rabbit, \"and that's the queerest thing about it.\"<\|quote\|>(The jury all looked puzzled.)</\|quote\|>\"He must have imitated somebody else's hand,\" said the King. (The jury all brightened up again.) \"Please your Majesty,\" said the Knave, \"I didn't write it, and they can't prove I did: there's no name signed at the end.\" \"If you didn't sign it,\" said the King, \"that only makes", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Poor mumsy."	John Beaver	pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's.	evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I	a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to	drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie.	was twenty-five years old. From leaving Oxford until the beginning of the slump he had worked in an advertising agency. Since then no one had been able to find anything for him to do. So he got up late and sat near his telephone most of the day, hoping to be rung up. Whenever it was possible, Mrs Beaver took an hour off in the middle of the morning. She was always at her shop punctually at nine, and by half-past eleven she needed a break. Then, if no important customer was imminent, she would get into her two-seater and drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have	pretension to any period, least of all to the present. The best pieces and those which had sentimental interest for Mrs Beaver were in the L-shaped drawing-room upstairs. Beaver had a dark little sitting-room (on the ground floor, behind the dining-room) and his own telephone. The elderly parlourmaid looked after his clothes. She also dusted, polished and maintained in symmetrical order on his dressing table and on the top of his chest of drawers the collection of sombre and bulky objects that had stood in his father's dressing-room; indestructible presents for his wedding and twenty-first birthday, ivory, brass bound, covered in pigskin, crested and gold mounted, suggestive of expensive Edwardian masculinity--racing flasks and hunting flasks, cigar cases, tobacco jars, jockeys, elaborate meerschaum pipes, buttonhooks and hat brushes. There were four servants, all female and all, save one, elderly. When anyone asked Beaver why he stayed there instead of setting up on his own, he sometimes said that he thought his mother liked having him there (in spite of her business she was lonely); sometimes that it saved him at least five pounds a week. His total income varied around six pounds a week, so this was an important saving. He was twenty-five years old. From leaving Oxford until the beginning of the slump he had worked in an advertising agency. Since then no one had been able to find anything for him to do. So he got up late and sat near his telephone most of the day, hoping to be rung up. Whenever it was possible, Mrs Beaver took an hour off in the middle of the morning. She was always at her shop punctually at nine, and by half-past eleven she needed a break. Then, if no important customer was imminent, she would get into her two-seater and drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash	CHAPTER I DU C?T? DE CHEZ BEAVER "Was anyone hurt?" "No one, I am thankful to say," said Mrs Beaver, "except two housemaids who lost their heads and jumped through a glass roof into the paved court. They were in no danger. The fire never reached the bedrooms, I am afraid. Still, they are bound to need doing up, everything black with smoke and drenched in water and luckily they had that old-fashioned sort of extinguisher that ruins _everything_. One really cannot complain. The chief rooms were _completely_ gutted and everything was insured. Sylvia Newport knows the people. I must get on to them this morning before that ghoul Mrs Shutter snaps them up." Mrs Beaver stood with her back to the fire, eating her morning yoghourt. She held the carton close under her chin and gobbled with a spoon. "Heavens, how nasty this stuff is. I wish you'd take to it, John. You're looking so tired lately. I don't know how I should get through my day without it." "But, mumsy, I haven't as much to do as you have." "That's true, my son." * * * * * John Beaver lived with his mother at the house in Sussex Gardens where they had moved after his father's death. There was little in it to suggest the austerely elegant interiors which Mrs Beaver planned for her customers. It was crowded with the unsaleable furniture of two larger houses, without pretension to any period, least of all to the present. The best pieces and those which had sentimental interest for Mrs Beaver were in the L-shaped drawing-room upstairs. Beaver had a dark little sitting-room (on the ground floor, behind the dining-room) and his own telephone. The elderly parlourmaid looked after his clothes. She also dusted, polished and maintained in symmetrical order on his dressing table and on the top of his chest of drawers the collection of sombre and bulky objects that had stood in his father's dressing-room; indestructible presents for his wedding and twenty-first birthday, ivory, brass bound, covered in pigskin, crested and gold mounted, suggestive of expensive Edwardian masculinity--racing flasks and hunting flasks, cigar cases, tobacco jars, jockeys, elaborate meerschaum pipes, buttonhooks and hat brushes. There were four servants, all female and all, save one, elderly. When anyone asked Beaver why he stayed there instead of setting up on his own, he sometimes said that he thought his mother liked having him there (in spite of her business she was lonely); sometimes that it saved him at least five pounds a week. His total income varied around six pounds a week, so this was an important saving. He was twenty-five years old. From leaving Oxford until the beginning of the slump he had worked in an advertising agency. Since then no one had been able to find anything for him to do. So he got up late and sat near his telephone most of the day, hoping to be rung up. Whenever it was possible, Mrs Beaver took an hour off in the middle of the morning. She was always at her shop punctually at nine, and by half-past eleven she needed a break. Then, if no important customer was imminent, she would get into her two-seater and drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man. "That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst	that he thought his mother liked having him there (in spite of her business she was lonely); sometimes that it saved him at least five pounds a week. His total income varied around six pounds a week, so this was an important saving. He was twenty-five years old. From leaving Oxford until the beginning of the slump he had worked in an advertising agency. Since then no one had been able to find anything for him to do. So he got up late and sat near his telephone most of the day, hoping to be rung up. Whenever it was possible, Mrs Beaver took an hour off in the middle of the morning. She was always at her shop punctually at nine, and by half-past eleven she needed a break. Then, if no important customer was imminent, she would get into her two-seater and drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man. "That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together	A Handful Of Dust	a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "a party given by a woman called de Trommet.\" \"I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad.\"<\|quote\|>\"Poor mumsy.\"</\|quote\|>\"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid.\" \"Nothing so far. I can always go round to Bratt's.\" \"But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to", "role": "user" }, { "content": "John Beaver", "role": "assistant" } ] }	John Beaver
dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:	No speaker	We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are	lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V	the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin	there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a	innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with	a stretcher now----" Then he opens his mouth and whispers: "Stay here----" "We'll be back again soon," says Kat. "We are only going to get a stretcher for you." We don't know if he understands. He whimpers like a child and plucks at us: "Don't go away----" Kat looks around and whispers: "Shouldn't we just take a revolver and put an end to it?" The youngster will hardly survive the carrying, and at the most he will only last a few days. What he has gone through so far is nothing to what he's in for till he dies. Now he is numb and feels nothing. In an hour he will become one screaming bundle of intolerable pain. Every day that he can live will be a howling torture. And to whom does it matter whether he has them or not---- I nod. "Yes, Kat, we ought to put him out of his misery." He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head. "Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next	mask. I wait some seconds--he has not collapsed--he looks around and makes a few paces--rattling in my throat I tear my mask off too and fall down, the air streams into me like cold water, my eyes are bursting, the wave sweeps over me and extinguishes me. * * The shelling has ceased. I drag myself to the crater and tell the others. They take off their masks. We lift up the wounded man, one taking his splintered arm. And so we stumble off hastily. The graveyard is a mass of wreckage. Coffins and corpses lie strewn about. They have been killed once again; but each of them that was flung up saved one of us. The hedge is destroyed, the rails of the light railway are torn up and rise stiffly in the air in great arches. Someone lies in front of us. We stop; Kropp goes on alone with the wounded man. The man on the ground is a recruit. His hip is covered with blood; he is so exhausted that I feel for my water-bottle where I have rum and tea. Kat restrains my hand and stoops over him. "Where's it got you, comrade?" His eyes move. He is too weak to answer. We cut off his trousers carefully. He groans. "Gently, gently, it is much better----" If he has been hit in the stomach he oughtn't to drink anything. There's no vomiting, that's a good sign. We lay the hip bare. It is one mass of mincemeat and bone splinters. The joint has been hit. This lad won't walk any more. I wet his temples with a moistened finger and give him a swig. His eyes move again. We see now that the right arm is bleeding as well. Kat spreads out two wads of dressing as wide as possible so that they will cover the wound. I look for something to bind loosely round it. We have nothing more, so I slit up the wounded man's trouser leg still farther in order to use a piece of his underpants as a bandage. But he is wearing none. I now look at him closely. He is the fair-headed boy of a little while ago. In the meantime Kat has taken a bandage from a dead man's pocket and we carefully bind the wound. I say to the youngster who looks at us fixedly: "We're going for a stretcher now----" Then he opens his mouth and whispers: "Stay here----" "We'll be back again soon," says Kat. "We are only going to get a stretcher for you." We don't know if he understands. He whimpers like a child and plucks at us: "Don't go away----" Kat looks around and whispers: "Shouldn't we just take a revolver and put an end to it?" The youngster will hardly survive the carrying, and at the most he will only last a few days. What he has gone through so far is nothing to what he's in for till he dies. Now he is numb and feels nothing. In an hour he will become one screaming bundle of intolerable pain. Every day that he can live will be a howling torture. And to whom does it matter whether he has them or not---- I nod. "Yes, Kat, we ought to put him out of his misery." He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head. "Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble	his underpants as a bandage. But he is wearing none. I now look at him closely. He is the fair-headed boy of a little while ago. In the meantime Kat has taken a bandage from a dead man's pocket and we carefully bind the wound. I say to the youngster who looks at us fixedly: "We're going for a stretcher now----" Then he opens his mouth and whispers: "Stay here----" "We'll be back again soon," says Kat. "We are only going to get a stretcher for you." We don't know if he understands. He whimpers like a child and plucks at us: "Don't go away----" Kat looks around and whispers: "Shouldn't we just take a revolver and put an end to it?" The youngster will hardly survive the carrying, and at the most he will only last a few days. What he has gone through so far is nothing to what he's in for till he dies. Now he is numb and feels nothing. In an hour he will become one screaming bundle of intolerable pain. Every day that he can live will be a howling torture. And to whom does it matter whether he has them or not---- I nod. "Yes, Kat, we ought to put him out of his misery." He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head. "Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you	All Quiet on the Western Front	the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call \"Mind--wire--,\"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>\"Mind--wire,\" --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"_Darling_, do try to sound interested. It's very exciting for me."	Brenda	from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there	telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells	where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard	about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_." "You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of	even to me. I'll have the chess-men done up and sent round to you this afternoon. Thank you so much." And Beaver, for the first time in his life, found himself a person of interest and, almost, of consequence. Women studied him with a new scrutiny, wondering what they had missed in him; men treated him as an equal, even as a successful fellow competitor. "How on earth has _he_ got away with it?" they may have asked themselves, but now, when he came into Bratt's, they made room for him at the bar and said, "Well, old boy, how about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_." "You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the time that she was speaking, she had been kept busy with one hand warding him off the telephone, which he threatened playfully to disconnect. "Wasn't it sweet of	nearly everyone had had a crack one time or another, it would have been thrilling no doubt, but straightforward, drawing-room comedy. The choice of Beaver raised the whole escapade into a realm of poetry for Polly and Daisy and Angela and all the gang of gossips. Mrs Beaver made no bones about her delight. "Of course the subject has not been mentioned between John and myself, but if what I hear is true, I think it will do the boy a world of good. Of course he's always been very much in demand and had a great number of friends, but _that isn't the same thing_. I've felt for a long time a Lack of Something in him, and I think that a charming and experienced woman like Brenda Last is just the person to help him. He's got a _very_ affectionate nature, but he's so sensitive that he hardly ever lets it appear... to tell you the truth I felt something of the kind was in the air last week, so I made an excuse to go away for a few days. If I had been there things might never have come to anything. He's very shy and reserved even to me. I'll have the chess-men done up and sent round to you this afternoon. Thank you so much." And Beaver, for the first time in his life, found himself a person of interest and, almost, of consequence. Women studied him with a new scrutiny, wondering what they had missed in him; men treated him as an equal, even as a successful fellow competitor. "How on earth has _he_ got away with it?" they may have asked themselves, but now, when he came into Bratt's, they made room for him at the bar and said, "Well, old boy, how about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_." "You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the time that she was speaking, she had been kept busy with one hand warding him off the telephone, which he threatened playfully to disconnect. "Wasn't it sweet of Tony to send those flowers?" "I'm not awfully fond of Tony." "Don't let that worry you, my beauty, he doesn't like you _at all_." "_Doesn't_ he? Why not?" "No one does except me. You must get that clear... it's very odd that _I_ should." * * * * * Beaver and his mother were going to Ireland for Christmas, to stay with cousins. Tony and Brenda had a family party at Hetton: Marjorie and Allan, Brenda's mother, Tony's Aunt Frances and two families of impoverished Lasts, humble and uncomplaining victims of primogeniture, to whom Hetton meant as much as it did to Tony. There was a little Christmas-tree in the nursery for John Andrew and a big one downstairs in the central hall which was decorated by the impoverished Lasts and lit up for half an hour after tea (two footmen standing by with wet sponges on the end of poles, to extinguish the candles which turned turtle and threatened to start a fire). There were presents for all the servants, of value strictly graded according to their rank, and for all the guests (cheques for the impoverished Lasts). Allan always brought a large cro?te of foie gras, a delicacy	and a wireless set fitted in a case of Regency lacquer, all of which had been grouped in the shop for her as a "suggestion". Mrs Beaver bore Brenda no ill will for the modesty of her requirements; she was doing very well on the floor above with a Canadian lady who was having her walls covered with chromium plating at immense expense. Meanwhile Brenda stayed with Marjorie, on terms which gradually became acrimonious. "I'm sorry to be pompous," she said one morning, "but I just don't want your Mr Beaver hanging about the house all day and calling me Marjorie." "Oh well, the flat won't be long now." "And I shall go on saying that I think you're making a ridiculous mistake." "It's just that you don't like Mr Beaver." "It isn't only that. I think it's hard cheese on Tony." "Oh, Tony's all right." "And if there's a row--" "There won't be a row." "You never know. If there is, I don't want Allan to think I've been helping to arrange things." "I wasn't so disagreeable to you about Robin Beaseley." "There was never much in that," said Marjorie. But with the exception of her sister's, opinion was greatly in favour of Brenda's adventure. The morning telephone buzzed with news of her; even people with whom she had the barest acquaintance were delighted to relate that they had seen her and Beaver the evening before at a restaurant or cinema. It had been an autumn of very sparse and meagre romance; only the most obvious people had parted or come together, and Brenda was filling a want long felt by those whose simple, vicarious pleasure it was to discuss the subject in bed over the telephone. For them her circumstances shed peculiar glamour; for five years she had been a legendary, almost ghostly name, the imprisoned princess of fairy story, and now that she had emerged there was more enchantment in the occurrence than in the mere change of habit of any other circumspect wife. Her very choice of partner gave the affair an appropriate touch of fantasy; Beaver, the joke figure they had all known and despised, suddenly caught up to her among the luminous clouds of deity. If, after seven years looking neither to right or left, she had at last broken away with Jock Grant-Menzies or Robin Beaseley or any other young buck with whom nearly everyone had had a crack one time or another, it would have been thrilling no doubt, but straightforward, drawing-room comedy. The choice of Beaver raised the whole escapade into a realm of poetry for Polly and Daisy and Angela and all the gang of gossips. Mrs Beaver made no bones about her delight. "Of course the subject has not been mentioned between John and myself, but if what I hear is true, I think it will do the boy a world of good. Of course he's always been very much in demand and had a great number of friends, but _that isn't the same thing_. I've felt for a long time a Lack of Something in him, and I think that a charming and experienced woman like Brenda Last is just the person to help him. He's got a _very_ affectionate nature, but he's so sensitive that he hardly ever lets it appear... to tell you the truth I felt something of the kind was in the air last week, so I made an excuse to go away for a few days. If I had been there things might never have come to anything. He's very shy and reserved even to me. I'll have the chess-men done up and sent round to you this afternoon. Thank you so much." And Beaver, for the first time in his life, found himself a person of interest and, almost, of consequence. Women studied him with a new scrutiny, wondering what they had missed in him; men treated him as an equal, even as a successful fellow competitor. "How on earth has _he_ got away with it?" they may have asked themselves, but now, when he came into Bratt's, they made room for him at the bar and said, "Well, old boy, how about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_." "You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the time that she was speaking, she had been kept busy with one hand warding him off the telephone, which he threatened playfully to disconnect. "Wasn't it sweet of Tony to send those flowers?" "I'm not awfully fond of Tony." "Don't let that worry you, my beauty, he doesn't like you _at all_." "_Doesn't_ he? Why not?" "No one does except me. You must get that clear... it's very odd that _I_ should." * * * * * Beaver and his mother were going to Ireland for Christmas, to stay with cousins. Tony and Brenda had a family party at Hetton: Marjorie and Allan, Brenda's mother, Tony's Aunt Frances and two families of impoverished Lasts, humble and uncomplaining victims of primogeniture, to whom Hetton meant as much as it did to Tony. There was a little Christmas-tree in the nursery for John Andrew and a big one downstairs in the central hall which was decorated by the impoverished Lasts and lit up for half an hour after tea (two footmen standing by with wet sponges on the end of poles, to extinguish the candles which turned turtle and threatened to start a fire). There were presents for all the servants, of value strictly graded according to their rank, and for all the guests (cheques for the impoverished Lasts). Allan always brought a large cro?te of foie gras, a delicacy of which he was particularly fond. Everyone ate a great deal and became slightly torpid towards Boxing-day evening; silver ladles of burning brandy went round the table, crackers were pulled and opened; paper hats, indoor fireworks, mottoes. This year, everything happened in its accustomed way; nothing seemed to menace the peace and stability of the house. The choir came up and sang carols in the pitch-pine gallery, and later devoured hot punch and sweet biscuits. The vicar preached his usual Christmas sermon. It was one to which his parishioners were greatly attached. "How difficult it is for us," he began, blandly surveying his congregation, who coughed into their mufflers and chafed their chilblains under their woollen gloves, "to realize that this is indeed Christmas. Instead of the glowing log fire and windows tight shuttered against the drifting snow, we have only the harsh glare of an alien sun; instead of the happy circle of loved faces, of home and family, we have the uncomprehending stares of the subjugated, though no doubt grateful, heathen. Instead of the placid ox and ass of Bethlehem," said the vicar, slightly losing the thread of his comparisons, "we have for companions the ravening tiger and the exotic camel, the furtive jackal and the ponderous elephant..." And so on, through the pages of faded manuscript. The words had temporarily touched the heart of many an obdurate trooper, and hearing them again, as he had heard them year after year since Mr Tendril had come to the parish, Tony and most of Tony's guests felt that it was an integral part of their Christmas festivities; one with which they would find it very hard to dispense. "The ravening tiger and exotic camel" had long been bywords in the family, of frequent recurrence in all their games. These games were the hardest part for Brenda. They did not amuse her and she still could not see Tony dressed up for charades without a feeling of shyness. Moreover, she was tortured by the fear that any lack of gusto on her part might be construed by the poor Lasts as superiority. These scruples, had she known it, were quite superfluous, for it never occurred to her husband's relatives to look on her with anything but cousinly cordiality and a certain tolerance, for, as Lasts, they considered they had far more right in Hetton than herself. Aunt Frances, with acid	Grant-Menzies or Robin Beaseley or any other young buck with whom nearly everyone had had a crack one time or another, it would have been thrilling no doubt, but straightforward, drawing-room comedy. The choice of Beaver raised the whole escapade into a realm of poetry for Polly and Daisy and Angela and all the gang of gossips. Mrs Beaver made no bones about her delight. "Of course the subject has not been mentioned between John and myself, but if what I hear is true, I think it will do the boy a world of good. Of course he's always been very much in demand and had a great number of friends, but _that isn't the same thing_. I've felt for a long time a Lack of Something in him, and I think that a charming and experienced woman like Brenda Last is just the person to help him. He's got a _very_ affectionate nature, but he's so sensitive that he hardly ever lets it appear... to tell you the truth I felt something of the kind was in the air last week, so I made an excuse to go away for a few days. If I had been there things might never have come to anything. He's very shy and reserved even to me. I'll have the chess-men done up and sent round to you this afternoon. Thank you so much." And Beaver, for the first time in his life, found himself a person of interest and, almost, of consequence. Women studied him with a new scrutiny, wondering what they had missed in him; men treated him as an equal, even as a successful fellow competitor. "How on earth has _he_ got away with it?" they may have asked themselves, but now, when he came into Bratt's, they made room for him at the bar and said, "Well, old boy, how about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_." "You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the time that she was speaking, she had been kept busy with one hand warding him off the telephone, which he threatened playfully to disconnect. "Wasn't it sweet of Tony to send those flowers?" "I'm not awfully fond of Tony." "Don't let that worry you, my beauty, he doesn't like you _at all_." "_Doesn't_ he? Why not?" "No one does except me. You must get that clear... it's very odd that _I_ should." * * * * * Beaver and his mother were going to Ireland for Christmas, to stay with cousins. Tony and Brenda had a family party at Hetton: Marjorie and Allan, Brenda's mother, Tony's Aunt Frances and two families of impoverished Lasts, humble and uncomplaining victims of primogeniture, to whom Hetton meant as much as it did to Tony. There was a little Christmas-tree in the nursery for John Andrew and a big one downstairs in the central hall which was decorated by the impoverished Lasts and lit up for half an hour after tea (two footmen standing by with wet sponges on the end of poles, to extinguish the candles which turned turtle and threatened to start a fire). There were presents for all the servants, of value strictly graded according to their rank, and for all the guests (cheques for the impoverished Lasts).	A Handful Of Dust	where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. \"I'm talking from the flat.\" \"Oh, ah.\"<\|quote\|>\"_Darling_, do try to sound interested. It's very exciting for me.\"</\|quote\|>\"What's it like?\" \"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard", "role": "user" }, { "content": "Brenda", "role": "assistant" } ] }	Brenda
"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"	Marilla Cuthbert	your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was	what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne.	the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said	could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to	despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from	cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart,	with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla," ?what a tangled web we weave when first we practice to deceive.' "That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne's unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the end of the week Marilla said decidedly: "It's no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can't go out with it looking like that." Anne's lips quivered, but she realized the bitter truth of Marilla's remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it	sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I	Anne Of Green Gables	the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?\" \"I dyed it.\"<\|quote\|>\"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?\"</\|quote\|>\"Yes, I knew it was a little wicked,\" admitted Anne. \"But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it.\" \"Well,\" said", "role": "user" }, { "content": "Marilla Cuthbert", "role": "assistant" } ] }	Marilla Cuthbert
"Will you sleep now?"	Paul	put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The	arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks.	I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and	fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is	were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which	and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now--but why? The whole world ought to pass by this bed and say: "That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!" My thoughts become confused. This atmosphere of carbolic and gangrene clogs the lungs, it is a thick gruel, it suffocates. It grows dark. Kemmerich's face changes colour, it lifts from the pillow and is so pale that it gleams. The mouth moves slightly. I draw near to him. He whispers: "If you find my watch, send it home----" I do not reply. It is no use any more. No one can console him. I am wretched with helplessness. This forehead with its hollow temples, this mouth that is now merely a slit, this sharp nose! And the fat, weeping woman at home to whom I must write. If only the letter were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says: "One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----" I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say	he repeats. "Sure, Franz. Once you've got over the operation." He beckons me to bend down. I stoop over him and he whispers: "I don't think so." "Don't talk rubbish, Franz, in a couple of days you'll see for yourself. What is it anyway--an amputated leg? here they patch up far worse things than that." He lifts one hand. "Look here though, these fingers." "That's the result of the operation. Just eat decently and you'll soon be well again. Do they look after you properly?" He points to a dish that is still half full. I get excited. "Franz, you must eat. Eating is the main thing. That looks good too." He turns away. After a pause he says slowly: "I wanted to become a head-forester once." "So you may still," I assure him. "There are splendid artificial limbs now, you'd hardly know there was anything missing. They are fixed on to the muscles. You can move the fingers and work and even write with an artificial hand. And besides, they will always be making new improvements." For a while he lies still. Then he says: "You can take my lace-up boots with you for Müller." I nod and wonder what to say to encourage him. His lips have fallen away, his mouth has become larger, his teeth stick out and look as though they were made of chalk. The flesh melts, the forehead bulges more prominently, the cheek-bones protrude. The skeleton is working itself through. The eyes are already sunken in. In a couple of hours it will be over. He is not the first that I have seen thus; but we grew up together and that always makes it a bit different. I have copied his essays. At school he used to wear a brown coat with a belt and shiny sleeves. He was the only one of us, too, who could do the giant's turn on the horizontal bar. His hair flew in his face like silk when he did it. Kantorek was proud of him for it. But he couldn't endure cigarettes. His skin was very white; he had something of the girl about him. I glance at my boots. They are big and clumsy, the breeches are tucked into them, and standing up one looks well-built and powerful in these great drain-pipes. But when we go bathing and strip, suddenly we have slender legs again and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now--but why? The whole world ought to pass by this bed and say: "That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!" My thoughts become confused. This atmosphere of carbolic and gangrene clogs the lungs, it is a thick gruel, it suffocates. It grows dark. Kemmerich's face changes colour, it lifts from the pillow and is so pale that it gleams. The mouth moves slightly. I draw near to him. He whispers: "If you find my watch, send it home----" I do not reply. It is no use any more. No one can console him. I am wretched with helplessness. This forehead with its hollow temples, this mouth that is now merely a slit, this sharp nose! And the fat, weeping woman at home to whom I must write. If only the letter were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says: "One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----" I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?" Kat asks one of the youngsters. He grimaces. "For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans.	do the giant's turn on the horizontal bar. His hair flew in his face like silk when he did it. Kantorek was proud of him for it. But he couldn't endure cigarettes. His skin was very white; he had something of the girl about him. I glance at my boots. They are big and clumsy, the breeches are tucked into them, and standing up one looks well-built and powerful in these great drain-pipes. But when we go bathing and strip, suddenly we have slender legs again and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now--but why? The whole world ought to pass by this bed and say: "That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!" My thoughts become confused. This atmosphere of carbolic and gangrene clogs the lungs, it is a thick gruel, it suffocates. It grows dark. Kemmerich's face changes colour, it lifts from the pillow and is so pale that it gleams. The mouth moves slightly. I draw near to him. He whispers: "If you find my watch, send it home----" I do not reply. It is no use any more. No one can console him. I am wretched with helplessness. This forehead with its hollow temples, this mouth that is now merely a slit, this sharp nose! And the fat, weeping woman at home to whom I must write. If only the letter were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says: "One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----" I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the	All Quiet on the Western Front	I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! \"But Franz\" --I put my arm round his shoulder and put my face against his.<\|quote\|>\"Will you sleep now?\"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and", "role": "user" }, { "content": "Paul ", "role": "assistant" } ] }	Paul
said Matthew rising and putting his pipe away.	No speaker	you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To	"Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to	despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne	I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as	his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her	reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off	turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer. "It's time you were dressed," she said curtly. Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be. Anne stood up and drew a long breath. "Oh, isn't it wonderful?" she said, waving her hand comprehensively at the good world outside. "It's a big tree," said Marilla, "and it blooms great, but the fruit don't amount to much never--small and wormy." "Oh, I don't mean just the tree; of course it's lovely--yes, it's _radiantly_ lovely--it blooms as if it meant it--but I meant everything, the garden and the orchard and the brook and the woods, the whole big dear world. Don't you feel as if you just loved the world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They're always laughing. Even in winter-time I've heard them under the ice. I'm so glad there's a brook near Green Gables. Perhaps you think it doesn't make any difference to me when you're not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn't a brook I'd be _haunted_ by the uncomfortable feeling that there ought to be one. I'm not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid thing that there are mornings? But I feel very sad. I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and	up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had	Anne Of Green Gables	despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "despatched straight-way back to where she came from.\" \"I could hire a French boy to help me,\" said Matthew, \"and she'd be company for you.\" \"I'm not suffering for company,\" said Marilla shortly. \"And I'm not going to keep her.\" \"Well now, it's just as you say, of course, Marilla,\"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>\"I'm going to bed.\" To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Listen to the trees talking in their sleep,"	Anne Shirley	rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted	and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What	he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when	energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only	a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face.	trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That's it, isn't it?" she said, pointing. Matthew slapped the reins on the sorrel's back delightedly. "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell." "No, she didn't--really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I've pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I'd be so afraid it was all a dream. Then I'd pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I'd better go on dreaming as long as I could; so I stopped pinching. But it _is_ real and we're nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy.	a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana." "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said: "We're pretty near home now. That's Green Gables over--" "Oh, don't tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I'm sure I'll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child's eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That's it, isn't it?" she said, pointing. Matthew slapped the reins on the sorrel's back delightedly. "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell." "No, she didn't--really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I've pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I'd be so afraid it was all a dream. Then I'd pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I'd better go on dreaming as long as I could; so I stopped pinching. But it _is_ real and we're nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep	dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That's it, isn't it?" she said, pointing. Matthew slapped the reins on the sorrel's back delightedly. "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell." "No, she didn't--really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I've pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I'd be so afraid it was all a dream. Then I'd pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I'd better go on dreaming as long as I could; so I stopped pinching. But it _is_ real and we're nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did	Anne Of Green Gables	he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>\"Listen to the trees talking in their sleep,\"</\|quote\|>she whispered, as he lifted her to the ground. \"What nice dreams they must have!\" Then, holding tightly to the carpet-bag which contained \"all her worldly goods,\" she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
said Marilla.	No speaker	because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was	to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really	very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make	this." CHAPTER XXI. A New Departure in Flavorings "DEAR ME, there is nothing but meetings and partings in this world, as Mrs. Lynde says," remarked Anne plaintively, putting her slate and books down on the kitchen table on the last day of June and wiping her red eyes with a very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make his farewell speech she burst into tears. Then all the girls began to cry, one after the other. I tried to hold out, Marilla. I tried to remember the time Mr. Phillips made me sit with Gil--with a boy; and the time he spelled my name without an ?e' on	kitchen door so out of breath that she could hardly gasp out her request for the apron pattern. Diana was away so that she had no excuse to linger. The dreadful return journey had to be faced. Anne went back over it with shut eyes, preferring to take the risk of dashing her brains out among the boughs to that of seeing a white thing. When she finally stumbled over the log bridge she drew one long shivering breath of relief. "Well, so nothing caught you?" said Marilla unsympathetically. "Oh, Mar--Marilla," chattered Anne, "I'll b-b-be contt-tented with c-c-commonplace places after this." CHAPTER XXI. A New Departure in Flavorings "DEAR ME, there is nothing but meetings and partings in this world, as Mrs. Lynde says," remarked Anne plaintively, putting her slate and books down on the kitchen table on the last day of June and wiping her red eyes with a very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make his farewell speech she burst into tears. Then all the girls began to cry, one after the other. I tried to hold out, Marilla. I tried to remember the time Mr. Phillips made me sit with Gil--with a boy; and the time he spelled my name without an ?e' on the blackboard; and how he said I was the worst dunce he ever saw at geometry and laughed at my spelling; and all the times he had been so horrid and sarcastic; but somehow I couldn't, Marilla, and I just had to cry too. Jane Andrews has been talking for a month about how glad she'd be when Mr. Phillips went away and she declared she'd never shed a tear. Well, she was worse than any of us and had to borrow a handkerchief from her brother--of course the boys didn't cry--because she hadn't brought one of her own, not	beyond. "Oh, Marilla, how can you be so cruel?" sobbed Anne. "What would you feel like if a white thing did snatch me up and carry me off?" "I'll risk it," said Marilla unfeelingly. "You know I always mean what I say. I'll cure you of imagining ghosts into places. March, now." Anne marched. That is, she stumbled over the bridge and went shuddering up the horrible dim path beyond. Anne never forgot that walk. Bitterly did she repent the license she had given to her imagination. The goblins of her fancy lurked in every shadow about her, reaching out their cold, fleshless hands to grasp the terrified small girl who had called them into being. A white strip of birch bark blowing up from the hollow over the brown floor of the grove made her heart stand still. The long-drawn wail of two old boughs rubbing against each other brought out the perspiration in beads on her forehead. The swoop of bats in the darkness over her was as the wings of unearthly creatures. When she reached Mr. William Bell's field she fled across it as if pursued by an army of white things, and arrived at the Barry kitchen door so out of breath that she could hardly gasp out her request for the apron pattern. Diana was away so that she had no excuse to linger. The dreadful return journey had to be faced. Anne went back over it with shut eyes, preferring to take the risk of dashing her brains out among the boughs to that of seeing a white thing. When she finally stumbled over the log bridge she drew one long shivering breath of relief. "Well, so nothing caught you?" said Marilla unsympathetically. "Oh, Mar--Marilla," chattered Anne, "I'll b-b-be contt-tented with c-c-commonplace places after this." CHAPTER XXI. A New Departure in Flavorings "DEAR ME, there is nothing but meetings and partings in this world, as Mrs. Lynde says," remarked Anne plaintively, putting her slate and books down on the kitchen table on the last day of June and wiping her red eyes with a very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make his farewell speech she burst into tears. Then all the girls began to cry, one after the other. I tried to hold out, Marilla. I tried to remember the time Mr. Phillips made me sit with Gil--with a boy; and the time he spelled my name without an ?e' on the blackboard; and how he said I was the worst dunce he ever saw at geometry and laughed at my spelling; and all the times he had been so horrid and sarcastic; but somehow I couldn't, Marilla, and I just had to cry too. Jane Andrews has been talking for a month about how glad she'd be when Mr. Phillips went away and she declared she'd never shed a tear. Well, she was worse than any of us and had to borrow a handkerchief from her brother--of course the boys didn't cry--because she hadn't brought one of her own, not expecting to need it. Oh, Marilla, it was heartrending. Mr. Phillips made such a beautiful farewell speech beginning," ?The time has come for us to part.' "It was very affecting. And he had tears in his eyes too, Marilla. Oh, I felt dreadfully sorry and remorseful for all the times I'd talked in school and drawn pictures of him on my slate and made fun of him and Prissy. I can tell you I wished I'd been a model pupil like Minnie Andrews. She hadn't anything on her conscience. The girls cried all the way home from school. Carrie Sloane kept saying every few minutes," ?The time has come for us to part,' "and that would start us off again whenever we were in any danger of cheering up. I do feel dreadfully sad, Marilla. But one can't feel quite in the depths of despair with two months' vacation before them, can they, Marilla? And besides, we met the new minister and his wife coming from the station. For all I was feeling so bad about Mr. Phillips going away I couldn't help taking a little interest in a new minister, could I? His wife is very pretty. Not exactly	fingers on your hand--so. Oh, Marilla, it gives me a shudder to think of it. And there's a headless man stalks up and down the path and skeletons glower at you between the boughs. Oh, Marilla, I wouldn't go through the Haunted Wood after dark now for anything. I'd be sure that white things would reach out from behind the trees and grab me." "Did ever anyone hear the like!" ejaculated Marilla, who had listened in dumb amazement. "Anne Shirley, do you mean to tell me you believe all that wicked nonsense of your own imagination?" "Not believe _exactly_," faltered Anne. "At least, I don't believe it in daylight. But after dark, Marilla, it's different. That is when ghosts walk." "There are no such things as ghosts, Anne." "Oh, but there are, Marilla," cried Anne eagerly. "I know people who have seen them. And they are respectable people. Charlie Sloane says that his grandmother saw his grandfather driving home the cows one night after he'd been buried for a year. You know Charlie Sloane's grandmother wouldn't tell a story for anything. She's a very religious woman. And Mrs. Thomas's father was pursued home one night by a lamb of fire with its head cut off hanging by a strip of skin. He said he knew it was the spirit of his brother and that it was a warning he would die within nine days. He didn't, but he died two years after, so you see it was really true. And Ruby Gillis says--" "Anne Shirley," interrupted Marilla firmly, "I never want to hear you talking in this fashion again. I've had my doubts about that imagination of yours right along, and if this is going to be the outcome of it, I won't countenance any such doings. You'll go right over to Barry's, and you'll go through that spruce grove, just for a lesson and a warning to you. And never let me hear a word out of your head about haunted woods again." Anne might plead and cry as she liked--and did, for her terror was very real. Her imagination had run away with her and she held the spruce grove in mortal dread after nightfall. But Marilla was inexorable. She marched the shrinking ghost-seer down to the spring and ordered her to proceed straightaway over the bridge and into the dusky retreats of wailing ladies and headless specters beyond. "Oh, Marilla, how can you be so cruel?" sobbed Anne. "What would you feel like if a white thing did snatch me up and carry me off?" "I'll risk it," said Marilla unfeelingly. "You know I always mean what I say. I'll cure you of imagining ghosts into places. March, now." Anne marched. That is, she stumbled over the bridge and went shuddering up the horrible dim path beyond. Anne never forgot that walk. Bitterly did she repent the license she had given to her imagination. The goblins of her fancy lurked in every shadow about her, reaching out their cold, fleshless hands to grasp the terrified small girl who had called them into being. A white strip of birch bark blowing up from the hollow over the brown floor of the grove made her heart stand still. The long-drawn wail of two old boughs rubbing against each other brought out the perspiration in beads on her forehead. The swoop of bats in the darkness over her was as the wings of unearthly creatures. When she reached Mr. William Bell's field she fled across it as if pursued by an army of white things, and arrived at the Barry kitchen door so out of breath that she could hardly gasp out her request for the apron pattern. Diana was away so that she had no excuse to linger. The dreadful return journey had to be faced. Anne went back over it with shut eyes, preferring to take the risk of dashing her brains out among the boughs to that of seeing a white thing. When she finally stumbled over the log bridge she drew one long shivering breath of relief. "Well, so nothing caught you?" said Marilla unsympathetically. "Oh, Mar--Marilla," chattered Anne, "I'll b-b-be contt-tented with c-c-commonplace places after this." CHAPTER XXI. A New Departure in Flavorings "DEAR ME, there is nothing but meetings and partings in this world, as Mrs. Lynde says," remarked Anne plaintively, putting her slate and books down on the kitchen table on the last day of June and wiping her red eyes with a very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make his farewell speech she burst into tears. Then all the girls began to cry, one after the other. I tried to hold out, Marilla. I tried to remember the time Mr. Phillips made me sit with Gil--with a boy; and the time he spelled my name without an ?e' on the blackboard; and how he said I was the worst dunce he ever saw at geometry and laughed at my spelling; and all the times he had been so horrid and sarcastic; but somehow I couldn't, Marilla, and I just had to cry too. Jane Andrews has been talking for a month about how glad she'd be when Mr. Phillips went away and she declared she'd never shed a tear. Well, she was worse than any of us and had to borrow a handkerchief from her brother--of course the boys didn't cry--because she hadn't brought one of her own, not expecting to need it. Oh, Marilla, it was heartrending. Mr. Phillips made such a beautiful farewell speech beginning," ?The time has come for us to part.' "It was very affecting. And he had tears in his eyes too, Marilla. Oh, I felt dreadfully sorry and remorseful for all the times I'd talked in school and drawn pictures of him on my slate and made fun of him and Prissy. I can tell you I wished I'd been a model pupil like Minnie Andrews. She hadn't anything on her conscience. The girls cried all the way home from school. Carrie Sloane kept saying every few minutes," ?The time has come for us to part,' "and that would start us off again whenever we were in any danger of cheering up. I do feel dreadfully sad, Marilla. But one can't feel quite in the depths of despair with two months' vacation before them, can they, Marilla? And besides, we met the new minister and his wife coming from the station. For all I was feeling so bad about Mr. Phillips going away I couldn't help taking a little interest in a new minister, could I? His wife is very pretty. Not exactly regally lovely, of course--it wouldn't do, I suppose, for a minister to have a regally lovely wife, because it might set a bad example. Mrs. Lynde says the minister's wife over at Newbridge sets a very bad example because she dresses so fashionably. Our new minister's wife was dressed in blue muslin with lovely puffed sleeves and a hat trimmed with roses. Jane Andrews said she thought puffed sleeves were too worldly for a minister's wife, but I didn't make any such uncharitable remark, Marilla, because I know what it is to long for puffed sleeves. Besides, she's only been a minister's wife for a little while, so one should make allowances, shouldn't they? They are going to board with Mrs. Lynde until the manse is ready." If Marilla, in going down to Mrs. Lynde's that evening, was actuated by any motive save her avowed one of returning the quilting frames she had borrowed the preceding winter, it was an amiable weakness shared by most of the Avonlea people. Many a thing Mrs. Lynde had lent, sometimes never expecting to see it again, came home that night in charge of the borrowers thereof. A new minister, and moreover a minister with a wife, was a lawful object of curiosity in a quiet little country settlement where sensations were few and far between. Old Mr. Bentley, the minister whom Anne had found lacking in imagination, had been pastor of Avonlea for eighteen years. He was a widower when he came, and a widower he remained, despite the fact that gossip regularly married him to this, that, or the other one, every year of his sojourn. In the preceding February he had resigned his charge and departed amid the regrets of his people, most of whom had the affection born of long intercourse for their good old minister in spite of his shortcomings as an orator. Since then the Avonlea church had enjoyed a variety of religious dissipation in listening to the many and various candidates and "supplies" who came Sunday after Sunday to preach on trial. These stood or fell by the judgment of the fathers and mothers in Israel; but a certain small, red-haired girl who sat meekly in the corner of the old Cuthbert pew also had her opinions about them and discussed the same in full with Matthew, Marilla always declining from principle to criticize ministers in any	its head cut off hanging by a strip of skin. He said he knew it was the spirit of his brother and that it was a warning he would die within nine days. He didn't, but he died two years after, so you see it was really true. And Ruby Gillis says--" "Anne Shirley," interrupted Marilla firmly, "I never want to hear you talking in this fashion again. I've had my doubts about that imagination of yours right along, and if this is going to be the outcome of it, I won't countenance any such doings. You'll go right over to Barry's, and you'll go through that spruce grove, just for a lesson and a warning to you. And never let me hear a word out of your head about haunted woods again." Anne might plead and cry as she liked--and did, for her terror was very real. Her imagination had run away with her and she held the spruce grove in mortal dread after nightfall. But Marilla was inexorable. She marched the shrinking ghost-seer down to the spring and ordered her to proceed straightaway over the bridge and into the dusky retreats of wailing ladies and headless specters beyond. "Oh, Marilla, how can you be so cruel?" sobbed Anne. "What would you feel like if a white thing did snatch me up and carry me off?" "I'll risk it," said Marilla unfeelingly. "You know I always mean what I say. I'll cure you of imagining ghosts into places. March, now." Anne marched. That is, she stumbled over the bridge and went shuddering up the horrible dim path beyond. Anne never forgot that walk. Bitterly did she repent the license she had given to her imagination. The goblins of her fancy lurked in every shadow about her, reaching out their cold, fleshless hands to grasp the terrified small girl who had called them into being. A white strip of birch bark blowing up from the hollow over the brown floor of the grove made her heart stand still. The long-drawn wail of two old boughs rubbing against each other brought out the perspiration in beads on her forehead. The swoop of bats in the darkness over her was as the wings of unearthly creatures. When she reached Mr. William Bell's field she fled across it as if pursued by an army of white things, and arrived at the Barry kitchen door so out of breath that she could hardly gasp out her request for the apron pattern. Diana was away so that she had no excuse to linger. The dreadful return journey had to be faced. Anne went back over it with shut eyes, preferring to take the risk of dashing her brains out among the boughs to that of seeing a white thing. When she finally stumbled over the log bridge she drew one long shivering breath of relief. "Well, so nothing caught you?" said Marilla unsympathetically. "Oh, Mar--Marilla," chattered Anne, "I'll b-b-be contt-tented with c-c-commonplace places after this." CHAPTER XXI. A New Departure in Flavorings "DEAR ME, there is nothing but meetings and partings in this world, as Mrs. Lynde says," remarked Anne plaintively, putting her slate and books down on the kitchen table on the last day of June and wiping her red eyes with a very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make his farewell speech she burst into tears. Then all the girls began to cry, one after the other. I tried to hold out, Marilla. I tried to remember the time Mr. Phillips made me sit with Gil--with a boy; and the time he spelled my name without an ?e' on the blackboard; and how he said I was the worst dunce he ever saw at geometry and laughed at my spelling; and all the times he had been so horrid and sarcastic; but somehow I couldn't, Marilla, and I just had to cry too. Jane Andrews has been talking for a month about how glad she'd be when Mr. Phillips went away and she declared she'd never shed a tear. Well, she was worse than any of us and had to borrow a handkerchief from her brother--of course the boys didn't cry--because she hadn't brought one of her own, not expecting to need it. Oh, Marilla, it was heartrending. Mr. Phillips made such a beautiful farewell speech beginning," ?The time has come for us to part.' "It was very affecting. And he had tears in his eyes too, Marilla. Oh, I felt dreadfully sorry and remorseful for all the times I'd talked in school and drawn pictures of him on my slate and made fun of him and Prissy. I can tell you I wished I'd been a model pupil like Minnie Andrews. She hadn't anything on her conscience. The girls cried all the way home from school. Carrie Sloane kept saying every few minutes," ?The time has come for us to part,' "and that would start us off again whenever we were in any danger of cheering up. I do feel dreadfully sad, Marilla. But one can't feel quite in the depths of despair with two months' vacation before them, can they, Marilla? And besides, we met the new minister and his wife coming from the station. For all I was feeling so bad about Mr. Phillips going away I couldn't help taking a little interest in a new minister, could I? His wife is very pretty. Not exactly regally lovely, of course--it wouldn't do, I suppose, for a minister to have a regally lovely wife, because it might set a bad example. Mrs. Lynde says the minister's wife over at Newbridge sets a very bad example because she dresses so fashionably. Our new minister's wife was dressed in blue muslin with lovely puffed sleeves and a hat trimmed with roses. Jane Andrews said she thought puffed sleeves were too worldly for a minister's wife, but I didn't make any such uncharitable remark, Marilla, because I know what it is to long for puffed sleeves. Besides, she's only been a minister's wife for a little while, so one should make allowances, shouldn't they? They are going to board with Mrs. Lynde until the manse is ready." If Marilla, in going down to Mrs. Lynde's that evening, was actuated by any motive save her avowed one of returning the quilting frames she had borrowed the preceding winter, it was an amiable weakness shared by most of the Avonlea people. Many a thing Mrs.	Anne Of Green Gables	very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "very damp handkerchief. \"Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed.\" \"I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,\"<\|quote\|>said Marilla.</\|quote\|>\"I don't think I was crying because I was really so very fond of him,\" reflected Anne. \"I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"There are still a few people waiting to see them."	Mittelstaedt	of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't	"They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He	walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his	give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much	great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three	turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell	to a giant. The black, worn breeches are just as much too short; they reach barely halfway down his calf. The boots, tough old clod-hoppers, with turned-up toes and laces at the side, are much too big for him. But as a compensation the cap is too small, a terribly dirty, mean little pill-box. The whole rig-out is just pitiful. Mittelstaedt stops in front of him: "Territorial Kantorek, do you call those buttons polished? You seem as though you can never learn. Inadequate, Kantorek, quite inadequate----" It makes me bubble with glee. In school Kantorek used to chasten Mittelstaedt with exactly the same expression-- "Inadequate, Mittelstaedt, quite inadequate." Mittelstaedt continues to upbraid him: "Look at Boettcher now, there's a model for you to learn from." I can hardly believe my eyes. Boettcher is there too, Boettcher, our school porter. And he is a model! Kantorek shoots a glance at me as if he would like to eat me. But I grin at him innocently, as though I do not recognize him any more. Nothing could look more ludicrous than his forage-cap and his uniform. And this is the object before whom we used to stand in anguish, as he sat up there enthroned at his desk, spearing at us with his pencil for our mistakes in those irregular French verbs with which afterwards we made so little headway in France. That is barely two years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes "On the march, about turn," the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can	skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me,	All Quiet on the Western Front	walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. \"They've done that a couple of times already,\" grins Mittelstaedt.<\|quote\|>\"There are still a few people waiting to see them.\"</\|quote\|>\"Excellent,\" I say, \"but hasn't he reported you yet?\" \"He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter.\" \"He'll mess up the examination for you.\" \"I don't care,\" says Mittelstaedt calmly. \"Besides, his", "role": "user" }, { "content": "Mittelstaedt", "role": "assistant" } ] }	Mittelstaedt
"We shall all be coming to you for advice about our overdrafts."	The Vicar	abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?"	time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking	that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me	flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun	question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too	you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full	So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the	with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about	A Handful Of Dust	that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "that's one of the things that aren't allowed.\" \"I won't brood any more,\" said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. \"And how are the abstruse sciences, Lady Brenda?\" \"Absorbing.\"<\|quote\|>\"We shall all be coming to you for advice about our overdrafts.\"</\|quote\|>\"Ha, ha.\" \"And how's Thunderclap?\" asked Miss Tendril. \"I'm taking her out hunting on Wednesday,\" said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. \"Please God make there be a good scent. Please God make me see the kill. Please God don't let me", "role": "user" }, { "content": "The Vicar", "role": "assistant" } ] }	The Vicar
said Anne eagerly.	No speaker	"Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight,	all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give	said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said	to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't	to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her	Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed	ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so," she said frankly. "I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed of picnics, but I've never--" "Yes, I told you to come at two o'clock. And it's a quarter to three. I'd like to know why you didn't obey me, Anne." "Why, I meant to, Marilla, as much as could be. But you have no idea how fascinating Idlewild is. And then, of course, I had to tell Matthew about the picnic. Matthew is such a sympathetic listener. Please can I go?" "You'll have to learn to resist the fascination of Idle-whatever-you-call-it. When I tell you to come in at a certain time I mean that time and not half an hour later. And you needn't stop to discourse with sympathetic listeners on your way, either. As for the picnic, of course you can go. You're a Sunday-school scholar, and it's not likely I'd refuse to let you go when all the other little girls are going." "But--but," faltered Anne, "Diana says that everybody must take a basket of things to eat. I can't cook, as you know, Marilla, and--and--I don't mind going to a picnic without puffed sleeves so much, but I'd feel terribly humiliated if I had to go without a basket. It's been preying on my mind ever since Diana told me." "Well, it needn't prey any longer. I'll bake you a basket." "Oh, you dear good Marilla. Oh, you are so kind to me. Oh, I'm so much obliged to you." Getting through with her "ohs" Anne cast herself into Marilla's arms and rapturously kissed her sallow cheek. It was the first time in her whole life that childish lips had voluntarily touched Marilla's face. Again that sudden sensation of startling sweetness thrilled her. She was secretly vastly pleased at Anne's impulsive caress, which was probably the reason why she said brusquely: "There, there, never mind your kissing nonsense. I'd sooner see you doing strictly as you're told. As for cooking, I mean to begin giving you lessons in that some of these days. But you're so featherbrained, Anne, I've been waiting to see if you'd sober down a little and learn to be steady before I begin. You've got to keep your wits about you in cooking and not stop in the middle of things to let your thoughts rove all over creation. Now, get out your patchwork and have your square done before teatime." "I do _not_ like patchwork," said Anne dolefully, hunting out her	and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I	Anne Of Green Gables	said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "said. \"Humph,\" sniffed Marilla. \"It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now.\" \"Oh, no, indeed, I won't,\"<\|quote\|>said Anne eagerly.</\|quote\|>\"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her.\" \"I will say it for the child,\" said", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
When they were settled in front of the fire in the empty smoking-room, he answered,	No speaker	go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with	does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the	I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her	what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan	think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you.	his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable	royal family. When he came to London he was regular in attendance at the House of Lords; all his friends were well over forty and for some years now he had established himself as a member of their generation; few mothers still regarded him as a possible son-in-law. * * * * * "This whole business of Brenda is _very_ unfortunate," said Reggie St Cloud. Tony agreed. "My mother is extremely upset about it, naturally. I'm upset myself. I don't mind admitting, perfectly frankly, that I think she has behaved very foolishly, foolishly and wrongly. I can quite understand your being upset about it too." "Yes," said Tony. "But all the same, making every allowance for your feelings, I do think that you are behaving rather vindictively in the matter." "I'm doing exactly what Brenda wanted." "My dear fellow, she doesn't know what she wants. I saw this chap Beaver yesterday. I didn't like him _at all_. Do you?" "I hardly know him." "Well, I can assure you I didn't like him. Now you're just throwing Brenda into his arms. That's what it amounts to, as I see it, and I call it vindictive. Of course, at the moment Brenda's got the idea that she's in love with him. But it won't last. It couldn't with a chap like Beaver. She'll want to come back in a year, just you see. Allan says the same." "I've told Allan. I don't want her back." "Well, that's vindictive." "No, I just couldn't feel the same about her again." "Well, why feel _the same_? One has to change as one gets older. Why, ten years ago I couldn't be interested in anything later than the Sumerian age and I assure you that now I find even the Christian era full of significance." For some time he spoke about some _tabulae exsecrationum_ that he had lately unearthed. "Almost every grave had them," he said, "mostly referring to the circus factions, scratched on lead. They used to be dropped in through a funnel. We had found forty-three up-to-date, before this wretched business happened, and I had to come back. Naturally I'm upset." He sat for a little, eating silently. This last observation had brought the conversation back to its point of departure. He clearly had more to say on the subject and was meditating the most convenient approach. He ate in a ruthless manner, champing his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use	conversation back to its point of departure. He clearly had more to say on the subject and was meditating the most convenient approach. He ate in a ruthless manner, champing his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting	A Handful Of Dust	I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so.\" \"What does she suggest instead?\" \"Let's go outside and have coffee.\"<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>\"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand.\" \"That's quite out of the question. I couldn't begin to afford it.\" \"Well, you know, I have to consider Brenda's interests. She has very little of her", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Does _your_ watch tell you what year it is?"	The Hatter	should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied	what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because	better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it	crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just	remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you	like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the	a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself "Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!" CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked;	"it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason	Alices Adventures In Wonderland	better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "better to say than his first remark, \"It was the _best_ butter, you know.\" Alice had been looking over his shoulder with some curiosity. \"What a funny watch!\" she remarked. \"It tells the day of the month, and doesn't tell what o'clock it is!\" \"Why should it?\" muttered the Hatter.<\|quote\|>\"Does _your_ watch tell you what year it is?\"</\|quote\|>\"Of course not,\" Alice replied very readily: \"but that's because it stays the same year for such a long time together.\" \"Which is just the case with _mine_,\" said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it", "role": "user" }, { "content": "The Hatter", "role": "assistant" } ] }	The Hatter
"I'm not sure we shan't both be soon."	Tony Last	that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small,	Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre	but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda	do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their	about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good."	Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam and jellied eels... What are your plans for the afternoon?" "Nothing much. Carter's coming up at five to go over a few things. I may go to Pigstanton after luncheon. I think we've got a tenant for Lowater Farm but it's been empty some time and I ought to see how much needs doing to it." "I wouldn't say "no" to going in to the "movies"." "All right. I can easily leave Lowater till Monday." "And we might go to Woolworth's afterwards, eh?" What with Brenda's pretty ways and Tony's good sense, it was not surprising that their friends pointed to them as a pair who were pre-eminently successful in solving the problem of getting along well together. The pudding, without protein, was unattractive. Five minutes afterwards a telegram was brought in. Tony opened it and said "Hell." "Badders?" "Something too horrible has happened. Look at this." Brenda read. "_Arriving 3.18 so looking forward visit. Beaver._" And asked, "What's Beaver?" "It's a young man." "That sounds all right." "Oh	mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam and jellied eels... What are your plans for the afternoon?" "Nothing much. Carter's coming up at five to go over a few things. I may go to Pigstanton after luncheon. I think we've got a tenant for Lowater Farm but it's been empty some time and I ought to see how much needs doing to it." "I wouldn't say "no" to going in to the "movies"." "All right. I can easily leave Lowater till Monday." "And we might go to Woolworth's afterwards, eh?" What with Brenda's pretty ways and Tony's good sense, it was not surprising that their friends pointed to them as a pair who were pre-eminently successful in solving the problem of getting along well together. The pudding, without protein, was unattractive. Five minutes afterwards a telegram was brought in. Tony opened it and said "Hell." "Badders?" "Something too horrible has happened. Look at this." Brenda read. "_Arriving 3.18 so looking forward visit. Beaver._" And asked, "What's Beaver?" "It's a young man." "That sounds all right." "Oh no it's not. Wait till you see him." "What's he coming here for? Did you ask him to stay?" "I suppose I did in a vague kind of way. I went to Bratt's one evening and he was the only chap there so we had some drinks and he said something about wanting to see the house..." "I suppose you were tight." "Not really, but I never thought he'd hold it against me." "Well, it jolly well serves you right. That's what comes of going up to London on business and leaving me alone here... Who is he anyway?" "Just a young man. His mother keeps that shop." "I used to know her. She's hell. Come to think of it we owe her some money." "Look here, we must put a call through and say we're ill." "Too late, he's in the train now, recklessly mixing starch and protein in the Great Western three and sixpenny lunch... Anyway, he can go into Galahad. No one who sleeps there ever comes again--the bed's agony I believe." "What on earth are we going to do with him? It's too late to get anyone else." "You go over to Pigstanton. I'll look after him. It's easier alone. We can take him to the movies to-night, and to-morrow he can see over the house. If we're lucky he may go up by the evening train. Does he have to work on Monday morning?" "I shouldn't know." * * * * * Three-eighteen was far from being the most convenient time for arrival. One reached the house at about a quarter to four and if, like Beaver, one was a stranger, there was an awkward time until tea; but without Tony there to make her self-conscious, Brenda could carry these things off quite gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark	of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam	A Handful Of Dust	but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "but went like a bird after that.\" \"Didn't you come off?\" \"Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser.\" * * * * * \"How did the lecture go?\" Brenda asked. \"Bad. Rotten bad.\" \"The trouble is that nanny's jealous of Ben.\"<\|quote\|>\"I'm not sure we shan't both be soon.\"</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda", "role": "user" }, { "content": "Tony Last", "role": "assistant" } ] }	Tony Last
None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.	No speaker	up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch	a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main	nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same	I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But	in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say	the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly,	off and I return to the camp. In the evening I spread the jam on the cakes and eat some. But I have no taste for them. So I go out to give them to the Russians. Then it occurs to me that my mother cooked them herself and that she was probably in pain as she stood before the hot stove. I put the bag back in my pack and take only two cakes to the Russians. CHAPTER IX We travel for several days. The first aeroplanes appear in the sky. We roll on past transport lines. Guns, guns. The light railway picks us up. I search for my regiment. No one knows exactly where it lies. Somewhere or other I put up for the night, somewhere or other I receive provisions and a few vague instructions. And so with my pack and my rifle I set out again on the way. By the time I come up they are no longer in that devastated place. I hear we have become one of the flying divisions that are pushed in wherever it is hottest. That does not sound cheerful to me. They tell me of heavy losses that we have been having. I inquire after Kat and Albert. No one knows anything of them. I search farther and wander about here and there; it is a wonderful feeling. One night and then another I camp out like a Red Indian. Then at last I get some definite information, and by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better	we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then	All Quiet on the Western Front	nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "nobody, has to stand up stiff in front of him!\" He meditates: \"Hindenburg too, he has to stand up stiff to him, eh?\" \"Sure,\" says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: \"And would a king have to stand up stiff to an emperor?\"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>\"What rot you do hatch out,\" says Kat. \"The main point is that you have to stand stiff yourself.\" But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. \"But look,\" he announces, \"I simply can't believe that an emperor has to go to the latrine the same", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
said the White Rabbit,	No speaker	the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing	prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all	isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the	opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King	miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim.	open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom	said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?" said Alice, (she had grown to her full size by this time.) "You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down	to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find	Alices Adventures In Wonderland	isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "isn't directed at all,\" said the White Rabbit; \"in fact, there's nothing written on the _outside_.\" He unfolded the paper as he spoke, and added \"It isn't a letter, after all: it's a set of verses.\" \"Are they in the prisoner's handwriting?\" asked another of the jurymen. \"No, they're not,\"<\|quote\|>said the White Rabbit,</\|quote\|>\"and that's the queerest thing about it.\" (The jury all looked puzzled.) \"He must have imitated somebody else's hand,\" said the King. (The jury all brightened up again.) \"Please your Majesty,\" said the Knave, \"I didn't write it, and they can't prove I did: there's no name signed at the", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"It's delightful your coming down. What d'you think of Tony?"	Jock Grant-Menzies	were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that	* * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw	spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice	deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here	and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep	except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work in the morning-room is going on well. The foreman told me to-day he thought he would begin on the chromium plating by the end of the week. You know what I think about that. John can talk of nothing except his hunting to-morrow. I hope he doesn't break his neck. Jock and his S.B. are going out too. Hetton lay	* * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work in the morning-room is going on well. The foreman told me to-day he thought he would begin on the chromium plating by the end of the week. You know what I think about that. John can talk of nothing except his hunting to-morrow. I hope he doesn't break his neck. Jock and his S.B. are going out too. Hetton lay near the boundary of three packs; the Pigstanton, who hunted it, had, in the division of territory, come off with the worst country and they cherished a permanent resentment about some woods near Bayton. They were a somewhat ill-tempered lot, contemptuous of each other's performance, hostile to strangers, torn by internal rancour, united only in their dislike of the Master. In the case of Colonel Inch this unpopularity, traditional to the hunt, was quite undeserved; he was a timid, inconspicuous man who provided the neighbourhood with sport of a kind at great personal expense. He himself was seldom in sight of hounds and could often be found in another part of the country morosely nibbling ginger-nut biscuits in a lane or towards the end of the day cantering heavily across country, quite lost, a lonely scarlet figure against the ploughed land, staring about him in the deepening twilight and shouting at yokels for information. The only pleasure he gained from his position, but that a substantial one, was in referring to it casually at Board Meetings of the various companies he directed. The Pigstanton met twice a week. There was seldom a large field on Wednesday, but the Hetton meet was popular; it lay in their best country and the prospect of stirrup-cups had drawn many leathery old ladies from the neighbouring packs. There were also followers on foot and in every kind of vehicle, some hanging back diffidently, others, more or less known to Tony, crowding round the refreshment table. Mr Tendril had a niece staying with him, who appeared on a motor bicycle. John stood beside Thunderclap, solemn with excitement. Ben had secured a powerful, square-headed mare from a neighbouring farmer; he hoped to have a hunt after John had been taken home; at John's earnest entreaty nanny was confined indoors, among the housemaids whose heads obtruded at the upper windows; it was not her day. She had been out of temper while dressing him. "If I'm in at the death I expect Colonel Inch will blood me." "You won't see any death," said nanny. Now she stood with her eyes at an arrow slit gazing rather resentfully at the animated scene below. "It's all a lot of nonsense of Ben Hacket's," she thought. She deplored it all, hounds, Master, field, huntsman and whippers-in, Mr Tendril's niece in her mackintosh, Jock in a rat-catcher, Mrs Rattery in tall	vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work	A Handful Of Dust	spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "spoke to him exactly as though he were a man of her own age. \"You'll have to show me the country.\" \"I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him.\" * * * * * When they were alone together, Jock said,<\|quote\|>\"It's delightful your coming down. What d'you think of Tony?\"</\|quote\|>\"Is he married to that rather lovely woman we saw at the Caf? de Paris?\" \"Yes.\" \"The one you said was in love with that young man?\" \"Yes.\" \"Funny of her... What's this one's name again?\" \"Tony Last. It's a pretty ghastly house, isn't it?\" \"Is it? I never notice", "role": "user" }, { "content": "Jock Grant-Menzies", "role": "assistant" } ] }	Jock Grant-Menzies
"how am I to get in?"	Alice	pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense	kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman	they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time	the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I	and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like	open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze,	as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly," said Alice, who was a very truthful child; "but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to	trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she	Alices Adventures In Wonderland	they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "they're making such a noise inside, no one could possibly hear you.\" And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. \"Please, then,\" said Alice,<\|quote\|>\"how am I to get in?\"</\|quote\|>\"There might be some sense in your knocking,\" the Footman went on without attending to her, \"if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know.\" He was looking up into the sky all the time", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
"How does it come about exactly?"	Paul	way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come	in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller	won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure."	it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for	any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer	with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie	short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--," dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry: "Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie looks at him sadly and is silent. His thoughts still linger over the clear evenings in autumn, the Sundays in the heather, the village bells, the afternoons and evenings with the servant girls, the fried bacon and barley, the care-free evening hours in the ale-house---- He can't part with all these dreams so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?" asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence: "I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his little corner of Oldenburg. They haven't brought the hay in yet. At this moment Himmelstoss appears. He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then he marches up to us. No one makes any motion to stand up. Kropp looks up at him with interest. He continues to stand in front of us and wait. As no one says anything he launches a "Well?" A couple of seconds go by. Apparently Himmelstoss doesn't quite know what to do. He would like most to set us all on the run again. But he seems to have learned already that the front line isn't a parade ground. He tries it on though, and by addressing himself to one instead of to all of us hopes to get some response. Kropp is nearest, so he favours him. "Well, you here	are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie looks at him sadly and is silent. His thoughts still linger over the clear evenings in autumn, the Sundays in the heather, the village bells, the afternoons and evenings with the servant girls, the fried bacon and barley, the care-free evening hours in the ale-house---- He can't part with all these dreams so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?" asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence: "I would go straight on with the harvesting." Then he gets	All Quiet on the Western Front	won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure."	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "won't lack for that, Kat, you'd scrounge it from somewhere.\" Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. \"Haie, what would you do if it was peace time?\" \"Give you a kick in the backside for the way you talk,\" I say.<\|quote\|>\"How does it come about exactly?\"</\|quote\|>\"How does the cow-shit come on the roof?\" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: \"You mean when the war's over?\" \"Exactly. You've said it.\" \"Well, there'd be women of course, eh?\" --Haie licks his lips. \"Sure.\"", "role": "user" }, { "content": "Paul", "role": "assistant" } ] }	Paul
Next morning.	No speaker	used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother,"	later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across.	"Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you	"I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda	there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda coming," said Veronica. "I do think she might have chucked. I shan't in the least know what to say to her." * * * * * Tony said to Jock, as they sat alone after dinner, "I've been trying to understand, and I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away	my lady, I've been going through John's things. There's this handkerchief doesn't belong to him." The heavy scent and crowned cipher at the corner proclaimed its origin. "I know whose it is. I'll send it back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?" "Will you want to be keeping her now?" "I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been treated well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock rang up. He wanted to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda coming," said Veronica. "I do think she might have chucked. I shan't in the least know what to say to her." * * * * * Tony said to Jock, as they sat alone after dinner, "I've been trying to understand, and I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away from everything that reminds her of what has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't	did you do all day?" "There was the Shameless Blonde... we played animal snap some of the time." "Animal snap? Was that any good?" "Not much... It's odd to think that yesterday this time it hadn't happened." "Poor little boy," said Brenda. They had scarcely spoken to each other since Brenda's arrival. Tony had driven to the station to meet her; by the time they reached the house Mrs Rattery had gone to bed; that morning she left in her aeroplane without seeing either of them. They heard the machine pass over the house, Brenda in her bath, Tony downstairs in his study attending to the correspondence that had become necessary. A day of fitful sunshine and blustering wind; white and grey clouds were scarcely moving, high overhead, but the bare trees round the house swayed and shook and there were swift whirlpools of straw in the stable yard. Ben changed from the Sunday suit he had worn at the inquest and went about his duties. Thunderclap, too, had been kicked yesterday and was very slightly lame in the off fore. Brenda took off her hat and threw it down on a chair in the hall. "Nothing to say, is there?" "There's no need to talk." "No. I suppose there'll have to be a funeral." "Well, of course." "Yes: to-morrow?" She looked into the morning-room. "They've done quite a lot, haven't they?" All Brenda's movements were slower than usual and her voice was flat and expressionless. She sank down into one of the armchairs in the centre of the hall, which nobody ever used. She sat there doing nothing. Tony put his hand on her shoulder but she said "Don't" ", not impatiently or nervously but without any expression. Tony said, "I'll go and finish those letters." "Yes." "See you at luncheon." "Yes." She rose, looked round listlessly for her hat, found it and went very slowly upstairs, the sunlight through the stained-glass windows glowing and sparkling all about her. In her room she sat on the window seat, looking out across the meadows and dun ploughland, the naked tossing trees, the church towers, the maelstroms of dust and leaf which eddied about the terrace below; she still held her hat and fidgeted with her fingers on the brooch which was clipped to one side of it. Nanny knocked at the door and came in, red eyed. "If you please, my lady, I've been going through John's things. There's this handkerchief doesn't belong to him." The heavy scent and crowned cipher at the corner proclaimed its origin. "I know whose it is. I'll send it back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?" "Will you want to be keeping her now?" "I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been treated well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock rang up. He wanted to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda coming," said Veronica. "I do think she might have chucked. I shan't in the least know what to say to her." * * * * * Tony said to Jock, as they sat alone after dinner, "I've been trying to understand, and I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away from everything that reminds her of what has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?" "Not so well. It makes me feel rather a beast," said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I know just how you feel, but it doesn't do to be medieval about it. If Brenda hadn't been upset at John's death this need never have come to a crisis. Why, last year Marjorie was going everywhere with that ass Robin Beaseley. She was mad about him at	send it back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?" "Will you want to be keeping her now?" "I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been treated well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock rang up. He wanted to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda coming," said Veronica. "I do think she might have chucked. I shan't in the least know what to say to her." * * * * * Tony said to Jock, as they sat alone after dinner, "I've been trying to understand, and I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away from everything that reminds her of what has happened... all the	A Handful Of Dust	"Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "\"Don't go on, Tony, please don't go on.\" So Tony stopped and after a time said, \"So you're going to Veronica's to-morrow?\" \"Mmmm.\" \"I think I will ask Jock to come.\" \"Yes, I should.\" \"And we can think about plans later when we've got more used to things.\" \"Yes, later.\"<\|quote\|>Next morning.</\|quote\|>\"A sweet letter from mother,\" said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Every little bean must be heard as well as seen."	Katczinsky	mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue.	to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they	we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay	on the sunny side of the hut. There is a smell of tar, of summer, and of sweaty feet. Kat sits beside me. He wants to talk. To-day we have been practising saluting because Tjaden failed to salute a major. Kat can't get it out of his head. "You see, we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay And the war would be over and done in a day. Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of	in a year something eatable were to be had in some one place only, within that hour, as if moved by a vision, he would put on his cap, go out and walk directly there, as though following a compass, and find it. He finds everything--if it is cold, a small stove and wood, hay and straw, a table and chairs--but above all food. It is uncanny; one would think he conjured it out of the air. His masterpiece was four boxes of lobsters. Admittedly we would rather have had a good beef steak. * * We have settled ourselves on the sunny side of the hut. There is a smell of tar, of summer, and of sweaty feet. Kat sits beside me. He wants to talk. To-day we have been practising saluting because Tjaden failed to salute a major. Kat can't get it out of his head. "You see, we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay And the war would be over and done in a day. Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out among themselves. Whoever survives, his country wins. That would be much simpler and more just than this arrangement, where the wrong people do the fighting. The subject is dropped. Then the conversation turns to drill. A picture comes before me. Burning midday in the barrack-yard. The heat hangs over the square. The barracks are deserted. Everything sleeps. All one hears is the drummers practising; they have installed themselves anywhere and practise brokenly, dully, monotonously. What a concord! Midday heat, barrack-square, and drummers beating! The windows of	feels the bread. "Real bread, by God! and still hot too!" Kat gives no explanation. He has the bread, the rest doesn't matter. I'm sure that if he were planted down in the middle of the desert, in half an hour he would have gathered together a supper of roast meat, dates, and wine. "Cut some wood," he says curtly to Haie. Then he hauls out a frying-pan from under his coat, and a handful of salt as well as a lump of fat from his pocket. He has thought of everything. Haie makes a fire on the floor. It lights up the empty room of the factory. We climb out of bed. The artilleryman hesitates. He wonders whether to praise Kat and so perhaps gain a little for himself. But Katczinsky doesn't even see him, he might as well be thin air. He goes off cursing. Kat knows the way to roast horse-flesh so that it's tender. It shouldn't be put straight into the pan, that makes it tough. It should be boiled first in a little water. With our knives we squat round in a circle and fill our bellies. That is Kat. If for but one hour in a year something eatable were to be had in some one place only, within that hour, as if moved by a vision, he would put on his cap, go out and walk directly there, as though following a compass, and find it. He finds everything--if it is cold, a small stove and wood, hay and straw, a table and chairs--but above all food. It is uncanny; one would think he conjured it out of the air. His masterpiece was four boxes of lobsters. Admittedly we would rather have had a good beef steak. * * We have settled ourselves on the sunny side of the hut. There is a smell of tar, of summer, and of sweaty feet. Kat sits beside me. He wants to talk. To-day we have been practising saluting because Tjaden failed to salute a major. Kat can't get it out of his head. "You see, we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay And the war would be over and done in a day. Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out among themselves. Whoever survives, his country wins. That would be much simpler and more just than this arrangement, where the wrong people do the fighting. The subject is dropped. Then the conversation turns to drill. A picture comes before me. Burning midday in the barrack-yard. The heat hangs over the square. The barracks are deserted. Everything sleeps. All one hears is the drummers practising; they have installed themselves anywhere and practise brokenly, dully, monotonously. What a concord! Midday heat, barrack-square, and drummers beating! The windows of the barracks are empty and dark. From some of them trousers are hanging to dry. The rooms are cool and one looks toward them longingly. O dark, musty platoon huts, with the iron bedsteads, the chequered bedding, the lockers and the stools! Even you can become the object of desire; out here you have a faint resemblance to home; your rooms, full of the smell of stale food, sleep, smoke, and clothes! Katczinsky paints it all in lively colours. What would we not give to be able to go back to it! But we must not pursue that line of thought any further. Those early morning hours of instruction-- "What are the parts of the 98 rifle?" --the midday hours of physical training-- "Pianist, forward! By the right, quick march. Report to the cook-house for potato-peeling." We indulge in reminiscences. Kropp laughs suddenly and says: "Change at Löhne!" That was our corporal's favourite game. Löhne is a railway junction. In order that our fellows going on leave shouldn't get lost there, Himmelstoss used to practise the change in the barrack-room. We had to learn that at Löhne, to reach the branch-line, we must pass through a subway. The beds represented	spot, a sorry hole, that has been eaten out to the very walls. We are quartered in a small dark factory adapted to the purpose. There are beds in it, or rather bunks--a couple of wooden beams over which wire netting is stretched. Wire netting is hard. And there's nothing to put on it. Our waterproof sheets are too thin. We use our blankets to cover ourselves. Kat looks at the place and then says to Haie Westhus: "Come with me." They go off to explore. Half an hour later they are back again with arms full of straw. Kat has found a horse-box with straw in it. Now we might sleep if we weren't so terribly hungry. Kropp asks an artilleryman who has been some time in this neighbourhood: "Is there a canteen anywhere abouts?" "Is there a what?" he laughs. "There's nothing to be had here. You won't find so much as a crust of bread here." "Aren't there any inhabitants here at all then?" He spits. "Yes, a couple. But they mostly loaf round the cook house and beg." "That's a bad business!--Then we'll have to pull in our belts and wait till the rations come up in the morning." But I see Kat has put on his cap. "Where to, Kat?" I ask. "Just to explore the place a bit." He strolls off. The artilleryman grins scornfully. "Let him explore! But don't be too hopeful about it." Disappointed we lie down and consider whether we couldn't have a go at the iron rations. But it's too risky; so we try to get a wink of sleep. Kropp divides a cigarette and hands me half. Tjaden gives an account of his national dish--broad-beans and bacon. He despises it when not flavoured with bog-myrtle, and, "for God's sake, let it all be cooked together, not the potatoes, the beans, and the bacon separately." Someone growls that he will pound Tjaden into bog-myrtle if he doesn't shut up. Then all becomes quiet in the big room--only the candles flickering from the necks of a couple of bottles and the artilleryman spitting every now and then. We stir a bit as the door opens and Kat appears. I think I must be dreaming; he has two loaves of bread under his arm and a blood-stained sandbag full of horse-flesh in his hand. The artilleryman's pipe drops from his mouth. He feels the bread. "Real bread, by God! and still hot too!" Kat gives no explanation. He has the bread, the rest doesn't matter. I'm sure that if he were planted down in the middle of the desert, in half an hour he would have gathered together a supper of roast meat, dates, and wine. "Cut some wood," he says curtly to Haie. Then he hauls out a frying-pan from under his coat, and a handful of salt as well as a lump of fat from his pocket. He has thought of everything. Haie makes a fire on the floor. It lights up the empty room of the factory. We climb out of bed. The artilleryman hesitates. He wonders whether to praise Kat and so perhaps gain a little for himself. But Katczinsky doesn't even see him, he might as well be thin air. He goes off cursing. Kat knows the way to roast horse-flesh so that it's tender. It shouldn't be put straight into the pan, that makes it tough. It should be boiled first in a little water. With our knives we squat round in a circle and fill our bellies. That is Kat. If for but one hour in a year something eatable were to be had in some one place only, within that hour, as if moved by a vision, he would put on his cap, go out and walk directly there, as though following a compass, and find it. He finds everything--if it is cold, a small stove and wood, hay and straw, a table and chairs--but above all food. It is uncanny; one would think he conjured it out of the air. His masterpiece was four boxes of lobsters. Admittedly we would rather have had a good beef steak. * * We have settled ourselves on the sunny side of the hut. There is a smell of tar, of summer, and of sweaty feet. Kat sits beside me. He wants to talk. To-day we have been practising saluting because Tjaden failed to salute a major. Kat can't get it out of his head. "You see, we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay And the war would be over and done in a day. Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out among themselves. Whoever survives, his country wins. That would be much simpler and more just than this arrangement, where the wrong people do the fighting. The subject is dropped. Then the conversation turns to drill. A picture comes before me. Burning midday in the barrack-yard. The heat hangs over the square. The barracks are deserted. Everything sleeps. All one hears is the drummers practising; they have installed themselves anywhere and practise brokenly, dully, monotonously. What a concord! Midday heat, barrack-square, and drummers beating! The windows of the barracks are empty and dark. From some of them trousers are hanging to dry. The rooms are cool and one looks toward them longingly. O dark, musty platoon huts, with the iron bedsteads, the chequered bedding, the lockers and the stools! Even you can become the object of desire; out here you have a faint resemblance to home; your rooms, full of the smell of stale food, sleep, smoke, and clothes! Katczinsky paints it all in lively colours. What would we not give to be able to go back to it! But we must not pursue that line of thought any further. Those early morning hours of instruction-- "What are the parts of the 98 rifle?" --the midday hours of physical training-- "Pianist, forward! By the right, quick march. Report to the cook-house for potato-peeling." We indulge in reminiscences. Kropp laughs suddenly and says: "Change at Löhne!" That was our corporal's favourite game. Löhne is a railway junction. In order that our fellows going on leave shouldn't get lost there, Himmelstoss used to practise the change in the barrack-room. We had to learn that at Löhne, to reach the branch-line, we must pass through a subway. The beds represented the subway and each man stood at attention on the left side of his bed. Then came the command: "Change at Löhne!" and like lightning everyone scrambled under the bed to the opposite side. We practised this for a whole hour---- Meanwhile the German aeroplane has been shot down. Like a comet it bursts into a streamer of smoke and falls headlong. Kropp has lost the bottle of beer. Disgruntled he counts out the money from his wallet. "Surely Himmelstoss was a very different fellow as a postman," say I, after Albert's disappointment has subsided. "Then how does it come that he's such a bully as a drill-sergeant?" The question revives Kropp, more particularly as he hears there's no more beer in the canteen. "It's not only Himmelstoss, there are lots of them. As sure as they get a stripe or a star they become different men, just as though they'd swallowed concrete." "That's the uniform," I suggest. "Roughly speaking it is," says Kat, and prepares for a long speech; "but the root of the matter lies elsewhere. For instance, if you train a dog to eat potatoes and then afterwards put a piece of meat in front of him, he'll snap at it, it's his nature. And if you give a man a little bit of authority he behaves just the same way, he snaps at it too. The things are precisely the same. In himself man is essentially a beast, only he butters it over like a slice of bread with a little decorum. The army is based on that; one man must always have power over the other. The mischief is merely that each one has much too much power. A non-com. can torment a private, a lieutenant a non-com., a captain a lieutenant, until he goes mad. And because they know they can, they all soon acquire the habit more or less. Take a simple case: we are marching back from the parade-ground dog-tired. Then comes the order to sing. We are glad enough to be able to trail arms but we sing spiritlessly. At once the company is turned about and has to do another hour's drill as punishment. On the march back the order to sing is given again, and once more we start. Now what's the use of all that? It's simply that the company commander's head has been turned by having so	to explore the place a bit." He strolls off. The artilleryman grins scornfully. "Let him explore! But don't be too hopeful about it." Disappointed we lie down and consider whether we couldn't have a go at the iron rations. But it's too risky; so we try to get a wink of sleep. Kropp divides a cigarette and hands me half. Tjaden gives an account of his national dish--broad-beans and bacon. He despises it when not flavoured with bog-myrtle, and, "for God's sake, let it all be cooked together, not the potatoes, the beans, and the bacon separately." Someone growls that he will pound Tjaden into bog-myrtle if he doesn't shut up. Then all becomes quiet in the big room--only the candles flickering from the necks of a couple of bottles and the artilleryman spitting every now and then. We stir a bit as the door opens and Kat appears. I think I must be dreaming; he has two loaves of bread under his arm and a blood-stained sandbag full of horse-flesh in his hand. The artilleryman's pipe drops from his mouth. He feels the bread. "Real bread, by God! and still hot too!" Kat gives no explanation. He has the bread, the rest doesn't matter. I'm sure that if he were planted down in the middle of the desert, in half an hour he would have gathered together a supper of roast meat, dates, and wine. "Cut some wood," he says curtly to Haie. Then he hauls out a frying-pan from under his coat, and a handful of salt as well as a lump of fat from his pocket. He has thought of everything. Haie makes a fire on the floor. It lights up the empty room of the factory. We climb out of bed. The artilleryman hesitates. He wonders whether to praise Kat and so perhaps gain a little for himself. But Katczinsky doesn't even see him, he might as well be thin air. He goes off cursing. Kat knows the way to roast horse-flesh so that it's tender. It shouldn't be put straight into the pan, that makes it tough. It should be boiled first in a little water. With our knives we squat round in a circle and fill our bellies. That is Kat. If for but one hour in a year something eatable were to be had in some one place only, within that hour, as if moved by a vision, he would put on his cap, go out and walk directly there, as though following a compass, and find it. He finds everything--if it is cold, a small stove and wood, hay and straw, a table and chairs--but above all food. It is uncanny; one would think he conjured it out of the air. His masterpiece was four boxes of lobsters. Admittedly we would rather have had a good beef steak. * * We have settled ourselves on the sunny side of the hut. There is a smell of tar, of summer, and of sweaty feet. Kat sits beside me. He wants to talk. To-day we have been practising saluting because Tjaden failed to salute a major. Kat can't get it out of his head. "You see, we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay And the war would be over and done in a day. Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out among themselves. Whoever survives, his country wins. That would be much simpler and more just than this arrangement, where the wrong people do the fighting. The subject is dropped. Then the conversation turns to drill. A picture comes before me. Burning midday in the barrack-yard. The heat hangs over the square. The barracks are deserted. Everything sleeps. All one hears is the drummers practising; they have installed themselves anywhere and practise brokenly, dully, monotonously. What a concord! Midday heat, barrack-square, and drummers beating! The windows of the barracks are empty and dark. From some of them trousers are hanging to dry. The rooms are cool and one looks toward them longingly. O dark, musty platoon huts, with the iron bedsteads, the chequered bedding, the lockers and the stools! Even you can become the object of desire; out here you have a faint resemblance to home; your rooms,	All Quiet on the Western Front	we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "we are losing the war because we can salute too well,\" he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>\"Every little bean must be heard as well as seen.\"</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay", "role": "user" }, { "content": "Katczinsky", "role": "assistant" } ] }	Katczinsky
said Marilla.	No speaker	I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the	got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and	green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your	it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I	Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what	I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at	and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla," ?what a tangled web we weave when first we practice to deceive.' "That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne's unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the	has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice	Anne Of Green Gables	green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "green,\" moaned Anne. \"I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am.\" \"I little know how you got into this fix, but I mean to find out,\"<\|quote\|>said Marilla.</\|quote\|>\"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
said the King.	No speaker	"You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The	when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March	first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and	quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly	Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of	on slates. "What are they doing?" Alice whispered to the Gryphon. "They can't have anything to put down yet, before the trial's begun." "They're putting down their names," the Gryphon whispered in reply, "for fear they should forget them before the end of the trial." "Stupid things!" Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, "Silence in the court!" and the King put on his spectacles and looked anxiously round, to make out who was talking. Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down "stupid things!" on their slates, and she could even make out that one of them didn't know how to spell "stupid," and that he had to ask his neighbour to tell him. "A nice muddle their slates'll be in before the trial's over!" thought Alice. One of the jurors had a pencil that squeaked. This of course, Alice could _not_ stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his	cry of "The trial's beginning!" was heard in the distance. "Come on!" cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song. "What trial is it?" Alice panted as she ran; but the Gryphon only answered "Come on!" and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:-- "Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" CHAPTER XI. Who Stole the Tarts? The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them--" "I wish they'd get the trial done," she thought, "and hand round the refreshments!" But there seemed to be no chance of this, so she began looking at everything about her, to pass away the time. Alice had never been in a court of justice before, but she had read about them in books, and she was quite pleased to find that she knew the name of nearly everything there. "That's the judge," she said to herself, "because of his great wig." The judge, by the way, was the King; and as he wore his crown over the wig, (look at the frontispiece if you want to see how he did it,) he did not look at all comfortable, and it was certainly not becoming. "And that's the jury-box," thought Alice, "and those twelve creatures," (she was obliged to say "creatures," you see, because some of them were animals, and some were birds,) "I suppose they are the jurors." She said this last word two or three times over to herself, being rather proud of it: for she thought, and rightly too, that very few little girls of her age knew the meaning of it at all. However, "jury-men" would have done just as well. The twelve jurors were all writing very busily on slates. "What are they doing?" Alice whispered to the Gryphon. "They can't have anything to put down yet, before the trial's begun." "They're putting down their names," the Gryphon whispered in reply, "for fear they should forget them before the end of the trial." "Stupid things!" Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, "Silence in the court!" and the King put on his spectacles and looked anxiously round, to make out who was talking. Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down "stupid things!" on their slates, and she could even make out that one of them didn't know how to spell "stupid," and that he had to ask his neighbour to tell him. "A nice muddle their slates'll be in before the trial's over!" thought Alice. One of the jurors had a pencil that squeaked. This of course, Alice could _not_ stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall	poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with	Alices Adventures In Wonderland	first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. \"I beg pardon, your Majesty,\" he began, \"for bringing these in: but I hadn't quite finished my tea when I was sent for.\" \"You ought to have finished,\"<\|quote\|>said the King.</\|quote\|>\"When did you begin?\" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. \"Fourteenth of March, I _think_ it was,\" he said. \"Fifteenth,\" said the March Hare. \"Sixteenth,\" added the Dormouse. \"Write that down,\" the King said to the jury, and", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
assured Anne.	No speaker	as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you	him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake	find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at	must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as	to speak so about Mr. Bell," said Marilla severely. "Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken	and I asked ever so many. I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell," said Marilla severely. "Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken and cold tongue. We're to have two kinds of jelly, red and yellow, and whipped cream and lemon pie, and cherry pie, and three kinds of cookies, and fruit cake, and Marilla's famous yellow plum preserves that she keeps especially for ministers, and pound cake and layer cake, and biscuits as aforesaid; and new bread and old both, in case the minister is dyspeptic and can't eat new. Mrs. Lynde says ministers are dyspeptic, but I don't think Mr. Allan has been a minister long enough for it to have had a bad effect on him. I just grow cold when I think of my layer cake. Oh, Diana, what if it shouldn't be good! I dreamed last night that I was chased all around by a fearful goblin with a big layer cake for a head." "It'll be good, all right," assured Diana, who was a very comfortable sort of friend. "I'm sure that piece of the one you made that we had for lunch in Idlewild two weeks ago was perfectly elegant." "Yes; but cakes have such a terrible habit of turning out bad just when you especially want them to be good," sighed Anne, setting a particularly	just like Mr. Bentley's--he had no imagination. And Mr. Terry had too much; he let it run away with him just as I did mine in the matter of the Haunted Wood. Besides, Mrs. Lynde says his theology wasn't sound. Mr. Gresham was a very good man and a very religious man, but he told too many funny stories and made the people laugh in church; he was undignified, and you must have some dignity about a minister, mustn't you, Matthew? I thought Mr. Marshall was decidedly attractive; but Mrs. Lynde says he isn't married, or even engaged, because she made special inquiries about him, and she says it would never do to have a young unmarried minister in Avonlea, because he might marry in the congregation and that would make trouble. Mrs. Lynde is a very farseeing woman, isn't she, Matthew? I'm very glad they've called Mr. Allan. I liked him because his sermon was interesting and he prayed as if he meant it and not just as if he did it because he was in the habit of it. Mrs. Lynde says he isn't perfect, but she says she supposes we couldn't expect a perfect minister for seven hundred and fifty dollars a year, and anyhow his theology is sound because she questioned him thoroughly on all the points of doctrine. And she knows his wife's people and they are most respectable and the women are all good housekeepers. Mrs. Lynde says that sound doctrine in the man and good housekeeping in the woman make an ideal combination for a minister's family." The new minister and his wife were a young, pleasant-faced couple, still on their honeymoon, and full of all good and beautiful enthusiasms for their chosen lifework. Avonlea opened its heart to them from the start. Old and young liked the frank, cheerful young man with his high ideals, and the bright, gentle little lady who assumed the mistress-ship of the manse. With Mrs. Allan Anne fell promptly and wholeheartedly in love. She had discovered another kindred spirit. "Mrs. Allan is perfectly lovely," she announced one Sunday afternoon. "She's taken our class and she's a splendid teacher. She said right away she didn't think it was fair for the teacher to ask all the questions, and you know, Marilla, that is exactly what I've always thought. She said we could ask her any question we liked and I asked ever so many. I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell," said Marilla severely. "Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken and cold tongue. We're to have two kinds of jelly, red and yellow, and whipped cream and lemon pie, and cherry pie, and three kinds of cookies, and fruit cake, and Marilla's famous yellow plum preserves that she keeps especially for ministers, and pound cake and layer cake, and biscuits as aforesaid; and new bread and old both, in case the minister is dyspeptic and can't eat new. Mrs. Lynde says ministers are dyspeptic, but I don't think Mr. Allan has been a minister long enough for it to have had a bad effect on him. I just grow cold when I think of my layer cake. Oh, Diana, what if it shouldn't be good! I dreamed last night that I was chased all around by a fearful goblin with a big layer cake for a head." "It'll be good, all right," assured Diana, who was a very comfortable sort of friend. "I'm sure that piece of the one you made that we had for lunch in Idlewild two weeks ago was perfectly elegant." "Yes; but cakes have such a terrible habit of turning out bad just when you especially want them to be good," sighed Anne, setting a particularly well-balsamed twig afloat. "However, I suppose I shall just have to trust to Providence and be careful to put in the flour. Oh, look, Diana, what a lovely rainbow! Do you suppose the dryad will come out after we go away and take it for a scarf?" "You know there is no such thing as a dryad," said Diana. Diana's mother had found out about the Haunted Wood and had been decidedly angry over it. As a result Diana had abstained from any further imitative flights of imagination and did not think it prudent to cultivate a spirit of belief even in harmless dryads. "But it's so easy to imagine there is," said Anne. "Every night before I go to bed, I look out of my window and wonder if the dryad is really sitting here, combing her locks with the spring for a mirror. Sometimes I look for her footprints in the dew in the morning. Oh, Diana, don't give up your faith in the dryad!" Wednesday morning came. Anne got up at sunrise because she was too excited to sleep. She had caught a severe cold in the head by reason of her dabbling in the spring on the preceding evening; but nothing short of absolute pneumonia could have quenched her interest in culinary matters that morning. After breakfast she proceeded to make her cake. When she finally shut the oven door upon it she drew a long breath. "I'm sure I haven't forgotten anything this time, Marilla. But do you think it will rise? Just suppose perhaps the baking powder isn't good? I used it out of the new can. And Mrs. Lynde says you can never be sure of getting good baking powder nowadays when everything is so adulterated. Mrs. Lynde says the Government ought to take the matter up, but she says we'll never see the day when a Tory Government will do it. Marilla, what if that cake doesn't rise?" "We'll have plenty without it" was Marilla's unimpassioned way of looking at the subject. The cake did rise, however, and came out of the oven as light and feathery as golden foam. Anne, flushed with delight, clapped it together with layers of ruby jelly and, in imagination, saw Mrs. Allan eating it and possibly asking for another piece! "You'll be using the best tea set, of course, Marilla," she said. "Can I fix the	them from the start. Old and young liked the frank, cheerful young man with his high ideals, and the bright, gentle little lady who assumed the mistress-ship of the manse. With Mrs. Allan Anne fell promptly and wholeheartedly in love. She had discovered another kindred spirit. "Mrs. Allan is perfectly lovely," she announced one Sunday afternoon. "She's taken our class and she's a splendid teacher. She said right away she didn't think it was fair for the teacher to ask all the questions, and you know, Marilla, that is exactly what I've always thought. She said we could ask her any question we liked and I asked ever so many. I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell," said Marilla severely. "Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken and cold tongue. We're to have two kinds of jelly, red and yellow, and whipped cream and lemon pie, and cherry pie, and three kinds of cookies, and fruit cake, and Marilla's famous yellow plum preserves that she keeps especially for ministers, and pound cake and layer cake, and biscuits as aforesaid; and new bread and old both, in case the minister is dyspeptic and can't eat new. Mrs. Lynde says ministers are dyspeptic, but I don't think Mr. Allan has been a minister long enough for it to have had a bad effect on him. I just grow cold when I think of my layer cake. Oh, Diana, what if it shouldn't be good! I dreamed last night that I was chased all around by a fearful goblin with a big layer cake for a head." "It'll be good, all right," assured Diana, who was a very comfortable sort of friend. "I'm sure that piece of the one you made that we had for lunch in Idlewild two weeks ago was perfectly elegant." "Yes; but cakes have such a terrible habit of turning out bad just when you especially want them to be good," sighed Anne, setting a particularly well-balsamed twig afloat. "However, I suppose I shall just have to trust to Providence and be careful to put in the flour. Oh, look, Diana, what a lovely rainbow! Do you suppose the dryad will come out after we go away and take it for a scarf?" "You know there is no such thing as a dryad," said Diana. Diana's mother had found out about the Haunted Wood and had been decidedly angry over it. As a result Diana had abstained from any further imitative flights of imagination and did not think it prudent to cultivate a spirit of belief even in harmless dryads. "But it's so easy to imagine there is," said Anne. "Every night before I go to bed, I look out of my window and wonder if the dryad is	Anne Of Green Gables	find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death.\" \"I'll be as secret as the dead,\"<\|quote\|>assured Anne.</\|quote\|>\"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time.\" \"You can make a layer cake,\" promised Marilla. Monday and Tuesday great preparations went on at", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
she added reproachfully, turning to Matthew,	No speaker	last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me	was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you	at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just	Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily	I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the	thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from	to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on	I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one	Anne Of Green Gables	at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "at the asylum?\" \"Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,\"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>\"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard.\" \"What on earth does she mean?\" demanded Marilla, staring at Matthew. \"She--she's just", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
There was a general clapping of hands at this: it was the first really clever thing the King had said that day.	No speaker	name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said	else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing	the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King	"Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word	paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked	meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being	little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?" said Alice, (she had grown to her full size by this time.) "You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. "Wake up, Alice dear!" said her sister; "Why, what a long sleep you've had!" "Oh, I've had such a curious dream!" said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when	great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an	Alices Adventures In Wonderland	the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "the Knave, \"I didn't write it, and they can't prove I did: there's no name signed at the end.\" \"If you didn't sign it,\" said the King, \"that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man.\"<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>\"That _proves_ his guilt,\" said the Queen. \"It proves nothing of the sort!\" said Alice. \"Why, you don't even know what they're about!\" \"Read them,\" said the King. The White Rabbit put on his spectacles. \"Where shall I begin, please your Majesty?\" he asked. \"Begin at the beginning,\" the King", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
thought Alice;	No speaker	and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be	the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However,	try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I	to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay	"Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said	shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes,	not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes, I think you'd better leave off," said the Gryphon: and Alice was only too glad to do so. "Shall we try another figure of the Lobster Quadrille?" the Gryphon went on. "Or would you like the Mock Turtle to sing you a song?" "Oh, a song, please, if the Mock Turtle would be so kind," Alice replied, so eagerly that the Gryphon said, in a rather offended tone, "Hm! No accounting for tastes! Sing her '_Turtle Soup_,' will you, old fellow?" The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:-- "Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" "Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup? Pennyworth only of beautiful Soup? Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beauti--FUL SOUP!" "Chorus again!" cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of "The trial's beginning!" was heard in the distance. "Come on!" cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song. "What trial is it?" Alice panted as she ran; but the Gryphon only answered "Come on!" and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:-- "Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" CHAPTER XI. Who Stole the Tarts? The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them--" "I wish they'd get the trial done," she thought, "and hand round the refreshments!" But there	he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes, I think you'd better leave off," said the Gryphon: and Alice was only too glad to do so. "Shall we try another figure of the Lobster Quadrille?" the Gryphon went on. "Or would you like the Mock Turtle to sing you a song?" "Oh, a song, please, if the Mock Turtle would be so kind," Alice replied, so eagerly that the Gryphon said, in a rather offended tone, "Hm! No accounting for tastes! Sing her '_Turtle Soup_,' will you, old fellow?" The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:-- "Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" "Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup?	Alices Adventures In Wonderland	try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "try and repeat something now. Tell her to begin.\" He looked at the Gryphon as if he thought it had some kind of authority over Alice. \"Stand up and repeat ''_Tis the voice of the sluggard_,'\" said the Gryphon. \"How the creatures order one about, and make one repeat lessons!\"<\|quote\|>thought Alice;</\|quote\|>\"I might as well be at school at once.\" However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- \"'Tis the voice of the Lobster; I", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"you are very lovely, and I am glad to be alive in you."	Anne Shirley	"Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a	of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out	and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and	sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at	crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we	for--for me." "I guess you can't prevent him now. He's signed papers with the White Sands trustees. So it wouldn't do him any good now if you were to refuse. Of course you'll take the school. You'll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that's what. There's been some Pye or other going to Avonlea school for the last twenty years, and I guess their mission in life was to keep school teachers reminded that earth isn't their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go over," laughed Anne. "You know we keep up the old custom. Excuse me while I run over and see what she wants." Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. "There's a good deal of the child about her yet in some ways." "There's a good deal more of the woman about her in others," retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla." Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night	mingled weariness and relief. "I declare I'm getting glad to sit down. I've been on my feet all day, and two hundred pounds is a good bit for two feet to carry round. It's a great blessing not to be fat, Marilla. I hope you appreciate it. Well, Anne, I hear you've given up your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense." "But I'm going to study Latin and Greek just the same, Mrs. Lynde," said Anne laughing. "I'm going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you'll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I'm not going to overdo things. As ?Josiah Allen's wife,' says, I shall be ?mejum'. But I'll have lots of spare time in the long winter evenings, and I've no vocation for fancy work. I'm going to teach over at Carmody, you know." "I don't know it. I guess you're going to teach right here in Avonlea. The trustees have decided to give you the school." "Mrs. Lynde!" cried Anne, springing to her feet in her surprise. "Why, I thought they had promised it to Gilbert Blythe!" "So they did. But as soon as Gilbert heard that you had applied for it he went to them--they had a business meeting at the school last night, you know--and told them that he withdrew his application, and suggested that they accept yours. He said he was going to teach at White Sands. Of course he knew how much you wanted to stay with Marilla, and I must say I think it was real kind and thoughtful in him, that's what. Real self-sacrificing, too, for he'll have his board to pay at White Sands, and everybody knows he's got to earn his own way through college. So the trustees decided to take you. I was tickled to death when Thomas came home and told me." "I don't feel that I ought to take it," murmured Anne. "I mean--I don't think I ought to let Gilbert make such a sacrifice for--for me." "I guess you can't prevent him now. He's signed papers with the White Sands trustees. So it wouldn't do him any good now if you were to refuse. Of course you'll take the school. You'll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that's what. There's been some Pye or other going to Avonlea school for the last twenty years, and I guess their mission in life was to keep school teachers reminded that earth isn't their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go over," laughed Anne. "You know we keep up the old custom. Excuse me while I run over and see what she wants." Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. "There's a good deal of the child about her yet in some ways." "There's a good deal more of the woman about her in others," retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla." Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "?God's in his heaven, all's right with the world,'" whispered Anne softly.	keep school teachers reminded that earth isn't their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go over," laughed Anne. "You know we keep up the old custom. Excuse me while I run over and see what she wants." Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. "There's a good deal of the child about her yet in some ways." "There's a good deal more of the woman about her in others," retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla." Anne sat long at her window that night companioned by a glad content. The	Anne Of Green Gables	and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. \"Dear old world,\" she murmured,<\|quote\|>\"you are very lovely, and I am glad to be alive in you.\"</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
said Dr Messinger.	No speaker	"We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks	rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we	* * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half	no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over	hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men	lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs. "Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair. "What's the matter?" asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is	trunk and lifted the skin clear. It curled up again at once, making a hollow cylinder, which the men carried down to the waterside and set afloat, fastening it to a tree with a loop of vine-rope. When all the woodskins were ready it was an easy matter to make canoes of them. Four men held them open while two others fixed the struts. The ends were left open, and curled up slightly so as to lift them clear (when the craft was fully laden it drew only an inch or two of water). Then the men set about fashioning some single-bladed paddles; that, too, was an easy matter. Every day Dr Messinger asked Rosa, "When will the boats be ready? Ask the men." And she replied, "Just now." "How many days--four?--five?--how many?" "No, not many. Boats finish just now." At last when it was clear that the work was nearly complete, Dr Messinger busied himself with arrangements. He sorted out the stores, dividing the necessary freight into two groups; he and Tony were to sit in separate boats and each had with him a rifle and ammunition, a camera, tinned rations, trade goods and his own luggage. The third canoe, which would be manned solely by Indians, was to hold the flour and rice, sugar and farine and the rations for the men. The canoes would not hold all the stores and an "emergency dump" was made a little way up the bank. "We shall take eight men with us. Four can stay behind with the women to guard the camp. Once we are among the Pie-wies, everything will be easy. These Macushis can go home then. I don't think they will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?" Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs. "Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair. "What's the matter?" asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and Tony together prised open one of the cases and began to spread out the contents on a blanket. They had chosen these things together at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply. "Each man can choose three things from this box if he comes in the boats." But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively expensive articles; they had cost three and sixpence each, and Tony remembered vividly the embarrassment with which he had witnessed their demonstration on the floor of the toy department. They were of German manufacture; the size of large rats, but conspicuously painted in spots of green and white; they had large glass eyes, stiff whiskers and green-and-white-ringed tails; they ran on hidden wheels, and inside them were little bells that jingled as they moved. Dr Messinger took one out of their box, unwrapped the tissue-paper and held it up to general scrutiny. There was no doubt that he had captured his audience's interest. Then he wound it up. The Indians stirred apprehensively at the sound. The ground where they were camping was hard mud, inundated at flood	peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair. "What's the matter?" asked Dr	A Handful Of Dust	* * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "* * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. \"We're all right for stores,\"<\|quote\|>said Dr Messinger.</\|quote\|>\"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow.\" The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.	No speaker	any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter,	out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--"	on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down	so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it	time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor,	King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms	of the jurors had a pencil that squeaked. This of course, Alice could _not_ stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put	"and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at	Alices Adventures In Wonderland	on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "on, \"and most things twinkled after that--only the March Hare said--\" \"I didn't!\" the March Hare interrupted in a great hurry. \"You did!\" said the Hatter. \"I deny it!\" said the March Hare. \"He denies it,\" said the King: \"leave out that part.\" \"Well, at any rate, the Dormouse said--\"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>\"After that,\" continued the Hatter, \"I cut some more bread-and-butter--\" \"But what did the Dormouse say?\" one of the jury asked. \"That I can't remember,\" said the Hatter. \"You _must_ remember,\" remarked the King, \"or I'll have you executed.\" The miserable Hatter dropped his teacup and bread-and-butter, and went down", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"without the State there wouldn't be any home-country."	Kropp	they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider,	there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are	whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never	haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people	month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back	along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better that the war is here instead of in Germany. Just you take a look at the shell-holes." "True," assents Tjaden, "but no war at all would be better still." He is quite proud of himself because he has for once scored over us volunteers. And his opinion is quite typical here, one meets it time and again, and there is nothing with which one can properly counter it, because that is the limit of their comprehension of the factors involved. The national feeling of the tommy resolves	Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better that the war is here instead of in Germany. Just you take a look at the shell-holes." "True," assents Tjaden, "but no war at all would be better still." He is quite proud of himself because he has for once scored over us volunteers. And his opinion is quite typical here, one meets it time and again, and there is nothing with which one can properly counter it, because that is the limit of their comprehension of the factors involved. The national feeling of the tommy resolves itself into this--here he is. But that is the end of it; everything else from joining up onwards he criticizes from a practical point of view. Albert lies down on the grass and growls angrily: "The best thing is not to talk about the rotten business." "It won't make any difference, that's sure," agrees Kat. As for the windfall, we have to return almost all the new things and take back our old rags again. The good ones were merely for the inspection. * * Instead of going to Russia, we go up the line again. On the way we pass through a devastated wood with the tree trunks shattered and the ground ploughed up. At several places there are tremendous craters. "Great guns, something's hit that," I say to Kat. "Trench mortars," he replies, and then points up at one of the trees. In the branches dead men are hanging. A naked soldier is squatting in the fork of a tree, he still has his helmet on, otherwise he is entirely unclad. There is only half of him sitting up there, the top half, the legs are missing. "What can that mean?" I ask. "He's been blown out of his clothes," mutters Tjaden. "It's funny," says Kat, "we have seen that a couple of times now. If a mortar gets you it blows you almost clean out of your clothes. It's the concussion that does it." I search around. And so it is. Here hang bits of uniform, and somewhere else is plastered a bloody mess that was once a human limb. Over there lies a body with nothing but a piece of the underpants on one leg and the collar of the tunic around its neck. Otherwise it is naked and the clothes are hanging up in the tree. Both arms are missing as though they had been pulled out. I discover one of them twenty yards off in a shrub. The dead man lies on his face. There, where the arm wounds are, the earth is black with blood. Underfoot the leaves are scratched up as though the man had been kicking. "That's no joke, Kat," say I. "No more is a shell splinter in the belly," he replies, shrugging his shoulders. "But don't get tender-hearted," says Tjaden. All this can only have happened a little while ago, the blood is still fresh. As everybody we see	nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better that the war is here instead of in Germany. Just you take a look at the shell-holes." "True," assents Tjaden, "but no war at all would be better still." He is quite proud	All Quiet on the Western Front	whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "whole, the State----\" exclaims Müller. \"State, State\" --Tjaden snaps his fingers contemptuously, \"Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you.\" \"That's right,\" says Kat, \"you've said something for once, Tjaden. State and home-country, there's a big difference.\" \"But they go together,\" insists Kropp,<\|quote\|>\"without the State there wouldn't be any home-country.\"</\|quote\|>\"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never", "role": "user" }, { "content": "Kropp", "role": "assistant" } ] }	Kropp
I say,	No speaker	waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you	are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our	have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to	do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the	aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue	top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know	too short; they reach barely halfway down his calf. The boots, tough old clod-hoppers, with turned-up toes and laces at the side, are much too big for him. But as a compensation the cap is too small, a terribly dirty, mean little pill-box. The whole rig-out is just pitiful. Mittelstaedt stops in front of him: "Territorial Kantorek, do you call those buttons polished? You seem as though you can never learn. Inadequate, Kantorek, quite inadequate----" It makes me bubble with glee. In school Kantorek used to chasten Mittelstaedt with exactly the same expression-- "Inadequate, Mittelstaedt, quite inadequate." Mittelstaedt continues to upbraid him: "Look at Boettcher now, there's a model for you to learn from." I can hardly believe my eyes. Boettcher is there too, Boettcher, our school porter. And he is a model! Kantorek shoots a glance at me as if he would like to eat me. But I grin at him innocently, as though I do not recognize him any more. Nothing could look more ludicrous than his forage-cap and his uniform. And this is the object before whom we used to stand in anguish, as he sat up there enthroned at his desk, spearing at us with his pencil for our mistakes in those irregular French verbs with which afterwards we made so little headway in France. That is barely two years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes "On the march, about turn," the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later,"	years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes "On the march, about turn," the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty	All Quiet on the Western Front	have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. \"They've done that a couple of times already,\" grins Mittelstaedt. \"There are still a few people waiting to see them.\" \"Excellent,\"<\|quote\|>I say,</\|quote\|>\"but hasn't he reported you yet?\" \"He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter.\" \"He'll mess up the examination for you.\" \"I don't care,\" says Mittelstaedt calmly. \"Besides, his complaint came to", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Now, you know you don't like him more than your mother."	Tony Last	should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more."	in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time	* * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think	might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up	thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then."	"That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben." "I'm not sure we shan't both be soon." They lunched at a small, round table in the centre of the dining-hall. There seemed no way	thought better of it and, just before the jump, fell into a trot again and swerved round the obstacle. John recovered his balance by dropping the reins and gripping the mane with both hands; he looked guiltily at Ben, who said, "What d'you suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle. "There, how did that feel? You just skimmed over like a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben." "I'm not sure we shan't both be soon." They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam and jellied eels... What are your plans for the afternoon?" "Nothing much. Carter's coming up at five to go over a few things. I may go to Pigstanton after luncheon. I think we've got a tenant for Lowater Farm but it's been empty some time and I ought to see how much needs doing to it." "I wouldn't say "no" to going in to the "movies"." "All right. I can easily leave Lowater till Monday." "And we might go to Woolworth's afterwards, eh?" What with Brenda's pretty ways and Tony's good sense, it was not surprising that their friends pointed to them as a pair who were pre-eminently successful in solving the problem of getting along well together. The pudding, without protein, was unattractive. Five minutes afterwards a telegram was brought in. Tony opened it and said "Hell." "Badders?" "Something too horrible has happened. Look at this." Brenda read. "_Arriving 3.18 so looking forward visit. Beaver._" And asked, "What's Beaver?" "It's a young man." "That sounds all right." "Oh no it's not. Wait till you see him." "What's he coming here for? Did you ask him	what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben." "I'm not sure we shan't both be soon." They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs	A Handful Of Dust	* * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "* * * \"I should have thought it was very nice to be called a tart,\" John argued, \"and anyway it's a word Ben often uses about people.\" \"Well, he's got no business to.\" \"I like Ben more than anyone in the world. And I should think he's cleverer too.\"<\|quote\|>\"Now, you know you don't like him more than your mother.\"</\|quote\|>\"Yes I do. _Far_ more.\" Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. \"Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think", "role": "user" }, { "content": "Tony Last", "role": "assistant" } ] }	Tony Last
thought Marilla,	No speaker	got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained	nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's	at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years	deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were	be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for	last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--?The Battle of Hohenlinden' and ?Edinburgh after Flodden,' and ?Bingen of the Rhine,' and most of the ?Lady of the Lake' and most of ?The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--?The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye. "O-o-o-h," faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind \|GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for	she'd take me, though she was poor and had a drunken husband. She brought me up by hand. Do you know if there is anything in being brought up by hand that ought to make people who are brought up that way better than other people? Because whenever I was naughty Mrs. Thomas would ask me how I could be such a bad girl when she had brought me up by hand--reproachful-like." "Mr. and Mrs. Thomas moved away from Bolingbroke to Marysville, and I lived with them until I was eight years old. I helped look after the Thomas children--there were four of them younger than me--and I can tell you they took a lot of looking after. Then Mr. Thomas was killed falling under a train and his mother offered to take Mrs. Thomas and the children, but she didn't want me. Mrs. Thomas was at _her_ wits' end, so she said, what to do with me. Then Mrs. Hammond from up the river came down and said she'd take me, seeing I was handy with children, and I went up the river to live with her in a little clearing among the stumps. It was a very lonesome place. I'm sure I could never have lived there if I hadn't had an imagination. Mr. Hammond worked a little sawmill up there, and Mrs. Hammond had eight children. She had twins three times. I like babies in moderation, but twins three times in succession is _too much_. I told Mrs. Hammond so firmly, when the last pair came. I used to get so dreadfully tired carrying them about." "I lived up river with Mrs. Hammond over two years, and then Mr. Hammond died and Mrs. Hammond broke up housekeeping. She divided her children among her relatives and went to the States. I had to go to the asylum at Hopeton, because nobody would take me. They didn't want me at the asylum, either; they said they were over-crowded as it was. But they had to take me and I was there four months until Mrs. Spencer came." Anne finished up with another sigh, of relief this time. Evidently she did not like talking about her experiences in a world that had not wanted her. "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the shore road. "Not a great deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--?The Battle of Hohenlinden' and ?Edinburgh after Flodden,' and ?Bingen of the Rhine,' and most of the ?Lady of the Lake' and most of ?The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--?The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye. "O-o-o-h," faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind \|GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" "I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential." Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight	to go to the asylum at Hopeton, because nobody would take me. They didn't want me at the asylum, either; they said they were over-crowded as it was. But they had to take me and I was there four months until Mrs. Spencer came." Anne finished up with another sigh, of relief this time. Evidently she did not like talking about her experiences in a world that had not wanted her. "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the shore road. "Not a great deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--?The Battle of Hohenlinden' and ?Edinburgh after Flodden,' and ?Bingen of the Rhine,' and most of the ?Lady of the Lake' and most of ?The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--?The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye. "O-o-o-h," faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind \|GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" "I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old."	Anne Of Green Gables	at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. \"She's got too much to say,\"<\|quote\|>thought Marilla,</\|quote\|>\"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks.\" The shore road was \"woodsy and wild and lonesome.\" On the right hand, scrub firs, their spirits quite unbroken by long years", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"I'm sure those are not the right words,"	Alice	in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her	claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again	did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn!	Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like	and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to	so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--" The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking: "Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether. "That _was_ a narrow escape!" said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in	the moment she quite forgot how to speak good English); "now I'm opening out like the largest telescope that ever was! Good-bye, feet!" (for when she looked down at her feet, they seemed to be almost out of sight, they were getting so far off). "Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I'm sure _I_ shan't be able! I shall be a great deal too far off to trouble myself about you: you must manage the best way you can;--but I must be kind to them," thought Alice, "or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas." And she went on planning to herself how she would manage it. "They must go by the carrier," she thought; "and how funny it'll seem, sending presents to one's own feet! And how odd the directions will look! _Alice's Right Foot, Esq., Hearthrug, near the Fender,_ (_with Alice's love_). Oh dear, what nonsense I'm talking!" Just then her head struck against the roof of the hall: in fact she was now more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. "You ought to be ashamed of yourself," said Alice, "a great girl like you," (she might well say this), "to go on crying in this way! Stop this moment, I tell you!" But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--" The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking: "Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether. "That _was_ a narrow escape!" said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. "I wish I hadn't cried so much!" said Alice, as she swam about, trying to find her way out. "I shall be punished for it now, I suppose, by being drowned in my own tears! That _will_ be a queer thing, to be sure! However, everything is queer to-day." Just then she heard something splashing about in the pool a little way off, and she swam nearer to make out what it was: at first she thought it must be a walrus or hippopotamus, but then she remembered how small she was now, and she soon made out that it was only a mouse that had slipped in like herself. "Would it be of any use, now," thought Alice, "to speak to this mouse? Everything is so out-of-the-way down here, that I should think very likely it can talk: at any rate, there's no harm in trying." So she began: "O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!" (Alice thought this must be the right way of speaking to a mouse: she had never done such a thing before, but she remembered having seen in her brother's Latin Grammar, "A mouse--of a mouse--to a mouse--a mouse--O mouse!") The Mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing. "Perhaps it doesn't understand English," thought Alice; "I daresay it's a French mouse, come over with William the Conqueror." (For, with all her knowledge of history, Alice had no very clear notion how long ago anything had happened.) So she began again: "O? est ma chatte?" which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water, and seemed to quiver all over with fright. "Oh, I beg your pardon!" cried Alice hastily, afraid that she had hurt the poor animal's feelings. "I quite forgot you didn't	am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether. "That _was_ a narrow escape!" said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. "I wish I hadn't cried so much!" said Alice, as she swam about, trying to find her way out. "I shall	Alices Adventures In Wonderland	did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn!	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "did not come the same as they used to do:-- \"How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!\" \"How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!\"<\|quote\|>\"I'm sure those are not the right words,\"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, \"I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn!", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,	No speaker	hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that	finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But	"Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor."	been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now,"	an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective	plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing. "I hope you don't imagine she's coming with us." "Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very	train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the tickets and waited. The detectives, sticklers for professional etiquette, made an attempt at self-effacement, studying the posters on the walls and peering from behind a pillar. "This is going to be hell," said Tony. It was ten minutes before Milly came. She emerged from the gloom with a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted mainly of evening dresses, for during the day she usually spent her time sitting before a gas fire in her dressing-gown. She made an insignificant and rather respectable appearance. "Sorry if I'm late," she said. "Winnie here couldn't find her shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing. "I hope you don't imagine she's coming with us." "Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise	shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing. "I hope you don't imagine she's coming with us." "Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence.	A Handful Of Dust	"Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor."	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "\"Oh, Winnie can come in with me,\" said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. \"And daughter,\" said the clerk with his finger on the place. Tony hesitated. \"She is my niece,\"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>\"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor.\"", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
said Alice, who was a very truthful child;	No speaker	"I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs	you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents	deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for	a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking	hatching the eggs," said the Pigeon; "but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the	head down to them, and was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag, and was going to dive in among the leaves, which she found to be nothing but the tops of the trees under which she had been wandering, when a sharp hiss made her draw back in a hurry: a large pigeon had flown into her face, and was beating her violently with its wings. "Serpent!" screamed the Pigeon. "I'm _not_ a serpent!" said Alice indignantly. "Let me alone!" "Serpent, I say again!" repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, "I've tried every way, and nothing seems to suit them!" "I haven't the least idea what you're talking about," said Alice. "I've tried the roots of trees, and I've tried banks, and I've tried hedges," the Pigeon went on, without attending to her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs," said the Pigeon; "but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to	and shook itself. Then it got down off the mushroom, and crawled away in the grass, merely remarking as it went, "One side will make you grow taller, and the other side will make you grow shorter." "One side of _what?_ The other side of _what?_" thought Alice to herself. "Of the mushroom," said the Caterpillar, just as if she had asked it aloud; and in another moment it was out of sight. Alice remained looking thoughtfully at the mushroom for a minute, trying to make out which were the two sides of it; and as it was perfectly round, she found this a very difficult question. However, at last she stretched her arms round it as far as they would go, and broke off a bit of the edge with each hand. "And now which is which?" she said to herself, and nibbled a little of the right-hand bit to try the effect: the next moment she felt a violent blow underneath her chin: it had struck her foot! She was a good deal frightened by this very sudden change, but she felt that there was no time to be lost, as she was shrinking rapidly; so she set to work at once to eat some of the other bit. Her chin was pressed so closely against her foot, that there was hardly room to open her mouth; but she did it at last, and managed to swallow a morsel of the lefthand bit. * * * * * * * * * * * * * * * * * * * * "Come, my head's free at last!" said Alice in a tone of delight, which changed into alarm in another moment, when she found that her shoulders were nowhere to be found: all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her. "What _can_ all that green stuff be?" said Alice. "And where _have_ my shoulders got to? And oh, my poor hands, how is it I can't see you?" She was moving them about as she spoke, but no result seemed to follow, except a little shaking among the distant green leaves. As there seemed to be no chance of getting her hands up to her head, she tried to get her head down to them, and was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag, and was going to dive in among the leaves, which she found to be nothing but the tops of the trees under which she had been wandering, when a sharp hiss made her draw back in a hurry: a large pigeon had flown into her face, and was beating her violently with its wings. "Serpent!" screamed the Pigeon. "I'm _not_ a serpent!" said Alice indignantly. "Let me alone!" "Serpent, I say again!" repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, "I've tried every way, and nothing seems to suit them!" "I haven't the least idea what you're talking about," said Alice. "I've tried the roots of trees, and I've tried banks, and I've tried hedges," the Pigeon went on, without attending to her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs," said the Pigeon; "but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the	her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs," said the Pigeon; "but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious	Alices Adventures In Wonderland	deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "deepest contempt. \"I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!\" \"I _have_ tasted eggs, certainly,\"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>\"but little girls eat eggs quite as much as serpents do, you know.\" \"I don't believe it,\" said the Pigeon; \"but if they do, why then they're a kind of serpent, that's all I can say.\" This was such a new idea to Alice, that she was quite silent for", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Well, I want to go down to the sea. Come on."	Winnie	"It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would	to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again	to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen	reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen wind met them as they emerged from the swing door. The asphalt promenade was wet with spray and rain. Two or three female figures were scudding along, bowed to the wind, prayer-books clutched in their gloved hands. Four or five rugged old men were hobbling down to bathe, hissing like	Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back. From habit and exhaustion she put her head on his shoulder and her hand in his. When they reached their rooms, however, she said, "Go quietly. We don't want to wake Winnie." For an hour or so Tony lay in the warm little bedroom, reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen wind met them as they emerged from the swing door. The asphalt promenade was wet with spray and rain. Two or three female figures were scudding along, bowed to the wind, prayer-books clutched in their gloved hands. Four or five rugged old men were hobbling down to bathe, hissing like ostlers. "Oh, come on," said Winnie. They went down to the beach and stumbled painfully across the shingle to the margin of the sea. Winnie threw some stones. The bathers were in the water now; some of them had dogs who swam snorting beside them. "Why don't you bathe?" asked Winnie. "Far too cold." "But _they're_ bathing. I want to." "You must ask your mother." "I believe you're afraid. Can you swim?" "Yes." "Well, why don't you? Bet you can't." "All right. I can't." "Then why did you say you could. Fibber." They walked along the shingle. Winnie slithered about	like that if you're interested in roses. Damn that radio, it's going wonky again." Tony wondered whether he was as amiable when people he did not know were brought over unexpectedly to Hetton. At one stage in the evening he found himself sitting on a sofa with Dan, who said, "Nice kid, Milly." "Yes." "I'll tell you a thing I've noticed about her. She attracts quite a different type from the other girls. People like you and me." "Yes." "You wouldn't think she had a daughter of eight, would you?" "No, it's very surprising." "I didn't know for ages. Then I was taking her to Dieppe for the week-end and she wanted to bring the child along too. Of course that put the kybosh on it, but I've always liked Milly just the same. You can trust her to behave anywhere." He said this with a sour glance towards Baby, who was full of the right stuff and showing it. It was after three before the party broke up. Dan's friend renewed his invitation to come again when the roses were out. "I doubt if you'll find a better show of roses anywhere in the south of England," he said. Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back. From habit and exhaustion she put her head on his shoulder and her hand in his. When they reached their rooms, however, she said, "Go quietly. We don't want to wake Winnie." For an hour or so Tony lay in the warm little bedroom, reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen wind met them as they emerged from the swing door. The asphalt promenade was wet with spray and rain. Two or three female figures were scudding along, bowed to the wind, prayer-books clutched in their gloved hands. Four or five rugged old men were hobbling down to bathe, hissing like ostlers. "Oh, come on," said Winnie. They went down to the beach and stumbled painfully across the shingle to the margin of the sea. Winnie threw some stones. The bathers were in the water now; some of them had dogs who swam snorting beside them. "Why don't you bathe?" asked Winnie. "Far too cold." "But _they're_ bathing. I want to." "You must ask your mother." "I believe you're afraid. Can you swim?" "Yes." "Well, why don't you? Bet you can't." "All right. I can't." "Then why did you say you could. Fibber." They walked along the shingle. Winnie slithered about astride a backwater. "Now my knickers are wet," she said. "Better come back and change." "It feels horrible. Let's go and have breakfast." The hotel did not, as a rule, cater for guests who breakfasted downstairs at eight o'clock on Sunday morning. It took a long time before anything could be got ready. There were no ices, much to Winnie's annoyance. She ate grapefruit and kippers and scrambled eggs on toast, complaining fitfully about her wet clothing. After breakfast Tony sent her upstairs to change and himself smoked a pipe in the lounge and glanced over the Sunday papers. Here at nine o'clock he was interrupted by the arrival of Blenkinsop. "We missed you last night," he said. "We went to a party." "You shouldn't have done that--not strictly, but I daresay no harm will come of it. Have you had your breakfast?" "Yes, in the dining-room with Winnie." "But, Mr Last, what are you thinking of? You've got to get evidence from the hotel servants." "Well, I didn't like to wake Milly." "She's paid for it, isn't she? Come, come, Mr Last, this won't do at all. You'll never get your divorce if you don't give your mind to	dining with Brenda at Espinosa's. "That's a pretty girl in the corner." "I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial light; for some reason, however, they remained very blue. So Milly and Tony went to Dan's friend's place and had the best of everything. There was a party of twenty or thirty people, all more or less like Dan. Dan's friend was most hospitable. When he was not fiddling with the wireless, which gave trouble off and on throughout the evening, he was sauntering among his guests refilling their glasses. "This stuff's all right," he said, showing the label, "it won't hurt you. It's the right stuff." They had a lot of the right stuff. Quite often Dan's friend noticed that Tony seemed to be out of the party. Then he would come across and put his hand on Tony's shoulder. "I'm so glad Dan brought you," he would say. "Hope you're getting all you want. Delighted to see you. Come again when there isn't a crowd and see over the place. Interested in roses?" "Yes, I like them very much." "Come when the roses are out. You'd like that if you're interested in roses. Damn that radio, it's going wonky again." Tony wondered whether he was as amiable when people he did not know were brought over unexpectedly to Hetton. At one stage in the evening he found himself sitting on a sofa with Dan, who said, "Nice kid, Milly." "Yes." "I'll tell you a thing I've noticed about her. She attracts quite a different type from the other girls. People like you and me." "Yes." "You wouldn't think she had a daughter of eight, would you?" "No, it's very surprising." "I didn't know for ages. Then I was taking her to Dieppe for the week-end and she wanted to bring the child along too. Of course that put the kybosh on it, but I've always liked Milly just the same. You can trust her to behave anywhere." He said this with a sour glance towards Baby, who was full of the right stuff and showing it. It was after three before the party broke up. Dan's friend renewed his invitation to come again when the roses were out. "I doubt if you'll find a better show of roses anywhere in the south of England," he said. Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back. From habit and exhaustion she put her head on his shoulder and her hand in his. When they reached their rooms, however, she said, "Go quietly. We don't want to wake Winnie." For an hour or so Tony lay in the warm little bedroom, reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen wind met them as they emerged from the swing door. The asphalt promenade was wet with spray and rain. Two or three female figures were scudding along, bowed to the wind, prayer-books clutched in their gloved hands. Four or five rugged old men were hobbling down to bathe, hissing like ostlers. "Oh, come on," said Winnie. They went down to the beach and stumbled painfully across the shingle to the margin of the sea. Winnie threw some stones. The bathers were in the water now; some of them had dogs who swam snorting beside them. "Why don't you bathe?" asked Winnie. "Far too cold." "But _they're_ bathing. I want to." "You must ask your mother." "I believe you're afraid. Can you swim?" "Yes." "Well, why don't you? Bet you can't." "All right. I can't." "Then why did you say you could. Fibber." They walked along the shingle. Winnie slithered about astride a backwater. "Now my knickers are wet," she said. "Better come back and change." "It feels horrible. Let's go and have breakfast." The hotel did not, as a rule, cater for guests who breakfasted downstairs at eight o'clock on Sunday morning. It took a long time before anything could be got ready. There were no ices, much to Winnie's annoyance. She ate grapefruit and kippers and scrambled eggs on toast, complaining fitfully about her wet clothing. After breakfast Tony sent her upstairs to change and himself smoked a pipe in the lounge and glanced over the Sunday papers. Here at nine o'clock he was interrupted by the arrival of Blenkinsop. "We missed you last night," he said. "We went to a party." "You shouldn't have done that--not strictly, but I daresay no harm will come of it. Have you had your breakfast?" "Yes, in the dining-room with Winnie." "But, Mr Last, what are you thinking of? You've got to get evidence from the hotel servants." "Well, I didn't like to wake Milly." "She's paid for it, isn't she? Come, come, Mr Last, this won't do at all. You'll never get your divorce if you don't give your mind to it more." "All right," said Tony. "I'll have breakfast again." "In bed, mind." "In bed." And he went wearily upstairs to his rooms. Winnie had drawn the curtains but her mother was still asleep. "She woke up once and then turned over. Do get her to come out. I want to go on the pier." "Milly," said Tony firmly. "Milly." "Oh," she said. "What time is it?" "We've got to have breakfast." "Don't want any breakfast. I think I'll sleep a little." "You've had breakfast," said Winnie. "Come on," said Tony. "Plenty of time to sleep afterwards. This is what we came for." Milly sat up in bed. "O.K.," she said. "Winnie, darling, give mother her jacket off the chair." She was a conscientious girl, ready to go through with her job, however unattractive it might seem. "But it's early." Tony went into his room and took off his shoes, collar and tie, coat and waistcoat, and put on a dressing-gown. "You are greedy," said Winnie, "eating two breakfasts." "When you're a little older you'll understand these things. It's the Law. Now I want you to stay in the sitting-room for a quarter of an hour very quietly. Promise? And afterwards you can do exactly what you like." "Can I bathe?" "Yes, certainly, if you're quiet now." Tony got into bed beside Milly and pulled the dressing-gown tight round his throat. "Does that look all right?" "Love's young dream," said Milly. "All right, then. I'll ring the bell." When the tray had been brought, Tony got out of bed and put on his things. "So much for my infidelity," he said. "It is curious to reflect that this will be described in the papers as "intimacy"." "Can I bathe now?" "Certainly." Milly turned over to sleep again. Tony took Winnie to the beach. The wind had got up and a heavy sea was pounding on the shingle. "This little girl would like to bathe," said Tony. "No bathing for children to-day," said the beach attendant. "The very idea," said various onlookers. "Does he want to drown the child?" "He's no business to be trusted with children." "_Unnatural beast._" "But I _want_ to bathe," said Winnie. "You said I could bathe if you had two breakfasts." The people who had clustered round to witness Tony's discomfort, looked at one another askance. "Two breakfasts? Wanting to let the child bathe? The man's	had the best of everything. There was a party of twenty or thirty people, all more or less like Dan. Dan's friend was most hospitable. When he was not fiddling with the wireless, which gave trouble off and on throughout the evening, he was sauntering among his guests refilling their glasses. "This stuff's all right," he said, showing the label, "it won't hurt you. It's the right stuff." They had a lot of the right stuff. Quite often Dan's friend noticed that Tony seemed to be out of the party. Then he would come across and put his hand on Tony's shoulder. "I'm so glad Dan brought you," he would say. "Hope you're getting all you want. Delighted to see you. Come again when there isn't a crowd and see over the place. Interested in roses?" "Yes, I like them very much." "Come when the roses are out. You'd like that if you're interested in roses. Damn that radio, it's going wonky again." Tony wondered whether he was as amiable when people he did not know were brought over unexpectedly to Hetton. At one stage in the evening he found himself sitting on a sofa with Dan, who said, "Nice kid, Milly." "Yes." "I'll tell you a thing I've noticed about her. She attracts quite a different type from the other girls. People like you and me." "Yes." "You wouldn't think she had a daughter of eight, would you?" "No, it's very surprising." "I didn't know for ages. Then I was taking her to Dieppe for the week-end and she wanted to bring the child along too. Of course that put the kybosh on it, but I've always liked Milly just the same. You can trust her to behave anywhere." He said this with a sour glance towards Baby, who was full of the right stuff and showing it. It was after three before the party broke up. Dan's friend renewed his invitation to come again when the roses were out. "I doubt if you'll find a better show of roses anywhere in the south of England," he said. Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back. From habit and exhaustion she put her head on his shoulder and her hand in his. When they reached their rooms, however, she said, "Go quietly. We don't want to wake Winnie." For an hour or so Tony lay in the warm little bedroom, reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen wind met them as they emerged from the swing door. The asphalt promenade was wet with spray and rain. Two or three female figures were scudding along, bowed to the wind, prayer-books clutched in their gloved hands. Four or five rugged old men were hobbling down to bathe, hissing like ostlers. "Oh, come on," said Winnie. They went down to the beach and stumbled painfully across the shingle to the margin of the sea. Winnie threw some stones. The bathers were in the water now; some of them had dogs who swam snorting beside them. "Why don't you bathe?" asked Winnie. "Far too cold." "But _they're_ bathing. I want to." "You must ask your mother." "I believe you're afraid. Can you swim?" "Yes." "Well, why don't you? Bet you can't." "All right. I can't." "Then why did you say you could. Fibber." They walked along the shingle. Winnie slithered about astride a backwater. "Now my knickers are wet," she said. "Better come back and change." "It feels horrible. Let's go and have breakfast." The hotel did not, as a rule, cater for guests who breakfasted downstairs at eight o'clock on Sunday morning. It took a long time before anything could be got ready. There were no ices, much to Winnie's annoyance. She ate grapefruit and kippers and scrambled eggs on toast, complaining fitfully about her wet clothing. After breakfast Tony sent her upstairs to change and himself smoked a pipe in the lounge and glanced over the Sunday papers. Here at nine o'clock he was interrupted by the arrival of Blenkinsop. "We missed you last night," he said. "We went to a party." "You shouldn't have done that--not strictly, but I daresay no harm will come of it. Have you had your breakfast?" "Yes, in the dining-room with Winnie." "But, Mr Last, what are you thinking of? You've got to get evidence from the hotel servants." "Well, I didn't like to wake Milly." "She's paid for it, isn't she? Come, come, Mr Last, this won't do at all. You'll never get your divorce if you don't give your mind to it more." "All right," said Tony. "I'll have breakfast again." "In bed, mind." "In bed." And he went wearily upstairs to his rooms. Winnie had drawn the curtains but her mother was still asleep. "She woke up once and then turned over. Do	A Handful Of Dust	to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "to bed.\" \"No, I'm dressed. Let's go out.\" She went to the window and pulled back the curtains, filling the room with glacial, morning light. \"It's hardly raining at all,\" she said. \"What do you want to do?\" \"I want to go on the pier.\" \"It won't be open yet.\"<\|quote\|>\"Well, I want to go down to the sea. Come on.\"</\|quote\|>Tony knew that he would not get to sleep again that morning. \"All right. You go and wait while I dress.\" \"I'll wait here. Mother snores so.\" Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen", "role": "user" }, { "content": "Winnie", "role": "assistant" } ] }	Winnie
"Just sit quiet here while I sling your hammock."	Dr Messinger	to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with	it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad	had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another	assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again." "Thank God. I've been pretty ill, haven't I? I can't remember	others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again." "Thank God. I've been pretty ill, haven't I? I can't remember much." Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it	got to go on," said Dr Messinger. "We can't be far from a village now." "I feel awful. Wouldn't it be better to wait a day till I am perfectly fit again?" "It's no good waiting. We've got to get on. D'you think you can manage to get into the canoe?" Dr Messinger knew that Tony was in for a long bout. For the first few hours of that day Tony lay limp in the bows. They had shifted the stores so that he could lie full length. Then the fever came on again and his teeth chattered. He sat up and crouched with his head in his knees, shaking all over; only his forehead and cheeks were burning hot under the noon sun. There was still no sign of a village. * * * * * It was late in the afternoon when he first saw Brenda. For some time he had been staring intently at the odd shape amidships where the stores had been piled; then he realized that it was a human being. "So the Indians came back?" he said. "Yes." "I knew they would. Silly of them to be scared by a toy. I suppose the others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again." "Thank God. I've been pretty ill, haven't I? I can't remember much." Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a week or it may take much longer. That's a thing we've got to face. I can't risk taking you in the canoe. You nearly upset us several times the day before yesterday." "I thought there was someone there I knew." "You thought a lot of things. It'll go on like that. Meanwhile we've provisions for about ten days. There's no immediate anxiety there but it's a thing to remember. Besides, what you need is a roof over your head and constant nursing. If only we were at a village...." "I'm afraid I'm being a great nuisance." "That's not the	fallen petals and floated among them, moving scarcely less slowly than they, as though resting in a flowering meadow. At night they spread their tarpaulin on stretches of dry beach, or hung their hammocks in the bush. Only the cabouri fly and rare, immobile alligators menaced the peace of their days. They kept a constant scrutiny of the banks but saw no sign of human life. Then Tony developed fever. It came on him quite suddenly, during the fourth afternoon. At their mid-day halt he was in complete health and shot a small deer that came down to drink on the opposite bank; an hour later he was shivering so violently that he had to lay down his paddle; his head was flaming with heat, his body and limbs were frigid; by sunset he was slightly delirious. Dr Messinger took his temperature and found that it was a hundred and four degrees, Fahrenheit. He gave him twenty-five grains of quinine and lit a fire so close to his hammock that by morning it was singed and blacked with smoke. He told Tony to keep wrapped up in his blanket, but at intervals throughout that night he woke from sleep to find himself running with sweat; he was consumed with thirst and drank mug after mug of river water. Neither that evening nor next morning was he able to eat anything. But next morning his temperature was down again. He felt weak and exhausted but he was able to keep steady in his place and paddle a little. "It was just a passing attack, wasn't it?" he said. "I shall be perfectly fit to-morrow, shan't I?" "I hope so," said Dr Messinger. At mid-day Tony drank some cocoa and ate a cupful of rice. "I feel grand," he said. "Good." That night the fever came on again. They were camping on a sand bank. Dr Messinger heated stones and put them under Tony's feet and in the small of his back. He was awake most of the night fuelling the fire and refilling Tony's mug with water. At dawn Tony slept for an hour and woke feeling slightly better; he was taking frequent doses of quinine and his ears were filled with a muffled sound as though he were holding those shells to them in which, he had been told in childhood, one could hear the beat of the sea. "We've got to go on," said Dr Messinger. "We can't be far from a village now." "I feel awful. Wouldn't it be better to wait a day till I am perfectly fit again?" "It's no good waiting. We've got to get on. D'you think you can manage to get into the canoe?" Dr Messinger knew that Tony was in for a long bout. For the first few hours of that day Tony lay limp in the bows. They had shifted the stores so that he could lie full length. Then the fever came on again and his teeth chattered. He sat up and crouched with his head in his knees, shaking all over; only his forehead and cheeks were burning hot under the noon sun. There was still no sign of a village. * * * * * It was late in the afternoon when he first saw Brenda. For some time he had been staring intently at the odd shape amidships where the stores had been piled; then he realized that it was a human being. "So the Indians came back?" he said. "Yes." "I knew they would. Silly of them to be scared by a toy. I suppose the others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again." "Thank God. I've been pretty ill, haven't I? I can't remember much." Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a week or it may take much longer. That's a thing we've got to face. I can't risk taking you in the canoe. You nearly upset us several times the day before yesterday." "I thought there was someone there I knew." "You thought a lot of things. It'll go on like that. Meanwhile we've provisions for about ten days. There's no immediate anxiety there but it's a thing to remember. Besides, what you need is a roof over your head and constant nursing. If only we were at a village...." "I'm afraid I'm being a great nuisance." "That's not the point. The thing is to find what is best for us to do." But Tony felt too tired to think; he dozed for an hour or so. When he awoke, Dr Messinger was cutting back the bush farther. "I'm going to fix up the tarpaulin as a roof." (He had marked this place on his map _Temporary Emergency Base Camp_.) Tony watched him listlessly. Presently he said, "Look here, why don't you leave me here and go down the river for help?" "I thought of that. It's too big a risk." That afternoon Brenda was back at Tony's side and he was shivering and tossing in his hammock. * * * * * When he was next able to observe things, Tony noted that there was a tarpaulin over his head, slung to the tree-trunks. He asked, "How long have we been here?" "Only three days." "What time is it now?" "Getting on for ten in the morning." "I feel awful." Dr Messinger gave him some soup. "I am going downstream for the day," he said, "to see if there's any sign of a village. I hate leaving you but it's a chance worth taking. I shall be able to get a long way in the canoe now it's empty. Lie quiet. Don't move from the hammock. I shall be back before night. I hope with some Indians to help." "All right," said Tony and fell asleep. Dr Messinger went down to the river's edge and untied the canoe; he brought with him a rifle, a drinking cup and a day's provisions. He sat in the stern and pushed out from the bank; the current carried the bows down and in a few strokes of the paddle he was in midstream. The sun was high and its reflection in the water dazzled and scorched him; he paddled on with regular, leisurely strokes; he was travelling fast. For a mile's stretch the river narrowed and the water raced so that all he had to do was to trail the blade of the paddle as a rudder; then the walls of forest on either side of him fell back and he drifted into a great open lake, where he had to work heavily to keep in motion; all the time he watched keenly to right and left for the column of smoke, the thatched dome, the sly brown figure in the undergrowth,	which, he had been told in childhood, one could hear the beat of the sea. "We've got to go on," said Dr Messinger. "We can't be far from a village now." "I feel awful. Wouldn't it be better to wait a day till I am perfectly fit again?" "It's no good waiting. We've got to get on. D'you think you can manage to get into the canoe?" Dr Messinger knew that Tony was in for a long bout. For the first few hours of that day Tony lay limp in the bows. They had shifted the stores so that he could lie full length. Then the fever came on again and his teeth chattered. He sat up and crouched with his head in his knees, shaking all over; only his forehead and cheeks were burning hot under the noon sun. There was still no sign of a village. * * * * * It was late in the afternoon when he first saw Brenda. For some time he had been staring intently at the odd shape amidships where the stores had been piled; then he realized that it was a human being. "So the Indians came back?" he said. "Yes." "I knew they would. Silly of them to be scared by a toy. I suppose the others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again." "Thank God. I've been pretty ill, haven't I? I can't remember much." Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a week or it may take much longer. That's a thing we've got to face. I can't risk taking you in the canoe. You nearly upset us several times the day before yesterday." "I thought there was someone there I knew." "You thought a lot of things. It'll go on like that. Meanwhile we've provisions for about ten days. There's no immediate anxiety there but it's a thing to remember. Besides, what you need is a roof over your head and constant nursing. If only we were at a village...." "I'm afraid I'm being a great nuisance." "That's not the point. The thing is to find what is best for us to do." But Tony felt too tired to think; he dozed for an hour or so. When he awoke, Dr Messinger was cutting back the bush farther. "I'm going to fix up the tarpaulin as a roof." (He had marked this place on his map _Temporary Emergency Base Camp_.) Tony watched him listlessly. Presently he said, "Look here, why don't you leave me here and go down the river for help?" "I thought of that. It's too big a risk." That afternoon Brenda was back at Tony's side and he was shivering and tossing in his hammock. * * * * * When he was next able to observe things, Tony noted that there was a tarpaulin over his head, slung to the tree-trunks. He asked, "How long have	A Handful Of Dust	had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "had to answer was \"Have you poise?\"\" Brenda was at the top of the bank waiting for him. \"What was so absurd about the question was that they only had the applicant's word for it,\" he explained laboriously. \"I mean--is it a sign of poise to think you have it?\"<\|quote\|>\"Just sit quiet here while I sling your hammock.\"</\|quote\|>\"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen.\" She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another", "role": "user" }, { "content": "Dr Messinger", "role": "assistant" } ] }	Dr Messinger
"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."	Tony Last	with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd	Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet	Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led	expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long	to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English. "You're the first person who's spoken to me for days," said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and	and a mud floor. He owned the dozen or so head of puny cattle which grazed in the savannah, a plantation of cassava, some banana and mango trees, a dog and, unique in the neighbourhood, a single-barrelled, breech-loading shot-gun. The few commodities which he employed from the outside world came to him through a long succession of traders, passed from hand to hand, bartered for in a dozen languages at the extreme end of one of the longest threads in the web of commerce that spreads from Man?os into the remote fastness of the forest. One day while Mr Todd was engaged in filling some cartridges, a Pie-wie came to him with the news that a white man was approaching through the forest, alone and very sick. He closed the cartridge and loaded his gun with it, put those that were finished into his pocket and set out in the direction indicated. The man was already clear of the bush when Mr Todd reached him, sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English. "You're the first person who's spoken to me for days," said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful.	Messinger has taken the canoe." "Very well, Ambrose." "Thank you, sir." The committee had moved off down the avenue; all except Colonel Inch who had taken the other drive and was trotting towards Compton Last. Tony and Mrs Rattery were all alone. "Bow-wow," she said, scooping in the cards. "That carries the motion." Looking up from the card table, Tony saw beyond the trees the ramparts and battlement of the City; it was quite near him. From the turret of the gatehouse a heraldic banner floated in the tropic breeze. He struggled into an upright position and threw aside his blankets. He was stronger and steadier when the fever was on him. He picked his way through the surrounding thorn-scrub; the sound of music rose from the glittering walls; some procession or pageant was passing along them. He lurched into three trunks and became caught up in roots and hanging tendrils of bush-vine; but he pressed forward, unconscious of pain and fatigue. At last he came into the open. The gates were before him and trumpets were sounding along the walls, saluting his arrival; from bastion to bastion the message ran to the four points of the compass; petals of almond and apple blossom were in the air; they carpeted the way, as, after a summer storm, they lay in the orchards at Hetton. Gilded cupolas and spires of alabaster shone in the sunlight. Ambrose announced, "The City is served." CHAPTER VI DU C?T? DE CHEZ TODD Although Mr Todd had lived in Amazonas for nearly six years, no one except a few families of Pie-wie Indians was aware of his existence. His house stood in a small savannah, one of those little patches of sand and grass that crop up occasionally in that neighbourhood, three miles or so across, bounded on all sides by forest. The stream which watered it was not marked on any map; it ran through rapids, always dangerous and at most seasons of the year impassable, to join the upper waters of the river where Dr Messinger had come to grief. None of the inhabitants of the district, except Mr Todd, had ever heard of the governments of Brazil or Dutch Guiana, both of which from time to time claimed its possession. Mr Todd's house was larger than those of his neighbours, but similar in character--a palm thatch roof, breast-high walls of mud and wattle, and a mud floor. He owned the dozen or so head of puny cattle which grazed in the savannah, a plantation of cassava, some banana and mango trees, a dog and, unique in the neighbourhood, a single-barrelled, breech-loading shot-gun. The few commodities which he employed from the outside world came to him through a long succession of traders, passed from hand to hand, bartered for in a dozen languages at the extreme end of one of the longest threads in the web of commerce that spreads from Man?os into the remote fastness of the forest. One day while Mr Todd was engaged in filling some cartridges, a Pie-wie came to him with the news that a white man was approaching through the forest, alone and very sick. He closed the cartridge and loaded his gun with it, put those that were finished into his pocket and set out in the direction indicated. The man was already clear of the bush when Mr Todd reached him, sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English. "You're the first person who's spoken to me for days," said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under the fallen battlements..." Mr Todd put a hand behind Tony's head and held up the concoction of herbs in the calabash. Tony sipped and turned away his head. "Nasty medicine," he said, and began to cry. Mr Todd stood by him holding the calabash. Presently Tony drank some more, screwing up his face and shuddering slightly at the bitterness. Mr Todd stood beside him until the draught was finished; then he threw out the dregs on to the mud floor. Tony lay back in the hammock sobbing quietly. Soon he fell into a deep sleep. * * * * * Tony's recovery was slow. At first, days of lucidity alternated with delirium; then his temperature dropped and he was conscious even when most ill. The days of fever grew less frequent, finally occurring in the normal system of the tropics, between long periods of comparative health. Mr Todd dosed him regularly with herbal remedies. "It's very nasty," said Tony, "but it does do good." "There is medicine for everything in the forest," said Mr Todd; "to make you well and to make you ill. My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people	sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English. "You're the first person who's spoken to me for days," said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under	A Handful Of Dust	Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "Mr Todd's side, who was not there. \"Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you.\" Tony squinted across the savannah at Mr Todd's hut. \"Architecture harmonizing with local character,\" he said,<\|quote\|>\"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating.\"</\|quote\|>\"Try and walk.\" Mr Todd hoisted Tony to his feet and supported him with a stout arm. \"I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice.\" Mr Todd led", "role": "user" }, { "content": "Tony Last", "role": "assistant" } ] }	Tony Last
"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."	Diana Barry	their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little	Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She	new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat	I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla	again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You	speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what	then, to be anything worth being called Time. "Of course you'll win one of them anyhow," said Jane, who couldn't understand how the faculty could be so unfair as to order it otherwise. "I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I'm not going to march up to that bulletin board and look at it before everybody. I haven't the moral courage. I'm going straight to the girls' dressing room. You must read the announcements and then come and tell me, Jane. And I implore you in the name of our old friendship to do it as quickly as possible. If I have failed just say so, without trying to break it gently; and whatever you do _don't_ sympathize with me. Promise me this, Jane." Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen's they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!" For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out: "Three cheers for Miss Shirley, winner of the Avery!" "Oh, Anne," gasped Jane, as they fled to the girls' dressing room amid hearty cheers. "Oh, Anne I'm so proud! Isn't it splendid?" And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane: "Oh, won't Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner. "Reckon you're glad we kept her, Marilla?" whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a	since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with	Anne Of Green Gables	new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?\" \"The Newbridge trustees have offered Jane their school already,\" said Diana.<\|quote\|>\"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave.\"</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat", "role": "user" }, { "content": "Diana Barry", "role": "assistant" } ] }	Diana Barry
"Not so well. It makes me feel rather a beast,"	Brenda	the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he	IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you	it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount	think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid	Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I	I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away from everything that reminds her of what has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I know just how you feel, but it doesn't do to be medieval about it. If Brenda hadn't been upset at John's death this need never have come to a crisis. Why, last year Marjorie was going everywhere with that ass Robin Beaseley. She was mad about him at the time, but I pretended not to notice and it all blew over. If I were you I should refuse to recognize that anything has happened." Marjorie had said, "Of _course_ Brenda doesn't love Beaver. How could she?... And if she thinks she does at the moment, it's your duty to prevent her making a fool of herself. You must refuse to be divorced--anyway, until she has found someone more reasonable." Lady St Cloud had said, "Brenda has been very, very foolish. She always was an excitable girl, but I am sure there was never anything _wrong_, quite sure. _That_ wouldn't be like Brenda at all. I haven't met Mr Beaver and I do not wish to. I understand he is unsuitable in every way. Brenda would never want to marry anyone like that. I will tell you exactly how it happened, Tony. Brenda must have felt a tiny bit neglected--people often	well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock rang up. He wanted to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later." Next morning. "A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda coming," said Veronica. "I do think she might have chucked. I shan't in the least know what to say to her." * * * * * Tony said to Jock, as they sat alone after dinner, "I've been trying to understand, and I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away from everything that reminds her of what has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I know just how you feel, but it doesn't do to be medieval about it. If Brenda hadn't been upset at John's death this need never have come to a crisis. Why, last year Marjorie was going everywhere with that ass Robin Beaseley. She was mad about him at the time, but I pretended not to notice and it all blew over. If I were you I should refuse to recognize that anything has happened." Marjorie had said, "Of _course_ Brenda doesn't love Beaver. How could she?... And if she thinks she does at the moment, it's your duty to prevent her making a fool of herself. You must refuse to be divorced--anyway, until she has found someone more reasonable." Lady St Cloud had said, "Brenda has been very, very foolish. She always was an excitable girl, but I am sure there was never anything _wrong_, quite sure. _That_ wouldn't be like Brenda at all. I haven't met Mr Beaver and I do not wish to. I understand he is unsuitable in every way. Brenda would never want to marry anyone like that. I will tell you exactly how it happened, Tony. Brenda must have felt a tiny bit neglected--people often do at that stage of marriage. I have known countless cases--and it was naturally flattering to find a young man to beg and carry for her. That's all it was, nothing _wrong_. And then the terrible shock of little John's accident unsettled her and she didn't know what she was saying or writing. You'll both laugh over this little fracas in years to come." Tony had not set eyes on Brenda since the afternoon of the funeral. Once he spoke to her over the telephone. It was during the second week when he was feeling most lonely and bewildered by various counsels. Allan had been with him urging a reconciliation. "I've been talking to Brenda," he had said. "She's sick of Beaver already. The one thing she wants is to go back to Hetton and settle down with you again." While Allan was there, Tony resolutely refused to listen, but later the words, and the picture they evoked, would not leave his mind. So he rang her up and she answered him calmly and gravely. "Brenda, this is Tony." "Hullo, Tony, what is it?" "I've been talking to Allan. He's just told me about your change of mind." "I'm not sure I know what you mean." "That you want to leave Beaver and come back to Hetton." "Did Allan say that?" "Yes; isn't it true?" "I'm afraid it's not. Allan is an interfering ass. I had him here this afternoon. He told me that you didn't want a divorce but that you were willing to let me stay on alone in London and do as I liked provided there was no public scandal. It seemed a good idea and I was going to ring you up about it. But I suppose that's just his diplomacy too. Anyway, I'm afraid there's no prospect of my coming back to Hetton just at present." "Oh, I see. I didn't think it was likely... I just rang you up." "That's all right. How are you, Tony?" "All right, thanks." "Good, so am I. Good-bye." That was all he had heard of her. Both avoided places where there was a likelihood of their meeting. * * * * * It was thought convenient that Brenda should appear as the plaintiff. Tony did not employ the family solicitors in the matter but another less reputable firm who specialized in divorce. He had steeled himself to expect	has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I know just how you feel, but it doesn't do to be medieval about it. If Brenda hadn't been upset at John's death this need never have come to a crisis. Why, last year Marjorie was going everywhere with that ass Robin Beaseley. She was mad about him	A Handful Of Dust	it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "it's not true, is it?\" \"Yes, I'm afraid it is. Everyone has known for some time.\" But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] \"How's the old boy taking it?\"<\|quote\|>\"Not so well. It makes me feel rather a beast,\"</\|quote\|>said Brenda. \"I'm afraid he minds a lot.\" \"Well, you wouldn't like it if he didn't,\" said Polly to console her. \"No, I suppose not.\" \"I shall stick by you whatever happens,\" said Jenny Abdul Akbar. \"Oh, everything is going quite smoothly now,\" said Brenda. \"There was a certain amount", "role": "user" }, { "content": "Brenda", "role": "assistant" } ] }	Brenda
"How am I to get in?"	Alice	as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a	in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to	door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's	can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling.	extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in	it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of	serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow!	great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth	Alices Adventures In Wonderland	door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. \"--or next day, maybe,\" the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>\"How am I to get in?\"</\|quote\|>asked Alice again, in a louder tone. \"_Are_ you to get in at all?\" said the Footman. \"That's the first question, you know.\" It was, no doubt: only Alice did not like to be told so. \"It's really dreadful,\" she muttered to herself, \"the way all the creatures argue. It's", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
"Good God!"	Paul	into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is	am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I	The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you	left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we	in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must	slip the sergeant-major two of my cigars with belly-bands, and then tip the word to him. He smells the cigars and says: "Have you got any more of them?" "Another good handful," I say, "and my comrade," I point to Kropp, "he has some as well. We might possibly be glad to hand them to you out of the window of the hospital train in the morning." He understands, of course, smells them once again and says: "Done." We cannot get a minute's sleep all night. Seven fellows die in our ward. One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks	I've got." The pain increases. The bandages burn like fire. We drink and drink, one glass of water after another. "How far above the knee am I hit?" asks Kropp. "At least four inches, Albert," I answer. Actually it is perhaps one. "I've made up my mind," he says after a while, "if they take off my leg, I'll put an end to it. I won't go through life as a cripple." So we lie there with our thoughts and wait. * * In the evening we are hauled on to the chopping-block. I am frightened and think quickly what I ought to do; for everyone knows that the surgeons in the dressing stations amputate on the slightest provocation. Under the great pressure of business that is much simpler than complicated patching. I think of Kemmerich. Whatever happens I will not let them chloroform me, even if I have to crack a couple of their skulls. It is all right. The surgeon pokes around in the wound and a blackness comes before my eyes. "Don't carry on so," he says gruffly, and hacks away. The instruments gleam in the bright light like malevolent animals. The pain is insufferable. Two orderlies hold my arms fast, but I break loose with one of them and try to crash into the surgeon's spectacles just as he notices and springs back. "Chloroform the scoundrel," he roars madly. Then I become quiet. "Pardon me, Herr Doctor, I will keep still, but do not chloroform me." "Well now," he cackles and takes up his instrument again. He is a fair fellow, not more than thirty years old, with scars and disgusting gold spectacles. Now I see that he is tormenting me, he is merely raking about in the wound and looking up surreptitiously at me over his glasses. My hands squeeze around the grips, I'll kick the bucket before he will get a squeak out of me. He has fished out a piece of shell and tosses it to me. Apparently he is pleased at my self-control, for he seems to be more considerate of me now and says: "To-morrow you'll be off home." Then I am put in plaster. When I am back again with Kropp I tell him that apparently a hospital train comes in to-morrow morning. "We must work the army medical sergeant-major so that we can keep together, Albert." I manage to slip the sergeant-major two of my cigars with belly-bands, and then tip the word to him. He smells the cigars and says: "Have you got any more of them?" "Another good handful," I say, "and my comrade," I point to Kropp, "he has some as well. We might possibly be glad to hand them to you out of the window of the hospital train in the morning." He understands, of course, smells them once again and says: "Done." We cannot get a minute's sleep all night. Seven fellows die in our ward. One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of	thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed	All Quiet on the Western Front	The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>\"Good God!\"</\|quote\|>I exclaim suddenly. \"What is it?\" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. \"Can't you", "role": "user" }, { "content": "Paul", "role": "assistant" } ] }	Paul
"Matthew, did you ever study geometry when you went to school?"	Anne Shirley	to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't,"	the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of	her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such	crystals were shining on the windowpanes. Matthew nodded over a _Farmers' Advocate_ on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you're all right at anything. Mr. Phillips told me last week in Blair's store at Carmody that you was the smartest scholar in school and was making rapid progress." ?Rapid progress' "was his very words. There's	went to town and took her husband--Thomas would be useful in looking after the horse--and Marilla Cuthbert with her. Marilla had a sneaking interest in politics herself, and as she thought it might be her only chance to see a real live Premier, she promptly took it, leaving Anne and Matthew to keep house until her return the following day. Hence, while Marilla and Mrs. Rachel were enjoying themselves hugely at the mass meeting, Anne and Matthew had the cheerful kitchen at Green Gables all to themselves. A bright fire was glowing in the old-fashioned Waterloo stove and blue-white frost crystals were shining on the windowpanes. Matthew nodded over a _Farmers' Advocate_ on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you're all right at anything. Mr. Phillips told me last week in Blair's store at Carmody that you was the smartest scholar in school and was making rapid progress." ?Rapid progress' "was his very words. There's them as runs down Teddy Phillips and says he ain't much of a teacher, but I guess he's all right." Matthew would have thought anyone who praised Anne was "all right." "I'm sure I'd get on better with geometry if only he wouldn't change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don't think a teacher should take such a mean advantage, do you? We're studying agriculture now and I've found out	now I still love her with an _inextinguishable_ love. It makes me very sad at times to think about her. But really, Marilla, one can't stay sad very long in such an interesting world, can one?" CHAPTER XVIII. Anne to the Rescue ALL things great are wound up with all things little. At first glance it might not seem that the decision of a certain Canadian Premier to include Prince Edward Island in a political tour could have much or anything to do with the fortunes of little Anne Shirley at Green Gables. But it had. It was a January the Premier came, to address his loyal supporters and such of his nonsupporters as chose to be present at the monster mass meeting held in Charlottetown. Most of the Avonlea people were on Premier's side of politics; hence on the night of the meeting nearly all the men and a goodly proportion of the women had gone to town thirty miles away. Mrs. Rachel Lynde had gone too. Mrs. Rachel Lynde was a red-hot politician and couldn't have believed that the political rally could be carried through without her, although she was on the opposite side of politics. So she went to town and took her husband--Thomas would be useful in looking after the horse--and Marilla Cuthbert with her. Marilla had a sneaking interest in politics herself, and as she thought it might be her only chance to see a real live Premier, she promptly took it, leaving Anne and Matthew to keep house until her return the following day. Hence, while Marilla and Mrs. Rachel were enjoying themselves hugely at the mass meeting, Anne and Matthew had the cheerful kitchen at Green Gables all to themselves. A bright fire was glowing in the old-fashioned Waterloo stove and blue-white frost crystals were shining on the windowpanes. Matthew nodded over a _Farmers' Advocate_ on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you're all right at anything. Mr. Phillips told me last week in Blair's store at Carmody that you was the smartest scholar in school and was making rapid progress." ?Rapid progress' "was his very words. There's them as runs down Teddy Phillips and says he ain't much of a teacher, but I guess he's all right." Matthew would have thought anyone who praised Anne was "all right." "I'm sure I'd get on better with geometry if only he wouldn't change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don't think a teacher should take such a mean advantage, do you? We're studying agriculture now and I've found out at last what makes the roads red. It's a great comfort. I wonder how Marilla and Mrs. Lynde are enjoying themselves. Mrs. Lynde says Canada is going to the dogs the way things are being run at Ottawa and that it's an awful warning to the electors. She says if women were allowed to vote we would soon see a blessed change. What way do you vote, Matthew?" "Conservative," said Matthew promptly. To vote Conservative was part of Matthew's religion. "Then I'm Conservative too," said Anne decidedly. "I'm glad because Gil--because some of the boys in school are Grits. I guess Mr. Phillips is a Grit too because Prissy Andrews's father is one, and Ruby Gillis says that when a man is courting he always has to agree with the girl's mother in religion and her father in politics. Is that true, Matthew?" "Well now, I dunno," said Matthew. "Did you ever go courting, Matthew?" "Well now, no, I dunno's I ever did," said Matthew, who had certainly never thought of such a thing in his whole existence. Anne reflected with her chin in her hands. "It must be rather interesting, don't you think, Matthew? Ruby Gillis says when she	class by Gilbert Blythe. The rivalry between them was soon apparent; it was entirely good natured on Gilbert's side; but it is much to be feared that the same thing cannot be said of Anne, who had certainly an unpraiseworthy tenacity for holding grudges. She was as intense in her hatreds as in her loves. She would not stoop to admit that she meant to rival Gilbert in schoolwork, because that would have been to acknowledge his existence which Anne persistently ignored; but the rivalry was there and honors fluctuated between them. Now Gilbert was head of the spelling class; now Anne, with a toss of her long red braids, spelled him down. One morning Gilbert had all his sums done correctly and had his name written on the blackboard on the roll of honor; the next morning Anne, having wrestled wildly with decimals the entire evening before, would be first. One awful day they were ties and their names were written up together. It was almost as bad as a take-notice and Anne's mortification was as evident as Gilbert's satisfaction. When the written examinations at the end of each month were held the suspense was terrible. The first month Gilbert came out three marks ahead. The second Anne beat him by five. But her triumph was marred by the fact that Gilbert congratulated her heartily before the whole school. It would have been ever so much sweeter to her if he had felt the sting of his defeat. Mr. Phillips might not be a very good teacher; but a pupil so inflexibly determined on learning as Anne was could hardly escape making progress under any kind of teacher. By the end of the term Anne and Gilbert were both promoted into the fifth class and allowed to begin studying the elements of "the branches"--by which Latin, geometry, French, and algebra were meant. In geometry Anne met her Waterloo. "It's perfectly awful stuff, Marilla," she groaned. "I'm sure I'll never be able to make head or tail of it. There is no scope for imagination in it at all. Mr. Phillips says I'm the worst dunce he ever saw at it. And Gil--I mean some of the others are so smart at it. It is extremely mortifying, Marilla." "Even Diana gets along better than I do. But I don't mind being beaten by Diana. Even although we meet as strangers now I still love her with an _inextinguishable_ love. It makes me very sad at times to think about her. But really, Marilla, one can't stay sad very long in such an interesting world, can one?" CHAPTER XVIII. Anne to the Rescue ALL things great are wound up with all things little. At first glance it might not seem that the decision of a certain Canadian Premier to include Prince Edward Island in a political tour could have much or anything to do with the fortunes of little Anne Shirley at Green Gables. But it had. It was a January the Premier came, to address his loyal supporters and such of his nonsupporters as chose to be present at the monster mass meeting held in Charlottetown. Most of the Avonlea people were on Premier's side of politics; hence on the night of the meeting nearly all the men and a goodly proportion of the women had gone to town thirty miles away. Mrs. Rachel Lynde had gone too. Mrs. Rachel Lynde was a red-hot politician and couldn't have believed that the political rally could be carried through without her, although she was on the opposite side of politics. So she went to town and took her husband--Thomas would be useful in looking after the horse--and Marilla Cuthbert with her. Marilla had a sneaking interest in politics herself, and as she thought it might be her only chance to see a real live Premier, she promptly took it, leaving Anne and Matthew to keep house until her return the following day. Hence, while Marilla and Mrs. Rachel were enjoying themselves hugely at the mass meeting, Anne and Matthew had the cheerful kitchen at Green Gables all to themselves. A bright fire was glowing in the old-fashioned Waterloo stove and blue-white frost crystals were shining on the windowpanes. Matthew nodded over a _Farmers' Advocate_ on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you're all right at anything. Mr. Phillips told me last week in Blair's store at Carmody that you was the smartest scholar in school and was making rapid progress." ?Rapid progress' "was his very words. There's them as runs down Teddy Phillips and says he ain't much of a teacher, but I guess he's all right." Matthew would have thought anyone who praised Anne was "all right." "I'm sure I'd get on better with geometry if only he wouldn't change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don't think a teacher should take such a mean advantage, do you? We're studying agriculture now and I've found out at last what makes the roads red. It's a great comfort. I wonder how Marilla and Mrs. Lynde are enjoying themselves. Mrs. Lynde says Canada is going to the dogs the way things are being run at Ottawa and that it's an awful warning to the electors. She says if women were allowed to vote we would soon see a blessed change. What way do you vote, Matthew?" "Conservative," said Matthew promptly. To vote Conservative was part of Matthew's religion. "Then I'm Conservative too," said Anne decidedly. "I'm glad because Gil--because some of the boys in school are Grits. I guess Mr. Phillips is a Grit too because Prissy Andrews's father is one, and Ruby Gillis says that when a man is courting he always has to agree with the girl's mother in religion and her father in politics. Is that true, Matthew?" "Well now, I dunno," said Matthew. "Did you ever go courting, Matthew?" "Well now, no, I dunno's I ever did," said Matthew, who had certainly never thought of such a thing in his whole existence. Anne reflected with her chin in her hands. "It must be rather interesting, don't you think, Matthew? Ruby Gillis says when she grows up she's going to have ever so many beaus on the string and have them all crazy about her; but I think that would be too exciting. I'd rather have just one in his right mind. But Ruby Gillis knows a great deal about such matters because she has so many big sisters, and Mrs. Lynde says the Gillis girls have gone off like hot cakes. Mr. Phillips goes up to see Prissy Andrews nearly every evening. He says it is to help her with her lessons but Miranda Sloane is studying for Queen's too, and I should think she needed help a lot more than Prissy because she's ever so much stupider, but he never goes to help her in the evenings at all. There are a great many things in this world that I can't understand very well, Matthew." "Well now, I dunno as I comprehend them all myself," acknowledged Matthew. "Well, I suppose I must finish up my lessons. I won't allow myself to open that new book Jane lent me until I'm through. But it's a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I'll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must _not_ give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It's all very well to say resist temptation, but it's ever so much easier to resist it if you can't get the key. And then shall I run down the cellar and get some russets, Matthew? Wouldn't you like some russets?" "Well now, I dunno but what I would," said Matthew, who never ate russets but knew Anne's weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and	on Premier's side of politics; hence on the night of the meeting nearly all the men and a goodly proportion of the women had gone to town thirty miles away. Mrs. Rachel Lynde had gone too. Mrs. Rachel Lynde was a red-hot politician and couldn't have believed that the political rally could be carried through without her, although she was on the opposite side of politics. So she went to town and took her husband--Thomas would be useful in looking after the horse--and Marilla Cuthbert with her. Marilla had a sneaking interest in politics herself, and as she thought it might be her only chance to see a real live Premier, she promptly took it, leaving Anne and Matthew to keep house until her return the following day. Hence, while Marilla and Mrs. Rachel were enjoying themselves hugely at the mass meeting, Anne and Matthew had the cheerful kitchen at Green Gables all to themselves. A bright fire was glowing in the old-fashioned Waterloo stove and blue-white frost crystals were shining on the windowpanes. Matthew nodded over a _Farmers' Advocate_ on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you're all right at anything. Mr. Phillips told me last week in Blair's store at Carmody that you was the smartest scholar in school and was making rapid progress." ?Rapid progress' "was his very words. There's them as runs down Teddy Phillips and says he ain't much of a teacher, but I guess he's all right." Matthew would have thought anyone who praised Anne was "all right." "I'm sure I'd get on better with geometry if only he wouldn't change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don't think a teacher should take such a mean advantage, do you? We're studying agriculture now and I've found out at last what makes the roads red. It's a great comfort. I wonder how Marilla and Mrs. Lynde are enjoying themselves. Mrs. Lynde says Canada is going to the dogs the way things are being run at Ottawa and that it's an awful warning to the electors. She says if women were allowed to vote we would soon see a blessed change. What way do you vote, Matthew?" "Conservative," said Matthew promptly. To vote Conservative was part of Matthew's religion. "Then I'm Conservative too," said Anne decidedly. "I'm glad because Gil--because some of the boys in school are Grits. I guess Mr. Phillips is a Grit too because Prissy Andrews's father is one, and Ruby Gillis says that when a man is courting he always has to agree with the girl's mother in religion and her father in politics. Is that true, Matthew?" "Well now, I dunno," said Matthew. "Did you ever go courting, Matthew?" "Well now, no, I dunno's I ever did," said Matthew, who had certainly never thought of such a thing in his whole existence. Anne reflected with her chin in her hands. "It must be rather interesting, don't you think, Matthew? Ruby Gillis says when she grows up she's going to have ever so many beaus on the string and have them all crazy about her; but I think that would be too exciting. I'd rather have just one in his right mind. But Ruby Gillis knows a great deal about such matters because she has so many big sisters, and Mrs. Lynde says the Gillis girls have gone off like hot cakes. Mr.	Anne Of Green Gables	her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>\"Matthew, did you ever study geometry when you went to school?\"</\|quote\|>\"Well now, no, I didn't,\" said Matthew, coming out of his doze with a start. \"I wish you had,\" sighed Anne, \"because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
"It was only because I had to lie there with him so long,"	Paul	understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war	Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks	same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the	to that?" asks Kat. I nod. "If he keeps that up he will get a little coloured bird for his buttonhole by this evening," says Albert. "Or rather he will soon be made acting-sergeant-major," says Kat. We look at one another. "I would not do it," I say. "All the same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the supply dump as that is not yet empty. We are supposed to provision ourselves from the same store. We are just the right people for that;--Kat, Albert, Müller, Tjaden, Detering, our whole gang is there. Haie is dead, though. But we are mighty lucky all the same, all the other	I listen to them and feel comforted, reassured by their presence. It was mere drivelling nonsense that I talked out there in the shell-hole. "Look there for instance," points Kat. On the fire-step stand some snipers. They rest their rifles with telescopic sights on the parapet and watch the enemy front. Once and again a shot cracks out. Then we hear the cry: "That's found a billet!" "Did you see how he leapt in the air?" Sergeant Oellrich turns round proudly and scores his point. He heads the shooting list for to-day with three unquestionable hits. "What do you say to that?" asks Kat. I nod. "If he keeps that up he will get a little coloured bird for his buttonhole by this evening," says Albert. "Or rather he will soon be made acting-sergeant-major," says Kat. We look at one another. "I would not do it," I say. "All the same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the supply dump as that is not yet empty. We are supposed to provision ourselves from the same store. We are just the right people for that;--Kat, Albert, Müller, Tjaden, Detering, our whole gang is there. Haie is dead, though. But we are mighty lucky all the same, all the other squads have had more casualties than we have. We select, as a dug-out, a reinforced concrete cellar into which steps lead down from above. The entrance is protected by a separate concrete wall. Now we develop an immense industry. This is an opportunity not only to stretch one's legs, but to stretch one's soul also. We make the best use of such opportunities. The war is too desperate to allow us to be sentimental for long. That is only possible so long as things are not going too badly. After all, we cannot afford to be anything but matter-of-fact. So	come nearer. There, by the light of a rocket I see something move in the wire, then it stiffens and lies still. Next time I see it again, yes, they are men from our trench. But I am suspicious until I recognize our helmets. Then I call. And immediately an answer rings out, my name: "Paul--Paul----" I call again in answer. It is Kat and Albert who have come out with a stretcher to look for me. "Are you wounded?" "No, no----" We drop into the trench. I ask for something to eat and wolf it down. Müller gives me a cigarette. In a few words I tell what happened. There is nothing new about it; it happens quite often. The night attack is the only unusual feature of the business. In Russia Kat once lay for two days behind the enemy lines before he could make his way back. I do not mention the dead printer. But by next morning I can keep it to myself no longer. I must tell Kat and Albert. They both try to calm me. "You can't do anything about it. What else could you have done? That is what you are here for." I listen to them and feel comforted, reassured by their presence. It was mere drivelling nonsense that I talked out there in the shell-hole. "Look there for instance," points Kat. On the fire-step stand some snipers. They rest their rifles with telescopic sights on the parapet and watch the enemy front. Once and again a shot cracks out. Then we hear the cry: "That's found a billet!" "Did you see how he leapt in the air?" Sergeant Oellrich turns round proudly and scores his point. He heads the shooting list for to-day with three unquestionable hits. "What do you say to that?" asks Kat. I nod. "If he keeps that up he will get a little coloured bird for his buttonhole by this evening," says Albert. "Or rather he will soon be made acting-sergeant-major," says Kat. We look at one another. "I would not do it," I say. "All the same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the supply dump as that is not yet empty. We are supposed to provision ourselves from the same store. We are just the right people for that;--Kat, Albert, Müller, Tjaden, Detering, our whole gang is there. Haie is dead, though. But we are mighty lucky all the same, all the other squads have had more casualties than we have. We select, as a dug-out, a reinforced concrete cellar into which steps lead down from above. The entrance is protected by a separate concrete wall. Now we develop an immense industry. This is an opportunity not only to stretch one's legs, but to stretch one's soul also. We make the best use of such opportunities. The war is too desperate to allow us to be sentimental for long. That is only possible so long as things are not going too badly. After all, we cannot afford to be anything but matter-of-fact. So matter-of-fact, indeed, that I often shudder when a thought from the days before the war comes momentarily into my head. But it does not stay long. We have to take things as lightly as we can, so we make the most of every opportunity, and nonsense stands stark and immediate beside horror. It cannot be otherwise, that is how we hearten ourselves. So we zealously set to work to create an idyll--an idyll of eating and sleeping, of course. The floor is first covered with mattresses which we haul in from the houses. Even a soldier's behind likes to sit soft. Only in the middle of the floor is there any clear space. Then we furnish ourselves with blankets and eiderdowns, luxurious soft affairs. There is plenty of everything to be had in the town. Albert and I find a mahogany bed which can be taken to pieces, with a sky of blue silk and a lace coverlet. We sweat like monkeys moving it in, but a man cannot let a thing like that slip, and it would certainly be shot to pieces in a day or two. Kat and I do a little patrolling through the houses. In very	Gerard Duval. I must be a printer, I think confusedly, be a printer, printer---- * * By afternoon I am calmer. My fear was groundless. The name troubles me no more. The madness passes. "Comrade," I say to the dead man, but I say it calmly, "To-day you, to-morrow me. But if I come out of it, comrade, I will fight against this, that has struck us both down; from you, taken life--and from me--? Life also. I promise you, comrade. It shall never happen again." The sun strikes low. I am stupefied with exhaustion and hunger. Yesterday is like a fog to me, there is no hope of getting out of this yet. I fall into a doze and do not at first realize that evening is approaching. The twilight comes. It seems to me to come quickly now. One hour more. If it were summer, it would be three hours more. One hour more. Now suddenly I begin to tremble; something might happen in the interval. I think no more of the dead man, he is of no consequence to me now. With one bound the lust to live flares up again and everything that has filled my thoughts goes down before it. Now, merely to avert any ill-luck, I babble mechanically: "I will fulfil everything, fulfil everything I have promised you----" but already I know that I shall not do so. Suddenly it occurs to me that my own comrades may fire on me as I creep up; they do not know I am coming. I will call out as soon as I can so that they will recognize me. I will stay lying in front of the trench until they answer me. The first star. The front remains quiet. I breathe deeply and talk to myself in my excitement: "No foolishness now, Paul--Quiet, Paul, quiet--then you will be saved, Paul." When I use my Christian name it works as though someone else spoke to me, it has more power. The darkness grows. My excitement subsides, I wait cautiously until the first rocket goes up. Then I crawl out of the shell-hole. I have forgotten the dead man. Before me lies the on-coming night and the pale gleaming field. I fix my eye on a shell-hole; the moment the light dies I scurry over into it, grope farther, spring into the next, duck down, scramble onward. I come nearer. There, by the light of a rocket I see something move in the wire, then it stiffens and lies still. Next time I see it again, yes, they are men from our trench. But I am suspicious until I recognize our helmets. Then I call. And immediately an answer rings out, my name: "Paul--Paul----" I call again in answer. It is Kat and Albert who have come out with a stretcher to look for me. "Are you wounded?" "No, no----" We drop into the trench. I ask for something to eat and wolf it down. Müller gives me a cigarette. In a few words I tell what happened. There is nothing new about it; it happens quite often. The night attack is the only unusual feature of the business. In Russia Kat once lay for two days behind the enemy lines before he could make his way back. I do not mention the dead printer. But by next morning I can keep it to myself no longer. I must tell Kat and Albert. They both try to calm me. "You can't do anything about it. What else could you have done? That is what you are here for." I listen to them and feel comforted, reassured by their presence. It was mere drivelling nonsense that I talked out there in the shell-hole. "Look there for instance," points Kat. On the fire-step stand some snipers. They rest their rifles with telescopic sights on the parapet and watch the enemy front. Once and again a shot cracks out. Then we hear the cry: "That's found a billet!" "Did you see how he leapt in the air?" Sergeant Oellrich turns round proudly and scores his point. He heads the shooting list for to-day with three unquestionable hits. "What do you say to that?" asks Kat. I nod. "If he keeps that up he will get a little coloured bird for his buttonhole by this evening," says Albert. "Or rather he will soon be made acting-sergeant-major," says Kat. We look at one another. "I would not do it," I say. "All the same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the supply dump as that is not yet empty. We are supposed to provision ourselves from the same store. We are just the right people for that;--Kat, Albert, Müller, Tjaden, Detering, our whole gang is there. Haie is dead, though. But we are mighty lucky all the same, all the other squads have had more casualties than we have. We select, as a dug-out, a reinforced concrete cellar into which steps lead down from above. The entrance is protected by a separate concrete wall. Now we develop an immense industry. This is an opportunity not only to stretch one's legs, but to stretch one's soul also. We make the best use of such opportunities. The war is too desperate to allow us to be sentimental for long. That is only possible so long as things are not going too badly. After all, we cannot afford to be anything but matter-of-fact. So matter-of-fact, indeed, that I often shudder when a thought from the days before the war comes momentarily into my head. But it does not stay long. We have to take things as lightly as we can, so we make the most of every opportunity, and nonsense stands stark and immediate beside horror. It cannot be otherwise, that is how we hearten ourselves. So we zealously set to work to create an idyll--an idyll of eating and sleeping, of course. The floor is first covered with mattresses which we haul in from the houses. Even a soldier's behind likes to sit soft. Only in the middle of the floor is there any clear space. Then we furnish ourselves with blankets and eiderdowns, luxurious soft affairs. There is plenty of everything to be had in the town. Albert and I find a mahogany bed which can be taken to pieces, with a sky of blue silk and a lace coverlet. We sweat like monkeys moving it in, but a man cannot let a thing like that slip, and it would certainly be shot to pieces in a day or two. Kat and I do a little patrolling through the houses. In very short time we have collected a dozen eggs and two pounds of fairly fresh butter. Suddenly there is a crash in the drawing room, and an iron stove hurtles through the wall past us and on, a yard from us out through the wall behind. Two holes. It comes from the house opposite where a shell has just landed. "The swine," grimaces Kat, and we continue our search. All at once we prick up our ears, hurry across, and suddenly stand petrified--there running up and down in a little sty are two live sucking pigs. We rub our eyes and look once again to make certain. Yes, they are still there. We seize hold of them--no doubt about it, two real young pigs. This will make a grand feed. About twenty yards from our dug-out there is a small house that was used as an officers' billet. In the kitchen is an immense fireplace with two ranges, pots, pans, and kettles--everything, even to a stack of small chopped wood in an outhouse--a regular cook's paradise. Two of our fellows have been out in the fields all the morning hunting for potatoes, carrots, and green peas. We are quite uppish and sniff at the tinned stuff in the supply dump, we want fresh vegetables. In the dining-room there are already two heads of cauliflower. The sucking pigs are slaughtered. Kat sees to them. We want to make potato cakes to go with the roast. But we cannot find a grater for the potatoes. However, that difficulty is soon got over. With a nail we punch a lot of holes in a pot lid and there we have a grater. Three fellows put on thick gloves to protect their fingers against the grater, two others peel the potatoes, and the business gets going. Kat samples the sucking pigs, the carrots, the peas, and the cauliflower. He even mixes a white sauce for the cauliflower. I fry the pancakes, four at a time. After ten minutes I get the knack of tossing the pan so that the pancakes which are done on the one side sail up, turn in the air and are caught again as they come down. The sucking pigs are baked whole. We all stand round them as before an altar. In the meantime we receive visitors, a couple of wireless-men, who are generously invited to the feed. They sit	new about it; it happens quite often. The night attack is the only unusual feature of the business. In Russia Kat once lay for two days behind the enemy lines before he could make his way back. I do not mention the dead printer. But by next morning I can keep it to myself no longer. I must tell Kat and Albert. They both try to calm me. "You can't do anything about it. What else could you have done? That is what you are here for." I listen to them and feel comforted, reassured by their presence. It was mere drivelling nonsense that I talked out there in the shell-hole. "Look there for instance," points Kat. On the fire-step stand some snipers. They rest their rifles with telescopic sights on the parapet and watch the enemy front. Once and again a shot cracks out. Then we hear the cry: "That's found a billet!" "Did you see how he leapt in the air?" Sergeant Oellrich turns round proudly and scores his point. He heads the shooting list for to-day with three unquestionable hits. "What do you say to that?" asks Kat. I nod. "If he keeps that up he will get a little coloured bird for his buttonhole by this evening," says Albert. "Or rather he will soon be made acting-sergeant-major," says Kat. We look at one another. "I would not do it," I say. "All the same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the supply dump as that is not yet empty. We are supposed to provision ourselves from the same store. We are just the right people for that;--Kat, Albert, Müller, Tjaden, Detering, our whole gang is there. Haie is dead, though. But we are mighty lucky all the same, all the other squads have had more casualties than we have. We select, as a dug-out, a reinforced concrete cellar into which steps lead down from above. The entrance is protected by a separate concrete wall. Now we develop an immense industry. This is an opportunity not only to stretch one's legs, but to stretch one's soul also. We make the best use of such opportunities. The war is too desperate to allow us to be sentimental for long. That is only possible so long as things are not going too badly. After all, we cannot afford to be anything but matter-of-fact. So matter-of-fact, indeed, that I often shudder when a thought from the days before the war comes momentarily into my head. But it does not stay long. We have to take things as lightly as we can, so we make the most of every opportunity, and nonsense stands stark and immediate beside horror. It cannot be otherwise, that is how we hearten ourselves. So we zealously set to work to create an idyll--an idyll of eating and sleeping, of course. The floor is first covered with mattresses which we haul in from the houses. Even a soldier's behind likes to sit soft. Only in the middle of the floor is there any clear space. Then we furnish ourselves with blankets and eiderdowns, luxurious soft affairs. There is plenty of everything to be had in the town. Albert and I find a mahogany bed which can be taken to pieces, with a sky of blue silk and a lace coverlet. We sweat like monkeys moving it in, but a man cannot let a thing like that slip, and it would certainly be shot to pieces in a day or two. Kat and I do a little patrolling through the houses. In very short time we	All Quiet on the Western Front	same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "same,\" says Kat, \"it's very good for you to see it just now.\" Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. \"You don't need to lose any more sleep over your affair,\" nods Albert. And now I hardly understand it myself any more.<\|quote\|>\"It was only because I had to lie there with him so long,\"</\|quote\|>I say. \"After all, war is war.\" Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the", "role": "user" }, { "content": "Paul", "role": "assistant" } ] }	Paul
?Our Father who art in heaven hallowed be Thy name.'	No speaker	the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a	it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm	asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then	she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting	It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl	anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed	"No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But	was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and	Anne Of Green Gables	asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does.\"<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>\"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla.\" \"Well, learn it and hold your tongue,\" said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"	An orderly	looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at	with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any	"How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and	and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc	does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me,	Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes	first that I have seen thus; but we grew up together and that always makes it a bit different. I have copied his essays. At school he used to wear a brown coat with a belt and shiny sleeves. He was the only one of us, too, who could do the giant's turn on the horizontal bar. His hair flew in his face like silk when he did it. Kantorek was proud of him for it. But he couldn't endure cigarettes. His skin was very white; he had something of the girl about him. I glance at my boots. They are big and clumsy, the breeches are tucked into them, and standing up one looks well-built and powerful in these great drain-pipes. But when we go bathing and strip, suddenly we have slender legs again and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now--but why? The whole world ought to pass by this bed and say: "That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!" My thoughts become confused. This atmosphere of carbolic and gangrene clogs the lungs, it is a thick gruel, it suffocates. It grows dark. Kemmerich's face changes colour, it lifts from the pillow and is so pale that it gleams. The mouth moves slightly. I draw near to him. He whispers: "If you find my watch, send it home----" I do not reply. It is no use any more. No one can console him. I am wretched with helplessness. This forehead with its hollow temples, this mouth that is now merely a slit, this sharp nose! And the fat, weeping woman at home to whom I must write. If only the letter were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?" Kat asks one of the youngsters. He grimaces. "For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him. "Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too." Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has a sixth sense. There are such people everywhere but one does not appreciate it at first. Every company has one or two. Katczinsky is the smartest I know. By trade he is a cobbler, I believe, but that hasn't anything to do with it; he understands all trades. It's a good thing to be friends with him, as Kropp and I are, and Haie Westhus too, more or less. But Haie is rather the executive arm operating under Kat's orders when things come to blows. For that he has his qualifications. For example, we land at night in some entirely unknown spot, a sorry hole, that has been eaten out to the very walls. We are quartered in a small dark factory adapted to the purpose. There are beds in it, or rather bunks--a couple of wooden beams over which wire netting is stretched. Wire netting is hard. And there's nothing to put on it. Our waterproof sheets are too thin. We use our blankets to cover ourselves. Kat looks at the place and then says to Haie Westhus: "Come	off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?" Kat asks one of the youngsters. He	All Quiet on the Western Front	"How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "\"How should I know anything about it, I've amputated five legs to-day\" ; he shoves me away, says to the hospital-orderly \"You see to it,\" and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>\"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----\"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and", "role": "user" }, { "content": "An orderly", "role": "assistant" } ] }	An orderly
"That's a pretty girl in the corner."	Tony Last	dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go	done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said	once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony	Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It	his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?" said Tony. "Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh,	the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?" said Tony. "Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial light; for some reason, however, they remained very blue. So Milly and Tony went to Dan's friend's place and had the best of everything. There was a party of twenty or thirty people, all more or less like Dan. Dan's friend was most hospitable. When he was not fiddling with the wireless, which gave trouble off and on throughout the evening, he was sauntering among his guests refilling their glasses. "This stuff's all right," he said, showing the label, "it won't hurt you. It's the right stuff." They had a lot of the right stuff. Quite often Dan's friend noticed that Tony seemed to be out of the party. Then he would come across and put his hand on Tony's shoulder. "I'm so glad Dan brought you," he would say. "Hope you're getting all you want. Delighted to see you. Come again when there isn't a crowd and see over the place. Interested in roses?" "Yes, I like them very much." "Come when the roses are out. You'd like that if you're interested in roses. Damn that radio, it's going	always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?" said Tony. "Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial light; for some reason, however, they remained very blue. So Milly and Tony went to Dan's friend's place and had the best of everything. There was a party of twenty or thirty people, all more or less like Dan. Dan's friend was most hospitable. When he was not fiddling with the wireless, which gave trouble off and on throughout the evening, he was sauntering among his guests refilling their glasses. "This stuff's all right," he said, showing the label, "it won't hurt you. It's the right stuff." They had a lot of the right stuff. Quite often Dan's friend noticed that Tony seemed to be out of the party. Then he would come across and put his hand on Tony's shoulder. "I'm so glad Dan brought you," he would say. "Hope you're getting all you want. Delighted to see you. Come again when there isn't a crowd and see over the place. Interested in roses?" "Yes, I like them very much." "Come when the roses are out. You'd like that if you're interested in roses. Damn that radio, it's going wonky again." Tony wondered whether he was as amiable when people he did not know were brought over unexpectedly to Hetton. At one stage in the evening he found himself sitting on a sofa with Dan, who said, "Nice kid, Milly." "Yes." "I'll tell you a thing I've noticed about her. She attracts quite a different type from the other girls. People like you and me." "Yes." "You wouldn't think she had a daughter of eight, would you?" "No, it's very surprising." "I didn't know for ages. Then I was taking her to Dieppe for the week-end and she wanted to bring the child along too. Of course that put the kybosh on it, but I've always liked Milly just the same. You can trust her to behave anywhere." He said this with a sour glance towards Baby, who was full of the right stuff and showing it. It was after three before the party broke up. Dan's friend renewed his invitation to come again when the roses were out. "I doubt if you'll find a better show of roses anywhere in the south of England," he said. Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back. From habit and exhaustion she put her head on his shoulder and her hand in his. When they reached their rooms, however, she said, "Go quietly. We don't want to wake Winnie." For an hour or so Tony lay in the warm little bedroom, reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet." "Well, I want to go down to the sea. Come on." Tony	a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?" said Tony. "Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial light; for some reason, however, they remained very blue. So Milly and Tony went to Dan's friend's place and had the best of everything. There was a party of twenty or thirty people, all more or less like Dan. Dan's friend was most hospitable. When he was not fiddling with the wireless, which gave trouble off and on throughout the evening, he was sauntering among his guests refilling their glasses. "This stuff's all right," he said, showing the label, "it won't hurt you. It's the right stuff." They had a lot of the right stuff. Quite often Dan's friend noticed that Tony seemed to be out of the party. Then he would come across and put his hand on Tony's shoulder. "I'm so glad Dan brought you," he would say. "Hope you're getting all you want. Delighted to see you. Come again when there isn't a crowd and see over the place. Interested in roses?" "Yes, I like them very much." "Come when the roses are out. You'd like that if you're interested in roses. Damn that radio, it's going wonky again." Tony wondered whether he was as amiable when people he did not know were brought over	A Handful Of Dust	once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "once but in the end he couldn't get away.\" \"His girl didn't seem to like us much.\" \"Oh, she was cold.\" Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>\"That's a pretty girl in the corner.\"</\|quote\|>\"I wonder you don't go and join her, dear,\" said Milly testily. \"Look at that woman's diamonds. Do you think they can be real?\" \"Why don't you ask her, if you're so interested?\" \"That's an interesting type--the dark woman dancing.\" \"I'm sure she'd be delighted to hear it.\" Presently Tony", "role": "user" }, { "content": "Tony Last", "role": "assistant" } ] }	Tony Last
he says.	No speaker	bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something	right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I	must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible	I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't	shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last." He is silent and looks at me. "Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on	his shin seems to be smashed. It has got the bone, and Kat groans desperately: "At last--just at the last----" I comfort him. "Who knows how long the mess will go on yet! Now you are saved----" The wound begins to bleed fast. Kat cannot be left by himself while I try to find a stretcher. Anyway, I don't know of a stretcher-bearer's post in the neighbourhood. Kat is not very heavy; so I take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last." He is silent and looks at me. "Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on to the side where Kat's sound leg is. After a few minutes I straighten myself up again. My legs and my hands tremble. I have trouble in finding my water bottle, to take a pull. My lips tremble as I try to drink. But I smile--Kat is saved. After a while I begin to sort out the confusion of voices that falls on my ears. "You might have spared yourself that," says an orderly. I look at him without comprehending. He points to Kat. "He is stone dead." I do not understand him. "He has been hit in the shin," I say. The orderly stands still. "That as well." I turn round. My eyes are still dulled, the sweat breaks out on me again, it runs over my eyelids. I wipe it away and peer at Kat. He lies still. "Fainted," I say quickly. The orderly whistles softly. "I know better than that. He is dead. I'll lay any money on that." I shake my head: "Not possible. Only ten minutes ago I was talking to him. He has fainted." Kat's hands are warm, I pass my arm under his shoulders in order to rub his temples with some tea.	air, they lay hold on our hearts and make the return to the front harder than ever. Summer of 1918--Never was life in the line more bitter and more full of horror than in the hours of the bombardment, when the blanched faces lie in the dirt, and the hands clutch at the one thought: No! No! Not now! Not now at the last moment! Summer of 1918--Breath of hope that sweeps over the scorched fields, raging fever of impatience, of disappointment, of the most agonizing terror of death, insensate question: Why? Why do they not make an end? And why do these rumours of an end fly about? * * There are so many airmen here, and they are so sure of themselves that they give chase to single individuals, just as though they were hares. For every one German plane there come at least five English and American. For one hungry, wretched German soldier come five of the enemy, fresh and fit. For one German army loaf there are fifty tins of canned beef over there. We are not beaten, for as soldiers we are better and more experienced; we are simply crushed and driven back by overwhelmingly superior forces. Behind us lie rainy weeks--grey sky, grey fluid earth, grey dying. If we go out, the rain at once soaks through our overcoat and clothing;--and we remain wet all the time we are in the line. We never get dry. Those who still wear high boots tie sand bags round the top so that the mud does not pour in so fast. The rifles are caked, the uniforms caked, everything is fluid and dissolved, the earth one dripping, soaked, oily mass in which lie the yellow pools with red spiral streams of blood and into which the dead, wounded, and survivors slowly sink down. The storm lashes us, out of the confusion of grey and yellow the hail of splinters whips forth the childlike cries of the wounded, and in the night shattered life groans wearily to the silence. Our hands are earth, our bodies clay and our eyes pools of rain. We do not know whether we still live. Then the heat sinks heavily into our shell holes like a jelly fish, moist and oppressive, and on one of these late summer days, while bringing food, Kat falls. We two are alone. I bind up his wound; his shin seems to be smashed. It has got the bone, and Kat groans desperately: "At last--just at the last----" I comfort him. "Who knows how long the mess will go on yet! Now you are saved----" The wound begins to bleed fast. Kat cannot be left by himself while I try to find a stretcher. Anyway, I don't know of a stretcher-bearer's post in the neighbourhood. Kat is not very heavy; so I take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last." He is silent and looks at me. "Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on to the side where Kat's sound leg is. After a few minutes I straighten myself up again. My legs and my hands tremble. I have trouble in finding my water bottle, to take a pull. My lips tremble as I try to drink. But I smile--Kat is saved. After a while I begin to sort out the confusion of voices that falls on my ears. "You might have spared yourself that," says an orderly. I look at him without comprehending. He points to Kat. "He is stone dead." I do not understand him. "He has been hit in the shin," I say. The orderly stands still. "That as well." I turn round. My eyes are still dulled, the sweat breaks out on me again, it runs over my eyelids. I wipe it away and peer at Kat. He lies still. "Fainted," I say quickly. The orderly whistles softly. "I know better than that. He is dead. I'll lay any money on that." I shake my head: "Not possible. Only ten minutes ago I was talking to him. He has fainted." Kat's hands are warm, I pass my arm under his shoulders in order to rub his temples with some tea. I feel my fingers become moist. As I draw them away from behind his head, they are bloody. "You see----" The orderly whistles once more through his teeth. On the way without my having noticed it, Kat has caught a splinter in the head. There is just one little hole, it must have been a very tiny, stray splinter. But it has sufficed. Kat is dead. Slowly I get up. "Would you like to take his pay book and his things?" the lance-corporal asks me. I nod, and he gives them to me. The orderly is mystified. "You are not related, are you?" No, we are not related. No, we are not related. Do I walk? Have I feet still? I raise my eyes, I let them move round, and turn myself with them, one circle, one circle, and I stand in the midst. All is as usual. Only the Militiaman Stanislaus Katczinsky has died. Then I know nothing more. CHAPTER XII It is autumn. There are not many of the old hands left. I am the last of the seven fellows from our class. Everyone talks of peace and armistice. All wait. If it again proves an illusion, then they will break up; hope is high, it cannot be taken away again without an upheaval. If there is not peace, then there will be revolution. I have fourteen days rest, because I have swallowed a bit of gas; in a little garden I sit the whole day long in the sun. The armistice is coming soon, I believe it now too. Then we will go home. Here my thoughts stop and will not go any farther. All that meets me, all that floods over me are but feelings--greed of life, love of home, yearning of the blood, intoxication of deliverance. But no aims. Had we returned home in 1916, out of the suffering and the strength of our experiences we might have unleashed a storm. Now if we go back we will be weary, broken, burnt out, rootless, and without hope. We will not be able to find our way any more. And men will not understand us--for the generation that grew up before us, though it has passed these years with us here, already had a home and a calling; now it will return to its old occupations, and the war will be forgotten--and the generation that has	yellow the hail of splinters whips forth the childlike cries of the wounded, and in the night shattered life groans wearily to the silence. Our hands are earth, our bodies clay and our eyes pools of rain. We do not know whether we still live. Then the heat sinks heavily into our shell holes like a jelly fish, moist and oppressive, and on one of these late summer days, while bringing food, Kat falls. We two are alone. I bind up his wound; his shin seems to be smashed. It has got the bone, and Kat groans desperately: "At last--just at the last----" I comfort him. "Who knows how long the mess will go on yet! Now you are saved----" The wound begins to bleed fast. Kat cannot be left by himself while I try to find a stretcher. Anyway, I don't know of a stretcher-bearer's post in the neighbourhood. Kat is not very heavy; so I take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last." He is silent and looks at me. "Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on to the side where Kat's sound leg is. After a few minutes I straighten myself up again. My legs and my hands tremble. I have trouble in finding my water bottle, to take a pull. My lips tremble as I try to drink. But I smile--Kat is saved. After a	All Quiet on the Western Front	must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "must see one another again, if it is peace time before you come back.\" \"Do you think that I will be marked A1 again with this leg?\" he asks bitterly. \"With rest it will get better. The joint is all right. It may limp a bit.\" \"Give me another cigarette,\"<\|quote\|>he says.</\|quote\|>\"Perhaps we could do something together later on, Kat.\" I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"	Alice	rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party	she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set	was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting	without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out	March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_	tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is	see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice	at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same	Alices Adventures In Wonderland	was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>\"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!\"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:	No speaker	in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they	only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands	lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can	garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter	stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in	the sky, and again green, red, and blue stars. "Bombardment," says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace," I reassure him: "Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He	out above the white mist, nodding heads, rocking carriers of guns. Farther on the mist ends. Here the heads become figures; coats, trousers, and boots appear out of the mist as from a milky pool. They become a column. The column marches on, straight ahead, the figures resolve themselves into a block, individuals are no longer recognizable, the dark wedge presses onward, fantastically topped by the heads and weapons floating off on the milky pool. A column--not men at all. Guns and munition wagons are moving along a cross-road. The backs of the horses shine in the moonlight, their movements are beautiful, they toss their heads, and their eyes gleam. The guns and the wagons float before the dim background of the moonlit landscape, the riders in their steel helmets resemble knights of a forgotten time; it is strangely beautiful and arresting. We push on to the pioneer dump. Some of us load our shoulders with pointed and twisted iron stakes; others thrust smooth iron rods through rolls of wire and go off with them. The burdens are awkward and heavy. The ground becomes more broken. From ahead come warnings: "Look out, deep shell-hole on the left" -- "Mind, trenches" ---- Our eyes peer out, our feet and our sticks feel in front of us before they take the weight of the body. Suddenly the line halts; I bump my face against the roll of wire carried by the man in front and curse. There are some shell-smashed lorries in the road. Another order: "Cigarettes and pipes out," We are getting near the line. In the meantime it has become pitch dark. We skirt a small wood and then have the front line immediately before us. An uncertain, red glow spreads along the sky line from one end to the other. It is in perpetual movement, punctuated with the bursts of flame from the muzzles of the batteries. Balls of light rise up high above it, silver and red spheres which explode and rain down in showers of red, white, and green stars. French rockets go up, which unfold a silk parachute to the air and drift slowly down. They light up everything as bright as day, their light shines on us and we see our shadows sharply outlined on the ground. They hover for the space of a minute before they burn out. Immediately fresh ones shoot up to the sky, and again green, red, and blue stars. "Bombardment," says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace," I reassure him: "Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!" He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out: "Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes tangled in them and falls, then he stands up again. Detering raises his gun and aims. Kat hits it up in the air. "Are you mad----?" Detering trembles and throws his rifle on the ground. We sit down and hold our ears. But this appalling noise, these groans and screams penetrate, they penetrate everywhere. We can bear almost anything. But now the sweat breaks out on us. We must get up and run, no matter where, but where these cries can no longer be heard. And it is not men, only horses. From the dark group stretchers move off again. Then single shots crack out. The black heap is convulsed and becomes thinner. At last! But still it is not the end. The men cannot overtake the wounded beasts which fly in their pain, their wide open mouths full of anguish. One of the men goes down on his knee, a shot--one horse drops--another. The last one props himself	and curse. There are some shell-smashed lorries in the road. Another order: "Cigarettes and pipes out," We are getting near the line. In the meantime it has become pitch dark. We skirt a small wood and then have the front line immediately before us. An uncertain, red glow spreads along the sky line from one end to the other. It is in perpetual movement, punctuated with the bursts of flame from the muzzles of the batteries. Balls of light rise up high above it, silver and red spheres which explode and rain down in showers of red, white, and green stars. French rockets go up, which unfold a silk parachute to the air and drift slowly down. They light up everything as bright as day, their light shines on us and we see our shadows sharply outlined on the ground. They hover for the space of a minute before they burn out. Immediately fresh ones shoot up to the sky, and again green, red, and blue stars. "Bombardment," says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace," I reassure him: "Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world,	All Quiet on the Western Front	lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: \"That gave you a fright. It was only a nose-cap, it landed in the bushes over there.\"<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>\"Mighty fine fire-works if they weren't so dangerous.\" One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. \"It makes a glow.\" Then it begins in earnest. We crawl away as well as we can", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
confided Anne to Diana,	No speaker	your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very	with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners	Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars	hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only	brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the	nice to keep head of your class." "You'll have Gilbert in your class after this," said Diana, "and he's used to being head of his class, I can tell you. He's only in the fourth book although he's nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn't go to school hardly any until they came back. You won't find it so easy to keep head after this, Anne." "I'm glad," said Anne quickly. "I couldn't really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling ?ebullition.' Josie Pye was head and, mind you, she peeped in her book. Mr. Phillips didn't see her--he was looking at Prissy Andrews--but I did. I just swept her a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper: "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" she exclaimed passionately. "How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school	have I really a pretty nose? I know you'll tell me the truth." "Your nose is well enough," said Marilla shortly. Secretly she thought Anne's nose was a remarkable pretty one; but she had no intention of telling her so. That was three weeks ago and all had gone smoothly so far. And now, this crisp September morning, Anne and Diana were tripping blithely down the Birch Path, two of the happiest little girls in Avonlea. "I guess Gilbert Blythe will be in school today," said Diana. "He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out." Diana's voice indicated that she rather liked having her life tormented out than not. "Gilbert Blythe?" said Anne. "Isn't his name that's written up on the porch wall with Julia Bell's and a big ?Take Notice' over them?" "Yes," said Diana, tossing her head, "but I'm sure he doesn't like Julia Bell so very much. I've heard him say he studied the multiplication table by her freckles." "Oh, don't speak about freckles to me," implored Anne. "It isn't delicate when I've got so many. But I do think that writing take-notices up on the wall about the boys and girls is the silliest ever. I should just like to see anybody dare to write my name up with a boy's. Not, of course," she hastened to add, "that anybody would." Anne sighed. She didn't want her name written up. But it was a little humiliating to know that there was no danger of it. "Nonsense," said Diana, whose black eyes and glossy tresses had played such havoc with the hearts of Avonlea schoolboys that her name figured on the porch walls in half a dozen take-notices. "It's only meant as a joke. And don't you be too sure your name won't ever be written up. Charlie Sloane is _dead gone_ on you. He told his mother--his _mother_, mind you--that you were the smartest girl in school. That's better than being good looking." "No, it isn't," said Anne, feminine to the core. "I'd rather be pretty than clever. And I hate Charlie Sloane, I can't bear a boy with goggle eyes. If anyone wrote my name up with his I'd never _get_ over it, Diana Barry. But it _is_ nice to keep head of your class." "You'll have Gilbert in your class after this," said Diana, "and he's used to being head of his class, I can tell you. He's only in the fourth book although he's nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn't go to school hardly any until they came back. You won't find it so easy to keep head after this, Anne." "I'm glad," said Anne quickly. "I couldn't really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling ?ebullition.' Josie Pye was head and, mind you, she peeped in her book. Mr. Phillips didn't see her--he was looking at Prissy Andrews--but I did. I just swept her a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper: "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" she exclaimed passionately. "How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school that she had been called "carrots." Gilbert it was who spoke up stoutly. "It was my fault Mr. Phillips. I teased her." Mr. Phillips paid no heed to Gilbert. "I am sorry to see a pupil of mine displaying such a temper and such a vindictive spirit," he said in a solemn tone, as if the mere fact of being a pupil of his ought to root out all evil passions from the hearts of small imperfect mortals. "Anne, go and stand on the platform in front of the blackboard for the rest of the afternoon." Anne would have infinitely preferred a whipping to this punishment under which her sensitive spirit quivered as from a whiplash. With a white, set face she obeyed. Mr. Phillips took a chalk crayon and wrote on the blackboard above her head. "Ann Shirley has a very bad temper. Ann Shirley must learn to control her temper," and then read it out loud so that even the primer class, who couldn't read writing, should understand it. Anne stood there the rest of the afternoon with that legend above her. She did not cry or hang her head. Anger was still too hot in her heart for that and it sustained her amid all her agony of humiliation. With resentful eyes and passion-red cheeks she confronted alike Diana's sympathetic gaze and Charlie Sloane's indignant nods and Josie Pye's malicious smiles. As for Gilbert Blythe, she would not even look at him. She would _never_ look at him again! She would never speak to him!! When school was dismissed Anne marched out with her red head held high. Gilbert Blythe tried to intercept her at the porch door. "I'm awfully sorry I made fun of your hair, Anne," he whispered contritely. "Honest I am. Don't be mad for keeps, now." Anne swept by disdainfully, without look or sign of hearing. "Oh how could you, Anne?" breathed Diana as they went down the road half reproachfully, half admiringly. Diana felt that _she_ could never have resisted Gilbert's plea. "I shall never forgive Gilbert Blythe," said Anne firmly. "And Mr. Phillips spelled my name without an e, too. The iron has entered into my soul, Diana." Diana hadn't the least idea what Anne meant but she understood it was something terrible. "You mustn't mind Gilbert making fun of your hair," she said soothingly. "Why, he makes fun of all	Charlie Sloane, I can't bear a boy with goggle eyes. If anyone wrote my name up with his I'd never _get_ over it, Diana Barry. But it _is_ nice to keep head of your class." "You'll have Gilbert in your class after this," said Diana, "and he's used to being head of his class, I can tell you. He's only in the fourth book although he's nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn't go to school hardly any until they came back. You won't find it so easy to keep head after this, Anne." "I'm glad," said Anne quickly. "I couldn't really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling ?ebullition.' Josie Pye was head and, mind you, she peeped in her book. Mr. Phillips didn't see her--he was looking at Prissy Andrews--but I did. I just swept her a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper: "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" she exclaimed passionately. "How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's	Anne Of Green Gables	Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. \"I think your Gilbert Blythe _is_ handsome,\"<\|quote\|>confided Anne to Diana,</\|quote\|>\"but I think he's very bold. It isn't good manners to wink at a strange girl.\" But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
he said.	No speaker	to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll	Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past	up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand	and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was	we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish	are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make surprise visits." "You are one for making people learn things," said Beaver. Tony emerged from the 3.18 feeling cold, tired, and heavy with guilt. John	label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make surprise visits." "You are one for making people learn things," said Beaver. Tony emerged from the 3.18 feeling cold, tired, and heavy with guilt. John Andrew had come in the car to meet him. "Hullo, daddy, had a good time in London? You didn't mind me coming to the station, did you? I _made_ nanny let me." "Very pleased to see you, John." "How was mummy?" "She sounded very well. I didn't see her." "But you _said_ you were going to see her." "Yes, I thought I was, but I turned out to be wrong. I talked to her several times on the telephone." "But you can telephone her from here, can't you, daddy? Why did you go all the way to London to telephone her?... _Why_, daddy?" "It would take too long to explain." "Well tell me some of it... _Why_, daddy?" "Look here, I'm tired. If you don't stop asking questions I shan't let you ever come and meet the train again." John Andrew's face began to pucker. "I thought you'd _like_ me to come and meet you." "If you cry I shall put you in front with Dawson. It's absurd to cry at your age." "I'd _sooner_ go in front with Dawson," said John Andrew between his tears. Tony picked up the speaking-tube to tell the chauffeur to stop, but he could not make him hear. So he hitched the mouthpiece back on its hook and they drove on in silence, John Andrew leaning against the window and snivelling slightly. When they got to the house he said, "Nanny, I don't want John to come to the station in future unless her ladyship or I specially say he can." "No, sir, I wouldn't have let him go to-day, only he went on so. Come along now, John, and take off your coat. Goodness, child, where's your handkerchief?" Tony went and sat alone in front of the library fire. "Two men of thirty," he said to himself, "behaving as if they were up for the night from Sandhurst--getting drunk and ringing people up and dancing with tarts at the Old Hundredth... And it makes it all the worse that Brenda was so nice about it." He dozed a little; then he went up to change. At dinner he said, "Ambrose, when I'm alone I think in future I'll have dinner in the library." Afterwards he sat with a book in front of the fire but he was unable to read. At ten o'clock he scattered the logs in the fireplace before going upstairs.	it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda	A Handful Of Dust	up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?\" He gave the man half a crown and they sauntered out into Sink Street. \"Brenda can't expect us to do more than that,\"<\|quote\|>he said.</\|quote\|>\"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us.\" \"Yes, you do that. What a good friend you are, Jock.\" \"Oh, I'm fond of Brenda... a grand girl.\" \"Grand", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."	Marilla Cuthbert	run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in	this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across	feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh	you like for Diana can't stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity's sake don't fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne's expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just	clear out of the region of such material matters as appetite or dinner. Not until Anne had finished her saucer of blue plums did Marilla say: "Mrs. Barry was here this afternoon, Anne. She wanted to see you, but I wouldn't wake you up. She says you saved Minnie May's life, and she is very sorry she acted as she did in that affair of the currant wine. She says she knows now you didn't mean to set Diana drunk, and she hopes you'll forgive her and be good friends with Diana again. You're to go over this evening if you like for Diana can't stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity's sake don't fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne's expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could," ?I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion.' "That was a pretty dignified way of speaking wasn't it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry's head.	on in the white and rosy winter afternoon when she awoke and descended to the kitchen where Marilla, who had arrived home in the meantime, was sitting knitting. "Oh, did you see the Premier?" exclaimed Anne at once. "What did he look like Marilla?" "Well, he never got to be Premier on account of his looks," said Marilla. "Such a nose as that man had! But he can speak. I was proud of being a Conservative. Rachel Lynde, of course, being a Liberal, had no use for him. Your dinner is in the oven, Anne, and you can get yourself some blue plum preserve out of the pantry. I guess you're hungry. Matthew has been telling me about last night. I must say it was fortunate you knew what to do. I wouldn't have had any idea myself, for I never saw a case of croup. There now, never mind talking till you've had your dinner. I can tell by the look of you that you're just full up with speeches, but they'll keep." Marilla had something to tell Anne, but she did not tell it just then for she knew if she did Anne's consequent excitement would lift her clear out of the region of such material matters as appetite or dinner. Not until Anne had finished her saucer of blue plums did Marilla say: "Mrs. Barry was here this afternoon, Anne. She wanted to see you, but I wouldn't wake you up. She says you saved Minnie May's life, and she is very sorry she acted as she did in that affair of the currant wine. She says she knows now you didn't mean to set Diana drunk, and she hopes you'll forgive her and be good friends with Diana again. You're to go over this evening if you like for Diana can't stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity's sake don't fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne's expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could," ?I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion.' "That was a pretty dignified way of speaking wasn't it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry's head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry:" "If you love me as I love you Nothing but death can part us two." "And that is true, Marilla. We're going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can't tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves, Marilla. And Mrs. Barry asked me if I took tea and said" ?Pa, why don't you pass the biscuits to Anne?' "It must be lovely to be grown up, Marilla, when just being treated as if you	three minutes she coughed up the phlegm and began to get better right away. You must just imagine my relief, doctor, because I can't express it in words. You know there are some things that cannot be expressed in words." "Yes, I know," nodded the doctor. He looked at Anne as if he were thinking some things about her that couldn't be expressed in words. Later on, however, he expressed them to Mr. and Mrs. Barry. "That little redheaded girl they have over at Cuthbert's is as smart as they make ?em. I tell you she saved that baby's life, for it would have been too late by the time I got there. She seems to have a skill and presence of mind perfectly wonderful in a child of her age. I never saw anything like the eyes of her when she was explaining the case to me." Anne had gone home in the wonderful, white-frosted winter morning, heavy eyed from loss of sleep, but still talking unweariedly to Matthew as they crossed the long white field and walked under the glittering fairy arch of the Lover's Lane maples. "Oh, Matthew, isn't it a wonderful morning? The world looks like something God had just imagined for His own pleasure, doesn't it? Those trees look as if I could blow them away with a breath--pouf! I'm so glad I live in a world where there are white frosts, aren't you? And I'm so glad Mrs. Hammond had three pairs of twins after all. If she hadn't I mightn't have known what to do for Minnie May. I'm real sorry I was ever cross with Mrs. Hammond for having twins. But, oh, Matthew, I'm so sleepy. I can't go to school. I just know I couldn't keep my eyes open and I'd be so stupid. But I hate to stay home, for Gil--some of the others will get head of the class, and it's so hard to get up again--although of course the harder it is the more satisfaction you have when you do get up, haven't you?" "Well now, I guess you'll manage all right," said Matthew, looking at Anne's white little face and the dark shadows under her eyes. "You just go right to bed and have a good sleep. I'll do all the chores." Anne accordingly went to bed and slept so long and soundly that it was well on in the white and rosy winter afternoon when she awoke and descended to the kitchen where Marilla, who had arrived home in the meantime, was sitting knitting. "Oh, did you see the Premier?" exclaimed Anne at once. "What did he look like Marilla?" "Well, he never got to be Premier on account of his looks," said Marilla. "Such a nose as that man had! But he can speak. I was proud of being a Conservative. Rachel Lynde, of course, being a Liberal, had no use for him. Your dinner is in the oven, Anne, and you can get yourself some blue plum preserve out of the pantry. I guess you're hungry. Matthew has been telling me about last night. I must say it was fortunate you knew what to do. I wouldn't have had any idea myself, for I never saw a case of croup. There now, never mind talking till you've had your dinner. I can tell by the look of you that you're just full up with speeches, but they'll keep." Marilla had something to tell Anne, but she did not tell it just then for she knew if she did Anne's consequent excitement would lift her clear out of the region of such material matters as appetite or dinner. Not until Anne had finished her saucer of blue plums did Marilla say: "Mrs. Barry was here this afternoon, Anne. She wanted to see you, but I wouldn't wake you up. She says you saved Minnie May's life, and she is very sorry she acted as she did in that affair of the currant wine. She says she knows now you didn't mean to set Diana drunk, and she hopes you'll forgive her and be good friends with Diana again. You're to go over this evening if you like for Diana can't stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity's sake don't fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne's expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could," ?I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion.' "That was a pretty dignified way of speaking wasn't it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry's head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry:" "If you love me as I love you Nothing but death can part us two." "And that is true, Marilla. We're going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can't tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves, Marilla. And Mrs. Barry asked me if I took tea and said" ?Pa, why don't you pass the biscuits to Anne?' "It must be lovely to be grown up, Marilla, when just being treated as if you were is so nice." "I don't know about that," said Marilla, with a brief sigh. "Well, anyway, when I am grown up," said Anne decidedly, "I'm always going to talk to little girls as if they were too, and I'll never laugh when they use big words. I know from sorrowful experience how that hurts one's feelings. After tea Diana and I made taffy. The taffy wasn't very good, I suppose because neither Diana nor I had ever made any before. Diana left me to stir it while she buttered the plates and I forgot and let it burn; and then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five	dinner. I can tell by the look of you that you're just full up with speeches, but they'll keep." Marilla had something to tell Anne, but she did not tell it just then for she knew if she did Anne's consequent excitement would lift her clear out of the region of such material matters as appetite or dinner. Not until Anne had finished her saucer of blue plums did Marilla say: "Mrs. Barry was here this afternoon, Anne. She wanted to see you, but I wouldn't wake you up. She says you saved Minnie May's life, and she is very sorry she acted as she did in that affair of the currant wine. She says she knows now you didn't mean to set Diana drunk, and she hopes you'll forgive her and be good friends with Diana again. You're to go over this evening if you like for Diana can't stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity's sake don't fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne's expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could," ?I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion.' "That was a pretty dignified way of speaking wasn't it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry's head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry:" "If you love me as I love you Nothing but death can part us two." "And that is true, Marilla. We're going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can't tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves,	Anne Of Green Gables	feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "feet, her face irradiated with the flame of her spirit. \"Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment.\" \"Yes, yes, run along,\" said Marilla indulgently.<\|quote\|>\"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold.\"</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh", "role": "user" }, { "content": "Marilla Cuthbert", "role": "assistant" } ] }	Marilla Cuthbert
"Sure you don't mind? It _is_ miles out of the way and it's late."	John Beaver	bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I	we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's	I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken	had opened. Beaver paid for the kippers and tea. "Eight shillings," he said. "How does Daisy expect to make a success of the place when she charges prices like that?" "It does seem a lot.... So you really _are_ going to America?" "I must. Mother has taken the tickets." "Nothing I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken the little people crept out of hiding; the women had removed their clothes and left them at a distance so that no twig should betray their movements; their naked bodies moved soundlessly through the undergrowth; the glowing embers of the fire and the storm lantern twenty yards away were their	hydrants; the men in overalls swung the nozzles of their hoses from side to side and the water jetted and cascaded in a sparkle of light. "Let's have the window open," said Brenda. "It's stuffy in here." The waiter drew back the curtains, opened the windows. "It's quite light," she added. "After five. Oughtn't we to go to bed?" "Yes." "Only another week and then all the parties will be over," said Beaver. "Yes." "Well, let's go." "All right. Can you pay? I just haven't any money." They had come on after the party, for breakfast at a club Daisy had opened. Beaver paid for the kippers and tea. "Eight shillings," he said. "How does Daisy expect to make a success of the place when she charges prices like that?" "It does seem a lot.... So you really _are_ going to America?" "I must. Mother has taken the tickets." "Nothing I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken the little people crept out of hiding; the women had removed their clothes and left them at a distance so that no twig should betray their movements; their naked bodies moved soundlessly through the undergrowth; the glowing embers of the fire and the storm lantern twenty yards away were their only light; there was no moon. They collected their wicker baskets and their rations of farine, their bows and arrows, the gun and their broad-bladed knives; they rolled up their hammocks into compact cylinders. They took nothing with them that was not theirs. Then they crept back through the shadows, into the darkness. When Tony and Dr Messinger awoke it was clear to them what had happened. "The situation is grave," said Dr Messinger. "But not desperate." [IV] For four days Tony and Dr Messinger paddled downstream. They sat, balancing themselves precariously, at the two ends of the canoe; between	from cabouri fly, sprawled in their hammocks. The empty canoes lay in the river; the mechanical mouse had been put away. At sundown Dr Messinger said, "We'd better make a fire. They'll come back when it is dark." They brushed the earth away from the old embers, brought new wood and made a fire; they lit the storm lantern. "We'd better get some supper," said Tony. They boiled water and made some cocoa, opened a tin of salmon and finished the peaches that were left over from mid-day. They lit their pipes and drew the sheaths of mosquito netting across their hammocks. Most of this time they were silent. Presently they decided to go to sleep. "We shall find them all here in the morning," said Dr Messinger. "They're an odd bunch." All round them the voices of the bush whistled and croaked, changing with the hours as the night wore on to morning. * * * * * Dawn broke in London, clear and sweet, dove grey and honey, with promise of good weather; the lamps in the streets paled and disappeared; the empty streets ran with water, and the rising sun caught it as it bubbled round the hydrants; the men in overalls swung the nozzles of their hoses from side to side and the water jetted and cascaded in a sparkle of light. "Let's have the window open," said Brenda. "It's stuffy in here." The waiter drew back the curtains, opened the windows. "It's quite light," she added. "After five. Oughtn't we to go to bed?" "Yes." "Only another week and then all the parties will be over," said Beaver. "Yes." "Well, let's go." "All right. Can you pay? I just haven't any money." They had come on after the party, for breakfast at a club Daisy had opened. Beaver paid for the kippers and tea. "Eight shillings," he said. "How does Daisy expect to make a success of the place when she charges prices like that?" "It does seem a lot.... So you really _are_ going to America?" "I must. Mother has taken the tickets." "Nothing I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken the little people crept out of hiding; the women had removed their clothes and left them at a distance so that no twig should betray their movements; their naked bodies moved soundlessly through the undergrowth; the glowing embers of the fire and the storm lantern twenty yards away were their only light; there was no moon. They collected their wicker baskets and their rations of farine, their bows and arrows, the gun and their broad-bladed knives; they rolled up their hammocks into compact cylinders. They took nothing with them that was not theirs. Then they crept back through the shadows, into the darkness. When Tony and Dr Messinger awoke it was clear to them what had happened. "The situation is grave," said Dr Messinger. "But not desperate." [IV] For four days Tony and Dr Messinger paddled downstream. They sat, balancing themselves precariously, at the two ends of the canoe; between them they had piled the most essential of their stores; the remainder, with the other canoes, had been left at the camp, to be called for when they had recruited help from the Pie-wies. Even the minimum which Dr Messinger had selected over-weighted the craft so that it was dangerously low; any movement brought the water to the lip of the gunwale and threatened disaster; it was heavy to steer and they made slow progress, contenting themselves, for the most part, with keeping end on, and drifting with the current. Twice they came to stretches of cataract, and here they drew in to the bank, unloaded and waded beside the boat, sometimes plunging waist-deep, sometimes clambering over the rocks, guiding it by hand until they reached clear water again. Then they tied up to the bank and carried their cargo down to it through the bush. For the rest of the way the river was broad and smooth; a dark surface which reflected in fine detail the walls of forest on either side, towering up from the undergrowth to their blossoming crown a hundred or more feet above them. Sometimes they came to a stretch of water scattered with fallen	of scent into the palm of her hands and inhaling deeply. "Each man can choose three things from this box if he comes in the boats." But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively expensive articles; they had cost three and sixpence each, and Tony remembered vividly the embarrassment with which he had witnessed their demonstration on the floor of the toy department. They were of German manufacture; the size of large rats, but conspicuously painted in spots of green and white; they had large glass eyes, stiff whiskers and green-and-white-ringed tails; they ran on hidden wheels, and inside them were little bells that jingled as they moved. Dr Messinger took one out of their box, unwrapped the tissue-paper and held it up to general scrutiny. There was no doubt that he had captured his audience's interest. Then he wound it up. The Indians stirred apprehensively at the sound. The ground where they were camping was hard mud, inundated at flood time. Dr Messinger put the toy down at his feet and set it going; tinkling merrily it ran towards the group of Indians. For a moment, Tony was afraid that it would turn over or become stuck against a root, but the mechanism was unimpaired and by good chance there was a clear course. The effect exceeded anything that he had expected. There was a loud intake of breath, a series of horrified, small grunts, a high wail of terror from the women, and a sudden stampede; a faint patter of bare brown feet among the fallen leaves, bare limbs, quiet as bats, pushed through the undergrowth, ragged cotton gowns caught and tore in the thorn bushes. Before the toy had run down, before it had jingled its way to the place where the nearest Indian had been squatting, the camp was empty. "Well, I'm damned," said Dr Messinger, "that's better than I expected." "More than you expected, anyway." "Oh, it's all right. They'll come back. I know them." But by sundown there was still no sign. Throughout the hot afternoon Tony and Dr Messinger, shrouded from cabouri fly, sprawled in their hammocks. The empty canoes lay in the river; the mechanical mouse had been put away. At sundown Dr Messinger said, "We'd better make a fire. They'll come back when it is dark." They brushed the earth away from the old embers, brought new wood and made a fire; they lit the storm lantern. "We'd better get some supper," said Tony. They boiled water and made some cocoa, opened a tin of salmon and finished the peaches that were left over from mid-day. They lit their pipes and drew the sheaths of mosquito netting across their hammocks. Most of this time they were silent. Presently they decided to go to sleep. "We shall find them all here in the morning," said Dr Messinger. "They're an odd bunch." All round them the voices of the bush whistled and croaked, changing with the hours as the night wore on to morning. * * * * * Dawn broke in London, clear and sweet, dove grey and honey, with promise of good weather; the lamps in the streets paled and disappeared; the empty streets ran with water, and the rising sun caught it as it bubbled round the hydrants; the men in overalls swung the nozzles of their hoses from side to side and the water jetted and cascaded in a sparkle of light. "Let's have the window open," said Brenda. "It's stuffy in here." The waiter drew back the curtains, opened the windows. "It's quite light," she added. "After five. Oughtn't we to go to bed?" "Yes." "Only another week and then all the parties will be over," said Beaver. "Yes." "Well, let's go." "All right. Can you pay? I just haven't any money." They had come on after the party, for breakfast at a club Daisy had opened. Beaver paid for the kippers and tea. "Eight shillings," he said. "How does Daisy expect to make a success of the place when she charges prices like that?" "It does seem a lot.... So you really _are_ going to America?" "I must. Mother has taken the tickets." "Nothing I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken the little people crept out of hiding; the women had removed their clothes and left them at a distance so that no twig should betray their movements; their naked bodies moved soundlessly through the undergrowth; the glowing embers of the fire and the storm lantern twenty yards away were their only light; there was no moon. They collected their wicker baskets and their rations of farine, their bows and arrows, the gun and their broad-bladed knives; they rolled up their hammocks into compact cylinders. They took nothing with them that was not theirs. Then they crept back through the shadows, into the darkness. When Tony and Dr Messinger awoke it was clear to them what had happened. "The situation is grave," said Dr Messinger. "But not desperate." [IV] For four days Tony and Dr Messinger paddled downstream. They sat, balancing themselves precariously, at the two ends of the canoe; between them they had piled the most essential of their stores; the remainder, with the other canoes, had been left at the camp, to be called for when they had recruited help from the Pie-wies. Even the minimum which Dr Messinger had selected over-weighted the craft so that it was dangerously low; any movement brought the water to the lip of the gunwale and threatened disaster; it was heavy to steer and they made slow progress, contenting themselves, for the most part, with keeping end on, and drifting with the current. Twice they came to stretches of cataract, and here they drew in to the bank, unloaded and waded beside the boat, sometimes plunging waist-deep, sometimes clambering over the rocks, guiding it by hand until they reached clear water again. Then they tied up to the bank and carried their cargo down to it through the bush. For the rest of the way the river was broad and smooth; a dark surface which reflected in fine detail the walls of forest on either side, towering up from the undergrowth to their blossoming crown a hundred or more feet above them. Sometimes they came to a stretch of water scattered with fallen petals and floated among them, moving scarcely less slowly than they, as though resting in a flowering meadow. At night they spread their tarpaulin on stretches of dry beach, or hung their hammocks in the bush. Only the cabouri fly and rare, immobile alligators menaced the peace of their days. They kept a constant scrutiny of the banks but saw no sign of human life. Then Tony developed fever. It came on him quite suddenly, during the fourth afternoon. At their mid-day halt he was in complete health and shot a small deer that came down to drink on the opposite bank; an hour later he was shivering so violently that he had to lay down his paddle; his head was flaming with heat, his body and limbs were frigid; by sunset he was slightly delirious. Dr Messinger took his temperature and found that it was a hundred and four degrees, Fahrenheit. He gave him twenty-five grains of quinine and lit a fire so close to his hammock that by morning it was singed and blacked with smoke. He told Tony to keep wrapped up in his blanket, but at intervals throughout that night he woke from sleep to find himself running with sweat; he was consumed with thirst and drank mug after mug of river water. Neither that evening nor next morning was he able to eat anything. But next morning his temperature was down again. He felt weak and exhausted but he was able to keep steady in his place and paddle a little. "It was just a passing attack, wasn't it?" he said. "I shall be perfectly fit to-morrow, shan't I?" "I hope so," said Dr Messinger. At mid-day Tony drank some cocoa and ate a cupful of rice. "I feel grand," he said. "Good." That night the fever came on again. They were camping on a sand bank. Dr Messinger heated stones and put them under Tony's feet and in the small of his back. He was awake most of the night fuelling the fire and refilling Tony's mug with water. At dawn Tony slept for an hour and woke feeling slightly better; he was taking frequent doses of quinine and his ears were filled with a muffled sound as though he were holding those shells to them in which, he had been told in childhood, one could hear the beat of the sea. "We've got	back when it is dark." They brushed the earth away from the old embers, brought new wood and made a fire; they lit the storm lantern. "We'd better get some supper," said Tony. They boiled water and made some cocoa, opened a tin of salmon and finished the peaches that were left over from mid-day. They lit their pipes and drew the sheaths of mosquito netting across their hammocks. Most of this time they were silent. Presently they decided to go to sleep. "We shall find them all here in the morning," said Dr Messinger. "They're an odd bunch." All round them the voices of the bush whistled and croaked, changing with the hours as the night wore on to morning. * * * * * Dawn broke in London, clear and sweet, dove grey and honey, with promise of good weather; the lamps in the streets paled and disappeared; the empty streets ran with water, and the rising sun caught it as it bubbled round the hydrants; the men in overalls swung the nozzles of their hoses from side to side and the water jetted and cascaded in a sparkle of light. "Let's have the window open," said Brenda. "It's stuffy in here." The waiter drew back the curtains, opened the windows. "It's quite light," she added. "After five. Oughtn't we to go to bed?" "Yes." "Only another week and then all the parties will be over," said Beaver. "Yes." "Well, let's go." "All right. Can you pay? I just haven't any money." They had come on after the party, for breakfast at a club Daisy had opened. Beaver paid for the kippers and tea. "Eight shillings," he said. "How does Daisy expect to make a success of the place when she charges prices like that?" "It does seem a lot.... So you really _are_ going to America?" "I must. Mother has taken the tickets." "Nothing I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken the little people crept out of hiding; the women had removed their clothes and left them at a distance so that no twig should betray their movements; their naked bodies moved soundlessly through the undergrowth; the glowing embers of the fire and the storm lantern twenty yards away were their only light; there was no moon. They collected their wicker baskets and their rations of farine, their bows and arrows, the gun and their broad-bladed knives; they rolled up their hammocks into compact cylinders. They took nothing with them that was not theirs. Then they crept back through the shadows, into the darkness. When Tony and Dr Messinger awoke it was clear to them what had happened. "The situation is grave," said Dr Messinger. "But not desperate." [IV] For four days Tony and Dr Messinger paddled downstream. They sat, balancing themselves precariously, at the two ends of the canoe; between them they had piled the most essential of their stores; the remainder, with the other canoes, had been left at the camp, to be called for when they had recruited help from the Pie-wies. Even the minimum which Dr Messinger had selected over-weighted the craft so that it was dangerously low; any movement brought the water to the lip of the gunwale and threatened disaster; it was heavy to steer and they made slow progress, contenting themselves, for the most part, with keeping end on, and drifting with the current. Twice they came to stretches of cataract, and here they drew in to the bank, unloaded and waded beside the boat, sometimes plunging waist-deep, sometimes clambering over the rocks, guiding it by hand until they reached clear water again. Then they tied up to the bank and carried their cargo down to it through the bush. For the rest of the way the river was broad and smooth; a dark surface which reflected in fine detail the walls of forest on either side, towering up from the undergrowth to their blossoming crown a hundred or more feet above them. Sometimes they came to a stretch of water scattered with fallen petals and floated among them, moving scarcely less slowly than they, as though resting in a flowering meadow. At night they spread their tarpaulin on stretches of dry beach, or hung their hammocks in the bush. Only the cabouri fly and rare, immobile alligators menaced the peace of their days. They kept a constant scrutiny of the banks but saw no sign of human life. Then Tony developed fever. It came on him quite suddenly, during the fourth afternoon. At their mid-day halt he was in complete health and shot a small deer that came down to drink on the opposite bank; an hour later he was shivering so violently that he had to lay down his paddle; his head was flaming with heat, his body and limbs were frigid; by sunset he was slightly delirious. Dr Messinger took his temperature and found that it was a hundred and four degrees,	A Handful Of Dust	I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "I've said to-night makes any difference?\" \"Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?\" \"You _have_ enjoyed the summer, haven't you?\" \"Of course... well, shall we go?\" \"Yes. You needn't bother to see me home.\"<\|quote\|>\"Sure you don't mind? It _is_ miles out of the way and it's late.\"</\|quote\|>\"There's no knowing what I mind.\" \"Brenda, darling, for heaven's sake... It isn't like you to go on like this.\" \"I never was one for making myself expensive.\" * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken", "role": "user" }, { "content": "John Beaver", "role": "assistant" } ] }	John Beaver
"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."	Jenny Abdul Akbar	bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a	"A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply,	said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were	that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's	the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said. "You've got butter on your chin." She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's	"How English you are, Teddy--so shy of talking about personal things, intimate things... I like you for that, you know. I love everything that's solid and homely and _good_ after... after all I've been through." "You're not studying economics too, are you, like Brenda?" "No; is Brenda? She never told me. What a wonderful person she is. When _does_ she find the time?" "Ah, here comes tea at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate heartily; often she ran her tongue over her lips, collecting crumbs that had become embedded there and melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said. "You've got butter on your chin." She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once	is." "I'm afraid it's been restored a great deal," said Tony. "Ah, but its _atmosphere_. I always think that's what counts in a house. Such dignity, and repose. But of course you're used to it. When you've been very unhappy as I have, you appreciate these things." Tony said, "I'm afraid Brenda hasn't arrived yet. She's coming by car with Lady Cockpurse." "Brenda's been _such_ a friend to me." The Princess took off her furs and sat down on the stool before the fire, looking up at Tony. "D'you mind if I take off my hat?" "No, no... of course." She threw it on to the sofa and shook out her hair, which was dead black and curled. "D'you know, Mr Last, I'm going to call you Teddy right away. You don't think that very fresh of me? And you must call me Jenny. "Princess" is so formal, isn't it, and suggests tight trousers and gold braid... Of course" ," she went on, stretching out her hands to the fire and letting her hair fall forwards a little across her face, "my husband was not called "Prince" in Morocco; his title was Moulay--but there's no proper equivalent for a woman, so I've always called myself Princess in Europe... Moulay is _far_ higher really... my husband was a descendant of the Prophet. Are you interested in the East?" "No... yes. I mean I know very little about it." "It has an uncanny fascination for me. You must go there, Teddy. I know you'd like it. I've been saying the same to Brenda." "I expect you'd like to see your room," said Tony. "They'll bring tea soon." "No, I'll stay here. I like just to curl up like a cat in front of the fire, and if you're nice to me I'll purr, and if you're cruel I shall pretend not to notice--just like a cat... Shall I purr, Teddy?" "Er... yes... do, please, if that's what you like doing." "Englishmen are so gentle and considerate. It's wonderful to be back among them... mine own people. Sometimes when I look back at my life, especially at times like this, among lovely old English things and kind people, I think the whole thing must be a frightful nightmare... then I remember my _scars_..." "Brenda tells me you've taken one of the flats in the same house as hers. They must be very convenient." "How English you are, Teddy--so shy of talking about personal things, intimate things... I like you for that, you know. I love everything that's solid and homely and _good_ after... after all I've been through." "You're not studying economics too, are you, like Brenda?" "No; is Brenda? She never told me. What a wonderful person she is. When _does_ she find the time?" "Ah, here comes tea at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate heartily; often she ran her tongue over her lips, collecting crumbs that had become embedded there and melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said. "You've got butter on your chin." She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner	at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate heartily; often she ran her tongue over her lips, collecting crumbs that had become embedded there and melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said. "You've got butter on your chin." She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda	A Handful Of Dust	said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. \"On the Moulay's birthday--\" \"What's the Moulay?\" \"A beautiful and a very bad man,\" she said gravely,<\|quote\|>\"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy.\"</\|quote\|>\"What's a canopy?\" \"Like a tent,\" she said more sharply, and then, resuming her soft voice, \"and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were", "role": "user" }, { "content": "Jenny Abdul Akbar", "role": "assistant" } ] }	Jenny Abdul Akbar
"Ach, why--it's merely that I can't sleep----"	Detering	"Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the	and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might	wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet,	had no leaves, but was one white mass of blossom. In the evening Detering was not to be seen. Then at last he came back and had a couple of branches of cherry blossom in his hand. We made fun of him, and asked whether he was going to a wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet, so white. It is just the time." "Perhaps you will get leave soon. You may even be sent back as a farmer." He nodded, but he was far away. When these peasants are excited they have a curious expression, a mixture of cow and yearning god, half stupid and half	we wait for the morning. * * Every day and every hour every shell and every death cuts into this thin support, and the years waste it rapidly. I see how it is already gradually breaking down around me. There is the mad story of Detering. He was one of those who kept himself to himself. His misfortune was that he saw a cherry tree in a garden. We were just coming back from the front line, and at a turning of the road near our new billets, marvellous in the morning twilight, stood this cherry tree before us. It had no leaves, but was one white mass of blossom. In the evening Detering was not to be seen. Then at last he came back and had a couple of branches of cherry blossom in his hand. We made fun of him, and asked whether he was going to a wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet, so white. It is just the time." "Perhaps you will get leave soon. You may even be sent back as a farmer." He nodded, but he was far away. When these peasants are excited they have a curious expression, a mixture of cow and yearning god, half stupid and half rapt. In order to turn him away from his thoughts I asked him for a piece of bread. He gave it to me without a murmur. That was suspicious, for he is usually tight-fisted. So I stayed awake. Nothing happened; in the morning he was as usual. Apparently he had noticed that I had been watching him;--but the second morning after he was gone. I noticed it, but said nothing, in order to give him time; he might perhaps get through. Various fellows have already got into Holland. But at roll call he was missed. A week after we heard	Those are the dangerous moments. They show us that the adjustment is only artificial, that it is not simple rest, but sharpest struggle for rest. In the outward form of our life we are hardly distinguishable from Bushmen; but whereas the latter can be so always, because they are so truly, and at best may develop further by exertion of their spiritual forces, with us it is the reverse;--our inner forces are not exerted toward regeneration, but toward degeneration. The Bushmen are primitive and naturally so, but we are primitive in an artificial sense, and by virtue of the utmost effort. And at night, waking out of a dream, overwhelmed and bewitched by the crowding faces, a man perceives with alarm how slight is the support, how thin the boundary that divides him from the darkness. We are little flames poorly sheltered by frail walls against the storm of dissolution and madness, in which we flicker and sometimes almost go out. Then the muffled roar of the battle becomes a ring that encircles us, we creep in upon ourselves, and with big eyes stare into the night. Our only comfort is the steady breathing of our comrades asleep, and thus we wait for the morning. * * Every day and every hour every shell and every death cuts into this thin support, and the years waste it rapidly. I see how it is already gradually breaking down around me. There is the mad story of Detering. He was one of those who kept himself to himself. His misfortune was that he saw a cherry tree in a garden. We were just coming back from the front line, and at a turning of the road near our new billets, marvellous in the morning twilight, stood this cherry tree before us. It had no leaves, but was one white mass of blossom. In the evening Detering was not to be seen. Then at last he came back and had a couple of branches of cherry blossom in his hand. We made fun of him, and asked whether he was going to a wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet, so white. It is just the time." "Perhaps you will get leave soon. You may even be sent back as a farmer." He nodded, but he was far away. When these peasants are excited they have a curious expression, a mixture of cow and yearning god, half stupid and half rapt. In order to turn him away from his thoughts I asked him for a piece of bread. He gave it to me without a murmur. That was suspicious, for he is usually tight-fisted. So I stayed awake. Nothing happened; in the morning he was as usual. Apparently he had noticed that I had been watching him;--but the second morning after he was gone. I noticed it, but said nothing, in order to give him time; he might perhaps get through. Various fellows have already got into Holland. But at roll call he was missed. A week after we heard that he had been caught by the field gendarmes, those despicable military police. He had headed toward Germany, that was hopeless, of course--and, of course, he did everything else just as idiotically. Anyone might have known that his flight was only home-sickness and a momentary aberration. But what does a court martial hundreds of miles behind the front-line know about it? We have heard nothing more of Detering. * * But sometimes it broke out in other ways, this danger, these pent-up things, as from an overheated boiler. It will be enough to tell how Berger met his end. Our trenches have now for some time been shot to pieces, and we have an elastic line, so that there is practically no longer any proper trench warfare. When attack and counter-attack have waged backwards and forwards there remains a broken line and a bitter struggle from crater to crater. The front line has been penetrated, and everywhere small groups have established themselves, the fight is carried on from clusters of shell-holes. We are in a crater, the English are coming down obliquely, they are turning our flank and working in behind us. We are surrounded. It is not easy to	wants to appraise it, it is at once heroic and banal--but who wants to do that? It is this, for example, that makes Tjaden spoon down his ham-and-pea soup in such tearing haste when an enemy attack is reported, simply because he cannot be sure that in an hour's time he will still be alive. We have discussed at length, whether it is right or not to do so. Kat condemns it, because, he says, a man has to reckon with the possibility of an abdominal wound, and that is more dangerous on a full stomach than on an empty one. Such things are real problems, they are serious matters to us, they cannot be otherwise. Here, on the borders of death, life follows an amazingly simple course, it is limited to what is most necessary, all else lies buried in gloomy sleep;--in that lies our primitiveness and our survival. Were we more subtly differentiated we must long since have gone mad, have deserted, or have fallen. As in a polar expedition, every expression of life must serve only the preservation of existence, and is absolutely focussed on that. All else is banished because it would consume energies unnecessarily. That is the only way to save ourselves. In the quiet hours when the puzzling reflection of former days, like a blurred mirror, projects beyond me the figure of my present existence, I often sit over against myself, as before a stranger, and wonder how the unnameable active principle that calls itself Life has adapted itself even to this form. All other expressions lie in a winter sleep, life is simply one continual watch against the menace of death;--it has transformed us into unthinking animals in order to give us the weapon of instinct--it has reinforced us with dullness, so that we do not go to pieces before the horror, which would overwhelm us if we had clear, conscious thought--it has awakened in us the sense of comradeship, so that we escape the abyss of solitude--it has lent us the indifference of wild creatures, so that in spite of all we perceive the positive in every moment, and store it up as a reserve against the onslaught of nothingness. Thus we live a closed, hard existence of the utmost superficiality, and rarely does an incident strike out a spark. But then unexpectedly a flame of grievous and terrible yearning flares up. Those are the dangerous moments. They show us that the adjustment is only artificial, that it is not simple rest, but sharpest struggle for rest. In the outward form of our life we are hardly distinguishable from Bushmen; but whereas the latter can be so always, because they are so truly, and at best may develop further by exertion of their spiritual forces, with us it is the reverse;--our inner forces are not exerted toward regeneration, but toward degeneration. The Bushmen are primitive and naturally so, but we are primitive in an artificial sense, and by virtue of the utmost effort. And at night, waking out of a dream, overwhelmed and bewitched by the crowding faces, a man perceives with alarm how slight is the support, how thin the boundary that divides him from the darkness. We are little flames poorly sheltered by frail walls against the storm of dissolution and madness, in which we flicker and sometimes almost go out. Then the muffled roar of the battle becomes a ring that encircles us, we creep in upon ourselves, and with big eyes stare into the night. Our only comfort is the steady breathing of our comrades asleep, and thus we wait for the morning. * * Every day and every hour every shell and every death cuts into this thin support, and the years waste it rapidly. I see how it is already gradually breaking down around me. There is the mad story of Detering. He was one of those who kept himself to himself. His misfortune was that he saw a cherry tree in a garden. We were just coming back from the front line, and at a turning of the road near our new billets, marvellous in the morning twilight, stood this cherry tree before us. It had no leaves, but was one white mass of blossom. In the evening Detering was not to be seen. Then at last he came back and had a couple of branches of cherry blossom in his hand. We made fun of him, and asked whether he was going to a wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet, so white. It is just the time." "Perhaps you will get leave soon. You may even be sent back as a farmer." He nodded, but he was far away. When these peasants are excited they have a curious expression, a mixture of cow and yearning god, half stupid and half rapt. In order to turn him away from his thoughts I asked him for a piece of bread. He gave it to me without a murmur. That was suspicious, for he is usually tight-fisted. So I stayed awake. Nothing happened; in the morning he was as usual. Apparently he had noticed that I had been watching him;--but the second morning after he was gone. I noticed it, but said nothing, in order to give him time; he might perhaps get through. Various fellows have already got into Holland. But at roll call he was missed. A week after we heard that he had been caught by the field gendarmes, those despicable military police. He had headed toward Germany, that was hopeless, of course--and, of course, he did everything else just as idiotically. Anyone might have known that his flight was only home-sickness and a momentary aberration. But what does a court martial hundreds of miles behind the front-line know about it? We have heard nothing more of Detering. * * But sometimes it broke out in other ways, this danger, these pent-up things, as from an overheated boiler. It will be enough to tell how Berger met his end. Our trenches have now for some time been shot to pieces, and we have an elastic line, so that there is practically no longer any proper trench warfare. When attack and counter-attack have waged backwards and forwards there remains a broken line and a bitter struggle from crater to crater. The front line has been penetrated, and everywhere small groups have established themselves, the fight is carried on from clusters of shell-holes. We are in a crater, the English are coming down obliquely, they are turning our flank and working in behind us. We are surrounded. It is not easy to surrender, fog and smoke hang over us, no one would recognize that we wanted to give ourselves up, and perhaps we don't want to, a man doesn't even know himself at such moments. We hear the explosions of the hand-grenades coming toward us. Our machine-gun sweeps over the semicircle in front of us. The cooling-water evaporates, we hastily pass round the case, every man pisses in it, and thus we again have water, and are able to continue firing. But behind us the attack crashes ever nearer. A few minutes and we are lost. Then, at closest range, a second machine-gun bursts out. It is set up in a crater alongside us; Berger has fetched it, and now the counter-attack comes over from behind; we are set free and make contact with the rear. Afterwards, as we lie in comparatively good cover, one of the food-carriers reports that a couple of hundred yards distant there lies a wounded messenger-dog. "Where?" asks Berger. The other describes the place to him. Berger goes off either to fetch the beast in or to shoot it. Six months ago he would not have cared, he would have been reasonable. We try to prevent him. Then, as he goes off grimly, all we can say is: "You're mad," and let him go. For these cases of front-line madness become dangerous if one is not able to fling the man to the ground and hold him fast. And Berger is six feet and the most powerful man in the company. He is absolutely mad for he has to pass through the barrage; but this lightning that lowers somewhere above us all has struck him and made him demented. It affects others so that they begin to rave, to run away--there was one man who even tried to dig himself into the ground with hands, feet, and teeth. It is true, such things are often simulated, but the pretence itself is a symptom. Berger, who means to finish off the dog, is carried off with a wound in the pelvis, and one of the fellows who carry him gets a bullet in the cheek while doing it. * * Müller is dead. Someone shot him point blank with a Verey light in the stomach. He lived for half an hour, quite conscious, and in terrible pain. Before he died he handed over his pocketbook to me, and	rarely does an incident strike out a spark. But then unexpectedly a flame of grievous and terrible yearning flares up. Those are the dangerous moments. They show us that the adjustment is only artificial, that it is not simple rest, but sharpest struggle for rest. In the outward form of our life we are hardly distinguishable from Bushmen; but whereas the latter can be so always, because they are so truly, and at best may develop further by exertion of their spiritual forces, with us it is the reverse;--our inner forces are not exerted toward regeneration, but toward degeneration. The Bushmen are primitive and naturally so, but we are primitive in an artificial sense, and by virtue of the utmost effort. And at night, waking out of a dream, overwhelmed and bewitched by the crowding faces, a man perceives with alarm how slight is the support, how thin the boundary that divides him from the darkness. We are little flames poorly sheltered by frail walls against the storm of dissolution and madness, in which we flicker and sometimes almost go out. Then the muffled roar of the battle becomes a ring that encircles us, we creep in upon ourselves, and with big eyes stare into the night. Our only comfort is the steady breathing of our comrades asleep, and thus we wait for the morning. * * Every day and every hour every shell and every death cuts into this thin support, and the years waste it rapidly. I see how it is already gradually breaking down around me. There is the mad story of Detering. He was one of those who kept himself to himself. His misfortune was that he saw a cherry tree in a garden. We were just coming back from the front line, and at a turning of the road near our new billets, marvellous in the morning twilight, stood this cherry tree before us. It had no leaves, but was one white mass of blossom. In the evening Detering was not to be seen. Then at last he came back and had a couple of branches of cherry blossom in his hand. We made fun of him, and asked whether he was going to a wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet, so white. It is just the time." "Perhaps you will get leave soon. You may even be sent back as a farmer." He nodded, but he was far away. When these peasants are excited they have a curious expression, a mixture of cow and yearning god, half stupid and half rapt. In order to turn him away from his thoughts I asked him for a piece of bread. He gave it to me without a murmur. That was suspicious, for he is usually tight-fisted. So I stayed awake. Nothing happened; in the morning he was as usual. Apparently he had noticed that I had been watching him;--but the second morning after he was gone. I noticed it, but said nothing, in order to give him time; he might perhaps get through. Various fellows have already got into Holland. But at roll call he was missed. A week after we heard that he had been caught by the field gendarmes, those despicable military police. He had headed toward Germany, that was hopeless, of course--and, of course, he did everything else just as idiotically. Anyone might have known that his flight was only home-sickness and a momentary aberration. But what does a court martial hundreds of miles behind the front-line know about it? We have heard nothing more of Detering. * * But sometimes it broke out in other ways, this danger, these pent-up things, as from an overheated boiler. It will be enough to tell how Berger met his end. Our trenches have now for some time been shot to pieces, and we have an elastic line, so that there is practically no longer any proper trench warfare. When attack and counter-attack have waged backwards and forwards there remains a broken line and a bitter struggle from crater to crater. The front line has been penetrated, and everywhere small groups have established themselves, the fight is carried on from clusters of shell-holes. We are in a crater, the English are coming down obliquely, they are turning our flank and working in behind us. We are surrounded. It is not easy to surrender, fog and smoke hang over us, no one would recognize that we wanted to give ourselves up, and perhaps we don't want to, a man doesn't even know himself at such moments. We hear the explosions of the hand-grenades coming toward us. Our machine-gun sweeps over the semicircle in front of us. The cooling-water evaporates, we hastily pass round the case, every man pisses in it, and thus we again have water, and are able to continue firing. But behind us the attack crashes ever nearer. A few minutes and we are lost. Then, at closest range, a second machine-gun bursts out. It is set up in a crater alongside us; Berger has fetched it, and now the counter-attack comes over from behind; we are set free and make contact with the rear. Afterwards, as we lie in comparatively good cover, one of the food-carriers reports that a couple of hundred	All Quiet on the Western Front	wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet,	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: \"Don't do anything silly, Detering.\"<\|quote\|>\"Ach, why--it's merely that I can't sleep----\"</\|quote\|>\"What did you pick the cherry branches for?\" \"I might have been going to get some more cherry branches,\" he replied, evasively--and after a while: \"I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet,", "role": "user" }, { "content": "Detering", "role": "assistant" } ] }	Detering
said Marilla wearily, looking up.	No speaker	tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired	like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about	Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of	Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road \|MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind!	you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road \|MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I	to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly. "What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road \|MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly	summers were all there to meet him. I must go home now. Marilla is all alone and she gets lonely at twilight." "She will be lonelier still, I fear, when you go away again to college," said Mrs. Allan. Anne did not reply; she said good night and went slowly back to green Gables. Marilla was sitting on the front door-steps and Anne sat down beside her. The door was open behind them, held back by a big pink conch shell with hints of sea sunsets in its smooth inner convolutions. Anne gathered some sprays of pale-yellow honeysuckle and put them in her hair. She liked the delicious hint of fragrance, as some aerial benediction, above her every time she moved. "Doctor Spencer was here while you were away," Marilla said. "He says that the specialist will be in town tomorrow and he insists that I must go in and have my eyes examined. I suppose I'd better go and have it over. I'll be more than thankful if the man can give me the right kind of glasses to suit my eyes. You won't mind staying here alone while I'm away, will you? Martin will have to drive me in and there's ironing and baking to do." "I shall be all right. Diana will come over for company for me. I shall attend to the ironing and baking beautifully--you needn't fear that I'll starch the handkerchiefs or flavor the cake with liniment." Marilla laughed. "What a girl you were for making mistakes in them days, Anne. You were always getting into scrapes. I did use to think you were possessed. Do you mind the time you dyed your hair?" "Yes, indeed. I shall never forget it," smiled Anne, touching the heavy braid of hair that was wound about her shapely head. "I laugh a little now sometimes when I think what a worry my hair used to be to me--but I don't laugh _much_, because it was a very real trouble then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly. "What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road \|MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables," said Anne resolutely. "Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't	know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly. "What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road \|MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going	Anne Of Green Gables	Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. \"Are you very tired, Marilla?\" \"Yes--no--I don't know,\"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>\"I suppose I am tired but I haven't thought about it. It's not that.\" \"Did you see the oculist? What did he say?\" asked Anne anxiously. \"Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
She is silent. Then she asks gently:	No speaker	from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?"	camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like	just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why	room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any	As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother," I say as calmly as I can. "And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get	though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother," I say as calmly as I can. "And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get into the cook-house, that can easily be done." "You do it then, and if the others say anything----" "That won't worry me, mother----" She sighs. Her face is a white gleam in the darkness. "Now you must go to sleep, mother." She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. "And you must get well again, mother, before I come back." "Yes, yes, my child." "You ought not to send your things to me, mother. We have plenty to eat out there. You can make much better use of them here." How destitute she lies there in her bed, she, that loves me more than all the world. As I am about to leave, she says hastily: "I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack." Ah! Mother! I know what these underpants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must	mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother," I say as calmly as I can. "And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get into the cook-house, that can easily be done." "You do it then, and if the others say anything----" "That won't worry me, mother----" She sighs. Her face is a white gleam in the darkness. "Now you must go to sleep, mother." She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. "And you must get well again, mother, before I come back." "Yes, yes, my child." "You ought not to send your things to me, mother. We have plenty to eat out there. You can make much better use of them here." How destitute she lies there in her bed, she, that loves me more than all the world. As I am about to leave, she says hastily: "I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack." Ah! Mother! I know what these underpants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying, and we have so much to say, that we could never say it. "Good-night, mother." "Good-night, my child." The room is dark. I hear my mother's breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack which lies there already made up, because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never to have come here. Out there I was indifferent and often hopeless;--I will never be able to be so again. I was a soldier, and now I am nothing but an agony for myself, for my mother, for everything that is so comfortless and without end. I ought never to have come on leave. CHAPTER VIII I already know the camp on the moors. It was here that Himmelstoss gave Tjaden his education. But now I know hardly anyone here; as ever, all is altered. There are only a few people that I have occasionally met before. I go through the routine mechanically. In the evenings I generally go to the Soldiers' Home, where the newspapers are laid out, but which I do not read; still, there is a piano there that I am glad enough to play on. Two girls are in attendance, one of them is young. The camp is surrounded with high barbed-wire fences. If we come back late from the Soldiers' Home we have to show passes. But those who are on good terms with the guard can get through, of course. Between the junipers and the birch trees on the moor we practice company-drill each day. It is bearable if one expects nothing better. We advance at a run, fling ourselves down, and our panting breath moves the stalks of the grasses and the flowers of the heather to and fro. Looked at so closely one sees the fine sand is composed of millions of the tiniest pebbles as clear as if they had been made in a laboratory It is strangely inviting to dig one's hands into it. But most beautiful are the woods with their line of birch trees. Their colour changes with every	know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother," I say as calmly as I can. "And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get into the cook-house, that can easily be done." "You do it then, and if the others say anything----" "That won't worry me, mother----" She sighs. Her face is a white gleam in the darkness. "Now you must go to sleep, mother." She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. "And you must get well again, mother, before I come back." "Yes, yes, my child." "You ought not to send your things to me, mother. We have plenty to eat out there. You can make much better use of them here." How destitute she lies there in her bed, she, that loves me more than all the world. As I am about to leave, she says hastily: "I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack." Ah! Mother! I know what these underpants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying, and we have so much to say, that we could never say it. "Good-night, mother." "Good-night, my child." The room is dark. I hear my mother's breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack which lies there already made up, because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never to have come here. Out there I was indifferent and often hopeless;--I will never be able to be so again. I was a soldier, and now I am nothing but an agony for myself, for my mother, for everything that is so comfortless and without end. I	All Quiet on the Western Front	just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "just wakened up. \"Go and sleep, mother, you will catch cold here.\" \"I can sleep enough later,\" she says. I sit up. \"I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps.\"<\|quote\|>She is silent. Then she asks gently:</\|quote\|>\"Are you very much afraid?\" \"No, mother.\" \"I would like to tell you to be on your guard against the women out in France. They are no good.\" Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Nothing,"	Alice	the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted	you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said	to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone,	herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could	put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented	Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's	up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in	voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave	Alices Adventures In Wonderland	to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone,	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. \"What do you know about this business?\" the King said to Alice.<\|quote\|>\"Nothing,\"</\|quote\|>said Alice. \"Nothing _whatever?_\" persisted the King. \"Nothing whatever,\" said Alice. \"That's very important,\" the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: \"_Un_important, your Majesty means, of course,\" he said in a very respectful tone,", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
"No thanks, I've got everything safe. How did you sleep?"	Brenda	say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't."	looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very	half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make	and gold, gules and azure by the emblazoned coats, broken by the leaded devices into countless points and patches of coloured light. Brenda descended the great staircase step by step through alternations of dusk and rainbow. Both hands were occupied, holding to her breast a bag, a small hat, a half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make any new friends living down here." "Tony's gone to church." "Yes, he likes that. He'll be back soon. Let's go out for a minute or two, it looks lovely." When Tony came back they were sitting in the library. Beaver was telling Brenda's fortune with cards. "... Now cut to	I told you not to go repeating whatever Ben Hacket tells you? Miss Tendril didn't want to hear about Peppermint. And don't ever use that rude word "cat" again." "It only means to be sick." "Well, Miss Tendril isn't interested in being sick..." As the gathering between porch and lychgate began to disperse, Tony set off towards the gardens. There was a good choice of buttonholes in the hothouses; he picked lemon carnations with crinkled, crimson edges for himself and Beaver and a camellia for his wife. Shafts of November sunshine streamed down from lancet and oriel, tinctured in green and gold, gules and azure by the emblazoned coats, broken by the leaded devices into countless points and patches of coloured light. Brenda descended the great staircase step by step through alternations of dusk and rainbow. Both hands were occupied, holding to her breast a bag, a small hat, a half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make any new friends living down here." "Tony's gone to church." "Yes, he likes that. He'll be back soon. Let's go out for a minute or two, it looks lovely." When Tony came back they were sitting in the library. Beaver was telling Brenda's fortune with cards. "... Now cut to me again," he was saying, "and I'll see if it's any clearer... Oh yes... there is going to be a sudden death which will cause you great pleasure and profit. In fact you are going to kill someone. I can't tell if it's a man or a woman... yes, a woman... then you are going to go on a long journey across the sea, marry six dark men and have eleven children, grow a beard and die." "Beast. And all this time I've been thinking it was serious. Hullo, Tony. Jolly church?" "Most enjoyable; how about some sherry?" When they	assure you." "I haven't used it here lately. When I am asked to supply elsewhere it is the one I invariably choose. Let me see now, I always make a note of the times I use it." The old clergyman opened the manuscript book he was carrying. It had a limp black cover and the pages were yellow with age. "Ah yes, here we are. I preached it first in Jellalabad when the Coldstream Guards were there; then I used it in the Red Sea coming home from my fourth leave; then at Sidmouth... Mentone... Winchester... to the Girl Guides at their summer rally in 1921... the Church Stage Guild at Leicester... twice at Bournemouth during the winter of 1926 when poor Ada was so ill... No, I don't seem to have used it here since 1911, when you would have been too young to enjoy it..." The vicar's sister had engaged John in conversation. He was telling her the story of Peppermint: "...he'd have been all right, Ben says, if he had been able to cat the rum up, but mules can't cat, neither can horses..." Nanny grasped him firmly and hurried him towards home. "How many times have I told you not to go repeating whatever Ben Hacket tells you? Miss Tendril didn't want to hear about Peppermint. And don't ever use that rude word "cat" again." "It only means to be sick." "Well, Miss Tendril isn't interested in being sick..." As the gathering between porch and lychgate began to disperse, Tony set off towards the gardens. There was a good choice of buttonholes in the hothouses; he picked lemon carnations with crinkled, crimson edges for himself and Beaver and a camellia for his wife. Shafts of November sunshine streamed down from lancet and oriel, tinctured in green and gold, gules and azure by the emblazoned coats, broken by the leaded devices into countless points and patches of coloured light. Brenda descended the great staircase step by step through alternations of dusk and rainbow. Both hands were occupied, holding to her breast a bag, a small hat, a half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make any new friends living down here." "Tony's gone to church." "Yes, he likes that. He'll be back soon. Let's go out for a minute or two, it looks lovely." When Tony came back they were sitting in the library. Beaver was telling Brenda's fortune with cards. "... Now cut to me again," he was saying, "and I'll see if it's any clearer... Oh yes... there is going to be a sudden death which will cause you great pleasure and profit. In fact you are going to kill someone. I can't tell if it's a man or a woman... yes, a woman... then you are going to go on a long journey across the sea, marry six dark men and have eleven children, grow a beard and die." "Beast. And all this time I've been thinking it was serious. Hullo, Tony. Jolly church?" "Most enjoyable; how about some sherry?" When they were alone together, just before luncheon, he said, "Darling, you're being heroic with Beaver." "Oh, I quite enjoy coping--in fact I'm bitching him rather." "So I saw. Well, I'll look after him this afternoon and he's going this evening." "Is he? I'll be quite sorry. You know that's a difference between us, that when someone's awful you just run away and hide, while I actually enjoy it--making up to them and showing off to myself how well I can do it. Besides, Beaver isn't so bad. He's quite like us in some ways." "He's not like me," said Tony. After luncheon Tony said, "Well, if it would really amuse you, we might go over the house. I know it isn't fashionable to like this sort of architecture now--my Aunt Frances says it is an authentic Pecksniff--but I think it's good of its kind." It took them two hours. Beaver was well practised in the art of being shown over houses; he had been brought up to it in fact, ever since he had begun to accompany his mother, whose hobby it had always been, and later, with changing circumstances, profession. He made apt and appreciative comments and greatly enhanced the	him the living at the instance of his dentist. He had a noble and sonorous voice and was reckoned the best preacher for many miles around. His sermons had been composed in his more active days for delivery at the garrison chapel; he had done nothing to adapt them to the changed conditions of his ministry and they mostly concluded with some reference to homes and dear ones far away. The villagers did not find this in any way surprising. Few of the things said in church seemed to have any particular reference to themselves. They enjoyed their vicar's sermons very much and they knew that when he began about their distant homes, it was time to be dusting their knees and feeling for their umbrellas. "...And so as we stand here bareheaded at this solemn hour of the week," he read, his powerful old voice swelling up for peroration, "let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown." (" "The Reverend Tendril "e do speak uncommon "igh of the Queen," a gardener's wife had once remarked to Tony.) After the choir had filed out, during the last hymn, the congregation crouched silently for a few seconds and then made for the door. There was no sign of recognition until they were outside among the graves; then there was an exchange of greetings, solicitous, cordial, garrulous. Tony spoke to the vet's wife and Mr Partridge from the shop; then he was joined by the vicar. "Lady Brenda is not ill, I hope?" "No, nothing serious." This was the invariable formula when he appeared at church without her. "A most interesting sermon, Vicar." "My dear boy, I'm delighted to hear you say so. It is one of my favourites. But have you never heard it before?" "No, I assure you." "I haven't used it here lately. When I am asked to supply elsewhere it is the one I invariably choose. Let me see now, I always make a note of the times I use it." The old clergyman opened the manuscript book he was carrying. It had a limp black cover and the pages were yellow with age. "Ah yes, here we are. I preached it first in Jellalabad when the Coldstream Guards were there; then I used it in the Red Sea coming home from my fourth leave; then at Sidmouth... Mentone... Winchester... to the Girl Guides at their summer rally in 1921... the Church Stage Guild at Leicester... twice at Bournemouth during the winter of 1926 when poor Ada was so ill... No, I don't seem to have used it here since 1911, when you would have been too young to enjoy it..." The vicar's sister had engaged John in conversation. He was telling her the story of Peppermint: "...he'd have been all right, Ben says, if he had been able to cat the rum up, but mules can't cat, neither can horses..." Nanny grasped him firmly and hurried him towards home. "How many times have I told you not to go repeating whatever Ben Hacket tells you? Miss Tendril didn't want to hear about Peppermint. And don't ever use that rude word "cat" again." "It only means to be sick." "Well, Miss Tendril isn't interested in being sick..." As the gathering between porch and lychgate began to disperse, Tony set off towards the gardens. There was a good choice of buttonholes in the hothouses; he picked lemon carnations with crinkled, crimson edges for himself and Beaver and a camellia for his wife. Shafts of November sunshine streamed down from lancet and oriel, tinctured in green and gold, gules and azure by the emblazoned coats, broken by the leaded devices into countless points and patches of coloured light. Brenda descended the great staircase step by step through alternations of dusk and rainbow. Both hands were occupied, holding to her breast a bag, a small hat, a half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make any new friends living down here." "Tony's gone to church." "Yes, he likes that. He'll be back soon. Let's go out for a minute or two, it looks lovely." When Tony came back they were sitting in the library. Beaver was telling Brenda's fortune with cards. "... Now cut to me again," he was saying, "and I'll see if it's any clearer... Oh yes... there is going to be a sudden death which will cause you great pleasure and profit. In fact you are going to kill someone. I can't tell if it's a man or a woman... yes, a woman... then you are going to go on a long journey across the sea, marry six dark men and have eleven children, grow a beard and die." "Beast. And all this time I've been thinking it was serious. Hullo, Tony. Jolly church?" "Most enjoyable; how about some sherry?" When they were alone together, just before luncheon, he said, "Darling, you're being heroic with Beaver." "Oh, I quite enjoy coping--in fact I'm bitching him rather." "So I saw. Well, I'll look after him this afternoon and he's going this evening." "Is he? I'll be quite sorry. You know that's a difference between us, that when someone's awful you just run away and hide, while I actually enjoy it--making up to them and showing off to myself how well I can do it. Besides, Beaver isn't so bad. He's quite like us in some ways." "He's not like me," said Tony. After luncheon Tony said, "Well, if it would really amuse you, we might go over the house. I know it isn't fashionable to like this sort of architecture now--my Aunt Frances says it is an authentic Pecksniff--but I think it's good of its kind." It took them two hours. Beaver was well practised in the art of being shown over houses; he had been brought up to it in fact, ever since he had begun to accompany his mother, whose hobby it had always been, and later, with changing circumstances, profession. He made apt and appreciative comments and greatly enhanced the pleasure Tony always took in exposing his treasures. They saw it all: the shuttered drawing-room, like a school speech hall, the cloistral passages, the dark inner courtyard, the chapel where, until Tony's succession, family prayers had been daily read to the assembled household, the plate-room and estate office, the bedrooms and attics, the water-tank concealed among the battlements. They climbed the spiral staircase into the works of the clock and waited to see it strike half-past three. Thence they descended with ringing ears to the collections--enamel, ivories, seals, snuff-boxes, china, ormulu, cloisonn?; they paused before each picture in the oak gallery and discussed its associations; they took out the more remarkable folios in the library and examined prints of the original buildings, manuscript account-books of the old Abbey, travel journals of Tony's ancestors. At intervals Beaver would say, "The So-and-so's have got one rather like that at Such-and-such a place" ", and Tony would say, "Yes, I've seen it but I think mine is the earlier." Eventually they came back to the smoking-room and Tony left Beaver to Brenda. She was stitching away at the petit-point, hunched in an armchair. "Well," she asked, without looking up from her needlework, "what did you think of it?" "Magnificent." "You don't have to say that to me, you know." "Well, a lot of the things are very fine." "Yes, the _things_ are all right, I suppose." "But don't you like the house?" "Me? I _detest_ it... at least I don't mean that really, but I do wish sometimes that it wasn't _all_, every bit of it, so appallingly ugly. Only I'd die rather than say that to Tony. We could never live anywhere else, of course. He's crazy about the place... It's funny. None of us minded very much when my brother Reggie sold _our_ house--and that was built by Vanbrugh, you know... I suppose we're lucky to be able to afford to keep it up at all. Do you know how much it costs just to live here? We should be quite rich if it wasn't for that. As it is we support fifteen servants indoors, besides gardeners and carpenters and a night-watchman and all the people at the farm and odd little men constantly popping in to wind the clocks and cook the accounts and clean the moat, while Tony and I have to fuss about whether it's cheaper to take	her sceptre and crown." (" "The Reverend Tendril "e do speak uncommon "igh of the Queen," a gardener's wife had once remarked to Tony.) After the choir had filed out, during the last hymn, the congregation crouched silently for a few seconds and then made for the door. There was no sign of recognition until they were outside among the graves; then there was an exchange of greetings, solicitous, cordial, garrulous. Tony spoke to the vet's wife and Mr Partridge from the shop; then he was joined by the vicar. "Lady Brenda is not ill, I hope?" "No, nothing serious." This was the invariable formula when he appeared at church without her. "A most interesting sermon, Vicar." "My dear boy, I'm delighted to hear you say so. It is one of my favourites. But have you never heard it before?" "No, I assure you." "I haven't used it here lately. When I am asked to supply elsewhere it is the one I invariably choose. Let me see now, I always make a note of the times I use it." The old clergyman opened the manuscript book he was carrying. It had a limp black cover and the pages were yellow with age. "Ah yes, here we are. I preached it first in Jellalabad when the Coldstream Guards were there; then I used it in the Red Sea coming home from my fourth leave; then at Sidmouth... Mentone... Winchester... to the Girl Guides at their summer rally in 1921... the Church Stage Guild at Leicester... twice at Bournemouth during the winter of 1926 when poor Ada was so ill... No, I don't seem to have used it here since 1911, when you would have been too young to enjoy it..." The vicar's sister had engaged John in conversation. He was telling her the story of Peppermint: "...he'd have been all right, Ben says, if he had been able to cat the rum up, but mules can't cat, neither can horses..." Nanny grasped him firmly and hurried him towards home. "How many times have I told you not to go repeating whatever Ben Hacket tells you? Miss Tendril didn't want to hear about Peppermint. And don't ever use that rude word "cat" again." "It only means to be sick." "Well, Miss Tendril isn't interested in being sick..." As the gathering between porch and lychgate began to disperse, Tony set off towards the gardens. There was a good choice of buttonholes in the hothouses; he picked lemon carnations with crinkled, crimson edges for himself and Beaver and a camellia for his wife. Shafts of November sunshine streamed down from lancet and oriel, tinctured in green and gold, gules and azure by the emblazoned coats, broken by the leaded devices into countless points and patches of coloured light. Brenda descended the great staircase step by step through alternations of dusk and rainbow. Both hands were occupied, holding to her breast a bag, a small hat, a half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make any new friends living down here." "Tony's gone to church." "Yes, he likes that. He'll be back soon. Let's go out for a minute or two, it looks lovely." When Tony came back they were sitting in the library. Beaver was telling Brenda's fortune with cards. "... Now cut to me again," he was saying, "and I'll see if it's any clearer... Oh yes... there is going to be a sudden death which will cause you great pleasure and profit. In fact you are going to kill someone. I can't tell if it's a man or a woman... yes, a woman... then you are going to go on a long journey across the sea, marry six dark men and have eleven children, grow a beard and die." "Beast. And all this time I've been thinking it was serious. Hullo, Tony. Jolly church?" "Most enjoyable; how about some sherry?" When they were alone together, just before luncheon, he said, "Darling, you're being heroic with Beaver." "Oh, I quite enjoy coping--in fact I'm bitching him rather." "So I saw. Well, I'll look after him this afternoon and he's going this evening." "Is he? I'll be quite sorry. You know that's a difference between us, that when someone's awful you just run away and hide, while I actually enjoy it--making up to them and showing off to myself how well I can do it. Besides, Beaver isn't so bad. He's quite like us in some ways." "He's not like me," said Tony. After luncheon Tony said, "Well, if it would really amuse you, we might go over the house. I know it isn't fashionable to like this sort of architecture now--my Aunt Frances says it is an authentic Pecksniff--but I think it's good of its kind." It took them two hours. Beaver was well practised in the art of being shown over houses; he had been brought up to it in fact, ever since he had begun to accompany his mother, whose hobby it had always been, and later, with changing circumstances, profession. He made apt and appreciative comments and greatly enhanced the pleasure Tony always took in exposing his treasures. They saw it all: the shuttered drawing-room, like a school speech hall, the cloistral passages, the dark inner courtyard, the chapel where, until Tony's succession, family prayers had been daily read to the assembled household, the plate-room and estate office, the bedrooms and attics, the water-tank concealed among the battlements. They	A Handful Of Dust	half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. \"I say, can't I carry something?\"<\|quote\|>\"No thanks, I've got everything safe. How did you sleep?\"</\|quote\|>\"Beautifully.\" \"I bet you didn't.\" \"Well, I'm not a very good sleeper.\" \"Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make", "role": "user" }, { "content": "Brenda", "role": "assistant" } ] }	Brenda
thought Alice, as she went slowly after it:	No speaker	"Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered	nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life,	Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would	the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at	low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words	advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though	large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their	in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired	Alices Adventures In Wonderland	Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "Queen till she was out of sight: then it chuckled. \"What fun!\" said the Gryphon, half to itself, half to Alice. \"What _is_ the fun?\" said Alice. \"Why, _she_,\" said the Gryphon. \"It's all her fancy, that: they never executes nobody, you know. Come on!\" \"Everybody says 'come on!' here,\"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>\"I never was so ordered about in all my life, never!\" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Really, now you ask me,"	Alice	a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused,	see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you	the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her	very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood.	cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "But everything's curious today. I think I may as well go in at once." And in she went. Once more she found herself in the long hall, and close to the little glass table. "Now, I'll manage better this time," she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went	about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?" said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "But everything's curious today. I think I may as well go in at once." And in she went. Once more she found herself in the long hall, and close to the little glass table. "Now, I'll manage better this time," she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and _then_--she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains. CHAPTER VIII. The Queen's Croquet-Ground A large rose-tree stood near the entrance of the garden: the roses growing on it were white, but there were three gardeners at it, busily painting them red. Alice thought this a very curious thing, and she went nearer to watch them, and just as she came up to them she heard one of them say, "Look out now, Five! Don't go splashing paint over me like that!" "I couldn't help it," said Five, in a sulky tone; "Seven jogged my elbow." On which Seven looked up and said, "That's right, Five! Always lay the blame on others!" "_You'd_ better not talk!" said Five. "I heard the Queen say only yesterday you deserved to be beheaded!" "What for?" said the one who had spoken first. "That's none of _your_ business, Two!" said Seven. "Yes, it _is_ his business!" said Five, "and I'll tell him--it was for bringing	here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?" said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "But everything's curious today. I think I may as well go in at once." And in she went. Once more she found herself in the long hall, and close to the little glass table. "Now, I'll manage better this time," she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and _then_--she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains. CHAPTER VIII. The Queen's Croquet-Ground A large rose-tree stood near the entrance of the garden: the roses growing on it were white, but there were three gardeners at it, busily painting them red. Alice thought this a very curious thing, and she went nearer to watch them, and just as she came up to them she heard one of them say, "Look out now, Five! Don't go splashing paint over me like that!" "I couldn't help it," said Five, in a sulky tone; "Seven jogged my elbow." On which Seven looked up and said, "That's right, Five! Always lay the blame on others!" "_You'd_ better not talk!" said Five. "I heard the Queen say only yesterday you deserved to be beheaded!" "What for?" said the one who had spoken first. "That's none of _your_ business, Two!" said Seven. "Yes, it _is_ his business!" said Five, "and I'll tell him--it was for bringing the cook tulip-roots instead of onions." Seven flung down his brush, and had just begun "Well, of all the unjust things--" when his eye chanced to fall upon Alice, as she stood watching them, and he checked himself suddenly: the others looked round also, and all of them bowed low. "Would you tell me," said Alice, a little timidly, "why you are painting those roses?" Five and Seven said nothing, but looked at Two. Two began in a low voice, "Why the fact is, you see, Miss, this here ought to have been a _red_ rose-tree, and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we're doing our best, afore she comes, to--" At this moment Five, who had been anxiously looking across the garden, called out "The Queen! The Queen!" and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen. First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS. Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; "and besides, what would be the use of a procession," thought she, "if people had all to lie down upon their faces, so that they couldn't see it?" So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped	cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "But everything's curious today. I think I may as well go in at once." And in she went. Once more she found herself in the long hall, and close to the little glass table. "Now, I'll manage better this time," she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and _then_--she found herself at last in the beautiful garden, among the bright	Alices Adventures In Wonderland	the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "the Hatter, it woke up again with a little shriek, and went on: \"--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are\" \"much of a muchness\" \"--did you ever see such a thing as a drawing of a muchness?\"<\|quote\|>\"Really, now you ask me,\"</\|quote\|>said Alice, very much confused, \"I don't think--\" \"Then you shouldn't talk,\" said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.	No speaker	in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very	seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do	like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver	dinner and later had put it in the envelope without remembering to finish it. He wrote a large, school-girlish hand with wide spaces between the lines. Brenda felt a little sick when she read this letter but she showed it to Marjorie, saying, "I can't complain, he's never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with	I saw the pink leather case and my surprise at opening it. It really was_ sweet _of you to send me such a charming present. Thank you again very much for it. I hope your party is being a success. It is rather dull here. The others went hunting yesterday. I went to the meet. They did not have a good day. Mother is here too and sends her love. We shall be leaving to-morrow or the day after. Mother has got rather a cold._ It ended there at the bottom of a page. Beaver had been writing it before dinner and later had put it in the envelope without remembering to finish it. He wrote a large, school-girlish hand with wide spaces between the lines. Brenda felt a little sick when she read this letter but she showed it to Marjorie, saying, "I can't complain, he's never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known." "No, darling, that's why." Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already	discerned the trouble and attempted to reassure her, saying, "Dear child, all these feelings of delicacy are valueless; only the rich realize the gulf that separates them from the poor," but the uneasiness persisted, and night after night she found herself being sent out of the room, asking or answering questions, performing actions in uncouth manners, paying forfeits, drawing pictures, writing verses, dressing herself up and even being chased about the house, and secluded in cupboards, at the will of her relatives. Christmas was on a Friday that year, so the party was a long one, from Thursday until Monday. She had forbidden Beaver to send her a present or to write to her; in self-protection, for she knew that whatever he said would hurt her by its poverty, but in spite of this she awaited the posts nervously, hoping that he might have disobeyed her. She had sent him to Ireland a ring of three interlocked hoops of gold and platinum. An hour after ordering it she regretted her choice. On Tuesday a letter came from him thanking her. _Darling Brenda_, he wrote. _Thank you so very much for the charming Christmas present. You can imagine my delight when I saw the pink leather case and my surprise at opening it. It really was_ sweet _of you to send me such a charming present. Thank you again very much for it. I hope your party is being a success. It is rather dull here. The others went hunting yesterday. I went to the meet. They did not have a good day. Mother is here too and sends her love. We shall be leaving to-morrow or the day after. Mother has got rather a cold._ It ended there at the bottom of a page. Beaver had been writing it before dinner and later had put it in the envelope without remembering to finish it. He wrote a large, school-girlish hand with wide spaces between the lines. Brenda felt a little sick when she read this letter but she showed it to Marjorie, saying, "I can't complain, he's never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known." "No, darling, that's why." Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already acquired a trick of twisting it as he talked. On New Year's Eve there was a party at a neighbouring house. Tony went home early and Beaver and Brenda returned together in the back of a car. Next morning, while they were having breakfast, she said to Tony, "I've made a New Year resolution." "Anything to do with spending more time at home?" "Oh no, _quite_ the reverse. Listen, Tony, it's serious. I think I'll take a course of something." "Not bone-setters again? I thought that was over." "No, something like economics. You see, I've been thinking. I don't really _do_ anything at all at present. The house runs itself. It seems to me time I _took_ to something. Now you're always talking about going into Parliament. Well, if I had done a course of economics I could be some use canvassing and writing speeches and things--you know, the way Marjorie did when Allan was standing on the Clydeside. There are all sorts of lectures in London, to do with the University, where girls go. Don't you think it's rather a good idea?" "It's one better than the bone-setters," Tony admitted. That was how the New Year began. CHAPTER III	he was particularly fond. Everyone ate a great deal and became slightly torpid towards Boxing-day evening; silver ladles of burning brandy went round the table, crackers were pulled and opened; paper hats, indoor fireworks, mottoes. This year, everything happened in its accustomed way; nothing seemed to menace the peace and stability of the house. The choir came up and sang carols in the pitch-pine gallery, and later devoured hot punch and sweet biscuits. The vicar preached his usual Christmas sermon. It was one to which his parishioners were greatly attached. "How difficult it is for us," he began, blandly surveying his congregation, who coughed into their mufflers and chafed their chilblains under their woollen gloves, "to realize that this is indeed Christmas. Instead of the glowing log fire and windows tight shuttered against the drifting snow, we have only the harsh glare of an alien sun; instead of the happy circle of loved faces, of home and family, we have the uncomprehending stares of the subjugated, though no doubt grateful, heathen. Instead of the placid ox and ass of Bethlehem," said the vicar, slightly losing the thread of his comparisons, "we have for companions the ravening tiger and the exotic camel, the furtive jackal and the ponderous elephant..." And so on, through the pages of faded manuscript. The words had temporarily touched the heart of many an obdurate trooper, and hearing them again, as he had heard them year after year since Mr Tendril had come to the parish, Tony and most of Tony's guests felt that it was an integral part of their Christmas festivities; one with which they would find it very hard to dispense. "The ravening tiger and exotic camel" had long been bywords in the family, of frequent recurrence in all their games. These games were the hardest part for Brenda. They did not amuse her and she still could not see Tony dressed up for charades without a feeling of shyness. Moreover, she was tortured by the fear that any lack of gusto on her part might be construed by the poor Lasts as superiority. These scruples, had she known it, were quite superfluous, for it never occurred to her husband's relatives to look on her with anything but cousinly cordiality and a certain tolerance, for, as Lasts, they considered they had far more right in Hetton than herself. Aunt Frances, with acid mind, quickly discerned the trouble and attempted to reassure her, saying, "Dear child, all these feelings of delicacy are valueless; only the rich realize the gulf that separates them from the poor," but the uneasiness persisted, and night after night she found herself being sent out of the room, asking or answering questions, performing actions in uncouth manners, paying forfeits, drawing pictures, writing verses, dressing herself up and even being chased about the house, and secluded in cupboards, at the will of her relatives. Christmas was on a Friday that year, so the party was a long one, from Thursday until Monday. She had forbidden Beaver to send her a present or to write to her; in self-protection, for she knew that whatever he said would hurt her by its poverty, but in spite of this she awaited the posts nervously, hoping that he might have disobeyed her. She had sent him to Ireland a ring of three interlocked hoops of gold and platinum. An hour after ordering it she regretted her choice. On Tuesday a letter came from him thanking her. _Darling Brenda_, he wrote. _Thank you so very much for the charming Christmas present. You can imagine my delight when I saw the pink leather case and my surprise at opening it. It really was_ sweet _of you to send me such a charming present. Thank you again very much for it. I hope your party is being a success. It is rather dull here. The others went hunting yesterday. I went to the meet. They did not have a good day. Mother is here too and sends her love. We shall be leaving to-morrow or the day after. Mother has got rather a cold._ It ended there at the bottom of a page. Beaver had been writing it before dinner and later had put it in the envelope without remembering to finish it. He wrote a large, school-girlish hand with wide spaces between the lines. Brenda felt a little sick when she read this letter but she showed it to Marjorie, saying, "I can't complain, he's never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known." "No, darling, that's why." Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already acquired a trick of twisting it as he talked. On New Year's Eve there was a party at a neighbouring house. Tony went home early and Beaver and Brenda returned together in the back of a car. Next morning, while they were having breakfast, she said to Tony, "I've made a New Year resolution." "Anything to do with spending more time at home?" "Oh no, _quite_ the reverse. Listen, Tony, it's serious. I think I'll take a course of something." "Not bone-setters again? I thought that was over." "No, something like economics. You see, I've been thinking. I don't really _do_ anything at all at present. The house runs itself. It seems to me time I _took_ to something. Now you're always talking about going into Parliament. Well, if I had done a course of economics I could be some use canvassing and writing speeches and things--you know, the way Marjorie did when Allan was standing on the Clydeside. There are all sorts of lectures in London, to do with the University, where girls go. Don't you think it's rather a good idea?" "It's one better than the bone-setters," Tony admitted. That was how the New Year began. CHAPTER III HARD CHEESE ON TONY [I] It is not uncommon at Bratt's Club, between nine and ten in the evening, to find men in white ties and tail coats sitting by themselves and eating, in evident low spirits, large and extravagant dinners. They are those who have been abandoned at the last minute by their women. For twenty minutes or so they have sat in the foyer of some restaurant, gazing expectantly towards the revolving doors and alternatively taking out their watches and ordering cocktails, until at length a telephone message has been brought them that their guests are unable to come. Then they go to Bratt's, half hoping to find friends but, more often than not, taking a melancholy satisfaction in finding the club deserted or peopled by strangers. So they sit there, round the walls, morosely regarding the mahogany tables before them, and eating and drinking heavily. It was in this mood and for this reason that, one evening towards the middle of February, Jock Grant-Menzies arrived at the club. "Anyone here?" "Very quiet to-night, sir. Mr Last is in the dining-room." Jock found him seated in a corner; he was in day clothes; the table and the chair at his side were littered with papers and magazines; one was propped up in front of him. He was half-way through dinner and three-quarters of the way through a bottle of Burgundy. "Hullo," he said. "Chucked? Come and join me." It was some time since Jock had seen Tony; the meeting embarrassed him slightly, for like all his friends, he was wondering how Tony felt and how much he knew about Brenda and John Beaver. However, he sat down at Tony's table. "Been chucked?" asked Tony again. "Yes, it's the last time I ask that bitch out." "Better have a drink. I've been drinking a whole lot. Much the best thing." They took what was left of the Burgundy and ordered another bottle. "Just come up for the night," said Tony. "Staying here." "You've got a flat now, haven't you?" "Well, Brenda has. There isn't really room for two... we tried it once and it wasn't a success." "What's she doing to-night?" "Out somewhere. I didn't let her know I was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on	and most of Tony's guests felt that it was an integral part of their Christmas festivities; one with which they would find it very hard to dispense. "The ravening tiger and exotic camel" had long been bywords in the family, of frequent recurrence in all their games. These games were the hardest part for Brenda. They did not amuse her and she still could not see Tony dressed up for charades without a feeling of shyness. Moreover, she was tortured by the fear that any lack of gusto on her part might be construed by the poor Lasts as superiority. These scruples, had she known it, were quite superfluous, for it never occurred to her husband's relatives to look on her with anything but cousinly cordiality and a certain tolerance, for, as Lasts, they considered they had far more right in Hetton than herself. Aunt Frances, with acid mind, quickly discerned the trouble and attempted to reassure her, saying, "Dear child, all these feelings of delicacy are valueless; only the rich realize the gulf that separates them from the poor," but the uneasiness persisted, and night after night she found herself being sent out of the room, asking or answering questions, performing actions in uncouth manners, paying forfeits, drawing pictures, writing verses, dressing herself up and even being chased about the house, and secluded in cupboards, at the will of her relatives. Christmas was on a Friday that year, so the party was a long one, from Thursday until Monday. She had forbidden Beaver to send her a present or to write to her; in self-protection, for she knew that whatever he said would hurt her by its poverty, but in spite of this she awaited the posts nervously, hoping that he might have disobeyed her. She had sent him to Ireland a ring of three interlocked hoops of gold and platinum. An hour after ordering it she regretted her choice. On Tuesday a letter came from him thanking her. _Darling Brenda_, he wrote. _Thank you so very much for the charming Christmas present. You can imagine my delight when I saw the pink leather case and my surprise at opening it. It really was_ sweet _of you to send me such a charming present. Thank you again very much for it. I hope your party is being a success. It is rather dull here. The others went hunting yesterday. I went to the meet. They did not have a good day. Mother is here too and sends her love. We shall be leaving to-morrow or the day after. Mother has got rather a cold._ It ended there at the bottom of a page. Beaver had been writing it before dinner and later had put it in the envelope without remembering to finish it. He wrote a large, school-girlish hand with wide spaces between the lines. Brenda felt a little sick when she read this letter but she showed it to Marjorie, saying, "I can't complain, he's never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known." "No, darling, that's why." Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already	A Handful Of Dust	like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "like me much. And anyway it was a damned silly present.\" Tony had become fretful about his visit to Angela's. He always hated staying away. \"Don't come, darling. I'll make it all right with them.\" \"No, I'll come. I haven't seen so much of you in the last three weeks.\"<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>\"I'll tell you something very odd,\" he said. \"Who do you think is here?\" \"Who?\" \"Our old friend Beaver.\" \"Why's that odd particularly?\" \"Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?\" \"I daresay.\" Tony supposed Beaver", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.	No speaker	Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King	be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be	landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall	real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh,	the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but	looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,' "both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine" ?lay as though she smiled.' "That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before scampering up through the woods, across the road, and down to the lower headland where, as Lancelot and Guinevere and the King, they were to be in readiness to receive the lily maid. For a few minutes Anne, drifting slowly down, enjoyed the romance of her situation to the full. Then something happened not at all romantic. The flat began to leak. In a	want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had" ?all her bright hair streaming down,' "you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,' "both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine" ?lay as though she smiled.' "That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before scampering up through the woods, across the road, and down to the lower headland where, as Lancelot and Guinevere and the King, they were to be in readiness to receive the lily maid. For a few minutes Anne, drifting slowly down, enjoyed the romance of her situation to the full. Then something happened not at all romantic. The flat began to leak. In a very few moments it was necessary for Elaine to scramble to her feet, pick up her cloth of gold coverlet and pall of blackest samite and gaze blankly at a big crack in the bottom of her barge through which the water was literally pouring. That sharp stake at the landing had torn off the strip of batting nailed on the flat. Anne did not know this, but it did not take her long to realize that she was in a dangerous plight. At this rate the flat would fill and sink long before it could drift to the lower headland. Where were the oars? Left behind at the landing! Anne gave one gasping little scream which nobody ever heard; she was white to the lips, but she did not lose her self-possession. There was one chance--just one. "I was horribly frightened," she told Mrs. Allan the next day, "and it seemed like years while the flat was drifting down to the bridge and the water rising in it every moment. I prayed, Mrs. Allan, most earnestly, but I didn't shut my eyes to pray, for I knew the only way God could save me was to let the flat float close enough to one of the bridge piles for me to climb up on it. You know the piles are just old tree trunks and there are lots of knots and old branch stubs on them. It was proper to pray, but I had to do my part by watching out and right well I knew it. I just said," ?Dear God, please take the flat close to a pile and I'll do the rest,' "over and over again. Under such circumstances you don't think much about making a flowery prayer. But mine was answered, for the flat bumped right into a pile for a minute and I flung the scarf and the shawl over my shoulder and scrambled up on a big providential stub. And there I was, Mrs. Allan, clinging to that slippery old pile with no way of getting up or down. It was a very unromantic position, but I didn't think about that at the time. You don't think much about romance when you have just escaped from a watery grave. I said a grateful prayer at once and then I gave all my attention to holding on tight, for I knew I should probably	lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent	Anne Of Green Gables	landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. \"Well, I'll be Elaine,\"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>\"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:	No speaker	We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy	Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in	"I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com.	a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you	"And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to	a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory seats. On the sides are hand-grips enabling one to shift them about. We move three together in a ring and sit down comfortably. For two hours we have been here without getting up. I well remember how embarrassed we were as recruits in barracks when we had to use the general latrine. There were no doors and twenty men sat side by side as in a railway carriage, so that they could be reviewed all at one glance, for soldiers must always be under supervision. Since then we have learned better than to be shy about such trifling immodesties. In time things far worse than that came easy to us. Here in	he is and always will be as thin as a rake. What's more important still is the issue of a double ration of smokes. Ten cigars, twenty cigarettes, and two quids of chew per man; now that is decent. I have exchanged my chewing tobacco with Katczinsky for his cigarettes, which means I have forty altogether. That's enough for a day. It is true we have no right to this windfall. The Prussian is not so generous. We have only a miscalculation to thank for it. Fourteen days ago we had to go up and relieve the front line. It was fairly quiet on our sector, so the quartermaster who remained in the rear had requisitioned the usual quantity of rations and provided for the full company of one hundred and fifty men. But on the last day an astonishing number of English field-guns opened up on us with high-explosive, drumming ceaselessly on our position, so that we suffered heavily and came back only eighty strong. Last night we moved back and settled down to get a good sleep for once: Katczinsky is right when he says it would not be such a bad war if only one could get a little more sleep. In the line we have had next to none, and fourteen days is a long time at one stretch. It was noon before the first of us crawled out of our quarters. Half an hour later every man had his mess-tin and we gathered at the cook-house, which smelt greasy and nourishing. At the head of the queue of course were the hungriest--little Albert Kropp, the clearest thinker among us and therefore the first to be lance-corporal; Müller, who still carries his school textbooks with him, dreams of examinations, and during a bombardment mutters propositions in physics; Leer, who wears a full beard and has a preference for the girls from officers' brothels. He swears that they are obliged by an army order to wear silk chemises and to bathe before entertaining guests of the rank of major and upwards. And as the fourth, myself, Paul Bäumer. All four are nineteen years of age, and all four joined up from the same class as volunteers for the war. Close behind us were our friends: Tjaden, a skinny lock-smith of our own age, the biggest eater of the company. He sits down to eat as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory seats. On the sides are hand-grips enabling one to shift them about. We move three together in a ring and sit down comfortably. For two hours we have been here without getting up. I well remember how embarrassed we were as recruits in barracks when we had to use the general latrine. There were no doors and twenty men sat side by side as in a railway carriage, so that they could be reviewed all at one glance, for soldiers must always be under supervision. Since then we have learned better than to be shy about such trifling immodesties. In time things far worse than that came easy to us. Here in the open air though, the business is entirely a pleasure. I no longer understand why we should always have shied at it before. It is, in fact, just as natural as eating and drinking. We did not properly appreciate these boxes when we first enlisted; they were new to us and did not fill such an important rôle--but now they have long been a matter of course. The soldier is on friendlier terms than other men with his stomach and intestines. Three-quarters of his vocabulary is derived from these regions, and they give an intimate flavour to expressions of his greatest joy as well as of his deepest indignation. It is impossible to express oneself in any other way so clearly and pithily. Our families and our teachers will be shocked when we go home, but here it is the universal language. Enforced publicity has in our eyes restored the character of complete innocence to all these things. More than that, they are so much a matter of course that their comfortable performance is fully as much enjoyed as the playing of a safe top running flush. Not for nothing was the word "latrine-rumour" invented; these places are the regimental gossip-shops and common-rooms. We feel ourselves for the time being better off than in any palatial white-tiled "convenience." _There_ it can only be hygienic; _here_ it is beautiful. These are wonderfully care-free hours. Over us is the blue sky. On the horizon float the bright yellow, sunlit observation-balloons, and the many little white clouds of the anti-aircraft shells. Often they rise in a sheaf as they follow after an airman. We hear the muffled rumble of the front only as very distant thunder, bumble-bees droning by quite drown it. Around us stretches the flowery meadow. The grasses sway their tall spears; the white butterflies flutter around and float on the soft warm wind of the late summer. We read letters and newspapers and smoke. We take off our caps and lay them down beside us. The wind plays with our hair; it plays with our words and thoughts. The three boxes stand in the midst of the glowing, red field-poppies. We set the lid of the margarine tub on our knees and so have a good table for a game of skat. Kropp has the cards with him. After every throw-in the loser pays into the pool. One could sit	as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory seats. On the sides are hand-grips enabling one to shift them about. We move three together in a ring and sit down comfortably. For two hours we have been here without getting up. I well remember how embarrassed we were as recruits in barracks when we had to use the general latrine. There were no doors and twenty men sat side by side as in a railway carriage, so that they could be reviewed all at one glance, for soldiers must always be under supervision. Since then we have learned better than to be shy about such trifling immodesties. In time things far worse than that came easy to us. Here in the open air though, the business is entirely a pleasure. I no longer understand why we should always have shied at it before. It is, in fact, just as natural as eating and drinking. We did not properly appreciate these boxes when we first enlisted; they were new to us and did not fill such an important rôle--but now they have long been a matter of course. The soldier	All Quiet on the Western Front	"I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com.	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "\"I don't care about the stew, but I can only issue rations for eighty men,\" persisted Ginger. Katczinsky got angry. \"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company.\"<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>\"Yes, we did have heavy losses yesterday.\" He looked in the dixie. \"The beans look good.\" Ginger nodded. \"Cooked with meat and fat.\" The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com.", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"On your not asking a lot of silly questions."	Nanny	"Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How	depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you	I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his	Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery."	a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all	with both hands; he looked guiltily at Ben, who said, "What d'you suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle. "There, how did that feel? You just skimmed over like a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John.	was more the name for a hound than a horse. Ben had known a strawberry roan called Thunderclap who killed two riders and won the local point-to-point four years running. He had been a lovely little horse, said Ben, till he staked himself in the guts, hunting, and had to be shot. Ben knew stories about a great many different horses. There was one called Zero on whom he had won five Jimmy-o-goblins at ten to three at Chester one year. And there was a mule he had known during the war, called Peppermint, who had died of drinking the company's rum ration. But John was not going to name his pony after a drunken mule. So in the end they had decided on Thunderclap, in spite of her imperturbable disposition. She was a dark bay, with long tail and mane. Ben had left her legs shaggy. She cropped the grass, resisting John's attempts to keep her head up. Before her arrival riding had been a very different thing. He had jogged round the paddock on a little Shetland pony called Bunny, with his nurse panting at the bridle. Now it was a man's business. Nanny sat at a distance, crocheting, on her camp stool; out of earshot. There had been a corresponding promotion in Ben's position. From being the hand who looked after the farm horses, he was now, perceptibly, assuming the air of a stud groom. The handkerchief round his neck gave place to a stock with a fox-head pin. He was a man of varied experience in other parts of the country. Neither Tony nor Brenda hunted but they were anxious that John should like it. Ben foresaw the time when the stables would be full and himself in authority; it would not be like Mr Last to get anyone in from outside. Ben had got two posts bored for iron pegs, and a white-washed rail. With these he erected a two-foot jump in the middle of the field. "Now take it quite easy. Canter up slow and when she takes off lean forward in the saddle and you'll be over like a bird. Keep her head straight at it." Thunderclap trotted forwards, cantered two paces, thought better of it and, just before the jump, fell into a trot again and swerved round the obstacle. John recovered his balance by dropping the reins and gripping the mane with both hands; he looked guiltily at Ben, who said, "What d'you suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle. "There, how did that feel? You just skimmed over like a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben." "I'm not sure we shan't both be soon." They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a	suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle. "There, how did that feel? You just skimmed over like a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * *	A Handful Of Dust	I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "I have my milk in mummy's room?\" \"That depends.\" Nanny's replies were always evasive, like that--\" \"We'll see\" or \"That's asking\" or \"Those that ask no questions hear no lies\" \"--altogether unlike Ben's decisive and pungent judgments. \"What does it depend on?\" \"Lots of things.\" \"Tell me one of them.\"<\|quote\|>\"On your not asking a lot of silly questions.\"</\|quote\|>\"Silly old tart.\" \"_John!_ How dare you? What do you mean?\" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, \"Silly old tart, silly old tart\" all the way to the side entrance. When they entered the porch his", "role": "user" }, { "content": "Nanny", "role": "assistant" } ] }	Nanny
"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."	Unknowable	know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent	up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used	said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on	head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most	was a neat, circumspect child of twelve, with large grave eyes behind her goggles. She kissed her father and mother and said, "I'm sorry if I'm late." "_If_ you're late..." said Mr Last tolerantly. "How long will the show last?" asked Teddy. "I've got to run over to Bayton and get some more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most of the village; there were also a dozen or so neighbours, among them Colonel Inch--Richard Last and Teddy had hunted regularly that season with the Pigstanton. Mr Tendril conducted the brief service in resonant tones that were clearly audible above the blustering wind. When he pulled the cord the flag fell away from the memorial without mishap. It was a plain monolith of local stone, inscribed: ANTHONY LAST OF HETTON EXPLORER Born at Hetton, 1902 Died in Brazil, 1934 When the local visitors had left and the relatives had gone into the house to be shown the new labour-saving arrangements,	the morning-room, the smoking-room and what had been Tony's study. Most of the kitchen quarters, too, were out of use; an up-to-date and economical range had been installed in one of the pantries. The family all appeared downstairs by half-past eight, except Agnes, who took longer to dress and was usually some minutes late; Teddy and Molly had been out for an hour, she among the rabbits, he to the silver foxes. Teddy was twenty-two and lived at home. Peter was still at Oxford. They breakfasted together in the morning-room. Mrs Last sat at one end of the table, her husband at the other; there was a constant traffic from hand to hand to and fro between them of cups, plates, honey-jars and correspondence. Mrs Last said, "Molly, you have rabbit-feed on your head again." "Oh well, I shall have to tidy up anyway before the jamboree." Mr Last said, "_Jamboree?_ Is nothing sacred to you children?" Teddy said, "Another casualty at the stinkeries. That little vixen we bought from the people at Okehampton got her brush bitten off during the night. Must have got it through the wire into the next cage. Tricky birds, foxes." Agnes came next; she was a neat, circumspect child of twelve, with large grave eyes behind her goggles. She kissed her father and mother and said, "I'm sorry if I'm late." "_If_ you're late..." said Mr Last tolerantly. "How long will the show last?" asked Teddy. "I've got to run over to Bayton and get some more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most of the village; there were also a dozen or so neighbours, among them Colonel Inch--Richard Last and Teddy had hunted regularly that season with the Pigstanton. Mr Tendril conducted the brief service in resonant tones that were clearly audible above the blustering wind. When he pulled the cord the flag fell away from the memorial without mishap. It was a plain monolith of local stone, inscribed: ANTHONY LAST OF HETTON EXPLORER Born at Hetton, 1902 Died in Brazil, 1934 When the local visitors had left and the relatives had gone into the house to be shown the new labour-saving arrangements, Richard Last and Lady St Cloud remained for a short time on the gravel. "I'm glad we put that up," he said. "You know, I should never have thought of it, if it had not been for a Mrs Beaver. She wrote to me as soon as the news of Tony's death was published. I didn't know her at the time. Of course we knew very few of Tony's friends." "It was her suggestion?" "Yes, she said that as one of Tony's closest friends she knew he would wish to have some monument at Hetton. She was most considerate--even offering to arrange with the contractors for it. Her own plans were more ambitious. She proposed that we should have the chapel redecorated as a chantry. But I think this is what he would have preferred. The stone comes from one of our own quarries and was cut by the estate workmen." "Yes, I think he would have preferred this," said Lady St Cloud. * * * * * Teddy had chosen Galahad for his bedroom. He disengaged himself from the family and hurried up to change out of his dark clothes. Within ten minutes he was in his car driving	could I do? You were so sound asleep. They had come all the way to find you, so--I thought you would not mind--as you could not greet them yourself, I gave them a little souvenir, your watch. They wanted something to take back to England where a reward is being offered for news of you. They were very pleased with it. And they took some photographs of the little cross I put up to commemorate your coming. They were pleased with that, too. They were very easily pleased. But I do not suppose they will visit us again, our life here is so retired... no pleasures except reading... I do not suppose we shall ever have visitors again... well, well, I will get you some medicine to make you feel better. Your head aches, does it not?... We will not have any Dickens to-day... but to-morrow, and the day after that, and the day after that. Let us read _Little Dorrit_ again. There are passages in that book I can never hear without the temptation to weep." CHAPTER VII ENGLISH GOTHIC--III A light breeze in the dewy orchards; brilliant, cool sunshine over meadows and copses; the elms were all in bud in the avenue; everything was early that year, for it had been a mild winter. High overhead among its gargoyles and crockets the clock chimed for the hour and solemnly struck fourteen. It was half-past eight. The clock has been irregular lately. It was one of the things that Richard Last intended to see to, when death duties were paid and silver foxes began to show a profit. Molly Last bowled up the drive on her two-stroke motor-cycle; there was bran mash on her breeches and in her hair. She had been feeding the Angora rabbits. On the gravel in front of the house the new memorial stood, shrouded in a flag. Molly propped the motor-cycle against the wall of the drawbridge and ran in to breakfast. Life at Hetton was busier but simpler since Richard Last's succession. Ambrose remained, but there were no longer any footmen; he and a boy and four women servants did the work of the house. Richard Last called them his "skeleton staff". When things were easier he would extend the household; meanwhile the dining-hall and the library were added to the state apartments which were kept locked and shuttered; the family lived in the morning-room, the smoking-room and what had been Tony's study. Most of the kitchen quarters, too, were out of use; an up-to-date and economical range had been installed in one of the pantries. The family all appeared downstairs by half-past eight, except Agnes, who took longer to dress and was usually some minutes late; Teddy and Molly had been out for an hour, she among the rabbits, he to the silver foxes. Teddy was twenty-two and lived at home. Peter was still at Oxford. They breakfasted together in the morning-room. Mrs Last sat at one end of the table, her husband at the other; there was a constant traffic from hand to hand to and fro between them of cups, plates, honey-jars and correspondence. Mrs Last said, "Molly, you have rabbit-feed on your head again." "Oh well, I shall have to tidy up anyway before the jamboree." Mr Last said, "_Jamboree?_ Is nothing sacred to you children?" Teddy said, "Another casualty at the stinkeries. That little vixen we bought from the people at Okehampton got her brush bitten off during the night. Must have got it through the wire into the next cage. Tricky birds, foxes." Agnes came next; she was a neat, circumspect child of twelve, with large grave eyes behind her goggles. She kissed her father and mother and said, "I'm sorry if I'm late." "_If_ you're late..." said Mr Last tolerantly. "How long will the show last?" asked Teddy. "I've got to run over to Bayton and get some more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most of the village; there were also a dozen or so neighbours, among them Colonel Inch--Richard Last and Teddy had hunted regularly that season with the Pigstanton. Mr Tendril conducted the brief service in resonant tones that were clearly audible above the blustering wind. When he pulled the cord the flag fell away from the memorial without mishap. It was a plain monolith of local stone, inscribed: ANTHONY LAST OF HETTON EXPLORER Born at Hetton, 1902 Died in Brazil, 1934 When the local visitors had left and the relatives had gone into the house to be shown the new labour-saving arrangements, Richard Last and Lady St Cloud remained for a short time on the gravel. "I'm glad we put that up," he said. "You know, I should never have thought of it, if it had not been for a Mrs Beaver. She wrote to me as soon as the news of Tony's death was published. I didn't know her at the time. Of course we knew very few of Tony's friends." "It was her suggestion?" "Yes, she said that as one of Tony's closest friends she knew he would wish to have some monument at Hetton. She was most considerate--even offering to arrange with the contractors for it. Her own plans were more ambitious. She proposed that we should have the chapel redecorated as a chantry. But I think this is what he would have preferred. The stone comes from one of our own quarries and was cut by the estate workmen." "Yes, I think he would have preferred this," said Lady St Cloud. * * * * * Teddy had chosen Galahad for his bedroom. He disengaged himself from the family and hurried up to change out of his dark clothes. Within ten minutes he was in his car driving to Chivers' farm. Before luncheon he was back with the rabbits. They were skinned and tied round the feet into bundles of four. "Coming to the stinkeries?" he asked Agnes. "No, I'm looking after Cousin Frances. She got rather on mother's nerves through crabbing the new boiler." The silver-fox farm was behind the stables; a long double row of wire cages; they had wire floors covered with earth and cinders to prevent the animals digging their way out. They lived in pairs; some were moderately tame but it was unwise to rely upon them. Teddy and Ben Hacket--who helped with them--had been badly bitten more than once that winter. They ran up to the doors when they saw Teddy come with the rabbits. The vixen who had lost her brush seemed little the worse for her accident. Teddy surveyed his charges with pride and affection. It was by means of them that he hoped one day to restore Hetton to the glory that it had enjoyed in the days of his Cousin Tony.	the drive on her two-stroke motor-cycle; there was bran mash on her breeches and in her hair. She had been feeding the Angora rabbits. On the gravel in front of the house the new memorial stood, shrouded in a flag. Molly propped the motor-cycle against the wall of the drawbridge and ran in to breakfast. Life at Hetton was busier but simpler since Richard Last's succession. Ambrose remained, but there were no longer any footmen; he and a boy and four women servants did the work of the house. Richard Last called them his "skeleton staff". When things were easier he would extend the household; meanwhile the dining-hall and the library were added to the state apartments which were kept locked and shuttered; the family lived in the morning-room, the smoking-room and what had been Tony's study. Most of the kitchen quarters, too, were out of use; an up-to-date and economical range had been installed in one of the pantries. The family all appeared downstairs by half-past eight, except Agnes, who took longer to dress and was usually some minutes late; Teddy and Molly had been out for an hour, she among the rabbits, he to the silver foxes. Teddy was twenty-two and lived at home. Peter was still at Oxford. They breakfasted together in the morning-room. Mrs Last sat at one end of the table, her husband at the other; there was a constant traffic from hand to hand to and fro between them of cups, plates, honey-jars and correspondence. Mrs Last said, "Molly, you have rabbit-feed on your head again." "Oh well, I shall have to tidy up anyway before the jamboree." Mr Last said, "_Jamboree?_ Is nothing sacred to you children?" Teddy said, "Another casualty at the stinkeries. That little vixen we bought from the people at Okehampton got her brush bitten off during the night. Must have got it through the wire into the next cage. Tricky birds, foxes." Agnes came next; she was a neat, circumspect child of twelve, with large grave eyes behind her goggles. She kissed her father and mother and said, "I'm sorry if I'm late." "_If_ you're late..." said Mr Last tolerantly. "How long will the show last?" asked Teddy. "I've got to run over to Bayton and get some more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most of the village; there were also a dozen or so neighbours, among them Colonel Inch--Richard Last and Teddy had hunted regularly that season with the Pigstanton. Mr Tendril conducted the brief service in resonant tones that were clearly audible above the blustering wind. When he pulled the cord the flag fell away from the memorial without mishap. It was a plain monolith of local stone, inscribed: ANTHONY LAST OF HETTON EXPLORER Born at Hetton, 1902 Died in Brazil, 1934 When the local visitors had left and the relatives had gone into the house to be shown the new labour-saving arrangements, Richard Last and Lady St Cloud remained for a short time on the gravel. "I'm glad we put that up," he said. "You know, I should never have thought of it, if it had not been for a Mrs Beaver. She wrote to me as soon as the news of Tony's death was published. I didn't know her at the time. Of course we knew very few of Tony's friends." "It was her suggestion?" "Yes, she said that as one of Tony's closest friends she knew he would wish to have some monument at Hetton. She was most considerate--even offering to arrange with the contractors for it. Her own plans were more ambitious. She proposed that we should have the chapel redecorated as a chantry. But I think this is what he would have preferred. The stone comes from one of our own quarries and was cut by the estate workmen." "Yes, I think he would have preferred this," said Lady St Cloud. * * * * * Teddy had chosen Galahad for his bedroom. He disengaged himself from the family and hurried up to change out of his dark clothes. Within ten minutes he was in his car driving to Chivers' farm. Before luncheon he was back with the rabbits. They were skinned and tied round the feet into bundles of four. "Coming to the stinkeries?" he asked Agnes. "No, I'm looking after Cousin Frances. She got rather on mother's nerves through crabbing the new boiler." The silver-fox farm was behind the stables; a long double row of wire cages;	A Handful Of Dust	said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "said Molly. \"She sends her love to us all and to Hetton.\" There was another pause. \"Well, I think it's a jolly good thing,\" said Molly. \"She couldn't show much widowly grief. It didn't take her long to get hitched up again.\" \"_Molly!_\" \"And you know you think the same.\"<\|quote\|>\"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy.\"</\|quote\|>\"She was always jolly decent to us when she used to live here,\" said Agnes. \"Well, I should hope so,\" said Teddy. \"After all, it's our place.\" * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on", "role": "user" }, { "content": "Unknowable", "role": "assistant" } ] }	Unknowable
?all her bright hair streaming down,'	No speaker	lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was	so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a	spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think	just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at	have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and	of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn't it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it's better to be good. I know it is, but it's sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to	At the end of the week Marilla said decidedly: "It's no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can't go out with it looking like that." Anne's lips quivered, but she realized the bitter truth of Marilla's remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it over. Oh, I feel that my heart is broken. This is such an unromantic affliction. The girls in books lose their hair in fevers or sell it to get money for some good deed, and I'm sure I wouldn't mind losing my hair in some such fashion half so much. But there is nothing comforting in having your hair cut off because you've dyed it a dreadful color, is there? I'm going to weep all the time you're cutting it off, if it won't interfere. It seems such a tragic thing." Anne wept then, but later on, when she went upstairs and looked in the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I'll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I'd do penance for being wicked that way. I'll look at myself every time I come to my room and see how ugly I am. And I won't try to imagine it away, either. I never thought I was vain about my hair, of all things, but now I know I was, in spite of its being red, because it was so long and thick and curly. I expect something will happen to my nose next." Anne's clipped head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn't say anything when Josie said that to me," Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches, "because I thought it was part of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn't it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it's better to be good. I know it is, but it's sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine," said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible. "Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,' "both of you as	like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret	Anne Of Green Gables	spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "spoil the effect.\" \"But it's so ridiculous to have a redheaded Elaine,\" mourned Anne. \"\"I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had\"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>\"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid.\" \"Your complexion is just as fair as Ruby's,\" said Diana earnestly, \"and your hair is ever so much darker than it used to be before you cut it.\" \"Oh, do you really think", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker

Subsets and Splits

No community queries yet

The top public SQL queries from the community will appear here once available.

Text stringlengths 2 21.9k	Speaker stringclasses 67 values	Text_10_word_context stringlengths 63 22k	Text_20_word_context stringlengths 101 22k	Text_100_word_context stringlengths 320 22.4k	Text_200_word_context stringlengths 638 23k	Text_400_word_context stringlengths 1.15k 24.1k	Text_800_word_context stringlengths 2.38k 26.2k	Text_1600_word_context stringlengths 4.52k 30.6k	Text_variable_400_to_1200_word_context stringlengths 1.36k 26.3k	Book stringclasses 4 values	chat_prompt stringlengths 320 22.4k	chat_text dict	chat_speaker stringclasses 67 values
"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"	Tony Last	went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said	Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint	we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design	and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?"	my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll	to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?"	She's a grand girl." "Grand girl." The cab turned into Golden Square and then down Sink Street, a dingy little place inhabited for the most part by Asiatics. "D'you know, I believe he's taking us to the Old Hundredth." "Can't still be open? Thought they closed it down years ago." But the door was brightly illuminated and a seedy figure in peaked cap and braided overcoat stepped out to open the taxi for them. The Old Hundredth has never been shut. For a generation, while other night clubs have sprung into being, with various names and managers, and various pretensions to respectability, have enjoyed a precarious and brief existence, and come to grief at the hands either of police or creditors, the Old Hundredth has maintained a solid front against all adversity. It has not been immune from persecution; far from it. Times out of number, magistrates have struck it off, cancelled its licence, condemned its premises; the staff and proprietor have been constantly in and out of prison; there have been questions in the House and committees of enquiry, but whatever Home Secretaries and Commissioners of Police have risen into eminence and retired discredited, the doors of the Old Hundredth have always been open from nine in the evening until four at night, and inside there has been an unimpeded flow of dubious, alcoholic preparations. A kindly young lady admitted Tony and Jock to the ramshackle building. "D'you mind signing on?" Tony and Jock inscribed fictitious names at the foot of a form which stated, _I have been invited to a Bottle Party at 100 Sink Street given by Captain Weybridge_. "That's five bob each, please." It is not an expensive club to run, because none of the staff, except the band, receive any wages; they make what they can by going through the overcoat pockets and giving the wrong change to drunks. The young ladies get in free but they have to see to it that their patrons spend money. "Last time I was here, Tony, was the bachelor party before your wedding." "Tight that night." "Stinking." "I'll tell you who else was tight that night--Reggie. Broke a fruit gum machine." "Reggie was stinking." "I say, you don't still feel low about that girl?" "I don't feel low." "Come on, we'll go downstairs." The dance-room was fairly full. An elderly man had joined the band and was trying to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make	are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs.	A Handful Of Dust	we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table.<\|quote\|>"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?"</\|quote\|>"We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "we can't come round this evening after all.\" \"Oh.\" \"You don't think it very rude, I hope, but we have a lot to attend to.\" \"That's all right, Tony.\" \"Did I wake you up by any chance?\" \"That's all right, Tony.\" \"Well, good night.\" Tony went down to the table.<\|quote\|>\"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?\"</\|quote\|>\"We promised we would,\" said Jock. \"You should never disappoint a lady,\" said Milly. \"Oh, it's too late now.\" Babs said, \"You two are officers, aren't you?\" \"No, why?\" \"I thought you were.\" Milly said, \"I like business gentlemen best, myself. They've more to say.\" \"What d'you do?\" \"I design", "role": "user" }, { "content": "Tony Last", "role": "assistant" } ] }	Tony Last
"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."	Anne Shirley	the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too	excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said	raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing	hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day	through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly	lamp they once had. But it's nice to imagine the fairies lost it one night when they had a ball, so we call it the fairy glass. Matthew is going to make us a table. Oh, we have named that little round pool over in Mr. Barry's field Willowmere. I got that name out of the book Diana lent me. That was a thrilling book, Marilla. The heroine had five lovers. I'd be satisfied with one, wouldn't you? She was very handsome and she went through great tribulations. She could faint as easy as anything. I'd love to be able to faint, wouldn't you, Marilla? It's so romantic. But I'm really very healthy for all I'm so thin. I believe I'm getting fatter, though. Don't you think I am? I look at my elbows every morning when I get up to see if any dimples are coming. Diana is having a new dress made with elbow sleeves. She is going to wear it to the picnic. Oh, I do hope it will be fine next Wednesday. I don't feel that I could endure the disappointment if anything happened to prevent me from getting to the picnic. I suppose I'd live through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession \|ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the	not stop in the middle of things to let your thoughts rove all over creation. Now, get out your patchwork and have your square done before teatime." "I do _not_ like patchwork," said Anne dolefully, hunting out her workbasket and sitting down before a little heap of red and white diamonds with a sigh. "I think some kinds of sewing would be nice; but there's no scope for imagination in patchwork. It's just one little seam after another and you never seem to be getting anywhere. But of course I'd rather be Anne of Green Gables sewing patchwork than Anne of any other place with nothing to do but play. I wish time went as quick sewing patches as it does when I'm playing with Diana, though. Oh, we do have such elegant times, Marilla. I have to furnish most of the imagination, but I'm well able to do that. Diana is simply perfect in every other way. You know that little piece of land across the brook that runs up between our farm and Mr. Barry's. It belongs to Mr. William Bell, and right in the corner there is a little ring of white birch trees--the most romantic spot, Marilla. Diana and I have our playhouse there. We call it Idlewild. Isn't that a poetical name? I assure you it took me some time to think it out. I stayed awake nearly a whole night before I invented it. Then, just as I was dropping off to sleep, it came like an inspiration. Diana was _enraptured_ when she heard it. We have got our house fixed up elegantly. You must come and see it, Marilla--won't you? We have great big stones, all covered with moss, for seats, and boards from tree to tree for shelves. And we have all our dishes on them. Of course, they're all broken but it's the easiest thing in the world to imagine that they are whole. There's a piece of a plate with a spray of red and yellow ivy on it that is especially beautiful. We keep it in the parlor and we have the fairy glass there, too. The fairy glass is as lovely as a dream. Diana found it out in the woods behind their chicken house. It's all full of rainbows--just little young rainbows that haven't grown big yet--and Diana's mother told her it was broken off a hanging lamp they once had. But it's nice to imagine the fairies lost it one night when they had a ball, so we call it the fairy glass. Matthew is going to make us a table. Oh, we have named that little round pool over in Mr. Barry's field Willowmere. I got that name out of the book Diana lent me. That was a thrilling book, Marilla. The heroine had five lovers. I'd be satisfied with one, wouldn't you? She was very handsome and she went through great tribulations. She could faint as easy as anything. I'd love to be able to faint, wouldn't you, Marilla? It's so romantic. But I'm really very healthy for all I'm so thin. I believe I'm getting fatter, though. Don't you think I am? I look at my elbows every morning when I get up to see if any dimples are coming. Diana is having a new dress made with elbow sleeves. She is going to wear it to the picnic. Oh, I do hope it will be fine next Wednesday. I don't feel that I could endure the disappointment if anything happened to prevent me from getting to the picnic. I suppose I'd live through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession \|ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the spotless table and singing, "Nelly of the Hazel Dell" with a vigor and expression that did credit to Diana's teaching, "did you see anything of my amethyst brooch? I thought I stuck it in my pincushion when I came home from church yesterday evening, but I can't find it anywhere." "I--I saw it this afternoon when you were away at the Aid Society," said Anne, a little slowly. "I was passing your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne." "I did put it back," said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting	think I am? I look at my elbows every morning when I get up to see if any dimples are coming. Diana is having a new dress made with elbow sleeves. She is going to wear it to the picnic. Oh, I do hope it will be fine next Wednesday. I don't feel that I could endure the disappointment if anything happened to prevent me from getting to the picnic. I suppose I'd live through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER	Anne Of Green Gables	raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it."</\|quote\|>"You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit.<\|quote\|>\"Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it.\"</\|quote\|>\"You set your heart too much on things, Anne,\" said Marilla, with a sigh. \"I'm afraid there'll be a great many disappointments in store for you through life.\" \"Oh, Marilla, looking forward to things is half the pleasure of them,\" exclaimed Anne. \"You mayn't get the things themselves; but nothing", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
said Anne resolutely.	No speaker	"You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I	broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you	be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to	would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could	aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could leave you alone in your trouble, Marilla, after all you've done for me. I've been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won't have any bother over that. And I'm going to teach. I've applied for the school here--but I don't expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won't be quite as nice or convenient as if I had	alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could leave you alone in your trouble, Marilla, after all you've done for me. I've been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won't have any bother over that. And I'm going to teach. I've applied for the school here--but I don't expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won't be quite as nice or convenient as if I had the Avonlea school. But I can board home and drive myself over to Carmody and back, in the warm weather at least. And even in winter I can come home Fridays. We'll keep a horse for that. Oh, I have it all planned out, Marilla. And I'll read to you and keep you cheered up. You sha'n't be dull or lonesome. And we'll be real cozy and happy here together, you and I." Marilla had listened like a woman in a dream. "Oh, Anne, I could get on real well if you were here, I know. But I can't let you sacrifice yourself so for me. It would be terrible." "Nonsense!" Anne laughed merrily. "There is no sacrifice. Nothing could be worse than giving up Green Gables--nothing could hurt me more. We must keep the dear old place. My mind is quite made up, Marilla. I'm _not_ going to Redmond; and I _am_ going to stay here and teach. Don't you worry about me a bit." "But your ambitions--and--" "I'm just as ambitious as ever. Only, I've changed the object of my ambitions. I'm going to be a good teacher--and I'm going to save your eyesight. Besides, I mean to	and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road \|MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know," said Marilla wearily, looking up. "I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could leave you alone in your trouble, Marilla, after all you've done for me. I've been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won't have any bother over that. And I'm going to teach. I've applied for the school here--but I don't expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won't be quite as nice or convenient as if I had the Avonlea school. But I can board home and drive myself over to Carmody and back, in the warm weather at least. And even in winter I can come home Fridays. We'll keep a horse for that. Oh, I have it all planned out, Marilla. And I'll read to you and keep you cheered up. You sha'n't be dull or lonesome. And we'll be real cozy and happy here together, you and I." Marilla had listened like a woman in a dream. "Oh, Anne, I could get on real well if you were here, I know. But I can't let you sacrifice yourself so for me. It would be terrible." "Nonsense!" Anne laughed merrily. "There is no sacrifice. Nothing could be worse than giving up Green Gables--nothing could hurt me more. We must keep the dear old place. My mind is quite made up, Marilla. I'm _not_ going to Redmond; and I _am_ going to stay here and teach. Don't you worry about me a bit." "But your ambitions--and--" "I'm just as ambitious as ever. Only, I've changed the object of my ambitions. I'm going to be a good teacher--and I'm going to save your eyesight. Besides, I mean to study at home here and take a little college course all by myself. Oh, I've dozens of plans, Marilla. I've been thinking them out for a week. I shall give life here my best, and I believe it will give its best to me in return. When I left Queen's my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don't know what lies around the bend, but I'm going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes--what there is of green glory and soft, checkered light and shadows--what new landscapes--what new beauties--what curves and hills and valleys further on." "I don't feel as if I ought to let you give it up," said Marilla, referring to the scholarship. "But you can't prevent me. I'm sixteen and a half," ?obstinate as a mule,' "as Mrs. Lynde once told me," laughed Anne. "Oh, Marilla, don't you go pitying me. I don't like to be pitied, and there is no need for it. I'm heart glad over the very thought of staying at dear Green Gables. Nobody could love it as you and I do--so we must keep it." "You blessed girl!" said Marilla, yielding. "I feel as if you'd given me new life. I guess I ought to stick out and make you go to college--but I know I can't, so I ain't going to try. I'll make it up to you though, Anne." When it became noised abroad in Avonlea that Anne Shirley had given up the idea of going to college and intended to stay home and teach there was a good deal of discussion over it. Most of the good folks, not knowing about Marilla's eyes, thought she was foolish. Mrs. Allan did not. She told Anne so in approving words that brought tears of pleasure to the girl's eyes. Neither did good Mrs. Lynde. She came up one evening and found Anne and Marilla sitting at the front door in the warm, scented summer dusk. They liked to sit there when the twilight came down and the white moths flew about in the garden and the odor of mint filled the dewy air. Mrs. Rachel deposited her substantial person upon	"What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could leave you alone in your trouble, Marilla, after all you've done for me. I've been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won't have any bother over that. And I'm going to teach. I've applied for the school here--but I don't expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won't be quite as nice or convenient as if I had the Avonlea school. But I can board home and drive myself over to Carmody and back, in the warm weather at least. And even in winter I can come home Fridays. We'll keep a horse for that. Oh, I have it all planned out, Marilla. And I'll read to you and keep you cheered up. You sha'n't be dull or lonesome. And we'll be real cozy and happy here together, you and I." Marilla had listened like a woman in a dream. "Oh, Anne, I could get on real well if you were here, I know. But I can't let you sacrifice yourself	Anne Of Green Gables	be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables,"<\|quote\|>said Anne resolutely.</\|quote\|>"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow.\" Marilla broke down and wept bitterly. \"You mustn't sell Green Gables,\"<\|quote\|>said Anne resolutely.</\|quote\|>\"Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would.\" \"You won't have to stay here alone, Marilla. I'll be with you. I'm not going to", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."	Diana Barry	in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded	in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that	you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through	Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small	Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I've come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think	but I'm a pretty good judge of human nature, that's what." "I'm such an unlucky girl," mourned Anne. "I'm always getting into scrapes myself and getting my best friends--people I'd shed my heart's blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It's because you're too heedless and impulsive, child, that's what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment's reflection." "Oh, but that's the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven't you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that's what. The proverb you need to go by is ?Look before you leap'--especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde's she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I've come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we've apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana's heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I've been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady's eyes by this time and was replaced by a twinkle of amused interest. But she still said severely: "I don't think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when I was young. You don't know what it is to be awakened out of a sound sleep, after a long and arduous journey, by two great girls coming bounce down on you." "I don't _know_, but I can _imagine_," said Anne eagerly. "I'm sure it must have been very disturbing. But then, there is our side of it too.	soon. She's awfully prim and proper and she'll scold dreadfully about this, I know. Well, we'll have to sleep with Minnie May--and you can't think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn't disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde's on an errand for Marilla. "So you and Diana nearly frightened poor old Miss Barry to death last night?" said Mrs. Lynde severely, but with a twinkle in her eye. "Mrs. Barry was here a few minutes ago on her way to Carmody. She's feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning--and Josephine Barry's temper is no joke, I can tell you that. She wouldn't speak to Diana at all." "It wasn't Diana's fault," said Anne contritely. "It was mine. I suggested racing to see who would get into bed first." "I knew it!" said Mrs. Lynde, with the exultation of a correct guesser. "I knew that idea came out of your head. Well, it's made a nice lot of trouble, that's what. Old Miss Barry came out to stay for a month, but she declares she won't stay another day and is going right back to town tomorrow, Sunday and all as it is. She'd have gone today if they could have taken her. She had promised to pay for a quarter's music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they'd like to keep on the good side of her. Of course, Mrs. Barry didn't say just that to me, but I'm a pretty good judge of human nature, that's what." "I'm such an unlucky girl," mourned Anne. "I'm always getting into scrapes myself and getting my best friends--people I'd shed my heart's blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It's because you're too heedless and impulsive, child, that's what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment's reflection." "Oh, but that's the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven't you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that's what. The proverb you need to go by is ?Look before you leap'--especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde's she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I've come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we've apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana's heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I've been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady's eyes by this time and was replaced by a twinkle of amused interest. But she still said severely: "I don't think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when I was young. You don't know what it is to be awakened out of a sound sleep, after a long and arduous journey, by two great girls coming bounce down on you." "I don't _know_, but I can _imagine_," said Anne eagerly. "I'm sure it must have been very disturbing. But then, there is our side of it too. Have you any imagination, Miss Barry? If you have, just put yourself in our place. We didn't know there was anybody in that bed and you nearly scared us to death. It was simply awful the way we felt. And then we couldn't sleep in the spare room after being promised. I suppose you are used to sleeping in spare rooms. But just imagine what you would feel like if you were a little orphan girl who had never had such an honor." All the snap had gone by this time. Miss Barry actually laughed--a sound which caused Diana, waiting in speechless anxiety in the kitchen outside, to give a great gasp of relief. "I'm afraid my imagination is a little rusty--it's so long since I used it," she said. "I dare say your claim to sympathy is just as strong as mine. It all depends on the way we look at it. Sit down here and tell me about yourself." "I am very sorry I can't," said Anne firmly. "I would like to, because you seem like an interesting lady, and you might even be a kindred spirit although you don't look very much like it. But it is my duty to go home to Miss Marilla Cuthbert. Miss Marilla Cuthbert is a very kind lady who has taken me to bring up properly. She is doing her best, but it is very discouraging work. You must not blame her because I jumped on the bed. But before I go I do wish you would tell me if you will forgive Diana and stay just as long as you meant to in Avonlea." "I think perhaps I will if you will come over and talk to me occasionally," said Miss Barry. That evening Miss Barry gave Diana a silver bangle bracelet and told the senior members of the household that she had unpacked her valise. "I've made up my mind to stay simply for the sake of getting better acquainted with that Anne-girl," she said frankly. "She amuses me, and at my time of life an amusing person is a rarity." Marilla's only comment when she heard the story was, "I told you so." This was for Matthew's benefit. Miss Barry stayed her month out and over. She was a more agreeable guest than usual, for Anne kept her in good humor. They became firm friends. When Miss Barry	to stay for a month, but she declares she won't stay another day and is going right back to town tomorrow, Sunday and all as it is. She'd have gone today if they could have taken her. She had promised to pay for a quarter's music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they'd like to keep on the good side of her. Of course, Mrs. Barry didn't say just that to me, but I'm a pretty good judge of human nature, that's what." "I'm such an unlucky girl," mourned Anne. "I'm always getting into scrapes myself and getting my best friends--people I'd shed my heart's blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It's because you're too heedless and impulsive, child, that's what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment's reflection." "Oh, but that's the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven't you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that's what. The proverb you need to go by is ?Look before you leap'--especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde's she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I've come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we've apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana's heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I've been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady's eyes by this time and was replaced by a twinkle of amused interest. But she still said severely: "I don't think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when	Anne Of Green Gables	you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana.<\|quote\|>"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good."</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "you alive!\" \"Don't frighten me any more than I am frightened,\" implored Anne. \"I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately.\" \"Well, she's in the room,\" said Diana.<\|quote\|>\"You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good.\"</\|quote\|>With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp \"Come in\" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through", "role": "user" }, { "content": "Diana Barry", "role": "assistant" } ] }	Diana Barry
she said frankly.	No speaker	spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come	Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables.	and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne	white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing	it, stood Anne and Diana, gazing bashfully at each other over a clump of gorgeous tiger lilies. The Barry garden was a bowery wilderness of flowers which would have delighted Anne's heart at any time less fraught with destiny. It was encircled by huge old willows and tall firs, beneath which flourished flowers that loved the shade. Prim, right-angled paths neatly bordered with clamshells, intersected it like moist red ribbons and in the beds between old-fashioned flowers ran riot. There were rosy bleeding-hearts and great splendid crimson peonies; white, fragrant narcissi and thorny, sweet Scotch roses; pink and blue and white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But	important point. Mrs. Barry, not hearing or not comprehending, merely shook hands and said kindly: "How are you?" "I am well in body although considerable rumpled up in spirit, thank you ma'am," said Anne gravely. Then aside to Marilla in an audible whisper, "There wasn't anything startling in that, was there, Marilla?" Diana was sitting on the sofa, reading a book which she dropped when the callers entered. She was a very pretty little girl, with her mother's black eyes and hair, and rosy cheeks, and the merry expression which was her inheritance from her father. "This is my little girl Diana," said Mrs. Barry. "Diana, you might take Anne out into the garden and show her your flowers. It will be better for you than straining your eyes over that book. She reads entirely too much--" this to Marilla as the little girls went out--" "and I can't prevent her, for her father aids and abets her. She's always poring over a book. I'm glad she has the prospect of a playmate--perhaps it will take her more out-of-doors." Outside in the garden, which was full of mellow sunset light streaming through the dark old firs to the west of it, stood Anne and Diana, gazing bashfully at each other over a clump of gorgeous tiger lilies. The Barry garden was a bowery wilderness of flowers which would have delighted Anne's heart at any time less fraught with destiny. It was encircled by huge old willows and tall firs, beneath which flourished flowers that loved the shade. Prim, right-angled paths neatly bordered with clamshells, intersected it like moist red ribbons and in the beds between old-fashioned flowers ran riot. There were rosy bleeding-hearts and great splendid crimson peonies; white, fragrant narcissi and thorny, sweet Scotch roses; pink and blue and white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish	better than being a trial to you." "Nonsense," said Marilla, vexed at herself for having made the child cry. "I don't want to send you back to the asylum, I'm sure. All I want is that you should behave like other little girls and not make yourself ridiculous. Don't cry any more. I've got some news for you. Diana Barry came home this afternoon. I'm going up to see if I can borrow a skirt pattern from Mrs. Barry, and if you like you can come with me and get acquainted with Diana." Anne rose to her feet, with clasped hands, the tears still glistening on her cheeks; the dish towel she had been hemming slipped unheeded to the floor. "Oh, Marilla, I'm frightened--now that it has come I'm actually frightened. What if she shouldn't like me! It would be the most tragical disappointment of my life." "Now, don't get into a fluster. And I do wish you wouldn't use such long words. It sounds so funny in a little girl. I guess Diana ?ll like you well enough. It's her mother you've got to reckon with. If she doesn't like you it won't matter how much Diana does. If she has heard about your outburst to Mrs. Lynde and going to church with buttercups round your hat I don't know what she'll think of you. You must be polite and well behaved, and don't make any of your startling speeches. For pity's sake, if the child isn't actually trembling!" Anne _was_ trembling. Her face was pale and tense. "Oh, Marilla, you'd be excited, too, if you were going to meet a little girl you hoped to be your bosom friend and whose mother mightn't like you," she said as she hastened to get her hat. They went over to Orchard Slope by the short cut across the brook and up the firry hill grove. Mrs. Barry came to the kitchen door in answer to Marilla's knock. She was a tall black-eyed, black-haired woman, with a very resolute mouth. She had the reputation of being very strict with her children. "How do you do, Marilla?" she said cordially. "Come in. And this is the little girl you have adopted, I suppose?" "Yes, this is Anne Shirley," said Marilla. "Spelled with an E," gasped Anne, who, tremulous and excited as she was, was determined there should be no misunderstanding on that important point. Mrs. Barry, not hearing or not comprehending, merely shook hands and said kindly: "How are you?" "I am well in body although considerable rumpled up in spirit, thank you ma'am," said Anne gravely. Then aside to Marilla in an audible whisper, "There wasn't anything startling in that, was there, Marilla?" Diana was sitting on the sofa, reading a book which she dropped when the callers entered. She was a very pretty little girl, with her mother's black eyes and hair, and rosy cheeks, and the merry expression which was her inheritance from her father. "This is my little girl Diana," said Mrs. Barry. "Diana, you might take Anne out into the garden and show her your flowers. It will be better for you than straining your eyes over that book. She reads entirely too much--" this to Marilla as the little girls went out--" "and I can't prevent her, for her father aids and abets her. She's always poring over a book. I'm glad she has the prospect of a playmate--perhaps it will take her more out-of-doors." Outside in the garden, which was full of mellow sunset light streaming through the dark old firs to the west of it, stood Anne and Diana, gazing bashfully at each other over a clump of gorgeous tiger lilies. The Barry garden was a bowery wilderness of flowers which would have delighted Anne's heart at any time less fraught with destiny. It was encircled by huge old willows and tall firs, beneath which flourished flowers that loved the shade. Prim, right-angled paths neatly bordered with clamshells, intersected it like moist red ribbons and in the beds between old-fashioned flowers ran riot. There were rosy bleeding-hearts and great splendid crimson peonies; white, fragrant narcissi and thorny, sweet Scotch roses; pink and blue and white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't," said Anne eagerly. "I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here	in. And this is the little girl you have adopted, I suppose?" "Yes, this is Anne Shirley," said Marilla. "Spelled with an E," gasped Anne, who, tremulous and excited as she was, was determined there should be no misunderstanding on that important point. Mrs. Barry, not hearing or not comprehending, merely shook hands and said kindly: "How are you?" "I am well in body although considerable rumpled up in spirit, thank you ma'am," said Anne gravely. Then aside to Marilla in an audible whisper, "There wasn't anything startling in that, was there, Marilla?" Diana was sitting on the sofa, reading a book which she dropped when the callers entered. She was a very pretty little girl, with her mother's black eyes and hair, and rosy cheeks, and the merry expression which was her inheritance from her father. "This is my little girl Diana," said Mrs. Barry. "Diana, you might take Anne out into the garden and show her your flowers. It will be better for you than straining your eyes over that book. She reads entirely too much--" this to Marilla as the little girls went out--" "and I can't prevent her, for her father aids and abets her. She's always poring over a book. I'm glad she has the prospect of a playmate--perhaps it will take her more out-of-doors." Outside in the garden, which was full of mellow sunset light streaming through the dark old firs to the west of it, stood Anne and Diana, gazing bashfully at each other over a clump of gorgeous tiger lilies. The Barry garden was a bowery wilderness of flowers which would have delighted Anne's heart at any time less fraught with destiny. It was encircled by huge old willows and tall firs, beneath which flourished flowers that loved the shade. Prim, right-angled paths neatly bordered with clamshells, intersected it like moist red ribbons and in the beds between old-fashioned flowers ran riot. There were rosy bleeding-hearts and great splendid crimson peonies; white, fragrant narcissi and thorny, sweet Scotch roses; pink and blue and white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place	Anne Of Green Gables	and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so,"<\|quote\|>she said frankly.</\|quote\|>"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "and winds, beguiled into loitering, purred and rustled. \"Oh, Diana,\" said Anne at last, clasping her hands and speaking almost in a whisper, \"oh, do you think you can like me a little--enough to be my bosom friend?\" Diana laughed. Diana always laughed before she spoke. \"Why, I guess so,\"<\|quote\|>she said frankly.</\|quote\|>\"I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough.\" \"Will you swear to be my friend forever and ever?\" demanded Anne", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Would you like anything to eat?"	Jock Grant-Menzies	"There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat."	twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and	me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did	did not speak on her way to her flat. She sat beside Jock as he drove, looking straight ahead. When they arrived she unlocked her door and led him in. The room was extremely empty of furniture. She sat down in the only chair. "There's plenty of time really. Tell me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did I?" "You know what you said." "Yes, I know... I didn't mean... I don't think it's any good trying to explain." Jock said, "Are you sure you've got everything?" "Yes, that's everything," she nodded towards the little case on the bed. She looked quite hopeless. "Well, we'd better go to	Polly's." "Shall I talk to her?" "Better not." "All right... I'll meet that train. Are you coming too?" "No." "Well, you've been wonderful. I don't know what I should have done without you and Mrs Rattery." "Oh, that's all right. I'll see Brenda off." She had stopped crying and sat crouched in the chair. She did not look up while Jock telephoned. Then she said, "Yes, I'll go by that train." "We ought to start. I suppose you will have to get some things from the flat." "My bag... upstairs. You get it. I can't go in there again." She did not speak on her way to her flat. She sat beside Jock as he drove, looking straight ahead. When they arrived she unlocked her door and led him in. The room was extremely empty of furniture. She sat down in the only chair. "There's plenty of time really. Tell me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did I?" "You know what you said." "Yes, I know... I didn't mean... I don't think it's any good trying to explain." Jock said, "Are you sure you've got everything?" "Yes, that's everything," she nodded towards the little case on the bed. She looked quite hopeless. "Well, we'd better go to the station." "All right. It's early. But it doesn't matter." Jock took her to the train. As it was Wednesday the carriages were full of women returning after their day's shopping. "Why not go first-class?" "No, no. I always go third." She sat in the middle of a row. The women on either side looked at her curiously, wondering if she were ill. "Don't you want anything to read?" "Nothing to read." "Or eat?" "Or eat." "Then I'll say good-bye." "Good-bye." Another woman pushed past Jock into the carriage, laden with light parcels. * * * * * When the	is. There's been a very serious accident." "John?" "Yes." "Dead?" He nodded. She sat down on a hard little Empire chair against the wall, perfectly still with her hands folded in her lap, like a small well-brought-up child introduced into a room full of grown-ups. She said, "Tell me what happened. Why do you know about it first?" "I've been down at Hetton since the week-end." "Hetton?" "Don't you remember? John was going hunting to-day." She frowned, not at once taking in what he was saying. "John... John Andrew... I... oh, thank God..." Then she burst into tears. She wept helplessly, turning round in the chair and pressing her forehead against its gilt back. Upstairs Mrs Northcote had Souki Foucauld-Esterhazy by the foot and was saying, "There are four men dominating your fate. One is loyal and tender but has not yet disclosed his love..." [VII] In the silence of Hetton, the telephone rang near the housekeeper's room and was switched through to the library. Tony answered it. "This is Jock speaking. I've just seen Brenda. She's coming down by the seven o'clock train." "Is she terribly upset?" "Yes, naturally." "Where is she now?" "She's with me. I'm speaking from Polly's." "Shall I talk to her?" "Better not." "All right... I'll meet that train. Are you coming too?" "No." "Well, you've been wonderful. I don't know what I should have done without you and Mrs Rattery." "Oh, that's all right. I'll see Brenda off." She had stopped crying and sat crouched in the chair. She did not look up while Jock telephoned. Then she said, "Yes, I'll go by that train." "We ought to start. I suppose you will have to get some things from the flat." "My bag... upstairs. You get it. I can't go in there again." She did not speak on her way to her flat. She sat beside Jock as he drove, looking straight ahead. When they arrived she unlocked her door and led him in. The room was extremely empty of furniture. She sat down in the only chair. "There's plenty of time really. Tell me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did I?" "You know what you said." "Yes, I know... I didn't mean... I don't think it's any good trying to explain." Jock said, "Are you sure you've got everything?" "Yes, that's everything," she nodded towards the little case on the bed. She looked quite hopeless. "Well, we'd better go to the station." "All right. It's early. But it doesn't matter." Jock took her to the train. As it was Wednesday the carriages were full of women returning after their day's shopping. "Why not go first-class?" "No, no. I always go third." She sat in the middle of a row. The women on either side looked at her curiously, wondering if she were ill. "Don't you want anything to read?" "Nothing to read." "Or eat?" "Or eat." "Then I'll say good-bye." "Good-bye." Another woman pushed past Jock into the carriage, laden with light parcels. * * * * * When the news became known, Marjorie said to Allan, "Well, anyway, this will mean the end of Mr Beaver." But Polly Cockpurse said to Veronica, "That's the end of Tony so far as Brenda is concerned." The impoverished Lasts were stunned by the telegram. They lived on an extensive but unprofitable chicken farm near Princes Risborough. It did not enter the heads of any of them that now, if anything happened, they were the heirs to Hetton. Had it done so, their grief would have been just as keen. Jock drove from Paddington to Bratt's. One of the men by the bar said, "Ghastly thing about Tony Last's boy." "Yes, I was there." "No, were you? What a ghastly thing." Later a telephone message came: "Princess Abdul Akbar wishes to know whether you are in the club." "No, no, tell her I'm not here," said Jock. [VIII] The inquest was held at eleven o'clock next morning; it was soon over. The doctor, the bus-driver, Ben and Miss Ripon gave evidence. Miss Ripon was allowed to remain seated. She was very white and spoke in a trembling voice; her father glared at her from a nearby seat; under her hat was a small	the sole with the point of a silver pencil case. Brenda wriggled her toes luxuriously and settled down to listen. Next door they said, "Where's Mr Beaver to-day?" "He's flown over to France with his mother to see some new wallpapers. She's been worrying all day thinking he's had an accident." "It's all very touching, isn't it? Though I can't see his point myself..." "You must never do anything on Thursdays," said Mrs Northcote. "Nothing?" "Nothing important. You are intellectual, imaginative, sympathetic, easily led by others, impulsive, affectionate. You are highly artistic and are not giving full scope to your capabilities." "Isn't there anything about love?" "I am coming to love. All these lines from the great toe to the instep represent lovers." "Yes, go on some more about that..." Princess Abdul Akbar was announced. "Where's Brenda?" she said. "I thought she'd be here." "Mrs Northcote's doing her now." "Jock Menzies wants to see her. He's downstairs." "Darling Jock... Why on earth didn't you bring him up?" "No, it's something terribly important. He's got to see Brenda alone." "My dear, how mysterious. Well, she won't be long now. We can't disturb them. It would upset Mrs Northcote." Jenny told them the news. On the other side of the door, Brenda's leg was beginning to feel slightly chilly. "Four men dominate your fate," Mrs Northcote was saying, "one is loyal and tender but he has not yet disclosed his love, one is passionate and overpowering, you are a little afraid of him." "Dear me," said Brenda. "How very exciting. Who _can_ they be?" "One you must avoid; he bodes no good for you, he is steely hearted and rapacious." "I bet that's my Mr Beaver, bless him." Downstairs Jock was waiting in the small front room where Polly's guests usually assembled before luncheon. It was five past six. Soon Brenda pulled on her stocking, stepped into her shoe and joined the ladies. "_Most_ enjoyable," she pronounced. "Why, how odd you all look." "Jock Grant-Menzies wants to see you downstairs." "Jock? How very extraordinary. It isn't anything awful, is it?" "You'd better go and see him." Suddenly Brenda became frightened by the strange air of the room and the unfamiliar expression in her friends' faces. She ran downstairs to the room where Jock was waiting. "What is it, Jock? Tell me quickly, I'm scared. It's nothing awful, is it?" "I'm afraid it is. There's been a very serious accident." "John?" "Yes." "Dead?" He nodded. She sat down on a hard little Empire chair against the wall, perfectly still with her hands folded in her lap, like a small well-brought-up child introduced into a room full of grown-ups. She said, "Tell me what happened. Why do you know about it first?" "I've been down at Hetton since the week-end." "Hetton?" "Don't you remember? John was going hunting to-day." She frowned, not at once taking in what he was saying. "John... John Andrew... I... oh, thank God..." Then she burst into tears. She wept helplessly, turning round in the chair and pressing her forehead against its gilt back. Upstairs Mrs Northcote had Souki Foucauld-Esterhazy by the foot and was saying, "There are four men dominating your fate. One is loyal and tender but has not yet disclosed his love..." [VII] In the silence of Hetton, the telephone rang near the housekeeper's room and was switched through to the library. Tony answered it. "This is Jock speaking. I've just seen Brenda. She's coming down by the seven o'clock train." "Is she terribly upset?" "Yes, naturally." "Where is she now?" "She's with me. I'm speaking from Polly's." "Shall I talk to her?" "Better not." "All right... I'll meet that train. Are you coming too?" "No." "Well, you've been wonderful. I don't know what I should have done without you and Mrs Rattery." "Oh, that's all right. I'll see Brenda off." She had stopped crying and sat crouched in the chair. She did not look up while Jock telephoned. Then she said, "Yes, I'll go by that train." "We ought to start. I suppose you will have to get some things from the flat." "My bag... upstairs. You get it. I can't go in there again." She did not speak on her way to her flat. She sat beside Jock as he drove, looking straight ahead. When they arrived she unlocked her door and led him in. The room was extremely empty of furniture. She sat down in the only chair. "There's plenty of time really. Tell me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did I?" "You know what you said." "Yes, I know... I didn't mean... I don't think it's any good trying to explain." Jock said, "Are you sure you've got everything?" "Yes, that's everything," she nodded towards the little case on the bed. She looked quite hopeless. "Well, we'd better go to the station." "All right. It's early. But it doesn't matter." Jock took her to the train. As it was Wednesday the carriages were full of women returning after their day's shopping. "Why not go first-class?" "No, no. I always go third." She sat in the middle of a row. The women on either side looked at her curiously, wondering if she were ill. "Don't you want anything to read?" "Nothing to read." "Or eat?" "Or eat." "Then I'll say good-bye." "Good-bye." Another woman pushed past Jock into the carriage, laden with light parcels. * * * * * When the news became known, Marjorie said to Allan, "Well, anyway, this will mean the end of Mr Beaver." But Polly Cockpurse said to Veronica, "That's the end of Tony so far as Brenda is concerned." The impoverished Lasts were stunned by the telegram. They lived on an extensive but unprofitable chicken farm near Princes Risborough. It did not enter the heads of any of them that now, if anything happened, they were the heirs to Hetton. Had it done so, their grief would have been just as keen. Jock drove from Paddington to Bratt's. One of the men by the bar said, "Ghastly thing about Tony Last's boy." "Yes, I was there." "No, were you? What a ghastly thing." Later a telephone message came: "Princess Abdul Akbar wishes to know whether you are in the club." "No, no, tell her I'm not here," said Jock. [VIII] The inquest was held at eleven o'clock next morning; it was soon over. The doctor, the bus-driver, Ben and Miss Ripon gave evidence. Miss Ripon was allowed to remain seated. She was very white and spoke in a trembling voice; her father glared at her from a nearby seat; under her hat was a small bare patch, where they had shaved off her hair to clean her cut. In his summary the coroner remarked that it was clear from the evidence that nobody was in any way to blame for the misadventure; it only remained to express the deep sympathy of the court to Mr Last and Lady Brenda in their terrible loss. The people fell back to allow Tony and Brenda to leave the room. Colonel Inch and the hunt secretary were both present. Everything was done with delicacy and to show respect for their sorrow. Brenda said, "Wait a minute. I must just speak to that poor Ripon girl." She did it charmingly. When everyone had gone. Tony said, "I wish you had been here yesterday. There were so many people about and I didn't know what to say to them." "What did you do all day?" "There was the Shameless Blonde... we played animal snap some of the time." "Animal snap? Was that any good?" "Not much... It's odd to think that yesterday this time it hadn't happened." "Poor little boy," said Brenda. They had scarcely spoken to each other since Brenda's arrival. Tony had driven to the station to meet her; by the time they reached the house Mrs Rattery had gone to bed; that morning she left in her aeroplane without seeing either of them. They heard the machine pass over the house, Brenda in her bath, Tony downstairs in his study attending to the correspondence that had become necessary. A day of fitful sunshine and blustering wind; white and grey clouds were scarcely moving, high overhead, but the bare trees round the house swayed and shook and there were swift whirlpools of straw in the stable yard. Ben changed from the Sunday suit he had worn at the inquest and went about his duties. Thunderclap, too, had been kicked yesterday and was very slightly lame in the off fore. Brenda took off her hat and threw it down on a chair in the hall. "Nothing to say, is there?" "There's no need to talk." "No. I suppose there'll have to be a funeral." "Well, of course." "Yes: to-morrow?" She looked into the morning-room. "They've done quite a lot, haven't they?" All Brenda's movements were slower than usual and her voice was flat and expressionless. She sank down into one of the armchairs in the centre of the hall, which	isn't anything awful, is it?" "You'd better go and see him." Suddenly Brenda became frightened by the strange air of the room and the unfamiliar expression in her friends' faces. She ran downstairs to the room where Jock was waiting. "What is it, Jock? Tell me quickly, I'm scared. It's nothing awful, is it?" "I'm afraid it is. There's been a very serious accident." "John?" "Yes." "Dead?" He nodded. She sat down on a hard little Empire chair against the wall, perfectly still with her hands folded in her lap, like a small well-brought-up child introduced into a room full of grown-ups. She said, "Tell me what happened. Why do you know about it first?" "I've been down at Hetton since the week-end." "Hetton?" "Don't you remember? John was going hunting to-day." She frowned, not at once taking in what he was saying. "John... John Andrew... I... oh, thank God..." Then she burst into tears. She wept helplessly, turning round in the chair and pressing her forehead against its gilt back. Upstairs Mrs Northcote had Souki Foucauld-Esterhazy by the foot and was saying, "There are four men dominating your fate. One is loyal and tender but has not yet disclosed his love..." [VII] In the silence of Hetton, the telephone rang near the housekeeper's room and was switched through to the library. Tony answered it. "This is Jock speaking. I've just seen Brenda. She's coming down by the seven o'clock train." "Is she terribly upset?" "Yes, naturally." "Where is she now?" "She's with me. I'm speaking from Polly's." "Shall I talk to her?" "Better not." "All right... I'll meet that train. Are you coming too?" "No." "Well, you've been wonderful. I don't know what I should have done without you and Mrs Rattery." "Oh, that's all right. I'll see Brenda off." She had stopped crying and sat crouched in the chair. She did not look up while Jock telephoned. Then she said, "Yes, I'll go by that train." "We ought to start. I suppose you will have to get some things from the flat." "My bag... upstairs. You get it. I can't go in there again." She did not speak on her way to her flat. She sat beside Jock as he drove, looking straight ahead. When they arrived she unlocked her door and led him in. The room was extremely empty of furniture. She sat down in the only chair. "There's plenty of time really. Tell me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did I?" "You know what you said." "Yes, I know... I didn't mean... I don't think it's any good trying to explain." Jock said, "Are you sure you've got everything?" "Yes, that's everything," she nodded towards the little case on the bed. She looked quite hopeless. "Well, we'd better go to the station." "All right. It's early. But it doesn't matter." Jock took her to the train. As it was Wednesday the carriages were full of women returning after their day's shopping. "Why not go first-class?" "No, no. I always go third." She sat in the middle of a row. The women on either side looked at her curiously, wondering if she were ill. "Don't you want anything to read?" "Nothing to read." "Or eat?" "Or eat." "Then I'll say good-bye." "Good-bye." Another woman pushed past Jock into the carriage, laden with light parcels. * * * * * When the news became known, Marjorie said to Allan, "Well, anyway, this will mean the end of Mr Beaver." But Polly Cockpurse said to Veronica, "That's the end of Tony so far as Brenda is concerned." The impoverished Lasts were stunned by the telegram. They lived on an extensive but unprofitable chicken farm near Princes Risborough. It did not enter the heads of any of them that now, if anything happened, they were the heirs to Hetton. Had it done so, their grief would have been just as keen. Jock drove from Paddington to Bratt's. One of the men by the bar said, "Ghastly thing about Tony Last's boy." "Yes, I was there." "No, were you? What a ghastly thing." Later a telephone message came: "Princess Abdul Akbar wishes to know whether you are in the club." "No, no, tell her I'm not here," said Jock. [VIII] The inquest was held at eleven o'clock next morning; it was soon over. The doctor, the bus-driver, Ben and Miss Ripon gave evidence. Miss Ripon was allowed to remain seated. She was very white and spoke in a trembling voice; her father glared at her from a nearby seat; under her hat was a small bare patch, where they had shaved off her hair to clean her cut. In his summary the coroner remarked that it was clear from the evidence that nobody was in any way to blame for the misadventure; it only remained to express the deep sympathy of the court to Mr Last and Lady Brenda in their terrible loss. The people fell back to allow Tony and Brenda to leave the room. Colonel Inch and the hunt secretary were both present. Everything was done with delicacy and to show respect for their sorrow. Brenda said, "Wait a minute. I must just speak to that poor Ripon girl." She did it charmingly. When everyone had gone. Tony said, "I wish	A Handful Of Dust	me exactly what happened." Jock told her. "Poor little boy," she said. "Poor little boy." Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. "That's everything," she said. "There's still too much time."<\|quote\|>"Would you like anything to eat?"</\|quote\|>"Oh no, nothing to eat." She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. "When you first told me," she said. "I didn't understand. I didn't know what I was saying." "I know." "I didn't say anything, did	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "me exactly what happened.\" Jock told her. \"Poor little boy,\" she said. \"Poor little boy.\" Then she opened her cupboard and began to put a few things into a suitcase; she went in and out from the bathroom once or twice. \"That's everything,\" she said. \"There's still too much time.\"<\|quote\|>\"Would you like anything to eat?\"</\|quote\|>\"Oh no, nothing to eat.\" She sat down again and looked at herself in the glass. She did not attempt to do anything to her face. \"When you first told me,\" she said. \"I didn't understand. I didn't know what I was saying.\" \"I know.\" \"I didn't say anything, did", "role": "user" }, { "content": "Jock Grant-Menzies", "role": "assistant" } ] }	Jock Grant-Menzies
said the Gryphon.	No speaker	curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the	curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I	listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the	from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what	going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what	said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of	you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes, I think you'd better leave off," said the Gryphon: and Alice was only too glad to do so. "Shall we try another figure of the Lobster Quadrille?" the Gryphon went on. "Or would you like the Mock Turtle to sing you a song?" "Oh, a song, please, if the Mock Turtle would be so kind," Alice replied, so eagerly that the Gryphon said, in a rather offended tone, "Hm! No accounting for tastes! Sing her '_Turtle Soup_,' will you, old fellow?" The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:-- "Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" "Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup? Pennyworth only of beautiful Soup? Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beauti--FUL SOUP!" "Chorus again!" cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of "The trial's beginning!" was heard in the distance. "Come on!" cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song. "What trial is it?" Alice panted as she ran; but the Gryphon only answered "Come on!" and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:-- "Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" CHAPTER XI. Who Stole the Tarts? The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the	wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the	Alices Adventures In Wonderland	listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be,"<\|quote\|>said the Gryphon.</\|quote\|>"It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "listeners were perfectly quiet till she got to the part about her repeating \"_You are old, Father William_,\" to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said \"That's very curious.\" \"It's all about as curious as it can be,\"<\|quote\|>said the Gryphon.</\|quote\|>\"It all came different!\" the Mock Turtle repeated thoughtfully. \"I should like to hear her try and repeat something now. Tell her to begin.\" He looked at the Gryphon as if he thought it had some kind of authority over Alice. \"Stand up and repeat ''_Tis the voice of the", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
sobbed Diana,	No speaker	caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another	matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to	stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me	she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana.	of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh,	home and behave yourself." Anne's lips quivered. "Won't you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do _not_ think she is a well-bred woman. There is nothing more to do except to pray and I haven't much hope that that'll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn't say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne's tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a	all a mistake and you weren't to blame, but she just simply didn't believe me. And she rubbed it well in about my currant wine and how I'd always said it couldn't have the least effect on anybody. I just told her plainly that currant wine wasn't meant to be drunk three tumblerfuls at a time and that if a child I had to do with was so greedy I'd sober her up with a right good spanking." Marilla whisked into the kitchen, grievously disturbed, leaving a very much distracted little soul in the porch behind her. Presently Anne stepped out bareheaded into the chill autumn dusk; very determinedly and steadily she took her way down through the sere clover field over the log bridge and up through the spruce grove, lighted by a pale little moon hanging low over the western woods. Mrs. Barry, coming to the door in answer to a timid knock, found a white-lipped eager-eyed suppliant on the doorstep. Her face hardened. Mrs. Barry was a woman of strong prejudices and dislikes, and her anger was of the cold, sullen sort which is always hardest to overcome. To do her justice, she really believed Anne had made Diana drunk out of sheer malice prepense, and she was honestly anxious to preserve her little daughter from the contamination of further intimacy with such a child. "What do you want?" she said stiffly. Anne clasped her hands. "Oh, Mrs. Barry, please forgive me. I did not mean to--to--intoxicate Diana. How could I? Just imagine if you were a poor little orphan girl that kind people had adopted and you had just one bosom friend in all the world. Do you think you would intoxicate her on purpose? I thought it was only raspberry cordial. I was firmly convinced it was raspberry cordial. Oh, please don't say that you won't let Diana play with me any more. If you do you will cover my life with a dark cloud of woe." This speech which would have softened good Mrs. Lynde's heart in a twinkling, had no effect on Mrs. Barry except to irritate her still more. She was suspicious of Anne's big words and dramatic gestures and imagined that the child was making fun of her. So she said, coldly and cruelly: "I don't think you are a fit little girl for Diana to associate with. You'd better go home and behave yourself." Anne's lips quivered. "Won't you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do _not_ think she is a well-bred woman. There is nothing more to do except to pray and I haven't much hope that that'll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn't say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne's tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation. "If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you." "I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I'm going round by the road. I couldn't bear to go by the Birch Path all alone. I should weep bitter tears if I did." Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue--a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied	hands. "Oh, Mrs. Barry, please forgive me. I did not mean to--to--intoxicate Diana. How could I? Just imagine if you were a poor little orphan girl that kind people had adopted and you had just one bosom friend in all the world. Do you think you would intoxicate her on purpose? I thought it was only raspberry cordial. I was firmly convinced it was raspberry cordial. Oh, please don't say that you won't let Diana play with me any more. If you do you will cover my life with a dark cloud of woe." This speech which would have softened good Mrs. Lynde's heart in a twinkling, had no effect on Mrs. Barry except to irritate her still more. She was suspicious of Anne's big words and dramatic gestures and imagined that the child was making fun of her. So she said, coldly and cruelly: "I don't think you are a fit little girl for Diana to associate with. You'd better go home and behave yourself." Anne's lips quivered. "Won't you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do _not_ think she is a well-bred woman. There is nothing more to do except to pray and I haven't much hope that that'll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn't say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne's tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation. "If you're	Anne Of Green Gables	stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will,"<\|quote\|>sobbed Diana,</\|quote\|>"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "stay ten minutes and she's timing me by the clock.\" \"Ten minutes isn't very long to say an eternal farewell in,\" said Anne tearfully. \"Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?\" \"Indeed I will,\"<\|quote\|>sobbed Diana,</\|quote\|>\"and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you.\" \"Oh, Diana,\" cried Anne, clasping her hands, \"do you _love_ me?\" \"Why, of course I do. Didn't you know that?\" \"No.\" Anne drew a long breath. \"I thought you _liked_ me", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.	No speaker	bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well."	She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you	dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said	nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing	you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace,	Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; Tony had it in mind to revive the practice next winter. On Christmas Day and Harvest Thanksgiving Tony read the lessons from the back of the brass eagle. When service was over he stood for a few minutes at the porch chatting affably with the vicar's sister and the people from the village. Then he returned home by a path across the fields which led to a side door in the walled garden; he visited the hothouses and picked himself a buttonhole, stopped by the gardeners' cottages for a few words (the smell of Sunday dinners rising warm and overpowering from the little doorways) and then, rather solemnly, drank a glass of sherry in the library. That was the simple, mildly ceremonious order of his Sunday morning, which had evolved, more or less spontaneously, from the more severe practices of his parents; he adhered to it with great satisfaction. Brenda teased him whenever she caught him posing as an upright, God-fearing gentleman of the old school	up by the evening train. Does he have to work on Monday morning?" "I shouldn't know." * * * * * Three-eighteen was far from being the most convenient time for arrival. One reached the house at about a quarter to four and if, like Beaver, one was a stranger, there was an awkward time until tea; but without Tony there to make her self-conscious, Brenda could carry these things off quite gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark soon and we might get some of the sun while we can..." and so on. If Tony had been there it would have been difficult, for she would have caught his eye and her manner as ch?telaine would have collapsed. Beaver was well used to making conversation, so they went out together through the french windows on to the terrace, down the steps, into the Dutch garden, and back round the orangery without suffering a moment's real embarrassment. She even heard herself telling Beaver that his mother was one of her oldest friends. Tony returned in time for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; Tony had it in mind to revive the practice next winter. On Christmas Day and Harvest Thanksgiving Tony read the lessons from the back of the brass eagle. When service was over he stood for a few minutes at the porch chatting affably with the vicar's sister and the people from the village. Then he returned home by a path across the fields which led to a side door in the walled garden; he visited the hothouses and picked himself a buttonhole, stopped by the gardeners' cottages for a few words (the smell of Sunday dinners rising warm and overpowering from the little doorways) and then, rather solemnly, drank a glass of sherry in the library. That was the simple, mildly ceremonious order of his Sunday morning, which had evolved, more or less spontaneously, from the more severe practices of his parents; he adhered to it with great satisfaction. Brenda teased him whenever she caught him posing as an upright, God-fearing gentleman of the old school and Tony saw the joke, but this did not at all diminish the pleasure he derived from his weekly routine, or his annoyance when the presence of guests suspended it. For this reason his heart sank when, emerging from his study into the great hall at a quarter to eleven, he met Beaver already dressed and prepared to be entertained; it was only a momentary vexation, however, for while he wished him good morning he noticed that his guest had an _A.B.C._ in his hands and was clearly looking out a train. "I hope you slept all right?" "Beautifully," said Beaver, though his wan expression did not confirm the word. "I'm so glad. I always sleep well here myself. I say, I don't like the look of that train guide. I hope you weren't thinking of leaving us yet?" "Alas, I've got to get up to-night, I'm afraid." "Too bad. I've hardly seen you. The trains aren't very good on Sundays. The best leaves at five-forty-five and gets up about nine. It stops a lot and there's no restaurant car." "That'll do fine." "Sure you can't stay until to-morrow?" "Quite sure." The church bells were ringing across the park. "Well, I'm just off to church. I don't suppose you'd care to come." Beaver always did what was expected of him when he was staying away, even on a visit as unsatisfactory as the present one. "Oh yes, I should like to very much." "No, really, I shouldn't if I were you. You wouldn't enjoy it. I only go because I more or less have to. You stay here. Brenda will be down directly. Ring for a drink when you feel like it." "Oh, all right." "See you later then." Tony took his hat and stick from the lobby and let himself out. "Now I've behaved inhospitably to that young man again," he reflected. The bells were clear and clamorous in the drive and Tony walked briskly towards them. Presently they ceased and gave place to a single note, warning the village that there was only five minutes to go before the organist started the first hymn. He caught up nanny and John, also on their way to church. John was in one of his rare, confidential moods; he put his small gloved hand into Tony's and, without introduction, embarked upon a story which lasted them all the way to the	for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate	A Handful Of Dust	dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic."<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>"I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. \"I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him.\" She said, \"Oh, it wasn't bad really. He's rather pathetic.\"<\|quote\|>Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad.</\|quote\|>\"I hope you sleep well.\" \"I'm sure I shall.\" \"D'you like to be called in the morning?\" \"May I ring?\" \"Certainly. Got everything you want?\" \"Yes, thanks. Good night.\" \"Good night.\" But when he got back he said, \"You know, I feel awful about Beaver.\" \"Oh, Beaver's all right,\" said", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Good night... don't mind, do you?... so tired."	Brenda	"I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed	of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay	for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up	darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John	had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the	he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that	little bastard, that's a lousy way to speak of your dad." "And you ought not to say bastard or lousy in front of me, nanny says not." So Tony went over alone to Little Bayton, where he had some business to discuss with Colonel Brink. He hoped they would ask him to stay on, but the Colonel and his wife were themselves going out to tea, so he drove back in the dusk to Hetton. A thin mist lay breast-high over the park; the turrets and battlements of the abbey stood grey and flat; the boiler man was hauling down the flag on the main tower. * * * * * "My poor Brenda, it's an appalling room," said Mrs Beaver. "It's not one we use a great deal," said Tony very coldly. "I should think not," said the one they called Veronica. "I can't see much wrong with it," said Polly, "except it's a bit mouldy." "You see," Brenda explained, not looking at Tony. "What I thought was that I must have _one_ habitable room downstairs. At present there's only the smoking-room and the library. The drawing-room is vast and quite out of the question. I thought what I needed was a small sitting-room more or less to myself. Don't you think it has possibilities?" "But, my angel, the _shape's_ all wrong," said Daisy, "and that chimney-piece--what is it made of, pink granite, and all the plaster work and the dado. _Everything's_ horrible. It's so _dark_." "I know exactly what Brenda wants," said Mrs Beaver more moderately. "I don't think it will be impossible. I must think about it. As Veronica says, the structure does rather limit one... you know, I think the only thing to do would be to disregard it altogether and find some treatment so definite that it _carried_ the room, if you see what I mean... supposing we covered the walls with white chromium plating and had natural sheepskin carpet... I wonder if that would be running you in for more than you meant to spend?" "I'd blow the whole thing sky-high," said Veronica. Tony left them to their discussion. * * * * * "D'you really want Mrs Beaver to do up the morning-room?" "Not if you don't, sweet." "But can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her coming twice--Lyonesse can't be as beastly as most of the rooms, can it. Also charming girl I have taken up with who I want us to be kind to. She's had a _terrible_ life and she lives in one of these flats, called Jenny Abdul Akbar. Not black but married one. Get her to tell you. She'll come by train 3.18 I expect. Must stop now and go to lecture. Keep away from the Demon Rum. x x x x x x Brenda. Saw Jock last night at Caf? de Paris with shameless blonde. Who? Gin. No, Djin--how?--has rheumatism and Marjorie is v. put out about it. She thinks his pelvis is out of place and Cruttwell won't do him which is pretty mean considering all the people she has brought there. "Are you _certain_ Jenny will be Tony's tea?" "You can't ever be certain," said Polly. "She bores my pants off, but she's a good trier." * * * * * "Is mummy coming down to-day, daddy?" "Yes." "Who else?" "Someone called Jenny Abdul Akbar." "What a silly name. Is she foreign?" "I don't know." "Sounds foreign, doesn't she, daddy? D'you think she won't be able to talk any English? Is she black?" "Mummy says not." "Oh... who else?" "Lady Cockpurse." "The monkey-woman. You know she wasn't a bit like a monkey except perhaps her face and I don't think she had a tail because I looked as close as anything... unless perhaps she has it rolled up between her legs. D'you think she has, daddy?" "I shouldn't be surprised." "_Very_ uncomfortable." Tony and John were friends again; but it had been a leaden week. * * * * *	what I mean... supposing we covered the walls with white chromium plating and had natural sheepskin carpet... I wonder if that would be running you in for more than you meant to spend?" "I'd blow the whole thing sky-high," said Veronica. Tony left them to their discussion. * * * * * "D'you really want Mrs Beaver to do up the morning-room?" "Not if you don't, sweet." "But can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her	A Handful Of Dust	for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night."<\|quote\|>"Good night... don't mind, do you?... so tired."</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. \"Why, Tony,\" she said, \"I was almost asleep.\" \"Very tired?\" \"Mm.\" \"Want to be left alone?\" \"So tired... and I've just drunk a lot of that stuff of Polly's.\" \"I see... well, good night.\"<\|quote\|>\"Good night... don't mind, do you?... so tired.\"</\|quote\|>He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * \"Lady Brenda not ill, I hope?\" \"No, nothing serious, thank you very much. She gets rather done up", "role": "user" }, { "content": "Brenda", "role": "assistant" } ] }	Brenda
"if I had it written down: but I can't quite follow it as you say it."	Alice	better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I	think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose,"	more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A	yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning	replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she	like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you	that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell	can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The	Alices Adventures In Wonderland	more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely,<\|quote\|>"if I had it written down: but I can't quite follow it as you say it."</\|quote\|>"That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'\" \"I think I should understand that better,\" Alice said very politely,<\|quote\|>\"if I had it written down: but I can't quite follow it as you say it.\"</\|quote\|>\"That's nothing to what I could say if I chose,\" the Duchess replied, in a pleased tone. \"Pray don't trouble yourself to say it any longer than that,\" said Alice. \"Oh, don't talk about trouble!\" said the Duchess. \"I make you a present of everything I've said as yet.\" \"A", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
"Well, I shan't go, at any rate,"	Alice	miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not	said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented	busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in	which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be	roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The	and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone	out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to	your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You	Alices Adventures In Wonderland	busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen.<\|quote\|>"Well, I shan't go, at any rate,"</\|quote\|>said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "busily writing in his note-book, cackled out \"Silence!\" and read out from his book, \"Rule Forty-two. _All persons more than a mile high to leave the court_.\" Everybody looked at Alice. \"_I'm_ not a mile high,\" said Alice. \"You are,\" said the King. \"Nearly two miles high,\" added the Queen.<\|quote\|>\"Well, I shan't go, at any rate,\"</\|quote\|>said Alice: \"besides, that's not a regular rule: you invented it just now.\" \"It's the oldest rule in the book,\" said the King. \"Then it ought to be Number One,\" said Alice. The King turned pale, and shut his note-book hastily. \"Consider your verdict,\" he said to the jury, in", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
"But Bertram saw it all and he at once plunged into the current, exclaiming,"	Anne Shirley	wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my	over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he	she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more	But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics.	romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said	Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with	up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I'm glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I'm having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn't say there was a great deal" was Marilla's encouraging answer. "I'm sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn't always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been	I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back	Anne Of Green Gables	she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.'<\|quote\|>"But Bertram saw it all and he at once plunged into the current, exclaiming,"</\|quote\|>?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking,\" ?Ha, ha, ha.'<\|quote\|>\"But Bertram saw it all and he at once plunged into the current, exclaiming,\"</\|quote\|>?I will save thee, my peerless Geraldine.' \"But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
"Oh, Marilla,"	Anne Shirley	and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up,	step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall	tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed	on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when	anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she	in such a state of shyness and nervousness that Marilla had given him up in despair, but Anne took him in hand so successfully that he now sat at the table in his best clothes and white collar and talked to the minister not uninterestingly. He never said a word to Mrs. Allan, but that perhaps was not to be expected. All went merry as a marriage bell until Anne's layer cake was passed. Mrs. Allan, having already been helped to a bewildering variety, declined it. But Marilla, seeing the disappointment on Anne's face, said smilingly: "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat	preceding evening; but nothing short of absolute pneumonia could have quenched her interest in culinary matters that morning. After breakfast she proceeded to make her cake. When she finally shut the oven door upon it she drew a long breath. "I'm sure I haven't forgotten anything this time, Marilla. But do you think it will rise? Just suppose perhaps the baking powder isn't good? I used it out of the new can. And Mrs. Lynde says you can never be sure of getting good baking powder nowadays when everything is so adulterated. Mrs. Lynde says the Government ought to take the matter up, but she says we'll never see the day when a Tory Government will do it. Marilla, what if that cake doesn't rise?" "We'll have plenty without it" was Marilla's unimpassioned way of looking at the subject. The cake did rise, however, and came out of the oven as light and feathery as golden foam. Anne, flushed with delight, clapped it together with layers of ruby jelly and, in imagination, saw Mrs. Allan eating it and possibly asking for another piece! "You'll be using the best tea set, of course, Marilla," she said. "Can I fix the table with ferns and wild roses?" "I think that's all nonsense," sniffed Marilla. "In my opinion it's the eatables that matter and not flummery decorations." "Mrs. Barry had _her_ table decorated," said Anne, who was not entirely guiltless of the wisdom of the serpent, "and the minister paid her an elegant compliment. He said it was a feast for the eye as well as the palate." "Well, do as you like," said Marilla, who was quite determined not to be surpassed by Mrs. Barry or anybody else. "Only mind you leave enough room for the dishes and the food." Anne laid herself out to decorate in a manner and after a fashion that should leave Mrs. Barry's nowhere. Having abundance of roses and ferns and a very artistic taste of her own, she made that tea table such a thing of beauty that when the minister and his wife sat down to it they exclaimed in chorus over it loveliness. "It's Anne's doings," said Marilla, grimly just; and Anne felt that Mrs. Allan's approving smile was almost too much happiness for this world. Matthew was there, having been inveigled into the party only goodness and Anne knew how. He had been in such a state of shyness and nervousness that Marilla had given him up in despair, but Anne took him in hand so successfully that he now sat at the table in his best clothes and white collar and talked to the minister not uninterestingly. He never said a word to Mrs. Allan, but that perhaps was not to be expected. All went merry as a marriage bell until Anne's layer cake was passed. Mrs. Allan, having already been helped to a bewildering variety, declined it. But Marilla, seeing the disappointment on Anne's face, said smilingly: "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the mistakes one person can make, and when I get to the end of them, then I'll be through with them. That's a very comforting thought." "Well, you'd better go and give that cake to the pigs," said Marilla. "It isn't fit for any human to eat, not even Jerry Boute." CHAPTER XXII. Anne is Invited Out to Tea "AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. ?Miss Anne Shirley, Green Gables.' That is the first time I was ever called ?Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures." "Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child." For Anne to take things calmly would have been to change her nature. All "spirit and fire and dew," as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows.	her own, she made that tea table such a thing of beauty that when the minister and his wife sat down to it they exclaimed in chorus over it loveliness. "It's Anne's doings," said Marilla, grimly just; and Anne felt that Mrs. Allan's approving smile was almost too much happiness for this world. Matthew was there, having been inveigled into the party only goodness and Anne knew how. He had been in such a state of shyness and nervousness that Marilla had given him up in despair, but Anne took him in hand so successfully that he now sat at the table in his best clothes and white collar and talked to the minister not uninterestingly. He never said a word to Mrs. Allan, but that perhaps was not to be expected. All went merry as a marriage bell until Anne's layer cake was passed. Mrs. Allan, having already been helped to a bewildering variety, declined it. But Marilla, seeing the disappointment on Anne's face, said smilingly: "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the	Anne Of Green Gables	tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>"Oh, Marilla,"</\|quote\|>sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "tears under this double disgrace. \"I couldn't--I had such a cold!\" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room.<\|quote\|>\"Oh, Marilla,\"</\|quote\|>sobbed Anne, without looking up, \"I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."	Matthew Cuthbert	admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to	or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the	been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch	the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his	lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla,	pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and	often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is." "Well, you needn't suffer any longer," said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne's consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could not have borne it if she had not been going to the concert, for nothing else was discussed that day in school. The Avonlea Debating Club, which met fortnightly all winter, had had several smaller free entertainments; but this was to be a big affair, admission ten cents, in aid of the library. The Avonlea young people had been practicing for weeks, and all the scholars were especially interested in it by reason of older brothers and sisters who were going to take part. Everybody in school over nine years of age expected to go, except Carrie Sloane, whose father shared Marilla's opinions about small girls going out to night concerts. Carrie Sloane cried into her grammar all the afternoon and felt that life was not worth living. For Anne the real excitement began with the dismissal of school and increased therefrom in crescendo until it reached to a crash of positive ecstasy in the concert itself. They had a "perfectly elegant tea;" and then came the delicious occupation of dressing in Diana's little room upstairs. Diana did Anne's front hair in the new pompadour style and Anne tied Diana's bows with the especial knack she possessed; and they experimented with at least half a dozen different ways of arranging their back hair. At last they were ready, cheeks scarlet and eyes glowing with excitement. True, Anne could not help a little pang when she contrasted her plain black tam and shapeless, tight-sleeved, homemade gray-cloth coat with Diana's jaunty fur cap and smart little jacket. But she remembered in time that she had an imagination and could use it. Then Diana's cousins, the Murrays from Newbridge, came; they all crowded into the big pung sleigh, among straw and furry robes. Anne reveled in the drive to the hall, slipping along over the satin-smooth roads with the snow crisping under the runners. There was a magnificent sunset, and the snowy hills and deep-blue water of the St. Lawrence Gulf seemed to rim in the splendor like a huge bowl of pearl	and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne's consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could	Anne Of Green Gables	been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then."<\|quote\|>"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go."</\|quote\|>"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: \"Well now, Marilla, I think you ought to let Anne go.\" \"I don't then,\" retorted Marilla. \"Who's bringing this child up, Matthew, you or me?\" \"Well now, you,\" admitted Matthew. \"Don't interfere then.\"<\|quote\|>\"Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go.\"</\|quote\|>\"You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt\" was Marilla's amiable rejoinder. \"I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch", "role": "user" }, { "content": "Matthew Cuthbert", "role": "assistant" } ] }	Matthew Cuthbert
laughs my sister,	No speaker	have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite	long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries	my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am	glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We	Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for	my head, then I take off my helmet and look up. Yes, it is my eldest sister. "Paul," she cries, "Paul----" I nod, my pack bumps against the banisters; my rifle is so heavy. She pulls a door open and calls: "Mother, mother, Paul is here." I can go no further--mother, mother, Paul is here. I lean against the wall and grip my helmet and rifle. I hold them as tight as I can, but I cannot take another step, the staircase fades before my eyes, I support myself with the butt of my rifle against my feet and clench my teeth fiercely, but I cannot speak a word, my sister's call has made me powerless, I can do nothing, I struggle to make myself laugh, to speak, but no word comes, and so I stand on the steps, miserable, helpless, paralysed, and against my will the tears run down my cheeks. My sister comes back and says: "Why, what is the matter?" Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice. "I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the	sentries. I pick up my pack and fasten the straps, I take my rifle in my hand and stumble down the steps. On the platform I look round; I know no one among all the people hurrying to and fro. A red-cross sister offers me something to drink. I turn away, she smiles at me too foolishly, so obsessed with her own importance: "Just look, I am giving a soldier coffee!" --She calls me "Comrade," but I will have none of it. Outside in front of the station the stream roars alongside the street, it rushes foaming from the sluices of the mill bridge. There stands the old, square watch-tower, in front of it the great mottled lime tree and behind it the evening. Here we have often sat--how long ago it is--; we have passed over this bridge and breathed the cool, acid smell of the stagnant water; we have leaned over the still water on this side of the lock, where the green creepers and weeds hang from the piles of the bridge;--and on hot days we rejoiced in the spouting foam on the other side of the lock and told tales about our school-teachers. I pass over the bridge, I look right and left; the water is as full of weeds as ever, and it still shoots over in gleaming arches; in the tower-building laundresses still stand with bare arms as they used to over the clean linen, and the heat from the ironing pours out through the open windows. Dogs trot along the narrow street, before the doors of the houses people stand and follow me with their gaze as I pass by, dirty and heavy laden. In this confectioner's we used to eat ices, and there we learned to smoke cigarettes. Walking down the street I know every shop, the colonial warehouse, the chemist's, the tobacconist's. Then at last I stand before the brown door with its worn latch and my hand grows heavy. I open the door and a wonderful freshness comes out to meet me, my eyes are dim. The stairs creak under my boots. Upstairs a door rattles, someone is looking over the railing. It is the kitchen door that was opened, they are cooking potato-cakes, the house reeks of it, and to-day of course is Saturday; that will be my sister leaning over. For a moment I am shy and lower my head, then I take off my helmet and look up. Yes, it is my eldest sister. "Paul," she cries, "Paul----" I nod, my pack bumps against the banisters; my rifle is so heavy. She pulls a door open and calls: "Mother, mother, Paul is here." I can go no further--mother, mother, Paul is here. I lean against the wall and grip my helmet and rifle. I hold them as tight as I can, but I cannot take another step, the staircase fades before my eyes, I support myself with the butt of my rifle against my feet and clench my teeth fiercely, but I cannot speak a word, my sister's call has made me powerless, I can do nothing, I struggle to make myself laugh, to speak, but no word comes, and so I stand on the steps, miserable, helpless, paralysed, and against my will the tears run down my cheeks. My sister comes back and says: "Why, what is the matter?" Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice. "I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the food. Suddenly my mother seizes hold of my hand and asks falteringly: "Was it very bad out there, Paul?" Mother, what should I answer to that! You would not understand, and never realize it. And you never should realize it. Was it bad, you ask.--You, Mother,--I shake my head and say: "No, mother, not so very. There are always a lot of us together so it isn't so bad." "Yes, but Heinrich Bredemeyer was here just lately and he said it was terrible out there now, with the gas and all the rest of it." It is my mother who says that. She says: "With the gas and all the rest of it." She does not know what she is saying, she is merely anxious for me. Should I tell her how we once found three enemy trenches with their garrison all stiff as though stricken with apoplexy? Against the parapet, in the dugouts, just where they were, the men stood and lay about, with blue faces, dead. "No, mother, that's only talk," I answer, "there's not very much in what Bredemeyer says. You see for instance, I'm well and fit----" Before my mother's tremulous anxiety I recover my composure. Now I can walk about and talk and answer questions without fear of having suddenly to lean against the wall because the world turns soft as rubber and my veins become brimstone. My mother wants to get up. So I go for a while to my sister in the kitchen. "What is the matter with her?" I ask. She shrugs her shoulders: "She has been in bed two months now, but we did not want to write and tell you. Several doctors have been to see her. One of them said it is probably cancer again." * * I go to the district commandant to report myself. Slowly I wander through the streets. Occasionally someone speaks to me. I do not delay long for I have little inclination to talk. On my way back from the barracks a loud voice calls out to me. Still lost in thought I turn round and find myself confronted by a Major. "Can't you salute?" he blusters. "Sorry, Major," I say in embarrassment, "I didn't notice you." "Don't you know how to speak properly?" he roars. I would like to hit him in the face, but control myself, for my leave depends on it.	Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army	All Quiet on the Western Front	my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming,"<\|quote\|>laughs my sister,</\|quote\|>"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "my sister, who is continually running to the kitchen to watch that the food does not burn: \"And put out the jar of preserved whortleberries--you like that, don't you?\" she asks me. \"Yes, mother, I haven't had any for a long time.\" \"We might almost have known you were coming,\"<\|quote\|>laughs my sister,</\|quote\|>\"there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too.\" \"And it is Saturday,\" I add. \"Sit here beside me,\" says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
I reassure him:	No speaker	over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you	I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full	helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over	to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering	some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!" He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out: "Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If	was only a nose-cap, it landed in the bushes over there." I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says: "Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!" He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out: "Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes tangled in them and falls, then he stands up again. Detering raises his gun and aims. Kat hits it up in the air. "Are you mad----?" Detering trembles and throws his rifle on the ground. We sit down and hold our ears. But this appalling noise, these groans and screams penetrate, they penetrate everywhere. We can bear almost anything. But now the sweat breaks out on us. We must get up and run, no matter where, but where these cries can no longer be heard. And it is not men, only horses. From the dark group stretchers move off again. Then single shots crack out. The black heap is convulsed and becomes thinner. At last! But still it is not the end. The men cannot overtake the wounded beasts which	minute before they burn out. Immediately fresh ones shoot up to the sky, and again green, red, and blue stars. "Bombardment," says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there." I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says: "Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!" He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out: "Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes tangled in them and falls, then he stands up again. Detering raises his gun and aims. Kat hits it up in the air. "Are you mad----?" Detering trembles and throws his rifle on the ground. We sit down and hold our ears. But this appalling noise, these groans and screams penetrate, they penetrate everywhere. We can bear almost anything. But now the sweat breaks out on us. We must get up and run, no matter where, but where these cries can no longer be heard. And it is not men, only horses. From the dark group stretchers move off again. Then single shots crack out. The black heap is convulsed and becomes thinner. At last! But still it is not the end. The men cannot overtake the wounded beasts which fly in their pain, their wide open mouths full of anguish. One of the men goes down on his knee, a shot--one horse drops--another. The last one props himself on his forelegs and drags himself round in a circle like a merry-go-round; squatting, it drags round in circles on its stiffened forelegs, apparently its back is broken. The soldier runs up and shoots it. Slowly, humbly it sinks to the ground. We take our hands from our ears. The cries are silenced. Only a long-drawn, dying sigh still hangs on the air. Then again only the rockets, the singing of the shells, and the stars--and they shine out wonderfully. Detering walks up and down cursing: "Like to know what harm they've done." He returns to it once again. His voice is agitated, it sounds almost dignified as he says: "I tell you it is the vilest baseness to use horses in the war." * * We go back. It is time we returned to the lorries. The sky is become a bit brighter. Three o'clock in the morning. The breeze is fresh and cool, the pale hour makes our faces look grey. We trudge onward in single file through the trenches and shell-holes and come again to the zone of mist. Katczinsky is restive, that's a bad sign. "What's up, Kat?" says Kropp. "I wish I were back home." Home--he means the huts. "It won't last much longer, Kat." He is nervous. "I don't know, I don't know----" We come to the communication-trench and then to the open fields. The little wood reappears; we know every foot of ground here. There's the cemetery with the mounds and the black crosses. That moment it breaks out behind us, swells, roars, and thunders. We duck down--a cloud of flame shoots up a hundred yards ahead of us. The next minute under a second explosion part of the wood rises slowly in the air, three or four trees sail up and then crash to pieces. The shells begin to hiss like safety-valves--heavy fire---- "Take cover!" yells somebody-- "Cover!" The fields are flat, the wood is too distant and dangerous--the only cover is the graveyard and the mounds. We stumble across in the dark and as though spirited away every man lies glued behind a mound. Not a moment too soon. The dark goes mad. It heaves and raves. Darknesses blacker than the night	says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there." I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says: "Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!" He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out: "Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes tangled in them and falls, then he stands up again. Detering raises his gun and aims. Kat hits it up in the air. "Are you mad----?" Detering trembles and throws his rifle on the ground. We sit down and hold our ears. But this appalling noise, these groans and screams penetrate, they penetrate everywhere. We can bear almost anything. But now the sweat breaks out on us. We must get up and run, no matter where, but where these cries can no longer be heard. And it is not men, only horses. From the dark group stretchers move off again. Then single shots crack out. The black heap is convulsed and becomes thinner. At last! But still it is not the end. The men cannot overtake the wounded beasts which fly in their pain, their wide open mouths full of anguish. One of the men goes down on his knee, a shot--one horse drops--another. The last one props himself on his forelegs and drags himself round in a circle like a	All Quiet on the Western Front	helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace,"<\|quote\|>I reassure him:</\|quote\|>"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. \"That's no disgrace,\"<\|quote\|>I reassure him:</\|quote\|>\"Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----\" * * He goes off. Things become quieter, but the cries do not cease. \"What's up, Albert?\" I ask. \"A couple of columns over", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
Alice cautiously replied, not feeling at all anxious to have the experiment tried.	No speaker	the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess:	your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite.	is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice.	done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to	not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow	that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping	the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go	well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out	Alices Adventures In Wonderland	is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite,"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>"Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice.	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "is of finding morals in things!\" Alice thought to herself. \"I dare say you're wondering why I don't put my arm round your waist,\" the Duchess said after a pause: \"the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?\" \"He might bite,\"<\|quote\|>Alice cautiously replied, not feeling at all anxious to have the experiment tried.</\|quote\|>\"Very true,\" said the Duchess: \"flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'\" \"Only mustard isn't a bird,\" Alice remarked. \"Right, as usual,\" said the Duchess: \"what a clear way you have of putting things!\" \"It's a mineral, I _think_,\" said Alice.", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."	Marilla Cuthbert	I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to	always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne.	right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt	you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't	if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated	about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall;	could have made it much more flowery if I'd had a little more time to think it over." Poor Marilla was only preserved from complete collapse by remembering that it was not irreverence, but simply spiritual ignorance on the part of Anne that was responsible for this extraordinary petition. She tucked the child up in bed, mentally vowing that she should be taught a prayer the very next day, and was leaving the room with the light when Anne called her back. "I've just thought of it now. I should have said, ?Amen' in place of ?yours respectfully,' shouldn't I?--the way the ministers do. I'd forgotten it, but I felt a prayer should be finished off in some way, so I put in the other. Do you suppose it will make any difference?" "I--I don't suppose it will," said Marilla. "Go to sleep now like a good child. Good night." "I can only say good night tonight with a clear conscience," said Anne, cuddling luxuriously down among her pillows. Marilla retreated to the kitchen, set the candle firmly on the table, and glared at Matthew. "Matthew Cuthbert, it's about time somebody adopted that child and taught her something. She's next door to a perfect heathen. Will you believe that she never said a prayer in her life till tonight? I'll send her to the manse tomorrow and borrow the Peep of the Day series, that's what I'll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can't get through this world without our share of trouble. I've had a pretty easy life of it so far, but my time has come at last and I suppose I'll just have to make the best of it." CHAPTER VIII. Anne's Bringing-up Is Begun \|FOR reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card	perfect heathen. Will you believe that she never said a prayer in her life till tonight? I'll send her to the manse tomorrow and borrow the Peep of the Day series, that's what I'll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can't get through this world without our share of trouble. I've had a pretty easy life of it so far, but my time has come at last and I suppose I'll just have to make the best of it." CHAPTER VIII. Anne's Bringing-up Is Begun \|FOR reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another	Anne Of Green Gables	right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"<\|quote\|>"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous."</\|quote\|>"It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September.\" \"What am I to call you?\" asked Anne. \"Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?\"<\|quote\|>\"No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous.\"</\|quote\|>\"It sounds awfully disrespectful to just say Marilla,\" protested Anne. \"I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it.\" \"I'd love to call you Aunt", "role": "user" }, { "content": "Marilla Cuthbert", "role": "assistant" } ] }	Marilla Cuthbert
"Who said? Who are you talking about?"	Marilla Cuthbert	every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here	hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the	like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house.	mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to	dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of	floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects.	she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla," ?what a tangled web we weave when first we practice to deceive.' "That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne's unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the end of the week Marilla said decidedly: "It's no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can't go out with it looking like that." Anne's lips quivered, but she realized the bitter truth of Marilla's remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it over. Oh, I feel that my heart is broken. This is such an unromantic affliction. The girls in books lose their hair in fevers or sell it to get money for some good deed, and I'm sure I wouldn't mind losing my hair in some such fashion half so much. But there is nothing comforting in having your hair cut off because you've dyed it a dreadful color, is there? I'm going to weep all the time you're cutting it off, if it won't interfere. It seems such a tragic thing." Anne wept then, but later on, when she went upstairs and looked in the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I'll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I'd do penance for being wicked that way. I'll look at myself	now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla," ?what a tangled web we weave when first we practice to deceive.' "That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie	Anne Of Green Gables	like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_."<\|quote\|>"Who said? Who are you talking about?"</\|quote\|>"The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house.	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_.\"<\|quote\|>\"Who said? Who are you talking about?\"</\|quote\|>\"The peddler that was here this afternoon. I bought the dye from him.\" \"Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all.\" \"Oh, I didn't let him in the house.", "role": "user" }, { "content": "Marilla Cuthbert", "role": "assistant" } ] }	Marilla Cuthbert
said Tony.	No speaker	a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You	think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold,"	off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's,	well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once	was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's. "That's a pretty girl in the corner." "I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be	had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's. "That's a pretty girl in the corner." "I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial light; for some reason, however, they remained very blue. So Milly and Tony went to Dan's friend's place and had the best of everything.	ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's. "That's a pretty girl in the corner." "I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial light; for some reason, however, they remained very blue. So Milly and Tony went to Dan's friend's place and had the best of everything. There was a party of twenty or thirty people, all more or less like Dan. Dan's friend was most hospitable. When he was not fiddling with the wireless, which gave trouble off and on throughout the evening, he was sauntering among his guests refilling their glasses. "This stuff's all right," he said, showing the label, "it won't hurt you. It's the right stuff." They had a lot of the right stuff. Quite often Dan's friend noticed that Tony seemed to be out of the party. Then he would come across and put his hand on Tony's shoulder. "I'm so glad Dan brought you," he would say. "Hope you're getting all you want. Delighted to see you. Come again when there isn't a crowd and see over the place. Interested in roses?" "Yes, I like them very much." "Come when the roses are out. You'd like that if you're interested in roses. Damn that radio, it's going wonky again." Tony wondered whether he was as amiable when people he did not know were brought over unexpectedly to Hetton. At one stage in the evening he found himself sitting on a sofa with Dan, who said, "Nice kid, Milly." "Yes." "I'll tell you a thing I've noticed about her. She attracts quite a different type from the other girls. People like you and me." "Yes." "You wouldn't think she had a daughter of eight, would you?" "No, it's very surprising." "I didn't know for ages. Then I was taking her to Dieppe for the week-end and she wanted to bring the child along too. Of course that put the kybosh on it, but I've always liked Milly just the same. You can trust her to behave anywhere." He said this with a sour glance towards Baby, who was full of the right stuff and showing it. It was after three before the party broke up. Dan's friend renewed his invitation to come again when the roses were out. "I doubt if you'll find a better show of roses anywhere in the south of England," he said. Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back.	pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's. "That's a pretty girl in the corner." "I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial	A Handful Of Dust	off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?"<\|quote\|>said Tony.</\|quote\|>"Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's,	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. \"We'll soon warm you up,\" he said. \"This place stinks of Yids,\" said Baby. \"I always think that's the sign of a good hotel, don't you?\"<\|quote\|>said Tony.</\|quote\|>\"Like hell,\" said Baby. \"You mustn't mind Baby, she's cold,\" Dan explained. \"Who wouldn't be, in your lousy car?\" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's,", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"No, indeed."	Tony Last	aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at	well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and	knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a	met her." "Well, won't she do?" "No." "Oh dear, I don't know who to suggest." "We'd better go and study the market at the Old Hundredth," said Jock. They dined at Jock's house. Lately they had found it a little gloomy at Brown's, for people tended to avoid anyone they knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said	a legal form it is rather insulting, and if you suggest going the whole hog it's rather fresh--suddenly, I mean, if you've never paid any particular attention to her before and don't propose to carry on with it afterwards... Of course there's always old Sybil." But even Sybil refused. "I'd do it like a shot any other time," she said, "but just at the moment it wouldn't suit my book. There's a certain person who might hear about it and take it wrong... There's an awfully pretty girl called Jenny Abdul Akbar. I wonder if you've met her." "Yes, I've met her." "Well, won't she do?" "No." "Oh dear, I don't know who to suggest." "We'd better go and study the market at the Old Hundredth," said Jock. They dined at Jock's house. Lately they had found it a little gloomy at Brown's, for people tended to avoid anyone they knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle	infidelity. A suite was engaged at a seaside hotel (" "We always send our clients there. The servants are well accustomed to giving evidence" ") and private detectives were notified. "It only remains to select a partner," said the solicitor; no hint of naughtiness lightened his gloom. "We have on occasions been instrumental in accommodating our clients but there have been frequent complaints, so we find it best to leave the choice to them. Lately we had a particularly delicate case involving a man of very rigid morality and a certain diffidence. In the end his own wife consented to go with him and supply the evidence. She wore a red wig. It was quite successful." "I don't think that would do in this case." "No. Exactly. I was merely quoting it as a matter of interest." "I expect I shall be able to find someone," said Tony. "I have no doubt of it," said the solicitor, bowing politely. But when he came to discuss the question later with Jock, it did not seem so easy. "It's not a thing one can ask every girl to do," he said, "whichever way you put it. If you say it is merely a legal form it is rather insulting, and if you suggest going the whole hog it's rather fresh--suddenly, I mean, if you've never paid any particular attention to her before and don't propose to carry on with it afterwards... Of course there's always old Sybil." But even Sybil refused. "I'd do it like a shot any other time," she said, "but just at the moment it wouldn't suit my book. There's a certain person who might hear about it and take it wrong... There's an awfully pretty girl called Jenny Abdul Akbar. I wonder if you've met her." "Yes, I've met her." "Well, won't she do?" "No." "Oh dear, I don't know who to suggest." "We'd better go and study the market at the Old Hundredth," said Jock. They dined at Jock's house. Lately they had found it a little gloomy at Brown's, for people tended to avoid anyone they knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No."	talking to Allan. He's just told me about your change of mind." "I'm not sure I know what you mean." "That you want to leave Beaver and come back to Hetton." "Did Allan say that?" "Yes; isn't it true?" "I'm afraid it's not. Allan is an interfering ass. I had him here this afternoon. He told me that you didn't want a divorce but that you were willing to let me stay on alone in London and do as I liked provided there was no public scandal. It seemed a good idea and I was going to ring you up about it. But I suppose that's just his diplomacy too. Anyway, I'm afraid there's no prospect of my coming back to Hetton just at present." "Oh, I see. I didn't think it was likely... I just rang you up." "That's all right. How are you, Tony?" "All right, thanks." "Good, so am I. Good-bye." That was all he had heard of her. Both avoided places where there was a likelihood of their meeting. * * * * * It was thought convenient that Brenda should appear as the plaintiff. Tony did not employ the family solicitors in the matter but another less reputable firm who specialized in divorce. He had steeled himself to expect a certain professional gusto, even levity, but found them instead disposed to melancholy and suspicion. "I gather Lady Brenda is being far from discreet. It is quite likely that the King's Proctor may intervene... Moreover, there is the question of money. You understand that by the present arrangement since she is the innocent and injured party she will be entitled to claim substantial alimony from the courts?" "Oh, that's all right," said Tony. "I've been into all that with her brother-in-law and have decided to make a settlement of five hundred a year. She has four hundred of her own and I understand Mr Beaver has something." "It's a pity we can't put it in writing," said the solicitor, "but that might constitute Conspiracy." "Lady Brenda's word is quite good enough," said Tony. "We like to protect our clients against even the most remote contingencies," said the lawyer with an air of piety, for he had not had Tony's opportunities to contract the habit of loving and trusting Brenda. * * * * * The fourth week-end after Brenda's departure from Hetton was fixed for Tony's infidelity. A suite was engaged at a seaside hotel (" "We always send our clients there. The servants are well accustomed to giving evidence" ") and private detectives were notified. "It only remains to select a partner," said the solicitor; no hint of naughtiness lightened his gloom. "We have on occasions been instrumental in accommodating our clients but there have been frequent complaints, so we find it best to leave the choice to them. Lately we had a particularly delicate case involving a man of very rigid morality and a certain diffidence. In the end his own wife consented to go with him and supply the evidence. She wore a red wig. It was quite successful." "I don't think that would do in this case." "No. Exactly. I was merely quoting it as a matter of interest." "I expect I shall be able to find someone," said Tony. "I have no doubt of it," said the solicitor, bowing politely. But when he came to discuss the question later with Jock, it did not seem so easy. "It's not a thing one can ask every girl to do," he said, "whichever way you put it. If you say it is merely a legal form it is rather insulting, and if you suggest going the whole hog it's rather fresh--suddenly, I mean, if you've never paid any particular attention to her before and don't propose to carry on with it afterwards... Of course there's always old Sybil." But even Sybil refused. "I'd do it like a shot any other time," she said, "but just at the moment it wouldn't suit my book. There's a certain person who might hear about it and take it wrong... There's an awfully pretty girl called Jenny Abdul Akbar. I wonder if you've met her." "Yes, I've met her." "Well, won't she do?" "No." "Oh dear, I don't know who to suggest." "We'd better go and study the market at the Old Hundredth," said Jock. They dined at Jock's house. Lately they had found it a little gloomy at Brown's, for people tended to avoid anyone they knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony. "I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her." "All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?" "Would you like to go by train or car?" "Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the	consented to go with him and supply the evidence. She wore a red wig. It was quite successful." "I don't think that would do in this case." "No. Exactly. I was merely quoting it as a matter of interest." "I expect I shall be able to find someone," said Tony. "I have no doubt of it," said the solicitor, bowing politely. But when he came to discuss the question later with Jock, it did not seem so easy. "It's not a thing one can ask every girl to do," he said, "whichever way you put it. If you say it is merely a legal form it is rather insulting, and if you suggest going the whole hog it's rather fresh--suddenly, I mean, if you've never paid any particular attention to her before and don't propose to carry on with it afterwards... Of course there's always old Sybil." But even Sybil refused. "I'd do it like a shot any other time," she said, "but just at the moment it wouldn't suit my book. There's a certain person who might hear about it and take it wrong... There's an awfully pretty girl called Jenny Abdul Akbar. I wonder if you've met her." "Yes, I've met her." "Well, won't she do?" "No." "Oh dear, I don't know who to suggest." "We'd better go and study the market at the Old Hundredth," said Jock. They dined at Jock's house. Lately they had found it a little gloomy at Brown's, for people tended to avoid anyone they knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't	A Handful Of Dust	knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment."<\|quote\|>"No, indeed."</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, \"Is it any good going there yet?\" \"We may as well try. After all, we aren't going there for enjoyment.\"<\|quote\|>\"No, indeed.\"</\|quote\|>The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a", "role": "user" }, { "content": "Tony Last", "role": "assistant" } ] }	Tony Last
"Wild horses won't drag the secret from me,"	Anne Shirley	promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would	my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret	things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to	Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of	to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of	it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew's heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word," said Matthew eagerly. "Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people	with herself as with Anne, because, whenever she recalled Mrs. Rachel's dumbfounded countenance her lips twitched with amusement and she felt a most reprehensible desire to laugh. CHAPTER X. Anne's Apology \|MARILLA said nothing to Matthew about the affair that evening; but when Anne proved still refractory the next morning an explanation had to be made to account for her absence from the breakfast table. Marilla told Matthew the whole story, taking pains to impress him with a due sense of the enormity of Anne's behavior. "It's a good thing Rachel Lynde got a calling down; she's a meddlesome old gossip," was Matthew's consolatory rejoinder. "Matthew Cuthbert, I'm astonished at you. You know that Anne's behavior was dreadful, and yet you take her part! I suppose you'll be saying next thing that she oughtn't to be punished at all!" "Well now--no--not exactly," said Matthew uneasily. "I reckon she ought to be punished a little. But don't be too hard on her, Marilla. Recollect she hasn't ever had anyone to teach her right. You're--you're going to give her something to eat, aren't you?" "When did you ever hear of me starving people into good behavior?" demanded Marilla indignantly. "She'll have her meals regular, and I'll carry them up to her myself. But she'll stay up there until she's willing to apologize to Mrs. Lynde, and that's final, Matthew." Breakfast, dinner, and supper were very silent meals--for Anne still remained obdurate. After each meal Marilla carried a well-filled tray to the east gable and brought it down later on not noticeably depleted. Matthew eyed its last descent with a troubled eye. Had Anne eaten anything at all? When Marilla went out that evening to bring the cows from the back pasture, Matthew, who had been hanging about the barns and watching, slipped into the house with the air of a burglar and crept upstairs. As a general thing Matthew gravitated between the kitchen and the little bedroom off the hall where he slept; once in a while he ventured uncomfortably into the parlor or sitting room when the minister came to tea. But he had never been upstairs in his own house since the spring he helped Marilla paper the spare bedroom, and that was four years ago. He tiptoed along the hall and stood for several minutes outside the door of the east gable before he summoned courage to tap on it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew's heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word," said Matthew eagerly. "Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so	you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word," said Matthew eagerly. "Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she	Anne Of Green Gables	things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that."<\|quote\|>"Wild horses won't drag the secret from me,"</\|quote\|>promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "things over--that's a good girl.\" \"Very well,\" said Anne resignedly. \"I'll tell Marilla as soon as she comes in I've repented.\" \"That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that.\"<\|quote\|>\"Wild horses won't drag the secret from me,\"</\|quote\|>promised Anne solemnly. \"How would wild horses drag a secret from a person anyhow?\" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.	No speaker	directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this	arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought	she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this	For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like	of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence.	impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it	to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural	took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its	Alices Adventures In Wonderland	she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish,"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>"If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, \"just like a star-fish,\"<\|quote\|>thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air.</\|quote\|>\"If I don't take this child away with me,\" thought Alice, \"they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?\" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"It's a bit better. But it's rot all the same, everything they teach you."	Paul	to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can	have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that	go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it	light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a	offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever	as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any	fancy," he retorts. The red moustache twitches: "You don't recognize me any more, what?" Tjaden now opens his eyes. "I do though." Himmelstoss turns to him: "Tjaden, isn't it?" Tjaden lifts his head. "And do you know what you are?" Himmelstoss is disconcerted. "Since when have we become so familiar? I don't remember that we ever slept in the gutter together?" He has no idea what to make of the situation. He didn't expect this open hostility. But he is on his guard: someone has already dinned some rot into him about getting a shot in the back. The question about the gutter makes Tjaden so mad that he becomes almost witty: "No, you slept there by yourself." Himmelstoss begins to boil. But Tjaden gets in ahead of him. He must bring off his insult: "Wouldn't you like to know what you are? A dirty hound, that's what you are. I've been wanting to tell you that for a long time." The satisfaction of months shines in his dull pig's eyes as he spits out: Dirty hound! Himmelstoss lets fly too, now. "What's that, you muck-rake, you dirty peat-stealer? Stand up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?" urges the thoroughgoing Müller. "Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war. * * The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?" the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully. "You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off with Himmelstoss in his wake. "I have a feeling that next time we go up wiring I'll be letting a bundle of wire fall on Himmelstoss's leg," hints Kropp. "We'll have quite a lot of jokes with him," laughs Müller.-- That is our sole ambition: to knock the conceit out of a postman.-- I go into the hut and put Tjaden wise. He disappears. Then we change our possy and lie down again to play cards. We know how to do that: to play cards, to swear, and to fight. Not much for twenty years;--and yet too much for twenty years. Half an hour later Himmelstoss is back again. Nobody pays any attention to him. He asks for Tjaden. We shrug our shoulders. "Then you'd better find him," he persists. "Haven't you been to look for him?" Kropp lies back in the grass and says: "Have you ever been out here before?" "That's none of your business," retorts Himmelstoss. "I expect an answer." "Very good," says Kropp, getting up. "See up there where those little white clouds are. Those are anti-aircraft. We were over there yesterday. Five dead and eight wounded. It was a lot of fun. Next time, when you go up with us, before they die the fellows will come up to you, click their heels,	sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't	All Quiet on the Western Front	go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil."<\|quote\|>"It's a bit better. But it's rot all the same, everything they teach you."</\|quote\|>Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "go back and sit on the forms again.\" I consider that out of the question. \"We might take a special exam.\" \"That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil.\"<\|quote\|>\"It's a bit better. But it's rot all the same, everything they teach you.\"</\|quote\|>Kropp supports me: \"How can a man take all that stuff seriously when he's once been out here?\" \"Still you must have an occupation of some sort,\" insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it", "role": "user" }, { "content": "Paul", "role": "assistant" } ] }	Paul
"I've ordered an ice,"	Milly	sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I	her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want	Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't,	kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to	looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just	askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had	companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece," he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague, "He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?" said	said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of	A Handful Of Dust	Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>"I've ordered an ice,"</\|quote\|>said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't,	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "Blenkinsop, \"the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes.\" * * * * * Milly and her child were in the sitting-room when Tony came up.<\|quote\|>\"I've ordered an ice,\"</\|quote\|>said Milly. \"Quite right.\" \"I want late dinner. I want late dinner.\" \"No, dear, not late dinner. You have an ice up here.\" Tony returned to the bar. \"Mr James,\" he said. \"Did I understand you to say you were fond of children.\" \"Yes, in their right place.\" \"You wouldn't,", "role": "user" }, { "content": "Milly", "role": "assistant" } ] }	Milly
"Oh, don't talk about trouble!"	The Duchess	longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make	yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything	Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her	you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the	a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the	bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard	the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice	be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the	Alices Adventures In Wonderland	Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice.<\|quote\|>"Oh, don't talk about trouble!"</\|quote\|>said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "Alice said very politely, \"if I had it written down: but I can't quite follow it as you say it.\" \"That's nothing to what I could say if I chose,\" the Duchess replied, in a pleased tone. \"Pray don't trouble yourself to say it any longer than that,\" said Alice.<\|quote\|>\"Oh, don't talk about trouble!\"</\|quote\|>said the Duchess. \"I make you a present of everything I've said as yet.\" \"A cheap sort of present!\" thought Alice. \"I'm glad they don't give birthday presents like that!\" But she did not venture to say it out loud. \"Thinking again?\" the Duchess asked, with another dig of her", "role": "user" }, { "content": "The Duchess", "role": "assistant" } ] }	The Duchess
Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.	No speaker	attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said,	All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely,	in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them	be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full	"Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him,	hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad." "Poor mumsy." "I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst of bonhomie immediately after the war. It was intended for young men, to be a place where they could straddle across the fire and be jolly in the card-room without incurring scowls from older members. But now these founders were themselves passing into middle age; they were heavier, balder and redder in the face than when they had been demobilized, but their joviality persisted and	after his father's death. There was little in it to suggest the austerely elegant interiors which Mrs Beaver planned for her customers. It was crowded with the unsaleable furniture of two larger houses, without pretension to any period, least of all to the present. The best pieces and those which had sentimental interest for Mrs Beaver were in the L-shaped drawing-room upstairs. Beaver had a dark little sitting-room (on the ground floor, behind the dining-room) and his own telephone. The elderly parlourmaid looked after his clothes. She also dusted, polished and maintained in symmetrical order on his dressing table and on the top of his chest of drawers the collection of sombre and bulky objects that had stood in his father's dressing-room; indestructible presents for his wedding and twenty-first birthday, ivory, brass bound, covered in pigskin, crested and gold mounted, suggestive of expensive Edwardian masculinity--racing flasks and hunting flasks, cigar cases, tobacco jars, jockeys, elaborate meerschaum pipes, buttonhooks and hat brushes. There were four servants, all female and all, save one, elderly. When anyone asked Beaver why he stayed there instead of setting up on his own, he sometimes said that he thought his mother liked having him there (in spite of her business she was lonely); sometimes that it saved him at least five pounds a week. His total income varied around six pounds a week, so this was an important saving. He was twenty-five years old. From leaving Oxford until the beginning of the slump he had worked in an advertising agency. Since then no one had been able to find anything for him to do. So he got up late and sat near his telephone most of the day, hoping to be rung up. Whenever it was possible, Mrs Beaver took an hour off in the middle of the morning. She was always at her shop punctually at nine, and by half-past eleven she needed a break. Then, if no important customer was imminent, she would get into her two-seater and drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad." "Poor mumsy." "I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst of bonhomie immediately after the war. It was intended for young men, to be a place where they could straddle across the fire and be jolly in the card-room without incurring scowls from older members. But now these founders were themselves passing into middle age; they were heavier, balder and redder in the face than when they had been demobilized, but their joviality persisted and it was their turn now to embarrass their successors, deploring their lack of manly and gentlemanly qualities. Six broad backs shut Beaver from the bar. He settled in one of the armchairs in the outer room and turned over the pages of the _New Yorker_, waiting until someone he knew should turn up. Jock Grant-Menzies came upstairs. The men at the bar greeted him saying, "Hullo, Jock old boy, what are you drinking?" or, more simply, "Well, old boy?" He was too young to have fought in the war but these men thought he was all right; they liked him far more than they did Beaver, who, they thought, ought never to have got into the club at all. But Jock stopped to talk to Beaver. "Well, old boy," he said. "What are you drinking?" "Nothing so far." Beaver looked at his watch. "But I think it's time I had one. Brandy and ginger ale." Jock called to the barman and then said: "Who was the old girl you wished on me at that party last night?" "She's called Mrs Tipping." "I thought she might be. That explains it. They gave me a message downstairs that someone with a name like that wanted me to lunch with her." "Are you going?" "No, I'm no good at lunch parties. Besides, I decided when I got up that I'd have oysters here." The barman came with the drinks. "Mr Beaver, sir, there's ten shillings against you in my books for last month." "Ah, thank you, Macdougal, remind me some time, will you?" "Very good, sir." Beaver said, "I'm going to Hetton to-morrow." "Are you now? Give Tony and Brenda my love." "What's the form?" "Very quiet and enjoyable." "No paper games?" "Oh, no, nothing like that. A certain amount of bridge and backgammon and low poker with the neighbours." "Comfortable?" "Not bad. Plenty to drink. Rather a shortage of bathrooms. You can stay in bed all the morning." "I've never met Brenda." "You'll like her, she's a grand girl. I often think Tony Last's one of the happiest men I know. He's got just enough money, loves the place, one son he's crazy about, devoted wife, not a worry in the world." "Most enviable. You don't know anyone else who's going, do you? I was wondering if I could get a lift down there." "I don't, I'm afraid. It's quite easy by	you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant	A Handful Of Dust	in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking."<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>"That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more.\" \"Mumsy, you are wonderful. I believe you know about everyone.\" \"It's a great help. All a matter of paying attention while people are talking.\"<\|quote\|>Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.</\|quote\|>\"That's the way,\" she said, \"you are doing very nicely, Joyce. I'll soon get you on to something more interesting.\" \"Thank you, Mrs Beaver.\" They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"What's got them?"	Müller	start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must	soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a	a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think	recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of	cheerful were not cannon embowered there. The air becomes acrid with the smoke of the guns and the fog. The fumes of powder taste bitter on the tongue. The roar of the guns makes our lorry stagger, the reverberation rolls raging away to the rear, everything quakes. Our faces change imperceptibly. We are not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of speech; it is fact. It is the front, the consciousness of the front, that makes this contact. The moment that the first shells whistle over and the air is rent with the explosions there is suddenly in our veins, in our hands, in our eyes a tense waiting, a watching, a heightened alertness, a strange sharpening of the senses. The body with one bound is in full readiness. It often seems to me as though it were the vibrating, shuddering air that with a noiseless leap springs upon us; or as though the front itself emitted an electric current which	lurch along and are often almost pitched out. That does not worry us, however. It can happen if it likes; a broken arm is better than a hole in the guts, and many a man would be thankful enough for such a chance of finding his way home again. Beside us stream the munition-columns in long files. They are making the pace, they overtake us going forward. We joke with them and they answer back. A wall becomes visible, it belongs to a house which lies on the side of the road. I suddenly prick up my ears. Am I deceived? Again I hear distinctly the cackle of geese. A glance at Katczinsky--a glance from him to me; we understand one another. "Kat, I hear some aspirants for the frying-pan over there." He nods. "It will be attended to when we come back. I have their number." Of course Kat has their number. He knows all about every leg of goose within a radius of fifteen miles. The lorries arrive at the artillery lines. The gun-emplacements are camouflaged with bushes against aerial observation, and look like a kind of military Feast of the Tabernacles. These branches might seem gay and cheerful were not cannon embowered there. The air becomes acrid with the smoke of the guns and the fog. The fumes of powder taste bitter on the tongue. The roar of the guns makes our lorry stagger, the reverberation rolls raging away to the rear, everything quakes. Our faces change imperceptibly. We are not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of speech; it is fact. It is the front, the consciousness of the front, that makes this contact. The moment that the first shells whistle over and the air is rent with the explosions there is suddenly in our veins, in our hands, in our eyes a tense waiting, a watching, a heightened alertness, a strange sharpening of the senses. The body with one bound is in full readiness. It often seems to me as though it were the vibrating, shuddering air that with a noiseless leap springs upon us; or as though the front itself emitted an electric current which awakened unknown nerve-centres. Every time it is the same. We start out for the front plain soldiers, either cheerful or gloomy: then come the first gun-emplacements and every word of our speech has a new ring. When Kat stands in front of the hut and says: "There'll be a bombardment," that is merely his own opinion; but if he says it here, then the sentence has the sharpness of a bayonet in the moonlight, it cuts clean through the thought, it thrusts nearer and speaks to this unknown thing that is awakened in us, a dark meaning-- "There'll be a bombardment." Perhaps it is our inner and most secret life that shivers and falls on guard. * * To me the front is a mysterious whirlpool. Though I am in still water far away from its centre, I feel the whirl of the vortex sucking me slowly, irresistibly, inescapably into itself. From the earth, from the air, sustaining forces pour into us--mostly from the earth. To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from	yell that was immediately hushed. Tjaden unbuttoned Himmelstoss's braces and pulled down his trousers, holding the whip meantime in his teeth. Then he stood up and set to work. It was a wonderful picture: Himmelstoss on the ground; Haie bending over him with a fiendish grin and his mouth open with blood-lust, Himmelstoss's head on his knees; then the convulsed, striped drawers, the knock knees, executing at every blow most original movements in the lowered breeches, and towering over them like a woodcutter the indefatigable Tjaden. In the end we had to drag him away to get our turn. Finally Haie stood Himmelstoss on his feet again and gave one last personal remonstrance. As he stretched out his right arm preparatory to giving him a box on the ear he looked as if he were going to reach down a star. Himmelstoss staggered. Haie stood him up again, made ready and fetched him a second, well-aimed beauty with the left hand. Himmelstoss yelled and fell down on all fours cursing. His striped postman's backside gleamed in the moonlight. We disappeared at full speed. Haie looked round once again and said wrathfully, satisfied and rather mysteriously: "Revenge is black-pudding." Himmelstoss ought to have been pleased; his saying that we should each educate one another had borne fruit for himself. We had become successful students of his method. He never discovered whom he had to thank for the business. At any rate he scored a bed-cover out of it; for when we returned a few hours later to look for it, it was no longer to be found. That evening's work made us more or less content to leave next morning. And an old buffer was pleased to describe us as "young heroes." CHAPTER IV We have to go up on wiring fatigue. The motor lorries roll up after dark. We climb in. It is a warm evening and the twilight seems like a canopy under whose shelter we feel drawn together. Even the stingy Tjaden gives me a cigarette and then a light. We stand jammed in together, shoulder to shoulder, there is no room to sit. But we do not expect that. Müller is in a good mood for once; he is wearing his new boots. The engines drone, the lorries bump and rattle. The roads are worn and full of holes. We dare not show a light so we lurch along and are often almost pitched out. That does not worry us, however. It can happen if it likes; a broken arm is better than a hole in the guts, and many a man would be thankful enough for such a chance of finding his way home again. Beside us stream the munition-columns in long files. They are making the pace, they overtake us going forward. We joke with them and they answer back. A wall becomes visible, it belongs to a house which lies on the side of the road. I suddenly prick up my ears. Am I deceived? Again I hear distinctly the cackle of geese. A glance at Katczinsky--a glance from him to me; we understand one another. "Kat, I hear some aspirants for the frying-pan over there." He nods. "It will be attended to when we come back. I have their number." Of course Kat has their number. He knows all about every leg of goose within a radius of fifteen miles. The lorries arrive at the artillery lines. The gun-emplacements are camouflaged with bushes against aerial observation, and look like a kind of military Feast of the Tabernacles. These branches might seem gay and cheerful were not cannon embowered there. The air becomes acrid with the smoke of the guns and the fog. The fumes of powder taste bitter on the tongue. The roar of the guns makes our lorry stagger, the reverberation rolls raging away to the rear, everything quakes. Our faces change imperceptibly. We are not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of speech; it is fact. It is the front, the consciousness of the front, that makes this contact. The moment that the first shells whistle over and the air is rent with the explosions there is suddenly in our veins, in our hands, in our eyes a tense waiting, a watching, a heightened alertness, a strange sharpening of the senses. The body with one bound is in full readiness. It often seems to me as though it were the vibrating, shuddering air that with a noiseless leap springs upon us; or as though the front itself emitted an electric current which awakened unknown nerve-centres. Every time it is the same. We start out for the front plain soldiers, either cheerful or gloomy: then come the first gun-emplacements and every word of our speech has a new ring. When Kat stands in front of the hut and says: "There'll be a bombardment," that is merely his own opinion; but if he says it here, then the sentence has the sharpness of a bayonet in the moonlight, it cuts clean through the thought, it thrusts nearer and speaks to this unknown thing that is awakened in us, a dark meaning-- "There'll be a bombardment." Perhaps it is our inner and most secret life that shivers and falls on guard. * * To me the front is a mysterious whirlpool. Though I am in still water far away from its centre, I feel the whirl of the vortex sucking me slowly, irresistibly, inescapably into itself. From the earth, from the air, sustaining forces pour into us--mostly from the earth. To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and gives him a new lease of ten seconds of life, receives him again and often for ever. Earth!--Earth!--Earth! Earth with thy folds, and hollows and holes, into which a man may fling himself and crouch down! In the spasm of terror, under the hailing of annihilation, in the bellowing death of the explosions, O Earth, thou grantest us the great resisting surge of new-won life. Our being, almost utterly carried away by the fury of the storm, streams back through our hands from thee, and we, thy redeemed ones, bury ourselves in thee, and through the long minutes in a mute agony of hope bite into thee with our lips! At the sound of the first droning of the shells we rush back, in one part of our being, a thousand years. By the animal instinct that is awakened in us we are led and protected. It is not conscious; it is far quicker, much more sure, less fallible, than consciousness. One cannot explain it. A man is walking along without thought or heed;--suddenly he throws himself down on the ground and a storm of fragments flies harmlessly over him;--yet he cannot remember either to have heard the shell coming or to have thought of flinging himself down. But had he not abandoned himself to the impulse he would now be a heap of mangled flesh. It is this other, this second sight in us, that has thrown us to the ground and saved us, without our knowing how. If it were not so, there would not be one man alive from Flanders to the Vosges. We march up, moody or good-tempered soldiers--we reach the zone where the front begins and become on the instant human animals. * * An indigent looking wood receives us. We pass by the soup-kitchens. Under cover of the wood we climb out. The lorries turn back. They are to collect us again in the morning, before dawn. Mist and the smoke of guns lie breast-high over the fields. The moon is shining. Along the road troops file. Their helmets gleam softly in the moonlight. The heads and the rifles stand out above the white mist, nodding heads, rocking carriers of guns.	Katczinsky--a glance from him to me; we understand one another. "Kat, I hear some aspirants for the frying-pan over there." He nods. "It will be attended to when we come back. I have their number." Of course Kat has their number. He knows all about every leg of goose within a radius of fifteen miles. The lorries arrive at the artillery lines. The gun-emplacements are camouflaged with bushes against aerial observation, and look like a kind of military Feast of the Tabernacles. These branches might seem gay and cheerful were not cannon embowered there. The air becomes acrid with the smoke of the guns and the fog. The fumes of powder taste bitter on the tongue. The roar of the guns makes our lorry stagger, the reverberation rolls raging away to the rear, everything quakes. Our faces change imperceptibly. We are not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of speech; it is fact. It is the front, the consciousness of the front, that makes this contact. The moment that the first shells whistle over and the air is rent with the explosions there is suddenly in our veins, in our hands, in our eyes a tense waiting, a watching, a heightened alertness, a strange sharpening of the senses. The body with one bound is in full readiness. It often seems to me as though it were the vibrating, shuddering air that with a noiseless leap springs upon us; or as though the front itself emitted an electric current which awakened unknown nerve-centres. Every time it is the same. We start out for the front plain soldiers, either cheerful or gloomy: then come the first gun-emplacements and every word of our speech has a new ring. When Kat stands in front of the hut and says: "There'll be a bombardment," that is merely his own opinion; but if he says it here, then the sentence has the sharpness of a bayonet in the moonlight, it cuts clean through the thought, it thrusts nearer and speaks to this unknown thing that is awakened in us, a dark meaning-- "There'll be a bombardment." Perhaps it is	All Quiet on the Western Front	a bombardment to-night." We all listen. The front is restless. "The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>"What's got them?"</\|quote\|>says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "a bombardment to-night.\" We all listen. The front is restless. \"The Tommies are firing already,\" says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock.<\|quote\|>\"What's got them?\"</\|quote\|>says Müller, \"their clocks must be fast.\" \"There'll be a bombardment, I tell you, I can feel it in my bones.\" Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think", "role": "user" }, { "content": "Müller", "role": "assistant" } ] }	Müller
(The jury all looked puzzled.)	No speaker	the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody	the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King.	nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes	be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It	rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to	you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the	next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?" said Alice, (she had grown to her full size by this time.) "You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half	little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none	Alices Adventures In Wonderland	nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it."<\|quote\|>(The jury all looked puzzled.)</\|quote\|>"He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "nothing written on the _outside_.\" He unfolded the paper as he spoke, and added \"It isn't a letter, after all: it's a set of verses.\" \"Are they in the prisoner's handwriting?\" asked another of the jurymen. \"No, they're not,\" said the White Rabbit, \"and that's the queerest thing about it.\"<\|quote\|>(The jury all looked puzzled.)</\|quote\|>\"He must have imitated somebody else's hand,\" said the King. (The jury all brightened up again.) \"Please your Majesty,\" said the Knave, \"I didn't write it, and they can't prove I did: there's no name signed at the end.\" \"If you didn't sign it,\" said the King, \"that only makes", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Poor mumsy."	John Beaver	pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's.	evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I	a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to	drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie.	was twenty-five years old. From leaving Oxford until the beginning of the slump he had worked in an advertising agency. Since then no one had been able to find anything for him to do. So he got up late and sat near his telephone most of the day, hoping to be rung up. Whenever it was possible, Mrs Beaver took an hour off in the middle of the morning. She was always at her shop punctually at nine, and by half-past eleven she needed a break. Then, if no important customer was imminent, she would get into her two-seater and drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have	pretension to any period, least of all to the present. The best pieces and those which had sentimental interest for Mrs Beaver were in the L-shaped drawing-room upstairs. Beaver had a dark little sitting-room (on the ground floor, behind the dining-room) and his own telephone. The elderly parlourmaid looked after his clothes. She also dusted, polished and maintained in symmetrical order on his dressing table and on the top of his chest of drawers the collection of sombre and bulky objects that had stood in his father's dressing-room; indestructible presents for his wedding and twenty-first birthday, ivory, brass bound, covered in pigskin, crested and gold mounted, suggestive of expensive Edwardian masculinity--racing flasks and hunting flasks, cigar cases, tobacco jars, jockeys, elaborate meerschaum pipes, buttonhooks and hat brushes. There were four servants, all female and all, save one, elderly. When anyone asked Beaver why he stayed there instead of setting up on his own, he sometimes said that he thought his mother liked having him there (in spite of her business she was lonely); sometimes that it saved him at least five pounds a week. His total income varied around six pounds a week, so this was an important saving. He was twenty-five years old. From leaving Oxford until the beginning of the slump he had worked in an advertising agency. Since then no one had been able to find anything for him to do. So he got up late and sat near his telephone most of the day, hoping to be rung up. Whenever it was possible, Mrs Beaver took an hour off in the middle of the morning. She was always at her shop punctually at nine, and by half-past eleven she needed a break. Then, if no important customer was imminent, she would get into her two-seater and drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash	CHAPTER I DU C?T? DE CHEZ BEAVER "Was anyone hurt?" "No one, I am thankful to say," said Mrs Beaver, "except two housemaids who lost their heads and jumped through a glass roof into the paved court. They were in no danger. The fire never reached the bedrooms, I am afraid. Still, they are bound to need doing up, everything black with smoke and drenched in water and luckily they had that old-fashioned sort of extinguisher that ruins _everything_. One really cannot complain. The chief rooms were _completely_ gutted and everything was insured. Sylvia Newport knows the people. I must get on to them this morning before that ghoul Mrs Shutter snaps them up." Mrs Beaver stood with her back to the fire, eating her morning yoghourt. She held the carton close under her chin and gobbled with a spoon. "Heavens, how nasty this stuff is. I wish you'd take to it, John. You're looking so tired lately. I don't know how I should get through my day without it." "But, mumsy, I haven't as much to do as you have." "That's true, my son." * * * * * John Beaver lived with his mother at the house in Sussex Gardens where they had moved after his father's death. There was little in it to suggest the austerely elegant interiors which Mrs Beaver planned for her customers. It was crowded with the unsaleable furniture of two larger houses, without pretension to any period, least of all to the present. The best pieces and those which had sentimental interest for Mrs Beaver were in the L-shaped drawing-room upstairs. Beaver had a dark little sitting-room (on the ground floor, behind the dining-room) and his own telephone. The elderly parlourmaid looked after his clothes. She also dusted, polished and maintained in symmetrical order on his dressing table and on the top of his chest of drawers the collection of sombre and bulky objects that had stood in his father's dressing-room; indestructible presents for his wedding and twenty-first birthday, ivory, brass bound, covered in pigskin, crested and gold mounted, suggestive of expensive Edwardian masculinity--racing flasks and hunting flasks, cigar cases, tobacco jars, jockeys, elaborate meerschaum pipes, buttonhooks and hat brushes. There were four servants, all female and all, save one, elderly. When anyone asked Beaver why he stayed there instead of setting up on his own, he sometimes said that he thought his mother liked having him there (in spite of her business she was lonely); sometimes that it saved him at least five pounds a week. His total income varied around six pounds a week, so this was an important saving. He was twenty-five years old. From leaving Oxford until the beginning of the slump he had worked in an advertising agency. Since then no one had been able to find anything for him to do. So he got up late and sat near his telephone most of the day, hoping to be rung up. Whenever it was possible, Mrs Beaver took an hour off in the middle of the morning. She was always at her shop punctually at nine, and by half-past eleven she needed a break. Then, if no important customer was imminent, she would get into her two-seater and drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man. "That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst	that he thought his mother liked having him there (in spite of her business she was lonely); sometimes that it saved him at least five pounds a week. His total income varied around six pounds a week, so this was an important saving. He was twenty-five years old. From leaving Oxford until the beginning of the slump he had worked in an advertising agency. Since then no one had been able to find anything for him to do. So he got up late and sat near his telephone most of the day, hoping to be rung up. Whenever it was possible, Mrs Beaver took an hour off in the middle of the morning. She was always at her shop punctually at nine, and by half-past eleven she needed a break. Then, if no important customer was imminent, she would get into her two-seater and drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man. "That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together	A Handful Of Dust	a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad."<\|quote\|>"Poor mumsy."</\|quote\|>"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "a party given by a woman called de Trommet.\" \"I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad.\"<\|quote\|>\"Poor mumsy.\"</\|quote\|>\"I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid.\" \"Nothing so far. I can always go round to Bratt's.\" \"But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to", "role": "user" }, { "content": "John Beaver", "role": "assistant" } ] }	John Beaver
dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:	No speaker	We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are	lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V	the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin	there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a	innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with	a stretcher now----" Then he opens his mouth and whispers: "Stay here----" "We'll be back again soon," says Kat. "We are only going to get a stretcher for you." We don't know if he understands. He whimpers like a child and plucks at us: "Don't go away----" Kat looks around and whispers: "Shouldn't we just take a revolver and put an end to it?" The youngster will hardly survive the carrying, and at the most he will only last a few days. What he has gone through so far is nothing to what he's in for till he dies. Now he is numb and feels nothing. In an hour he will become one screaming bundle of intolerable pain. Every day that he can live will be a howling torture. And to whom does it matter whether he has them or not---- I nod. "Yes, Kat, we ought to put him out of his misery." He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head. "Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next	mask. I wait some seconds--he has not collapsed--he looks around and makes a few paces--rattling in my throat I tear my mask off too and fall down, the air streams into me like cold water, my eyes are bursting, the wave sweeps over me and extinguishes me. * * The shelling has ceased. I drag myself to the crater and tell the others. They take off their masks. We lift up the wounded man, one taking his splintered arm. And so we stumble off hastily. The graveyard is a mass of wreckage. Coffins and corpses lie strewn about. They have been killed once again; but each of them that was flung up saved one of us. The hedge is destroyed, the rails of the light railway are torn up and rise stiffly in the air in great arches. Someone lies in front of us. We stop; Kropp goes on alone with the wounded man. The man on the ground is a recruit. His hip is covered with blood; he is so exhausted that I feel for my water-bottle where I have rum and tea. Kat restrains my hand and stoops over him. "Where's it got you, comrade?" His eyes move. He is too weak to answer. We cut off his trousers carefully. He groans. "Gently, gently, it is much better----" If he has been hit in the stomach he oughtn't to drink anything. There's no vomiting, that's a good sign. We lay the hip bare. It is one mass of mincemeat and bone splinters. The joint has been hit. This lad won't walk any more. I wet his temples with a moistened finger and give him a swig. His eyes move again. We see now that the right arm is bleeding as well. Kat spreads out two wads of dressing as wide as possible so that they will cover the wound. I look for something to bind loosely round it. We have nothing more, so I slit up the wounded man's trouser leg still farther in order to use a piece of his underpants as a bandage. But he is wearing none. I now look at him closely. He is the fair-headed boy of a little while ago. In the meantime Kat has taken a bandage from a dead man's pocket and we carefully bind the wound. I say to the youngster who looks at us fixedly: "We're going for a stretcher now----" Then he opens his mouth and whispers: "Stay here----" "We'll be back again soon," says Kat. "We are only going to get a stretcher for you." We don't know if he understands. He whimpers like a child and plucks at us: "Don't go away----" Kat looks around and whispers: "Shouldn't we just take a revolver and put an end to it?" The youngster will hardly survive the carrying, and at the most he will only last a few days. What he has gone through so far is nothing to what he's in for till he dies. Now he is numb and feels nothing. In an hour he will become one screaming bundle of intolerable pain. Every day that he can live will be a howling torture. And to whom does it matter whether he has them or not---- I nod. "Yes, Kat, we ought to put him out of his misery." He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head. "Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble	his underpants as a bandage. But he is wearing none. I now look at him closely. He is the fair-headed boy of a little while ago. In the meantime Kat has taken a bandage from a dead man's pocket and we carefully bind the wound. I say to the youngster who looks at us fixedly: "We're going for a stretcher now----" Then he opens his mouth and whispers: "Stay here----" "We'll be back again soon," says Kat. "We are only going to get a stretcher for you." We don't know if he understands. He whimpers like a child and plucks at us: "Don't go away----" Kat looks around and whispers: "Shouldn't we just take a revolver and put an end to it?" The youngster will hardly survive the carrying, and at the most he will only last a few days. What he has gone through so far is nothing to what he's in for till he dies. Now he is numb and feels nothing. In an hour he will become one screaming bundle of intolerable pain. Every day that he can live will be a howling torture. And to whom does it matter whether he has them or not---- I nod. "Yes, Kat, we ought to put him out of his misery." He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head. "Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you	All Quiet on the Western Front	the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--,"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>"Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call \"Mind--wire--,\"<\|quote\|>dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry:</\|quote\|>\"Mind--wire,\" --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"_Darling_, do try to sound interested. It's very exciting for me."	Brenda	from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there	telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells	where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard	about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_." "You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of	even to me. I'll have the chess-men done up and sent round to you this afternoon. Thank you so much." And Beaver, for the first time in his life, found himself a person of interest and, almost, of consequence. Women studied him with a new scrutiny, wondering what they had missed in him; men treated him as an equal, even as a successful fellow competitor. "How on earth has _he_ got away with it?" they may have asked themselves, but now, when he came into Bratt's, they made room for him at the bar and said, "Well, old boy, how about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_." "You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the time that she was speaking, she had been kept busy with one hand warding him off the telephone, which he threatened playfully to disconnect. "Wasn't it sweet of	nearly everyone had had a crack one time or another, it would have been thrilling no doubt, but straightforward, drawing-room comedy. The choice of Beaver raised the whole escapade into a realm of poetry for Polly and Daisy and Angela and all the gang of gossips. Mrs Beaver made no bones about her delight. "Of course the subject has not been mentioned between John and myself, but if what I hear is true, I think it will do the boy a world of good. Of course he's always been very much in demand and had a great number of friends, but _that isn't the same thing_. I've felt for a long time a Lack of Something in him, and I think that a charming and experienced woman like Brenda Last is just the person to help him. He's got a _very_ affectionate nature, but he's so sensitive that he hardly ever lets it appear... to tell you the truth I felt something of the kind was in the air last week, so I made an excuse to go away for a few days. If I had been there things might never have come to anything. He's very shy and reserved even to me. I'll have the chess-men done up and sent round to you this afternoon. Thank you so much." And Beaver, for the first time in his life, found himself a person of interest and, almost, of consequence. Women studied him with a new scrutiny, wondering what they had missed in him; men treated him as an equal, even as a successful fellow competitor. "How on earth has _he_ got away with it?" they may have asked themselves, but now, when he came into Bratt's, they made room for him at the bar and said, "Well, old boy, how about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_." "You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the time that she was speaking, she had been kept busy with one hand warding him off the telephone, which he threatened playfully to disconnect. "Wasn't it sweet of Tony to send those flowers?" "I'm not awfully fond of Tony." "Don't let that worry you, my beauty, he doesn't like you _at all_." "_Doesn't_ he? Why not?" "No one does except me. You must get that clear... it's very odd that _I_ should." * * * * * Beaver and his mother were going to Ireland for Christmas, to stay with cousins. Tony and Brenda had a family party at Hetton: Marjorie and Allan, Brenda's mother, Tony's Aunt Frances and two families of impoverished Lasts, humble and uncomplaining victims of primogeniture, to whom Hetton meant as much as it did to Tony. There was a little Christmas-tree in the nursery for John Andrew and a big one downstairs in the central hall which was decorated by the impoverished Lasts and lit up for half an hour after tea (two footmen standing by with wet sponges on the end of poles, to extinguish the candles which turned turtle and threatened to start a fire). There were presents for all the servants, of value strictly graded according to their rank, and for all the guests (cheques for the impoverished Lasts). Allan always brought a large cro?te of foie gras, a delicacy	and a wireless set fitted in a case of Regency lacquer, all of which had been grouped in the shop for her as a "suggestion". Mrs Beaver bore Brenda no ill will for the modesty of her requirements; she was doing very well on the floor above with a Canadian lady who was having her walls covered with chromium plating at immense expense. Meanwhile Brenda stayed with Marjorie, on terms which gradually became acrimonious. "I'm sorry to be pompous," she said one morning, "but I just don't want your Mr Beaver hanging about the house all day and calling me Marjorie." "Oh well, the flat won't be long now." "And I shall go on saying that I think you're making a ridiculous mistake." "It's just that you don't like Mr Beaver." "It isn't only that. I think it's hard cheese on Tony." "Oh, Tony's all right." "And if there's a row--" "There won't be a row." "You never know. If there is, I don't want Allan to think I've been helping to arrange things." "I wasn't so disagreeable to you about Robin Beaseley." "There was never much in that," said Marjorie. But with the exception of her sister's, opinion was greatly in favour of Brenda's adventure. The morning telephone buzzed with news of her; even people with whom she had the barest acquaintance were delighted to relate that they had seen her and Beaver the evening before at a restaurant or cinema. It had been an autumn of very sparse and meagre romance; only the most obvious people had parted or come together, and Brenda was filling a want long felt by those whose simple, vicarious pleasure it was to discuss the subject in bed over the telephone. For them her circumstances shed peculiar glamour; for five years she had been a legendary, almost ghostly name, the imprisoned princess of fairy story, and now that she had emerged there was more enchantment in the occurrence than in the mere change of habit of any other circumspect wife. Her very choice of partner gave the affair an appropriate touch of fantasy; Beaver, the joke figure they had all known and despised, suddenly caught up to her among the luminous clouds of deity. If, after seven years looking neither to right or left, she had at last broken away with Jock Grant-Menzies or Robin Beaseley or any other young buck with whom nearly everyone had had a crack one time or another, it would have been thrilling no doubt, but straightforward, drawing-room comedy. The choice of Beaver raised the whole escapade into a realm of poetry for Polly and Daisy and Angela and all the gang of gossips. Mrs Beaver made no bones about her delight. "Of course the subject has not been mentioned between John and myself, but if what I hear is true, I think it will do the boy a world of good. Of course he's always been very much in demand and had a great number of friends, but _that isn't the same thing_. I've felt for a long time a Lack of Something in him, and I think that a charming and experienced woman like Brenda Last is just the person to help him. He's got a _very_ affectionate nature, but he's so sensitive that he hardly ever lets it appear... to tell you the truth I felt something of the kind was in the air last week, so I made an excuse to go away for a few days. If I had been there things might never have come to anything. He's very shy and reserved even to me. I'll have the chess-men done up and sent round to you this afternoon. Thank you so much." And Beaver, for the first time in his life, found himself a person of interest and, almost, of consequence. Women studied him with a new scrutiny, wondering what they had missed in him; men treated him as an equal, even as a successful fellow competitor. "How on earth has _he_ got away with it?" they may have asked themselves, but now, when he came into Bratt's, they made room for him at the bar and said, "Well, old boy, how about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_." "You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the time that she was speaking, she had been kept busy with one hand warding him off the telephone, which he threatened playfully to disconnect. "Wasn't it sweet of Tony to send those flowers?" "I'm not awfully fond of Tony." "Don't let that worry you, my beauty, he doesn't like you _at all_." "_Doesn't_ he? Why not?" "No one does except me. You must get that clear... it's very odd that _I_ should." * * * * * Beaver and his mother were going to Ireland for Christmas, to stay with cousins. Tony and Brenda had a family party at Hetton: Marjorie and Allan, Brenda's mother, Tony's Aunt Frances and two families of impoverished Lasts, humble and uncomplaining victims of primogeniture, to whom Hetton meant as much as it did to Tony. There was a little Christmas-tree in the nursery for John Andrew and a big one downstairs in the central hall which was decorated by the impoverished Lasts and lit up for half an hour after tea (two footmen standing by with wet sponges on the end of poles, to extinguish the candles which turned turtle and threatened to start a fire). There were presents for all the servants, of value strictly graded according to their rank, and for all the guests (cheques for the impoverished Lasts). Allan always brought a large cro?te of foie gras, a delicacy of which he was particularly fond. Everyone ate a great deal and became slightly torpid towards Boxing-day evening; silver ladles of burning brandy went round the table, crackers were pulled and opened; paper hats, indoor fireworks, mottoes. This year, everything happened in its accustomed way; nothing seemed to menace the peace and stability of the house. The choir came up and sang carols in the pitch-pine gallery, and later devoured hot punch and sweet biscuits. The vicar preached his usual Christmas sermon. It was one to which his parishioners were greatly attached. "How difficult it is for us," he began, blandly surveying his congregation, who coughed into their mufflers and chafed their chilblains under their woollen gloves, "to realize that this is indeed Christmas. Instead of the glowing log fire and windows tight shuttered against the drifting snow, we have only the harsh glare of an alien sun; instead of the happy circle of loved faces, of home and family, we have the uncomprehending stares of the subjugated, though no doubt grateful, heathen. Instead of the placid ox and ass of Bethlehem," said the vicar, slightly losing the thread of his comparisons, "we have for companions the ravening tiger and the exotic camel, the furtive jackal and the ponderous elephant..." And so on, through the pages of faded manuscript. The words had temporarily touched the heart of many an obdurate trooper, and hearing them again, as he had heard them year after year since Mr Tendril had come to the parish, Tony and most of Tony's guests felt that it was an integral part of their Christmas festivities; one with which they would find it very hard to dispense. "The ravening tiger and exotic camel" had long been bywords in the family, of frequent recurrence in all their games. These games were the hardest part for Brenda. They did not amuse her and she still could not see Tony dressed up for charades without a feeling of shyness. Moreover, she was tortured by the fear that any lack of gusto on her part might be construed by the poor Lasts as superiority. These scruples, had she known it, were quite superfluous, for it never occurred to her husband's relatives to look on her with anything but cousinly cordiality and a certain tolerance, for, as Lasts, they considered they had far more right in Hetton than herself. Aunt Frances, with acid	Grant-Menzies or Robin Beaseley or any other young buck with whom nearly everyone had had a crack one time or another, it would have been thrilling no doubt, but straightforward, drawing-room comedy. The choice of Beaver raised the whole escapade into a realm of poetry for Polly and Daisy and Angela and all the gang of gossips. Mrs Beaver made no bones about her delight. "Of course the subject has not been mentioned between John and myself, but if what I hear is true, I think it will do the boy a world of good. Of course he's always been very much in demand and had a great number of friends, but _that isn't the same thing_. I've felt for a long time a Lack of Something in him, and I think that a charming and experienced woman like Brenda Last is just the person to help him. He's got a _very_ affectionate nature, but he's so sensitive that he hardly ever lets it appear... to tell you the truth I felt something of the kind was in the air last week, so I made an excuse to go away for a few days. If I had been there things might never have come to anything. He's very shy and reserved even to me. I'll have the chess-men done up and sent round to you this afternoon. Thank you so much." And Beaver, for the first time in his life, found himself a person of interest and, almost, of consequence. Women studied him with a new scrutiny, wondering what they had missed in him; men treated him as an equal, even as a successful fellow competitor. "How on earth has _he_ got away with it?" they may have asked themselves, but now, when he came into Bratt's, they made room for him at the bar and said, "Well, old boy, how about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_." "You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the time that she was speaking, she had been kept busy with one hand warding him off the telephone, which he threatened playfully to disconnect. "Wasn't it sweet of Tony to send those flowers?" "I'm not awfully fond of Tony." "Don't let that worry you, my beauty, he doesn't like you _at all_." "_Doesn't_ he? Why not?" "No one does except me. You must get that clear... it's very odd that _I_ should." * * * * * Beaver and his mother were going to Ireland for Christmas, to stay with cousins. Tony and Brenda had a family party at Hetton: Marjorie and Allan, Brenda's mother, Tony's Aunt Frances and two families of impoverished Lasts, humble and uncomplaining victims of primogeniture, to whom Hetton meant as much as it did to Tony. There was a little Christmas-tree in the nursery for John Andrew and a big one downstairs in the central hall which was decorated by the impoverished Lasts and lit up for half an hour after tea (two footmen standing by with wet sponges on the end of poles, to extinguish the candles which turned turtle and threatened to start a fire). There were presents for all the servants, of value strictly graded according to their rank, and for all the guests (cheques for the impoverished Lasts).	A Handful Of Dust	where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah."<\|quote\|>"_Darling_, do try to sound interested. It's very exciting for me."</\|quote\|>"What's it like?" "Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. \"I'm talking from the flat.\" \"Oh, ah.\"<\|quote\|>\"_Darling_, do try to sound interested. It's very exciting for me.\"</\|quote\|>\"What's it like?\" \"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard", "role": "user" }, { "content": "Brenda", "role": "assistant" } ] }	Brenda
"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"	Marilla Cuthbert	your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was	what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne.	the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said	could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to	despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from	cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart,	with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla," ?what a tangled web we weave when first we practice to deceive.' "That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne's unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the end of the week Marilla said decidedly: "It's no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can't go out with it looking like that." Anne's lips quivered, but she realized the bitter truth of Marilla's remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it	sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I	Anne Of Green Gables	the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it."<\|quote\|>"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?"</\|quote\|>"Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?\" \"I dyed it.\"<\|quote\|>\"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?\"</\|quote\|>\"Yes, I knew it was a little wicked,\" admitted Anne. \"But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it.\" \"Well,\" said", "role": "user" }, { "content": "Marilla Cuthbert", "role": "assistant" } ] }	Marilla Cuthbert
"Will you sleep now?"	Paul	put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The	arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks.	I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and	fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is	were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which	and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now--but why? The whole world ought to pass by this bed and say: "That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!" My thoughts become confused. This atmosphere of carbolic and gangrene clogs the lungs, it is a thick gruel, it suffocates. It grows dark. Kemmerich's face changes colour, it lifts from the pillow and is so pale that it gleams. The mouth moves slightly. I draw near to him. He whispers: "If you find my watch, send it home----" I do not reply. It is no use any more. No one can console him. I am wretched with helplessness. This forehead with its hollow temples, this mouth that is now merely a slit, this sharp nose! And the fat, weeping woman at home to whom I must write. If only the letter were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says: "One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----" I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say	he repeats. "Sure, Franz. Once you've got over the operation." He beckons me to bend down. I stoop over him and he whispers: "I don't think so." "Don't talk rubbish, Franz, in a couple of days you'll see for yourself. What is it anyway--an amputated leg? here they patch up far worse things than that." He lifts one hand. "Look here though, these fingers." "That's the result of the operation. Just eat decently and you'll soon be well again. Do they look after you properly?" He points to a dish that is still half full. I get excited. "Franz, you must eat. Eating is the main thing. That looks good too." He turns away. After a pause he says slowly: "I wanted to become a head-forester once." "So you may still," I assure him. "There are splendid artificial limbs now, you'd hardly know there was anything missing. They are fixed on to the muscles. You can move the fingers and work and even write with an artificial hand. And besides, they will always be making new improvements." For a while he lies still. Then he says: "You can take my lace-up boots with you for Müller." I nod and wonder what to say to encourage him. His lips have fallen away, his mouth has become larger, his teeth stick out and look as though they were made of chalk. The flesh melts, the forehead bulges more prominently, the cheek-bones protrude. The skeleton is working itself through. The eyes are already sunken in. In a couple of hours it will be over. He is not the first that I have seen thus; but we grew up together and that always makes it a bit different. I have copied his essays. At school he used to wear a brown coat with a belt and shiny sleeves. He was the only one of us, too, who could do the giant's turn on the horizontal bar. His hair flew in his face like silk when he did it. Kantorek was proud of him for it. But he couldn't endure cigarettes. His skin was very white; he had something of the girl about him. I glance at my boots. They are big and clumsy, the breeches are tucked into them, and standing up one looks well-built and powerful in these great drain-pipes. But when we go bathing and strip, suddenly we have slender legs again and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now--but why? The whole world ought to pass by this bed and say: "That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!" My thoughts become confused. This atmosphere of carbolic and gangrene clogs the lungs, it is a thick gruel, it suffocates. It grows dark. Kemmerich's face changes colour, it lifts from the pillow and is so pale that it gleams. The mouth moves slightly. I draw near to him. He whispers: "If you find my watch, send it home----" I do not reply. It is no use any more. No one can console him. I am wretched with helplessness. This forehead with its hollow temples, this mouth that is now merely a slit, this sharp nose! And the fat, weeping woman at home to whom I must write. If only the letter were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says: "One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----" I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?" Kat asks one of the youngsters. He grimaces. "For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans.	do the giant's turn on the horizontal bar. His hair flew in his face like silk when he did it. Kantorek was proud of him for it. But he couldn't endure cigarettes. His skin was very white; he had something of the girl about him. I glance at my boots. They are big and clumsy, the breeches are tucked into them, and standing up one looks well-built and powerful in these great drain-pipes. But when we go bathing and strip, suddenly we have slender legs again and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now--but why? The whole world ought to pass by this bed and say: "That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!" My thoughts become confused. This atmosphere of carbolic and gangrene clogs the lungs, it is a thick gruel, it suffocates. It grows dark. Kemmerich's face changes colour, it lifts from the pillow and is so pale that it gleams. The mouth moves slightly. I draw near to him. He whispers: "If you find my watch, send it home----" I do not reply. It is no use any more. No one can console him. I am wretched with helplessness. This forehead with its hollow temples, this mouth that is now merely a slit, this sharp nose! And the fat, weeping woman at home to whom I must write. If only the letter were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says: "One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----" I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the	All Quiet on the Western Front	I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his.<\|quote\|>"Will you sleep now?"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! \"But Franz\" --I put my arm round his shoulder and put my face against his.<\|quote\|>\"Will you sleep now?\"</\|quote\|>He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and", "role": "user" }, { "content": "Paul ", "role": "assistant" } ] }	Paul
said Matthew rising and putting his pipe away.	No speaker	you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To	"Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to	despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne	I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as	his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her	reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off	turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer. "It's time you were dressed," she said curtly. Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be. Anne stood up and drew a long breath. "Oh, isn't it wonderful?" she said, waving her hand comprehensively at the good world outside. "It's a big tree," said Marilla, "and it blooms great, but the fruit don't amount to much never--small and wormy." "Oh, I don't mean just the tree; of course it's lovely--yes, it's _radiantly_ lovely--it blooms as if it meant it--but I meant everything, the garden and the orchard and the brook and the woods, the whole big dear world. Don't you feel as if you just loved the world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They're always laughing. Even in winter-time I've heard them under the ice. I'm so glad there's a brook near Green Gables. Perhaps you think it doesn't make any difference to me when you're not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn't a brook I'd be _haunted_ by the uncomfortable feeling that there ought to be one. I'm not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid thing that there are mornings? But I feel very sad. I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and	up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had	Anne Of Green Gables	despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla,"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>"I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "despatched straight-way back to where she came from.\" \"I could hire a French boy to help me,\" said Matthew, \"and she'd be company for you.\" \"I'm not suffering for company,\" said Marilla shortly. \"And I'm not going to keep her.\" \"Well now, it's just as you say, of course, Marilla,\"<\|quote\|>said Matthew rising and putting his pipe away.</\|quote\|>\"I'm going to bed.\" To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables \|IT was broad daylight when Anne", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Listen to the trees talking in their sleep,"	Anne Shirley	rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted	and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What	he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when	energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only	a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face.	trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That's it, isn't it?" she said, pointing. Matthew slapped the reins on the sorrel's back delightedly. "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell." "No, she didn't--really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I've pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I'd be so afraid it was all a dream. Then I'd pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I'd better go on dreaming as long as I could; so I stopped pinching. But it _is_ real and we're nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy.	a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana." "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said: "We're pretty near home now. That's Green Gables over--" "Oh, don't tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I'm sure I'll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child's eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That's it, isn't it?" she said, pointing. Matthew slapped the reins on the sorrel's back delightedly. "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell." "No, she didn't--really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I've pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I'd be so afraid it was all a dream. Then I'd pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I'd better go on dreaming as long as I could; so I stopped pinching. But it _is_ real and we're nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep	dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That's it, isn't it?" she said, pointing. Matthew slapped the reins on the sorrel's back delightedly. "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell." "No, she didn't--really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I've pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I'd be so afraid it was all a dream. Then I'd pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I'd better go on dreaming as long as I could; so I stopped pinching. But it _is_ real and we're nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did	Anne Of Green Gables	he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>"Listen to the trees talking in their sleep,"</\|quote\|>she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.<\|quote\|>\"Listen to the trees talking in their sleep,\"</\|quote\|>she whispered, as he lifted her to the ground. \"What nice dreams they must have!\" Then, holding tightly to the carpet-bag which contained \"all her worldly goods,\" she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
said Marilla.	No speaker	because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was	to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really	very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make	this." CHAPTER XXI. A New Departure in Flavorings "DEAR ME, there is nothing but meetings and partings in this world, as Mrs. Lynde says," remarked Anne plaintively, putting her slate and books down on the kitchen table on the last day of June and wiping her red eyes with a very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make his farewell speech she burst into tears. Then all the girls began to cry, one after the other. I tried to hold out, Marilla. I tried to remember the time Mr. Phillips made me sit with Gil--with a boy; and the time he spelled my name without an ?e' on	kitchen door so out of breath that she could hardly gasp out her request for the apron pattern. Diana was away so that she had no excuse to linger. The dreadful return journey had to be faced. Anne went back over it with shut eyes, preferring to take the risk of dashing her brains out among the boughs to that of seeing a white thing. When she finally stumbled over the log bridge she drew one long shivering breath of relief. "Well, so nothing caught you?" said Marilla unsympathetically. "Oh, Mar--Marilla," chattered Anne, "I'll b-b-be contt-tented with c-c-commonplace places after this." CHAPTER XXI. A New Departure in Flavorings "DEAR ME, there is nothing but meetings and partings in this world, as Mrs. Lynde says," remarked Anne plaintively, putting her slate and books down on the kitchen table on the last day of June and wiping her red eyes with a very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make his farewell speech she burst into tears. Then all the girls began to cry, one after the other. I tried to hold out, Marilla. I tried to remember the time Mr. Phillips made me sit with Gil--with a boy; and the time he spelled my name without an ?e' on the blackboard; and how he said I was the worst dunce he ever saw at geometry and laughed at my spelling; and all the times he had been so horrid and sarcastic; but somehow I couldn't, Marilla, and I just had to cry too. Jane Andrews has been talking for a month about how glad she'd be when Mr. Phillips went away and she declared she'd never shed a tear. Well, she was worse than any of us and had to borrow a handkerchief from her brother--of course the boys didn't cry--because she hadn't brought one of her own, not	beyond. "Oh, Marilla, how can you be so cruel?" sobbed Anne. "What would you feel like if a white thing did snatch me up and carry me off?" "I'll risk it," said Marilla unfeelingly. "You know I always mean what I say. I'll cure you of imagining ghosts into places. March, now." Anne marched. That is, she stumbled over the bridge and went shuddering up the horrible dim path beyond. Anne never forgot that walk. Bitterly did she repent the license she had given to her imagination. The goblins of her fancy lurked in every shadow about her, reaching out their cold, fleshless hands to grasp the terrified small girl who had called them into being. A white strip of birch bark blowing up from the hollow over the brown floor of the grove made her heart stand still. The long-drawn wail of two old boughs rubbing against each other brought out the perspiration in beads on her forehead. The swoop of bats in the darkness over her was as the wings of unearthly creatures. When she reached Mr. William Bell's field she fled across it as if pursued by an army of white things, and arrived at the Barry kitchen door so out of breath that she could hardly gasp out her request for the apron pattern. Diana was away so that she had no excuse to linger. The dreadful return journey had to be faced. Anne went back over it with shut eyes, preferring to take the risk of dashing her brains out among the boughs to that of seeing a white thing. When she finally stumbled over the log bridge she drew one long shivering breath of relief. "Well, so nothing caught you?" said Marilla unsympathetically. "Oh, Mar--Marilla," chattered Anne, "I'll b-b-be contt-tented with c-c-commonplace places after this." CHAPTER XXI. A New Departure in Flavorings "DEAR ME, there is nothing but meetings and partings in this world, as Mrs. Lynde says," remarked Anne plaintively, putting her slate and books down on the kitchen table on the last day of June and wiping her red eyes with a very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make his farewell speech she burst into tears. Then all the girls began to cry, one after the other. I tried to hold out, Marilla. I tried to remember the time Mr. Phillips made me sit with Gil--with a boy; and the time he spelled my name without an ?e' on the blackboard; and how he said I was the worst dunce he ever saw at geometry and laughed at my spelling; and all the times he had been so horrid and sarcastic; but somehow I couldn't, Marilla, and I just had to cry too. Jane Andrews has been talking for a month about how glad she'd be when Mr. Phillips went away and she declared she'd never shed a tear. Well, she was worse than any of us and had to borrow a handkerchief from her brother--of course the boys didn't cry--because she hadn't brought one of her own, not expecting to need it. Oh, Marilla, it was heartrending. Mr. Phillips made such a beautiful farewell speech beginning," ?The time has come for us to part.' "It was very affecting. And he had tears in his eyes too, Marilla. Oh, I felt dreadfully sorry and remorseful for all the times I'd talked in school and drawn pictures of him on my slate and made fun of him and Prissy. I can tell you I wished I'd been a model pupil like Minnie Andrews. She hadn't anything on her conscience. The girls cried all the way home from school. Carrie Sloane kept saying every few minutes," ?The time has come for us to part,' "and that would start us off again whenever we were in any danger of cheering up. I do feel dreadfully sad, Marilla. But one can't feel quite in the depths of despair with two months' vacation before them, can they, Marilla? And besides, we met the new minister and his wife coming from the station. For all I was feeling so bad about Mr. Phillips going away I couldn't help taking a little interest in a new minister, could I? His wife is very pretty. Not exactly	fingers on your hand--so. Oh, Marilla, it gives me a shudder to think of it. And there's a headless man stalks up and down the path and skeletons glower at you between the boughs. Oh, Marilla, I wouldn't go through the Haunted Wood after dark now for anything. I'd be sure that white things would reach out from behind the trees and grab me." "Did ever anyone hear the like!" ejaculated Marilla, who had listened in dumb amazement. "Anne Shirley, do you mean to tell me you believe all that wicked nonsense of your own imagination?" "Not believe _exactly_," faltered Anne. "At least, I don't believe it in daylight. But after dark, Marilla, it's different. That is when ghosts walk." "There are no such things as ghosts, Anne." "Oh, but there are, Marilla," cried Anne eagerly. "I know people who have seen them. And they are respectable people. Charlie Sloane says that his grandmother saw his grandfather driving home the cows one night after he'd been buried for a year. You know Charlie Sloane's grandmother wouldn't tell a story for anything. She's a very religious woman. And Mrs. Thomas's father was pursued home one night by a lamb of fire with its head cut off hanging by a strip of skin. He said he knew it was the spirit of his brother and that it was a warning he would die within nine days. He didn't, but he died two years after, so you see it was really true. And Ruby Gillis says--" "Anne Shirley," interrupted Marilla firmly, "I never want to hear you talking in this fashion again. I've had my doubts about that imagination of yours right along, and if this is going to be the outcome of it, I won't countenance any such doings. You'll go right over to Barry's, and you'll go through that spruce grove, just for a lesson and a warning to you. And never let me hear a word out of your head about haunted woods again." Anne might plead and cry as she liked--and did, for her terror was very real. Her imagination had run away with her and she held the spruce grove in mortal dread after nightfall. But Marilla was inexorable. She marched the shrinking ghost-seer down to the spring and ordered her to proceed straightaway over the bridge and into the dusky retreats of wailing ladies and headless specters beyond. "Oh, Marilla, how can you be so cruel?" sobbed Anne. "What would you feel like if a white thing did snatch me up and carry me off?" "I'll risk it," said Marilla unfeelingly. "You know I always mean what I say. I'll cure you of imagining ghosts into places. March, now." Anne marched. That is, she stumbled over the bridge and went shuddering up the horrible dim path beyond. Anne never forgot that walk. Bitterly did she repent the license she had given to her imagination. The goblins of her fancy lurked in every shadow about her, reaching out their cold, fleshless hands to grasp the terrified small girl who had called them into being. A white strip of birch bark blowing up from the hollow over the brown floor of the grove made her heart stand still. The long-drawn wail of two old boughs rubbing against each other brought out the perspiration in beads on her forehead. The swoop of bats in the darkness over her was as the wings of unearthly creatures. When she reached Mr. William Bell's field she fled across it as if pursued by an army of white things, and arrived at the Barry kitchen door so out of breath that she could hardly gasp out her request for the apron pattern. Diana was away so that she had no excuse to linger. The dreadful return journey had to be faced. Anne went back over it with shut eyes, preferring to take the risk of dashing her brains out among the boughs to that of seeing a white thing. When she finally stumbled over the log bridge she drew one long shivering breath of relief. "Well, so nothing caught you?" said Marilla unsympathetically. "Oh, Mar--Marilla," chattered Anne, "I'll b-b-be contt-tented with c-c-commonplace places after this." CHAPTER XXI. A New Departure in Flavorings "DEAR ME, there is nothing but meetings and partings in this world, as Mrs. Lynde says," remarked Anne plaintively, putting her slate and books down on the kitchen table on the last day of June and wiping her red eyes with a very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make his farewell speech she burst into tears. Then all the girls began to cry, one after the other. I tried to hold out, Marilla. I tried to remember the time Mr. Phillips made me sit with Gil--with a boy; and the time he spelled my name without an ?e' on the blackboard; and how he said I was the worst dunce he ever saw at geometry and laughed at my spelling; and all the times he had been so horrid and sarcastic; but somehow I couldn't, Marilla, and I just had to cry too. Jane Andrews has been talking for a month about how glad she'd be when Mr. Phillips went away and she declared she'd never shed a tear. Well, she was worse than any of us and had to borrow a handkerchief from her brother--of course the boys didn't cry--because she hadn't brought one of her own, not expecting to need it. Oh, Marilla, it was heartrending. Mr. Phillips made such a beautiful farewell speech beginning," ?The time has come for us to part.' "It was very affecting. And he had tears in his eyes too, Marilla. Oh, I felt dreadfully sorry and remorseful for all the times I'd talked in school and drawn pictures of him on my slate and made fun of him and Prissy. I can tell you I wished I'd been a model pupil like Minnie Andrews. She hadn't anything on her conscience. The girls cried all the way home from school. Carrie Sloane kept saying every few minutes," ?The time has come for us to part,' "and that would start us off again whenever we were in any danger of cheering up. I do feel dreadfully sad, Marilla. But one can't feel quite in the depths of despair with two months' vacation before them, can they, Marilla? And besides, we met the new minister and his wife coming from the station. For all I was feeling so bad about Mr. Phillips going away I couldn't help taking a little interest in a new minister, could I? His wife is very pretty. Not exactly regally lovely, of course--it wouldn't do, I suppose, for a minister to have a regally lovely wife, because it might set a bad example. Mrs. Lynde says the minister's wife over at Newbridge sets a very bad example because she dresses so fashionably. Our new minister's wife was dressed in blue muslin with lovely puffed sleeves and a hat trimmed with roses. Jane Andrews said she thought puffed sleeves were too worldly for a minister's wife, but I didn't make any such uncharitable remark, Marilla, because I know what it is to long for puffed sleeves. Besides, she's only been a minister's wife for a little while, so one should make allowances, shouldn't they? They are going to board with Mrs. Lynde until the manse is ready." If Marilla, in going down to Mrs. Lynde's that evening, was actuated by any motive save her avowed one of returning the quilting frames she had borrowed the preceding winter, it was an amiable weakness shared by most of the Avonlea people. Many a thing Mrs. Lynde had lent, sometimes never expecting to see it again, came home that night in charge of the borrowers thereof. A new minister, and moreover a minister with a wife, was a lawful object of curiosity in a quiet little country settlement where sensations were few and far between. Old Mr. Bentley, the minister whom Anne had found lacking in imagination, had been pastor of Avonlea for eighteen years. He was a widower when he came, and a widower he remained, despite the fact that gossip regularly married him to this, that, or the other one, every year of his sojourn. In the preceding February he had resigned his charge and departed amid the regrets of his people, most of whom had the affection born of long intercourse for their good old minister in spite of his shortcomings as an orator. Since then the Avonlea church had enjoyed a variety of religious dissipation in listening to the many and various candidates and "supplies" who came Sunday after Sunday to preach on trial. These stood or fell by the judgment of the fathers and mothers in Israel; but a certain small, red-haired girl who sat meekly in the corner of the old Cuthbert pew also had her opinions about them and discussed the same in full with Matthew, Marilla always declining from principle to criticize ministers in any	its head cut off hanging by a strip of skin. He said he knew it was the spirit of his brother and that it was a warning he would die within nine days. He didn't, but he died two years after, so you see it was really true. And Ruby Gillis says--" "Anne Shirley," interrupted Marilla firmly, "I never want to hear you talking in this fashion again. I've had my doubts about that imagination of yours right along, and if this is going to be the outcome of it, I won't countenance any such doings. You'll go right over to Barry's, and you'll go through that spruce grove, just for a lesson and a warning to you. And never let me hear a word out of your head about haunted woods again." Anne might plead and cry as she liked--and did, for her terror was very real. Her imagination had run away with her and she held the spruce grove in mortal dread after nightfall. But Marilla was inexorable. She marched the shrinking ghost-seer down to the spring and ordered her to proceed straightaway over the bridge and into the dusky retreats of wailing ladies and headless specters beyond. "Oh, Marilla, how can you be so cruel?" sobbed Anne. "What would you feel like if a white thing did snatch me up and carry me off?" "I'll risk it," said Marilla unfeelingly. "You know I always mean what I say. I'll cure you of imagining ghosts into places. March, now." Anne marched. That is, she stumbled over the bridge and went shuddering up the horrible dim path beyond. Anne never forgot that walk. Bitterly did she repent the license she had given to her imagination. The goblins of her fancy lurked in every shadow about her, reaching out their cold, fleshless hands to grasp the terrified small girl who had called them into being. A white strip of birch bark blowing up from the hollow over the brown floor of the grove made her heart stand still. The long-drawn wail of two old boughs rubbing against each other brought out the perspiration in beads on her forehead. The swoop of bats in the darkness over her was as the wings of unearthly creatures. When she reached Mr. William Bell's field she fled across it as if pursued by an army of white things, and arrived at the Barry kitchen door so out of breath that she could hardly gasp out her request for the apron pattern. Diana was away so that she had no excuse to linger. The dreadful return journey had to be faced. Anne went back over it with shut eyes, preferring to take the risk of dashing her brains out among the boughs to that of seeing a white thing. When she finally stumbled over the log bridge she drew one long shivering breath of relief. "Well, so nothing caught you?" said Marilla unsympathetically. "Oh, Mar--Marilla," chattered Anne, "I'll b-b-be contt-tented with c-c-commonplace places after this." CHAPTER XXI. A New Departure in Flavorings "DEAR ME, there is nothing but meetings and partings in this world, as Mrs. Lynde says," remarked Anne plaintively, putting her slate and books down on the kitchen table on the last day of June and wiping her red eyes with a very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make his farewell speech she burst into tears. Then all the girls began to cry, one after the other. I tried to hold out, Marilla. I tried to remember the time Mr. Phillips made me sit with Gil--with a boy; and the time he spelled my name without an ?e' on the blackboard; and how he said I was the worst dunce he ever saw at geometry and laughed at my spelling; and all the times he had been so horrid and sarcastic; but somehow I couldn't, Marilla, and I just had to cry too. Jane Andrews has been talking for a month about how glad she'd be when Mr. Phillips went away and she declared she'd never shed a tear. Well, she was worse than any of us and had to borrow a handkerchief from her brother--of course the boys didn't cry--because she hadn't brought one of her own, not expecting to need it. Oh, Marilla, it was heartrending. Mr. Phillips made such a beautiful farewell speech beginning," ?The time has come for us to part.' "It was very affecting. And he had tears in his eyes too, Marilla. Oh, I felt dreadfully sorry and remorseful for all the times I'd talked in school and drawn pictures of him on my slate and made fun of him and Prissy. I can tell you I wished I'd been a model pupil like Minnie Andrews. She hadn't anything on her conscience. The girls cried all the way home from school. Carrie Sloane kept saying every few minutes," ?The time has come for us to part,' "and that would start us off again whenever we were in any danger of cheering up. I do feel dreadfully sad, Marilla. But one can't feel quite in the depths of despair with two months' vacation before them, can they, Marilla? And besides, we met the new minister and his wife coming from the station. For all I was feeling so bad about Mr. Phillips going away I couldn't help taking a little interest in a new minister, could I? His wife is very pretty. Not exactly regally lovely, of course--it wouldn't do, I suppose, for a minister to have a regally lovely wife, because it might set a bad example. Mrs. Lynde says the minister's wife over at Newbridge sets a very bad example because she dresses so fashionably. Our new minister's wife was dressed in blue muslin with lovely puffed sleeves and a hat trimmed with roses. Jane Andrews said she thought puffed sleeves were too worldly for a minister's wife, but I didn't make any such uncharitable remark, Marilla, because I know what it is to long for puffed sleeves. Besides, she's only been a minister's wife for a little while, so one should make allowances, shouldn't they? They are going to board with Mrs. Lynde until the manse is ready." If Marilla, in going down to Mrs. Lynde's that evening, was actuated by any motive save her avowed one of returning the quilting frames she had borrowed the preceding winter, it was an amiable weakness shared by most of the Avonlea people. Many a thing Mrs.	Anne Of Green Gables	very damp handkerchief. "Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed." "I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,"<\|quote\|>said Marilla.</\|quote\|>"I don't think I was crying because I was really so very fond of him," reflected Anne. "I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "very damp handkerchief. \"Wasn't it fortunate, Marilla, that I took an extra handkerchief to school today? I had a presentiment that it would be needed.\" \"I never thought you were so fond of Mr. Phillips that you'd require two handkerchiefs to dry your tears just because he was going away,\"<\|quote\|>said Marilla.</\|quote\|>\"I don't think I was crying because I was really so very fond of him,\" reflected Anne. \"I just cried because all the others did. It was Ruby Gillis started it. Ruby Gillis has always declared she hated Mr. Phillips, but just as soon as he got up to make", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"There are still a few people waiting to see them."	Mittelstaedt	of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't	"They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He	walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his	give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much	great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three	turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell	to a giant. The black, worn breeches are just as much too short; they reach barely halfway down his calf. The boots, tough old clod-hoppers, with turned-up toes and laces at the side, are much too big for him. But as a compensation the cap is too small, a terribly dirty, mean little pill-box. The whole rig-out is just pitiful. Mittelstaedt stops in front of him: "Territorial Kantorek, do you call those buttons polished? You seem as though you can never learn. Inadequate, Kantorek, quite inadequate----" It makes me bubble with glee. In school Kantorek used to chasten Mittelstaedt with exactly the same expression-- "Inadequate, Mittelstaedt, quite inadequate." Mittelstaedt continues to upbraid him: "Look at Boettcher now, there's a model for you to learn from." I can hardly believe my eyes. Boettcher is there too, Boettcher, our school porter. And he is a model! Kantorek shoots a glance at me as if he would like to eat me. But I grin at him innocently, as though I do not recognize him any more. Nothing could look more ludicrous than his forage-cap and his uniform. And this is the object before whom we used to stand in anguish, as he sat up there enthroned at his desk, spearing at us with his pencil for our mistakes in those irregular French verbs with which afterwards we made so little headway in France. That is barely two years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes "On the march, about turn," the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can	skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me,	All Quiet on the Western Front	walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt.<\|quote\|>"There are still a few people waiting to see them."</\|quote\|>"Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. \"They've done that a couple of times already,\" grins Mittelstaedt.<\|quote\|>\"There are still a few people waiting to see them.\"</\|quote\|>\"Excellent,\" I say, \"but hasn't he reported you yet?\" \"He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter.\" \"He'll mess up the examination for you.\" \"I don't care,\" says Mittelstaedt calmly. \"Besides, his", "role": "user" }, { "content": "Mittelstaedt", "role": "assistant" } ] }	Mittelstaedt
"We shall all be coming to you for advice about our overdrafts."	The Vicar	abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?"	time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking	that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me	flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun	question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too	you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full	So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the	with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about	A Handful Of Dust	that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "that's one of the things that aren't allowed.\" \"I won't brood any more,\" said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. \"And how are the abstruse sciences, Lady Brenda?\" \"Absorbing.\"<\|quote\|>\"We shall all be coming to you for advice about our overdrafts.\"</\|quote\|>\"Ha, ha.\" \"And how's Thunderclap?\" asked Miss Tendril. \"I'm taking her out hunting on Wednesday,\" said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. \"Please God make there be a good scent. Please God make me see the kill. Please God don't let me", "role": "user" }, { "content": "The Vicar", "role": "assistant" } ] }	The Vicar
said Anne eagerly.	No speaker	"Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight,	all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give	said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said	to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't	to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her	Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed	ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so," she said frankly. "I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed of picnics, but I've never--" "Yes, I told you to come at two o'clock. And it's a quarter to three. I'd like to know why you didn't obey me, Anne." "Why, I meant to, Marilla, as much as could be. But you have no idea how fascinating Idlewild is. And then, of course, I had to tell Matthew about the picnic. Matthew is such a sympathetic listener. Please can I go?" "You'll have to learn to resist the fascination of Idle-whatever-you-call-it. When I tell you to come in at a certain time I mean that time and not half an hour later. And you needn't stop to discourse with sympathetic listeners on your way, either. As for the picnic, of course you can go. You're a Sunday-school scholar, and it's not likely I'd refuse to let you go when all the other little girls are going." "But--but," faltered Anne, "Diana says that everybody must take a basket of things to eat. I can't cook, as you know, Marilla, and--and--I don't mind going to a picnic without puffed sleeves so much, but I'd feel terribly humiliated if I had to go without a basket. It's been preying on my mind ever since Diana told me." "Well, it needn't prey any longer. I'll bake you a basket." "Oh, you dear good Marilla. Oh, you are so kind to me. Oh, I'm so much obliged to you." Getting through with her "ohs" Anne cast herself into Marilla's arms and rapturously kissed her sallow cheek. It was the first time in her whole life that childish lips had voluntarily touched Marilla's face. Again that sudden sensation of startling sweetness thrilled her. She was secretly vastly pleased at Anne's impulsive caress, which was probably the reason why she said brusquely: "There, there, never mind your kissing nonsense. I'd sooner see you doing strictly as you're told. As for cooking, I mean to begin giving you lessons in that some of these days. But you're so featherbrained, Anne, I've been waiting to see if you'd sober down a little and learn to be steady before I begin. You've got to keep your wits about you in cooking and not stop in the middle of things to let your thoughts rove all over creation. Now, get out your patchwork and have your square done before teatime." "I do _not_ like patchwork," said Anne dolefully, hunting out her	and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I	Anne Of Green Gables	said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "said. \"Humph,\" sniffed Marilla. \"It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now.\" \"Oh, no, indeed, I won't,\"<\|quote\|>said Anne eagerly.</\|quote\|>\"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her.\" \"I will say it for the child,\" said", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
When they were settled in front of the fire in the empty smoking-room, he answered,	No speaker	go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with	does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the	I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her	what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan	think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you.	his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable	royal family. When he came to London he was regular in attendance at the House of Lords; all his friends were well over forty and for some years now he had established himself as a member of their generation; few mothers still regarded him as a possible son-in-law. * * * * * "This whole business of Brenda is _very_ unfortunate," said Reggie St Cloud. Tony agreed. "My mother is extremely upset about it, naturally. I'm upset myself. I don't mind admitting, perfectly frankly, that I think she has behaved very foolishly, foolishly and wrongly. I can quite understand your being upset about it too." "Yes," said Tony. "But all the same, making every allowance for your feelings, I do think that you are behaving rather vindictively in the matter." "I'm doing exactly what Brenda wanted." "My dear fellow, she doesn't know what she wants. I saw this chap Beaver yesterday. I didn't like him _at all_. Do you?" "I hardly know him." "Well, I can assure you I didn't like him. Now you're just throwing Brenda into his arms. That's what it amounts to, as I see it, and I call it vindictive. Of course, at the moment Brenda's got the idea that she's in love with him. But it won't last. It couldn't with a chap like Beaver. She'll want to come back in a year, just you see. Allan says the same." "I've told Allan. I don't want her back." "Well, that's vindictive." "No, I just couldn't feel the same about her again." "Well, why feel _the same_? One has to change as one gets older. Why, ten years ago I couldn't be interested in anything later than the Sumerian age and I assure you that now I find even the Christian era full of significance." For some time he spoke about some _tabulae exsecrationum_ that he had lately unearthed. "Almost every grave had them," he said, "mostly referring to the circus factions, scratched on lead. They used to be dropped in through a funnel. We had found forty-three up-to-date, before this wretched business happened, and I had to come back. Naturally I'm upset." He sat for a little, eating silently. This last observation had brought the conversation back to its point of departure. He clearly had more to say on the subject and was meditating the most convenient approach. He ate in a ruthless manner, champing his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use	conversation back to its point of departure. He clearly had more to say on the subject and was meditating the most convenient approach. He ate in a ruthless manner, champing his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting	A Handful Of Dust	I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so.\" \"What does she suggest instead?\" \"Let's go outside and have coffee.\"<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>\"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand.\" \"That's quite out of the question. I couldn't begin to afford it.\" \"Well, you know, I have to consider Brenda's interests. She has very little of her", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Does _your_ watch tell you what year it is?"	The Hatter	should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied	what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because	better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it	crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just	remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you	like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the	a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself "Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!" CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked;	"it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason	Alices Adventures In Wonderland	better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "better to say than his first remark, \"It was the _best_ butter, you know.\" Alice had been looking over his shoulder with some curiosity. \"What a funny watch!\" she remarked. \"It tells the day of the month, and doesn't tell what o'clock it is!\" \"Why should it?\" muttered the Hatter.<\|quote\|>\"Does _your_ watch tell you what year it is?\"</\|quote\|>\"Of course not,\" Alice replied very readily: \"but that's because it stays the same year for such a long time together.\" \"Which is just the case with _mine_,\" said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it", "role": "user" }, { "content": "The Hatter", "role": "assistant" } ] }	The Hatter
"I'm not sure we shan't both be soon."	Tony Last	that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small,	Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre	but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda	do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their	about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good."	Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam and jellied eels... What are your plans for the afternoon?" "Nothing much. Carter's coming up at five to go over a few things. I may go to Pigstanton after luncheon. I think we've got a tenant for Lowater Farm but it's been empty some time and I ought to see how much needs doing to it." "I wouldn't say "no" to going in to the "movies"." "All right. I can easily leave Lowater till Monday." "And we might go to Woolworth's afterwards, eh?" What with Brenda's pretty ways and Tony's good sense, it was not surprising that their friends pointed to them as a pair who were pre-eminently successful in solving the problem of getting along well together. The pudding, without protein, was unattractive. Five minutes afterwards a telegram was brought in. Tony opened it and said "Hell." "Badders?" "Something too horrible has happened. Look at this." Brenda read. "_Arriving 3.18 so looking forward visit. Beaver._" And asked, "What's Beaver?" "It's a young man." "That sounds all right." "Oh	mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam and jellied eels... What are your plans for the afternoon?" "Nothing much. Carter's coming up at five to go over a few things. I may go to Pigstanton after luncheon. I think we've got a tenant for Lowater Farm but it's been empty some time and I ought to see how much needs doing to it." "I wouldn't say "no" to going in to the "movies"." "All right. I can easily leave Lowater till Monday." "And we might go to Woolworth's afterwards, eh?" What with Brenda's pretty ways and Tony's good sense, it was not surprising that their friends pointed to them as a pair who were pre-eminently successful in solving the problem of getting along well together. The pudding, without protein, was unattractive. Five minutes afterwards a telegram was brought in. Tony opened it and said "Hell." "Badders?" "Something too horrible has happened. Look at this." Brenda read. "_Arriving 3.18 so looking forward visit. Beaver._" And asked, "What's Beaver?" "It's a young man." "That sounds all right." "Oh no it's not. Wait till you see him." "What's he coming here for? Did you ask him to stay?" "I suppose I did in a vague kind of way. I went to Bratt's one evening and he was the only chap there so we had some drinks and he said something about wanting to see the house..." "I suppose you were tight." "Not really, but I never thought he'd hold it against me." "Well, it jolly well serves you right. That's what comes of going up to London on business and leaving me alone here... Who is he anyway?" "Just a young man. His mother keeps that shop." "I used to know her. She's hell. Come to think of it we owe her some money." "Look here, we must put a call through and say we're ill." "Too late, he's in the train now, recklessly mixing starch and protein in the Great Western three and sixpenny lunch... Anyway, he can go into Galahad. No one who sleeps there ever comes again--the bed's agony I believe." "What on earth are we going to do with him? It's too late to get anyone else." "You go over to Pigstanton. I'll look after him. It's easier alone. We can take him to the movies to-night, and to-morrow he can see over the house. If we're lucky he may go up by the evening train. Does he have to work on Monday morning?" "I shouldn't know." * * * * * Three-eighteen was far from being the most convenient time for arrival. One reached the house at about a quarter to four and if, like Beaver, one was a stranger, there was an awkward time until tea; but without Tony there to make her self-conscious, Brenda could carry these things off quite gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark	of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam	A Handful Of Dust	but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "but went like a bird after that.\" \"Didn't you come off?\" \"Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser.\" * * * * * \"How did the lecture go?\" Brenda asked. \"Bad. Rotten bad.\" \"The trouble is that nanny's jealous of Ben.\"<\|quote\|>\"I'm not sure we shan't both be soon.\"</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda", "role": "user" }, { "content": "Tony Last", "role": "assistant" } ] }	Tony Last
None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.	No speaker	up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch	a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main	nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same	I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But	in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say	the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly,	off and I return to the camp. In the evening I spread the jam on the cakes and eat some. But I have no taste for them. So I go out to give them to the Russians. Then it occurs to me that my mother cooked them herself and that she was probably in pain as she stood before the hot stove. I put the bag back in my pack and take only two cakes to the Russians. CHAPTER IX We travel for several days. The first aeroplanes appear in the sky. We roll on past transport lines. Guns, guns. The light railway picks us up. I search for my regiment. No one knows exactly where it lies. Somewhere or other I put up for the night, somewhere or other I receive provisions and a few vague instructions. And so with my pack and my rifle I set out again on the way. By the time I come up they are no longer in that devastated place. I hear we have become one of the flying divisions that are pushed in wherever it is hottest. That does not sound cheerful to me. They tell me of heavy losses that we have been having. I inquire after Kat and Albert. No one knows anything of them. I search farther and wander about here and there; it is a wonderful feeling. One night and then another I camp out like a Red Indian. Then at last I get some definite information, and by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better	we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then	All Quiet on the Western Front	nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "nobody, has to stand up stiff in front of him!\" He meditates: \"Hindenburg too, he has to stand up stiff to him, eh?\" \"Sure,\" says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: \"And would a king have to stand up stiff to an emperor?\"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>\"What rot you do hatch out,\" says Kat. \"The main point is that you have to stand stiff yourself.\" But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. \"But look,\" he announces, \"I simply can't believe that an emperor has to go to the latrine the same", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
said the White Rabbit,	No speaker	the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing	prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all	isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the	opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King	miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim.	open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom	said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?" said Alice, (she had grown to her full size by this time.) "You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down	to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find	Alices Adventures In Wonderland	isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "isn't directed at all,\" said the White Rabbit; \"in fact, there's nothing written on the _outside_.\" He unfolded the paper as he spoke, and added \"It isn't a letter, after all: it's a set of verses.\" \"Are they in the prisoner's handwriting?\" asked another of the jurymen. \"No, they're not,\"<\|quote\|>said the White Rabbit,</\|quote\|>\"and that's the queerest thing about it.\" (The jury all looked puzzled.) \"He must have imitated somebody else's hand,\" said the King. (The jury all brightened up again.) \"Please your Majesty,\" said the Knave, \"I didn't write it, and they can't prove I did: there's no name signed at the", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"It's delightful your coming down. What d'you think of Tony?"	Jock Grant-Menzies	were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that	* * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw	spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice	deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here	and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep	except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work in the morning-room is going on well. The foreman told me to-day he thought he would begin on the chromium plating by the end of the week. You know what I think about that. John can talk of nothing except his hunting to-morrow. I hope he doesn't break his neck. Jock and his S.B. are going out too. Hetton lay	* * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work in the morning-room is going on well. The foreman told me to-day he thought he would begin on the chromium plating by the end of the week. You know what I think about that. John can talk of nothing except his hunting to-morrow. I hope he doesn't break his neck. Jock and his S.B. are going out too. Hetton lay near the boundary of three packs; the Pigstanton, who hunted it, had, in the division of territory, come off with the worst country and they cherished a permanent resentment about some woods near Bayton. They were a somewhat ill-tempered lot, contemptuous of each other's performance, hostile to strangers, torn by internal rancour, united only in their dislike of the Master. In the case of Colonel Inch this unpopularity, traditional to the hunt, was quite undeserved; he was a timid, inconspicuous man who provided the neighbourhood with sport of a kind at great personal expense. He himself was seldom in sight of hounds and could often be found in another part of the country morosely nibbling ginger-nut biscuits in a lane or towards the end of the day cantering heavily across country, quite lost, a lonely scarlet figure against the ploughed land, staring about him in the deepening twilight and shouting at yokels for information. The only pleasure he gained from his position, but that a substantial one, was in referring to it casually at Board Meetings of the various companies he directed. The Pigstanton met twice a week. There was seldom a large field on Wednesday, but the Hetton meet was popular; it lay in their best country and the prospect of stirrup-cups had drawn many leathery old ladies from the neighbouring packs. There were also followers on foot and in every kind of vehicle, some hanging back diffidently, others, more or less known to Tony, crowding round the refreshment table. Mr Tendril had a niece staying with him, who appeared on a motor bicycle. John stood beside Thunderclap, solemn with excitement. Ben had secured a powerful, square-headed mare from a neighbouring farmer; he hoped to have a hunt after John had been taken home; at John's earnest entreaty nanny was confined indoors, among the housemaids whose heads obtruded at the upper windows; it was not her day. She had been out of temper while dressing him. "If I'm in at the death I expect Colonel Inch will blood me." "You won't see any death," said nanny. Now she stood with her eyes at an arrow slit gazing rather resentfully at the animated scene below. "It's all a lot of nonsense of Ben Hacket's," she thought. She deplored it all, hounds, Master, field, huntsman and whippers-in, Mr Tendril's niece in her mackintosh, Jock in a rat-catcher, Mrs Rattery in tall	vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work	A Handful Of Dust	spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "spoke to him exactly as though he were a man of her own age. \"You'll have to show me the country.\" \"I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him.\" * * * * * When they were alone together, Jock said,<\|quote\|>\"It's delightful your coming down. What d'you think of Tony?\"</\|quote\|>\"Is he married to that rather lovely woman we saw at the Caf? de Paris?\" \"Yes.\" \"The one you said was in love with that young man?\" \"Yes.\" \"Funny of her... What's this one's name again?\" \"Tony Last. It's a pretty ghastly house, isn't it?\" \"Is it? I never notice", "role": "user" }, { "content": "Jock Grant-Menzies", "role": "assistant" } ] }	Jock Grant-Menzies
"how am I to get in?"	Alice	pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense	kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman	they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time	the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I	and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like	open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze,	as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly," said Alice, who was a very truthful child; "but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to	trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she	Alices Adventures In Wonderland	they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "they're making such a noise inside, no one could possibly hear you.\" And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. \"Please, then,\" said Alice,<\|quote\|>\"how am I to get in?\"</\|quote\|>\"There might be some sense in your knocking,\" the Footman went on without attending to her, \"if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know.\" He was looking up into the sky all the time", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
"How does it come about exactly?"	Paul	way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come	in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller	won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure."	it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for	any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer	with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie	short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--," dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry: "Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie looks at him sadly and is silent. His thoughts still linger over the clear evenings in autumn, the Sundays in the heather, the village bells, the afternoons and evenings with the servant girls, the fried bacon and barley, the care-free evening hours in the ale-house---- He can't part with all these dreams so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?" asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence: "I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his little corner of Oldenburg. They haven't brought the hay in yet. At this moment Himmelstoss appears. He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then he marches up to us. No one makes any motion to stand up. Kropp looks up at him with interest. He continues to stand in front of us and wait. As no one says anything he launches a "Well?" A couple of seconds go by. Apparently Himmelstoss doesn't quite know what to do. He would like most to set us all on the run again. But he seems to have learned already that the front line isn't a parade ground. He tries it on though, and by addressing himself to one instead of to all of us hopes to get some response. Kropp is nearest, so he favours him. "Well, you here	are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie looks at him sadly and is silent. His thoughts still linger over the clear evenings in autumn, the Sundays in the heather, the village bells, the afternoons and evenings with the servant girls, the fried bacon and barley, the care-free evening hours in the ale-house---- He can't part with all these dreams so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?" asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence: "I would go straight on with the harvesting." Then he gets	All Quiet on the Western Front	won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say.<\|quote\|>"How does it come about exactly?"</\|quote\|>"How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure."	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "won't lack for that, Kat, you'd scrounge it from somewhere.\" Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. \"Haie, what would you do if it was peace time?\" \"Give you a kick in the backside for the way you talk,\" I say.<\|quote\|>\"How does it come about exactly?\"</\|quote\|>\"How does the cow-shit come on the roof?\" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: \"You mean when the war's over?\" \"Exactly. You've said it.\" \"Well, there'd be women of course, eh?\" --Haie licks his lips. \"Sure.\"", "role": "user" }, { "content": "Paul", "role": "assistant" } ] }	Paul
Next morning.	No speaker	used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother,"	later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across.	"Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you	"I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda	there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda coming," said Veronica. "I do think she might have chucked. I shan't in the least know what to say to her." * * * * * Tony said to Jock, as they sat alone after dinner, "I've been trying to understand, and I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away	my lady, I've been going through John's things. There's this handkerchief doesn't belong to him." The heavy scent and crowned cipher at the corner proclaimed its origin. "I know whose it is. I'll send it back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?" "Will you want to be keeping her now?" "I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been treated well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock rang up. He wanted to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda coming," said Veronica. "I do think she might have chucked. I shan't in the least know what to say to her." * * * * * Tony said to Jock, as they sat alone after dinner, "I've been trying to understand, and I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away from everything that reminds her of what has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't	did you do all day?" "There was the Shameless Blonde... we played animal snap some of the time." "Animal snap? Was that any good?" "Not much... It's odd to think that yesterday this time it hadn't happened." "Poor little boy," said Brenda. They had scarcely spoken to each other since Brenda's arrival. Tony had driven to the station to meet her; by the time they reached the house Mrs Rattery had gone to bed; that morning she left in her aeroplane without seeing either of them. They heard the machine pass over the house, Brenda in her bath, Tony downstairs in his study attending to the correspondence that had become necessary. A day of fitful sunshine and blustering wind; white and grey clouds were scarcely moving, high overhead, but the bare trees round the house swayed and shook and there were swift whirlpools of straw in the stable yard. Ben changed from the Sunday suit he had worn at the inquest and went about his duties. Thunderclap, too, had been kicked yesterday and was very slightly lame in the off fore. Brenda took off her hat and threw it down on a chair in the hall. "Nothing to say, is there?" "There's no need to talk." "No. I suppose there'll have to be a funeral." "Well, of course." "Yes: to-morrow?" She looked into the morning-room. "They've done quite a lot, haven't they?" All Brenda's movements were slower than usual and her voice was flat and expressionless. She sank down into one of the armchairs in the centre of the hall, which nobody ever used. She sat there doing nothing. Tony put his hand on her shoulder but she said "Don't" ", not impatiently or nervously but without any expression. Tony said, "I'll go and finish those letters." "Yes." "See you at luncheon." "Yes." She rose, looked round listlessly for her hat, found it and went very slowly upstairs, the sunlight through the stained-glass windows glowing and sparkling all about her. In her room she sat on the window seat, looking out across the meadows and dun ploughland, the naked tossing trees, the church towers, the maelstroms of dust and leaf which eddied about the terrace below; she still held her hat and fidgeted with her fingers on the brooch which was clipped to one side of it. Nanny knocked at the door and came in, red eyed. "If you please, my lady, I've been going through John's things. There's this handkerchief doesn't belong to him." The heavy scent and crowned cipher at the corner proclaimed its origin. "I know whose it is. I'll send it back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?" "Will you want to be keeping her now?" "I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been treated well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock rang up. He wanted to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda coming," said Veronica. "I do think she might have chucked. I shan't in the least know what to say to her." * * * * * Tony said to Jock, as they sat alone after dinner, "I've been trying to understand, and I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away from everything that reminds her of what has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?" "Not so well. It makes me feel rather a beast," said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I know just how you feel, but it doesn't do to be medieval about it. If Brenda hadn't been upset at John's death this need never have come to a crisis. Why, last year Marjorie was going everywhere with that ass Robin Beaseley. She was mad about him at	send it back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?" "Will you want to be keeping her now?" "I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been treated well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock rang up. He wanted to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda coming," said Veronica. "I do think she might have chucked. I shan't in the least know what to say to her." * * * * * Tony said to Jock, as they sat alone after dinner, "I've been trying to understand, and I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away from everything that reminds her of what has happened... all the	A Handful Of Dust	"Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later."<\|quote\|>Next morning.</\|quote\|>"A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "\"Don't go on, Tony, please don't go on.\" So Tony stopped and after a time said, \"So you're going to Veronica's to-morrow?\" \"Mmmm.\" \"I think I will ask Jock to come.\" \"Yes, I should.\" \"And we can think about plans later when we've got more used to things.\" \"Yes, later.\"<\|quote\|>Next morning.</\|quote\|>\"A sweet letter from mother,\" said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Every little bean must be heard as well as seen."	Katczinsky	mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue.	to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they	we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay	on the sunny side of the hut. There is a smell of tar, of summer, and of sweaty feet. Kat sits beside me. He wants to talk. To-day we have been practising saluting because Tjaden failed to salute a major. Kat can't get it out of his head. "You see, we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay And the war would be over and done in a day. Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of	in a year something eatable were to be had in some one place only, within that hour, as if moved by a vision, he would put on his cap, go out and walk directly there, as though following a compass, and find it. He finds everything--if it is cold, a small stove and wood, hay and straw, a table and chairs--but above all food. It is uncanny; one would think he conjured it out of the air. His masterpiece was four boxes of lobsters. Admittedly we would rather have had a good beef steak. * * We have settled ourselves on the sunny side of the hut. There is a smell of tar, of summer, and of sweaty feet. Kat sits beside me. He wants to talk. To-day we have been practising saluting because Tjaden failed to salute a major. Kat can't get it out of his head. "You see, we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay And the war would be over and done in a day. Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out among themselves. Whoever survives, his country wins. That would be much simpler and more just than this arrangement, where the wrong people do the fighting. The subject is dropped. Then the conversation turns to drill. A picture comes before me. Burning midday in the barrack-yard. The heat hangs over the square. The barracks are deserted. Everything sleeps. All one hears is the drummers practising; they have installed themselves anywhere and practise brokenly, dully, monotonously. What a concord! Midday heat, barrack-square, and drummers beating! The windows of	feels the bread. "Real bread, by God! and still hot too!" Kat gives no explanation. He has the bread, the rest doesn't matter. I'm sure that if he were planted down in the middle of the desert, in half an hour he would have gathered together a supper of roast meat, dates, and wine. "Cut some wood," he says curtly to Haie. Then he hauls out a frying-pan from under his coat, and a handful of salt as well as a lump of fat from his pocket. He has thought of everything. Haie makes a fire on the floor. It lights up the empty room of the factory. We climb out of bed. The artilleryman hesitates. He wonders whether to praise Kat and so perhaps gain a little for himself. But Katczinsky doesn't even see him, he might as well be thin air. He goes off cursing. Kat knows the way to roast horse-flesh so that it's tender. It shouldn't be put straight into the pan, that makes it tough. It should be boiled first in a little water. With our knives we squat round in a circle and fill our bellies. That is Kat. If for but one hour in a year something eatable were to be had in some one place only, within that hour, as if moved by a vision, he would put on his cap, go out and walk directly there, as though following a compass, and find it. He finds everything--if it is cold, a small stove and wood, hay and straw, a table and chairs--but above all food. It is uncanny; one would think he conjured it out of the air. His masterpiece was four boxes of lobsters. Admittedly we would rather have had a good beef steak. * * We have settled ourselves on the sunny side of the hut. There is a smell of tar, of summer, and of sweaty feet. Kat sits beside me. He wants to talk. To-day we have been practising saluting because Tjaden failed to salute a major. Kat can't get it out of his head. "You see, we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay And the war would be over and done in a day. Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out among themselves. Whoever survives, his country wins. That would be much simpler and more just than this arrangement, where the wrong people do the fighting. The subject is dropped. Then the conversation turns to drill. A picture comes before me. Burning midday in the barrack-yard. The heat hangs over the square. The barracks are deserted. Everything sleeps. All one hears is the drummers practising; they have installed themselves anywhere and practise brokenly, dully, monotonously. What a concord! Midday heat, barrack-square, and drummers beating! The windows of the barracks are empty and dark. From some of them trousers are hanging to dry. The rooms are cool and one looks toward them longingly. O dark, musty platoon huts, with the iron bedsteads, the chequered bedding, the lockers and the stools! Even you can become the object of desire; out here you have a faint resemblance to home; your rooms, full of the smell of stale food, sleep, smoke, and clothes! Katczinsky paints it all in lively colours. What would we not give to be able to go back to it! But we must not pursue that line of thought any further. Those early morning hours of instruction-- "What are the parts of the 98 rifle?" --the midday hours of physical training-- "Pianist, forward! By the right, quick march. Report to the cook-house for potato-peeling." We indulge in reminiscences. Kropp laughs suddenly and says: "Change at Löhne!" That was our corporal's favourite game. Löhne is a railway junction. In order that our fellows going on leave shouldn't get lost there, Himmelstoss used to practise the change in the barrack-room. We had to learn that at Löhne, to reach the branch-line, we must pass through a subway. The beds represented	spot, a sorry hole, that has been eaten out to the very walls. We are quartered in a small dark factory adapted to the purpose. There are beds in it, or rather bunks--a couple of wooden beams over which wire netting is stretched. Wire netting is hard. And there's nothing to put on it. Our waterproof sheets are too thin. We use our blankets to cover ourselves. Kat looks at the place and then says to Haie Westhus: "Come with me." They go off to explore. Half an hour later they are back again with arms full of straw. Kat has found a horse-box with straw in it. Now we might sleep if we weren't so terribly hungry. Kropp asks an artilleryman who has been some time in this neighbourhood: "Is there a canteen anywhere abouts?" "Is there a what?" he laughs. "There's nothing to be had here. You won't find so much as a crust of bread here." "Aren't there any inhabitants here at all then?" He spits. "Yes, a couple. But they mostly loaf round the cook house and beg." "That's a bad business!--Then we'll have to pull in our belts and wait till the rations come up in the morning." But I see Kat has put on his cap. "Where to, Kat?" I ask. "Just to explore the place a bit." He strolls off. The artilleryman grins scornfully. "Let him explore! But don't be too hopeful about it." Disappointed we lie down and consider whether we couldn't have a go at the iron rations. But it's too risky; so we try to get a wink of sleep. Kropp divides a cigarette and hands me half. Tjaden gives an account of his national dish--broad-beans and bacon. He despises it when not flavoured with bog-myrtle, and, "for God's sake, let it all be cooked together, not the potatoes, the beans, and the bacon separately." Someone growls that he will pound Tjaden into bog-myrtle if he doesn't shut up. Then all becomes quiet in the big room--only the candles flickering from the necks of a couple of bottles and the artilleryman spitting every now and then. We stir a bit as the door opens and Kat appears. I think I must be dreaming; he has two loaves of bread under his arm and a blood-stained sandbag full of horse-flesh in his hand. The artilleryman's pipe drops from his mouth. He feels the bread. "Real bread, by God! and still hot too!" Kat gives no explanation. He has the bread, the rest doesn't matter. I'm sure that if he were planted down in the middle of the desert, in half an hour he would have gathered together a supper of roast meat, dates, and wine. "Cut some wood," he says curtly to Haie. Then he hauls out a frying-pan from under his coat, and a handful of salt as well as a lump of fat from his pocket. He has thought of everything. Haie makes a fire on the floor. It lights up the empty room of the factory. We climb out of bed. The artilleryman hesitates. He wonders whether to praise Kat and so perhaps gain a little for himself. But Katczinsky doesn't even see him, he might as well be thin air. He goes off cursing. Kat knows the way to roast horse-flesh so that it's tender. It shouldn't be put straight into the pan, that makes it tough. It should be boiled first in a little water. With our knives we squat round in a circle and fill our bellies. That is Kat. If for but one hour in a year something eatable were to be had in some one place only, within that hour, as if moved by a vision, he would put on his cap, go out and walk directly there, as though following a compass, and find it. He finds everything--if it is cold, a small stove and wood, hay and straw, a table and chairs--but above all food. It is uncanny; one would think he conjured it out of the air. His masterpiece was four boxes of lobsters. Admittedly we would rather have had a good beef steak. * * We have settled ourselves on the sunny side of the hut. There is a smell of tar, of summer, and of sweaty feet. Kat sits beside me. He wants to talk. To-day we have been practising saluting because Tjaden failed to salute a major. Kat can't get it out of his head. "You see, we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay And the war would be over and done in a day. Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out among themselves. Whoever survives, his country wins. That would be much simpler and more just than this arrangement, where the wrong people do the fighting. The subject is dropped. Then the conversation turns to drill. A picture comes before me. Burning midday in the barrack-yard. The heat hangs over the square. The barracks are deserted. Everything sleeps. All one hears is the drummers practising; they have installed themselves anywhere and practise brokenly, dully, monotonously. What a concord! Midday heat, barrack-square, and drummers beating! The windows of the barracks are empty and dark. From some of them trousers are hanging to dry. The rooms are cool and one looks toward them longingly. O dark, musty platoon huts, with the iron bedsteads, the chequered bedding, the lockers and the stools! Even you can become the object of desire; out here you have a faint resemblance to home; your rooms, full of the smell of stale food, sleep, smoke, and clothes! Katczinsky paints it all in lively colours. What would we not give to be able to go back to it! But we must not pursue that line of thought any further. Those early morning hours of instruction-- "What are the parts of the 98 rifle?" --the midday hours of physical training-- "Pianist, forward! By the right, quick march. Report to the cook-house for potato-peeling." We indulge in reminiscences. Kropp laughs suddenly and says: "Change at Löhne!" That was our corporal's favourite game. Löhne is a railway junction. In order that our fellows going on leave shouldn't get lost there, Himmelstoss used to practise the change in the barrack-room. We had to learn that at Löhne, to reach the branch-line, we must pass through a subway. The beds represented the subway and each man stood at attention on the left side of his bed. Then came the command: "Change at Löhne!" and like lightning everyone scrambled under the bed to the opposite side. We practised this for a whole hour---- Meanwhile the German aeroplane has been shot down. Like a comet it bursts into a streamer of smoke and falls headlong. Kropp has lost the bottle of beer. Disgruntled he counts out the money from his wallet. "Surely Himmelstoss was a very different fellow as a postman," say I, after Albert's disappointment has subsided. "Then how does it come that he's such a bully as a drill-sergeant?" The question revives Kropp, more particularly as he hears there's no more beer in the canteen. "It's not only Himmelstoss, there are lots of them. As sure as they get a stripe or a star they become different men, just as though they'd swallowed concrete." "That's the uniform," I suggest. "Roughly speaking it is," says Kat, and prepares for a long speech; "but the root of the matter lies elsewhere. For instance, if you train a dog to eat potatoes and then afterwards put a piece of meat in front of him, he'll snap at it, it's his nature. And if you give a man a little bit of authority he behaves just the same way, he snaps at it too. The things are precisely the same. In himself man is essentially a beast, only he butters it over like a slice of bread with a little decorum. The army is based on that; one man must always have power over the other. The mischief is merely that each one has much too much power. A non-com. can torment a private, a lieutenant a non-com., a captain a lieutenant, until he goes mad. And because they know they can, they all soon acquire the habit more or less. Take a simple case: we are marching back from the parade-ground dog-tired. Then comes the order to sing. We are glad enough to be able to trail arms but we sing spiritlessly. At once the company is turned about and has to do another hour's drill as punishment. On the march back the order to sing is given again, and once more we start. Now what's the use of all that? It's simply that the company commander's head has been turned by having so	to explore the place a bit." He strolls off. The artilleryman grins scornfully. "Let him explore! But don't be too hopeful about it." Disappointed we lie down and consider whether we couldn't have a go at the iron rations. But it's too risky; so we try to get a wink of sleep. Kropp divides a cigarette and hands me half. Tjaden gives an account of his national dish--broad-beans and bacon. He despises it when not flavoured with bog-myrtle, and, "for God's sake, let it all be cooked together, not the potatoes, the beans, and the bacon separately." Someone growls that he will pound Tjaden into bog-myrtle if he doesn't shut up. Then all becomes quiet in the big room--only the candles flickering from the necks of a couple of bottles and the artilleryman spitting every now and then. We stir a bit as the door opens and Kat appears. I think I must be dreaming; he has two loaves of bread under his arm and a blood-stained sandbag full of horse-flesh in his hand. The artilleryman's pipe drops from his mouth. He feels the bread. "Real bread, by God! and still hot too!" Kat gives no explanation. He has the bread, the rest doesn't matter. I'm sure that if he were planted down in the middle of the desert, in half an hour he would have gathered together a supper of roast meat, dates, and wine. "Cut some wood," he says curtly to Haie. Then he hauls out a frying-pan from under his coat, and a handful of salt as well as a lump of fat from his pocket. He has thought of everything. Haie makes a fire on the floor. It lights up the empty room of the factory. We climb out of bed. The artilleryman hesitates. He wonders whether to praise Kat and so perhaps gain a little for himself. But Katczinsky doesn't even see him, he might as well be thin air. He goes off cursing. Kat knows the way to roast horse-flesh so that it's tender. It shouldn't be put straight into the pan, that makes it tough. It should be boiled first in a little water. With our knives we squat round in a circle and fill our bellies. That is Kat. If for but one hour in a year something eatable were to be had in some one place only, within that hour, as if moved by a vision, he would put on his cap, go out and walk directly there, as though following a compass, and find it. He finds everything--if it is cold, a small stove and wood, hay and straw, a table and chairs--but above all food. It is uncanny; one would think he conjured it out of the air. His masterpiece was four boxes of lobsters. Admittedly we would rather have had a good beef steak. * * We have settled ourselves on the sunny side of the hut. There is a smell of tar, of summer, and of sweaty feet. Kat sits beside me. He wants to talk. To-day we have been practising saluting because Tjaden failed to salute a major. Kat can't get it out of his head. "You see, we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay And the war would be over and done in a day. Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out among themselves. Whoever survives, his country wins. That would be much simpler and more just than this arrangement, where the wrong people do the fighting. The subject is dropped. Then the conversation turns to drill. A picture comes before me. Burning midday in the barrack-yard. The heat hangs over the square. The barracks are deserted. Everything sleeps. All one hears is the drummers practising; they have installed themselves anywhere and practise brokenly, dully, monotonously. What a concord! Midday heat, barrack-square, and drummers beating! The windows of the barracks are empty and dark. From some of them trousers are hanging to dry. The rooms are cool and one looks toward them longingly. O dark, musty platoon huts, with the iron bedsteads, the chequered bedding, the lockers and the stools! Even you can become the object of desire; out here you have a faint resemblance to home; your rooms,	All Quiet on the Western Front	we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>"Every little bean must be heard as well as seen."</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "we are losing the war because we can salute too well,\" he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically:<\|quote\|>\"Every little bean must be heard as well as seen.\"</\|quote\|>The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay", "role": "user" }, { "content": "Katczinsky", "role": "assistant" } ] }	Katczinsky
said Marilla.	No speaker	I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the	got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and	green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your	it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I	Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what	I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at	and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla," ?what a tangled web we weave when first we practice to deceive.' "That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne's unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the	has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice	Anne Of Green Gables	green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out,"<\|quote\|>said Marilla.</\|quote\|>"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "green,\" moaned Anne. \"I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am.\" \"I little know how you got into this fix, but I mean to find out,\"<\|quote\|>said Marilla.</\|quote\|>\"Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
said the King.	No speaker	"You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The	when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March	first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and	quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly	Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of	on slates. "What are they doing?" Alice whispered to the Gryphon. "They can't have anything to put down yet, before the trial's begun." "They're putting down their names," the Gryphon whispered in reply, "for fear they should forget them before the end of the trial." "Stupid things!" Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, "Silence in the court!" and the King put on his spectacles and looked anxiously round, to make out who was talking. Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down "stupid things!" on their slates, and she could even make out that one of them didn't know how to spell "stupid," and that he had to ask his neighbour to tell him. "A nice muddle their slates'll be in before the trial's over!" thought Alice. One of the jurors had a pencil that squeaked. This of course, Alice could _not_ stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his	cry of "The trial's beginning!" was heard in the distance. "Come on!" cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song. "What trial is it?" Alice panted as she ran; but the Gryphon only answered "Come on!" and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:-- "Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" CHAPTER XI. Who Stole the Tarts? The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them--" "I wish they'd get the trial done," she thought, "and hand round the refreshments!" But there seemed to be no chance of this, so she began looking at everything about her, to pass away the time. Alice had never been in a court of justice before, but she had read about them in books, and she was quite pleased to find that she knew the name of nearly everything there. "That's the judge," she said to herself, "because of his great wig." The judge, by the way, was the King; and as he wore his crown over the wig, (look at the frontispiece if you want to see how he did it,) he did not look at all comfortable, and it was certainly not becoming. "And that's the jury-box," thought Alice, "and those twelve creatures," (she was obliged to say "creatures," you see, because some of them were animals, and some were birds,) "I suppose they are the jurors." She said this last word two or three times over to herself, being rather proud of it: for she thought, and rightly too, that very few little girls of her age knew the meaning of it at all. However, "jury-men" would have done just as well. The twelve jurors were all writing very busily on slates. "What are they doing?" Alice whispered to the Gryphon. "They can't have anything to put down yet, before the trial's begun." "They're putting down their names," the Gryphon whispered in reply, "for fear they should forget them before the end of the trial." "Stupid things!" Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, "Silence in the court!" and the King put on his spectacles and looked anxiously round, to make out who was talking. Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down "stupid things!" on their slates, and she could even make out that one of them didn't know how to spell "stupid," and that he had to ask his neighbour to tell him. "A nice muddle their slates'll be in before the trial's over!" thought Alice. One of the jurors had a pencil that squeaked. This of course, Alice could _not_ stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall	poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with	Alices Adventures In Wonderland	first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished,"<\|quote\|>said the King.</\|quote\|>"When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. \"I beg pardon, your Majesty,\" he began, \"for bringing these in: but I hadn't quite finished my tea when I was sent for.\" \"You ought to have finished,\"<\|quote\|>said the King.</\|quote\|>\"When did you begin?\" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. \"Fourteenth of March, I _think_ it was,\" he said. \"Fifteenth,\" said the March Hare. \"Sixteenth,\" added the Dormouse. \"Write that down,\" the King said to the jury, and", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
assured Anne.	No speaker	as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you	him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake	find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at	must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as	to speak so about Mr. Bell," said Marilla severely. "Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken	and I asked ever so many. I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell," said Marilla severely. "Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken and cold tongue. We're to have two kinds of jelly, red and yellow, and whipped cream and lemon pie, and cherry pie, and three kinds of cookies, and fruit cake, and Marilla's famous yellow plum preserves that she keeps especially for ministers, and pound cake and layer cake, and biscuits as aforesaid; and new bread and old both, in case the minister is dyspeptic and can't eat new. Mrs. Lynde says ministers are dyspeptic, but I don't think Mr. Allan has been a minister long enough for it to have had a bad effect on him. I just grow cold when I think of my layer cake. Oh, Diana, what if it shouldn't be good! I dreamed last night that I was chased all around by a fearful goblin with a big layer cake for a head." "It'll be good, all right," assured Diana, who was a very comfortable sort of friend. "I'm sure that piece of the one you made that we had for lunch in Idlewild two weeks ago was perfectly elegant." "Yes; but cakes have such a terrible habit of turning out bad just when you especially want them to be good," sighed Anne, setting a particularly	just like Mr. Bentley's--he had no imagination. And Mr. Terry had too much; he let it run away with him just as I did mine in the matter of the Haunted Wood. Besides, Mrs. Lynde says his theology wasn't sound. Mr. Gresham was a very good man and a very religious man, but he told too many funny stories and made the people laugh in church; he was undignified, and you must have some dignity about a minister, mustn't you, Matthew? I thought Mr. Marshall was decidedly attractive; but Mrs. Lynde says he isn't married, or even engaged, because she made special inquiries about him, and she says it would never do to have a young unmarried minister in Avonlea, because he might marry in the congregation and that would make trouble. Mrs. Lynde is a very farseeing woman, isn't she, Matthew? I'm very glad they've called Mr. Allan. I liked him because his sermon was interesting and he prayed as if he meant it and not just as if he did it because he was in the habit of it. Mrs. Lynde says he isn't perfect, but she says she supposes we couldn't expect a perfect minister for seven hundred and fifty dollars a year, and anyhow his theology is sound because she questioned him thoroughly on all the points of doctrine. And she knows his wife's people and they are most respectable and the women are all good housekeepers. Mrs. Lynde says that sound doctrine in the man and good housekeeping in the woman make an ideal combination for a minister's family." The new minister and his wife were a young, pleasant-faced couple, still on their honeymoon, and full of all good and beautiful enthusiasms for their chosen lifework. Avonlea opened its heart to them from the start. Old and young liked the frank, cheerful young man with his high ideals, and the bright, gentle little lady who assumed the mistress-ship of the manse. With Mrs. Allan Anne fell promptly and wholeheartedly in love. She had discovered another kindred spirit. "Mrs. Allan is perfectly lovely," she announced one Sunday afternoon. "She's taken our class and she's a splendid teacher. She said right away she didn't think it was fair for the teacher to ask all the questions, and you know, Marilla, that is exactly what I've always thought. She said we could ask her any question we liked and I asked ever so many. I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell," said Marilla severely. "Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken and cold tongue. We're to have two kinds of jelly, red and yellow, and whipped cream and lemon pie, and cherry pie, and three kinds of cookies, and fruit cake, and Marilla's famous yellow plum preserves that she keeps especially for ministers, and pound cake and layer cake, and biscuits as aforesaid; and new bread and old both, in case the minister is dyspeptic and can't eat new. Mrs. Lynde says ministers are dyspeptic, but I don't think Mr. Allan has been a minister long enough for it to have had a bad effect on him. I just grow cold when I think of my layer cake. Oh, Diana, what if it shouldn't be good! I dreamed last night that I was chased all around by a fearful goblin with a big layer cake for a head." "It'll be good, all right," assured Diana, who was a very comfortable sort of friend. "I'm sure that piece of the one you made that we had for lunch in Idlewild two weeks ago was perfectly elegant." "Yes; but cakes have such a terrible habit of turning out bad just when you especially want them to be good," sighed Anne, setting a particularly well-balsamed twig afloat. "However, I suppose I shall just have to trust to Providence and be careful to put in the flour. Oh, look, Diana, what a lovely rainbow! Do you suppose the dryad will come out after we go away and take it for a scarf?" "You know there is no such thing as a dryad," said Diana. Diana's mother had found out about the Haunted Wood and had been decidedly angry over it. As a result Diana had abstained from any further imitative flights of imagination and did not think it prudent to cultivate a spirit of belief even in harmless dryads. "But it's so easy to imagine there is," said Anne. "Every night before I go to bed, I look out of my window and wonder if the dryad is really sitting here, combing her locks with the spring for a mirror. Sometimes I look for her footprints in the dew in the morning. Oh, Diana, don't give up your faith in the dryad!" Wednesday morning came. Anne got up at sunrise because she was too excited to sleep. She had caught a severe cold in the head by reason of her dabbling in the spring on the preceding evening; but nothing short of absolute pneumonia could have quenched her interest in culinary matters that morning. After breakfast she proceeded to make her cake. When she finally shut the oven door upon it she drew a long breath. "I'm sure I haven't forgotten anything this time, Marilla. But do you think it will rise? Just suppose perhaps the baking powder isn't good? I used it out of the new can. And Mrs. Lynde says you can never be sure of getting good baking powder nowadays when everything is so adulterated. Mrs. Lynde says the Government ought to take the matter up, but she says we'll never see the day when a Tory Government will do it. Marilla, what if that cake doesn't rise?" "We'll have plenty without it" was Marilla's unimpassioned way of looking at the subject. The cake did rise, however, and came out of the oven as light and feathery as golden foam. Anne, flushed with delight, clapped it together with layers of ruby jelly and, in imagination, saw Mrs. Allan eating it and possibly asking for another piece! "You'll be using the best tea set, of course, Marilla," she said. "Can I fix the	them from the start. Old and young liked the frank, cheerful young man with his high ideals, and the bright, gentle little lady who assumed the mistress-ship of the manse. With Mrs. Allan Anne fell promptly and wholeheartedly in love. She had discovered another kindred spirit. "Mrs. Allan is perfectly lovely," she announced one Sunday afternoon. "She's taken our class and she's a splendid teacher. She said right away she didn't think it was fair for the teacher to ask all the questions, and you know, Marilla, that is exactly what I've always thought. She said we could ask her any question we liked and I asked ever so many. I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell," said Marilla severely. "Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken and cold tongue. We're to have two kinds of jelly, red and yellow, and whipped cream and lemon pie, and cherry pie, and three kinds of cookies, and fruit cake, and Marilla's famous yellow plum preserves that she keeps especially for ministers, and pound cake and layer cake, and biscuits as aforesaid; and new bread and old both, in case the minister is dyspeptic and can't eat new. Mrs. Lynde says ministers are dyspeptic, but I don't think Mr. Allan has been a minister long enough for it to have had a bad effect on him. I just grow cold when I think of my layer cake. Oh, Diana, what if it shouldn't be good! I dreamed last night that I was chased all around by a fearful goblin with a big layer cake for a head." "It'll be good, all right," assured Diana, who was a very comfortable sort of friend. "I'm sure that piece of the one you made that we had for lunch in Idlewild two weeks ago was perfectly elegant." "Yes; but cakes have such a terrible habit of turning out bad just when you especially want them to be good," sighed Anne, setting a particularly well-balsamed twig afloat. "However, I suppose I shall just have to trust to Providence and be careful to put in the flour. Oh, look, Diana, what a lovely rainbow! Do you suppose the dryad will come out after we go away and take it for a scarf?" "You know there is no such thing as a dryad," said Diana. Diana's mother had found out about the Haunted Wood and had been decidedly angry over it. As a result Diana had abstained from any further imitative flights of imagination and did not think it prudent to cultivate a spirit of belief even in harmless dryads. "But it's so easy to imagine there is," said Anne. "Every night before I go to bed, I look out of my window and wonder if the dryad is	Anne Of Green Gables	find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead,"<\|quote\|>assured Anne.</\|quote\|>"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death.\" \"I'll be as secret as the dead,\"<\|quote\|>assured Anne.</\|quote\|>\"But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time.\" \"You can make a layer cake,\" promised Marilla. Monday and Tuesday great preparations went on at", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
she added reproachfully, turning to Matthew,	No speaker	last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me	was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you	at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just	Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily	I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the	thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from	to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised \|MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on	I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one	Anne Of Green Gables	at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "at the asylum?\" \"Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh,\"<\|quote\|>she added reproachfully, turning to Matthew,</\|quote\|>\"why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard.\" \"What on earth does she mean?\" demanded Marilla, staring at Matthew. \"She--she's just", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
There was a general clapping of hands at this: it was the first really clever thing the King had said that day.	No speaker	name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said	else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing	the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King	"Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word	paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked	meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being	little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?" said Alice, (she had grown to her full size by this time.) "You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. "Wake up, Alice dear!" said her sister; "Why, what a long sleep you've had!" "Oh, I've had such a curious dream!" said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when	great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an	Alices Adventures In Wonderland	the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man."<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>"That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "the Knave, \"I didn't write it, and they can't prove I did: there's no name signed at the end.\" \"If you didn't sign it,\" said the King, \"that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man.\"<\|quote\|>There was a general clapping of hands at this: it was the first really clever thing the King had said that day.</\|quote\|>\"That _proves_ his guilt,\" said the Queen. \"It proves nothing of the sort!\" said Alice. \"Why, you don't even know what they're about!\" \"Read them,\" said the King. The White Rabbit put on his spectacles. \"Where shall I begin, please your Majesty?\" he asked. \"Begin at the beginning,\" the King", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
thought Alice;	No speaker	and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be	the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However,	try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I	to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay	"Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said	shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes,	not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes, I think you'd better leave off," said the Gryphon: and Alice was only too glad to do so. "Shall we try another figure of the Lobster Quadrille?" the Gryphon went on. "Or would you like the Mock Turtle to sing you a song?" "Oh, a song, please, if the Mock Turtle would be so kind," Alice replied, so eagerly that the Gryphon said, in a rather offended tone, "Hm! No accounting for tastes! Sing her '_Turtle Soup_,' will you, old fellow?" The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:-- "Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" "Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup? Pennyworth only of beautiful Soup? Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beauti--FUL SOUP!" "Chorus again!" cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of "The trial's beginning!" was heard in the distance. "Come on!" cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song. "What trial is it?" Alice panted as she ran; but the Gryphon only answered "Come on!" and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:-- "Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" CHAPTER XI. Who Stole the Tarts? The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them--" "I wish they'd get the trial done," she thought, "and hand round the refreshments!" But there	he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes, I think you'd better leave off," said the Gryphon: and Alice was only too glad to do so. "Shall we try another figure of the Lobster Quadrille?" the Gryphon went on. "Or would you like the Mock Turtle to sing you a song?" "Oh, a song, please, if the Mock Turtle would be so kind," Alice replied, so eagerly that the Gryphon said, in a rather offended tone, "Hm! No accounting for tastes! Sing her '_Turtle Soup_,' will you, old fellow?" The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:-- "Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" "Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup?	Alices Adventures In Wonderland	try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!"<\|quote\|>thought Alice;</\|quote\|>"I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "try and repeat something now. Tell her to begin.\" He looked at the Gryphon as if he thought it had some kind of authority over Alice. \"Stand up and repeat ''_Tis the voice of the sluggard_,'\" said the Gryphon. \"How the creatures order one about, and make one repeat lessons!\"<\|quote\|>thought Alice;</\|quote\|>\"I might as well be at school at once.\" However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- \"'Tis the voice of the Lobster; I", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"you are very lovely, and I am glad to be alive in you."	Anne Shirley	"Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a	of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out	and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and	sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at	crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we	for--for me." "I guess you can't prevent him now. He's signed papers with the White Sands trustees. So it wouldn't do him any good now if you were to refuse. Of course you'll take the school. You'll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that's what. There's been some Pye or other going to Avonlea school for the last twenty years, and I guess their mission in life was to keep school teachers reminded that earth isn't their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go over," laughed Anne. "You know we keep up the old custom. Excuse me while I run over and see what she wants." Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. "There's a good deal of the child about her yet in some ways." "There's a good deal more of the woman about her in others," retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla." Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night	mingled weariness and relief. "I declare I'm getting glad to sit down. I've been on my feet all day, and two hundred pounds is a good bit for two feet to carry round. It's a great blessing not to be fat, Marilla. I hope you appreciate it. Well, Anne, I hear you've given up your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense." "But I'm going to study Latin and Greek just the same, Mrs. Lynde," said Anne laughing. "I'm going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you'll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I'm not going to overdo things. As ?Josiah Allen's wife,' says, I shall be ?mejum'. But I'll have lots of spare time in the long winter evenings, and I've no vocation for fancy work. I'm going to teach over at Carmody, you know." "I don't know it. I guess you're going to teach right here in Avonlea. The trustees have decided to give you the school." "Mrs. Lynde!" cried Anne, springing to her feet in her surprise. "Why, I thought they had promised it to Gilbert Blythe!" "So they did. But as soon as Gilbert heard that you had applied for it he went to them--they had a business meeting at the school last night, you know--and told them that he withdrew his application, and suggested that they accept yours. He said he was going to teach at White Sands. Of course he knew how much you wanted to stay with Marilla, and I must say I think it was real kind and thoughtful in him, that's what. Real self-sacrificing, too, for he'll have his board to pay at White Sands, and everybody knows he's got to earn his own way through college. So the trustees decided to take you. I was tickled to death when Thomas came home and told me." "I don't feel that I ought to take it," murmured Anne. "I mean--I don't think I ought to let Gilbert make such a sacrifice for--for me." "I guess you can't prevent him now. He's signed papers with the White Sands trustees. So it wouldn't do him any good now if you were to refuse. Of course you'll take the school. You'll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that's what. There's been some Pye or other going to Avonlea school for the last twenty years, and I guess their mission in life was to keep school teachers reminded that earth isn't their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go over," laughed Anne. "You know we keep up the old custom. Excuse me while I run over and see what she wants." Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. "There's a good deal of the child about her yet in some ways." "There's a good deal more of the woman about her in others," retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla." Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "?God's in his heaven, all's right with the world,'" whispered Anne softly.	keep school teachers reminded that earth isn't their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go over," laughed Anne. "You know we keep up the old custom. Excuse me while I run over and see what she wants." Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. "There's a good deal of the child about her yet in some ways." "There's a good deal more of the woman about her in others," retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla." Anne sat long at her window that night companioned by a glad content. The	Anne Of Green Gables	and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured,<\|quote\|>"you are very lovely, and I am glad to be alive in you."</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. \"Dear old world,\" she murmured,<\|quote\|>\"you are very lovely, and I am glad to be alive in you.\"</\|quote\|>Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
said Dr Messinger.	No speaker	"We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks	rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we	* * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half	no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over	hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men	lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs. "Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair. "What's the matter?" asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is	trunk and lifted the skin clear. It curled up again at once, making a hollow cylinder, which the men carried down to the waterside and set afloat, fastening it to a tree with a loop of vine-rope. When all the woodskins were ready it was an easy matter to make canoes of them. Four men held them open while two others fixed the struts. The ends were left open, and curled up slightly so as to lift them clear (when the craft was fully laden it drew only an inch or two of water). Then the men set about fashioning some single-bladed paddles; that, too, was an easy matter. Every day Dr Messinger asked Rosa, "When will the boats be ready? Ask the men." And she replied, "Just now." "How many days--four?--five?--how many?" "No, not many. Boats finish just now." At last when it was clear that the work was nearly complete, Dr Messinger busied himself with arrangements. He sorted out the stores, dividing the necessary freight into two groups; he and Tony were to sit in separate boats and each had with him a rifle and ammunition, a camera, tinned rations, trade goods and his own luggage. The third canoe, which would be manned solely by Indians, was to hold the flour and rice, sugar and farine and the rations for the men. The canoes would not hold all the stores and an "emergency dump" was made a little way up the bank. "We shall take eight men with us. Four can stay behind with the women to guard the camp. Once we are among the Pie-wies, everything will be easy. These Macushis can go home then. I don't think they will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?" Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs. "Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair. "What's the matter?" asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and Tony together prised open one of the cases and began to spread out the contents on a blanket. They had chosen these things together at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply. "Each man can choose three things from this box if he comes in the boats." But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively expensive articles; they had cost three and sixpence each, and Tony remembered vividly the embarrassment with which he had witnessed their demonstration on the floor of the toy department. They were of German manufacture; the size of large rats, but conspicuously painted in spots of green and white; they had large glass eyes, stiff whiskers and green-and-white-ringed tails; they ran on hidden wheels, and inside them were little bells that jingled as they moved. Dr Messinger took one out of their box, unwrapped the tissue-paper and held it up to general scrutiny. There was no doubt that he had captured his audience's interest. Then he wound it up. The Indians stirred apprehensively at the sound. The ground where they were camping was hard mud, inundated at flood	peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair. "What's the matter?" asked Dr	A Handful Of Dust	* * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores,"<\|quote\|>said Dr Messinger.</\|quote\|>"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "* * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. \"We're all right for stores,\"<\|quote\|>said Dr Messinger.</\|quote\|>\"There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow.\" The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.	No speaker	any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter,	out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--"	on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down	so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it	time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor,	King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms	of the jurors had a pencil that squeaked. This of course, Alice could _not_ stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put	"and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at	Alices Adventures In Wonderland	on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>"After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "on, \"and most things twinkled after that--only the March Hare said--\" \"I didn't!\" the March Hare interrupted in a great hurry. \"You did!\" said the Hatter. \"I deny it!\" said the March Hare. \"He denies it,\" said the King: \"leave out that part.\" \"Well, at any rate, the Dormouse said--\"<\|quote\|>the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.</\|quote\|>\"After that,\" continued the Hatter, \"I cut some more bread-and-butter--\" \"But what did the Dormouse say?\" one of the jury asked. \"That I can't remember,\" said the Hatter. \"You _must_ remember,\" remarked the King, \"or I'll have you executed.\" The miserable Hatter dropped his teacup and bread-and-butter, and went down", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"without the State there wouldn't be any home-country."	Kropp	they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider,	there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are	whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never	haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people	month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back	along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better that the war is here instead of in Germany. Just you take a look at the shell-holes." "True," assents Tjaden, "but no war at all would be better still." He is quite proud of himself because he has for once scored over us volunteers. And his opinion is quite typical here, one meets it time and again, and there is nothing with which one can properly counter it, because that is the limit of their comprehension of the factors involved. The national feeling of the tommy resolves	Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better that the war is here instead of in Germany. Just you take a look at the shell-holes." "True," assents Tjaden, "but no war at all would be better still." He is quite proud of himself because he has for once scored over us volunteers. And his opinion is quite typical here, one meets it time and again, and there is nothing with which one can properly counter it, because that is the limit of their comprehension of the factors involved. The national feeling of the tommy resolves itself into this--here he is. But that is the end of it; everything else from joining up onwards he criticizes from a practical point of view. Albert lies down on the grass and growls angrily: "The best thing is not to talk about the rotten business." "It won't make any difference, that's sure," agrees Kat. As for the windfall, we have to return almost all the new things and take back our old rags again. The good ones were merely for the inspection. * * Instead of going to Russia, we go up the line again. On the way we pass through a devastated wood with the tree trunks shattered and the ground ploughed up. At several places there are tremendous craters. "Great guns, something's hit that," I say to Kat. "Trench mortars," he replies, and then points up at one of the trees. In the branches dead men are hanging. A naked soldier is squatting in the fork of a tree, he still has his helmet on, otherwise he is entirely unclad. There is only half of him sitting up there, the top half, the legs are missing. "What can that mean?" I ask. "He's been blown out of his clothes," mutters Tjaden. "It's funny," says Kat, "we have seen that a couple of times now. If a mortar gets you it blows you almost clean out of your clothes. It's the concussion that does it." I search around. And so it is. Here hang bits of uniform, and somewhere else is plastered a bloody mess that was once a human limb. Over there lies a body with nothing but a piece of the underpants on one leg and the collar of the tunic around its neck. Otherwise it is naked and the clothes are hanging up in the tree. Both arms are missing as though they had been pulled out. I discover one of them twenty yards off in a shrub. The dead man lies on his face. There, where the arm wounds are, the earth is black with blood. Underfoot the leaves are scratched up as though the man had been kicking. "That's no joke, Kat," say I. "No more is a shell splinter in the belly," he replies, shrugging his shoulders. "But don't get tender-hearted," says Tjaden. All this can only have happened a little while ago, the blood is still fresh. As everybody we see	nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better that the war is here instead of in Germany. Just you take a look at the shell-holes." "True," assents Tjaden, "but no war at all would be better still." He is quite proud	All Quiet on the Western Front	whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp,<\|quote\|>"without the State there wouldn't be any home-country."</\|quote\|>"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "whole, the State----\" exclaims Müller. \"State, State\" --Tjaden snaps his fingers contemptuously, \"Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you.\" \"That's right,\" says Kat, \"you've said something for once, Tjaden. State and home-country, there's a big difference.\" \"But they go together,\" insists Kropp,<\|quote\|>\"without the State there wouldn't be any home-country.\"</\|quote\|>\"True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never", "role": "user" }, { "content": "Kropp", "role": "assistant" } ] }	Kropp
I say,	No speaker	waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you	are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our	have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to	do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the	aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue	top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know	too short; they reach barely halfway down his calf. The boots, tough old clod-hoppers, with turned-up toes and laces at the side, are much too big for him. But as a compensation the cap is too small, a terribly dirty, mean little pill-box. The whole rig-out is just pitiful. Mittelstaedt stops in front of him: "Territorial Kantorek, do you call those buttons polished? You seem as though you can never learn. Inadequate, Kantorek, quite inadequate----" It makes me bubble with glee. In school Kantorek used to chasten Mittelstaedt with exactly the same expression-- "Inadequate, Mittelstaedt, quite inadequate." Mittelstaedt continues to upbraid him: "Look at Boettcher now, there's a model for you to learn from." I can hardly believe my eyes. Boettcher is there too, Boettcher, our school porter. And he is a model! Kantorek shoots a glance at me as if he would like to eat me. But I grin at him innocently, as though I do not recognize him any more. Nothing could look more ludicrous than his forage-cap and his uniform. And this is the object before whom we used to stand in anguish, as he sat up there enthroned at his desk, spearing at us with his pencil for our mistakes in those irregular French verbs with which afterwards we made so little headway in France. That is barely two years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes "On the march, about turn," the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later,"	years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes "On the march, about turn," the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty	All Quiet on the Western Front	have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent,"<\|quote\|>I say,</\|quote\|>"but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. \"They've done that a couple of times already,\" grins Mittelstaedt. \"There are still a few people waiting to see them.\" \"Excellent,\"<\|quote\|>I say,</\|quote\|>\"but hasn't he reported you yet?\" \"He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter.\" \"He'll mess up the examination for you.\" \"I don't care,\" says Mittelstaedt calmly. \"Besides, his complaint came to", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Now, you know you don't like him more than your mother."	Tony Last	should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more."	in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time	* * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think	might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up	thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then."	"That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben." "I'm not sure we shan't both be soon." They lunched at a small, round table in the centre of the dining-hall. There seemed no way	thought better of it and, just before the jump, fell into a trot again and swerved round the obstacle. John recovered his balance by dropping the reins and gripping the mane with both hands; he looked guiltily at Ben, who said, "What d'you suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle. "There, how did that feel? You just skimmed over like a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben." "I'm not sure we shan't both be soon." They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam and jellied eels... What are your plans for the afternoon?" "Nothing much. Carter's coming up at five to go over a few things. I may go to Pigstanton after luncheon. I think we've got a tenant for Lowater Farm but it's been empty some time and I ought to see how much needs doing to it." "I wouldn't say "no" to going in to the "movies"." "All right. I can easily leave Lowater till Monday." "And we might go to Woolworth's afterwards, eh?" What with Brenda's pretty ways and Tony's good sense, it was not surprising that their friends pointed to them as a pair who were pre-eminently successful in solving the problem of getting along well together. The pudding, without protein, was unattractive. Five minutes afterwards a telegram was brought in. Tony opened it and said "Hell." "Badders?" "Something too horrible has happened. Look at this." Brenda read. "_Arriving 3.18 so looking forward visit. Beaver._" And asked, "What's Beaver?" "It's a young man." "That sounds all right." "Oh no it's not. Wait till you see him." "What's he coming here for? Did you ask him	what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben." "I'm not sure we shan't both be soon." They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs	A Handful Of Dust	* * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too."<\|quote\|>"Now, you know you don't like him more than your mother."</\|quote\|>"Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "* * * \"I should have thought it was very nice to be called a tart,\" John argued, \"and anyway it's a word Ben often uses about people.\" \"Well, he's got no business to.\" \"I like Ben more than anyone in the world. And I should think he's cleverer too.\"<\|quote\|>\"Now, you know you don't like him more than your mother.\"</\|quote\|>\"Yes I do. _Far_ more.\" Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. \"Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think", "role": "user" }, { "content": "Tony Last", "role": "assistant" } ] }	Tony Last
thought Marilla,	No speaker	got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained	nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's	at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years	deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were	be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for	last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--?The Battle of Hohenlinden' and ?Edinburgh after Flodden,' and ?Bingen of the Rhine,' and most of the ?Lady of the Lake' and most of ?The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--?The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye. "O-o-o-h," faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind \|GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for	she'd take me, though she was poor and had a drunken husband. She brought me up by hand. Do you know if there is anything in being brought up by hand that ought to make people who are brought up that way better than other people? Because whenever I was naughty Mrs. Thomas would ask me how I could be such a bad girl when she had brought me up by hand--reproachful-like." "Mr. and Mrs. Thomas moved away from Bolingbroke to Marysville, and I lived with them until I was eight years old. I helped look after the Thomas children--there were four of them younger than me--and I can tell you they took a lot of looking after. Then Mr. Thomas was killed falling under a train and his mother offered to take Mrs. Thomas and the children, but she didn't want me. Mrs. Thomas was at _her_ wits' end, so she said, what to do with me. Then Mrs. Hammond from up the river came down and said she'd take me, seeing I was handy with children, and I went up the river to live with her in a little clearing among the stumps. It was a very lonesome place. I'm sure I could never have lived there if I hadn't had an imagination. Mr. Hammond worked a little sawmill up there, and Mrs. Hammond had eight children. She had twins three times. I like babies in moderation, but twins three times in succession is _too much_. I told Mrs. Hammond so firmly, when the last pair came. I used to get so dreadfully tired carrying them about." "I lived up river with Mrs. Hammond over two years, and then Mr. Hammond died and Mrs. Hammond broke up housekeeping. She divided her children among her relatives and went to the States. I had to go to the asylum at Hopeton, because nobody would take me. They didn't want me at the asylum, either; they said they were over-crowded as it was. But they had to take me and I was there four months until Mrs. Spencer came." Anne finished up with another sigh, of relief this time. Evidently she did not like talking about her experiences in a world that had not wanted her. "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the shore road. "Not a great deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--?The Battle of Hohenlinden' and ?Edinburgh after Flodden,' and ?Bingen of the Rhine,' and most of the ?Lady of the Lake' and most of ?The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--?The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye. "O-o-o-h," faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind \|GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" "I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential." Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight	to go to the asylum at Hopeton, because nobody would take me. They didn't want me at the asylum, either; they said they were over-crowded as it was. But they had to take me and I was there four months until Mrs. Spencer came." Anne finished up with another sigh, of relief this time. Evidently she did not like talking about her experiences in a world that had not wanted her. "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the shore road. "Not a great deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--?The Battle of Hohenlinden' and ?Edinburgh after Flodden,' and ?Bingen of the Rhine,' and most of the ?Lady of the Lake' and most of ?The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--?The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye. "O-o-o-h," faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind \|GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" "I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old."	Anne Of Green Gables	at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say,"<\|quote\|>thought Marilla,</\|quote\|>"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. \"She's got too much to say,\"<\|quote\|>thought Marilla,</\|quote\|>\"but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks.\" The shore road was \"woodsy and wild and lonesome.\" On the right hand, scrub firs, their spirits quite unbroken by long years", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"I'm sure those are not the right words,"	Alice	in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her	claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again	did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn!	Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like	and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to	so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--" The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking: "Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether. "That _was_ a narrow escape!" said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in	the moment she quite forgot how to speak good English); "now I'm opening out like the largest telescope that ever was! Good-bye, feet!" (for when she looked down at her feet, they seemed to be almost out of sight, they were getting so far off). "Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I'm sure _I_ shan't be able! I shall be a great deal too far off to trouble myself about you: you must manage the best way you can;--but I must be kind to them," thought Alice, "or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas." And she went on planning to herself how she would manage it. "They must go by the carrier," she thought; "and how funny it'll seem, sending presents to one's own feet! And how odd the directions will look! _Alice's Right Foot, Esq., Hearthrug, near the Fender,_ (_with Alice's love_). Oh dear, what nonsense I'm talking!" Just then her head struck against the roof of the hall: in fact she was now more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. "You ought to be ashamed of yourself," said Alice, "a great girl like you," (she might well say this), "to go on crying in this way! Stop this moment, I tell you!" But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--" The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking: "Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether. "That _was_ a narrow escape!" said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. "I wish I hadn't cried so much!" said Alice, as she swam about, trying to find her way out. "I shall be punished for it now, I suppose, by being drowned in my own tears! That _will_ be a queer thing, to be sure! However, everything is queer to-day." Just then she heard something splashing about in the pool a little way off, and she swam nearer to make out what it was: at first she thought it must be a walrus or hippopotamus, but then she remembered how small she was now, and she soon made out that it was only a mouse that had slipped in like herself. "Would it be of any use, now," thought Alice, "to speak to this mouse? Everything is so out-of-the-way down here, that I should think very likely it can talk: at any rate, there's no harm in trying." So she began: "O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!" (Alice thought this must be the right way of speaking to a mouse: she had never done such a thing before, but she remembered having seen in her brother's Latin Grammar, "A mouse--of a mouse--to a mouse--a mouse--O mouse!") The Mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing. "Perhaps it doesn't understand English," thought Alice; "I daresay it's a French mouse, come over with William the Conqueror." (For, with all her knowledge of history, Alice had no very clear notion how long ago anything had happened.) So she began again: "O? est ma chatte?" which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water, and seemed to quiver all over with fright. "Oh, I beg your pardon!" cried Alice hastily, afraid that she had hurt the poor animal's feelings. "I quite forgot you didn't	am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether. "That _was_ a narrow escape!" said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. "I wish I hadn't cried so much!" said Alice, as she swam about, trying to find her way out. "I shall	Alices Adventures In Wonderland	did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!"<\|quote\|>"I'm sure those are not the right words,"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn!	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "did not come the same as they used to do:-- \"How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!\" \"How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!\"<\|quote\|>\"I'm sure those are not the right words,\"</\|quote\|>said poor Alice, and her eyes filled with tears again as she went on, \"I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn!", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,	No speaker	hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that	finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But	"Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor."	been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now,"	an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective	plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing. "I hope you don't imagine she's coming with us." "Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very	train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the tickets and waited. The detectives, sticklers for professional etiquette, made an attempt at self-effacement, studying the posters on the walls and peering from behind a pillar. "This is going to be hell," said Tony. It was ten minutes before Milly came. She emerged from the gloom with a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted mainly of evening dresses, for during the day she usually spent her time sitting before a gas fire in her dressing-gown. She made an insignificant and rather respectable appearance. "Sorry if I'm late," she said. "Winnie here couldn't find her shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing. "I hope you don't imagine she's coming with us." "Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise	shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing. "I hope you don't imagine she's coming with us." "Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence.	A Handful Of Dust	"Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece,"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor."	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "\"Oh, Winnie can come in with me,\" said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. \"And daughter,\" said the clerk with his finger on the place. Tony hesitated. \"She is my niece,\"<\|quote\|>he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague,</\|quote\|>\"He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor.\"", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
said Alice, who was a very truthful child;	No speaker	"I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs	you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents	deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for	a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking	hatching the eggs," said the Pigeon; "but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the	head down to them, and was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag, and was going to dive in among the leaves, which she found to be nothing but the tops of the trees under which she had been wandering, when a sharp hiss made her draw back in a hurry: a large pigeon had flown into her face, and was beating her violently with its wings. "Serpent!" screamed the Pigeon. "I'm _not_ a serpent!" said Alice indignantly. "Let me alone!" "Serpent, I say again!" repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, "I've tried every way, and nothing seems to suit them!" "I haven't the least idea what you're talking about," said Alice. "I've tried the roots of trees, and I've tried banks, and I've tried hedges," the Pigeon went on, without attending to her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs," said the Pigeon; "but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to	and shook itself. Then it got down off the mushroom, and crawled away in the grass, merely remarking as it went, "One side will make you grow taller, and the other side will make you grow shorter." "One side of _what?_ The other side of _what?_" thought Alice to herself. "Of the mushroom," said the Caterpillar, just as if she had asked it aloud; and in another moment it was out of sight. Alice remained looking thoughtfully at the mushroom for a minute, trying to make out which were the two sides of it; and as it was perfectly round, she found this a very difficult question. However, at last she stretched her arms round it as far as they would go, and broke off a bit of the edge with each hand. "And now which is which?" she said to herself, and nibbled a little of the right-hand bit to try the effect: the next moment she felt a violent blow underneath her chin: it had struck her foot! She was a good deal frightened by this very sudden change, but she felt that there was no time to be lost, as she was shrinking rapidly; so she set to work at once to eat some of the other bit. Her chin was pressed so closely against her foot, that there was hardly room to open her mouth; but she did it at last, and managed to swallow a morsel of the lefthand bit. * * * * * * * * * * * * * * * * * * * * "Come, my head's free at last!" said Alice in a tone of delight, which changed into alarm in another moment, when she found that her shoulders were nowhere to be found: all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her. "What _can_ all that green stuff be?" said Alice. "And where _have_ my shoulders got to? And oh, my poor hands, how is it I can't see you?" She was moving them about as she spoke, but no result seemed to follow, except a little shaking among the distant green leaves. As there seemed to be no chance of getting her hands up to her head, she tried to get her head down to them, and was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag, and was going to dive in among the leaves, which she found to be nothing but the tops of the trees under which she had been wandering, when a sharp hiss made her draw back in a hurry: a large pigeon had flown into her face, and was beating her violently with its wings. "Serpent!" screamed the Pigeon. "I'm _not_ a serpent!" said Alice indignantly. "Let me alone!" "Serpent, I say again!" repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, "I've tried every way, and nothing seems to suit them!" "I haven't the least idea what you're talking about," said Alice. "I've tried the roots of trees, and I've tried banks, and I've tried hedges," the Pigeon went on, without attending to her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs," said the Pigeon; "but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the	her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs," said the Pigeon; "but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious	Alices Adventures In Wonderland	deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly,"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>"but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "deepest contempt. \"I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!\" \"I _have_ tasted eggs, certainly,\"<\|quote\|>said Alice, who was a very truthful child;</\|quote\|>\"but little girls eat eggs quite as much as serpents do, you know.\" \"I don't believe it,\" said the Pigeon; \"but if they do, why then they're a kind of serpent, that's all I can say.\" This was such a new idea to Alice, that she was quite silent for", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Well, I want to go down to the sea. Come on."	Winnie	"It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would	to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again	to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen	reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen wind met them as they emerged from the swing door. The asphalt promenade was wet with spray and rain. Two or three female figures were scudding along, bowed to the wind, prayer-books clutched in their gloved hands. Four or five rugged old men were hobbling down to bathe, hissing like	Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back. From habit and exhaustion she put her head on his shoulder and her hand in his. When they reached their rooms, however, she said, "Go quietly. We don't want to wake Winnie." For an hour or so Tony lay in the warm little bedroom, reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen wind met them as they emerged from the swing door. The asphalt promenade was wet with spray and rain. Two or three female figures were scudding along, bowed to the wind, prayer-books clutched in their gloved hands. Four or five rugged old men were hobbling down to bathe, hissing like ostlers. "Oh, come on," said Winnie. They went down to the beach and stumbled painfully across the shingle to the margin of the sea. Winnie threw some stones. The bathers were in the water now; some of them had dogs who swam snorting beside them. "Why don't you bathe?" asked Winnie. "Far too cold." "But _they're_ bathing. I want to." "You must ask your mother." "I believe you're afraid. Can you swim?" "Yes." "Well, why don't you? Bet you can't." "All right. I can't." "Then why did you say you could. Fibber." They walked along the shingle. Winnie slithered about	like that if you're interested in roses. Damn that radio, it's going wonky again." Tony wondered whether he was as amiable when people he did not know were brought over unexpectedly to Hetton. At one stage in the evening he found himself sitting on a sofa with Dan, who said, "Nice kid, Milly." "Yes." "I'll tell you a thing I've noticed about her. She attracts quite a different type from the other girls. People like you and me." "Yes." "You wouldn't think she had a daughter of eight, would you?" "No, it's very surprising." "I didn't know for ages. Then I was taking her to Dieppe for the week-end and she wanted to bring the child along too. Of course that put the kybosh on it, but I've always liked Milly just the same. You can trust her to behave anywhere." He said this with a sour glance towards Baby, who was full of the right stuff and showing it. It was after three before the party broke up. Dan's friend renewed his invitation to come again when the roses were out. "I doubt if you'll find a better show of roses anywhere in the south of England," he said. Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back. From habit and exhaustion she put her head on his shoulder and her hand in his. When they reached their rooms, however, she said, "Go quietly. We don't want to wake Winnie." For an hour or so Tony lay in the warm little bedroom, reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen wind met them as they emerged from the swing door. The asphalt promenade was wet with spray and rain. Two or three female figures were scudding along, bowed to the wind, prayer-books clutched in their gloved hands. Four or five rugged old men were hobbling down to bathe, hissing like ostlers. "Oh, come on," said Winnie. They went down to the beach and stumbled painfully across the shingle to the margin of the sea. Winnie threw some stones. The bathers were in the water now; some of them had dogs who swam snorting beside them. "Why don't you bathe?" asked Winnie. "Far too cold." "But _they're_ bathing. I want to." "You must ask your mother." "I believe you're afraid. Can you swim?" "Yes." "Well, why don't you? Bet you can't." "All right. I can't." "Then why did you say you could. Fibber." They walked along the shingle. Winnie slithered about astride a backwater. "Now my knickers are wet," she said. "Better come back and change." "It feels horrible. Let's go and have breakfast." The hotel did not, as a rule, cater for guests who breakfasted downstairs at eight o'clock on Sunday morning. It took a long time before anything could be got ready. There were no ices, much to Winnie's annoyance. She ate grapefruit and kippers and scrambled eggs on toast, complaining fitfully about her wet clothing. After breakfast Tony sent her upstairs to change and himself smoked a pipe in the lounge and glanced over the Sunday papers. Here at nine o'clock he was interrupted by the arrival of Blenkinsop. "We missed you last night," he said. "We went to a party." "You shouldn't have done that--not strictly, but I daresay no harm will come of it. Have you had your breakfast?" "Yes, in the dining-room with Winnie." "But, Mr Last, what are you thinking of? You've got to get evidence from the hotel servants." "Well, I didn't like to wake Milly." "She's paid for it, isn't she? Come, come, Mr Last, this won't do at all. You'll never get your divorce if you don't give your mind to	dining with Brenda at Espinosa's. "That's a pretty girl in the corner." "I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial light; for some reason, however, they remained very blue. So Milly and Tony went to Dan's friend's place and had the best of everything. There was a party of twenty or thirty people, all more or less like Dan. Dan's friend was most hospitable. When he was not fiddling with the wireless, which gave trouble off and on throughout the evening, he was sauntering among his guests refilling their glasses. "This stuff's all right," he said, showing the label, "it won't hurt you. It's the right stuff." They had a lot of the right stuff. Quite often Dan's friend noticed that Tony seemed to be out of the party. Then he would come across and put his hand on Tony's shoulder. "I'm so glad Dan brought you," he would say. "Hope you're getting all you want. Delighted to see you. Come again when there isn't a crowd and see over the place. Interested in roses?" "Yes, I like them very much." "Come when the roses are out. You'd like that if you're interested in roses. Damn that radio, it's going wonky again." Tony wondered whether he was as amiable when people he did not know were brought over unexpectedly to Hetton. At one stage in the evening he found himself sitting on a sofa with Dan, who said, "Nice kid, Milly." "Yes." "I'll tell you a thing I've noticed about her. She attracts quite a different type from the other girls. People like you and me." "Yes." "You wouldn't think she had a daughter of eight, would you?" "No, it's very surprising." "I didn't know for ages. Then I was taking her to Dieppe for the week-end and she wanted to bring the child along too. Of course that put the kybosh on it, but I've always liked Milly just the same. You can trust her to behave anywhere." He said this with a sour glance towards Baby, who was full of the right stuff and showing it. It was after three before the party broke up. Dan's friend renewed his invitation to come again when the roses were out. "I doubt if you'll find a better show of roses anywhere in the south of England," he said. Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back. From habit and exhaustion she put her head on his shoulder and her hand in his. When they reached their rooms, however, she said, "Go quietly. We don't want to wake Winnie." For an hour or so Tony lay in the warm little bedroom, reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen wind met them as they emerged from the swing door. The asphalt promenade was wet with spray and rain. Two or three female figures were scudding along, bowed to the wind, prayer-books clutched in their gloved hands. Four or five rugged old men were hobbling down to bathe, hissing like ostlers. "Oh, come on," said Winnie. They went down to the beach and stumbled painfully across the shingle to the margin of the sea. Winnie threw some stones. The bathers were in the water now; some of them had dogs who swam snorting beside them. "Why don't you bathe?" asked Winnie. "Far too cold." "But _they're_ bathing. I want to." "You must ask your mother." "I believe you're afraid. Can you swim?" "Yes." "Well, why don't you? Bet you can't." "All right. I can't." "Then why did you say you could. Fibber." They walked along the shingle. Winnie slithered about astride a backwater. "Now my knickers are wet," she said. "Better come back and change." "It feels horrible. Let's go and have breakfast." The hotel did not, as a rule, cater for guests who breakfasted downstairs at eight o'clock on Sunday morning. It took a long time before anything could be got ready. There were no ices, much to Winnie's annoyance. She ate grapefruit and kippers and scrambled eggs on toast, complaining fitfully about her wet clothing. After breakfast Tony sent her upstairs to change and himself smoked a pipe in the lounge and glanced over the Sunday papers. Here at nine o'clock he was interrupted by the arrival of Blenkinsop. "We missed you last night," he said. "We went to a party." "You shouldn't have done that--not strictly, but I daresay no harm will come of it. Have you had your breakfast?" "Yes, in the dining-room with Winnie." "But, Mr Last, what are you thinking of? You've got to get evidence from the hotel servants." "Well, I didn't like to wake Milly." "She's paid for it, isn't she? Come, come, Mr Last, this won't do at all. You'll never get your divorce if you don't give your mind to it more." "All right," said Tony. "I'll have breakfast again." "In bed, mind." "In bed." And he went wearily upstairs to his rooms. Winnie had drawn the curtains but her mother was still asleep. "She woke up once and then turned over. Do get her to come out. I want to go on the pier." "Milly," said Tony firmly. "Milly." "Oh," she said. "What time is it?" "We've got to have breakfast." "Don't want any breakfast. I think I'll sleep a little." "You've had breakfast," said Winnie. "Come on," said Tony. "Plenty of time to sleep afterwards. This is what we came for." Milly sat up in bed. "O.K.," she said. "Winnie, darling, give mother her jacket off the chair." She was a conscientious girl, ready to go through with her job, however unattractive it might seem. "But it's early." Tony went into his room and took off his shoes, collar and tie, coat and waistcoat, and put on a dressing-gown. "You are greedy," said Winnie, "eating two breakfasts." "When you're a little older you'll understand these things. It's the Law. Now I want you to stay in the sitting-room for a quarter of an hour very quietly. Promise? And afterwards you can do exactly what you like." "Can I bathe?" "Yes, certainly, if you're quiet now." Tony got into bed beside Milly and pulled the dressing-gown tight round his throat. "Does that look all right?" "Love's young dream," said Milly. "All right, then. I'll ring the bell." When the tray had been brought, Tony got out of bed and put on his things. "So much for my infidelity," he said. "It is curious to reflect that this will be described in the papers as "intimacy"." "Can I bathe now?" "Certainly." Milly turned over to sleep again. Tony took Winnie to the beach. The wind had got up and a heavy sea was pounding on the shingle. "This little girl would like to bathe," said Tony. "No bathing for children to-day," said the beach attendant. "The very idea," said various onlookers. "Does he want to drown the child?" "He's no business to be trusted with children." "_Unnatural beast._" "But I _want_ to bathe," said Winnie. "You said I could bathe if you had two breakfasts." The people who had clustered round to witness Tony's discomfort, looked at one another askance. "Two breakfasts? Wanting to let the child bathe? The man's	had the best of everything. There was a party of twenty or thirty people, all more or less like Dan. Dan's friend was most hospitable. When he was not fiddling with the wireless, which gave trouble off and on throughout the evening, he was sauntering among his guests refilling their glasses. "This stuff's all right," he said, showing the label, "it won't hurt you. It's the right stuff." They had a lot of the right stuff. Quite often Dan's friend noticed that Tony seemed to be out of the party. Then he would come across and put his hand on Tony's shoulder. "I'm so glad Dan brought you," he would say. "Hope you're getting all you want. Delighted to see you. Come again when there isn't a crowd and see over the place. Interested in roses?" "Yes, I like them very much." "Come when the roses are out. You'd like that if you're interested in roses. Damn that radio, it's going wonky again." Tony wondered whether he was as amiable when people he did not know were brought over unexpectedly to Hetton. At one stage in the evening he found himself sitting on a sofa with Dan, who said, "Nice kid, Milly." "Yes." "I'll tell you a thing I've noticed about her. She attracts quite a different type from the other girls. People like you and me." "Yes." "You wouldn't think she had a daughter of eight, would you?" "No, it's very surprising." "I didn't know for ages. Then I was taking her to Dieppe for the week-end and she wanted to bring the child along too. Of course that put the kybosh on it, but I've always liked Milly just the same. You can trust her to behave anywhere." He said this with a sour glance towards Baby, who was full of the right stuff and showing it. It was after three before the party broke up. Dan's friend renewed his invitation to come again when the roses were out. "I doubt if you'll find a better show of roses anywhere in the south of England," he said. Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back. From habit and exhaustion she put her head on his shoulder and her hand in his. When they reached their rooms, however, she said, "Go quietly. We don't want to wake Winnie." For an hour or so Tony lay in the warm little bedroom, reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen wind met them as they emerged from the swing door. The asphalt promenade was wet with spray and rain. Two or three female figures were scudding along, bowed to the wind, prayer-books clutched in their gloved hands. Four or five rugged old men were hobbling down to bathe, hissing like ostlers. "Oh, come on," said Winnie. They went down to the beach and stumbled painfully across the shingle to the margin of the sea. Winnie threw some stones. The bathers were in the water now; some of them had dogs who swam snorting beside them. "Why don't you bathe?" asked Winnie. "Far too cold." "But _they're_ bathing. I want to." "You must ask your mother." "I believe you're afraid. Can you swim?" "Yes." "Well, why don't you? Bet you can't." "All right. I can't." "Then why did you say you could. Fibber." They walked along the shingle. Winnie slithered about astride a backwater. "Now my knickers are wet," she said. "Better come back and change." "It feels horrible. Let's go and have breakfast." The hotel did not, as a rule, cater for guests who breakfasted downstairs at eight o'clock on Sunday morning. It took a long time before anything could be got ready. There were no ices, much to Winnie's annoyance. She ate grapefruit and kippers and scrambled eggs on toast, complaining fitfully about her wet clothing. After breakfast Tony sent her upstairs to change and himself smoked a pipe in the lounge and glanced over the Sunday papers. Here at nine o'clock he was interrupted by the arrival of Blenkinsop. "We missed you last night," he said. "We went to a party." "You shouldn't have done that--not strictly, but I daresay no harm will come of it. Have you had your breakfast?" "Yes, in the dining-room with Winnie." "But, Mr Last, what are you thinking of? You've got to get evidence from the hotel servants." "Well, I didn't like to wake Milly." "She's paid for it, isn't she? Come, come, Mr Last, this won't do at all. You'll never get your divorce if you don't give your mind to it more." "All right," said Tony. "I'll have breakfast again." "In bed, mind." "In bed." And he went wearily upstairs to his rooms. Winnie had drawn the curtains but her mother was still asleep. "She woke up once and then turned over. Do	A Handful Of Dust	to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet."<\|quote\|>"Well, I want to go down to the sea. Come on."</\|quote\|>Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "to bed.\" \"No, I'm dressed. Let's go out.\" She went to the window and pulled back the curtains, filling the room with glacial, morning light. \"It's hardly raining at all,\" she said. \"What do you want to do?\" \"I want to go on the pier.\" \"It won't be open yet.\"<\|quote\|>\"Well, I want to go down to the sea. Come on.\"</\|quote\|>Tony knew that he would not get to sleep again that morning. \"All right. You go and wait while I dress.\" \"I'll wait here. Mother snores so.\" Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen", "role": "user" }, { "content": "Winnie", "role": "assistant" } ] }	Winnie
"Just sit quiet here while I sling your hammock."	Dr Messinger	to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with	it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad	had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another	assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again." "Thank God. I've been pretty ill, haven't I? I can't remember	others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again." "Thank God. I've been pretty ill, haven't I? I can't remember much." Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it	got to go on," said Dr Messinger. "We can't be far from a village now." "I feel awful. Wouldn't it be better to wait a day till I am perfectly fit again?" "It's no good waiting. We've got to get on. D'you think you can manage to get into the canoe?" Dr Messinger knew that Tony was in for a long bout. For the first few hours of that day Tony lay limp in the bows. They had shifted the stores so that he could lie full length. Then the fever came on again and his teeth chattered. He sat up and crouched with his head in his knees, shaking all over; only his forehead and cheeks were burning hot under the noon sun. There was still no sign of a village. * * * * * It was late in the afternoon when he first saw Brenda. For some time he had been staring intently at the odd shape amidships where the stores had been piled; then he realized that it was a human being. "So the Indians came back?" he said. "Yes." "I knew they would. Silly of them to be scared by a toy. I suppose the others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again." "Thank God. I've been pretty ill, haven't I? I can't remember much." Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a week or it may take much longer. That's a thing we've got to face. I can't risk taking you in the canoe. You nearly upset us several times the day before yesterday." "I thought there was someone there I knew." "You thought a lot of things. It'll go on like that. Meanwhile we've provisions for about ten days. There's no immediate anxiety there but it's a thing to remember. Besides, what you need is a roof over your head and constant nursing. If only we were at a village...." "I'm afraid I'm being a great nuisance." "That's not the	fallen petals and floated among them, moving scarcely less slowly than they, as though resting in a flowering meadow. At night they spread their tarpaulin on stretches of dry beach, or hung their hammocks in the bush. Only the cabouri fly and rare, immobile alligators menaced the peace of their days. They kept a constant scrutiny of the banks but saw no sign of human life. Then Tony developed fever. It came on him quite suddenly, during the fourth afternoon. At their mid-day halt he was in complete health and shot a small deer that came down to drink on the opposite bank; an hour later he was shivering so violently that he had to lay down his paddle; his head was flaming with heat, his body and limbs were frigid; by sunset he was slightly delirious. Dr Messinger took his temperature and found that it was a hundred and four degrees, Fahrenheit. He gave him twenty-five grains of quinine and lit a fire so close to his hammock that by morning it was singed and blacked with smoke. He told Tony to keep wrapped up in his blanket, but at intervals throughout that night he woke from sleep to find himself running with sweat; he was consumed with thirst and drank mug after mug of river water. Neither that evening nor next morning was he able to eat anything. But next morning his temperature was down again. He felt weak and exhausted but he was able to keep steady in his place and paddle a little. "It was just a passing attack, wasn't it?" he said. "I shall be perfectly fit to-morrow, shan't I?" "I hope so," said Dr Messinger. At mid-day Tony drank some cocoa and ate a cupful of rice. "I feel grand," he said. "Good." That night the fever came on again. They were camping on a sand bank. Dr Messinger heated stones and put them under Tony's feet and in the small of his back. He was awake most of the night fuelling the fire and refilling Tony's mug with water. At dawn Tony slept for an hour and woke feeling slightly better; he was taking frequent doses of quinine and his ears were filled with a muffled sound as though he were holding those shells to them in which, he had been told in childhood, one could hear the beat of the sea. "We've got to go on," said Dr Messinger. "We can't be far from a village now." "I feel awful. Wouldn't it be better to wait a day till I am perfectly fit again?" "It's no good waiting. We've got to get on. D'you think you can manage to get into the canoe?" Dr Messinger knew that Tony was in for a long bout. For the first few hours of that day Tony lay limp in the bows. They had shifted the stores so that he could lie full length. Then the fever came on again and his teeth chattered. He sat up and crouched with his head in his knees, shaking all over; only his forehead and cheeks were burning hot under the noon sun. There was still no sign of a village. * * * * * It was late in the afternoon when he first saw Brenda. For some time he had been staring intently at the odd shape amidships where the stores had been piled; then he realized that it was a human being. "So the Indians came back?" he said. "Yes." "I knew they would. Silly of them to be scared by a toy. I suppose the others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again." "Thank God. I've been pretty ill, haven't I? I can't remember much." Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a week or it may take much longer. That's a thing we've got to face. I can't risk taking you in the canoe. You nearly upset us several times the day before yesterday." "I thought there was someone there I knew." "You thought a lot of things. It'll go on like that. Meanwhile we've provisions for about ten days. There's no immediate anxiety there but it's a thing to remember. Besides, what you need is a roof over your head and constant nursing. If only we were at a village...." "I'm afraid I'm being a great nuisance." "That's not the point. The thing is to find what is best for us to do." But Tony felt too tired to think; he dozed for an hour or so. When he awoke, Dr Messinger was cutting back the bush farther. "I'm going to fix up the tarpaulin as a roof." (He had marked this place on his map _Temporary Emergency Base Camp_.) Tony watched him listlessly. Presently he said, "Look here, why don't you leave me here and go down the river for help?" "I thought of that. It's too big a risk." That afternoon Brenda was back at Tony's side and he was shivering and tossing in his hammock. * * * * * When he was next able to observe things, Tony noted that there was a tarpaulin over his head, slung to the tree-trunks. He asked, "How long have we been here?" "Only three days." "What time is it now?" "Getting on for ten in the morning." "I feel awful." Dr Messinger gave him some soup. "I am going downstream for the day," he said, "to see if there's any sign of a village. I hate leaving you but it's a chance worth taking. I shall be able to get a long way in the canoe now it's empty. Lie quiet. Don't move from the hammock. I shall be back before night. I hope with some Indians to help." "All right," said Tony and fell asleep. Dr Messinger went down to the river's edge and untied the canoe; he brought with him a rifle, a drinking cup and a day's provisions. He sat in the stern and pushed out from the bank; the current carried the bows down and in a few strokes of the paddle he was in midstream. The sun was high and its reflection in the water dazzled and scorched him; he paddled on with regular, leisurely strokes; he was travelling fast. For a mile's stretch the river narrowed and the water raced so that all he had to do was to trail the blade of the paddle as a rudder; then the walls of forest on either side of him fell back and he drifted into a great open lake, where he had to work heavily to keep in motion; all the time he watched keenly to right and left for the column of smoke, the thatched dome, the sly brown figure in the undergrowth,	which, he had been told in childhood, one could hear the beat of the sea. "We've got to go on," said Dr Messinger. "We can't be far from a village now." "I feel awful. Wouldn't it be better to wait a day till I am perfectly fit again?" "It's no good waiting. We've got to get on. D'you think you can manage to get into the canoe?" Dr Messinger knew that Tony was in for a long bout. For the first few hours of that day Tony lay limp in the bows. They had shifted the stores so that he could lie full length. Then the fever came on again and his teeth chattered. He sat up and crouched with his head in his knees, shaking all over; only his forehead and cheeks were burning hot under the noon sun. There was still no sign of a village. * * * * * It was late in the afternoon when he first saw Brenda. For some time he had been staring intently at the odd shape amidships where the stores had been piled; then he realized that it was a human being. "So the Indians came back?" he said. "Yes." "I knew they would. Silly of them to be scared by a toy. I suppose the others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again." "Thank God. I've been pretty ill, haven't I? I can't remember much." Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a week or it may take much longer. That's a thing we've got to face. I can't risk taking you in the canoe. You nearly upset us several times the day before yesterday." "I thought there was someone there I knew." "You thought a lot of things. It'll go on like that. Meanwhile we've provisions for about ten days. There's no immediate anxiety there but it's a thing to remember. Besides, what you need is a roof over your head and constant nursing. If only we were at a village...." "I'm afraid I'm being a great nuisance." "That's not the point. The thing is to find what is best for us to do." But Tony felt too tired to think; he dozed for an hour or so. When he awoke, Dr Messinger was cutting back the bush farther. "I'm going to fix up the tarpaulin as a roof." (He had marked this place on his map _Temporary Emergency Base Camp_.) Tony watched him listlessly. Presently he said, "Look here, why don't you leave me here and go down the river for help?" "I thought of that. It's too big a risk." That afternoon Brenda was back at Tony's side and he was shivering and tossing in his hammock. * * * * * When he was next able to observe things, Tony noted that there was a tarpaulin over his head, slung to the tree-trunks. He asked, "How long have	A Handful Of Dust	had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?"<\|quote\|>"Just sit quiet here while I sling your hammock."</\|quote\|>"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "had to answer was \"Have you poise?\"\" Brenda was at the top of the bank waiting for him. \"What was so absurd about the question was that they only had the applicant's word for it,\" he explained laboriously. \"I mean--is it a sign of poise to think you have it?\"<\|quote\|>\"Just sit quiet here while I sling your hammock.\"</\|quote\|>\"Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen.\" She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another", "role": "user" }, { "content": "Dr Messinger", "role": "assistant" } ] }	Dr Messinger
"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."	Tony Last	with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd	Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet	Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led	expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long	to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English. "You're the first person who's spoken to me for days," said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and	and a mud floor. He owned the dozen or so head of puny cattle which grazed in the savannah, a plantation of cassava, some banana and mango trees, a dog and, unique in the neighbourhood, a single-barrelled, breech-loading shot-gun. The few commodities which he employed from the outside world came to him through a long succession of traders, passed from hand to hand, bartered for in a dozen languages at the extreme end of one of the longest threads in the web of commerce that spreads from Man?os into the remote fastness of the forest. One day while Mr Todd was engaged in filling some cartridges, a Pie-wie came to him with the news that a white man was approaching through the forest, alone and very sick. He closed the cartridge and loaded his gun with it, put those that were finished into his pocket and set out in the direction indicated. The man was already clear of the bush when Mr Todd reached him, sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English. "You're the first person who's spoken to me for days," said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful.	Messinger has taken the canoe." "Very well, Ambrose." "Thank you, sir." The committee had moved off down the avenue; all except Colonel Inch who had taken the other drive and was trotting towards Compton Last. Tony and Mrs Rattery were all alone. "Bow-wow," she said, scooping in the cards. "That carries the motion." Looking up from the card table, Tony saw beyond the trees the ramparts and battlement of the City; it was quite near him. From the turret of the gatehouse a heraldic banner floated in the tropic breeze. He struggled into an upright position and threw aside his blankets. He was stronger and steadier when the fever was on him. He picked his way through the surrounding thorn-scrub; the sound of music rose from the glittering walls; some procession or pageant was passing along them. He lurched into three trunks and became caught up in roots and hanging tendrils of bush-vine; but he pressed forward, unconscious of pain and fatigue. At last he came into the open. The gates were before him and trumpets were sounding along the walls, saluting his arrival; from bastion to bastion the message ran to the four points of the compass; petals of almond and apple blossom were in the air; they carpeted the way, as, after a summer storm, they lay in the orchards at Hetton. Gilded cupolas and spires of alabaster shone in the sunlight. Ambrose announced, "The City is served." CHAPTER VI DU C?T? DE CHEZ TODD Although Mr Todd had lived in Amazonas for nearly six years, no one except a few families of Pie-wie Indians was aware of his existence. His house stood in a small savannah, one of those little patches of sand and grass that crop up occasionally in that neighbourhood, three miles or so across, bounded on all sides by forest. The stream which watered it was not marked on any map; it ran through rapids, always dangerous and at most seasons of the year impassable, to join the upper waters of the river where Dr Messinger had come to grief. None of the inhabitants of the district, except Mr Todd, had ever heard of the governments of Brazil or Dutch Guiana, both of which from time to time claimed its possession. Mr Todd's house was larger than those of his neighbours, but similar in character--a palm thatch roof, breast-high walls of mud and wattle, and a mud floor. He owned the dozen or so head of puny cattle which grazed in the savannah, a plantation of cassava, some banana and mango trees, a dog and, unique in the neighbourhood, a single-barrelled, breech-loading shot-gun. The few commodities which he employed from the outside world came to him through a long succession of traders, passed from hand to hand, bartered for in a dozen languages at the extreme end of one of the longest threads in the web of commerce that spreads from Man?os into the remote fastness of the forest. One day while Mr Todd was engaged in filling some cartridges, a Pie-wie came to him with the news that a white man was approaching through the forest, alone and very sick. He closed the cartridge and loaded his gun with it, put those that were finished into his pocket and set out in the direction indicated. The man was already clear of the bush when Mr Todd reached him, sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English. "You're the first person who's spoken to me for days," said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under the fallen battlements..." Mr Todd put a hand behind Tony's head and held up the concoction of herbs in the calabash. Tony sipped and turned away his head. "Nasty medicine," he said, and began to cry. Mr Todd stood by him holding the calabash. Presently Tony drank some more, screwing up his face and shuddering slightly at the bitterness. Mr Todd stood beside him until the draught was finished; then he threw out the dregs on to the mud floor. Tony lay back in the hammock sobbing quietly. Soon he fell into a deep sleep. * * * * * Tony's recovery was slow. At first, days of lucidity alternated with delirium; then his temperature dropped and he was conscious even when most ill. The days of fever grew less frequent, finally occurring in the normal system of the tropics, between long periods of comparative health. Mr Todd dosed him regularly with herbal remedies. "It's very nasty," said Tony, "but it does do good." "There is medicine for everything in the forest," said Mr Todd; "to make you well and to make you ill. My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people	sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English. "You're the first person who's spoken to me for days," said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under	A Handful Of Dust	Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said,<\|quote\|>"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating."</\|quote\|>"Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "Mr Todd's side, who was not there. \"Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you.\" Tony squinted across the savannah at Mr Todd's hut. \"Architecture harmonizing with local character,\" he said,<\|quote\|>\"indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating.\"</\|quote\|>\"Try and walk.\" Mr Todd hoisted Tony to his feet and supported him with a stout arm. \"I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice.\" Mr Todd led", "role": "user" }, { "content": "Tony Last", "role": "assistant" } ] }	Tony Last
"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."	Diana Barry	their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little	Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She	new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat	I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla	again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You	speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what	then, to be anything worth being called Time. "Of course you'll win one of them anyhow," said Jane, who couldn't understand how the faculty could be so unfair as to order it otherwise. "I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I'm not going to march up to that bulletin board and look at it before everybody. I haven't the moral courage. I'm going straight to the girls' dressing room. You must read the announcements and then come and tell me, Jane. And I implore you in the name of our old friendship to do it as quickly as possible. If I have failed just say so, without trying to break it gently; and whatever you do _don't_ sympathize with me. Promise me this, Jane." Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen's they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!" For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out: "Three cheers for Miss Shirley, winner of the Avery!" "Oh, Anne," gasped Jane, as they fled to the girls' dressing room amid hearty cheers. "Oh, Anne I'm so proud! Isn't it splendid?" And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane: "Oh, won't Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner. "Reckon you're glad we kept her, Marilla?" whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a	since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with	Anne Of Green Gables	new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana.<\|quote\|>"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave."</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?\" \"The Newbridge trustees have offered Jane their school already,\" said Diana.<\|quote\|>\"Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave.\"</\|quote\|>Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat", "role": "user" }, { "content": "Diana Barry", "role": "assistant" } ] }	Diana Barry
"Not so well. It makes me feel rather a beast,"	Brenda	the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he	IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you	it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount	think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid	Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I	I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away from everything that reminds her of what has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I know just how you feel, but it doesn't do to be medieval about it. If Brenda hadn't been upset at John's death this need never have come to a crisis. Why, last year Marjorie was going everywhere with that ass Robin Beaseley. She was mad about him at the time, but I pretended not to notice and it all blew over. If I were you I should refuse to recognize that anything has happened." Marjorie had said, "Of _course_ Brenda doesn't love Beaver. How could she?... And if she thinks she does at the moment, it's your duty to prevent her making a fool of herself. You must refuse to be divorced--anyway, until she has found someone more reasonable." Lady St Cloud had said, "Brenda has been very, very foolish. She always was an excitable girl, but I am sure there was never anything _wrong_, quite sure. _That_ wouldn't be like Brenda at all. I haven't met Mr Beaver and I do not wish to. I understand he is unsuitable in every way. Brenda would never want to marry anyone like that. I will tell you exactly how it happened, Tony. Brenda must have felt a tiny bit neglected--people often	well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock rang up. He wanted to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later." Next morning. "A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda coming," said Veronica. "I do think she might have chucked. I shan't in the least know what to say to her." * * * * * Tony said to Jock, as they sat alone after dinner, "I've been trying to understand, and I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away from everything that reminds her of what has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I know just how you feel, but it doesn't do to be medieval about it. If Brenda hadn't been upset at John's death this need never have come to a crisis. Why, last year Marjorie was going everywhere with that ass Robin Beaseley. She was mad about him at the time, but I pretended not to notice and it all blew over. If I were you I should refuse to recognize that anything has happened." Marjorie had said, "Of _course_ Brenda doesn't love Beaver. How could she?... And if she thinks she does at the moment, it's your duty to prevent her making a fool of herself. You must refuse to be divorced--anyway, until she has found someone more reasonable." Lady St Cloud had said, "Brenda has been very, very foolish. She always was an excitable girl, but I am sure there was never anything _wrong_, quite sure. _That_ wouldn't be like Brenda at all. I haven't met Mr Beaver and I do not wish to. I understand he is unsuitable in every way. Brenda would never want to marry anyone like that. I will tell you exactly how it happened, Tony. Brenda must have felt a tiny bit neglected--people often do at that stage of marriage. I have known countless cases--and it was naturally flattering to find a young man to beg and carry for her. That's all it was, nothing _wrong_. And then the terrible shock of little John's accident unsettled her and she didn't know what she was saying or writing. You'll both laugh over this little fracas in years to come." Tony had not set eyes on Brenda since the afternoon of the funeral. Once he spoke to her over the telephone. It was during the second week when he was feeling most lonely and bewildered by various counsels. Allan had been with him urging a reconciliation. "I've been talking to Brenda," he had said. "She's sick of Beaver already. The one thing she wants is to go back to Hetton and settle down with you again." While Allan was there, Tony resolutely refused to listen, but later the words, and the picture they evoked, would not leave his mind. So he rang her up and she answered him calmly and gravely. "Brenda, this is Tony." "Hullo, Tony, what is it?" "I've been talking to Allan. He's just told me about your change of mind." "I'm not sure I know what you mean." "That you want to leave Beaver and come back to Hetton." "Did Allan say that?" "Yes; isn't it true?" "I'm afraid it's not. Allan is an interfering ass. I had him here this afternoon. He told me that you didn't want a divorce but that you were willing to let me stay on alone in London and do as I liked provided there was no public scandal. It seemed a good idea and I was going to ring you up about it. But I suppose that's just his diplomacy too. Anyway, I'm afraid there's no prospect of my coming back to Hetton just at present." "Oh, I see. I didn't think it was likely... I just rang you up." "That's all right. How are you, Tony?" "All right, thanks." "Good, so am I. Good-bye." That was all he had heard of her. Both avoided places where there was a likelihood of their meeting. * * * * * It was thought convenient that Brenda should appear as the plaintiff. Tony did not employ the family solicitors in the matter but another less reputable firm who specialized in divorce. He had steeled himself to expect	has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I know just how you feel, but it doesn't do to be medieval about it. If Brenda hadn't been upset at John's death this need never have come to a crisis. Why, last year Marjorie was going everywhere with that ass Robin Beaseley. She was mad about him	A Handful Of Dust	it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?"<\|quote\|>"Not so well. It makes me feel rather a beast,"</\|quote\|>said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now," said Brenda. "There was a certain amount	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "it's not true, is it?\" \"Yes, I'm afraid it is. Everyone has known for some time.\" But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] \"How's the old boy taking it?\"<\|quote\|>\"Not so well. It makes me feel rather a beast,\"</\|quote\|>said Brenda. \"I'm afraid he minds a lot.\" \"Well, you wouldn't like it if he didn't,\" said Polly to console her. \"No, I suppose not.\" \"I shall stick by you whatever happens,\" said Jenny Abdul Akbar. \"Oh, everything is going quite smoothly now,\" said Brenda. \"There was a certain amount", "role": "user" }, { "content": "Brenda", "role": "assistant" } ] }	Brenda
"How am I to get in?"	Alice	as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a	in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to	door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's	can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling.	extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in	it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of	serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow!	great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth	Alices Adventures In Wonderland	door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>"How am I to get in?"</\|quote\|>asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. \"--or next day, maybe,\" the Footman continued in the same tone, exactly as if nothing had happened.<\|quote\|>\"How am I to get in?\"</\|quote\|>asked Alice again, in a louder tone. \"_Are_ you to get in at all?\" said the Footman. \"That's the first question, you know.\" It was, no doubt: only Alice did not like to be told so. \"It's really dreadful,\" she muttered to herself, \"the way all the creatures argue. It's", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
"Good God!"	Paul	into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is	am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I	The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you	left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we	in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must	slip the sergeant-major two of my cigars with belly-bands, and then tip the word to him. He smells the cigars and says: "Have you got any more of them?" "Another good handful," I say, "and my comrade," I point to Kropp, "he has some as well. We might possibly be glad to hand them to you out of the window of the hospital train in the morning." He understands, of course, smells them once again and says: "Done." We cannot get a minute's sleep all night. Seven fellows die in our ward. One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks	I've got." The pain increases. The bandages burn like fire. We drink and drink, one glass of water after another. "How far above the knee am I hit?" asks Kropp. "At least four inches, Albert," I answer. Actually it is perhaps one. "I've made up my mind," he says after a while, "if they take off my leg, I'll put an end to it. I won't go through life as a cripple." So we lie there with our thoughts and wait. * * In the evening we are hauled on to the chopping-block. I am frightened and think quickly what I ought to do; for everyone knows that the surgeons in the dressing stations amputate on the slightest provocation. Under the great pressure of business that is much simpler than complicated patching. I think of Kemmerich. Whatever happens I will not let them chloroform me, even if I have to crack a couple of their skulls. It is all right. The surgeon pokes around in the wound and a blackness comes before my eyes. "Don't carry on so," he says gruffly, and hacks away. The instruments gleam in the bright light like malevolent animals. The pain is insufferable. Two orderlies hold my arms fast, but I break loose with one of them and try to crash into the surgeon's spectacles just as he notices and springs back. "Chloroform the scoundrel," he roars madly. Then I become quiet. "Pardon me, Herr Doctor, I will keep still, but do not chloroform me." "Well now," he cackles and takes up his instrument again. He is a fair fellow, not more than thirty years old, with scars and disgusting gold spectacles. Now I see that he is tormenting me, he is merely raking about in the wound and looking up surreptitiously at me over his glasses. My hands squeeze around the grips, I'll kick the bucket before he will get a squeak out of me. He has fished out a piece of shell and tosses it to me. Apparently he is pleased at my self-control, for he seems to be more considerate of me now and says: "To-morrow you'll be off home." Then I am put in plaster. When I am back again with Kropp I tell him that apparently a hospital train comes in to-morrow morning. "We must work the army medical sergeant-major so that we can keep together, Albert." I manage to slip the sergeant-major two of my cigars with belly-bands, and then tip the word to him. He smells the cigars and says: "Have you got any more of them?" "Another good handful," I say, "and my comrade," I point to Kropp, "he has some as well. We might possibly be glad to hand them to you out of the window of the hospital train in the morning." He understands, of course, smells them once again and says: "Done." We cannot get a minute's sleep all night. Seven fellows die in our ward. One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of	thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed	All Quiet on the Western Front	The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>"Good God!"</\|quote\|>I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him.<\|quote\|>\"Good God!\"</\|quote\|>I exclaim suddenly. \"What is it?\" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. \"Can't you", "role": "user" }, { "content": "Paul", "role": "assistant" } ] }	Paul
"Matthew, did you ever study geometry when you went to school?"	Anne Shirley	to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't,"	the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of	her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such	crystals were shining on the windowpanes. Matthew nodded over a _Farmers' Advocate_ on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you're all right at anything. Mr. Phillips told me last week in Blair's store at Carmody that you was the smartest scholar in school and was making rapid progress." ?Rapid progress' "was his very words. There's	went to town and took her husband--Thomas would be useful in looking after the horse--and Marilla Cuthbert with her. Marilla had a sneaking interest in politics herself, and as she thought it might be her only chance to see a real live Premier, she promptly took it, leaving Anne and Matthew to keep house until her return the following day. Hence, while Marilla and Mrs. Rachel were enjoying themselves hugely at the mass meeting, Anne and Matthew had the cheerful kitchen at Green Gables all to themselves. A bright fire was glowing in the old-fashioned Waterloo stove and blue-white frost crystals were shining on the windowpanes. Matthew nodded over a _Farmers' Advocate_ on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you're all right at anything. Mr. Phillips told me last week in Blair's store at Carmody that you was the smartest scholar in school and was making rapid progress." ?Rapid progress' "was his very words. There's them as runs down Teddy Phillips and says he ain't much of a teacher, but I guess he's all right." Matthew would have thought anyone who praised Anne was "all right." "I'm sure I'd get on better with geometry if only he wouldn't change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don't think a teacher should take such a mean advantage, do you? We're studying agriculture now and I've found out	now I still love her with an _inextinguishable_ love. It makes me very sad at times to think about her. But really, Marilla, one can't stay sad very long in such an interesting world, can one?" CHAPTER XVIII. Anne to the Rescue ALL things great are wound up with all things little. At first glance it might not seem that the decision of a certain Canadian Premier to include Prince Edward Island in a political tour could have much or anything to do with the fortunes of little Anne Shirley at Green Gables. But it had. It was a January the Premier came, to address his loyal supporters and such of his nonsupporters as chose to be present at the monster mass meeting held in Charlottetown. Most of the Avonlea people were on Premier's side of politics; hence on the night of the meeting nearly all the men and a goodly proportion of the women had gone to town thirty miles away. Mrs. Rachel Lynde had gone too. Mrs. Rachel Lynde was a red-hot politician and couldn't have believed that the political rally could be carried through without her, although she was on the opposite side of politics. So she went to town and took her husband--Thomas would be useful in looking after the horse--and Marilla Cuthbert with her. Marilla had a sneaking interest in politics herself, and as she thought it might be her only chance to see a real live Premier, she promptly took it, leaving Anne and Matthew to keep house until her return the following day. Hence, while Marilla and Mrs. Rachel were enjoying themselves hugely at the mass meeting, Anne and Matthew had the cheerful kitchen at Green Gables all to themselves. A bright fire was glowing in the old-fashioned Waterloo stove and blue-white frost crystals were shining on the windowpanes. Matthew nodded over a _Farmers' Advocate_ on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you're all right at anything. Mr. Phillips told me last week in Blair's store at Carmody that you was the smartest scholar in school and was making rapid progress." ?Rapid progress' "was his very words. There's them as runs down Teddy Phillips and says he ain't much of a teacher, but I guess he's all right." Matthew would have thought anyone who praised Anne was "all right." "I'm sure I'd get on better with geometry if only he wouldn't change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don't think a teacher should take such a mean advantage, do you? We're studying agriculture now and I've found out at last what makes the roads red. It's a great comfort. I wonder how Marilla and Mrs. Lynde are enjoying themselves. Mrs. Lynde says Canada is going to the dogs the way things are being run at Ottawa and that it's an awful warning to the electors. She says if women were allowed to vote we would soon see a blessed change. What way do you vote, Matthew?" "Conservative," said Matthew promptly. To vote Conservative was part of Matthew's religion. "Then I'm Conservative too," said Anne decidedly. "I'm glad because Gil--because some of the boys in school are Grits. I guess Mr. Phillips is a Grit too because Prissy Andrews's father is one, and Ruby Gillis says that when a man is courting he always has to agree with the girl's mother in religion and her father in politics. Is that true, Matthew?" "Well now, I dunno," said Matthew. "Did you ever go courting, Matthew?" "Well now, no, I dunno's I ever did," said Matthew, who had certainly never thought of such a thing in his whole existence. Anne reflected with her chin in her hands. "It must be rather interesting, don't you think, Matthew? Ruby Gillis says when she	class by Gilbert Blythe. The rivalry between them was soon apparent; it was entirely good natured on Gilbert's side; but it is much to be feared that the same thing cannot be said of Anne, who had certainly an unpraiseworthy tenacity for holding grudges. She was as intense in her hatreds as in her loves. She would not stoop to admit that she meant to rival Gilbert in schoolwork, because that would have been to acknowledge his existence which Anne persistently ignored; but the rivalry was there and honors fluctuated between them. Now Gilbert was head of the spelling class; now Anne, with a toss of her long red braids, spelled him down. One morning Gilbert had all his sums done correctly and had his name written on the blackboard on the roll of honor; the next morning Anne, having wrestled wildly with decimals the entire evening before, would be first. One awful day they were ties and their names were written up together. It was almost as bad as a take-notice and Anne's mortification was as evident as Gilbert's satisfaction. When the written examinations at the end of each month were held the suspense was terrible. The first month Gilbert came out three marks ahead. The second Anne beat him by five. But her triumph was marred by the fact that Gilbert congratulated her heartily before the whole school. It would have been ever so much sweeter to her if he had felt the sting of his defeat. Mr. Phillips might not be a very good teacher; but a pupil so inflexibly determined on learning as Anne was could hardly escape making progress under any kind of teacher. By the end of the term Anne and Gilbert were both promoted into the fifth class and allowed to begin studying the elements of "the branches"--by which Latin, geometry, French, and algebra were meant. In geometry Anne met her Waterloo. "It's perfectly awful stuff, Marilla," she groaned. "I'm sure I'll never be able to make head or tail of it. There is no scope for imagination in it at all. Mr. Phillips says I'm the worst dunce he ever saw at it. And Gil--I mean some of the others are so smart at it. It is extremely mortifying, Marilla." "Even Diana gets along better than I do. But I don't mind being beaten by Diana. Even although we meet as strangers now I still love her with an _inextinguishable_ love. It makes me very sad at times to think about her. But really, Marilla, one can't stay sad very long in such an interesting world, can one?" CHAPTER XVIII. Anne to the Rescue ALL things great are wound up with all things little. At first glance it might not seem that the decision of a certain Canadian Premier to include Prince Edward Island in a political tour could have much or anything to do with the fortunes of little Anne Shirley at Green Gables. But it had. It was a January the Premier came, to address his loyal supporters and such of his nonsupporters as chose to be present at the monster mass meeting held in Charlottetown. Most of the Avonlea people were on Premier's side of politics; hence on the night of the meeting nearly all the men and a goodly proportion of the women had gone to town thirty miles away. Mrs. Rachel Lynde had gone too. Mrs. Rachel Lynde was a red-hot politician and couldn't have believed that the political rally could be carried through without her, although she was on the opposite side of politics. So she went to town and took her husband--Thomas would be useful in looking after the horse--and Marilla Cuthbert with her. Marilla had a sneaking interest in politics herself, and as she thought it might be her only chance to see a real live Premier, she promptly took it, leaving Anne and Matthew to keep house until her return the following day. Hence, while Marilla and Mrs. Rachel were enjoying themselves hugely at the mass meeting, Anne and Matthew had the cheerful kitchen at Green Gables all to themselves. A bright fire was glowing in the old-fashioned Waterloo stove and blue-white frost crystals were shining on the windowpanes. Matthew nodded over a _Farmers' Advocate_ on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you're all right at anything. Mr. Phillips told me last week in Blair's store at Carmody that you was the smartest scholar in school and was making rapid progress." ?Rapid progress' "was his very words. There's them as runs down Teddy Phillips and says he ain't much of a teacher, but I guess he's all right." Matthew would have thought anyone who praised Anne was "all right." "I'm sure I'd get on better with geometry if only he wouldn't change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don't think a teacher should take such a mean advantage, do you? We're studying agriculture now and I've found out at last what makes the roads red. It's a great comfort. I wonder how Marilla and Mrs. Lynde are enjoying themselves. Mrs. Lynde says Canada is going to the dogs the way things are being run at Ottawa and that it's an awful warning to the electors. She says if women were allowed to vote we would soon see a blessed change. What way do you vote, Matthew?" "Conservative," said Matthew promptly. To vote Conservative was part of Matthew's religion. "Then I'm Conservative too," said Anne decidedly. "I'm glad because Gil--because some of the boys in school are Grits. I guess Mr. Phillips is a Grit too because Prissy Andrews's father is one, and Ruby Gillis says that when a man is courting he always has to agree with the girl's mother in religion and her father in politics. Is that true, Matthew?" "Well now, I dunno," said Matthew. "Did you ever go courting, Matthew?" "Well now, no, I dunno's I ever did," said Matthew, who had certainly never thought of such a thing in his whole existence. Anne reflected with her chin in her hands. "It must be rather interesting, don't you think, Matthew? Ruby Gillis says when she grows up she's going to have ever so many beaus on the string and have them all crazy about her; but I think that would be too exciting. I'd rather have just one in his right mind. But Ruby Gillis knows a great deal about such matters because she has so many big sisters, and Mrs. Lynde says the Gillis girls have gone off like hot cakes. Mr. Phillips goes up to see Prissy Andrews nearly every evening. He says it is to help her with her lessons but Miranda Sloane is studying for Queen's too, and I should think she needed help a lot more than Prissy because she's ever so much stupider, but he never goes to help her in the evenings at all. There are a great many things in this world that I can't understand very well, Matthew." "Well now, I dunno as I comprehend them all myself," acknowledged Matthew. "Well, I suppose I must finish up my lessons. I won't allow myself to open that new book Jane lent me until I'm through. But it's a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I'll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must _not_ give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It's all very well to say resist temptation, but it's ever so much easier to resist it if you can't get the key. And then shall I run down the cellar and get some russets, Matthew? Wouldn't you like some russets?" "Well now, I dunno but what I would," said Matthew, who never ate russets but knew Anne's weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and	on Premier's side of politics; hence on the night of the meeting nearly all the men and a goodly proportion of the women had gone to town thirty miles away. Mrs. Rachel Lynde had gone too. Mrs. Rachel Lynde was a red-hot politician and couldn't have believed that the political rally could be carried through without her, although she was on the opposite side of politics. So she went to town and took her husband--Thomas would be useful in looking after the horse--and Marilla Cuthbert with her. Marilla had a sneaking interest in politics herself, and as she thought it might be her only chance to see a real live Premier, she promptly took it, leaving Anne and Matthew to keep house until her return the following day. Hence, while Marilla and Mrs. Rachel were enjoying themselves hugely at the mass meeting, Anne and Matthew had the cheerful kitchen at Green Gables all to themselves. A bright fire was glowing in the old-fashioned Waterloo stove and blue-white frost crystals were shining on the windowpanes. Matthew nodded over a _Farmers' Advocate_ on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you're all right at anything. Mr. Phillips told me last week in Blair's store at Carmody that you was the smartest scholar in school and was making rapid progress." ?Rapid progress' "was his very words. There's them as runs down Teddy Phillips and says he ain't much of a teacher, but I guess he's all right." Matthew would have thought anyone who praised Anne was "all right." "I'm sure I'd get on better with geometry if only he wouldn't change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don't think a teacher should take such a mean advantage, do you? We're studying agriculture now and I've found out at last what makes the roads red. It's a great comfort. I wonder how Marilla and Mrs. Lynde are enjoying themselves. Mrs. Lynde says Canada is going to the dogs the way things are being run at Ottawa and that it's an awful warning to the electors. She says if women were allowed to vote we would soon see a blessed change. What way do you vote, Matthew?" "Conservative," said Matthew promptly. To vote Conservative was part of Matthew's religion. "Then I'm Conservative too," said Anne decidedly. "I'm glad because Gil--because some of the boys in school are Grits. I guess Mr. Phillips is a Grit too because Prissy Andrews's father is one, and Ruby Gillis says that when a man is courting he always has to agree with the girl's mother in religion and her father in politics. Is that true, Matthew?" "Well now, I dunno," said Matthew. "Did you ever go courting, Matthew?" "Well now, no, I dunno's I ever did," said Matthew, who had certainly never thought of such a thing in his whole existence. Anne reflected with her chin in her hands. "It must be rather interesting, don't you think, Matthew? Ruby Gillis says when she grows up she's going to have ever so many beaus on the string and have them all crazy about her; but I think that would be too exciting. I'd rather have just one in his right mind. But Ruby Gillis knows a great deal about such matters because she has so many big sisters, and Mrs. Lynde says the Gillis girls have gone off like hot cakes. Mr.	Anne Of Green Gables	her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>"Matthew, did you ever study geometry when you went to school?"</\|quote\|>"Well now, no, I didn't," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "her that it was warranted to produce any number of thrills, or words to that effect, and Anne's fingers tingled to reach out for it. But that would mean Gilbert Blythe's triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn't there.<\|quote\|>\"Matthew, did you ever study geometry when you went to school?\"</\|quote\|>\"Well now, no, I didn't,\" said Matthew, coming out of his doze with a start. \"I wish you had,\" sighed Anne, \"because then you'd be able to sympathize with me. You can't sympathize properly if you've never studied it. It is casting a cloud over my whole life. I'm such", "role": "user" }, { "content": "Anne Shirley", "role": "assistant" } ] }	Anne Shirley
"It was only because I had to lie there with him so long,"	Paul	understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war	Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks	same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the	to that?" asks Kat. I nod. "If he keeps that up he will get a little coloured bird for his buttonhole by this evening," says Albert. "Or rather he will soon be made acting-sergeant-major," says Kat. We look at one another. "I would not do it," I say. "All the same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the supply dump as that is not yet empty. We are supposed to provision ourselves from the same store. We are just the right people for that;--Kat, Albert, Müller, Tjaden, Detering, our whole gang is there. Haie is dead, though. But we are mighty lucky all the same, all the other	I listen to them and feel comforted, reassured by their presence. It was mere drivelling nonsense that I talked out there in the shell-hole. "Look there for instance," points Kat. On the fire-step stand some snipers. They rest their rifles with telescopic sights on the parapet and watch the enemy front. Once and again a shot cracks out. Then we hear the cry: "That's found a billet!" "Did you see how he leapt in the air?" Sergeant Oellrich turns round proudly and scores his point. He heads the shooting list for to-day with three unquestionable hits. "What do you say to that?" asks Kat. I nod. "If he keeps that up he will get a little coloured bird for his buttonhole by this evening," says Albert. "Or rather he will soon be made acting-sergeant-major," says Kat. We look at one another. "I would not do it," I say. "All the same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the supply dump as that is not yet empty. We are supposed to provision ourselves from the same store. We are just the right people for that;--Kat, Albert, Müller, Tjaden, Detering, our whole gang is there. Haie is dead, though. But we are mighty lucky all the same, all the other squads have had more casualties than we have. We select, as a dug-out, a reinforced concrete cellar into which steps lead down from above. The entrance is protected by a separate concrete wall. Now we develop an immense industry. This is an opportunity not only to stretch one's legs, but to stretch one's soul also. We make the best use of such opportunities. The war is too desperate to allow us to be sentimental for long. That is only possible so long as things are not going too badly. After all, we cannot afford to be anything but matter-of-fact. So	come nearer. There, by the light of a rocket I see something move in the wire, then it stiffens and lies still. Next time I see it again, yes, they are men from our trench. But I am suspicious until I recognize our helmets. Then I call. And immediately an answer rings out, my name: "Paul--Paul----" I call again in answer. It is Kat and Albert who have come out with a stretcher to look for me. "Are you wounded?" "No, no----" We drop into the trench. I ask for something to eat and wolf it down. Müller gives me a cigarette. In a few words I tell what happened. There is nothing new about it; it happens quite often. The night attack is the only unusual feature of the business. In Russia Kat once lay for two days behind the enemy lines before he could make his way back. I do not mention the dead printer. But by next morning I can keep it to myself no longer. I must tell Kat and Albert. They both try to calm me. "You can't do anything about it. What else could you have done? That is what you are here for." I listen to them and feel comforted, reassured by their presence. It was mere drivelling nonsense that I talked out there in the shell-hole. "Look there for instance," points Kat. On the fire-step stand some snipers. They rest their rifles with telescopic sights on the parapet and watch the enemy front. Once and again a shot cracks out. Then we hear the cry: "That's found a billet!" "Did you see how he leapt in the air?" Sergeant Oellrich turns round proudly and scores his point. He heads the shooting list for to-day with three unquestionable hits. "What do you say to that?" asks Kat. I nod. "If he keeps that up he will get a little coloured bird for his buttonhole by this evening," says Albert. "Or rather he will soon be made acting-sergeant-major," says Kat. We look at one another. "I would not do it," I say. "All the same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the supply dump as that is not yet empty. We are supposed to provision ourselves from the same store. We are just the right people for that;--Kat, Albert, Müller, Tjaden, Detering, our whole gang is there. Haie is dead, though. But we are mighty lucky all the same, all the other squads have had more casualties than we have. We select, as a dug-out, a reinforced concrete cellar into which steps lead down from above. The entrance is protected by a separate concrete wall. Now we develop an immense industry. This is an opportunity not only to stretch one's legs, but to stretch one's soul also. We make the best use of such opportunities. The war is too desperate to allow us to be sentimental for long. That is only possible so long as things are not going too badly. After all, we cannot afford to be anything but matter-of-fact. So matter-of-fact, indeed, that I often shudder when a thought from the days before the war comes momentarily into my head. But it does not stay long. We have to take things as lightly as we can, so we make the most of every opportunity, and nonsense stands stark and immediate beside horror. It cannot be otherwise, that is how we hearten ourselves. So we zealously set to work to create an idyll--an idyll of eating and sleeping, of course. The floor is first covered with mattresses which we haul in from the houses. Even a soldier's behind likes to sit soft. Only in the middle of the floor is there any clear space. Then we furnish ourselves with blankets and eiderdowns, luxurious soft affairs. There is plenty of everything to be had in the town. Albert and I find a mahogany bed which can be taken to pieces, with a sky of blue silk and a lace coverlet. We sweat like monkeys moving it in, but a man cannot let a thing like that slip, and it would certainly be shot to pieces in a day or two. Kat and I do a little patrolling through the houses. In very	Gerard Duval. I must be a printer, I think confusedly, be a printer, printer---- * * By afternoon I am calmer. My fear was groundless. The name troubles me no more. The madness passes. "Comrade," I say to the dead man, but I say it calmly, "To-day you, to-morrow me. But if I come out of it, comrade, I will fight against this, that has struck us both down; from you, taken life--and from me--? Life also. I promise you, comrade. It shall never happen again." The sun strikes low. I am stupefied with exhaustion and hunger. Yesterday is like a fog to me, there is no hope of getting out of this yet. I fall into a doze and do not at first realize that evening is approaching. The twilight comes. It seems to me to come quickly now. One hour more. If it were summer, it would be three hours more. One hour more. Now suddenly I begin to tremble; something might happen in the interval. I think no more of the dead man, he is of no consequence to me now. With one bound the lust to live flares up again and everything that has filled my thoughts goes down before it. Now, merely to avert any ill-luck, I babble mechanically: "I will fulfil everything, fulfil everything I have promised you----" but already I know that I shall not do so. Suddenly it occurs to me that my own comrades may fire on me as I creep up; they do not know I am coming. I will call out as soon as I can so that they will recognize me. I will stay lying in front of the trench until they answer me. The first star. The front remains quiet. I breathe deeply and talk to myself in my excitement: "No foolishness now, Paul--Quiet, Paul, quiet--then you will be saved, Paul." When I use my Christian name it works as though someone else spoke to me, it has more power. The darkness grows. My excitement subsides, I wait cautiously until the first rocket goes up. Then I crawl out of the shell-hole. I have forgotten the dead man. Before me lies the on-coming night and the pale gleaming field. I fix my eye on a shell-hole; the moment the light dies I scurry over into it, grope farther, spring into the next, duck down, scramble onward. I come nearer. There, by the light of a rocket I see something move in the wire, then it stiffens and lies still. Next time I see it again, yes, they are men from our trench. But I am suspicious until I recognize our helmets. Then I call. And immediately an answer rings out, my name: "Paul--Paul----" I call again in answer. It is Kat and Albert who have come out with a stretcher to look for me. "Are you wounded?" "No, no----" We drop into the trench. I ask for something to eat and wolf it down. Müller gives me a cigarette. In a few words I tell what happened. There is nothing new about it; it happens quite often. The night attack is the only unusual feature of the business. In Russia Kat once lay for two days behind the enemy lines before he could make his way back. I do not mention the dead printer. But by next morning I can keep it to myself no longer. I must tell Kat and Albert. They both try to calm me. "You can't do anything about it. What else could you have done? That is what you are here for." I listen to them and feel comforted, reassured by their presence. It was mere drivelling nonsense that I talked out there in the shell-hole. "Look there for instance," points Kat. On the fire-step stand some snipers. They rest their rifles with telescopic sights on the parapet and watch the enemy front. Once and again a shot cracks out. Then we hear the cry: "That's found a billet!" "Did you see how he leapt in the air?" Sergeant Oellrich turns round proudly and scores his point. He heads the shooting list for to-day with three unquestionable hits. "What do you say to that?" asks Kat. I nod. "If he keeps that up he will get a little coloured bird for his buttonhole by this evening," says Albert. "Or rather he will soon be made acting-sergeant-major," says Kat. We look at one another. "I would not do it," I say. "All the same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the supply dump as that is not yet empty. We are supposed to provision ourselves from the same store. We are just the right people for that;--Kat, Albert, Müller, Tjaden, Detering, our whole gang is there. Haie is dead, though. But we are mighty lucky all the same, all the other squads have had more casualties than we have. We select, as a dug-out, a reinforced concrete cellar into which steps lead down from above. The entrance is protected by a separate concrete wall. Now we develop an immense industry. This is an opportunity not only to stretch one's legs, but to stretch one's soul also. We make the best use of such opportunities. The war is too desperate to allow us to be sentimental for long. That is only possible so long as things are not going too badly. After all, we cannot afford to be anything but matter-of-fact. So matter-of-fact, indeed, that I often shudder when a thought from the days before the war comes momentarily into my head. But it does not stay long. We have to take things as lightly as we can, so we make the most of every opportunity, and nonsense stands stark and immediate beside horror. It cannot be otherwise, that is how we hearten ourselves. So we zealously set to work to create an idyll--an idyll of eating and sleeping, of course. The floor is first covered with mattresses which we haul in from the houses. Even a soldier's behind likes to sit soft. Only in the middle of the floor is there any clear space. Then we furnish ourselves with blankets and eiderdowns, luxurious soft affairs. There is plenty of everything to be had in the town. Albert and I find a mahogany bed which can be taken to pieces, with a sky of blue silk and a lace coverlet. We sweat like monkeys moving it in, but a man cannot let a thing like that slip, and it would certainly be shot to pieces in a day or two. Kat and I do a little patrolling through the houses. In very short time we have collected a dozen eggs and two pounds of fairly fresh butter. Suddenly there is a crash in the drawing room, and an iron stove hurtles through the wall past us and on, a yard from us out through the wall behind. Two holes. It comes from the house opposite where a shell has just landed. "The swine," grimaces Kat, and we continue our search. All at once we prick up our ears, hurry across, and suddenly stand petrified--there running up and down in a little sty are two live sucking pigs. We rub our eyes and look once again to make certain. Yes, they are still there. We seize hold of them--no doubt about it, two real young pigs. This will make a grand feed. About twenty yards from our dug-out there is a small house that was used as an officers' billet. In the kitchen is an immense fireplace with two ranges, pots, pans, and kettles--everything, even to a stack of small chopped wood in an outhouse--a regular cook's paradise. Two of our fellows have been out in the fields all the morning hunting for potatoes, carrots, and green peas. We are quite uppish and sniff at the tinned stuff in the supply dump, we want fresh vegetables. In the dining-room there are already two heads of cauliflower. The sucking pigs are slaughtered. Kat sees to them. We want to make potato cakes to go with the roast. But we cannot find a grater for the potatoes. However, that difficulty is soon got over. With a nail we punch a lot of holes in a pot lid and there we have a grater. Three fellows put on thick gloves to protect their fingers against the grater, two others peel the potatoes, and the business gets going. Kat samples the sucking pigs, the carrots, the peas, and the cauliflower. He even mixes a white sauce for the cauliflower. I fry the pancakes, four at a time. After ten minutes I get the knack of tossing the pan so that the pancakes which are done on the one side sail up, turn in the air and are caught again as they come down. The sucking pigs are baked whole. We all stand round them as before an altar. In the meantime we receive visitors, a couple of wireless-men, who are generously invited to the feed. They sit	new about it; it happens quite often. The night attack is the only unusual feature of the business. In Russia Kat once lay for two days behind the enemy lines before he could make his way back. I do not mention the dead printer. But by next morning I can keep it to myself no longer. I must tell Kat and Albert. They both try to calm me. "You can't do anything about it. What else could you have done? That is what you are here for." I listen to them and feel comforted, reassured by their presence. It was mere drivelling nonsense that I talked out there in the shell-hole. "Look there for instance," points Kat. On the fire-step stand some snipers. They rest their rifles with telescopic sights on the parapet and watch the enemy front. Once and again a shot cracks out. Then we hear the cry: "That's found a billet!" "Did you see how he leapt in the air?" Sergeant Oellrich turns round proudly and scores his point. He heads the shooting list for to-day with three unquestionable hits. "What do you say to that?" asks Kat. I nod. "If he keeps that up he will get a little coloured bird for his buttonhole by this evening," says Albert. "Or rather he will soon be made acting-sergeant-major," says Kat. We look at one another. "I would not do it," I say. "All the same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the supply dump as that is not yet empty. We are supposed to provision ourselves from the same store. We are just the right people for that;--Kat, Albert, Müller, Tjaden, Detering, our whole gang is there. Haie is dead, though. But we are mighty lucky all the same, all the other squads have had more casualties than we have. We select, as a dug-out, a reinforced concrete cellar into which steps lead down from above. The entrance is protected by a separate concrete wall. Now we develop an immense industry. This is an opportunity not only to stretch one's legs, but to stretch one's soul also. We make the best use of such opportunities. The war is too desperate to allow us to be sentimental for long. That is only possible so long as things are not going too badly. After all, we cannot afford to be anything but matter-of-fact. So matter-of-fact, indeed, that I often shudder when a thought from the days before the war comes momentarily into my head. But it does not stay long. We have to take things as lightly as we can, so we make the most of every opportunity, and nonsense stands stark and immediate beside horror. It cannot be otherwise, that is how we hearten ourselves. So we zealously set to work to create an idyll--an idyll of eating and sleeping, of course. The floor is first covered with mattresses which we haul in from the houses. Even a soldier's behind likes to sit soft. Only in the middle of the floor is there any clear space. Then we furnish ourselves with blankets and eiderdowns, luxurious soft affairs. There is plenty of everything to be had in the town. Albert and I find a mahogany bed which can be taken to pieces, with a sky of blue silk and a lace coverlet. We sweat like monkeys moving it in, but a man cannot let a thing like that slip, and it would certainly be shot to pieces in a day or two. Kat and I do a little patrolling through the houses. In very short time we	All Quiet on the Western Front	same," says Kat, "it's very good for you to see it just now." Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. "You don't need to lose any more sleep over your affair," nods Albert. And now I hardly understand it myself any more.<\|quote\|>"It was only because I had to lie there with him so long,"</\|quote\|>I say. "After all, war is war." Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "same,\" says Kat, \"it's very good for you to see it just now.\" Sergeant Oellrich returns to the fire-step. The muzzle of his rifle searches to and fro. \"You don't need to lose any more sleep over your affair,\" nods Albert. And now I hardly understand it myself any more.<\|quote\|>\"It was only because I had to lie there with him so long,\"</\|quote\|>I say. \"After all, war is war.\" Oellrich's rifle cracks out sharp and dry. CHAPTER X We have dropped in for a good job. Eight of us have to guard a village that has been abandoned because it is being shelled too heavily. In particular we have to watch the", "role": "user" }, { "content": "Paul", "role": "assistant" } ] }	Paul
?Our Father who art in heaven hallowed be Thy name.'	No speaker	the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a	it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm	asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then	she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting	It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl	anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed	"No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But	was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and	Anne Of Green Gables	asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does."<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does.\"<\|quote\|>?Our Father who art in heaven hallowed be Thy name.'</\|quote\|>\"That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla.\" \"Well, learn it and hold your tongue,\" said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"	An orderly	looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at	with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any	"How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and	and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc	does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me,	Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes	first that I have seen thus; but we grew up together and that always makes it a bit different. I have copied his essays. At school he used to wear a brown coat with a belt and shiny sleeves. He was the only one of us, too, who could do the giant's turn on the horizontal bar. His hair flew in his face like silk when he did it. Kantorek was proud of him for it. But he couldn't endure cigarettes. His skin was very white; he had something of the girl about him. I glance at my boots. They are big and clumsy, the breeches are tucked into them, and standing up one looks well-built and powerful in these great drain-pipes. But when we go bathing and strip, suddenly we have slender legs again and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now--but why? The whole world ought to pass by this bed and say: "That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!" My thoughts become confused. This atmosphere of carbolic and gangrene clogs the lungs, it is a thick gruel, it suffocates. It grows dark. Kemmerich's face changes colour, it lifts from the pillow and is so pale that it gleams. The mouth moves slightly. I draw near to him. He whispers: "If you find my watch, send it home----" I do not reply. It is no use any more. No one can console him. I am wretched with helplessness. This forehead with its hollow temples, this mouth that is now merely a slit, this sharp nose! And the fat, weeping woman at home to whom I must write. If only the letter were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?" Kat asks one of the youngsters. He grimaces. "For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him. "Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too." Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has a sixth sense. There are such people everywhere but one does not appreciate it at first. Every company has one or two. Katczinsky is the smartest I know. By trade he is a cobbler, I believe, but that hasn't anything to do with it; he understands all trades. It's a good thing to be friends with him, as Kropp and I are, and Haie Westhus too, more or less. But Haie is rather the executive arm operating under Kat's orders when things come to blows. For that he has his qualifications. For example, we land at night in some entirely unknown spot, a sorry hole, that has been eaten out to the very walls. We are quartered in a small dark factory adapted to the purpose. There are beds in it, or rather bunks--a couple of wooden beams over which wire netting is stretched. Wire netting is hard. And there's nothing to put on it. Our waterproof sheets are too thin. We use our blankets to cover ourselves. Kat looks at the place and then says to Haie Westhus: "Come	off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?" Kat asks one of the youngsters. He	All Quiet on the Western Front	"How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "\"How should I know anything about it, I've amputated five legs to-day\" ; he shoves me away, says to the hospital-orderly \"You see to it,\" and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says:<\|quote\|>\"One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----\"</\|quote\|>I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and", "role": "user" }, { "content": "An orderly", "role": "assistant" } ] }	An orderly
"That's a pretty girl in the corner."	Tony Last	dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go	done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said	once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony	Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It	his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?" said Tony. "Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh,	the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?" said Tony. "Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial light; for some reason, however, they remained very blue. So Milly and Tony went to Dan's friend's place and had the best of everything. There was a party of twenty or thirty people, all more or less like Dan. Dan's friend was most hospitable. When he was not fiddling with the wireless, which gave trouble off and on throughout the evening, he was sauntering among his guests refilling their glasses. "This stuff's all right," he said, showing the label, "it won't hurt you. It's the right stuff." They had a lot of the right stuff. Quite often Dan's friend noticed that Tony seemed to be out of the party. Then he would come across and put his hand on Tony's shoulder. "I'm so glad Dan brought you," he would say. "Hope you're getting all you want. Delighted to see you. Come again when there isn't a crowd and see over the place. Interested in roses?" "Yes, I like them very much." "Come when the roses are out. You'd like that if you're interested in roses. Damn that radio, it's going	always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?" said Tony. "Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial light; for some reason, however, they remained very blue. So Milly and Tony went to Dan's friend's place and had the best of everything. There was a party of twenty or thirty people, all more or less like Dan. Dan's friend was most hospitable. When he was not fiddling with the wireless, which gave trouble off and on throughout the evening, he was sauntering among his guests refilling their glasses. "This stuff's all right," he said, showing the label, "it won't hurt you. It's the right stuff." They had a lot of the right stuff. Quite often Dan's friend noticed that Tony seemed to be out of the party. Then he would come across and put his hand on Tony's shoulder. "I'm so glad Dan brought you," he would say. "Hope you're getting all you want. Delighted to see you. Come again when there isn't a crowd and see over the place. Interested in roses?" "Yes, I like them very much." "Come when the roses are out. You'd like that if you're interested in roses. Damn that radio, it's going wonky again." Tony wondered whether he was as amiable when people he did not know were brought over unexpectedly to Hetton. At one stage in the evening he found himself sitting on a sofa with Dan, who said, "Nice kid, Milly." "Yes." "I'll tell you a thing I've noticed about her. She attracts quite a different type from the other girls. People like you and me." "Yes." "You wouldn't think she had a daughter of eight, would you?" "No, it's very surprising." "I didn't know for ages. Then I was taking her to Dieppe for the week-end and she wanted to bring the child along too. Of course that put the kybosh on it, but I've always liked Milly just the same. You can trust her to behave anywhere." He said this with a sour glance towards Baby, who was full of the right stuff and showing it. It was after three before the party broke up. Dan's friend renewed his invitation to come again when the roses were out. "I doubt if you'll find a better show of roses anywhere in the south of England," he said. Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back. From habit and exhaustion she put her head on his shoulder and her hand in his. When they reached their rooms, however, she said, "Go quietly. We don't want to wake Winnie." For an hour or so Tony lay in the warm little bedroom, reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet." "Well, I want to go down to the sea. Come on." Tony	a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?" said Tony. "Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony realized that it was not etiquette in Milly's world to express interest in women, other than the one you were with. They drank champagne. So also, noticed Tony with displeasure, did the two detectives. He would have something to say about that when their bill for expenses came in. It was not as though they had been accommodating in the matter of Winnie. All the time, at the back of his mind, he was worrying with the problem of what they could possibly do after dinner, but it was solved for him, just as he was lighting his cigar, by the appearance of Dan from the other side of the dining-room. "Look here," he said, "if you two aren't doing anything special, why don't you join up with us and come to the party at my friend's place. You'll like it. He always gives one the best of everything." "Oh, do let's," said Milly. Dan's evening clothes were made of blue cloth that was supposed to appear black in artificial light; for some reason, however, they remained very blue. So Milly and Tony went to Dan's friend's place and had the best of everything. There was a party of twenty or thirty people, all more or less like Dan. Dan's friend was most hospitable. When he was not fiddling with the wireless, which gave trouble off and on throughout the evening, he was sauntering among his guests refilling their glasses. "This stuff's all right," he said, showing the label, "it won't hurt you. It's the right stuff." They had a lot of the right stuff. Quite often Dan's friend noticed that Tony seemed to be out of the party. Then he would come across and put his hand on Tony's shoulder. "I'm so glad Dan brought you," he would say. "Hope you're getting all you want. Delighted to see you. Come again when there isn't a crowd and see over the place. Interested in roses?" "Yes, I like them very much." "Come when the roses are out. You'd like that if you're interested in roses. Damn that radio, it's going wonky again." Tony wondered whether he was as amiable when people he did not know were brought over	A Handful Of Dust	once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>"That's a pretty girl in the corner."</\|quote\|>"I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to hear it." Presently Tony	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "once but in the end he couldn't get away.\" \"His girl didn't seem to like us much.\" \"Oh, she was cold.\" Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's.<\|quote\|>\"That's a pretty girl in the corner.\"</\|quote\|>\"I wonder you don't go and join her, dear,\" said Milly testily. \"Look at that woman's diamonds. Do you think they can be real?\" \"Why don't you ask her, if you're so interested?\" \"That's an interesting type--the dark woman dancing.\" \"I'm sure she'd be delighted to hear it.\" Presently Tony", "role": "user" }, { "content": "Tony Last", "role": "assistant" } ] }	Tony Last
he says.	No speaker	bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something	right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I	must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible	I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't	shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last." He is silent and looks at me. "Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on	his shin seems to be smashed. It has got the bone, and Kat groans desperately: "At last--just at the last----" I comfort him. "Who knows how long the mess will go on yet! Now you are saved----" The wound begins to bleed fast. Kat cannot be left by himself while I try to find a stretcher. Anyway, I don't know of a stretcher-bearer's post in the neighbourhood. Kat is not very heavy; so I take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last." He is silent and looks at me. "Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on to the side where Kat's sound leg is. After a few minutes I straighten myself up again. My legs and my hands tremble. I have trouble in finding my water bottle, to take a pull. My lips tremble as I try to drink. But I smile--Kat is saved. After a while I begin to sort out the confusion of voices that falls on my ears. "You might have spared yourself that," says an orderly. I look at him without comprehending. He points to Kat. "He is stone dead." I do not understand him. "He has been hit in the shin," I say. The orderly stands still. "That as well." I turn round. My eyes are still dulled, the sweat breaks out on me again, it runs over my eyelids. I wipe it away and peer at Kat. He lies still. "Fainted," I say quickly. The orderly whistles softly. "I know better than that. He is dead. I'll lay any money on that." I shake my head: "Not possible. Only ten minutes ago I was talking to him. He has fainted." Kat's hands are warm, I pass my arm under his shoulders in order to rub his temples with some tea.	air, they lay hold on our hearts and make the return to the front harder than ever. Summer of 1918--Never was life in the line more bitter and more full of horror than in the hours of the bombardment, when the blanched faces lie in the dirt, and the hands clutch at the one thought: No! No! Not now! Not now at the last moment! Summer of 1918--Breath of hope that sweeps over the scorched fields, raging fever of impatience, of disappointment, of the most agonizing terror of death, insensate question: Why? Why do they not make an end? And why do these rumours of an end fly about? * * There are so many airmen here, and they are so sure of themselves that they give chase to single individuals, just as though they were hares. For every one German plane there come at least five English and American. For one hungry, wretched German soldier come five of the enemy, fresh and fit. For one German army loaf there are fifty tins of canned beef over there. We are not beaten, for as soldiers we are better and more experienced; we are simply crushed and driven back by overwhelmingly superior forces. Behind us lie rainy weeks--grey sky, grey fluid earth, grey dying. If we go out, the rain at once soaks through our overcoat and clothing;--and we remain wet all the time we are in the line. We never get dry. Those who still wear high boots tie sand bags round the top so that the mud does not pour in so fast. The rifles are caked, the uniforms caked, everything is fluid and dissolved, the earth one dripping, soaked, oily mass in which lie the yellow pools with red spiral streams of blood and into which the dead, wounded, and survivors slowly sink down. The storm lashes us, out of the confusion of grey and yellow the hail of splinters whips forth the childlike cries of the wounded, and in the night shattered life groans wearily to the silence. Our hands are earth, our bodies clay and our eyes pools of rain. We do not know whether we still live. Then the heat sinks heavily into our shell holes like a jelly fish, moist and oppressive, and on one of these late summer days, while bringing food, Kat falls. We two are alone. I bind up his wound; his shin seems to be smashed. It has got the bone, and Kat groans desperately: "At last--just at the last----" I comfort him. "Who knows how long the mess will go on yet! Now you are saved----" The wound begins to bleed fast. Kat cannot be left by himself while I try to find a stretcher. Anyway, I don't know of a stretcher-bearer's post in the neighbourhood. Kat is not very heavy; so I take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last." He is silent and looks at me. "Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on to the side where Kat's sound leg is. After a few minutes I straighten myself up again. My legs and my hands tremble. I have trouble in finding my water bottle, to take a pull. My lips tremble as I try to drink. But I smile--Kat is saved. After a while I begin to sort out the confusion of voices that falls on my ears. "You might have spared yourself that," says an orderly. I look at him without comprehending. He points to Kat. "He is stone dead." I do not understand him. "He has been hit in the shin," I say. The orderly stands still. "That as well." I turn round. My eyes are still dulled, the sweat breaks out on me again, it runs over my eyelids. I wipe it away and peer at Kat. He lies still. "Fainted," I say quickly. The orderly whistles softly. "I know better than that. He is dead. I'll lay any money on that." I shake my head: "Not possible. Only ten minutes ago I was talking to him. He has fainted." Kat's hands are warm, I pass my arm under his shoulders in order to rub his temples with some tea. I feel my fingers become moist. As I draw them away from behind his head, they are bloody. "You see----" The orderly whistles once more through his teeth. On the way without my having noticed it, Kat has caught a splinter in the head. There is just one little hole, it must have been a very tiny, stray splinter. But it has sufficed. Kat is dead. Slowly I get up. "Would you like to take his pay book and his things?" the lance-corporal asks me. I nod, and he gives them to me. The orderly is mystified. "You are not related, are you?" No, we are not related. No, we are not related. Do I walk? Have I feet still? I raise my eyes, I let them move round, and turn myself with them, one circle, one circle, and I stand in the midst. All is as usual. Only the Militiaman Stanislaus Katczinsky has died. Then I know nothing more. CHAPTER XII It is autumn. There are not many of the old hands left. I am the last of the seven fellows from our class. Everyone talks of peace and armistice. All wait. If it again proves an illusion, then they will break up; hope is high, it cannot be taken away again without an upheaval. If there is not peace, then there will be revolution. I have fourteen days rest, because I have swallowed a bit of gas; in a little garden I sit the whole day long in the sun. The armistice is coming soon, I believe it now too. Then we will go home. Here my thoughts stop and will not go any farther. All that meets me, all that floods over me are but feelings--greed of life, love of home, yearning of the blood, intoxication of deliverance. But no aims. Had we returned home in 1916, out of the suffering and the strength of our experiences we might have unleashed a storm. Now if we go back we will be weary, broken, burnt out, rootless, and without hope. We will not be able to find our way any more. And men will not understand us--for the generation that grew up before us, though it has passed these years with us here, already had a home and a calling; now it will return to its old occupations, and the war will be forgotten--and the generation that has	yellow the hail of splinters whips forth the childlike cries of the wounded, and in the night shattered life groans wearily to the silence. Our hands are earth, our bodies clay and our eyes pools of rain. We do not know whether we still live. Then the heat sinks heavily into our shell holes like a jelly fish, moist and oppressive, and on one of these late summer days, while bringing food, Kat falls. We two are alone. I bind up his wound; his shin seems to be smashed. It has got the bone, and Kat groans desperately: "At last--just at the last----" I comfort him. "Who knows how long the mess will go on yet! Now you are saved----" The wound begins to bleed fast. Kat cannot be left by himself while I try to find a stretcher. Anyway, I don't know of a stretcher-bearer's post in the neighbourhood. Kat is not very heavy; so I take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last." He is silent and looks at me. "Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on to the side where Kat's sound leg is. After a few minutes I straighten myself up again. My legs and my hands tremble. I have trouble in finding my water bottle, to take a pull. My lips tremble as I try to drink. But I smile--Kat is saved. After a	All Quiet on the Western Front	must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette,"<\|quote\|>he says.</\|quote\|>"Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "must see one another again, if it is peace time before you come back.\" \"Do you think that I will be marked A1 again with this leg?\" he asks bitterly. \"With rest it will get better. The joint is all right. It may limp a bit.\" \"Give me another cigarette,\"<\|quote\|>he says.</\|quote\|>\"Perhaps we could do something together later on, Kat.\" I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"	Alice	rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party	she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set	was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting	without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out	March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_	tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is	see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice	at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same	Alices Adventures In Wonderland	was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself<\|quote\|>\"Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!\"</\|quote\|>CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:	No speaker	in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they	only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands	lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can	garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter	stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in	the sky, and again green, red, and blue stars. "Bombardment," says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace," I reassure him: "Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He	out above the white mist, nodding heads, rocking carriers of guns. Farther on the mist ends. Here the heads become figures; coats, trousers, and boots appear out of the mist as from a milky pool. They become a column. The column marches on, straight ahead, the figures resolve themselves into a block, individuals are no longer recognizable, the dark wedge presses onward, fantastically topped by the heads and weapons floating off on the milky pool. A column--not men at all. Guns and munition wagons are moving along a cross-road. The backs of the horses shine in the moonlight, their movements are beautiful, they toss their heads, and their eyes gleam. The guns and the wagons float before the dim background of the moonlit landscape, the riders in their steel helmets resemble knights of a forgotten time; it is strangely beautiful and arresting. We push on to the pioneer dump. Some of us load our shoulders with pointed and twisted iron stakes; others thrust smooth iron rods through rolls of wire and go off with them. The burdens are awkward and heavy. The ground becomes more broken. From ahead come warnings: "Look out, deep shell-hole on the left" -- "Mind, trenches" ---- Our eyes peer out, our feet and our sticks feel in front of us before they take the weight of the body. Suddenly the line halts; I bump my face against the roll of wire carried by the man in front and curse. There are some shell-smashed lorries in the road. Another order: "Cigarettes and pipes out," We are getting near the line. In the meantime it has become pitch dark. We skirt a small wood and then have the front line immediately before us. An uncertain, red glow spreads along the sky line from one end to the other. It is in perpetual movement, punctuated with the bursts of flame from the muzzles of the batteries. Balls of light rise up high above it, silver and red spheres which explode and rain down in showers of red, white, and green stars. French rockets go up, which unfold a silk parachute to the air and drift slowly down. They light up everything as bright as day, their light shines on us and we see our shadows sharply outlined on the ground. They hover for the space of a minute before they burn out. Immediately fresh ones shoot up to the sky, and again green, red, and blue stars. "Bombardment," says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace," I reassure him: "Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!" He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out: "Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes tangled in them and falls, then he stands up again. Detering raises his gun and aims. Kat hits it up in the air. "Are you mad----?" Detering trembles and throws his rifle on the ground. We sit down and hold our ears. But this appalling noise, these groans and screams penetrate, they penetrate everywhere. We can bear almost anything. But now the sweat breaks out on us. We must get up and run, no matter where, but where these cries can no longer be heard. And it is not men, only horses. From the dark group stretchers move off again. Then single shots crack out. The black heap is convulsed and becomes thinner. At last! But still it is not the end. The men cannot overtake the wounded beasts which fly in their pain, their wide open mouths full of anguish. One of the men goes down on his knee, a shot--one horse drops--another. The last one props himself	and curse. There are some shell-smashed lorries in the road. Another order: "Cigarettes and pipes out," We are getting near the line. In the meantime it has become pitch dark. We skirt a small wood and then have the front line immediately before us. An uncertain, red glow spreads along the sky line from one end to the other. It is in perpetual movement, punctuated with the bursts of flame from the muzzles of the batteries. Balls of light rise up high above it, silver and red spheres which explode and rain down in showers of red, white, and green stars. French rockets go up, which unfold a silk parachute to the air and drift slowly down. They light up everything as bright as day, their light shines on us and we see our shadows sharply outlined on the ground. They hover for the space of a minute before they burn out. Immediately fresh ones shoot up to the sky, and again green, red, and blue stars. "Bombardment," says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace," I reassure him: "Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world,	All Quiet on the Western Front	lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there."<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>"Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: \"That gave you a fright. It was only a nose-cap, it landed in the bushes over there.\"<\|quote\|>I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says:</\|quote\|>\"Mighty fine fire-works if they weren't so dangerous.\" One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. \"It makes a glow.\" Then it begins in earnest. We crawl away as well as we can", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
confided Anne to Diana,	No speaker	your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very	with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners	Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars	hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only	brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the	nice to keep head of your class." "You'll have Gilbert in your class after this," said Diana, "and he's used to being head of his class, I can tell you. He's only in the fourth book although he's nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn't go to school hardly any until they came back. You won't find it so easy to keep head after this, Anne." "I'm glad," said Anne quickly. "I couldn't really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling ?ebullition.' Josie Pye was head and, mind you, she peeped in her book. Mr. Phillips didn't see her--he was looking at Prissy Andrews--but I did. I just swept her a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper: "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" she exclaimed passionately. "How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school	have I really a pretty nose? I know you'll tell me the truth." "Your nose is well enough," said Marilla shortly. Secretly she thought Anne's nose was a remarkable pretty one; but she had no intention of telling her so. That was three weeks ago and all had gone smoothly so far. And now, this crisp September morning, Anne and Diana were tripping blithely down the Birch Path, two of the happiest little girls in Avonlea. "I guess Gilbert Blythe will be in school today," said Diana. "He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out." Diana's voice indicated that she rather liked having her life tormented out than not. "Gilbert Blythe?" said Anne. "Isn't his name that's written up on the porch wall with Julia Bell's and a big ?Take Notice' over them?" "Yes," said Diana, tossing her head, "but I'm sure he doesn't like Julia Bell so very much. I've heard him say he studied the multiplication table by her freckles." "Oh, don't speak about freckles to me," implored Anne. "It isn't delicate when I've got so many. But I do think that writing take-notices up on the wall about the boys and girls is the silliest ever. I should just like to see anybody dare to write my name up with a boy's. Not, of course," she hastened to add, "that anybody would." Anne sighed. She didn't want her name written up. But it was a little humiliating to know that there was no danger of it. "Nonsense," said Diana, whose black eyes and glossy tresses had played such havoc with the hearts of Avonlea schoolboys that her name figured on the porch walls in half a dozen take-notices. "It's only meant as a joke. And don't you be too sure your name won't ever be written up. Charlie Sloane is _dead gone_ on you. He told his mother--his _mother_, mind you--that you were the smartest girl in school. That's better than being good looking." "No, it isn't," said Anne, feminine to the core. "I'd rather be pretty than clever. And I hate Charlie Sloane, I can't bear a boy with goggle eyes. If anyone wrote my name up with his I'd never _get_ over it, Diana Barry. But it _is_ nice to keep head of your class." "You'll have Gilbert in your class after this," said Diana, "and he's used to being head of his class, I can tell you. He's only in the fourth book although he's nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn't go to school hardly any until they came back. You won't find it so easy to keep head after this, Anne." "I'm glad," said Anne quickly. "I couldn't really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling ?ebullition.' Josie Pye was head and, mind you, she peeped in her book. Mr. Phillips didn't see her--he was looking at Prissy Andrews--but I did. I just swept her a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper: "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" she exclaimed passionately. "How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school that she had been called "carrots." Gilbert it was who spoke up stoutly. "It was my fault Mr. Phillips. I teased her." Mr. Phillips paid no heed to Gilbert. "I am sorry to see a pupil of mine displaying such a temper and such a vindictive spirit," he said in a solemn tone, as if the mere fact of being a pupil of his ought to root out all evil passions from the hearts of small imperfect mortals. "Anne, go and stand on the platform in front of the blackboard for the rest of the afternoon." Anne would have infinitely preferred a whipping to this punishment under which her sensitive spirit quivered as from a whiplash. With a white, set face she obeyed. Mr. Phillips took a chalk crayon and wrote on the blackboard above her head. "Ann Shirley has a very bad temper. Ann Shirley must learn to control her temper," and then read it out loud so that even the primer class, who couldn't read writing, should understand it. Anne stood there the rest of the afternoon with that legend above her. She did not cry or hang her head. Anger was still too hot in her heart for that and it sustained her amid all her agony of humiliation. With resentful eyes and passion-red cheeks she confronted alike Diana's sympathetic gaze and Charlie Sloane's indignant nods and Josie Pye's malicious smiles. As for Gilbert Blythe, she would not even look at him. She would _never_ look at him again! She would never speak to him!! When school was dismissed Anne marched out with her red head held high. Gilbert Blythe tried to intercept her at the porch door. "I'm awfully sorry I made fun of your hair, Anne," he whispered contritely. "Honest I am. Don't be mad for keeps, now." Anne swept by disdainfully, without look or sign of hearing. "Oh how could you, Anne?" breathed Diana as they went down the road half reproachfully, half admiringly. Diana felt that _she_ could never have resisted Gilbert's plea. "I shall never forgive Gilbert Blythe," said Anne firmly. "And Mr. Phillips spelled my name without an e, too. The iron has entered into my soul, Diana." Diana hadn't the least idea what Anne meant but she understood it was something terrible. "You mustn't mind Gilbert making fun of your hair," she said soothingly. "Why, he makes fun of all	Charlie Sloane, I can't bear a boy with goggle eyes. If anyone wrote my name up with his I'd never _get_ over it, Diana Barry. But it _is_ nice to keep head of your class." "You'll have Gilbert in your class after this," said Diana, "and he's used to being head of his class, I can tell you. He's only in the fourth book although he's nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn't go to school hardly any until they came back. You won't find it so easy to keep head after this, Anne." "I'm glad," said Anne quickly. "I couldn't really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling ?ebullition.' Josie Pye was head and, mind you, she peeped in her book. Mr. Phillips didn't see her--he was looking at Prissy Andrews--but I did. I just swept her a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper: "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" she exclaimed passionately. "How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's	Anne Of Green Gables	Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome,"<\|quote\|>confided Anne to Diana,</\|quote\|>"but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. \"I think your Gilbert Blythe _is_ handsome,\"<\|quote\|>confided Anne to Diana,</\|quote\|>\"but I think he's very bold. It isn't good manners to wink at a strange girl.\" But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
he said.	No speaker	to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll	Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past	up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand	and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was	we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish	are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make surprise visits." "You are one for making people learn things," said Beaver. Tony emerged from the 3.18 feeling cold, tired, and heavy with guilt. John	label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make surprise visits." "You are one for making people learn things," said Beaver. Tony emerged from the 3.18 feeling cold, tired, and heavy with guilt. John Andrew had come in the car to meet him. "Hullo, daddy, had a good time in London? You didn't mind me coming to the station, did you? I _made_ nanny let me." "Very pleased to see you, John." "How was mummy?" "She sounded very well. I didn't see her." "But you _said_ you were going to see her." "Yes, I thought I was, but I turned out to be wrong. I talked to her several times on the telephone." "But you can telephone her from here, can't you, daddy? Why did you go all the way to London to telephone her?... _Why_, daddy?" "It would take too long to explain." "Well tell me some of it... _Why_, daddy?" "Look here, I'm tired. If you don't stop asking questions I shan't let you ever come and meet the train again." John Andrew's face began to pucker. "I thought you'd _like_ me to come and meet you." "If you cry I shall put you in front with Dawson. It's absurd to cry at your age." "I'd _sooner_ go in front with Dawson," said John Andrew between his tears. Tony picked up the speaking-tube to tell the chauffeur to stop, but he could not make him hear. So he hitched the mouthpiece back on its hook and they drove on in silence, John Andrew leaning against the window and snivelling slightly. When they got to the house he said, "Nanny, I don't want John to come to the station in future unless her ladyship or I specially say he can." "No, sir, I wouldn't have let him go to-day, only he went on so. Come along now, John, and take off your coat. Goodness, child, where's your handkerchief?" Tony went and sat alone in front of the library fire. "Two men of thirty," he said to himself, "behaving as if they were up for the night from Sandhurst--getting drunk and ringing people up and dancing with tarts at the Old Hundredth... And it makes it all the worse that Brenda was so nice about it." He dozed a little; then he went up to change. At dinner he said, "Ambrose, when I'm alone I think in future I'll have dinner in the library." Afterwards he sat with a book in front of the fire but he was unable to read. At ten o'clock he scattered the logs in the fireplace before going upstairs.	it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda	A Handful Of Dust	up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that,"<\|quote\|>he said.</\|quote\|>"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?\" He gave the man half a crown and they sauntered out into Sink Street. \"Brenda can't expect us to do more than that,\"<\|quote\|>he said.</\|quote\|>\"I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us.\" \"Yes, you do that. What a good friend you are, Jock.\" \"Oh, I'm fond of Brenda... a grand girl.\" \"Grand", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."	Marilla Cuthbert	run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in	this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across	feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh	you like for Diana can't stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity's sake don't fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne's expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just	clear out of the region of such material matters as appetite or dinner. Not until Anne had finished her saucer of blue plums did Marilla say: "Mrs. Barry was here this afternoon, Anne. She wanted to see you, but I wouldn't wake you up. She says you saved Minnie May's life, and she is very sorry she acted as she did in that affair of the currant wine. She says she knows now you didn't mean to set Diana drunk, and she hopes you'll forgive her and be good friends with Diana again. You're to go over this evening if you like for Diana can't stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity's sake don't fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne's expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could," ?I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion.' "That was a pretty dignified way of speaking wasn't it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry's head.	on in the white and rosy winter afternoon when she awoke and descended to the kitchen where Marilla, who had arrived home in the meantime, was sitting knitting. "Oh, did you see the Premier?" exclaimed Anne at once. "What did he look like Marilla?" "Well, he never got to be Premier on account of his looks," said Marilla. "Such a nose as that man had! But he can speak. I was proud of being a Conservative. Rachel Lynde, of course, being a Liberal, had no use for him. Your dinner is in the oven, Anne, and you can get yourself some blue plum preserve out of the pantry. I guess you're hungry. Matthew has been telling me about last night. I must say it was fortunate you knew what to do. I wouldn't have had any idea myself, for I never saw a case of croup. There now, never mind talking till you've had your dinner. I can tell by the look of you that you're just full up with speeches, but they'll keep." Marilla had something to tell Anne, but she did not tell it just then for she knew if she did Anne's consequent excitement would lift her clear out of the region of such material matters as appetite or dinner. Not until Anne had finished her saucer of blue plums did Marilla say: "Mrs. Barry was here this afternoon, Anne. She wanted to see you, but I wouldn't wake you up. She says you saved Minnie May's life, and she is very sorry she acted as she did in that affair of the currant wine. She says she knows now you didn't mean to set Diana drunk, and she hopes you'll forgive her and be good friends with Diana again. You're to go over this evening if you like for Diana can't stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity's sake don't fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne's expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could," ?I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion.' "That was a pretty dignified way of speaking wasn't it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry's head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry:" "If you love me as I love you Nothing but death can part us two." "And that is true, Marilla. We're going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can't tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves, Marilla. And Mrs. Barry asked me if I took tea and said" ?Pa, why don't you pass the biscuits to Anne?' "It must be lovely to be grown up, Marilla, when just being treated as if you	three minutes she coughed up the phlegm and began to get better right away. You must just imagine my relief, doctor, because I can't express it in words. You know there are some things that cannot be expressed in words." "Yes, I know," nodded the doctor. He looked at Anne as if he were thinking some things about her that couldn't be expressed in words. Later on, however, he expressed them to Mr. and Mrs. Barry. "That little redheaded girl they have over at Cuthbert's is as smart as they make ?em. I tell you she saved that baby's life, for it would have been too late by the time I got there. She seems to have a skill and presence of mind perfectly wonderful in a child of her age. I never saw anything like the eyes of her when she was explaining the case to me." Anne had gone home in the wonderful, white-frosted winter morning, heavy eyed from loss of sleep, but still talking unweariedly to Matthew as they crossed the long white field and walked under the glittering fairy arch of the Lover's Lane maples. "Oh, Matthew, isn't it a wonderful morning? The world looks like something God had just imagined for His own pleasure, doesn't it? Those trees look as if I could blow them away with a breath--pouf! I'm so glad I live in a world where there are white frosts, aren't you? And I'm so glad Mrs. Hammond had three pairs of twins after all. If she hadn't I mightn't have known what to do for Minnie May. I'm real sorry I was ever cross with Mrs. Hammond for having twins. But, oh, Matthew, I'm so sleepy. I can't go to school. I just know I couldn't keep my eyes open and I'd be so stupid. But I hate to stay home, for Gil--some of the others will get head of the class, and it's so hard to get up again--although of course the harder it is the more satisfaction you have when you do get up, haven't you?" "Well now, I guess you'll manage all right," said Matthew, looking at Anne's white little face and the dark shadows under her eyes. "You just go right to bed and have a good sleep. I'll do all the chores." Anne accordingly went to bed and slept so long and soundly that it was well on in the white and rosy winter afternoon when she awoke and descended to the kitchen where Marilla, who had arrived home in the meantime, was sitting knitting. "Oh, did you see the Premier?" exclaimed Anne at once. "What did he look like Marilla?" "Well, he never got to be Premier on account of his looks," said Marilla. "Such a nose as that man had! But he can speak. I was proud of being a Conservative. Rachel Lynde, of course, being a Liberal, had no use for him. Your dinner is in the oven, Anne, and you can get yourself some blue plum preserve out of the pantry. I guess you're hungry. Matthew has been telling me about last night. I must say it was fortunate you knew what to do. I wouldn't have had any idea myself, for I never saw a case of croup. There now, never mind talking till you've had your dinner. I can tell by the look of you that you're just full up with speeches, but they'll keep." Marilla had something to tell Anne, but she did not tell it just then for she knew if she did Anne's consequent excitement would lift her clear out of the region of such material matters as appetite or dinner. Not until Anne had finished her saucer of blue plums did Marilla say: "Mrs. Barry was here this afternoon, Anne. She wanted to see you, but I wouldn't wake you up. She says you saved Minnie May's life, and she is very sorry she acted as she did in that affair of the currant wine. She says she knows now you didn't mean to set Diana drunk, and she hopes you'll forgive her and be good friends with Diana again. You're to go over this evening if you like for Diana can't stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity's sake don't fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne's expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could," ?I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion.' "That was a pretty dignified way of speaking wasn't it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry's head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry:" "If you love me as I love you Nothing but death can part us two." "And that is true, Marilla. We're going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can't tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves, Marilla. And Mrs. Barry asked me if I took tea and said" ?Pa, why don't you pass the biscuits to Anne?' "It must be lovely to be grown up, Marilla, when just being treated as if you were is so nice." "I don't know about that," said Marilla, with a brief sigh. "Well, anyway, when I am grown up," said Anne decidedly, "I'm always going to talk to little girls as if they were too, and I'll never laugh when they use big words. I know from sorrowful experience how that hurts one's feelings. After tea Diana and I made taffy. The taffy wasn't very good, I suppose because neither Diana nor I had ever made any before. Diana left me to stir it while she buttered the plates and I forgot and let it burn; and then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five	dinner. I can tell by the look of you that you're just full up with speeches, but they'll keep." Marilla had something to tell Anne, but she did not tell it just then for she knew if she did Anne's consequent excitement would lift her clear out of the region of such material matters as appetite or dinner. Not until Anne had finished her saucer of blue plums did Marilla say: "Mrs. Barry was here this afternoon, Anne. She wanted to see you, but I wouldn't wake you up. She says you saved Minnie May's life, and she is very sorry she acted as she did in that affair of the currant wine. She says she knows now you didn't mean to set Diana drunk, and she hopes you'll forgive her and be good friends with Diana again. You're to go over this evening if you like for Diana can't stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity's sake don't fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne's expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could," ?I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion.' "That was a pretty dignified way of speaking wasn't it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry's head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry:" "If you love me as I love you Nothing but death can part us two." "And that is true, Marilla. We're going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can't tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves,	Anne Of Green Gables	feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently.<\|quote\|>"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold."</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "feet, her face irradiated with the flame of her spirit. \"Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment.\" \"Yes, yes, run along,\" said Marilla indulgently.<\|quote\|>\"Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold.\"</\|quote\|>Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh", "role": "user" }, { "content": "Marilla Cuthbert", "role": "assistant" } ] }	Marilla Cuthbert
"Sure you don't mind? It _is_ miles out of the way and it's late."	John Beaver	bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I	we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's	I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken	had opened. Beaver paid for the kippers and tea. "Eight shillings," he said. "How does Daisy expect to make a success of the place when she charges prices like that?" "It does seem a lot.... So you really _are_ going to America?" "I must. Mother has taken the tickets." "Nothing I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken the little people crept out of hiding; the women had removed their clothes and left them at a distance so that no twig should betray their movements; their naked bodies moved soundlessly through the undergrowth; the glowing embers of the fire and the storm lantern twenty yards away were their	hydrants; the men in overalls swung the nozzles of their hoses from side to side and the water jetted and cascaded in a sparkle of light. "Let's have the window open," said Brenda. "It's stuffy in here." The waiter drew back the curtains, opened the windows. "It's quite light," she added. "After five. Oughtn't we to go to bed?" "Yes." "Only another week and then all the parties will be over," said Beaver. "Yes." "Well, let's go." "All right. Can you pay? I just haven't any money." They had come on after the party, for breakfast at a club Daisy had opened. Beaver paid for the kippers and tea. "Eight shillings," he said. "How does Daisy expect to make a success of the place when she charges prices like that?" "It does seem a lot.... So you really _are_ going to America?" "I must. Mother has taken the tickets." "Nothing I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken the little people crept out of hiding; the women had removed their clothes and left them at a distance so that no twig should betray their movements; their naked bodies moved soundlessly through the undergrowth; the glowing embers of the fire and the storm lantern twenty yards away were their only light; there was no moon. They collected their wicker baskets and their rations of farine, their bows and arrows, the gun and their broad-bladed knives; they rolled up their hammocks into compact cylinders. They took nothing with them that was not theirs. Then they crept back through the shadows, into the darkness. When Tony and Dr Messinger awoke it was clear to them what had happened. "The situation is grave," said Dr Messinger. "But not desperate." [IV] For four days Tony and Dr Messinger paddled downstream. They sat, balancing themselves precariously, at the two ends of the canoe; between	from cabouri fly, sprawled in their hammocks. The empty canoes lay in the river; the mechanical mouse had been put away. At sundown Dr Messinger said, "We'd better make a fire. They'll come back when it is dark." They brushed the earth away from the old embers, brought new wood and made a fire; they lit the storm lantern. "We'd better get some supper," said Tony. They boiled water and made some cocoa, opened a tin of salmon and finished the peaches that were left over from mid-day. They lit their pipes and drew the sheaths of mosquito netting across their hammocks. Most of this time they were silent. Presently they decided to go to sleep. "We shall find them all here in the morning," said Dr Messinger. "They're an odd bunch." All round them the voices of the bush whistled and croaked, changing with the hours as the night wore on to morning. * * * * * Dawn broke in London, clear and sweet, dove grey and honey, with promise of good weather; the lamps in the streets paled and disappeared; the empty streets ran with water, and the rising sun caught it as it bubbled round the hydrants; the men in overalls swung the nozzles of their hoses from side to side and the water jetted and cascaded in a sparkle of light. "Let's have the window open," said Brenda. "It's stuffy in here." The waiter drew back the curtains, opened the windows. "It's quite light," she added. "After five. Oughtn't we to go to bed?" "Yes." "Only another week and then all the parties will be over," said Beaver. "Yes." "Well, let's go." "All right. Can you pay? I just haven't any money." They had come on after the party, for breakfast at a club Daisy had opened. Beaver paid for the kippers and tea. "Eight shillings," he said. "How does Daisy expect to make a success of the place when she charges prices like that?" "It does seem a lot.... So you really _are_ going to America?" "I must. Mother has taken the tickets." "Nothing I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken the little people crept out of hiding; the women had removed their clothes and left them at a distance so that no twig should betray their movements; their naked bodies moved soundlessly through the undergrowth; the glowing embers of the fire and the storm lantern twenty yards away were their only light; there was no moon. They collected their wicker baskets and their rations of farine, their bows and arrows, the gun and their broad-bladed knives; they rolled up their hammocks into compact cylinders. They took nothing with them that was not theirs. Then they crept back through the shadows, into the darkness. When Tony and Dr Messinger awoke it was clear to them what had happened. "The situation is grave," said Dr Messinger. "But not desperate." [IV] For four days Tony and Dr Messinger paddled downstream. They sat, balancing themselves precariously, at the two ends of the canoe; between them they had piled the most essential of their stores; the remainder, with the other canoes, had been left at the camp, to be called for when they had recruited help from the Pie-wies. Even the minimum which Dr Messinger had selected over-weighted the craft so that it was dangerously low; any movement brought the water to the lip of the gunwale and threatened disaster; it was heavy to steer and they made slow progress, contenting themselves, for the most part, with keeping end on, and drifting with the current. Twice they came to stretches of cataract, and here they drew in to the bank, unloaded and waded beside the boat, sometimes plunging waist-deep, sometimes clambering over the rocks, guiding it by hand until they reached clear water again. Then they tied up to the bank and carried their cargo down to it through the bush. For the rest of the way the river was broad and smooth; a dark surface which reflected in fine detail the walls of forest on either side, towering up from the undergrowth to their blossoming crown a hundred or more feet above them. Sometimes they came to a stretch of water scattered with fallen	of scent into the palm of her hands and inhaling deeply. "Each man can choose three things from this box if he comes in the boats." But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively expensive articles; they had cost three and sixpence each, and Tony remembered vividly the embarrassment with which he had witnessed their demonstration on the floor of the toy department. They were of German manufacture; the size of large rats, but conspicuously painted in spots of green and white; they had large glass eyes, stiff whiskers and green-and-white-ringed tails; they ran on hidden wheels, and inside them were little bells that jingled as they moved. Dr Messinger took one out of their box, unwrapped the tissue-paper and held it up to general scrutiny. There was no doubt that he had captured his audience's interest. Then he wound it up. The Indians stirred apprehensively at the sound. The ground where they were camping was hard mud, inundated at flood time. Dr Messinger put the toy down at his feet and set it going; tinkling merrily it ran towards the group of Indians. For a moment, Tony was afraid that it would turn over or become stuck against a root, but the mechanism was unimpaired and by good chance there was a clear course. The effect exceeded anything that he had expected. There was a loud intake of breath, a series of horrified, small grunts, a high wail of terror from the women, and a sudden stampede; a faint patter of bare brown feet among the fallen leaves, bare limbs, quiet as bats, pushed through the undergrowth, ragged cotton gowns caught and tore in the thorn bushes. Before the toy had run down, before it had jingled its way to the place where the nearest Indian had been squatting, the camp was empty. "Well, I'm damned," said Dr Messinger, "that's better than I expected." "More than you expected, anyway." "Oh, it's all right. They'll come back. I know them." But by sundown there was still no sign. Throughout the hot afternoon Tony and Dr Messinger, shrouded from cabouri fly, sprawled in their hammocks. The empty canoes lay in the river; the mechanical mouse had been put away. At sundown Dr Messinger said, "We'd better make a fire. They'll come back when it is dark." They brushed the earth away from the old embers, brought new wood and made a fire; they lit the storm lantern. "We'd better get some supper," said Tony. They boiled water and made some cocoa, opened a tin of salmon and finished the peaches that were left over from mid-day. They lit their pipes and drew the sheaths of mosquito netting across their hammocks. Most of this time they were silent. Presently they decided to go to sleep. "We shall find them all here in the morning," said Dr Messinger. "They're an odd bunch." All round them the voices of the bush whistled and croaked, changing with the hours as the night wore on to morning. * * * * * Dawn broke in London, clear and sweet, dove grey and honey, with promise of good weather; the lamps in the streets paled and disappeared; the empty streets ran with water, and the rising sun caught it as it bubbled round the hydrants; the men in overalls swung the nozzles of their hoses from side to side and the water jetted and cascaded in a sparkle of light. "Let's have the window open," said Brenda. "It's stuffy in here." The waiter drew back the curtains, opened the windows. "It's quite light," she added. "After five. Oughtn't we to go to bed?" "Yes." "Only another week and then all the parties will be over," said Beaver. "Yes." "Well, let's go." "All right. Can you pay? I just haven't any money." They had come on after the party, for breakfast at a club Daisy had opened. Beaver paid for the kippers and tea. "Eight shillings," he said. "How does Daisy expect to make a success of the place when she charges prices like that?" "It does seem a lot.... So you really _are_ going to America?" "I must. Mother has taken the tickets." "Nothing I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken the little people crept out of hiding; the women had removed their clothes and left them at a distance so that no twig should betray their movements; their naked bodies moved soundlessly through the undergrowth; the glowing embers of the fire and the storm lantern twenty yards away were their only light; there was no moon. They collected their wicker baskets and their rations of farine, their bows and arrows, the gun and their broad-bladed knives; they rolled up their hammocks into compact cylinders. They took nothing with them that was not theirs. Then they crept back through the shadows, into the darkness. When Tony and Dr Messinger awoke it was clear to them what had happened. "The situation is grave," said Dr Messinger. "But not desperate." [IV] For four days Tony and Dr Messinger paddled downstream. They sat, balancing themselves precariously, at the two ends of the canoe; between them they had piled the most essential of their stores; the remainder, with the other canoes, had been left at the camp, to be called for when they had recruited help from the Pie-wies. Even the minimum which Dr Messinger had selected over-weighted the craft so that it was dangerously low; any movement brought the water to the lip of the gunwale and threatened disaster; it was heavy to steer and they made slow progress, contenting themselves, for the most part, with keeping end on, and drifting with the current. Twice they came to stretches of cataract, and here they drew in to the bank, unloaded and waded beside the boat, sometimes plunging waist-deep, sometimes clambering over the rocks, guiding it by hand until they reached clear water again. Then they tied up to the bank and carried their cargo down to it through the bush. For the rest of the way the river was broad and smooth; a dark surface which reflected in fine detail the walls of forest on either side, towering up from the undergrowth to their blossoming crown a hundred or more feet above them. Sometimes they came to a stretch of water scattered with fallen petals and floated among them, moving scarcely less slowly than they, as though resting in a flowering meadow. At night they spread their tarpaulin on stretches of dry beach, or hung their hammocks in the bush. Only the cabouri fly and rare, immobile alligators menaced the peace of their days. They kept a constant scrutiny of the banks but saw no sign of human life. Then Tony developed fever. It came on him quite suddenly, during the fourth afternoon. At their mid-day halt he was in complete health and shot a small deer that came down to drink on the opposite bank; an hour later he was shivering so violently that he had to lay down his paddle; his head was flaming with heat, his body and limbs were frigid; by sunset he was slightly delirious. Dr Messinger took his temperature and found that it was a hundred and four degrees, Fahrenheit. He gave him twenty-five grains of quinine and lit a fire so close to his hammock that by morning it was singed and blacked with smoke. He told Tony to keep wrapped up in his blanket, but at intervals throughout that night he woke from sleep to find himself running with sweat; he was consumed with thirst and drank mug after mug of river water. Neither that evening nor next morning was he able to eat anything. But next morning his temperature was down again. He felt weak and exhausted but he was able to keep steady in his place and paddle a little. "It was just a passing attack, wasn't it?" he said. "I shall be perfectly fit to-morrow, shan't I?" "I hope so," said Dr Messinger. At mid-day Tony drank some cocoa and ate a cupful of rice. "I feel grand," he said. "Good." That night the fever came on again. They were camping on a sand bank. Dr Messinger heated stones and put them under Tony's feet and in the small of his back. He was awake most of the night fuelling the fire and refilling Tony's mug with water. At dawn Tony slept for an hour and woke feeling slightly better; he was taking frequent doses of quinine and his ears were filled with a muffled sound as though he were holding those shells to them in which, he had been told in childhood, one could hear the beat of the sea. "We've got	back when it is dark." They brushed the earth away from the old embers, brought new wood and made a fire; they lit the storm lantern. "We'd better get some supper," said Tony. They boiled water and made some cocoa, opened a tin of salmon and finished the peaches that were left over from mid-day. They lit their pipes and drew the sheaths of mosquito netting across their hammocks. Most of this time they were silent. Presently they decided to go to sleep. "We shall find them all here in the morning," said Dr Messinger. "They're an odd bunch." All round them the voices of the bush whistled and croaked, changing with the hours as the night wore on to morning. * * * * * Dawn broke in London, clear and sweet, dove grey and honey, with promise of good weather; the lamps in the streets paled and disappeared; the empty streets ran with water, and the rising sun caught it as it bubbled round the hydrants; the men in overalls swung the nozzles of their hoses from side to side and the water jetted and cascaded in a sparkle of light. "Let's have the window open," said Brenda. "It's stuffy in here." The waiter drew back the curtains, opened the windows. "It's quite light," she added. "After five. Oughtn't we to go to bed?" "Yes." "Only another week and then all the parties will be over," said Beaver. "Yes." "Well, let's go." "All right. Can you pay? I just haven't any money." They had come on after the party, for breakfast at a club Daisy had opened. Beaver paid for the kippers and tea. "Eight shillings," he said. "How does Daisy expect to make a success of the place when she charges prices like that?" "It does seem a lot.... So you really _are_ going to America?" "I must. Mother has taken the tickets." "Nothing I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken the little people crept out of hiding; the women had removed their clothes and left them at a distance so that no twig should betray their movements; their naked bodies moved soundlessly through the undergrowth; the glowing embers of the fire and the storm lantern twenty yards away were their only light; there was no moon. They collected their wicker baskets and their rations of farine, their bows and arrows, the gun and their broad-bladed knives; they rolled up their hammocks into compact cylinders. They took nothing with them that was not theirs. Then they crept back through the shadows, into the darkness. When Tony and Dr Messinger awoke it was clear to them what had happened. "The situation is grave," said Dr Messinger. "But not desperate." [IV] For four days Tony and Dr Messinger paddled downstream. They sat, balancing themselves precariously, at the two ends of the canoe; between them they had piled the most essential of their stores; the remainder, with the other canoes, had been left at the camp, to be called for when they had recruited help from the Pie-wies. Even the minimum which Dr Messinger had selected over-weighted the craft so that it was dangerously low; any movement brought the water to the lip of the gunwale and threatened disaster; it was heavy to steer and they made slow progress, contenting themselves, for the most part, with keeping end on, and drifting with the current. Twice they came to stretches of cataract, and here they drew in to the bank, unloaded and waded beside the boat, sometimes plunging waist-deep, sometimes clambering over the rocks, guiding it by hand until they reached clear water again. Then they tied up to the bank and carried their cargo down to it through the bush. For the rest of the way the river was broad and smooth; a dark surface which reflected in fine detail the walls of forest on either side, towering up from the undergrowth to their blossoming crown a hundred or more feet above them. Sometimes they came to a stretch of water scattered with fallen petals and floated among them, moving scarcely less slowly than they, as though resting in a flowering meadow. At night they spread their tarpaulin on stretches of dry beach, or hung their hammocks in the bush. Only the cabouri fly and rare, immobile alligators menaced the peace of their days. They kept a constant scrutiny of the banks but saw no sign of human life. Then Tony developed fever. It came on him quite suddenly, during the fourth afternoon. At their mid-day halt he was in complete health and shot a small deer that came down to drink on the opposite bank; an hour later he was shivering so violently that he had to lay down his paddle; his head was flaming with heat, his body and limbs were frigid; by sunset he was slightly delirious. Dr Messinger took his temperature and found that it was a hundred and four degrees,	A Handful Of Dust	I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home."<\|quote\|>"Sure you don't mind? It _is_ miles out of the way and it's late."</\|quote\|>"There's no knowing what I mind." "Brenda, darling, for heaven's sake... It isn't like you to go on like this." "I never was one for making myself expensive." * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "I've said to-night makes any difference?\" \"Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?\" \"You _have_ enjoyed the summer, haven't you?\" \"Of course... well, shall we go?\" \"Yes. You needn't bother to see me home.\"<\|quote\|>\"Sure you don't mind? It _is_ miles out of the way and it's late.\"</\|quote\|>\"There's no knowing what I mind.\" \"Brenda, darling, for heaven's sake... It isn't like you to go on like this.\" \"I never was one for making myself expensive.\" * * * * * The Indians returned during the night, while Tony and Dr Messinger were asleep; without a word spoken", "role": "user" }, { "content": "John Beaver", "role": "assistant" } ] }	John Beaver
"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."	Jenny Abdul Akbar	bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a	"A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply,	said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were	that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's	the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said. "You've got butter on your chin." She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's	"How English you are, Teddy--so shy of talking about personal things, intimate things... I like you for that, you know. I love everything that's solid and homely and _good_ after... after all I've been through." "You're not studying economics too, are you, like Brenda?" "No; is Brenda? She never told me. What a wonderful person she is. When _does_ she find the time?" "Ah, here comes tea at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate heartily; often she ran her tongue over her lips, collecting crumbs that had become embedded there and melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said. "You've got butter on your chin." She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once	is." "I'm afraid it's been restored a great deal," said Tony. "Ah, but its _atmosphere_. I always think that's what counts in a house. Such dignity, and repose. But of course you're used to it. When you've been very unhappy as I have, you appreciate these things." Tony said, "I'm afraid Brenda hasn't arrived yet. She's coming by car with Lady Cockpurse." "Brenda's been _such_ a friend to me." The Princess took off her furs and sat down on the stool before the fire, looking up at Tony. "D'you mind if I take off my hat?" "No, no... of course." She threw it on to the sofa and shook out her hair, which was dead black and curled. "D'you know, Mr Last, I'm going to call you Teddy right away. You don't think that very fresh of me? And you must call me Jenny. "Princess" is so formal, isn't it, and suggests tight trousers and gold braid... Of course" ," she went on, stretching out her hands to the fire and letting her hair fall forwards a little across her face, "my husband was not called "Prince" in Morocco; his title was Moulay--but there's no proper equivalent for a woman, so I've always called myself Princess in Europe... Moulay is _far_ higher really... my husband was a descendant of the Prophet. Are you interested in the East?" "No... yes. I mean I know very little about it." "It has an uncanny fascination for me. You must go there, Teddy. I know you'd like it. I've been saying the same to Brenda." "I expect you'd like to see your room," said Tony. "They'll bring tea soon." "No, I'll stay here. I like just to curl up like a cat in front of the fire, and if you're nice to me I'll purr, and if you're cruel I shall pretend not to notice--just like a cat... Shall I purr, Teddy?" "Er... yes... do, please, if that's what you like doing." "Englishmen are so gentle and considerate. It's wonderful to be back among them... mine own people. Sometimes when I look back at my life, especially at times like this, among lovely old English things and kind people, I think the whole thing must be a frightful nightmare... then I remember my _scars_..." "Brenda tells me you've taken one of the flats in the same house as hers. They must be very convenient." "How English you are, Teddy--so shy of talking about personal things, intimate things... I like you for that, you know. I love everything that's solid and homely and _good_ after... after all I've been through." "You're not studying economics too, are you, like Brenda?" "No; is Brenda? She never told me. What a wonderful person she is. When _does_ she find the time?" "Ah, here comes tea at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate heartily; often she ran her tongue over her lips, collecting crumbs that had become embedded there and melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said. "You've got butter on your chin." She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner	at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate heartily; often she ran her tongue over her lips, collecting crumbs that had become embedded there and melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said. "You've got butter on your chin." She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda	A Handful Of Dust	said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely,<\|quote\|>"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy."</\|quote\|>"What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. \"On the Moulay's birthday--\" \"What's the Moulay?\" \"A beautiful and a very bad man,\" she said gravely,<\|quote\|>\"and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy.\"</\|quote\|>\"What's a canopy?\" \"Like a tent,\" she said more sharply, and then, resuming her soft voice, \"and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were", "role": "user" }, { "content": "Jenny Abdul Akbar", "role": "assistant" } ] }	Jenny Abdul Akbar
"Ach, why--it's merely that I can't sleep----"	Detering	"Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the	and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might	wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet,	had no leaves, but was one white mass of blossom. In the evening Detering was not to be seen. Then at last he came back and had a couple of branches of cherry blossom in his hand. We made fun of him, and asked whether he was going to a wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet, so white. It is just the time." "Perhaps you will get leave soon. You may even be sent back as a farmer." He nodded, but he was far away. When these peasants are excited they have a curious expression, a mixture of cow and yearning god, half stupid and half	we wait for the morning. * * Every day and every hour every shell and every death cuts into this thin support, and the years waste it rapidly. I see how it is already gradually breaking down around me. There is the mad story of Detering. He was one of those who kept himself to himself. His misfortune was that he saw a cherry tree in a garden. We were just coming back from the front line, and at a turning of the road near our new billets, marvellous in the morning twilight, stood this cherry tree before us. It had no leaves, but was one white mass of blossom. In the evening Detering was not to be seen. Then at last he came back and had a couple of branches of cherry blossom in his hand. We made fun of him, and asked whether he was going to a wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet, so white. It is just the time." "Perhaps you will get leave soon. You may even be sent back as a farmer." He nodded, but he was far away. When these peasants are excited they have a curious expression, a mixture of cow and yearning god, half stupid and half rapt. In order to turn him away from his thoughts I asked him for a piece of bread. He gave it to me without a murmur. That was suspicious, for he is usually tight-fisted. So I stayed awake. Nothing happened; in the morning he was as usual. Apparently he had noticed that I had been watching him;--but the second morning after he was gone. I noticed it, but said nothing, in order to give him time; he might perhaps get through. Various fellows have already got into Holland. But at roll call he was missed. A week after we heard	Those are the dangerous moments. They show us that the adjustment is only artificial, that it is not simple rest, but sharpest struggle for rest. In the outward form of our life we are hardly distinguishable from Bushmen; but whereas the latter can be so always, because they are so truly, and at best may develop further by exertion of their spiritual forces, with us it is the reverse;--our inner forces are not exerted toward regeneration, but toward degeneration. The Bushmen are primitive and naturally so, but we are primitive in an artificial sense, and by virtue of the utmost effort. And at night, waking out of a dream, overwhelmed and bewitched by the crowding faces, a man perceives with alarm how slight is the support, how thin the boundary that divides him from the darkness. We are little flames poorly sheltered by frail walls against the storm of dissolution and madness, in which we flicker and sometimes almost go out. Then the muffled roar of the battle becomes a ring that encircles us, we creep in upon ourselves, and with big eyes stare into the night. Our only comfort is the steady breathing of our comrades asleep, and thus we wait for the morning. * * Every day and every hour every shell and every death cuts into this thin support, and the years waste it rapidly. I see how it is already gradually breaking down around me. There is the mad story of Detering. He was one of those who kept himself to himself. His misfortune was that he saw a cherry tree in a garden. We were just coming back from the front line, and at a turning of the road near our new billets, marvellous in the morning twilight, stood this cherry tree before us. It had no leaves, but was one white mass of blossom. In the evening Detering was not to be seen. Then at last he came back and had a couple of branches of cherry blossom in his hand. We made fun of him, and asked whether he was going to a wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet, so white. It is just the time." "Perhaps you will get leave soon. You may even be sent back as a farmer." He nodded, but he was far away. When these peasants are excited they have a curious expression, a mixture of cow and yearning god, half stupid and half rapt. In order to turn him away from his thoughts I asked him for a piece of bread. He gave it to me without a murmur. That was suspicious, for he is usually tight-fisted. So I stayed awake. Nothing happened; in the morning he was as usual. Apparently he had noticed that I had been watching him;--but the second morning after he was gone. I noticed it, but said nothing, in order to give him time; he might perhaps get through. Various fellows have already got into Holland. But at roll call he was missed. A week after we heard that he had been caught by the field gendarmes, those despicable military police. He had headed toward Germany, that was hopeless, of course--and, of course, he did everything else just as idiotically. Anyone might have known that his flight was only home-sickness and a momentary aberration. But what does a court martial hundreds of miles behind the front-line know about it? We have heard nothing more of Detering. * * But sometimes it broke out in other ways, this danger, these pent-up things, as from an overheated boiler. It will be enough to tell how Berger met his end. Our trenches have now for some time been shot to pieces, and we have an elastic line, so that there is practically no longer any proper trench warfare. When attack and counter-attack have waged backwards and forwards there remains a broken line and a bitter struggle from crater to crater. The front line has been penetrated, and everywhere small groups have established themselves, the fight is carried on from clusters of shell-holes. We are in a crater, the English are coming down obliquely, they are turning our flank and working in behind us. We are surrounded. It is not easy to	wants to appraise it, it is at once heroic and banal--but who wants to do that? It is this, for example, that makes Tjaden spoon down his ham-and-pea soup in such tearing haste when an enemy attack is reported, simply because he cannot be sure that in an hour's time he will still be alive. We have discussed at length, whether it is right or not to do so. Kat condemns it, because, he says, a man has to reckon with the possibility of an abdominal wound, and that is more dangerous on a full stomach than on an empty one. Such things are real problems, they are serious matters to us, they cannot be otherwise. Here, on the borders of death, life follows an amazingly simple course, it is limited to what is most necessary, all else lies buried in gloomy sleep;--in that lies our primitiveness and our survival. Were we more subtly differentiated we must long since have gone mad, have deserted, or have fallen. As in a polar expedition, every expression of life must serve only the preservation of existence, and is absolutely focussed on that. All else is banished because it would consume energies unnecessarily. That is the only way to save ourselves. In the quiet hours when the puzzling reflection of former days, like a blurred mirror, projects beyond me the figure of my present existence, I often sit over against myself, as before a stranger, and wonder how the unnameable active principle that calls itself Life has adapted itself even to this form. All other expressions lie in a winter sleep, life is simply one continual watch against the menace of death;--it has transformed us into unthinking animals in order to give us the weapon of instinct--it has reinforced us with dullness, so that we do not go to pieces before the horror, which would overwhelm us if we had clear, conscious thought--it has awakened in us the sense of comradeship, so that we escape the abyss of solitude--it has lent us the indifference of wild creatures, so that in spite of all we perceive the positive in every moment, and store it up as a reserve against the onslaught of nothingness. Thus we live a closed, hard existence of the utmost superficiality, and rarely does an incident strike out a spark. But then unexpectedly a flame of grievous and terrible yearning flares up. Those are the dangerous moments. They show us that the adjustment is only artificial, that it is not simple rest, but sharpest struggle for rest. In the outward form of our life we are hardly distinguishable from Bushmen; but whereas the latter can be so always, because they are so truly, and at best may develop further by exertion of their spiritual forces, with us it is the reverse;--our inner forces are not exerted toward regeneration, but toward degeneration. The Bushmen are primitive and naturally so, but we are primitive in an artificial sense, and by virtue of the utmost effort. And at night, waking out of a dream, overwhelmed and bewitched by the crowding faces, a man perceives with alarm how slight is the support, how thin the boundary that divides him from the darkness. We are little flames poorly sheltered by frail walls against the storm of dissolution and madness, in which we flicker and sometimes almost go out. Then the muffled roar of the battle becomes a ring that encircles us, we creep in upon ourselves, and with big eyes stare into the night. Our only comfort is the steady breathing of our comrades asleep, and thus we wait for the morning. * * Every day and every hour every shell and every death cuts into this thin support, and the years waste it rapidly. I see how it is already gradually breaking down around me. There is the mad story of Detering. He was one of those who kept himself to himself. His misfortune was that he saw a cherry tree in a garden. We were just coming back from the front line, and at a turning of the road near our new billets, marvellous in the morning twilight, stood this cherry tree before us. It had no leaves, but was one white mass of blossom. In the evening Detering was not to be seen. Then at last he came back and had a couple of branches of cherry blossom in his hand. We made fun of him, and asked whether he was going to a wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet, so white. It is just the time." "Perhaps you will get leave soon. You may even be sent back as a farmer." He nodded, but he was far away. When these peasants are excited they have a curious expression, a mixture of cow and yearning god, half stupid and half rapt. In order to turn him away from his thoughts I asked him for a piece of bread. He gave it to me without a murmur. That was suspicious, for he is usually tight-fisted. So I stayed awake. Nothing happened; in the morning he was as usual. Apparently he had noticed that I had been watching him;--but the second morning after he was gone. I noticed it, but said nothing, in order to give him time; he might perhaps get through. Various fellows have already got into Holland. But at roll call he was missed. A week after we heard that he had been caught by the field gendarmes, those despicable military police. He had headed toward Germany, that was hopeless, of course--and, of course, he did everything else just as idiotically. Anyone might have known that his flight was only home-sickness and a momentary aberration. But what does a court martial hundreds of miles behind the front-line know about it? We have heard nothing more of Detering. * * But sometimes it broke out in other ways, this danger, these pent-up things, as from an overheated boiler. It will be enough to tell how Berger met his end. Our trenches have now for some time been shot to pieces, and we have an elastic line, so that there is practically no longer any proper trench warfare. When attack and counter-attack have waged backwards and forwards there remains a broken line and a bitter struggle from crater to crater. The front line has been penetrated, and everywhere small groups have established themselves, the fight is carried on from clusters of shell-holes. We are in a crater, the English are coming down obliquely, they are turning our flank and working in behind us. We are surrounded. It is not easy to surrender, fog and smoke hang over us, no one would recognize that we wanted to give ourselves up, and perhaps we don't want to, a man doesn't even know himself at such moments. We hear the explosions of the hand-grenades coming toward us. Our machine-gun sweeps over the semicircle in front of us. The cooling-water evaporates, we hastily pass round the case, every man pisses in it, and thus we again have water, and are able to continue firing. But behind us the attack crashes ever nearer. A few minutes and we are lost. Then, at closest range, a second machine-gun bursts out. It is set up in a crater alongside us; Berger has fetched it, and now the counter-attack comes over from behind; we are set free and make contact with the rear. Afterwards, as we lie in comparatively good cover, one of the food-carriers reports that a couple of hundred yards distant there lies a wounded messenger-dog. "Where?" asks Berger. The other describes the place to him. Berger goes off either to fetch the beast in or to shoot it. Six months ago he would not have cared, he would have been reasonable. We try to prevent him. Then, as he goes off grimly, all we can say is: "You're mad," and let him go. For these cases of front-line madness become dangerous if one is not able to fling the man to the ground and hold him fast. And Berger is six feet and the most powerful man in the company. He is absolutely mad for he has to pass through the barrage; but this lightning that lowers somewhere above us all has struck him and made him demented. It affects others so that they begin to rave, to run away--there was one man who even tried to dig himself into the ground with hands, feet, and teeth. It is true, such things are often simulated, but the pretence itself is a symptom. Berger, who means to finish off the dog, is carried off with a wound in the pelvis, and one of the fellows who carry him gets a bullet in the cheek while doing it. * * Müller is dead. Someone shot him point blank with a Verey light in the stomach. He lived for half an hour, quite conscious, and in terrible pain. Before he died he handed over his pocketbook to me, and	rarely does an incident strike out a spark. But then unexpectedly a flame of grievous and terrible yearning flares up. Those are the dangerous moments. They show us that the adjustment is only artificial, that it is not simple rest, but sharpest struggle for rest. In the outward form of our life we are hardly distinguishable from Bushmen; but whereas the latter can be so always, because they are so truly, and at best may develop further by exertion of their spiritual forces, with us it is the reverse;--our inner forces are not exerted toward regeneration, but toward degeneration. The Bushmen are primitive and naturally so, but we are primitive in an artificial sense, and by virtue of the utmost effort. And at night, waking out of a dream, overwhelmed and bewitched by the crowding faces, a man perceives with alarm how slight is the support, how thin the boundary that divides him from the darkness. We are little flames poorly sheltered by frail walls against the storm of dissolution and madness, in which we flicker and sometimes almost go out. Then the muffled roar of the battle becomes a ring that encircles us, we creep in upon ourselves, and with big eyes stare into the night. Our only comfort is the steady breathing of our comrades asleep, and thus we wait for the morning. * * Every day and every hour every shell and every death cuts into this thin support, and the years waste it rapidly. I see how it is already gradually breaking down around me. There is the mad story of Detering. He was one of those who kept himself to himself. His misfortune was that he saw a cherry tree in a garden. We were just coming back from the front line, and at a turning of the road near our new billets, marvellous in the morning twilight, stood this cherry tree before us. It had no leaves, but was one white mass of blossom. In the evening Detering was not to be seen. Then at last he came back and had a couple of branches of cherry blossom in his hand. We made fun of him, and asked whether he was going to a wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet, so white. It is just the time." "Perhaps you will get leave soon. You may even be sent back as a farmer." He nodded, but he was far away. When these peasants are excited they have a curious expression, a mixture of cow and yearning god, half stupid and half rapt. In order to turn him away from his thoughts I asked him for a piece of bread. He gave it to me without a murmur. That was suspicious, for he is usually tight-fisted. So I stayed awake. Nothing happened; in the morning he was as usual. Apparently he had noticed that I had been watching him;--but the second morning after he was gone. I noticed it, but said nothing, in order to give him time; he might perhaps get through. Various fellows have already got into Holland. But at roll call he was missed. A week after we heard that he had been caught by the field gendarmes, those despicable military police. He had headed toward Germany, that was hopeless, of course--and, of course, he did everything else just as idiotically. Anyone might have known that his flight was only home-sickness and a momentary aberration. But what does a court martial hundreds of miles behind the front-line know about it? We have heard nothing more of Detering. * * But sometimes it broke out in other ways, this danger, these pent-up things, as from an overheated boiler. It will be enough to tell how Berger met his end. Our trenches have now for some time been shot to pieces, and we have an elastic line, so that there is practically no longer any proper trench warfare. When attack and counter-attack have waged backwards and forwards there remains a broken line and a bitter struggle from crater to crater. The front line has been penetrated, and everywhere small groups have established themselves, the fight is carried on from clusters of shell-holes. We are in a crater, the English are coming down obliquely, they are turning our flank and working in behind us. We are surrounded. It is not easy to surrender, fog and smoke hang over us, no one would recognize that we wanted to give ourselves up, and perhaps we don't want to, a man doesn't even know himself at such moments. We hear the explosions of the hand-grenades coming toward us. Our machine-gun sweeps over the semicircle in front of us. The cooling-water evaporates, we hastily pass round the case, every man pisses in it, and thus we again have water, and are able to continue firing. But behind us the attack crashes ever nearer. A few minutes and we are lost. Then, at closest range, a second machine-gun bursts out. It is set up in a crater alongside us; Berger has fetched it, and now the counter-attack comes over from behind; we are set free and make contact with the rear. Afterwards, as we lie in comparatively good cover, one of the food-carriers reports that a couple of hundred	All Quiet on the Western Front	wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: "Don't do anything silly, Detering."<\|quote\|>"Ach, why--it's merely that I can't sleep----"</\|quote\|>"What did you pick the cherry branches for?" "I might have been going to get some more cherry branches," he replied, evasively--and after a while: "I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet,	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "wedding. He made no answer, but laid them on his bed. During the night I heard him making a noise, he seemed to be packing. I sensed something amiss and went over to him. He made out it was nothing, and I said to him: \"Don't do anything silly, Detering.\"<\|quote\|>\"Ach, why--it's merely that I can't sleep----\"</\|quote\|>\"What did you pick the cherry branches for?\" \"I might have been going to get some more cherry branches,\" he replied, evasively--and after a while: \"I have a big orchard with cherry trees at home. When they are in blossom, from the hay loft they look like one single sheet,", "role": "user" }, { "content": "Detering", "role": "assistant" } ] }	Detering
said Marilla wearily, looking up.	No speaker	tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired	like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about	Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of	Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road \|MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind!	you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road \|MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I	to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly. "What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road \|MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly	summers were all there to meet him. I must go home now. Marilla is all alone and she gets lonely at twilight." "She will be lonelier still, I fear, when you go away again to college," said Mrs. Allan. Anne did not reply; she said good night and went slowly back to green Gables. Marilla was sitting on the front door-steps and Anne sat down beside her. The door was open behind them, held back by a big pink conch shell with hints of sea sunsets in its smooth inner convolutions. Anne gathered some sprays of pale-yellow honeysuckle and put them in her hair. She liked the delicious hint of fragrance, as some aerial benediction, above her every time she moved. "Doctor Spencer was here while you were away," Marilla said. "He says that the specialist will be in town tomorrow and he insists that I must go in and have my eyes examined. I suppose I'd better go and have it over. I'll be more than thankful if the man can give me the right kind of glasses to suit my eyes. You won't mind staying here alone while I'm away, will you? Martin will have to drive me in and there's ironing and baking to do." "I shall be all right. Diana will come over for company for me. I shall attend to the ironing and baking beautifully--you needn't fear that I'll starch the handkerchiefs or flavor the cake with liniment." Marilla laughed. "What a girl you were for making mistakes in them days, Anne. You were always getting into scrapes. I did use to think you were possessed. Do you mind the time you dyed your hair?" "Yes, indeed. I shall never forget it," smiled Anne, touching the heavy braid of hair that was wound about her shapely head. "I laugh a little now sometimes when I think what a worry my hair used to be to me--but I don't laugh _much_, because it was a very real trouble then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly. "What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road \|MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables," said Anne resolutely. "Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't	know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly. "What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road \|MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going	Anne Of Green Gables	Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know,"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>"I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. \"Are you very tired, Marilla?\" \"Yes--no--I don't know,\"<\|quote\|>said Marilla wearily, looking up.</\|quote\|>\"I suppose I am tired but I haven't thought about it. It's not that.\" \"Did you see the oculist? What did he say?\" asked Anne anxiously. \"Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
She is silent. Then she asks gently:	No speaker	from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?"	camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like	just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why	room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any	As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother," I say as calmly as I can. "And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get	though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother," I say as calmly as I can. "And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get into the cook-house, that can easily be done." "You do it then, and if the others say anything----" "That won't worry me, mother----" She sighs. Her face is a white gleam in the darkness. "Now you must go to sleep, mother." She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. "And you must get well again, mother, before I come back." "Yes, yes, my child." "You ought not to send your things to me, mother. We have plenty to eat out there. You can make much better use of them here." How destitute she lies there in her bed, she, that loves me more than all the world. As I am about to leave, she says hastily: "I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack." Ah! Mother! I know what these underpants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must	mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother," I say as calmly as I can. "And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get into the cook-house, that can easily be done." "You do it then, and if the others say anything----" "That won't worry me, mother----" She sighs. Her face is a white gleam in the darkness. "Now you must go to sleep, mother." She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. "And you must get well again, mother, before I come back." "Yes, yes, my child." "You ought not to send your things to me, mother. We have plenty to eat out there. You can make much better use of them here." How destitute she lies there in her bed, she, that loves me more than all the world. As I am about to leave, she says hastily: "I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack." Ah! Mother! I know what these underpants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying, and we have so much to say, that we could never say it. "Good-night, mother." "Good-night, my child." The room is dark. I hear my mother's breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack which lies there already made up, because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never to have come here. Out there I was indifferent and often hopeless;--I will never be able to be so again. I was a soldier, and now I am nothing but an agony for myself, for my mother, for everything that is so comfortless and without end. I ought never to have come on leave. CHAPTER VIII I already know the camp on the moors. It was here that Himmelstoss gave Tjaden his education. But now I know hardly anyone here; as ever, all is altered. There are only a few people that I have occasionally met before. I go through the routine mechanically. In the evenings I generally go to the Soldiers' Home, where the newspapers are laid out, but which I do not read; still, there is a piano there that I am glad enough to play on. Two girls are in attendance, one of them is young. The camp is surrounded with high barbed-wire fences. If we come back late from the Soldiers' Home we have to show passes. But those who are on good terms with the guard can get through, of course. Between the junipers and the birch trees on the moor we practice company-drill each day. It is bearable if one expects nothing better. We advance at a run, fling ourselves down, and our panting breath moves the stalks of the grasses and the flowers of the heather to and fro. Looked at so closely one sees the fine sand is composed of millions of the tiniest pebbles as clear as if they had been made in a laboratory It is strangely inviting to dig one's hands into it. But most beautiful are the woods with their line of birch trees. Their colour changes with every	know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother," I say as calmly as I can. "And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get into the cook-house, that can easily be done." "You do it then, and if the others say anything----" "That won't worry me, mother----" She sighs. Her face is a white gleam in the darkness. "Now you must go to sleep, mother." She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. "And you must get well again, mother, before I come back." "Yes, yes, my child." "You ought not to send your things to me, mother. We have plenty to eat out there. You can make much better use of them here." How destitute she lies there in her bed, she, that loves me more than all the world. As I am about to leave, she says hastily: "I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack." Ah! Mother! I know what these underpants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying, and we have so much to say, that we could never say it. "Good-night, mother." "Good-night, my child." The room is dark. I hear my mother's breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack which lies there already made up, because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never to have come here. Out there I was indifferent and often hopeless;--I will never be able to be so again. I was a soldier, and now I am nothing but an agony for myself, for my mother, for everything that is so comfortless and without end. I	All Quiet on the Western Front	just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps."<\|quote\|>She is silent. Then she asks gently:</\|quote\|>"Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "just wakened up. \"Go and sleep, mother, you will catch cold here.\" \"I can sleep enough later,\" she says. I sit up. \"I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps.\"<\|quote\|>She is silent. Then she asks gently:</\|quote\|>\"Are you very much afraid?\" \"No, mother.\" \"I would like to tell you to be on your guard against the women out in France. They are no good.\" Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Nothing,"	Alice	the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted	you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said	to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone,	herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could	put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented	Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's	up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in	voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave	Alices Adventures In Wonderland	to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice.<\|quote\|>"Nothing,"</\|quote\|>said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone,	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. \"What do you know about this business?\" the King said to Alice.<\|quote\|>\"Nothing,\"</\|quote\|>said Alice. \"Nothing _whatever?_\" persisted the King. \"Nothing whatever,\" said Alice. \"That's very important,\" the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: \"_Un_important, your Majesty means, of course,\" he said in a very respectful tone,", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
"No thanks, I've got everything safe. How did you sleep?"	Brenda	say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't."	looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very	half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make	and gold, gules and azure by the emblazoned coats, broken by the leaded devices into countless points and patches of coloured light. Brenda descended the great staircase step by step through alternations of dusk and rainbow. Both hands were occupied, holding to her breast a bag, a small hat, a half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make any new friends living down here." "Tony's gone to church." "Yes, he likes that. He'll be back soon. Let's go out for a minute or two, it looks lovely." When Tony came back they were sitting in the library. Beaver was telling Brenda's fortune with cards. "... Now cut to	I told you not to go repeating whatever Ben Hacket tells you? Miss Tendril didn't want to hear about Peppermint. And don't ever use that rude word "cat" again." "It only means to be sick." "Well, Miss Tendril isn't interested in being sick..." As the gathering between porch and lychgate began to disperse, Tony set off towards the gardens. There was a good choice of buttonholes in the hothouses; he picked lemon carnations with crinkled, crimson edges for himself and Beaver and a camellia for his wife. Shafts of November sunshine streamed down from lancet and oriel, tinctured in green and gold, gules and azure by the emblazoned coats, broken by the leaded devices into countless points and patches of coloured light. Brenda descended the great staircase step by step through alternations of dusk and rainbow. Both hands were occupied, holding to her breast a bag, a small hat, a half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make any new friends living down here." "Tony's gone to church." "Yes, he likes that. He'll be back soon. Let's go out for a minute or two, it looks lovely." When Tony came back they were sitting in the library. Beaver was telling Brenda's fortune with cards. "... Now cut to me again," he was saying, "and I'll see if it's any clearer... Oh yes... there is going to be a sudden death which will cause you great pleasure and profit. In fact you are going to kill someone. I can't tell if it's a man or a woman... yes, a woman... then you are going to go on a long journey across the sea, marry six dark men and have eleven children, grow a beard and die." "Beast. And all this time I've been thinking it was serious. Hullo, Tony. Jolly church?" "Most enjoyable; how about some sherry?" When they	assure you." "I haven't used it here lately. When I am asked to supply elsewhere it is the one I invariably choose. Let me see now, I always make a note of the times I use it." The old clergyman opened the manuscript book he was carrying. It had a limp black cover and the pages were yellow with age. "Ah yes, here we are. I preached it first in Jellalabad when the Coldstream Guards were there; then I used it in the Red Sea coming home from my fourth leave; then at Sidmouth... Mentone... Winchester... to the Girl Guides at their summer rally in 1921... the Church Stage Guild at Leicester... twice at Bournemouth during the winter of 1926 when poor Ada was so ill... No, I don't seem to have used it here since 1911, when you would have been too young to enjoy it..." The vicar's sister had engaged John in conversation. He was telling her the story of Peppermint: "...he'd have been all right, Ben says, if he had been able to cat the rum up, but mules can't cat, neither can horses..." Nanny grasped him firmly and hurried him towards home. "How many times have I told you not to go repeating whatever Ben Hacket tells you? Miss Tendril didn't want to hear about Peppermint. And don't ever use that rude word "cat" again." "It only means to be sick." "Well, Miss Tendril isn't interested in being sick..." As the gathering between porch and lychgate began to disperse, Tony set off towards the gardens. There was a good choice of buttonholes in the hothouses; he picked lemon carnations with crinkled, crimson edges for himself and Beaver and a camellia for his wife. Shafts of November sunshine streamed down from lancet and oriel, tinctured in green and gold, gules and azure by the emblazoned coats, broken by the leaded devices into countless points and patches of coloured light. Brenda descended the great staircase step by step through alternations of dusk and rainbow. Both hands were occupied, holding to her breast a bag, a small hat, a half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make any new friends living down here." "Tony's gone to church." "Yes, he likes that. He'll be back soon. Let's go out for a minute or two, it looks lovely." When Tony came back they were sitting in the library. Beaver was telling Brenda's fortune with cards. "... Now cut to me again," he was saying, "and I'll see if it's any clearer... Oh yes... there is going to be a sudden death which will cause you great pleasure and profit. In fact you are going to kill someone. I can't tell if it's a man or a woman... yes, a woman... then you are going to go on a long journey across the sea, marry six dark men and have eleven children, grow a beard and die." "Beast. And all this time I've been thinking it was serious. Hullo, Tony. Jolly church?" "Most enjoyable; how about some sherry?" When they were alone together, just before luncheon, he said, "Darling, you're being heroic with Beaver." "Oh, I quite enjoy coping--in fact I'm bitching him rather." "So I saw. Well, I'll look after him this afternoon and he's going this evening." "Is he? I'll be quite sorry. You know that's a difference between us, that when someone's awful you just run away and hide, while I actually enjoy it--making up to them and showing off to myself how well I can do it. Besides, Beaver isn't so bad. He's quite like us in some ways." "He's not like me," said Tony. After luncheon Tony said, "Well, if it would really amuse you, we might go over the house. I know it isn't fashionable to like this sort of architecture now--my Aunt Frances says it is an authentic Pecksniff--but I think it's good of its kind." It took them two hours. Beaver was well practised in the art of being shown over houses; he had been brought up to it in fact, ever since he had begun to accompany his mother, whose hobby it had always been, and later, with changing circumstances, profession. He made apt and appreciative comments and greatly enhanced the	him the living at the instance of his dentist. He had a noble and sonorous voice and was reckoned the best preacher for many miles around. His sermons had been composed in his more active days for delivery at the garrison chapel; he had done nothing to adapt them to the changed conditions of his ministry and they mostly concluded with some reference to homes and dear ones far away. The villagers did not find this in any way surprising. Few of the things said in church seemed to have any particular reference to themselves. They enjoyed their vicar's sermons very much and they knew that when he began about their distant homes, it was time to be dusting their knees and feeling for their umbrellas. "...And so as we stand here bareheaded at this solemn hour of the week," he read, his powerful old voice swelling up for peroration, "let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown." (" "The Reverend Tendril "e do speak uncommon "igh of the Queen," a gardener's wife had once remarked to Tony.) After the choir had filed out, during the last hymn, the congregation crouched silently for a few seconds and then made for the door. There was no sign of recognition until they were outside among the graves; then there was an exchange of greetings, solicitous, cordial, garrulous. Tony spoke to the vet's wife and Mr Partridge from the shop; then he was joined by the vicar. "Lady Brenda is not ill, I hope?" "No, nothing serious." This was the invariable formula when he appeared at church without her. "A most interesting sermon, Vicar." "My dear boy, I'm delighted to hear you say so. It is one of my favourites. But have you never heard it before?" "No, I assure you." "I haven't used it here lately. When I am asked to supply elsewhere it is the one I invariably choose. Let me see now, I always make a note of the times I use it." The old clergyman opened the manuscript book he was carrying. It had a limp black cover and the pages were yellow with age. "Ah yes, here we are. I preached it first in Jellalabad when the Coldstream Guards were there; then I used it in the Red Sea coming home from my fourth leave; then at Sidmouth... Mentone... Winchester... to the Girl Guides at their summer rally in 1921... the Church Stage Guild at Leicester... twice at Bournemouth during the winter of 1926 when poor Ada was so ill... No, I don't seem to have used it here since 1911, when you would have been too young to enjoy it..." The vicar's sister had engaged John in conversation. He was telling her the story of Peppermint: "...he'd have been all right, Ben says, if he had been able to cat the rum up, but mules can't cat, neither can horses..." Nanny grasped him firmly and hurried him towards home. "How many times have I told you not to go repeating whatever Ben Hacket tells you? Miss Tendril didn't want to hear about Peppermint. And don't ever use that rude word "cat" again." "It only means to be sick." "Well, Miss Tendril isn't interested in being sick..." As the gathering between porch and lychgate began to disperse, Tony set off towards the gardens. There was a good choice of buttonholes in the hothouses; he picked lemon carnations with crinkled, crimson edges for himself and Beaver and a camellia for his wife. Shafts of November sunshine streamed down from lancet and oriel, tinctured in green and gold, gules and azure by the emblazoned coats, broken by the leaded devices into countless points and patches of coloured light. Brenda descended the great staircase step by step through alternations of dusk and rainbow. Both hands were occupied, holding to her breast a bag, a small hat, a half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make any new friends living down here." "Tony's gone to church." "Yes, he likes that. He'll be back soon. Let's go out for a minute or two, it looks lovely." When Tony came back they were sitting in the library. Beaver was telling Brenda's fortune with cards. "... Now cut to me again," he was saying, "and I'll see if it's any clearer... Oh yes... there is going to be a sudden death which will cause you great pleasure and profit. In fact you are going to kill someone. I can't tell if it's a man or a woman... yes, a woman... then you are going to go on a long journey across the sea, marry six dark men and have eleven children, grow a beard and die." "Beast. And all this time I've been thinking it was serious. Hullo, Tony. Jolly church?" "Most enjoyable; how about some sherry?" When they were alone together, just before luncheon, he said, "Darling, you're being heroic with Beaver." "Oh, I quite enjoy coping--in fact I'm bitching him rather." "So I saw. Well, I'll look after him this afternoon and he's going this evening." "Is he? I'll be quite sorry. You know that's a difference between us, that when someone's awful you just run away and hide, while I actually enjoy it--making up to them and showing off to myself how well I can do it. Besides, Beaver isn't so bad. He's quite like us in some ways." "He's not like me," said Tony. After luncheon Tony said, "Well, if it would really amuse you, we might go over the house. I know it isn't fashionable to like this sort of architecture now--my Aunt Frances says it is an authentic Pecksniff--but I think it's good of its kind." It took them two hours. Beaver was well practised in the art of being shown over houses; he had been brought up to it in fact, ever since he had begun to accompany his mother, whose hobby it had always been, and later, with changing circumstances, profession. He made apt and appreciative comments and greatly enhanced the pleasure Tony always took in exposing his treasures. They saw it all: the shuttered drawing-room, like a school speech hall, the cloistral passages, the dark inner courtyard, the chapel where, until Tony's succession, family prayers had been daily read to the assembled household, the plate-room and estate office, the bedrooms and attics, the water-tank concealed among the battlements. They climbed the spiral staircase into the works of the clock and waited to see it strike half-past three. Thence they descended with ringing ears to the collections--enamel, ivories, seals, snuff-boxes, china, ormulu, cloisonn?; they paused before each picture in the oak gallery and discussed its associations; they took out the more remarkable folios in the library and examined prints of the original buildings, manuscript account-books of the old Abbey, travel journals of Tony's ancestors. At intervals Beaver would say, "The So-and-so's have got one rather like that at Such-and-such a place" ", and Tony would say, "Yes, I've seen it but I think mine is the earlier." Eventually they came back to the smoking-room and Tony left Beaver to Brenda. She was stitching away at the petit-point, hunched in an armchair. "Well," she asked, without looking up from her needlework, "what did you think of it?" "Magnificent." "You don't have to say that to me, you know." "Well, a lot of the things are very fine." "Yes, the _things_ are all right, I suppose." "But don't you like the house?" "Me? I _detest_ it... at least I don't mean that really, but I do wish sometimes that it wasn't _all_, every bit of it, so appallingly ugly. Only I'd die rather than say that to Tony. We could never live anywhere else, of course. He's crazy about the place... It's funny. None of us minded very much when my brother Reggie sold _our_ house--and that was built by Vanbrugh, you know... I suppose we're lucky to be able to afford to keep it up at all. Do you know how much it costs just to live here? We should be quite rich if it wasn't for that. As it is we support fifteen servants indoors, besides gardeners and carpenters and a night-watchman and all the people at the farm and odd little men constantly popping in to wind the clocks and cook the accounts and clean the moat, while Tony and I have to fuss about whether it's cheaper to take	her sceptre and crown." (" "The Reverend Tendril "e do speak uncommon "igh of the Queen," a gardener's wife had once remarked to Tony.) After the choir had filed out, during the last hymn, the congregation crouched silently for a few seconds and then made for the door. There was no sign of recognition until they were outside among the graves; then there was an exchange of greetings, solicitous, cordial, garrulous. Tony spoke to the vet's wife and Mr Partridge from the shop; then he was joined by the vicar. "Lady Brenda is not ill, I hope?" "No, nothing serious." This was the invariable formula when he appeared at church without her. "A most interesting sermon, Vicar." "My dear boy, I'm delighted to hear you say so. It is one of my favourites. But have you never heard it before?" "No, I assure you." "I haven't used it here lately. When I am asked to supply elsewhere it is the one I invariably choose. Let me see now, I always make a note of the times I use it." The old clergyman opened the manuscript book he was carrying. It had a limp black cover and the pages were yellow with age. "Ah yes, here we are. I preached it first in Jellalabad when the Coldstream Guards were there; then I used it in the Red Sea coming home from my fourth leave; then at Sidmouth... Mentone... Winchester... to the Girl Guides at their summer rally in 1921... the Church Stage Guild at Leicester... twice at Bournemouth during the winter of 1926 when poor Ada was so ill... No, I don't seem to have used it here since 1911, when you would have been too young to enjoy it..." The vicar's sister had engaged John in conversation. He was telling her the story of Peppermint: "...he'd have been all right, Ben says, if he had been able to cat the rum up, but mules can't cat, neither can horses..." Nanny grasped him firmly and hurried him towards home. "How many times have I told you not to go repeating whatever Ben Hacket tells you? Miss Tendril didn't want to hear about Peppermint. And don't ever use that rude word "cat" again." "It only means to be sick." "Well, Miss Tendril isn't interested in being sick..." As the gathering between porch and lychgate began to disperse, Tony set off towards the gardens. There was a good choice of buttonholes in the hothouses; he picked lemon carnations with crinkled, crimson edges for himself and Beaver and a camellia for his wife. Shafts of November sunshine streamed down from lancet and oriel, tinctured in green and gold, gules and azure by the emblazoned coats, broken by the leaded devices into countless points and patches of coloured light. Brenda descended the great staircase step by step through alternations of dusk and rainbow. Both hands were occupied, holding to her breast a bag, a small hat, a half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make any new friends living down here." "Tony's gone to church." "Yes, he likes that. He'll be back soon. Let's go out for a minute or two, it looks lovely." When Tony came back they were sitting in the library. Beaver was telling Brenda's fortune with cards. "... Now cut to me again," he was saying, "and I'll see if it's any clearer... Oh yes... there is going to be a sudden death which will cause you great pleasure and profit. In fact you are going to kill someone. I can't tell if it's a man or a woman... yes, a woman... then you are going to go on a long journey across the sea, marry six dark men and have eleven children, grow a beard and die." "Beast. And all this time I've been thinking it was serious. Hullo, Tony. Jolly church?" "Most enjoyable; how about some sherry?" When they were alone together, just before luncheon, he said, "Darling, you're being heroic with Beaver." "Oh, I quite enjoy coping--in fact I'm bitching him rather." "So I saw. Well, I'll look after him this afternoon and he's going this evening." "Is he? I'll be quite sorry. You know that's a difference between us, that when someone's awful you just run away and hide, while I actually enjoy it--making up to them and showing off to myself how well I can do it. Besides, Beaver isn't so bad. He's quite like us in some ways." "He's not like me," said Tony. After luncheon Tony said, "Well, if it would really amuse you, we might go over the house. I know it isn't fashionable to like this sort of architecture now--my Aunt Frances says it is an authentic Pecksniff--but I think it's good of its kind." It took them two hours. Beaver was well practised in the art of being shown over houses; he had been brought up to it in fact, ever since he had begun to accompany his mother, whose hobby it had always been, and later, with changing circumstances, profession. He made apt and appreciative comments and greatly enhanced the pleasure Tony always took in exposing his treasures. They saw it all: the shuttered drawing-room, like a school speech hall, the cloistral passages, the dark inner courtyard, the chapel where, until Tony's succession, family prayers had been daily read to the assembled household, the plate-room and estate office, the bedrooms and attics, the water-tank concealed among the battlements. They	A Handful Of Dust	half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?"<\|quote\|>"No thanks, I've got everything safe. How did you sleep?"</\|quote\|>"Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. \"I say, can't I carry something?\"<\|quote\|>\"No thanks, I've got everything safe. How did you sleep?\"</\|quote\|>\"Beautifully.\" \"I bet you didn't.\" \"Well, I'm not a very good sleeper.\" \"Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make", "role": "user" }, { "content": "Brenda", "role": "assistant" } ] }	Brenda
thought Alice, as she went slowly after it:	No speaker	"Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered	nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life,	Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would	the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at	low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words	advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though	large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their	in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired	Alices Adventures In Wonderland	Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here,"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>"I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "Queen till she was out of sight: then it chuckled. \"What fun!\" said the Gryphon, half to itself, half to Alice. \"What _is_ the fun?\" said Alice. \"Why, _she_,\" said the Gryphon. \"It's all her fancy, that: they never executes nobody, you know. Come on!\" \"Everybody says 'come on!' here,\"<\|quote\|>thought Alice, as she went slowly after it:</\|quote\|>\"I never was so ordered about in all my life, never!\" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"Really, now you ask me,"	Alice	a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused,	see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you	the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her	very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood.	cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "But everything's curious today. I think I may as well go in at once." And in she went. Once more she found herself in the long hall, and close to the little glass table. "Now, I'll manage better this time," she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went	about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?" said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "But everything's curious today. I think I may as well go in at once." And in she went. Once more she found herself in the long hall, and close to the little glass table. "Now, I'll manage better this time," she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and _then_--she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains. CHAPTER VIII. The Queen's Croquet-Ground A large rose-tree stood near the entrance of the garden: the roses growing on it were white, but there were three gardeners at it, busily painting them red. Alice thought this a very curious thing, and she went nearer to watch them, and just as she came up to them she heard one of them say, "Look out now, Five! Don't go splashing paint over me like that!" "I couldn't help it," said Five, in a sulky tone; "Seven jogged my elbow." On which Seven looked up and said, "That's right, Five! Always lay the blame on others!" "_You'd_ better not talk!" said Five. "I heard the Queen say only yesterday you deserved to be beheaded!" "What for?" said the one who had spoken first. "That's none of _your_ business, Two!" said Seven. "Yes, it _is_ his business!" said Five, "and I'll tell him--it was for bringing	here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?" said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "But everything's curious today. I think I may as well go in at once." And in she went. Once more she found herself in the long hall, and close to the little glass table. "Now, I'll manage better this time," she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and _then_--she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains. CHAPTER VIII. The Queen's Croquet-Ground A large rose-tree stood near the entrance of the garden: the roses growing on it were white, but there were three gardeners at it, busily painting them red. Alice thought this a very curious thing, and she went nearer to watch them, and just as she came up to them she heard one of them say, "Look out now, Five! Don't go splashing paint over me like that!" "I couldn't help it," said Five, in a sulky tone; "Seven jogged my elbow." On which Seven looked up and said, "That's right, Five! Always lay the blame on others!" "_You'd_ better not talk!" said Five. "I heard the Queen say only yesterday you deserved to be beheaded!" "What for?" said the one who had spoken first. "That's none of _your_ business, Two!" said Seven. "Yes, it _is_ his business!" said Five, "and I'll tell him--it was for bringing the cook tulip-roots instead of onions." Seven flung down his brush, and had just begun "Well, of all the unjust things--" when his eye chanced to fall upon Alice, as she stood watching them, and he checked himself suddenly: the others looked round also, and all of them bowed low. "Would you tell me," said Alice, a little timidly, "why you are painting those roses?" Five and Seven said nothing, but looked at Two. Two began in a low voice, "Why the fact is, you see, Miss, this here ought to have been a _red_ rose-tree, and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we're doing our best, afore she comes, to--" At this moment Five, who had been anxiously looking across the garden, called out "The Queen! The Queen!" and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen. First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS. Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; "and besides, what would be the use of a procession," thought she, "if people had all to lie down upon their faces, so that they couldn't see it?" So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped	cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "But everything's curious today. I think I may as well go in at once." And in she went. Once more she found herself in the long hall, and close to the little glass table. "Now, I'll manage better this time," she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and _then_--she found herself at last in the beautiful garden, among the bright	Alices Adventures In Wonderland	the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?"<\|quote\|>"Really, now you ask me,"</\|quote\|>said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "the Hatter, it woke up again with a little shriek, and went on: \"--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are\" \"much of a muchness\" \"--did you ever see such a thing as a drawing of a muchness?\"<\|quote\|>\"Really, now you ask me,\"</\|quote\|>said Alice, very much confused, \"I don't think--\" \"Then you shouldn't talk,\" said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her", "role": "user" }, { "content": "Alice", "role": "assistant" } ] }	Alice
They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.	No speaker	in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very	seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do	like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver	dinner and later had put it in the envelope without remembering to finish it. He wrote a large, school-girlish hand with wide spaces between the lines. Brenda felt a little sick when she read this letter but she showed it to Marjorie, saying, "I can't complain, he's never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with	I saw the pink leather case and my surprise at opening it. It really was_ sweet _of you to send me such a charming present. Thank you again very much for it. I hope your party is being a success. It is rather dull here. The others went hunting yesterday. I went to the meet. They did not have a good day. Mother is here too and sends her love. We shall be leaving to-morrow or the day after. Mother has got rather a cold._ It ended there at the bottom of a page. Beaver had been writing it before dinner and later had put it in the envelope without remembering to finish it. He wrote a large, school-girlish hand with wide spaces between the lines. Brenda felt a little sick when she read this letter but she showed it to Marjorie, saying, "I can't complain, he's never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known." "No, darling, that's why." Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already	discerned the trouble and attempted to reassure her, saying, "Dear child, all these feelings of delicacy are valueless; only the rich realize the gulf that separates them from the poor," but the uneasiness persisted, and night after night she found herself being sent out of the room, asking or answering questions, performing actions in uncouth manners, paying forfeits, drawing pictures, writing verses, dressing herself up and even being chased about the house, and secluded in cupboards, at the will of her relatives. Christmas was on a Friday that year, so the party was a long one, from Thursday until Monday. She had forbidden Beaver to send her a present or to write to her; in self-protection, for she knew that whatever he said would hurt her by its poverty, but in spite of this she awaited the posts nervously, hoping that he might have disobeyed her. She had sent him to Ireland a ring of three interlocked hoops of gold and platinum. An hour after ordering it she regretted her choice. On Tuesday a letter came from him thanking her. _Darling Brenda_, he wrote. _Thank you so very much for the charming Christmas present. You can imagine my delight when I saw the pink leather case and my surprise at opening it. It really was_ sweet _of you to send me such a charming present. Thank you again very much for it. I hope your party is being a success. It is rather dull here. The others went hunting yesterday. I went to the meet. They did not have a good day. Mother is here too and sends her love. We shall be leaving to-morrow or the day after. Mother has got rather a cold._ It ended there at the bottom of a page. Beaver had been writing it before dinner and later had put it in the envelope without remembering to finish it. He wrote a large, school-girlish hand with wide spaces between the lines. Brenda felt a little sick when she read this letter but she showed it to Marjorie, saying, "I can't complain, he's never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known." "No, darling, that's why." Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already acquired a trick of twisting it as he talked. On New Year's Eve there was a party at a neighbouring house. Tony went home early and Beaver and Brenda returned together in the back of a car. Next morning, while they were having breakfast, she said to Tony, "I've made a New Year resolution." "Anything to do with spending more time at home?" "Oh no, _quite_ the reverse. Listen, Tony, it's serious. I think I'll take a course of something." "Not bone-setters again? I thought that was over." "No, something like economics. You see, I've been thinking. I don't really _do_ anything at all at present. The house runs itself. It seems to me time I _took_ to something. Now you're always talking about going into Parliament. Well, if I had done a course of economics I could be some use canvassing and writing speeches and things--you know, the way Marjorie did when Allan was standing on the Clydeside. There are all sorts of lectures in London, to do with the University, where girls go. Don't you think it's rather a good idea?" "It's one better than the bone-setters," Tony admitted. That was how the New Year began. CHAPTER III	he was particularly fond. Everyone ate a great deal and became slightly torpid towards Boxing-day evening; silver ladles of burning brandy went round the table, crackers were pulled and opened; paper hats, indoor fireworks, mottoes. This year, everything happened in its accustomed way; nothing seemed to menace the peace and stability of the house. The choir came up and sang carols in the pitch-pine gallery, and later devoured hot punch and sweet biscuits. The vicar preached his usual Christmas sermon. It was one to which his parishioners were greatly attached. "How difficult it is for us," he began, blandly surveying his congregation, who coughed into their mufflers and chafed their chilblains under their woollen gloves, "to realize that this is indeed Christmas. Instead of the glowing log fire and windows tight shuttered against the drifting snow, we have only the harsh glare of an alien sun; instead of the happy circle of loved faces, of home and family, we have the uncomprehending stares of the subjugated, though no doubt grateful, heathen. Instead of the placid ox and ass of Bethlehem," said the vicar, slightly losing the thread of his comparisons, "we have for companions the ravening tiger and the exotic camel, the furtive jackal and the ponderous elephant..." And so on, through the pages of faded manuscript. The words had temporarily touched the heart of many an obdurate trooper, and hearing them again, as he had heard them year after year since Mr Tendril had come to the parish, Tony and most of Tony's guests felt that it was an integral part of their Christmas festivities; one with which they would find it very hard to dispense. "The ravening tiger and exotic camel" had long been bywords in the family, of frequent recurrence in all their games. These games were the hardest part for Brenda. They did not amuse her and she still could not see Tony dressed up for charades without a feeling of shyness. Moreover, she was tortured by the fear that any lack of gusto on her part might be construed by the poor Lasts as superiority. These scruples, had she known it, were quite superfluous, for it never occurred to her husband's relatives to look on her with anything but cousinly cordiality and a certain tolerance, for, as Lasts, they considered they had far more right in Hetton than herself. Aunt Frances, with acid mind, quickly discerned the trouble and attempted to reassure her, saying, "Dear child, all these feelings of delicacy are valueless; only the rich realize the gulf that separates them from the poor," but the uneasiness persisted, and night after night she found herself being sent out of the room, asking or answering questions, performing actions in uncouth manners, paying forfeits, drawing pictures, writing verses, dressing herself up and even being chased about the house, and secluded in cupboards, at the will of her relatives. Christmas was on a Friday that year, so the party was a long one, from Thursday until Monday. She had forbidden Beaver to send her a present or to write to her; in self-protection, for she knew that whatever he said would hurt her by its poverty, but in spite of this she awaited the posts nervously, hoping that he might have disobeyed her. She had sent him to Ireland a ring of three interlocked hoops of gold and platinum. An hour after ordering it she regretted her choice. On Tuesday a letter came from him thanking her. _Darling Brenda_, he wrote. _Thank you so very much for the charming Christmas present. You can imagine my delight when I saw the pink leather case and my surprise at opening it. It really was_ sweet _of you to send me such a charming present. Thank you again very much for it. I hope your party is being a success. It is rather dull here. The others went hunting yesterday. I went to the meet. They did not have a good day. Mother is here too and sends her love. We shall be leaving to-morrow or the day after. Mother has got rather a cold._ It ended there at the bottom of a page. Beaver had been writing it before dinner and later had put it in the envelope without remembering to finish it. He wrote a large, school-girlish hand with wide spaces between the lines. Brenda felt a little sick when she read this letter but she showed it to Marjorie, saying, "I can't complain, he's never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known." "No, darling, that's why." Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already acquired a trick of twisting it as he talked. On New Year's Eve there was a party at a neighbouring house. Tony went home early and Beaver and Brenda returned together in the back of a car. Next morning, while they were having breakfast, she said to Tony, "I've made a New Year resolution." "Anything to do with spending more time at home?" "Oh no, _quite_ the reverse. Listen, Tony, it's serious. I think I'll take a course of something." "Not bone-setters again? I thought that was over." "No, something like economics. You see, I've been thinking. I don't really _do_ anything at all at present. The house runs itself. It seems to me time I _took_ to something. Now you're always talking about going into Parliament. Well, if I had done a course of economics I could be some use canvassing and writing speeches and things--you know, the way Marjorie did when Allan was standing on the Clydeside. There are all sorts of lectures in London, to do with the University, where girls go. Don't you think it's rather a good idea?" "It's one better than the bone-setters," Tony admitted. That was how the New Year began. CHAPTER III HARD CHEESE ON TONY [I] It is not uncommon at Bratt's Club, between nine and ten in the evening, to find men in white ties and tail coats sitting by themselves and eating, in evident low spirits, large and extravagant dinners. They are those who have been abandoned at the last minute by their women. For twenty minutes or so they have sat in the foyer of some restaurant, gazing expectantly towards the revolving doors and alternatively taking out their watches and ordering cocktails, until at length a telephone message has been brought them that their guests are unable to come. Then they go to Bratt's, half hoping to find friends but, more often than not, taking a melancholy satisfaction in finding the club deserted or peopled by strangers. So they sit there, round the walls, morosely regarding the mahogany tables before them, and eating and drinking heavily. It was in this mood and for this reason that, one evening towards the middle of February, Jock Grant-Menzies arrived at the club. "Anyone here?" "Very quiet to-night, sir. Mr Last is in the dining-room." Jock found him seated in a corner; he was in day clothes; the table and the chair at his side were littered with papers and magazines; one was propped up in front of him. He was half-way through dinner and three-quarters of the way through a bottle of Burgundy. "Hullo," he said. "Chucked? Come and join me." It was some time since Jock had seen Tony; the meeting embarrassed him slightly, for like all his friends, he was wondering how Tony felt and how much he knew about Brenda and John Beaver. However, he sat down at Tony's table. "Been chucked?" asked Tony again. "Yes, it's the last time I ask that bitch out." "Better have a drink. I've been drinking a whole lot. Much the best thing." They took what was left of the Burgundy and ordered another bottle. "Just come up for the night," said Tony. "Staying here." "You've got a flat now, haven't you?" "Well, Brenda has. There isn't really room for two... we tried it once and it wasn't a success." "What's she doing to-night?" "Out somewhere. I didn't let her know I was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on	and most of Tony's guests felt that it was an integral part of their Christmas festivities; one with which they would find it very hard to dispense. "The ravening tiger and exotic camel" had long been bywords in the family, of frequent recurrence in all their games. These games were the hardest part for Brenda. They did not amuse her and she still could not see Tony dressed up for charades without a feeling of shyness. Moreover, she was tortured by the fear that any lack of gusto on her part might be construed by the poor Lasts as superiority. These scruples, had she known it, were quite superfluous, for it never occurred to her husband's relatives to look on her with anything but cousinly cordiality and a certain tolerance, for, as Lasts, they considered they had far more right in Hetton than herself. Aunt Frances, with acid mind, quickly discerned the trouble and attempted to reassure her, saying, "Dear child, all these feelings of delicacy are valueless; only the rich realize the gulf that separates them from the poor," but the uneasiness persisted, and night after night she found herself being sent out of the room, asking or answering questions, performing actions in uncouth manners, paying forfeits, drawing pictures, writing verses, dressing herself up and even being chased about the house, and secluded in cupboards, at the will of her relatives. Christmas was on a Friday that year, so the party was a long one, from Thursday until Monday. She had forbidden Beaver to send her a present or to write to her; in self-protection, for she knew that whatever he said would hurt her by its poverty, but in spite of this she awaited the posts nervously, hoping that he might have disobeyed her. She had sent him to Ireland a ring of three interlocked hoops of gold and platinum. An hour after ordering it she regretted her choice. On Tuesday a letter came from him thanking her. _Darling Brenda_, he wrote. _Thank you so very much for the charming Christmas present. You can imagine my delight when I saw the pink leather case and my surprise at opening it. It really was_ sweet _of you to send me such a charming present. Thank you again very much for it. I hope your party is being a success. It is rather dull here. The others went hunting yesterday. I went to the meet. They did not have a good day. Mother is here too and sends her love. We shall be leaving to-morrow or the day after. Mother has got rather a cold._ It ended there at the bottom of a page. Beaver had been writing it before dinner and later had put it in the envelope without remembering to finish it. He wrote a large, school-girlish hand with wide spaces between the lines. Brenda felt a little sick when she read this letter but she showed it to Marjorie, saying, "I can't complain, he's never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known." "No, darling, that's why." Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already	A Handful Of Dust	like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks."<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>"I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "like me much. And anyway it was a damned silly present.\" Tony had become fretful about his visit to Angela's. He always hated staying away. \"Don't come, darling. I'll make it all right with them.\" \"No, I'll come. I haven't seen so much of you in the last three weeks.\"<\|quote\|>They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs.</\|quote\|>\"I'll tell you something very odd,\" he said. \"Who do you think is here?\" \"Who?\" \"Our old friend Beaver.\" \"Why's that odd particularly?\" \"Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?\" \"I daresay.\" Tony supposed Beaver", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.	No speaker	Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King	be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be	landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall	real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh,	the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but	looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,' "both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine" ?lay as though she smiled.' "That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before scampering up through the woods, across the road, and down to the lower headland where, as Lancelot and Guinevere and the King, they were to be in readiness to receive the lily maid. For a few minutes Anne, drifting slowly down, enjoyed the romance of her situation to the full. Then something happened not at all romantic. The flat began to leak. In a	want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had" ?all her bright hair streaming down,' "you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,' "both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine" ?lay as though she smiled.' "That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before scampering up through the woods, across the road, and down to the lower headland where, as Lancelot and Guinevere and the King, they were to be in readiness to receive the lily maid. For a few minutes Anne, drifting slowly down, enjoyed the romance of her situation to the full. Then something happened not at all romantic. The flat began to leak. In a very few moments it was necessary for Elaine to scramble to her feet, pick up her cloth of gold coverlet and pall of blackest samite and gaze blankly at a big crack in the bottom of her barge through which the water was literally pouring. That sharp stake at the landing had torn off the strip of batting nailed on the flat. Anne did not know this, but it did not take her long to realize that she was in a dangerous plight. At this rate the flat would fill and sink long before it could drift to the lower headland. Where were the oars? Left behind at the landing! Anne gave one gasping little scream which nobody ever heard; she was white to the lips, but she did not lose her self-possession. There was one chance--just one. "I was horribly frightened," she told Mrs. Allan the next day, "and it seemed like years while the flat was drifting down to the bridge and the water rising in it every moment. I prayed, Mrs. Allan, most earnestly, but I didn't shut my eyes to pray, for I knew the only way God could save me was to let the flat float close enough to one of the bridge piles for me to climb up on it. You know the piles are just old tree trunks and there are lots of knots and old branch stubs on them. It was proper to pray, but I had to do my part by watching out and right well I knew it. I just said," ?Dear God, please take the flat close to a pile and I'll do the rest,' "over and over again. Under such circumstances you don't think much about making a flowery prayer. But mine was answered, for the flat bumped right into a pile for a minute and I flung the scarf and the shawl over my shoulder and scrambled up on a big providential stub. And there I was, Mrs. Allan, clinging to that slippery old pile with no way of getting up or down. It was a very unromantic position, but I didn't think about that at the time. You don't think much about romance when you have just escaped from a watery grave. I said a grateful prayer at once and then I gave all my attention to holding on tight, for I knew I should probably	lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent	Anne Of Green Gables	landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine,"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. \"Well, I'll be Elaine,\"<\|quote\|>said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible.</\|quote\|>\"Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:	No speaker	We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy	Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in	"I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com.	a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you	"And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to	a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory seats. On the sides are hand-grips enabling one to shift them about. We move three together in a ring and sit down comfortably. For two hours we have been here without getting up. I well remember how embarrassed we were as recruits in barracks when we had to use the general latrine. There were no doors and twenty men sat side by side as in a railway carriage, so that they could be reviewed all at one glance, for soldiers must always be under supervision. Since then we have learned better than to be shy about such trifling immodesties. In time things far worse than that came easy to us. Here in	he is and always will be as thin as a rake. What's more important still is the issue of a double ration of smokes. Ten cigars, twenty cigarettes, and two quids of chew per man; now that is decent. I have exchanged my chewing tobacco with Katczinsky for his cigarettes, which means I have forty altogether. That's enough for a day. It is true we have no right to this windfall. The Prussian is not so generous. We have only a miscalculation to thank for it. Fourteen days ago we had to go up and relieve the front line. It was fairly quiet on our sector, so the quartermaster who remained in the rear had requisitioned the usual quantity of rations and provided for the full company of one hundred and fifty men. But on the last day an astonishing number of English field-guns opened up on us with high-explosive, drumming ceaselessly on our position, so that we suffered heavily and came back only eighty strong. Last night we moved back and settled down to get a good sleep for once: Katczinsky is right when he says it would not be such a bad war if only one could get a little more sleep. In the line we have had next to none, and fourteen days is a long time at one stretch. It was noon before the first of us crawled out of our quarters. Half an hour later every man had his mess-tin and we gathered at the cook-house, which smelt greasy and nourishing. At the head of the queue of course were the hungriest--little Albert Kropp, the clearest thinker among us and therefore the first to be lance-corporal; Müller, who still carries his school textbooks with him, dreams of examinations, and during a bombardment mutters propositions in physics; Leer, who wears a full beard and has a preference for the girls from officers' brothels. He swears that they are obliged by an army order to wear silk chemises and to bathe before entertaining guests of the rank of major and upwards. And as the fourth, myself, Paul Bäumer. All four are nineteen years of age, and all four joined up from the same class as volunteers for the war. Close behind us were our friends: Tjaden, a skinny lock-smith of our own age, the biggest eater of the company. He sits down to eat as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory seats. On the sides are hand-grips enabling one to shift them about. We move three together in a ring and sit down comfortably. For two hours we have been here without getting up. I well remember how embarrassed we were as recruits in barracks when we had to use the general latrine. There were no doors and twenty men sat side by side as in a railway carriage, so that they could be reviewed all at one glance, for soldiers must always be under supervision. Since then we have learned better than to be shy about such trifling immodesties. In time things far worse than that came easy to us. Here in the open air though, the business is entirely a pleasure. I no longer understand why we should always have shied at it before. It is, in fact, just as natural as eating and drinking. We did not properly appreciate these boxes when we first enlisted; they were new to us and did not fill such an important rôle--but now they have long been a matter of course. The soldier is on friendlier terms than other men with his stomach and intestines. Three-quarters of his vocabulary is derived from these regions, and they give an intimate flavour to expressions of his greatest joy as well as of his deepest indignation. It is impossible to express oneself in any other way so clearly and pithily. Our families and our teachers will be shocked when we go home, but here it is the universal language. Enforced publicity has in our eyes restored the character of complete innocence to all these things. More than that, they are so much a matter of course that their comfortable performance is fully as much enjoyed as the playing of a safe top running flush. Not for nothing was the word "latrine-rumour" invented; these places are the regimental gossip-shops and common-rooms. We feel ourselves for the time being better off than in any palatial white-tiled "convenience." _There_ it can only be hygienic; _here_ it is beautiful. These are wonderfully care-free hours. Over us is the blue sky. On the horizon float the bright yellow, sunlit observation-balloons, and the many little white clouds of the anti-aircraft shells. Often they rise in a sheaf as they follow after an airman. We hear the muffled rumble of the front only as very distant thunder, bumble-bees droning by quite drown it. Around us stretches the flowery meadow. The grasses sway their tall spears; the white butterflies flutter around and float on the soft warm wind of the late summer. We read letters and newspapers and smoke. We take off our caps and lay them down beside us. The wind plays with our hair; it plays with our words and thoughts. The three boxes stand in the midst of the glowing, red field-poppies. We set the lid of the margarine tub on our knees and so have a good table for a game of skat. Kropp has the cards with him. After every throw-in the loser pays into the pool. One could sit	as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory seats. On the sides are hand-grips enabling one to shift them about. We move three together in a ring and sit down comfortably. For two hours we have been here without getting up. I well remember how embarrassed we were as recruits in barracks when we had to use the general latrine. There were no doors and twenty men sat side by side as in a railway carriage, so that they could be reviewed all at one glance, for soldiers must always be under supervision. Since then we have learned better than to be shy about such trifling immodesties. In time things far worse than that came easy to us. Here in the open air though, the business is entirely a pleasure. I no longer understand why we should always have shied at it before. It is, in fact, just as natural as eating and drinking. We did not properly appreciate these boxes when we first enlisted; they were new to us and did not fill such an important rôle--but now they have long been a matter of course. The soldier	All Quiet on the Western Front	"I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>"Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com.	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "\"I don't care about the stew, but I can only issue rations for eighty men,\" persisted Ginger. Katczinsky got angry. \"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company.\"<\|quote\|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked:</\|quote\|>\"Yes, we did have heavy losses yesterday.\" He looked in the dixie. \"The beans look good.\" Ginger nodded. \"Cooked with meat and fat.\" The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com.", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker
"On your not asking a lot of silly questions."	Nanny	"Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How	depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you	I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his	Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery."	a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all	with both hands; he looked guiltily at Ben, who said, "What d'you suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle. "There, how did that feel? You just skimmed over like a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John.	was more the name for a hound than a horse. Ben had known a strawberry roan called Thunderclap who killed two riders and won the local point-to-point four years running. He had been a lovely little horse, said Ben, till he staked himself in the guts, hunting, and had to be shot. Ben knew stories about a great many different horses. There was one called Zero on whom he had won five Jimmy-o-goblins at ten to three at Chester one year. And there was a mule he had known during the war, called Peppermint, who had died of drinking the company's rum ration. But John was not going to name his pony after a drunken mule. So in the end they had decided on Thunderclap, in spite of her imperturbable disposition. She was a dark bay, with long tail and mane. Ben had left her legs shaggy. She cropped the grass, resisting John's attempts to keep her head up. Before her arrival riding had been a very different thing. He had jogged round the paddock on a little Shetland pony called Bunny, with his nurse panting at the bridle. Now it was a man's business. Nanny sat at a distance, crocheting, on her camp stool; out of earshot. There had been a corresponding promotion in Ben's position. From being the hand who looked after the farm horses, he was now, perceptibly, assuming the air of a stud groom. The handkerchief round his neck gave place to a stock with a fox-head pin. He was a man of varied experience in other parts of the country. Neither Tony nor Brenda hunted but they were anxious that John should like it. Ben foresaw the time when the stables would be full and himself in authority; it would not be like Mr Last to get anyone in from outside. Ben had got two posts bored for iron pegs, and a white-washed rail. With these he erected a two-foot jump in the middle of the field. "Now take it quite easy. Canter up slow and when she takes off lean forward in the saddle and you'll be over like a bird. Keep her head straight at it." Thunderclap trotted forwards, cantered two paces, thought better of it and, just before the jump, fell into a trot again and swerved round the obstacle. John recovered his balance by dropping the reins and gripping the mane with both hands; he looked guiltily at Ben, who said, "What d'you suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle. "There, how did that feel? You just skimmed over like a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben." "I'm not sure we shan't both be soon." They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a	suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle. "There, how did that feel? You just skimmed over like a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * *	A Handful Of Dust	I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them."<\|quote\|>"On your not asking a lot of silly questions."</\|quote\|>"Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "I have my milk in mummy's room?\" \"That depends.\" Nanny's replies were always evasive, like that--\" \"We'll see\" or \"That's asking\" or \"Those that ask no questions hear no lies\" \"--altogether unlike Ben's decisive and pungent judgments. \"What does it depend on?\" \"Lots of things.\" \"Tell me one of them.\"<\|quote\|>\"On your not asking a lot of silly questions.\"</\|quote\|>\"Silly old tart.\" \"_John!_ How dare you? What do you mean?\" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, \"Silly old tart, silly old tart\" all the way to the side entrance. When they entered the porch his", "role": "user" }, { "content": "Nanny", "role": "assistant" } ] }	Nanny
"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."	Unknowable	know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent	up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used	said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on	head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most	was a neat, circumspect child of twelve, with large grave eyes behind her goggles. She kissed her father and mother and said, "I'm sorry if I'm late." "_If_ you're late..." said Mr Last tolerantly. "How long will the show last?" asked Teddy. "I've got to run over to Bayton and get some more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most of the village; there were also a dozen or so neighbours, among them Colonel Inch--Richard Last and Teddy had hunted regularly that season with the Pigstanton. Mr Tendril conducted the brief service in resonant tones that were clearly audible above the blustering wind. When he pulled the cord the flag fell away from the memorial without mishap. It was a plain monolith of local stone, inscribed: ANTHONY LAST OF HETTON EXPLORER Born at Hetton, 1902 Died in Brazil, 1934 When the local visitors had left and the relatives had gone into the house to be shown the new labour-saving arrangements,	the morning-room, the smoking-room and what had been Tony's study. Most of the kitchen quarters, too, were out of use; an up-to-date and economical range had been installed in one of the pantries. The family all appeared downstairs by half-past eight, except Agnes, who took longer to dress and was usually some minutes late; Teddy and Molly had been out for an hour, she among the rabbits, he to the silver foxes. Teddy was twenty-two and lived at home. Peter was still at Oxford. They breakfasted together in the morning-room. Mrs Last sat at one end of the table, her husband at the other; there was a constant traffic from hand to hand to and fro between them of cups, plates, honey-jars and correspondence. Mrs Last said, "Molly, you have rabbit-feed on your head again." "Oh well, I shall have to tidy up anyway before the jamboree." Mr Last said, "_Jamboree?_ Is nothing sacred to you children?" Teddy said, "Another casualty at the stinkeries. That little vixen we bought from the people at Okehampton got her brush bitten off during the night. Must have got it through the wire into the next cage. Tricky birds, foxes." Agnes came next; she was a neat, circumspect child of twelve, with large grave eyes behind her goggles. She kissed her father and mother and said, "I'm sorry if I'm late." "_If_ you're late..." said Mr Last tolerantly. "How long will the show last?" asked Teddy. "I've got to run over to Bayton and get some more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most of the village; there were also a dozen or so neighbours, among them Colonel Inch--Richard Last and Teddy had hunted regularly that season with the Pigstanton. Mr Tendril conducted the brief service in resonant tones that were clearly audible above the blustering wind. When he pulled the cord the flag fell away from the memorial without mishap. It was a plain monolith of local stone, inscribed: ANTHONY LAST OF HETTON EXPLORER Born at Hetton, 1902 Died in Brazil, 1934 When the local visitors had left and the relatives had gone into the house to be shown the new labour-saving arrangements, Richard Last and Lady St Cloud remained for a short time on the gravel. "I'm glad we put that up," he said. "You know, I should never have thought of it, if it had not been for a Mrs Beaver. She wrote to me as soon as the news of Tony's death was published. I didn't know her at the time. Of course we knew very few of Tony's friends." "It was her suggestion?" "Yes, she said that as one of Tony's closest friends she knew he would wish to have some monument at Hetton. She was most considerate--even offering to arrange with the contractors for it. Her own plans were more ambitious. She proposed that we should have the chapel redecorated as a chantry. But I think this is what he would have preferred. The stone comes from one of our own quarries and was cut by the estate workmen." "Yes, I think he would have preferred this," said Lady St Cloud. * * * * * Teddy had chosen Galahad for his bedroom. He disengaged himself from the family and hurried up to change out of his dark clothes. Within ten minutes he was in his car driving	could I do? You were so sound asleep. They had come all the way to find you, so--I thought you would not mind--as you could not greet them yourself, I gave them a little souvenir, your watch. They wanted something to take back to England where a reward is being offered for news of you. They were very pleased with it. And they took some photographs of the little cross I put up to commemorate your coming. They were pleased with that, too. They were very easily pleased. But I do not suppose they will visit us again, our life here is so retired... no pleasures except reading... I do not suppose we shall ever have visitors again... well, well, I will get you some medicine to make you feel better. Your head aches, does it not?... We will not have any Dickens to-day... but to-morrow, and the day after that, and the day after that. Let us read _Little Dorrit_ again. There are passages in that book I can never hear without the temptation to weep." CHAPTER VII ENGLISH GOTHIC--III A light breeze in the dewy orchards; brilliant, cool sunshine over meadows and copses; the elms were all in bud in the avenue; everything was early that year, for it had been a mild winter. High overhead among its gargoyles and crockets the clock chimed for the hour and solemnly struck fourteen. It was half-past eight. The clock has been irregular lately. It was one of the things that Richard Last intended to see to, when death duties were paid and silver foxes began to show a profit. Molly Last bowled up the drive on her two-stroke motor-cycle; there was bran mash on her breeches and in her hair. She had been feeding the Angora rabbits. On the gravel in front of the house the new memorial stood, shrouded in a flag. Molly propped the motor-cycle against the wall of the drawbridge and ran in to breakfast. Life at Hetton was busier but simpler since Richard Last's succession. Ambrose remained, but there were no longer any footmen; he and a boy and four women servants did the work of the house. Richard Last called them his "skeleton staff". When things were easier he would extend the household; meanwhile the dining-hall and the library were added to the state apartments which were kept locked and shuttered; the family lived in the morning-room, the smoking-room and what had been Tony's study. Most of the kitchen quarters, too, were out of use; an up-to-date and economical range had been installed in one of the pantries. The family all appeared downstairs by half-past eight, except Agnes, who took longer to dress and was usually some minutes late; Teddy and Molly had been out for an hour, she among the rabbits, he to the silver foxes. Teddy was twenty-two and lived at home. Peter was still at Oxford. They breakfasted together in the morning-room. Mrs Last sat at one end of the table, her husband at the other; there was a constant traffic from hand to hand to and fro between them of cups, plates, honey-jars and correspondence. Mrs Last said, "Molly, you have rabbit-feed on your head again." "Oh well, I shall have to tidy up anyway before the jamboree." Mr Last said, "_Jamboree?_ Is nothing sacred to you children?" Teddy said, "Another casualty at the stinkeries. That little vixen we bought from the people at Okehampton got her brush bitten off during the night. Must have got it through the wire into the next cage. Tricky birds, foxes." Agnes came next; she was a neat, circumspect child of twelve, with large grave eyes behind her goggles. She kissed her father and mother and said, "I'm sorry if I'm late." "_If_ you're late..." said Mr Last tolerantly. "How long will the show last?" asked Teddy. "I've got to run over to Bayton and get some more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most of the village; there were also a dozen or so neighbours, among them Colonel Inch--Richard Last and Teddy had hunted regularly that season with the Pigstanton. Mr Tendril conducted the brief service in resonant tones that were clearly audible above the blustering wind. When he pulled the cord the flag fell away from the memorial without mishap. It was a plain monolith of local stone, inscribed: ANTHONY LAST OF HETTON EXPLORER Born at Hetton, 1902 Died in Brazil, 1934 When the local visitors had left and the relatives had gone into the house to be shown the new labour-saving arrangements, Richard Last and Lady St Cloud remained for a short time on the gravel. "I'm glad we put that up," he said. "You know, I should never have thought of it, if it had not been for a Mrs Beaver. She wrote to me as soon as the news of Tony's death was published. I didn't know her at the time. Of course we knew very few of Tony's friends." "It was her suggestion?" "Yes, she said that as one of Tony's closest friends she knew he would wish to have some monument at Hetton. She was most considerate--even offering to arrange with the contractors for it. Her own plans were more ambitious. She proposed that we should have the chapel redecorated as a chantry. But I think this is what he would have preferred. The stone comes from one of our own quarries and was cut by the estate workmen." "Yes, I think he would have preferred this," said Lady St Cloud. * * * * * Teddy had chosen Galahad for his bedroom. He disengaged himself from the family and hurried up to change out of his dark clothes. Within ten minutes he was in his car driving to Chivers' farm. Before luncheon he was back with the rabbits. They were skinned and tied round the feet into bundles of four. "Coming to the stinkeries?" he asked Agnes. "No, I'm looking after Cousin Frances. She got rather on mother's nerves through crabbing the new boiler." The silver-fox farm was behind the stables; a long double row of wire cages; they had wire floors covered with earth and cinders to prevent the animals digging their way out. They lived in pairs; some were moderately tame but it was unwise to rely upon them. Teddy and Ben Hacket--who helped with them--had been badly bitten more than once that winter. They ran up to the doors when they saw Teddy come with the rabbits. The vixen who had lost her brush seemed little the worse for her accident. Teddy surveyed his charges with pride and affection. It was by means of them that he hoped one day to restore Hetton to the glory that it had enjoyed in the days of his Cousin Tony.	the drive on her two-stroke motor-cycle; there was bran mash on her breeches and in her hair. She had been feeding the Angora rabbits. On the gravel in front of the house the new memorial stood, shrouded in a flag. Molly propped the motor-cycle against the wall of the drawbridge and ran in to breakfast. Life at Hetton was busier but simpler since Richard Last's succession. Ambrose remained, but there were no longer any footmen; he and a boy and four women servants did the work of the house. Richard Last called them his "skeleton staff". When things were easier he would extend the household; meanwhile the dining-hall and the library were added to the state apartments which were kept locked and shuttered; the family lived in the morning-room, the smoking-room and what had been Tony's study. Most of the kitchen quarters, too, were out of use; an up-to-date and economical range had been installed in one of the pantries. The family all appeared downstairs by half-past eight, except Agnes, who took longer to dress and was usually some minutes late; Teddy and Molly had been out for an hour, she among the rabbits, he to the silver foxes. Teddy was twenty-two and lived at home. Peter was still at Oxford. They breakfasted together in the morning-room. Mrs Last sat at one end of the table, her husband at the other; there was a constant traffic from hand to hand to and fro between them of cups, plates, honey-jars and correspondence. Mrs Last said, "Molly, you have rabbit-feed on your head again." "Oh well, I shall have to tidy up anyway before the jamboree." Mr Last said, "_Jamboree?_ Is nothing sacred to you children?" Teddy said, "Another casualty at the stinkeries. That little vixen we bought from the people at Okehampton got her brush bitten off during the night. Must have got it through the wire into the next cage. Tricky birds, foxes." Agnes came next; she was a neat, circumspect child of twelve, with large grave eyes behind her goggles. She kissed her father and mother and said, "I'm sorry if I'm late." "_If_ you're late..." said Mr Last tolerantly. "How long will the show last?" asked Teddy. "I've got to run over to Bayton and get some more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most of the village; there were also a dozen or so neighbours, among them Colonel Inch--Richard Last and Teddy had hunted regularly that season with the Pigstanton. Mr Tendril conducted the brief service in resonant tones that were clearly audible above the blustering wind. When he pulled the cord the flag fell away from the memorial without mishap. It was a plain monolith of local stone, inscribed: ANTHONY LAST OF HETTON EXPLORER Born at Hetton, 1902 Died in Brazil, 1934 When the local visitors had left and the relatives had gone into the house to be shown the new labour-saving arrangements, Richard Last and Lady St Cloud remained for a short time on the gravel. "I'm glad we put that up," he said. "You know, I should never have thought of it, if it had not been for a Mrs Beaver. She wrote to me as soon as the news of Tony's death was published. I didn't know her at the time. Of course we knew very few of Tony's friends." "It was her suggestion?" "Yes, she said that as one of Tony's closest friends she knew he would wish to have some monument at Hetton. She was most considerate--even offering to arrange with the contractors for it. Her own plans were more ambitious. She proposed that we should have the chapel redecorated as a chantry. But I think this is what he would have preferred. The stone comes from one of our own quarries and was cut by the estate workmen." "Yes, I think he would have preferred this," said Lady St Cloud. * * * * * Teddy had chosen Galahad for his bedroom. He disengaged himself from the family and hurried up to change out of his dark clothes. Within ten minutes he was in his car driving to Chivers' farm. Before luncheon he was back with the rabbits. They were skinned and tied round the feet into bundles of four. "Coming to the stinkeries?" he asked Agnes. "No, I'm looking after Cousin Frances. She got rather on mother's nerves through crabbing the new boiler." The silver-fox farm was behind the stables; a long double row of wire cages;	A Handful Of Dust	said Molly. "She sends her love to us all and to Hetton." There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same."<\|quote\|>"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy."</\|quote\|>"She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "said Molly. \"She sends her love to us all and to Hetton.\" There was another pause. \"Well, I think it's a jolly good thing,\" said Molly. \"She couldn't show much widowly grief. It didn't take her long to get hitched up again.\" \"_Molly!_\" \"And you know you think the same.\"<\|quote\|>\"I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy.\"</\|quote\|>\"She was always jolly decent to us when she used to live here,\" said Agnes. \"Well, I should hope so,\" said Teddy. \"After all, it's our place.\" * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on", "role": "user" }, { "content": "Unknowable", "role": "assistant" } ] }	Unknowable
?all her bright hair streaming down,'	No speaker	lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was	so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a	spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think	just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at	have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and	of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn't it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it's better to be good. I know it is, but it's sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to	At the end of the week Marilla said decidedly: "It's no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can't go out with it looking like that." Anne's lips quivered, but she realized the bitter truth of Marilla's remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it over. Oh, I feel that my heart is broken. This is such an unromantic affliction. The girls in books lose their hair in fevers or sell it to get money for some good deed, and I'm sure I wouldn't mind losing my hair in some such fashion half so much. But there is nothing comforting in having your hair cut off because you've dyed it a dreadful color, is there? I'm going to weep all the time you're cutting it off, if it won't interfere. It seems such a tragic thing." Anne wept then, but later on, when she went upstairs and looked in the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I'll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I'd do penance for being wicked that way. I'll look at myself every time I come to my room and see how ugly I am. And I won't try to imagine it away, either. I never thought I was vain about my hair, of all things, but now I know I was, in spite of its being red, because it was so long and thick and curly. I expect something will happen to my nose next." Anne's clipped head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn't say anything when Josie said that to me," Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches, "because I thought it was part of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn't it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it's better to be good. I know it is, but it's sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine," said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible. "Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,' "both of you as	like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret	Anne Of Green Gables	spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think	{ "messages": [ { "content": "You are helpful", "role": "system" }, { "content": "spoil the effect.\" \"But it's so ridiculous to have a redheaded Elaine,\" mourned Anne. \"\"I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had\"<\|quote\|>?all her bright hair streaming down,'</\|quote\|>\"you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid.\" \"Your complexion is just as fair as Ruby's,\" said Diana earnestly, \"and your hair is ever so much darker than it used to be before you cut it.\" \"Oh, do you really think", "role": "user" }, { "content": "No speaker", "role": "assistant" } ] }	No speaker