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asks Kropp. Kemmerich's head sinks. | No speaker | people. "How goes it, Franz?"<|quote|>asks Kropp. Kemmerich's head sinks.</|quote|>"Not so bad ... but | to send it to his people. "How goes it, Franz?"<|quote|>asks Kropp. Kemmerich's head sinks.</|quote|>"Not so bad ... but I have such a damned | tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people. "How goes it, Franz?"<|quote|>asks Kropp. Kemmerich's head sinks.</|quote|>"Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies | Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that." Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people. "How goes it, Franz?"<|quote|>asks Kropp. Kemmerich's head sinks.</|quote|>"Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies told us outside: that Kemmerich has lost his foot. The leg is amputated. He looks ghastly, yellow, and wan. In his face there are already the strained lines that we know so well, we have seen them now hundreds of times. They are not so much lines as marks. Under | every action; but also we distinguished the false from the true, we had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through. * * Before going over to see Kemmerich we pack up his things: he will need them on the way back. In the dressing station there is great activity; it reeks as ever of carbolic, ether, and sweat. Most of us are accustomed to this in the billets, but here it makes one feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that." Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people. "How goes it, Franz?"<|quote|>asks Kropp. Kemmerich's head sinks.</|quote|>"Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies told us outside: that Kemmerich has lost his foot. The leg is amputated. He looks ghastly, yellow, and wan. In his face there are already the strained lines that we know so well, we have seen them now hundreds of times. They are not so much lines as marks. Under the skin the life no longer pulses, it has already pressed out to the boundaries of the body. Death is working through from within. It already has command in the eyes. Here lies our comrade, Kemmerich, who a little while ago was roasting horse-flesh with us and squatting in the shell-holes. He it is still and yet it is not he any longer. His features have become uncertain and faint, like a photographic plate on which two pictures have been taken. Even his voice sounds like ashes. I think of the time when we went away. His mother, a good | and that way theirs. And that is just why they let us down so badly. For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress--to the future. We often made fun of them and played jokes on them, but in our hearts we trusted them. The idea of authority, which they represented, was associated in our minds with a greater insight and a manlier wisdom. But the first death we saw shattered this belief. We had to recognize that our generation was more to be trusted than theirs. They surpassed us only in phrases and in cleverness. The first bombardment showed us our mistake, and under it the world as they had taught it to us broke in pieces. While they continued to write and talk, we saw the wounded and dying. While they taught that duty to one's country is the greatest thing, we already knew that death-throes are stronger. But for all that we were no mutineers, no deserters, no cowards--they were very free with all these expressions. We loved our country as much as they, we went courageously into every action; but also we distinguished the false from the true, we had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through. * * Before going over to see Kemmerich we pack up his things: he will need them on the way back. In the dressing station there is great activity; it reeks as ever of carbolic, ether, and sweat. Most of us are accustomed to this in the billets, but here it makes one feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that." Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people. "How goes it, Franz?"<|quote|>asks Kropp. Kemmerich's head sinks.</|quote|>"Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies told us outside: that Kemmerich has lost his foot. The leg is amputated. He looks ghastly, yellow, and wan. In his face there are already the strained lines that we know so well, we have seen them now hundreds of times. They are not so much lines as marks. Under the skin the life no longer pulses, it has already pressed out to the boundaries of the body. Death is working through from within. It already has command in the eyes. Here lies our comrade, Kemmerich, who a little while ago was roasting horse-flesh with us and squatting in the shell-holes. He it is still and yet it is not he any longer. His features have become uncertain and faint, like a photographic plate on which two pictures have been taken. Even his voice sounds like ashes. I think of the time when we went away. His mother, a good plump matron, brought him to the station. She wept continually, her face was bloated and swollen. Kemmerich felt embarrassed, for she was the least composed of all; she simply dissolved into fat and water. Then she caught sight of me and took hold of my arm again and again, and implored me to look after Franz out there. Indeed he did have a face like a child, and such frail bones that after four weeks pack-carrying he already had flat feet. But how can a man look after anyone in the field! "Now you will soon be going home," says Kropp. "You would have had to wait at least three or four months for your leave." Kemmerich nods. I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how | It is very queer that the unhappiness of the world is so often brought on by small men. They are so much more energetic and uncompromising than the big fellows. I have always taken good care to keep out of sections with small company commanders. They are mostly confounded little martinets. During drill-time Kantorek gave us long lectures until the whole of our class went under his shepherding to the District Commandant and volunteered. I can see him now, as he used to glare at us through his spectacles and say in a moving voice: "Won't you join up, Comrades." These teachers always carry their feelings ready in their waistcoat pockets, and fetch them out at any hour of the day. But we didn't think of that then. There was, indeed, one of us who hesitated and did not want to fall into line. That was Josef Behm, a plump, homely fellow. But he did allow himself to be persuaded, otherwise he would have been ostracized. And perhaps more of us thought as he did, but no one could very well stand out, because at that time even one's parents were ready with the word "coward" ; no one had the vaguest idea what we were in for. The wisest were just the poor and simple people. They knew the war to be a misfortune, whereas people who were better off were beside themselves with joy, though they should have been much better able to judge what the consequences would be. Katczinsky said that was a result of their upbringing. It made them stupid. And what Kat said, he had thought about. Strange to say, Behm was one of the first to fall. He got hit in the eye during an attack, and we left him lying for dead. We couldn't bring him with us, because we had to come back helter-skelter. In the afternoon suddenly we heard him call, and saw him outside creeping towards us. He had only been knocked unconscious. Because he could not see, and was mad with pain, he failed to keep under cover, and so was shot down before anyone could go and fetch him in. Naturally we couldn't blame Kantorek for this. Where would the world be if one brought every man to book? There were thousands of Kantoreks, all of whom were convinced that there was only one way of doing well, and that way theirs. And that is just why they let us down so badly. For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress--to the future. We often made fun of them and played jokes on them, but in our hearts we trusted them. The idea of authority, which they represented, was associated in our minds with a greater insight and a manlier wisdom. But the first death we saw shattered this belief. We had to recognize that our generation was more to be trusted than theirs. They surpassed us only in phrases and in cleverness. The first bombardment showed us our mistake, and under it the world as they had taught it to us broke in pieces. While they continued to write and talk, we saw the wounded and dying. While they taught that duty to one's country is the greatest thing, we already knew that death-throes are stronger. But for all that we were no mutineers, no deserters, no cowards--they were very free with all these expressions. We loved our country as much as they, we went courageously into every action; but also we distinguished the false from the true, we had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through. * * Before going over to see Kemmerich we pack up his things: he will need them on the way back. In the dressing station there is great activity; it reeks as ever of carbolic, ether, and sweat. Most of us are accustomed to this in the billets, but here it makes one feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that." Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people. "How goes it, Franz?"<|quote|>asks Kropp. Kemmerich's head sinks.</|quote|>"Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies told us outside: that Kemmerich has lost his foot. The leg is amputated. He looks ghastly, yellow, and wan. In his face there are already the strained lines that we know so well, we have seen them now hundreds of times. They are not so much lines as marks. Under the skin the life no longer pulses, it has already pressed out to the boundaries of the body. Death is working through from within. It already has command in the eyes. Here lies our comrade, Kemmerich, who a little while ago was roasting horse-flesh with us and squatting in the shell-holes. He it is still and yet it is not he any longer. His features have become uncertain and faint, like a photographic plate on which two pictures have been taken. Even his voice sounds like ashes. I think of the time when we went away. His mother, a good plump matron, brought him to the station. She wept continually, her face was bloated and swollen. Kemmerich felt embarrassed, for she was the least composed of all; she simply dissolved into fat and water. Then she caught sight of me and took hold of my arm again and again, and implored me to look after Franz out there. Indeed he did have a face like a child, and such frail bones that after four weeks pack-carrying he already had flat feet. But how can a man look after anyone in the field! "Now you will soon be going home," says Kropp. "You would have had to wait at least three or four months for your leave." Kemmerich nods. I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how can it be possible---- Müller leans over. "We have brought your things, Franz." Kemmerich signs with his hand. "Put them under the bed." Müller does so. Kemmerich starts on again about the watch. How can one calm him without making him suspicious? Müller reappears with a pair of airman's boots. They are fine English boots of soft, yellow leather which reach to the knee and lace all the way--they are things to be coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only one--they are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions. "Well, we could exchange," suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him to come back in the morning. Müller talks of doing so too. He is thinking of the lace-up boots and means to be on the spot. Kemmerich groans. He is feverish. We get hold of an orderly outside and ask him to give Kemmerich a dose of morphia. He refuses. "If we were to give morphia to everyone we would have to have tubs full----" "You only attend to officers properly," says Kropp viciously. I hastily intervene and give him a cigarette. He takes it. "Are you usually allowed to give it, then?" I ask him. He is annoyed. "If you don't think so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the boots. "They would fit me perfectly. In these boots I get blister after blister. Do you think he will last till to-morrow after | with joy, though they should have been much better able to judge what the consequences would be. Katczinsky said that was a result of their upbringing. It made them stupid. And what Kat said, he had thought about. Strange to say, Behm was one of the first to fall. He got hit in the eye during an attack, and we left him lying for dead. We couldn't bring him with us, because we had to come back helter-skelter. In the afternoon suddenly we heard him call, and saw him outside creeping towards us. He had only been knocked unconscious. Because he could not see, and was mad with pain, he failed to keep under cover, and so was shot down before anyone could go and fetch him in. Naturally we couldn't blame Kantorek for this. Where would the world be if one brought every man to book? There were thousands of Kantoreks, all of whom were convinced that there was only one way of doing well, and that way theirs. And that is just why they let us down so badly. For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress--to the future. We often made fun of them and played jokes on them, but in our hearts we trusted them. The idea of authority, which they represented, was associated in our minds with a greater insight and a manlier wisdom. But the first death we saw shattered this belief. We had to recognize that our generation was more to be trusted than theirs. They surpassed us only in phrases and in cleverness. The first bombardment showed us our mistake, and under it the world as they had taught it to us broke in pieces. While they continued to write and talk, we saw the wounded and dying. While they taught that duty to one's country is the greatest thing, we already knew that death-throes are stronger. But for all that we were no mutineers, no deserters, no cowards--they were very free with all these expressions. We loved our country as much as they, we went courageously into every action; but also we distinguished the false from the true, we had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through. * * Before going over to see Kemmerich we pack up his things: he will need them on the way back. In the dressing station there is great activity; it reeks as ever of carbolic, ether, and sweat. Most of us are accustomed to this in the billets, but here it makes one feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that." Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people. "How goes it, Franz?"<|quote|>asks Kropp. Kemmerich's head sinks.</|quote|>"Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies told us outside: that Kemmerich has lost his foot. The leg is amputated. He looks ghastly, yellow, and wan. In his face there are already the strained lines that we know so well, we have seen them now hundreds of times. They are not so much lines as marks. Under the skin the life no longer pulses, it has already pressed out to the boundaries of the body. Death is working through from within. It already has command in the eyes. Here lies our comrade, Kemmerich, who a little while ago was roasting horse-flesh with us and squatting in the shell-holes. He it is still and yet it is not he any longer. His features have become uncertain and faint, like a photographic plate on which two pictures have been taken. Even his voice sounds like ashes. I think of the time when we went away. His mother, a good plump matron, brought him to the station. She wept continually, her face was bloated and swollen. Kemmerich felt embarrassed, for she was the least composed of all; she simply dissolved into fat and water. Then she caught sight of me and took hold of my arm again and again, and implored me to look after Franz out there. Indeed he did have a face like a child, and such frail bones that after four weeks pack-carrying he already had flat feet. But how can a man look after anyone in the field! "Now you will soon be going home," says Kropp. "You would have had to wait at least three or four months for your leave." Kemmerich nods. I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how can it be possible---- Müller leans over. "We have brought your things, Franz." Kemmerich signs with his hand. "Put them under the bed." Müller does so. Kemmerich starts on again about the watch. How can one calm him without making him suspicious? Müller reappears with a pair of airman's boots. They are fine English boots of soft, yellow leather which reach to the knee and lace all the way--they are things to be coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only one--they are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions. "Well, we could | All Quiet on the Western Front | tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people. "How goes it, Franz?"<|quote|>asks Kropp. Kemmerich's head sinks.</|quote|>"Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies | {
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"shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_" | Alice | _here_." "But then," thought Alice,<|quote|>"shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_"</|quote|>"Oh, you foolish Alice!" she | to grow up any more _here_." "But then," thought Alice,<|quote|>"shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_"</|quote|>"Oh, you foolish Alice!" she answered herself. "How can you | in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now," she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice,<|quote|>"shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_"</|quote|>"Oh, you foolish Alice!" she answered herself. "How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!" And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but | mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now," she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice,<|quote|>"shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_"</|quote|>"Oh, you foolish Alice!" she answered herself. "How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!" And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen. "Mary Ann! Mary Ann!" said the voice. "Fetch me my gloves this moment!" Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her, and she trembled | she put one arm out of the window, and one foot up the chimney, and said to herself "Now I can do no more, whatever happens. What _will_ become of me?" Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. "It was much pleasanter at home," thought poor Alice, "when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now," she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice,<|quote|>"shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_"</|quote|>"Oh, you foolish Alice!" she answered herself. "How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!" And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen. "Mary Ann! Mary Ann!" said the voice. "Fetch me my gloves this moment!" Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her, and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit, and had no reason to be afraid of it. Presently the Rabbit came up to the door, and tried to open it; but, as the door opened inwards, and Alice's elbow was pressed hard against it, that attempt proved a failure. Alice heard it say to itself "Then I'll go round and get in at the window." "_That_ you won't!" thought Alice, and, after waiting till she fancied she heard the Rabbit just under the window, she suddenly spread out | the words "DRINK ME," but nevertheless she uncorked it and put it to her lips. "I know _something_ interesting is sure to happen," she said to herself, "whenever I eat or drink anything; so I'll just see what this bottle does. I do hope it'll make me grow large again, for really I'm quite tired of being such a tiny little thing!" It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself "That's quite enough--I hope I shan't grow any more--As it is, I can't get out at the door--I do wish I hadn't drunk quite so much!" Alas! it was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself "Now I can do no more, whatever happens. What _will_ become of me?" Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. "It was much pleasanter at home," thought poor Alice, "when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now," she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice,<|quote|>"shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_"</|quote|>"Oh, you foolish Alice!" she answered herself. "How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!" And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen. "Mary Ann! Mary Ann!" said the voice. "Fetch me my gloves this moment!" Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her, and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit, and had no reason to be afraid of it. Presently the Rabbit came up to the door, and tried to open it; but, as the door opened inwards, and Alice's elbow was pressed hard against it, that attempt proved a failure. Alice heard it say to itself "Then I'll go round and get in at the window." "_That_ you won't!" thought Alice, and, after waiting till she fancied she heard the Rabbit just under the window, she suddenly spread out her hand, and made a snatch in the air. She did not get hold of anything, but she heard a little shriek and a fall, and a crash of broken glass, from which she concluded that it was just possible it had fallen into a cucumber-frame, or something of the sort. Next came an angry voice--the Rabbit's--" "Pat! Pat! Where are you?" And then a voice she had never heard before, "Sure then I'm here! Digging for apples, yer honour!" "Digging for apples, indeed!" said the Rabbit angrily. "Here! Come and help me out of _this!_" (Sounds of more broken glass.) "Now tell me, Pat, what's that in the window?" "Sure, it's an arm, yer honour!" (He pronounced it "arrum.") "An arm, you goose! Who ever saw one that size? Why, it fills the whole window!" "Sure, it does, yer honour: but it's an arm for all that." "Well, it's got no business there, at any rate: go and take it away!" There was a long silence after this, and Alice could only hear whispers now and then; such as, "Sure, I don't like it, yer honour, at all, at all!" "Do as I tell you, you coward!" and at | dropped them, I wonder?" Alice guessed in a moment that it was looking for the fan and the pair of white kid gloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen--everything seemed to have changed since her swim in the pool, and the great hall, with the glass table and the little door, had vanished completely. Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her in an angry tone, "Why, Mary Ann, what _are_ you doing out here? Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!" And Alice was so much frightened that she ran off at once in the direction it pointed to, without trying to explain the mistake it had made. "He took me for his housemaid," she said to herself as she ran. "How surprised he'll be when he finds out who I am! But I'd better take him his fan and gloves--that is, if I can find them." As she said this, she came upon a neat little house, on the door of which was a bright brass plate with the name "W. RABBIT," engraved upon it. She went in without knocking, and hurried upstairs, in great fear lest she should meet the real Mary Ann, and be turned out of the house before she had found the fan and gloves. "How queer it seems," Alice said to herself, "to be going messages for a rabbit! I suppose Dinah'll be sending me on messages next!" And she began fancying the sort of thing that would happen: "'Miss Alice! Come here directly, and get ready for your walk!' 'Coming in a minute, nurse! But I've got to see that the mouse doesn't get out.' Only I don't think," Alice went on, "that they'd let Dinah stop in the house if it began ordering people about like that!" By this time she had found her way into a tidy little room with a table in the window, and on it (as she had hoped) a fan and two or three pairs of tiny white kid gloves: she took up the fan and a pair of the gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words "DRINK ME," but nevertheless she uncorked it and put it to her lips. "I know _something_ interesting is sure to happen," she said to herself, "whenever I eat or drink anything; so I'll just see what this bottle does. I do hope it'll make me grow large again, for really I'm quite tired of being such a tiny little thing!" It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself "That's quite enough--I hope I shan't grow any more--As it is, I can't get out at the door--I do wish I hadn't drunk quite so much!" Alas! it was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself "Now I can do no more, whatever happens. What _will_ become of me?" Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. "It was much pleasanter at home," thought poor Alice, "when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now," she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice,<|quote|>"shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_"</|quote|>"Oh, you foolish Alice!" she answered herself. "How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!" And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen. "Mary Ann! Mary Ann!" said the voice. "Fetch me my gloves this moment!" Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her, and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit, and had no reason to be afraid of it. Presently the Rabbit came up to the door, and tried to open it; but, as the door opened inwards, and Alice's elbow was pressed hard against it, that attempt proved a failure. Alice heard it say to itself "Then I'll go round and get in at the window." "_That_ you won't!" thought Alice, and, after waiting till she fancied she heard the Rabbit just under the window, she suddenly spread out her hand, and made a snatch in the air. She did not get hold of anything, but she heard a little shriek and a fall, and a crash of broken glass, from which she concluded that it was just possible it had fallen into a cucumber-frame, or something of the sort. Next came an angry voice--the Rabbit's--" "Pat! Pat! Where are you?" And then a voice she had never heard before, "Sure then I'm here! Digging for apples, yer honour!" "Digging for apples, indeed!" said the Rabbit angrily. "Here! Come and help me out of _this!_" (Sounds of more broken glass.) "Now tell me, Pat, what's that in the window?" "Sure, it's an arm, yer honour!" (He pronounced it "arrum.") "An arm, you goose! Who ever saw one that size? Why, it fills the whole window!" "Sure, it does, yer honour: but it's an arm for all that." "Well, it's got no business there, at any rate: go and take it away!" There was a long silence after this, and Alice could only hear whispers now and then; such as, "Sure, I don't like it, yer honour, at all, at all!" "Do as I tell you, you coward!" and at last she spread out her hand again, and made another snatch in the air. This time there were _two_ little shrieks, and more sounds of broken glass. "What a number of cucumber-frames there must be!" thought Alice. "I wonder what they'll do next! As for pulling me out of the window, I only wish they _could!_ I'm sure _I_ don't want to stay in here any longer!" She waited for some time without hearing anything more: at last came a rumbling of little cartwheels, and the sound of a good many voices all talking together: she made out the words: "Where's the other ladder?--Why, I hadn't to bring but one; Bill's got the other--Bill! fetch it here, lad!--Here, put 'em up at this corner--No, tie 'em together first--they don't reach half high enough yet--Oh! they'll do well enough; don't be particular--Here, Bill! catch hold of this rope--Will the roof bear?--Mind that loose slate--Oh, it's coming down! Heads below!" (a loud crash)--"Now, who did that?--It was Bill, I fancy--Who's to go down the chimney?--Nay, _I_ shan't! _You_ do it!--_That_ I won't, then!--Bill's to go down--Here, Bill! the master says you're to go down the chimney!" "Oh! So Bill's got to come down the chimney, has he?" said Alice to herself. "Shy, they seem to put everything upon Bill! I wouldn't be in Bill's place for a good deal: this fireplace is narrow, to be sure; but I _think_ I can kick a little!" She drew her foot as far down the chimney as she could, and waited till she heard a little animal (she couldn't guess of what sort it was) scratching and scrambling about in the chimney close above her: then, saying to herself "This is Bill," she gave one sharp kick, and waited to see what would happen next. The first thing she heard was a general chorus of "There goes Bill!" then the Rabbit's voice along--" "Catch him, you by the hedge!" then silence, and then another confusion of voices--"Hold up his head--Brandy now--Don't choke him--How was it, old fellow? What happened to you? Tell us all about it!" Last came a little feeble, squeaking voice, (" "That's Bill," thought Alice,) "Well, I hardly know--No more, thank ye; I'm better now--but I'm a deal too flustered to tell you--all I know is, something comes at me like a Jack-in-the-box, and up I goes like a sky-rocket!" "So you | out.' Only I don't think," Alice went on, "that they'd let Dinah stop in the house if it began ordering people about like that!" By this time she had found her way into a tidy little room with a table in the window, and on it (as she had hoped) a fan and two or three pairs of tiny white kid gloves: she took up the fan and a pair of the gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words "DRINK ME," but nevertheless she uncorked it and put it to her lips. "I know _something_ interesting is sure to happen," she said to herself, "whenever I eat or drink anything; so I'll just see what this bottle does. I do hope it'll make me grow large again, for really I'm quite tired of being such a tiny little thing!" It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself "That's quite enough--I hope I shan't grow any more--As it is, I can't get out at the door--I do wish I hadn't drunk quite so much!" Alas! it was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself "Now I can do no more, whatever happens. What _will_ become of me?" Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. "It was much pleasanter at home," thought poor Alice, "when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now," she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice,<|quote|>"shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_"</|quote|>"Oh, you foolish Alice!" she answered herself. "How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!" And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen. "Mary Ann! Mary Ann!" said the voice. "Fetch me my gloves this moment!" Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her, and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit, and had no reason to be afraid of it. Presently the Rabbit came up to the door, and tried to open it; but, as the door opened inwards, and Alice's elbow was pressed hard against it, that attempt proved a failure. Alice heard it say to itself "Then I'll go round and get in at the window." "_That_ you won't!" thought Alice, and, after waiting till she fancied she heard the Rabbit just under the window, she suddenly spread out her hand, and made a snatch in the air. She did not get hold of anything, but she heard a little shriek and a fall, and a crash of broken glass, from which she concluded that it was just possible it had fallen into a cucumber-frame, or something of the sort. Next came an angry voice--the Rabbit's--" "Pat! Pat! Where are you?" And then a voice she had never heard before, "Sure then I'm here! Digging for apples, yer honour!" "Digging for apples, indeed!" said the Rabbit angrily. "Here! Come and help me out of _this!_" (Sounds of more broken glass.) "Now tell me, Pat, what's that in the window?" "Sure, it's an arm, yer honour!" (He pronounced it "arrum.") "An arm, you goose! Who ever saw one that size? Why, it fills the whole window!" "Sure, it does, yer honour: but it's an arm for all that." "Well, it's got no business there, at any rate: go and take it away!" There was a long silence after this, and Alice could only hear whispers now and then; such as, "Sure, I don't like it, yer honour, at all, at all!" "Do as I tell you, you coward!" and at last she spread out her hand again, and made another snatch in the air. This time there were _two_ little shrieks, and more sounds of broken glass. "What a number of cucumber-frames there must be!" thought Alice. "I wonder what they'll do next! As for pulling me out of the window, I only wish they _could!_ I'm sure _I_ don't want to stay in here any longer!" She waited for some time without hearing anything more: at last came a rumbling of little cartwheels, and the sound of a good many voices all talking together: she made out the words: "Where's the other ladder?--Why, I hadn't to bring but one; Bill's got the other--Bill! fetch it here, lad!--Here, put 'em up at this corner--No, tie 'em together first--they don't reach half high enough yet--Oh! they'll do well enough; don't be particular--Here, Bill! catch hold of this rope--Will the roof bear?--Mind that loose slate--Oh, it's coming down! Heads below!" (a loud crash)--"Now, who did that?--It was Bill, I fancy--Who's to go down the chimney?--Nay, | Alices Adventures In Wonderland | in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now," she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice,<|quote|>"shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_"</|quote|>"Oh, you foolish Alice!" she answered herself. "How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!" And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but | {
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"content": "in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now,\" she added in a sorrowful tone; \"at least there's no room to grow up any more _here_.\" \"But then,\" thought Alice,<|quote|>\"shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_\"</|quote|>\"Oh, you foolish Alice!\" she answered herself. \"How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!\" And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but",
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"Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs." | The Mouse | in a low trembling voice,<|quote|>"Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs."</|quote|>It was high time to | Alice thought), and it said in a low trembling voice,<|quote|>"Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs."</|quote|>It was high time to go, for the pool was | dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice,<|quote|>"Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs."</|quote|>It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to | kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice,<|quote|>"Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs."</|quote|>It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get | great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice,<|quote|>"Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs."</|quote|>It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be | forgot you didn't like cats." "Not like cats!" cried the Mouse, in a shrill, passionate voice. "Would _you_ like cats if you were me?" "Well, perhaps not," said Alice in a soothing tone: "don't be angry about it. And yet I wish I could show you our cat Dinah: I think you'd take a fancy to cats if you could only see her. She is such a dear quiet thing," Alice went on, half to herself, as she swam lazily about in the pool, "and she sits purring so nicely by the fire, licking her paws and washing her face--and she is such a nice soft thing to nurse--and she's such a capital one for catching mice--oh, I beg your pardon!" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. "We won't talk about her any more if you'd rather not." "We indeed!" cried the Mouse, who was trembling down to the end of his tail. "As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!" "I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice,<|quote|>"Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs."</|quote|>It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather | seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. "I wish I hadn't cried so much!" said Alice, as she swam about, trying to find her way out. "I shall be punished for it now, I suppose, by being drowned in my own tears! That _will_ be a queer thing, to be sure! However, everything is queer to-day." Just then she heard something splashing about in the pool a little way off, and she swam nearer to make out what it was: at first she thought it must be a walrus or hippopotamus, but then she remembered how small she was now, and she soon made out that it was only a mouse that had slipped in like herself. "Would it be of any use, now," thought Alice, "to speak to this mouse? Everything is so out-of-the-way down here, that I should think very likely it can talk: at any rate, there's no harm in trying." So she began: "O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!" (Alice thought this must be the right way of speaking to a mouse: she had never done such a thing before, but she remembered having seen in her brother's Latin Grammar, "A mouse--of a mouse--to a mouse--a mouse--O mouse!") The Mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing. "Perhaps it doesn't understand English," thought Alice; "I daresay it's a French mouse, come over with William the Conqueror." (For, with all her knowledge of history, Alice had no very clear notion how long ago anything had happened.) So she began again: "O? est ma chatte?" which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water, and seemed to quiver all over with fright. "Oh, I beg your pardon!" cried Alice hastily, afraid that she had hurt the poor animal's feelings. "I quite forgot you didn't like cats." "Not like cats!" cried the Mouse, in a shrill, passionate voice. "Would _you_ like cats if you were me?" "Well, perhaps not," said Alice in a soothing tone: "don't be angry about it. And yet I wish I could show you our cat Dinah: I think you'd take a fancy to cats if you could only see her. She is such a dear quiet thing," Alice went on, half to herself, as she swam lazily about in the pool, "and she sits purring so nicely by the fire, licking her paws and washing her face--and she is such a nice soft thing to nurse--and she's such a capital one for catching mice--oh, I beg your pardon!" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. "We won't talk about her any more if you'd rather not." "We indeed!" cried the Mouse, who was trembling down to the end of his tail. "As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!" "I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice,<|quote|>"Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs."</|quote|>It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time | fire, licking her paws and washing her face--and she is such a nice soft thing to nurse--and she's such a capital one for catching mice--oh, I beg your pardon!" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. "We won't talk about her any more if you'd rather not." "We indeed!" cried the Mouse, who was trembling down to the end of his tail. "As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!" "I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice,<|quote|>"Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs."</|quote|>It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin | Alices Adventures In Wonderland | dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice,<|quote|>"Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs."</|quote|>It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to | {
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"content": "dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!\" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice,<|quote|>\"Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs.\"</|quote|>It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to",
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thought Alice, | No speaker | "but it doesn't matter much,"<|quote|>thought Alice,</|quote|>"as all the arches are | hedgehogs were out of sight: "but it doesn't matter much,"<|quote|>thought Alice,</|quote|>"as all the arches are gone from this side of | of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much,"<|quote|>thought Alice,</|quote|>"as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find | turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much,"<|quote|>thought Alice,</|quote|>"as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to | all difficulties, great or small. "Off with his head!" she said, without even looking round. "I'll fetch the executioner myself," said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much,"<|quote|>thought Alice,</|quote|>"as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something | when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely to win, that it's hardly worth while finishing the game." The Queen smiled and passed on. "Who _are_ you talking to?" said the King, going up to Alice, and looking at the Cat's head with great curiosity. "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me like that!" He got behind Alice as he spoke. "A cat may look at a king," said Alice. "I've read that in some book, but I don't remember where." "Well, it must be removed," said the King very decidedly, and he called the Queen, who was passing at the moment, "My dear! I wish you would have this cat removed!" The Queen had only one way of settling all difficulties, great or small. "Off with his head!" she said, without even looking round. "I'll fetch the executioner myself," said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much,"<|quote|>thought Alice,</|quote|>"as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said | to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she, "what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!" She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself "It's the Cheshire Cat: now I shall have somebody to talk to." "How are you getting on?" said the Cat, as soon as there was mouth enough for it to speak with. Alice waited till the eyes appeared, and then nodded. "It's no use speaking to it," she thought, "till its ears have come, or at least one of them." In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared. "I don't think they play at all fairly," Alice began, in rather a complaining tone, "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely to win, that it's hardly worth while finishing the game." The Queen smiled and passed on. "Who _are_ you talking to?" said the King, going up to Alice, and looking at the Cat's head with great curiosity. "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me like that!" He got behind Alice as he spoke. "A cat may look at a king," said Alice. "I've read that in some book, but I don't remember where." "Well, it must be removed," said the King very decidedly, and he called the Queen, who was passing at the moment, "My dear! I wish you would have this cat removed!" The Queen had only one way of settling all difficulties, great or small. "Off with his head!" she said, without even looking round. "I'll fetch the executioner myself," said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much,"<|quote|>thought Alice,</|quote|>"as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the | rather a complaining tone, "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely to win, that it's hardly worth while finishing the game." The Queen smiled and passed on. "Who _are_ you talking to?" said the King, going up to Alice, and looking at the Cat's head with great curiosity. "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me like that!" He got behind Alice as he spoke. "A cat may look at a king," said Alice. "I've read that in some book, but I don't remember where." "Well, it must be removed," said the King very decidedly, and he called the Queen, who was passing at the moment, "My dear! I wish you would have this cat removed!" The Queen had only one way of settling all difficulties, great or small. "Off with his head!" she said, without even looking round. "I'll fetch the executioner myself," said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much,"<|quote|>thought Alice,</|quote|>"as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in | Alices Adventures In Wonderland | of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much,"<|quote|>thought Alice,</|quote|>"as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find | {
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"You are," | The King Of Hearts | a mile high," said Alice.<|quote|>"You are,"</|quote|>said the King. "Nearly two | looked at Alice. "_I'm_ not a mile high," said Alice.<|quote|>"You are,"</|quote|>said the King. "Nearly two miles high," added the Queen. | herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice.<|quote|>"You are,"</|quote|>said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The | on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice.<|quote|>"You are,"</|quote|>said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" | do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice.<|quote|>"You are,"</|quote|>said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of | could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice.<|quote|>"You are,"</|quote|>said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me | the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice.<|quote|>"You are,"</|quote|>said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then | the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice.<|quote|>"You are,"</|quote|>said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please | Alices Adventures In Wonderland | herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice.<|quote|>"You are,"</|quote|>said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The | {
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said Marilla. | No speaker | what to do with her,"<|quote|>said Marilla.</|quote|>"She declares she won't go | about it." "I don't know what to do with her,"<|quote|>said Marilla.</|quote|>"She declares she won't go back to school. I never | as usual. "I suppose you know what I've come about," she said, a little shamefacedly. Mrs. Rachel nodded. "About Anne's fuss in school, I reckon," she said. "Tillie Boulter was in on her way home from school and told me about it." "I don't know what to do with her,"<|quote|>said Marilla.</|quote|>"She declares she won't go back to school. I never saw a child so worked up. I've been expecting trouble ever since she started to school. I knew things were going too smooth to last. She's so high strung. What would you advise, Rachel?" "Well, since you've asked my advice, | it would never do to say so to her. I'll just talk it over with Rachel. She's sent ten children to school and she ought to know something about it. She'll have heard the whole story, too, by this time." Marilla found Mrs. Lynde knitting quilts as industriously and cheerfully as usual. "I suppose you know what I've come about," she said, a little shamefacedly. Mrs. Rachel nodded. "About Anne's fuss in school, I reckon," she said. "Tillie Boulter was in on her way home from school and told me about it." "I don't know what to do with her,"<|quote|>said Marilla.</|quote|>"She declares she won't go back to school. I never saw a child so worked up. I've been expecting trouble ever since she started to school. I knew things were going too smooth to last. She's so high strung. What would you advise, Rachel?" "Well, since you've asked my advice, Marilla," said Mrs. Lynde amiably--Mrs. Lynde dearly loved to be asked for advice--" "I'd just humor her a little at first, that's what I'd do. It's my belief that Mr. Phillips was in the wrong. Of course, it doesn't do to say so to the children, you know. And of | will not go back to school, I assure you." Marilla saw something remarkably like unyielding stubbornness looking out of Anne's small face. She understood that she would have trouble in overcoming it; but she re-solved wisely to say nothing more just then. "I'll run down and see Rachel about it this evening," she thought. "There's no use reasoning with Anne now. She's too worked up and I've an idea she can be awful stubborn if she takes the notion. Far as I can make out from her story, Mr. Phillips has been carrying matters with a rather high hand. But it would never do to say so to her. I'll just talk it over with Rachel. She's sent ten children to school and she ought to know something about it. She'll have heard the whole story, too, by this time." Marilla found Mrs. Lynde knitting quilts as industriously and cheerfully as usual. "I suppose you know what I've come about," she said, a little shamefacedly. Mrs. Rachel nodded. "About Anne's fuss in school, I reckon," she said. "Tillie Boulter was in on her way home from school and told me about it." "I don't know what to do with her,"<|quote|>said Marilla.</|quote|>"She declares she won't go back to school. I never saw a child so worked up. I've been expecting trouble ever since she started to school. I knew things were going too smooth to last. She's so high strung. What would you advise, Rachel?" "Well, since you've asked my advice, Marilla," said Mrs. Lynde amiably--Mrs. Lynde dearly loved to be asked for advice--" "I'd just humor her a little at first, that's what I'd do. It's my belief that Mr. Phillips was in the wrong. Of course, it doesn't do to say so to the children, you know. And of course he did right to punish her yesterday for giving way to temper. But today it was different. The others who were late should have been punished as well as Anne, that's what. And I don't believe in making the girls sit with the boys for punishment. It isn't modest. Tillie Boulter was real indignant. She took Anne's part right through and said all the scholars did too. Anne seems real popular among them, somehow. I never thought she'd take with them so well." "Then you really think I'd better let her stay home," said Marilla in amazement. "Yes. That | my very soul." "Just think of all the fun you will miss," mourned Diana. "We are going to build the loveliest new house down by the brook; and we'll be playing ball next week and you've never played ball, Anne. It's tremendously exciting. And we're going to learn a new song--Jane Andrews is practicing it up now; and Alice Andrews is going to bring a new Pansy book next week and we're all going to read it out loud, chapter about, down by the brook. And you know you are so fond of reading out loud, Anne." Nothing moved Anne in the least. Her mind was made up. She would not go to school to Mr. Phillips again; she told Marilla so when she got home. "Nonsense," said Marilla. "It isn't nonsense at all," said Anne, gazing at Marilla with solemn, reproachful eyes. "Don't you understand, Marilla? I've been insulted." "Insulted fiddlesticks! You'll go to school tomorrow as usual." "Oh, no." Anne shook her head gently. "I'm not going back, Marilla. I'll learn my lessons at home and I'll be as good as I can be and hold my tongue all the time if it's possible at all. But I will not go back to school, I assure you." Marilla saw something remarkably like unyielding stubbornness looking out of Anne's small face. She understood that she would have trouble in overcoming it; but she re-solved wisely to say nothing more just then. "I'll run down and see Rachel about it this evening," she thought. "There's no use reasoning with Anne now. She's too worked up and I've an idea she can be awful stubborn if she takes the notion. Far as I can make out from her story, Mr. Phillips has been carrying matters with a rather high hand. But it would never do to say so to her. I'll just talk it over with Rachel. She's sent ten children to school and she ought to know something about it. She'll have heard the whole story, too, by this time." Marilla found Mrs. Lynde knitting quilts as industriously and cheerfully as usual. "I suppose you know what I've come about," she said, a little shamefacedly. Mrs. Rachel nodded. "About Anne's fuss in school, I reckon," she said. "Tillie Boulter was in on her way home from school and told me about it." "I don't know what to do with her,"<|quote|>said Marilla.</|quote|>"She declares she won't go back to school. I never saw a child so worked up. I've been expecting trouble ever since she started to school. I knew things were going too smooth to last. She's so high strung. What would you advise, Rachel?" "Well, since you've asked my advice, Marilla," said Mrs. Lynde amiably--Mrs. Lynde dearly loved to be asked for advice--" "I'd just humor her a little at first, that's what I'd do. It's my belief that Mr. Phillips was in the wrong. Of course, it doesn't do to say so to the children, you know. And of course he did right to punish her yesterday for giving way to temper. But today it was different. The others who were late should have been punished as well as Anne, that's what. And I don't believe in making the girls sit with the boys for punishment. It isn't modest. Tillie Boulter was real indignant. She took Anne's part right through and said all the scholars did too. Anne seems real popular among them, somehow. I never thought she'd take with them so well." "Then you really think I'd better let her stay home," said Marilla in amazement. "Yes. That is I wouldn't say school to her again until she said it herself. Depend upon it, Marilla, she'll cool off in a week or so and be ready enough to go back of her own accord, that's what, while, if you were to make her go back right off, dear knows what freak or tantrum she'd take next and make more trouble than ever. The less fuss made the better, in my opinion. She won't miss much by not going to school, as far as _that_ goes. Mr. Phillips isn't any good at all as a teacher. The order he keeps is scandalous, that's what, and he neglects the young fry and puts all his time on those big scholars he's getting ready for Queen's. He'd never have got the school for another year if his uncle hadn't been a trustee--_the_ trustee, for he just leads the other two around by the nose, that's what. I declare, I don't know what education in this Island is coming to." Mrs. Rachel shook her head, as much as to say if she were only at the head of the educational system of the Province things would be much better managed. Marilla took | but that that boy should be Gilbert Blythe was heaping insult on injury to a degree utterly unbearable. Anne felt that she could not bear it and it would be of no use to try. Her whole being seethed with shame and anger and humiliation. At first the other scholars looked and whispered and giggled and nudged. But as Anne never lifted her head and as Gilbert worked fractions as if his whole soul was absorbed in them and them only, they soon returned to their own tasks and Anne was forgotten. When Mr. Phillips called the history class out Anne should have gone, but Anne did not move, and Mr. Phillips, who had been writing some verses "To Priscilla" before he called the class, was thinking about an obstinate rhyme still and never missed her. Once, when nobody was looking, Gilbert took from his desk a little pink candy heart with a gold motto on it, "You are sweet," and slipped it under the curve of Anne's arm. Whereupon Anne arose, took the pink heart gingerly between the tips of her fingers, dropped it on the floor, ground it to powder beneath her heel, and resumed her position without deigning to bestow a glance on Gilbert. When school went out Anne marched to her desk, ostentatiously took out everything therein, books and writing tablet, pen and ink, testament and arithmetic, and piled them neatly on her cracked slate. "What are you taking all those things home for, Anne?" Diana wanted to know, as soon as they were out on the road. She had not dared to ask the question before. "I am not coming back to school any more," said Anne. Diana gasped and stared at Anne to see if she meant it. "Will Marilla let you stay home?" she asked. "She'll have to," said Anne. "I'll _never_ go to school to that man again." "Oh, Anne!" Diana looked as if she were ready to cry. "I do think you're mean. What shall I do? Mr. Phillips will make me sit with that horrid Gertie Pye--I know he will because she is sitting alone. Do come back, Anne." "I'd do almost anything in the world for you, Diana," said Anne sadly. "I'd let myself be torn limb from limb if it would do you any good. But I can't do this, so please don't ask it. You harrow up my very soul." "Just think of all the fun you will miss," mourned Diana. "We are going to build the loveliest new house down by the brook; and we'll be playing ball next week and you've never played ball, Anne. It's tremendously exciting. And we're going to learn a new song--Jane Andrews is practicing it up now; and Alice Andrews is going to bring a new Pansy book next week and we're all going to read it out loud, chapter about, down by the brook. And you know you are so fond of reading out loud, Anne." Nothing moved Anne in the least. Her mind was made up. She would not go to school to Mr. Phillips again; she told Marilla so when she got home. "Nonsense," said Marilla. "It isn't nonsense at all," said Anne, gazing at Marilla with solemn, reproachful eyes. "Don't you understand, Marilla? I've been insulted." "Insulted fiddlesticks! You'll go to school tomorrow as usual." "Oh, no." Anne shook her head gently. "I'm not going back, Marilla. I'll learn my lessons at home and I'll be as good as I can be and hold my tongue all the time if it's possible at all. But I will not go back to school, I assure you." Marilla saw something remarkably like unyielding stubbornness looking out of Anne's small face. She understood that she would have trouble in overcoming it; but she re-solved wisely to say nothing more just then. "I'll run down and see Rachel about it this evening," she thought. "There's no use reasoning with Anne now. She's too worked up and I've an idea she can be awful stubborn if she takes the notion. Far as I can make out from her story, Mr. Phillips has been carrying matters with a rather high hand. But it would never do to say so to her. I'll just talk it over with Rachel. She's sent ten children to school and she ought to know something about it. She'll have heard the whole story, too, by this time." Marilla found Mrs. Lynde knitting quilts as industriously and cheerfully as usual. "I suppose you know what I've come about," she said, a little shamefacedly. Mrs. Rachel nodded. "About Anne's fuss in school, I reckon," she said. "Tillie Boulter was in on her way home from school and told me about it." "I don't know what to do with her,"<|quote|>said Marilla.</|quote|>"She declares she won't go back to school. I never saw a child so worked up. I've been expecting trouble ever since she started to school. I knew things were going too smooth to last. She's so high strung. What would you advise, Rachel?" "Well, since you've asked my advice, Marilla," said Mrs. Lynde amiably--Mrs. Lynde dearly loved to be asked for advice--" "I'd just humor her a little at first, that's what I'd do. It's my belief that Mr. Phillips was in the wrong. Of course, it doesn't do to say so to the children, you know. And of course he did right to punish her yesterday for giving way to temper. But today it was different. The others who were late should have been punished as well as Anne, that's what. And I don't believe in making the girls sit with the boys for punishment. It isn't modest. Tillie Boulter was real indignant. She took Anne's part right through and said all the scholars did too. Anne seems real popular among them, somehow. I never thought she'd take with them so well." "Then you really think I'd better let her stay home," said Marilla in amazement. "Yes. That is I wouldn't say school to her again until she said it herself. Depend upon it, Marilla, she'll cool off in a week or so and be ready enough to go back of her own accord, that's what, while, if you were to make her go back right off, dear knows what freak or tantrum she'd take next and make more trouble than ever. The less fuss made the better, in my opinion. She won't miss much by not going to school, as far as _that_ goes. Mr. Phillips isn't any good at all as a teacher. The order he keeps is scandalous, that's what, and he neglects the young fry and puts all his time on those big scholars he's getting ready for Queen's. He'd never have got the school for another year if his uncle hadn't been a trustee--_the_ trustee, for he just leads the other two around by the nose, that's what. I declare, I don't know what education in this Island is coming to." Mrs. Rachel shook her head, as much as to say if she were only at the head of the educational system of the Province things would be much better managed. Marilla took Mrs. Rachel's advice and not another word was said to Anne about going back to school. She learned her lessons at home, did her chores, and played with Diana in the chilly purple autumn twilights; but when she met Gilbert Blythe on the road or encountered him in Sunday school she passed him by with an icy contempt that was no whit thawed by his evident desire to appease her. Even Diana's efforts as a peacemaker were of no avail. Anne had evidently made up her mind to hate Gilbert Blythe to the end of life. As much as she hated Gilbert, however, did she love Diana, with all the love of her passionate little heart, equally intense in its likes and dislikes. One evening Marilla, coming in from the orchard with a basket of apples, found Anne sitting along by the east window in the twilight, crying bitterly. "Whatever's the matter now, Anne?" she asked. "It's about Diana," sobbed Anne luxuriously. "I love Diana so, Marilla. I cannot ever live without her. But I know very well when we grow up that Diana will get married and go away and leave me. And oh, what shall I do? I hate her husband--I just hate him furiously. I've been imagining it all out--the wedding and everything--Diana dressed in snowy garments, with a veil, and looking as beautiful and regal as a queen; and me the bridesmaid, with a lovely dress too, and puffed sleeves, but with a breaking heart hid beneath my smiling face. And then bidding Diana goodbye-e-e--" Here Anne broke down entirely and wept with increasing bitterness. Marilla turned quickly away to hide her twitching face; but it was no use; she collapsed on the nearest chair and burst into such a hearty and unusual peal of laughter that Matthew, crossing the yard outside, halted in amazement. When had he heard Marilla laugh like that before? "Well, Anne Shirley," said Marilla as soon as she could speak, "if you must borrow trouble, for pity's sake borrow it handier home. I should think you had an imagination, sure enough." CHAPTER XVI. Diana Is Invited to Tea with Tragic Results OCTOBER was a beautiful month at Green Gables, when the birches in the hollow turned as golden as sunshine and the maples behind the orchard were royal crimson and the wild cherry trees along the lane put on the loveliest | of all the fun you will miss," mourned Diana. "We are going to build the loveliest new house down by the brook; and we'll be playing ball next week and you've never played ball, Anne. It's tremendously exciting. And we're going to learn a new song--Jane Andrews is practicing it up now; and Alice Andrews is going to bring a new Pansy book next week and we're all going to read it out loud, chapter about, down by the brook. And you know you are so fond of reading out loud, Anne." Nothing moved Anne in the least. Her mind was made up. She would not go to school to Mr. Phillips again; she told Marilla so when she got home. "Nonsense," said Marilla. "It isn't nonsense at all," said Anne, gazing at Marilla with solemn, reproachful eyes. "Don't you understand, Marilla? I've been insulted." "Insulted fiddlesticks! You'll go to school tomorrow as usual." "Oh, no." Anne shook her head gently. "I'm not going back, Marilla. I'll learn my lessons at home and I'll be as good as I can be and hold my tongue all the time if it's possible at all. But I will not go back to school, I assure you." Marilla saw something remarkably like unyielding stubbornness looking out of Anne's small face. She understood that she would have trouble in overcoming it; but she re-solved wisely to say nothing more just then. "I'll run down and see Rachel about it this evening," she thought. "There's no use reasoning with Anne now. She's too worked up and I've an idea she can be awful stubborn if she takes the notion. Far as I can make out from her story, Mr. Phillips has been carrying matters with a rather high hand. But it would never do to say so to her. I'll just talk it over with Rachel. She's sent ten children to school and she ought to know something about it. She'll have heard the whole story, too, by this time." Marilla found Mrs. Lynde knitting quilts as industriously and cheerfully as usual. "I suppose you know what I've come about," she said, a little shamefacedly. Mrs. Rachel nodded. "About Anne's fuss in school, I reckon," she said. "Tillie Boulter was in on her way home from school and told me about it." "I don't know what to do with her,"<|quote|>said Marilla.</|quote|>"She declares she won't go back to school. I never saw a child so worked up. I've been expecting trouble ever since she started to school. I knew things were going too smooth to last. She's so high strung. What would you advise, Rachel?" "Well, since you've asked my advice, Marilla," said Mrs. Lynde amiably--Mrs. Lynde dearly loved to be asked for advice--" "I'd just humor her a little at first, that's what I'd do. It's my belief that Mr. Phillips was in the wrong. Of course, it doesn't do to say so to the children, you know. And of course he did right to punish her yesterday for giving way to temper. But today it was different. The others who were late should have been punished as well as Anne, that's what. And I don't believe in making the girls sit with the boys for punishment. It isn't modest. Tillie Boulter was real indignant. She took Anne's part right through and said all the scholars did too. Anne seems real popular among them, somehow. I never thought she'd take with them so well." "Then you really think I'd better let her stay home," said Marilla in amazement. "Yes. That is I wouldn't say school to her again until she said it herself. Depend upon it, Marilla, she'll cool off in a week or so and be ready enough to go back of her own accord, that's what, while, if you were to make her go back right off, dear knows what freak or tantrum she'd take next and make more trouble than ever. The less fuss made the better, in my opinion. She won't miss much by not going to school, as far as _that_ goes. Mr. Phillips isn't any good at all as a teacher. The order he keeps is scandalous, that's what, and he neglects the young fry and puts all his time on those big scholars he's getting ready for Queen's. He'd never have got the school for | Anne Of Green Gables | as usual. "I suppose you know what I've come about," she said, a little shamefacedly. Mrs. Rachel nodded. "About Anne's fuss in school, I reckon," she said. "Tillie Boulter was in on her way home from school and told me about it." "I don't know what to do with her,"<|quote|>said Marilla.</|quote|>"She declares she won't go back to school. I never saw a child so worked up. I've been expecting trouble ever since she started to school. I knew things were going too smooth to last. She's so high strung. What would you advise, Rachel?" "Well, since you've asked my advice, | {
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"content": "as usual. \"I suppose you know what I've come about,\" she said, a little shamefacedly. Mrs. Rachel nodded. \"About Anne's fuss in school, I reckon,\" she said. \"Tillie Boulter was in on her way home from school and told me about it.\" \"I don't know what to do with her,\"<|quote|>said Marilla.</|quote|>\"She declares she won't go back to school. I never saw a child so worked up. I've been expecting trouble ever since she started to school. I knew things were going too smooth to last. She's so high strung. What would you advise, Rachel?\" \"Well, since you've asked my advice,",
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"I tell you what I must do is to telephone. Where is it?" | Tony Last | "How about a nice haddock?"<|quote|>"I tell you what I must do is to telephone. Where is it?"</|quote|>"D'you mean really the telephone | we've only just had dinner." "How about a nice haddock?"<|quote|>"I tell you what I must do is to telephone. Where is it?"</|quote|>"D'you mean really the telephone or the gentlemen's?" Milly asked. | "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?"<|quote|>"I tell you what I must do is to telephone. Where is it?"</|quote|>"D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. | Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?"<|quote|>"I tell you what I must do is to telephone. Where is it?"</|quote|>"D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." | Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?"<|quote|>"I tell you what I must do is to telephone. Where is it?"</|quote|>"D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. | inscribed fictitious names at the foot of a form which stated, _I have been invited to a Bottle Party at 100 Sink Street given by Captain Weybridge_. "That's five bob each, please." It is not an expensive club to run, because none of the staff, except the band, receive any wages; they make what they can by going through the overcoat pockets and giving the wrong change to drunks. The young ladies get in free but they have to see to it that their patrons spend money. "Last time I was here, Tony, was the bachelor party before your wedding." "Tight that night." "Stinking." "I'll tell you who else was tight that night--Reggie. Broke a fruit gum machine." "Reggie was stinking." "I say, you don't still feel low about that girl?" "I don't feel low." "Come on, we'll go downstairs." The dance-room was fairly full. An elderly man had joined the band and was trying to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?"<|quote|>"I tell you what I must do is to telephone. Where is it?"</|quote|>"D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now | hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting us." "Well, I can't walk all that way. Besides, I don't think she really wanted us to come." "She'll be pleased when she sees us." "Yes, but it's a long way. Let's go some other place." "I'd like to see Brenda," said Jock. "I'm very fond of Brenda." "She's a grand girl." "She's a grand girl." "Well, let's take a taxi to Brenda's." But half-way Jock said, "Don't let's go there. Let's go some other place. Let's go to some low joint." "All the same to me. Tell him to go to some lousy joint." "Go to some lousy joint," said Jock, putting his head through the window. The cab wheeled round and made towards Regent Street. "We can always ring Brenda from the lousy joint." "Yes, I think we ought to do that. She's a grand girl." "Grand girl." The cab turned into Golden Square and then down Sink Street, a dingy little place inhabited for the most part by Asiatics. "D'you know, I believe he's taking us to the Old Hundredth." "Can't still be open? Thought they closed it down years ago." But the door was brightly illuminated and a seedy figure in peaked cap and braided overcoat stepped out to open the taxi for them. The Old Hundredth has never been shut. For a generation, while other night clubs have sprung into being, with various names and managers, and various pretensions to respectability, have enjoyed a precarious and brief existence, and come to grief at the hands either of police or creditors, the Old Hundredth has maintained a solid front against all adversity. It has not been immune from persecution; far from it. Times out of number, magistrates have struck it off, cancelled its licence, condemned its premises; the staff and proprietor have been constantly in and out of prison; there have been questions in the House and committees of enquiry, but whatever Home Secretaries and Commissioners of Police have risen into eminence and retired discredited, the doors of the Old Hundredth have always been open from nine in the evening until four at night, and inside there has been an unimpeded flow of dubious, alcoholic preparations. A kindly young lady admitted Tony and Jock to the ramshackle building. "D'you mind signing on?" Tony and Jock inscribed fictitious names at the foot of a form which stated, _I have been invited to a Bottle Party at 100 Sink Street given by Captain Weybridge_. "That's five bob each, please." It is not an expensive club to run, because none of the staff, except the band, receive any wages; they make what they can by going through the overcoat pockets and giving the wrong change to drunks. The young ladies get in free but they have to see to it that their patrons spend money. "Last time I was here, Tony, was the bachelor party before your wedding." "Tight that night." "Stinking." "I'll tell you who else was tight that night--Reggie. Broke a fruit gum machine." "Reggie was stinking." "I say, you don't still feel low about that girl?" "I don't feel low." "Come on, we'll go downstairs." The dance-room was fairly full. An elderly man had joined the band and was trying to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?"<|quote|>"I tell you what I must do is to telephone. Where is it?"</|quote|>"D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" | that night." "Stinking." "I'll tell you who else was tight that night--Reggie. Broke a fruit gum machine." "Reggie was stinking." "I say, you don't still feel low about that girl?" "I don't feel low." "Come on, we'll go downstairs." The dance-room was fairly full. An elderly man had joined the band and was trying to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?"<|quote|>"I tell you what I must do is to telephone. Where is it?"</|quote|>"D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early | A Handful Of Dust | "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?"<|quote|>"I tell you what I must do is to telephone. Where is it?"</|quote|>"D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. | {
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"content": "\"You see, the trouble is my wife is studious. She's taking a course in economics.\" Babs said, \"I think it's nice for a girl to be interested in things.\" The waiter said, \"What will you be taking for supper?\" \"Why, we've only just had dinner.\" \"How about a nice haddock?\"<|quote|>\"I tell you what I must do is to telephone. Where is it?\"</|quote|>\"D'you mean really the telephone or the gentlemen's?\" Milly asked. \"No, the telephone.\" \"Upstairs in the office.\" Tony rang up Brenda. It was some time before she answered, then, \"Yes, who is it?\" \"I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies.\" \"Oh, it's you, Tony.",
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"The men must go out and shoot something." | Dr Messinger | stores," said Dr Messinger peevishly.<|quote|>"The men must go out and shoot something."</|quote|>But they received the orders | go on breaking into tinned stores," said Dr Messinger peevishly.<|quote|>"The men must go out and shoot something."</|quote|>But they received the orders with expressionless, downcast faces and | measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly.<|quote|>"The men must go out and shoot something."</|quote|>But they received the orders with expressionless, downcast faces and remained in camp. "No birds, no animals here," explained Rosa. "All gone. Maybe they get some fish." But the Indians could not be persuaded to exert themselves. They could see the sacks and bales of food heaped on the bank; | lasting as well as Dr Messinger had calculated. During the march it had been difficult to keep a proper guard over the stores. They were short of a bag of farine, half a bag of sugar and a bag of rice. Dr Messinger instituted careful rationing; he served them himself, measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly.<|quote|>"The men must go out and shoot something."</|quote|>But they received the orders with expressionless, downcast faces and remained in camp. "No birds, no animals here," explained Rosa. "All gone. Maybe they get some fish." But the Indians could not be persuaded to exert themselves. They could see the sacks and bales of food heaped on the bank; it would be plenty of time to start hunting and fishing when that had been exhausted. Meanwhile there were canoes to be built. "This is clearly Amazon water," said Dr Messinger. "It probably flows into the Rio Branco or the Rio Negro. The Pie-wies live along the bank, and the | aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats all night long nuzzling and flapping against their netting. The Indians would not go hunting in this forest. They said there was no game, but Dr Messinger said it was because they were afraid of the evil spirits of the Pie-wie people. Provisions were not lasting as well as Dr Messinger had calculated. During the march it had been difficult to keep a proper guard over the stores. They were short of a bag of farine, half a bag of sugar and a bag of rice. Dr Messinger instituted careful rationing; he served them himself, measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly.<|quote|>"The men must go out and shoot something."</|quote|>But they received the orders with expressionless, downcast faces and remained in camp. "No birds, no animals here," explained Rosa. "All gone. Maybe they get some fish." But the Indians could not be persuaded to exert themselves. They could see the sacks and bales of food heaped on the bank; it would be plenty of time to start hunting and fishing when that had been exhausted. Meanwhile there were canoes to be built. "This is clearly Amazon water," said Dr Messinger. "It probably flows into the Rio Branco or the Rio Negro. The Pie-wies live along the bank, and the City, from all accounts, must be downstream of us, up one of the tributaries. When we reach the first Pie-wie village we will be able to get guides." The canoes were made of woodskin. Three days were spent in finding trees of suitable age and straightness and in felling them. They cut four trees and worked on them where they lay, clearing the bush for a few feet round them. They stripped the bark with their broad-bladed knives; that took another week. They worked patiently but clumsily; one woodskin was split in getting it off the trunk. There was nothing | * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy." "You _would_ like it, wouldn't you?" "Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and muslin veils, hanging down under their hats. Later they employed two women to squat beside their hammocks and fan them with leafy boughs; the slightest breeze was enough to disperse the flies, but as soon as Tony and Dr Messinger dozed the women would lay aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats all night long nuzzling and flapping against their netting. The Indians would not go hunting in this forest. They said there was no game, but Dr Messinger said it was because they were afraid of the evil spirits of the Pie-wie people. Provisions were not lasting as well as Dr Messinger had calculated. During the march it had been difficult to keep a proper guard over the stores. They were short of a bag of farine, half a bag of sugar and a bag of rice. Dr Messinger instituted careful rationing; he served them himself, measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly.<|quote|>"The men must go out and shoot something."</|quote|>But they received the orders with expressionless, downcast faces and remained in camp. "No birds, no animals here," explained Rosa. "All gone. Maybe they get some fish." But the Indians could not be persuaded to exert themselves. They could see the sacks and bales of food heaped on the bank; it would be plenty of time to start hunting and fishing when that had been exhausted. Meanwhile there were canoes to be built. "This is clearly Amazon water," said Dr Messinger. "It probably flows into the Rio Branco or the Rio Negro. The Pie-wies live along the bank, and the City, from all accounts, must be downstream of us, up one of the tributaries. When we reach the first Pie-wie village we will be able to get guides." The canoes were made of woodskin. Three days were spent in finding trees of suitable age and straightness and in felling them. They cut four trees and worked on them where they lay, clearing the bush for a few feet round them. They stripped the bark with their broad-bladed knives; that took another week. They worked patiently but clumsily; one woodskin was split in getting it off the trunk. There was nothing Tony and Dr Messinger could do to help. They spent that week guarding the sugar from the women. As the men moved about the camp and the surrounding bush, their steps were soundless; their bare feet seemed never to disturb the fallen leaves, their bare shoulders made no rustle in the tangled undergrowth; their speech was brief and scarcely audible, they never joined in the chatter and laughter of their women; sometimes they gave little grunts as they worked; only once they were merry, when one of them let his knife slip as he was working on the tree-trunk and cut deeply into the ball of his thumb. Dr Messinger dressed the wound with iodine, lint and bandages. After that the women constantly solicited him, showing him little scratches on their arms and legs and asking for iodine. Two of the trees were finished on one day, then another next day (that was the one which split) and the fourth two days after that; it was a larger tree than the others. When the last fibre was severed, four men got round the trunk and lifted the skin clear. It curled up again at once, making a hollow cylinder, which | course; sometimes they crossed little patches of dry savannah, dun grass growing in tufts from the baked earth; thousands of lizards scampered and darted before their feet and the grass rustled like newspaper; it was burning hot in these enclosed spaces. Sometimes they climbed up into the wind, over loose red pebbles that bruised their feet; after these painful ascents they would lie in the wind till their wet clothes grew cold against their bodies; from these low eminences they could see other hill-tops and the belts of bush through which they had travelled, and the file of porters trailing behind them. As each man and woman arrived he sank on to the dry grass and rested against his load; when the last of them came up with the party Dr Messinger would give the word and they would start off again, descending into the green heart of the forest before them. Tony and Dr Messinger seldom spoke to one another, either when they were marching or at the halts, for they were constantly strained and exhausted. In the evenings after they had washed and changed into dry shirts and flannel trousers, they talked a little, mostly about the number of miles they had done that day, their probable position and the state of their feet. They drank rum and water after their bath; for supper there was usually bully beef stewed with rice and flour dumplings. The Indians ate farine, smoked hog and occasional delicacies picked up by the way--armadillo, iguana, fat white grubs from the palm trees. The women had some dried fish with them that lasted for eight days; the smell grew stronger every day until the stuff was eaten; then it still hung about them and the stores, but grew fainter until it merged into the general, indefinable smell of the camp. There were no Indians living in this country. In the last five days of the march they suffered from lack of water. The streams they came to were mostly dry; they had to reconnoitre up and down their beds in search of tepid, stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy." "You _would_ like it, wouldn't you?" "Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and muslin veils, hanging down under their hats. Later they employed two women to squat beside their hammocks and fan them with leafy boughs; the slightest breeze was enough to disperse the flies, but as soon as Tony and Dr Messinger dozed the women would lay aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats all night long nuzzling and flapping against their netting. The Indians would not go hunting in this forest. They said there was no game, but Dr Messinger said it was because they were afraid of the evil spirits of the Pie-wie people. Provisions were not lasting as well as Dr Messinger had calculated. During the march it had been difficult to keep a proper guard over the stores. They were short of a bag of farine, half a bag of sugar and a bag of rice. Dr Messinger instituted careful rationing; he served them himself, measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly.<|quote|>"The men must go out and shoot something."</|quote|>But they received the orders with expressionless, downcast faces and remained in camp. "No birds, no animals here," explained Rosa. "All gone. Maybe they get some fish." But the Indians could not be persuaded to exert themselves. They could see the sacks and bales of food heaped on the bank; it would be plenty of time to start hunting and fishing when that had been exhausted. Meanwhile there were canoes to be built. "This is clearly Amazon water," said Dr Messinger. "It probably flows into the Rio Branco or the Rio Negro. The Pie-wies live along the bank, and the City, from all accounts, must be downstream of us, up one of the tributaries. When we reach the first Pie-wie village we will be able to get guides." The canoes were made of woodskin. Three days were spent in finding trees of suitable age and straightness and in felling them. They cut four trees and worked on them where they lay, clearing the bush for a few feet round them. They stripped the bark with their broad-bladed knives; that took another week. They worked patiently but clumsily; one woodskin was split in getting it off the trunk. There was nothing Tony and Dr Messinger could do to help. They spent that week guarding the sugar from the women. As the men moved about the camp and the surrounding bush, their steps were soundless; their bare feet seemed never to disturb the fallen leaves, their bare shoulders made no rustle in the tangled undergrowth; their speech was brief and scarcely audible, they never joined in the chatter and laughter of their women; sometimes they gave little grunts as they worked; only once they were merry, when one of them let his knife slip as he was working on the tree-trunk and cut deeply into the ball of his thumb. Dr Messinger dressed the wound with iodine, lint and bandages. After that the women constantly solicited him, showing him little scratches on their arms and legs and asking for iodine. Two of the trees were finished on one day, then another next day (that was the one which split) and the fourth two days after that; it was a larger tree than the others. When the last fibre was severed, four men got round the trunk and lifted the skin clear. It curled up again at once, making a hollow cylinder, which the men carried down to the waterside and set afloat, fastening it to a tree with a loop of vine-rope. When all the woodskins were ready it was an easy matter to make canoes of them. Four men held them open while two others fixed the struts. The ends were left open, and curled up slightly so as to lift them clear (when the craft was fully laden it drew only an inch or two of water). Then the men set about fashioning some single-bladed paddles; that, too, was an easy matter. Every day Dr Messinger asked Rosa, "When will the boats be ready? Ask the men." And she replied, "Just now." "How many days--four?--five?--how many?" "No, not many. Boats finish just now." At last when it was clear that the work was nearly complete, Dr Messinger busied himself with arrangements. He sorted out the stores, dividing the necessary freight into two groups; he and Tony were to sit in separate boats and each had with him a rifle and ammunition, a camera, tinned rations, trade goods and his own luggage. The third canoe, which would be manned solely by Indians, was to hold the flour and rice, sugar and farine and the rations for the men. The canoes would not hold all the stores and an "emergency dump" was made a little way up the bank. "We shall take eight men with us. Four can stay behind with the women to guard the camp. Once we are among the Pie-wies, everything will be easy. These Macushis can go home then. I don't think they will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?" Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of | brought for the purpose, and muslin veils, hanging down under their hats. Later they employed two women to squat beside their hammocks and fan them with leafy boughs; the slightest breeze was enough to disperse the flies, but as soon as Tony and Dr Messinger dozed the women would lay aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats all night long nuzzling and flapping against their netting. The Indians would not go hunting in this forest. They said there was no game, but Dr Messinger said it was because they were afraid of the evil spirits of the Pie-wie people. Provisions were not lasting as well as Dr Messinger had calculated. During the march it had been difficult to keep a proper guard over the stores. They were short of a bag of farine, half a bag of sugar and a bag of rice. Dr Messinger instituted careful rationing; he served them himself, measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly.<|quote|>"The men must go out and shoot something."</|quote|>But they received the orders with expressionless, downcast faces and remained in camp. "No birds, no animals here," explained Rosa. "All gone. Maybe they get some fish." But the Indians could not be persuaded to exert themselves. They could see the sacks and bales of food heaped on the bank; it would be plenty of time to start hunting and fishing when that had been exhausted. Meanwhile there were canoes to be built. "This is clearly Amazon water," said Dr Messinger. "It probably flows into the Rio Branco or the Rio Negro. The Pie-wies live along the bank, and the City, from all accounts, must be downstream of us, up one of the tributaries. When we reach the first Pie-wie village we will be able to get guides." The canoes were made of woodskin. Three days were spent in finding trees of suitable age and straightness and in felling them. They cut four trees and worked on them where they lay, clearing the bush for a few feet round them. They stripped the bark with their broad-bladed knives; that took another week. They worked patiently but clumsily; one woodskin was split in getting it off the trunk. There was nothing Tony and Dr Messinger could do to help. They spent that week guarding the sugar from the women. As the men moved about the camp and the surrounding bush, their steps were soundless; their bare feet seemed never to disturb the fallen leaves, their bare shoulders made no rustle in the tangled undergrowth; their speech was brief and scarcely audible, they never joined in the chatter and laughter of their women; sometimes they gave little grunts as they worked; only once they were merry, when one of them let his knife slip as he was working on the tree-trunk and cut deeply into the ball of his thumb. Dr Messinger dressed the wound with iodine, lint and bandages. After that the women constantly solicited him, showing him little scratches on their arms and legs and asking for iodine. Two of the trees were finished on one day, then another next day (that was the one which split) and the fourth two days after that; it was a larger tree than the others. When the last fibre was severed, four men got round the trunk and lifted the skin clear. It curled up again at once, making a hollow cylinder, which the men carried down to the waterside and set afloat, fastening it to a tree with a loop of vine-rope. When all the woodskins were ready it was an | A Handful Of Dust | measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly.<|quote|>"The men must go out and shoot something."</|quote|>But they received the orders with expressionless, downcast faces and remained in camp. "No birds, no animals here," explained Rosa. "All gone. Maybe they get some fish." But the Indians could not be persuaded to exert themselves. They could see the sacks and bales of food heaped on the bank; | {
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said Matthew, who hadn't spoken since his return from the barn. | No speaker | eat." "I guess she's tired,"<|quote|>said Matthew, who hadn't spoken since his return from the barn.</|quote|>"Best put her to bed, | nice, but still I cannot eat." "I guess she's tired,"<|quote|>said Matthew, who hadn't spoken since his return from the barn.</|quote|>"Best put her to bed, Marilla." Marilla had been wondering | delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired,"<|quote|>said Matthew, who hadn't spoken since his return from the barn.</|quote|>"Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl | can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired,"<|quote|>said Matthew, who hadn't spoken since his return from the barn.</|quote|>"Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. | and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired,"<|quote|>said Matthew, who hadn't spoken since his return from the barn.</|quote|>"Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills | for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired,"<|quote|>said Matthew, who hadn't spoken since his return from the barn.</|quote|>"Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy | the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired,"<|quote|>said Matthew, who hadn't spoken since his return from the barn.</|quote|>"Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to | use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired,"<|quote|>said Matthew, who hadn't spoken since his return from the barn.</|quote|>"Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy | Anne Of Green Gables | delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired,"<|quote|>said Matthew, who hadn't spoken since his return from the barn.</|quote|>"Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl | {
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"both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine" | Jane Andrews | you say," ?Farewell, sweet sister,'<|quote|>"both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine"</|quote|>?lay as though she smiled.' | ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,'<|quote|>"both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine"</|quote|>?lay as though she smiled.' "That's better. Now push the | obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,'<|quote|>"both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine"</|quote|>?lay as though she smiled.' "That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before | before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,'<|quote|>"both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine"</|quote|>?lay as though she smiled.' "That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before scampering up through the woods, across the road, and down to the lower headland where, as Lancelot and Guinevere and the King, they were to be in readiness to receive the lily maid. For a few minutes Anne, drifting slowly down, enjoyed the romance of her situation to the full. | just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,'<|quote|>"both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine"</|quote|>?lay as though she smiled.' "That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before scampering up through the woods, across the road, and down to the lower headland where, as Lancelot and Guinevere and the King, they were to be in readiness to receive the lily maid. For a few minutes Anne, drifting slowly down, enjoyed the romance of her situation to the full. Then something happened not at all romantic. The flat began to leak. In a very few moments it was necessary for Elaine to scramble to her feet, pick up her cloth of gold coverlet and pall of blackest samite and gaze blankly at a big crack in the bottom of her barge through which the water was literally pouring. That sharp stake at the landing had torn off the strip of batting nailed on the flat. Anne did not know this, but it did not take her long to realize that she was in a dangerous plight. At this rate | very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine," said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible. "Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,'<|quote|>"both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine"</|quote|>?lay as though she smiled.' "That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before scampering up through the woods, across the road, and down to the lower headland where, as Lancelot and Guinevere and the King, they were to be in readiness to receive the lily maid. For a few minutes Anne, drifting slowly down, enjoyed the romance of her situation to the full. Then something happened not at all romantic. The flat began to leak. In a very few moments it was necessary for Elaine to scramble to her feet, pick up her cloth of gold coverlet and pall of blackest samite and gaze blankly at a big crack in the bottom of her barge through which the water was literally pouring. That sharp stake at the landing had torn off the strip of batting nailed on the flat. Anne did not know this, but it did not take her long to realize that she was in a dangerous plight. At this rate the flat would fill and sink long before it could drift to the lower headland. Where were the oars? Left behind at the landing! Anne gave one gasping little scream which nobody ever heard; she was white to the lips, but she did not lose her self-possession. There was one chance--just one. "I was horribly frightened," she told Mrs. Allan the next day, "and it seemed like years while the flat was drifting down to the bridge and the water rising in it every moment. I prayed, Mrs. Allan, most earnestly, but I didn't shut my eyes to pray, for I knew the only way God could save me was to let the flat float close enough to one of the bridge piles for me to climb up on it. You know the piles are just old tree trunks and there are lots of knots and old branch stubs on them. It was proper to pray, but I had to do my part by watching out and right well I knew it. I just said," ?Dear God, please take the flat close to a pile and I'll do the rest,' "over and over again. Under such circumstances you don't think | bright hair streaming down,' "you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine," said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible. "Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,'<|quote|>"both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine"</|quote|>?lay as though she smiled.' "That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before scampering up through the woods, across the road, and down to the lower headland where, as Lancelot and Guinevere and the King, they were to be in readiness to receive the lily maid. For a few minutes Anne, drifting slowly down, enjoyed the romance of her situation to the full. Then something happened not at all romantic. The flat began to leak. In a very few moments it was necessary for Elaine to scramble to her feet, pick up her cloth of gold coverlet and pall of blackest samite and gaze blankly at a big crack in the bottom of her barge through which the water was literally pouring. That sharp stake at the landing had torn off the strip of batting nailed on the flat. Anne did not know this, but it did not take her long to realize that she was in a dangerous plight. At this rate the flat would fill and sink long before it could drift to the lower headland. Where were the oars? Left behind at the landing! Anne gave one gasping little scream which nobody ever heard; she was white to the lips, but she did not lose her self-possession. There was one chance--just one. "I was horribly frightened," she told Mrs. Allan the next day, "and it seemed like years while the flat was drifting down to the bridge and the water rising in it every moment. I prayed, Mrs. Allan, most earnestly, but I didn't shut my eyes to pray, for I knew the only way God could save me was to let the flat float close enough to one of the bridge piles for me to climb up on it. You know the piles are just old tree trunks and there are lots of knots and old branch stubs on them. It was proper to pray, but I had to do my part by watching out and right well I knew it. I just said," ?Dear God, please take the flat close to a pile and I'll do the rest,' "over and over again. Under such circumstances you don't think much about making a flowery prayer. But mine was answered, for the flat bumped right into a pile for a minute and I flung the scarf and the shawl over my shoulder and scrambled up on a big providential stub. And there I was, Mrs. Allan, clinging to that slippery old pile with no way of getting up or down. It was a very unromantic position, but I didn't think about that at the time. You don't think much about romance when you have just escaped from a watery grave. I said a grateful prayer at once and then I gave all my attention to holding on tight, for I knew I should probably have to depend on human aid to get back to dry land." The flat drifted under the bridge and then promptly sank in midstream. Ruby, Jane, and Diana, already awaiting it on the lower headland, saw it disappear before their very eyes and had not a doubt but that Anne had gone down with it. For a moment they stood still, white as sheets, frozen with horror at the tragedy; then, shrieking at the tops of their voices, they started on a frantic run up through the woods, never pausing as they crossed the main road to glance the way of the bridge. Anne, clinging desperately to her precarious foothold, saw their flying forms and heard their shrieks. Help would soon come, but meanwhile her position was a very uncomfortable one. The minutes passed by, each seeming an hour to the unfortunate lily maid. Why didn't somebody come? Where had the girls gone? Suppose they had fainted, one and all! Suppose nobody ever came! Suppose she grew so tired and cramped that she could hold on no longer! Anne looked at the wicked green depths below her, wavering with long, oily shadows, and shivered. Her imagination began to suggest all manner of gruesome possibilities to her. Then, just as she thought she really could not endure the ache in her arms and wrists another moment, Gilbert Blythe came rowing under the bridge in Harmon Andrews's dory! Gilbert glanced up and, much to his amazement, beheld a little white scornful face looking down upon him with big, frightened but also scornful gray eyes. "Anne Shirley! How on earth did you get there?" he exclaimed. Without waiting for an answer he pulled close to the pile and extended | The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine," said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible. "Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,'<|quote|>"both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine"</|quote|>?lay as though she smiled.' "That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before scampering up through the woods, across the road, and down to the lower headland where, as Lancelot and Guinevere and the King, they were to be in readiness to receive the lily maid. For a few minutes Anne, drifting slowly down, enjoyed the romance of her situation to the full. Then something happened not at all romantic. The flat began to leak. In a very few moments it was necessary for Elaine to scramble to her feet, pick up her cloth of gold coverlet and pall of blackest samite and gaze blankly at a big crack in the bottom of her barge through which the water was literally pouring. That sharp stake at the landing had torn off the strip of batting nailed on the flat. Anne did not know this, but it did not take her long to realize that she was in a dangerous plight. At this rate the flat would fill and sink long before it could drift to the lower headland. Where were the oars? Left behind at the landing! Anne gave one gasping little scream which nobody ever heard; she was white to the lips, but she did not lose her self-possession. There was one chance--just one. "I was horribly frightened," she told Mrs. Allan the next day, "and it seemed like years while the flat was drifting down to the bridge and the water rising in it every moment. I prayed, Mrs. Allan, most earnestly, but I didn't shut my eyes to pray, for I knew the only way God could save me was to let the flat float close enough to one of the bridge piles for me to climb up on it. You know the piles are just old tree trunks and there are lots of knots and old branch stubs on them. It was proper to pray, but I had to do my part by watching out and right well I knew it. I just said," ?Dear God, please take the flat close to a pile and I'll do the rest,' "over and over again. Under such circumstances you don't think much about making a flowery prayer. But mine was answered, for the flat bumped right | Anne Of Green Gables | obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say," ?Sister, farewell forever,' "and Ruby, you say," ?Farewell, sweet sister,'<|quote|>"both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine"</|quote|>?lay as though she smiled.' "That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before | {
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"content": "obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. \"Now, she's all ready,\" said Jane. \"We must kiss her quiet brows and, Diana, you say,\" ?Sister, farewell forever,' \"and Ruby, you say,\" ?Farewell, sweet sister,'<|quote|>\"both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine\"</|quote|>?lay as though she smiled.' \"That's better. Now push the flat off.\" The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before",
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"We might see if we could get a clean shirt as well----" | Paul | willing. I even go farther.<|quote|>"We might see if we could get a clean shirt as well----"</|quote|>"Socks might be better," says | once more, I declare myself willing. I even go farther.<|quote|>"We might see if we could get a clean shirt as well----"</|quote|>"Socks might be better," says Albert, not without reason. "Yes, | it. "We could go and get deloused, anyway," Kropp then suggests. I am not very enthusiastic because it doesn't do one's clothes any good and a man is lousy again inside two hours. But when we have considered the picture once more, I declare myself willing. I even go farther.<|quote|>"We might see if we could get a clean shirt as well----"</|quote|>"Socks might be better," says Albert, not without reason. "Yes, socks too perhaps. Let's go and explore a bit." Then Leer and Tjaden stroll up; they look at the poster and immediately the conversation becomes smutty. Leer was the first of our class to have intercourse, and he gave stirring | that----" We look askance at one another. There's not much to boast of here--two ragged, stained, and dirty uniforms. It is hopeless to compete. So we proceed to tear the young man with the white trousers off the hoarding, taking care not to damage the girl. That is something towards it. "We could go and get deloused, anyway," Kropp then suggests. I am not very enthusiastic because it doesn't do one's clothes any good and a man is lousy again inside two hours. But when we have considered the picture once more, I declare myself willing. I even go farther.<|quote|>"We might see if we could get a clean shirt as well----"</|quote|>"Socks might be better," says Albert, not without reason. "Yes, socks too perhaps. Let's go and explore a bit." Then Leer and Tjaden stroll up; they look at the poster and immediately the conversation becomes smutty. Leer was the first of our class to have intercourse, and he gave stirring details of it. After his fashion he enjoys himself over the picture, and Tjaden supports him nobly. It does not distress us exactly. Who isn't smutty is no soldier; it merely does not suit us at the moment, so we edge away and march off to the delousing station with | those thin shoes though, she couldn't march many miles in those," I say, and then begin to feel silly, for it is absurd to stand in front of a picture like this and think of nothing but marching. "How old would she be?" Kropp asks. "About twenty-two at the most," I hazard. "Then she would be older than us! She is not more than seventeen, let me tell you!" It gives us goose-flesh. "That would be good, Albert, what do you think?" He nods. "I have some white trousers at home too." "White trousers," say I, "but a girl like that----" We look askance at one another. There's not much to boast of here--two ragged, stained, and dirty uniforms. It is hopeless to compete. So we proceed to tear the young man with the white trousers off the hoarding, taking care not to damage the girl. That is something towards it. "We could go and get deloused, anyway," Kropp then suggests. I am not very enthusiastic because it doesn't do one's clothes any good and a man is lousy again inside two hours. But when we have considered the picture once more, I declare myself willing. I even go farther.<|quote|>"We might see if we could get a clean shirt as well----"</|quote|>"Socks might be better," says Albert, not without reason. "Yes, socks too perhaps. Let's go and explore a bit." Then Leer and Tjaden stroll up; they look at the poster and immediately the conversation becomes smutty. Leer was the first of our class to have intercourse, and he gave stirring details of it. After his fashion he enjoys himself over the picture, and Tjaden supports him nobly. It does not distress us exactly. Who isn't smutty is no soldier; it merely does not suit us at the moment, so we edge away and march off to the delousing station with the same feeling as if it were a swell gentlemen's outfitters. * * The houses in which we are billeted lie near the canal. On the other side of the canal there are ponds flanked with poplars;--on the other side of the canal there are women too. The houses on our side have been abandoned. On the other side though one occasionally sees inhabitants. In the evening we go swimming. Three women come strolling along the bank. They walk slowly and don't look away, although we have no bathing suits. Leer calls out to them. They laugh and stop to | Kropp and I stand in front of it. We can hardly credit that such things still exist. A girl in a light summer dress, with a red patent-leather belt about her hips! She is standing with one hand on a railing and with the other she holds a straw hat. She wears white stockings and white shoes, fine buckle shoes with high heels. Behind her smiles a blue lake with white-horses, at the side is a bright bay. She is a lovely girl with a delicate nose, red lips, and slender legs, wonderfully clean and well cared for, she certainly bathes twice a day and never has any dirt under her nails. At most perhaps a bit of sand from the beach. Beside her stands a man in white trousers, a bluejacket, and sailor's cap; but he interests us much less. The girl on the poster is a wonder to us. We have quite forgotten that there are such things, and even now we hardly believe our eyes. We have seen nothing like it for years, nothing like it for happiness, beauty, and joy. That is peace time, that is as it should be; we feel excited. "Just look at those thin shoes though, she couldn't march many miles in those," I say, and then begin to feel silly, for it is absurd to stand in front of a picture like this and think of nothing but marching. "How old would she be?" Kropp asks. "About twenty-two at the most," I hazard. "Then she would be older than us! She is not more than seventeen, let me tell you!" It gives us goose-flesh. "That would be good, Albert, what do you think?" He nods. "I have some white trousers at home too." "White trousers," say I, "but a girl like that----" We look askance at one another. There's not much to boast of here--two ragged, stained, and dirty uniforms. It is hopeless to compete. So we proceed to tear the young man with the white trousers off the hoarding, taking care not to damage the girl. That is something towards it. "We could go and get deloused, anyway," Kropp then suggests. I am not very enthusiastic because it doesn't do one's clothes any good and a man is lousy again inside two hours. But when we have considered the picture once more, I declare myself willing. I even go farther.<|quote|>"We might see if we could get a clean shirt as well----"</|quote|>"Socks might be better," says Albert, not without reason. "Yes, socks too perhaps. Let's go and explore a bit." Then Leer and Tjaden stroll up; they look at the poster and immediately the conversation becomes smutty. Leer was the first of our class to have intercourse, and he gave stirring details of it. After his fashion he enjoys himself over the picture, and Tjaden supports him nobly. It does not distress us exactly. Who isn't smutty is no soldier; it merely does not suit us at the moment, so we edge away and march off to the delousing station with the same feeling as if it were a swell gentlemen's outfitters. * * The houses in which we are billeted lie near the canal. On the other side of the canal there are ponds flanked with poplars;--on the other side of the canal there are women too. The houses on our side have been abandoned. On the other side though one occasionally sees inhabitants. In the evening we go swimming. Three women come strolling along the bank. They walk slowly and don't look away, although we have no bathing suits. Leer calls out to them. They laugh and stop to watch us. We fling remarks at them in broken French, anything that comes into our heads, hastily and all jumbled together, anything to detain them. They are not specially wonderful pieces, but then where are such to be had about here? There is one slim little brunette. Her teeth gleam when she laughs. She has quick movements, her dress swings loosely about her legs. Although the water is cold we are very jovial and do our best to interest them so that they will stay. We try to make jokes and they answer with things we cannot understand; we laugh and beckon. Tjaden is more crafty. He runs into the house, gets a loaf of army bread and holds it up. That produces a great effect. They nod and beckon us to come over. But we don't dare to do that. It is forbidden to cross to the opposite bank. There are sentries on all the bridges. It's impossible without a pass. So we indicate that they should come over to us; but they shake their heads and point to the bridge. They are not allowed to pass either. They turn away and walk slowly down the canal, keeping along | Hammerling is dead, there are a hundred and twenty wounded men lying somewhere or other; it is a damnable business, but what has it to do with us now--we live. If it were possible for us to save them, then it would be seen how much we cared--we would have a shot at it though we went under ourselves; for we can be damned quixotic when we like; fear we do not know much about--terror of death, yes; but that is a different matter, that is physical. But our comrades are dead, we cannot help them, they have their rest--and who knows what is waiting for us? We will make ourselves comfortable and sleep, and eat as much as we can stuff into our bellies, and drink and smoke so that the hours are not wasted. Life is short. * * The terror of the front sinks deep down when we turn our backs upon it; we make grim, coarse jests about it, when a man dies, then we say he had nipped off his turd, and so we speak of everything; that keeps us from going mad; as long as we take it that way we maintain our own resistance. But we do not forget. It's all rot that they put in the war-news about the good humour of the troops, how they are arranging dances almost before they are out of the front-line. We don't act like that because we are in a good humour: we are in a good humour because otherwise we should go to pieces. If it were not so we could not hold out much longer; our humour becomes more bitter every month. And this I know: all these things that now, while we are still in the war, sink down in us like a stone, after the war shall waken again, and then shall begin the disentanglement of life and death. The days, the weeks, the years out here shall come back again, and our dead comrades shall then stand up again and march with us, our heads shall be clear, we shall have a purpose, and so we shall march, our dead comrades beside us, the years at the Front behind us:--against whom, against whom? * * Some time ago there was an army theatre in these parts. Coloured posters of the performances are still sticking on a hoarding. With wide eyes Kropp and I stand in front of it. We can hardly credit that such things still exist. A girl in a light summer dress, with a red patent-leather belt about her hips! She is standing with one hand on a railing and with the other she holds a straw hat. She wears white stockings and white shoes, fine buckle shoes with high heels. Behind her smiles a blue lake with white-horses, at the side is a bright bay. She is a lovely girl with a delicate nose, red lips, and slender legs, wonderfully clean and well cared for, she certainly bathes twice a day and never has any dirt under her nails. At most perhaps a bit of sand from the beach. Beside her stands a man in white trousers, a bluejacket, and sailor's cap; but he interests us much less. The girl on the poster is a wonder to us. We have quite forgotten that there are such things, and even now we hardly believe our eyes. We have seen nothing like it for years, nothing like it for happiness, beauty, and joy. That is peace time, that is as it should be; we feel excited. "Just look at those thin shoes though, she couldn't march many miles in those," I say, and then begin to feel silly, for it is absurd to stand in front of a picture like this and think of nothing but marching. "How old would she be?" Kropp asks. "About twenty-two at the most," I hazard. "Then she would be older than us! She is not more than seventeen, let me tell you!" It gives us goose-flesh. "That would be good, Albert, what do you think?" He nods. "I have some white trousers at home too." "White trousers," say I, "but a girl like that----" We look askance at one another. There's not much to boast of here--two ragged, stained, and dirty uniforms. It is hopeless to compete. So we proceed to tear the young man with the white trousers off the hoarding, taking care not to damage the girl. That is something towards it. "We could go and get deloused, anyway," Kropp then suggests. I am not very enthusiastic because it doesn't do one's clothes any good and a man is lousy again inside two hours. But when we have considered the picture once more, I declare myself willing. I even go farther.<|quote|>"We might see if we could get a clean shirt as well----"</|quote|>"Socks might be better," says Albert, not without reason. "Yes, socks too perhaps. Let's go and explore a bit." Then Leer and Tjaden stroll up; they look at the poster and immediately the conversation becomes smutty. Leer was the first of our class to have intercourse, and he gave stirring details of it. After his fashion he enjoys himself over the picture, and Tjaden supports him nobly. It does not distress us exactly. Who isn't smutty is no soldier; it merely does not suit us at the moment, so we edge away and march off to the delousing station with the same feeling as if it were a swell gentlemen's outfitters. * * The houses in which we are billeted lie near the canal. On the other side of the canal there are ponds flanked with poplars;--on the other side of the canal there are women too. The houses on our side have been abandoned. On the other side though one occasionally sees inhabitants. In the evening we go swimming. Three women come strolling along the bank. They walk slowly and don't look away, although we have no bathing suits. Leer calls out to them. They laugh and stop to watch us. We fling remarks at them in broken French, anything that comes into our heads, hastily and all jumbled together, anything to detain them. They are not specially wonderful pieces, but then where are such to be had about here? There is one slim little brunette. Her teeth gleam when she laughs. She has quick movements, her dress swings loosely about her legs. Although the water is cold we are very jovial and do our best to interest them so that they will stay. We try to make jokes and they answer with things we cannot understand; we laugh and beckon. Tjaden is more crafty. He runs into the house, gets a loaf of army bread and holds it up. That produces a great effect. They nod and beckon us to come over. But we don't dare to do that. It is forbidden to cross to the opposite bank. There are sentries on all the bridges. It's impossible without a pass. So we indicate that they should come over to us; but they shake their heads and point to the bridge. They are not allowed to pass either. They turn away and walk slowly down the canal, keeping along the tow-path all the way. We accompany them swimming. After a few hundred yards they turn off and point to a house that stands a little distance away among the trees and shrubbery. Leer asks if they live there. They laugh--sure, that's their house. We call out to them that we would like to come, sometime when the guards cannot see us. At night. To-night. They raise their hands, put them together, rest their faces on them and shut their eyes. They understand. The slim brunette does a two-step. The blonde girl twitters: "Bread--good----" Eagerly we assure them that we will bring some with us. And other tasty bits too, we roll our eyes and try to explain with our hands. Leer nearly drowns trying to demonstrate a sausage. If it were necessary we would promise them a whole quartermaster's store. They go off and frequently turn and look back. We climb out on the bank on our side of the canal and watch to see whether they go into the house for they might easily have been lying. Then we swim back. No one can cross the bridge without leave, so we will simply have to swim over at night. We are full of excitement. We cannot last out without a drink, so we go to the canteen where there is beer and a kind of punch. We drink punch and tell one another lying tales of our experiences. Each man gladly believes the other man's story, only waiting impatiently till he can cap it with a taller one. Our hands are fidgety, we smoke countless cigarettes, until Kropp says: "We might as well take them a couple of cigarettes too." So we put some inside our caps to keep them. The sky turns apple-green. There are four of us, but only three can go; we must shake off Tjaden, so ply him with rum and punch until he rocks. As it turns dark we go to our billets, Tjaden in the centre. We are all glowing and full of a lust for adventure. The little brunette is mine, we settled that by cutting for her. Tjaden drops on his sack of straw and snores. Once he wakes up and grins so craftily that we are alarmed and begin to think he is cheating, and that we have given him the punch to no purpose. Then he drops back | war, sink down in us like a stone, after the war shall waken again, and then shall begin the disentanglement of life and death. The days, the weeks, the years out here shall come back again, and our dead comrades shall then stand up again and march with us, our heads shall be clear, we shall have a purpose, and so we shall march, our dead comrades beside us, the years at the Front behind us:--against whom, against whom? * * Some time ago there was an army theatre in these parts. Coloured posters of the performances are still sticking on a hoarding. With wide eyes Kropp and I stand in front of it. We can hardly credit that such things still exist. A girl in a light summer dress, with a red patent-leather belt about her hips! She is standing with one hand on a railing and with the other she holds a straw hat. She wears white stockings and white shoes, fine buckle shoes with high heels. Behind her smiles a blue lake with white-horses, at the side is a bright bay. She is a lovely girl with a delicate nose, red lips, and slender legs, wonderfully clean and well cared for, she certainly bathes twice a day and never has any dirt under her nails. At most perhaps a bit of sand from the beach. Beside her stands a man in white trousers, a bluejacket, and sailor's cap; but he interests us much less. The girl on the poster is a wonder to us. We have quite forgotten that there are such things, and even now we hardly believe our eyes. We have seen nothing like it for years, nothing like it for happiness, beauty, and joy. That is peace time, that is as it should be; we feel excited. "Just look at those thin shoes though, she couldn't march many miles in those," I say, and then begin to feel silly, for it is absurd to stand in front of a picture like this and think of nothing but marching. "How old would she be?" Kropp asks. "About twenty-two at the most," I hazard. "Then she would be older than us! She is not more than seventeen, let me tell you!" It gives us goose-flesh. "That would be good, Albert, what do you think?" He nods. "I have some white trousers at home too." "White trousers," say I, "but a girl like that----" We look askance at one another. There's not much to boast of here--two ragged, stained, and dirty uniforms. It is hopeless to compete. So we proceed to tear the young man with the white trousers off the hoarding, taking care not to damage the girl. That is something towards it. "We could go and get deloused, anyway," Kropp then suggests. I am not very enthusiastic because it doesn't do one's clothes any good and a man is lousy again inside two hours. But when we have considered the picture once more, I declare myself willing. I even go farther.<|quote|>"We might see if we could get a clean shirt as well----"</|quote|>"Socks might be better," says Albert, not without reason. "Yes, socks too perhaps. Let's go and explore a bit." Then Leer and Tjaden stroll up; they look at the poster and immediately the conversation becomes smutty. Leer was the first of our class to have intercourse, and he gave stirring details of it. After his fashion he enjoys himself over the picture, and Tjaden supports him nobly. It does not distress us exactly. Who isn't smutty is no soldier; it merely does not suit us at the moment, so we edge away and march off to the delousing station with the same feeling as if it were a swell gentlemen's outfitters. * * The houses in which we are billeted lie near the canal. On the other side of the canal there are ponds flanked with poplars;--on the other side of the canal there are women too. The houses on our side have been abandoned. On the other side though one occasionally sees inhabitants. In the evening we go swimming. Three women come strolling along the bank. They walk slowly and don't look away, although we have no bathing suits. Leer calls out to them. They laugh and stop to watch us. We fling remarks at them in broken French, anything that comes into our heads, hastily and all jumbled together, anything to detain them. They are not specially wonderful pieces, but then where are such to be had about here? There is one slim little brunette. Her teeth gleam when she laughs. She has quick movements, her dress swings loosely about her legs. Although the water is cold we are very jovial and do our best to interest them so that they will stay. We try to make jokes and they answer with things we cannot understand; we laugh and beckon. Tjaden is more crafty. He runs into the house, gets a loaf of army bread and holds it up. That produces a great effect. They nod and beckon us to come over. But we don't dare to do that. It is forbidden to cross to the opposite bank. There are sentries on all the bridges. It's impossible without a pass. So we indicate that they should come over to us; but they shake their heads and point to the bridge. They are not allowed to pass either. They turn away and walk slowly down the canal, keeping along the tow-path all the way. We accompany them swimming. After a few hundred yards they turn off and point to a house that stands a little distance away among the trees | All Quiet on the Western Front | it. "We could go and get deloused, anyway," Kropp then suggests. I am not very enthusiastic because it doesn't do one's clothes any good and a man is lousy again inside two hours. But when we have considered the picture once more, I declare myself willing. I even go farther.<|quote|>"We might see if we could get a clean shirt as well----"</|quote|>"Socks might be better," says Albert, not without reason. "Yes, socks too perhaps. Let's go and explore a bit." Then Leer and Tjaden stroll up; they look at the poster and immediately the conversation becomes smutty. Leer was the first of our class to have intercourse, and he gave stirring | {
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"content": "it. \"We could go and get deloused, anyway,\" Kropp then suggests. I am not very enthusiastic because it doesn't do one's clothes any good and a man is lousy again inside two hours. But when we have considered the picture once more, I declare myself willing. I even go farther.<|quote|>\"We might see if we could get a clean shirt as well----\"</|quote|>\"Socks might be better,\" says Albert, not without reason. \"Yes, socks too perhaps. Let's go and explore a bit.\" Then Leer and Tjaden stroll up; they look at the poster and immediately the conversation becomes smutty. Leer was the first of our class to have intercourse, and he gave stirring",
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Beaver rose to go. | No speaker | lunch. You won't have another?"<|quote|>Beaver rose to go.</|quote|>"Yes, I think I will." | well, I'm going down to lunch. You won't have another?"<|quote|>Beaver rose to go.</|quote|>"Yes, I think I will." "Oh, all right. Macdougal. Two | anyone else who's going, do you? I was wondering if I could get a lift down there." "I don't, I'm afraid. It's quite easy by train." "Yes, but it's more pleasant by road." "And cheaper." "Yes, and cheaper I suppose... well, I'm going down to lunch. You won't have another?"<|quote|>Beaver rose to go.</|quote|>"Yes, I think I will." "Oh, all right. Macdougal. Two more, please." Macdougal said, "Shall I book them to you, sir?" "Yes, if you will." Later, at the bar, Jock said, "I made Beaver pay for a drink." "He can't have liked that." "He nearly died of it. Know anything | morning." "I've never met Brenda." "You'll like her, she's a grand girl. I often think Tony Last's one of the happiest men I know. He's got just enough money, loves the place, one son he's crazy about, devoted wife, not a worry in the world." "Most enviable. You don't know anyone else who's going, do you? I was wondering if I could get a lift down there." "I don't, I'm afraid. It's quite easy by train." "Yes, but it's more pleasant by road." "And cheaper." "Yes, and cheaper I suppose... well, I'm going down to lunch. You won't have another?"<|quote|>Beaver rose to go.</|quote|>"Yes, I think I will." "Oh, all right. Macdougal. Two more, please." Macdougal said, "Shall I book them to you, sir?" "Yes, if you will." Later, at the bar, Jock said, "I made Beaver pay for a drink." "He can't have liked that." "He nearly died of it. Know anything about pigs?" "No. Why." "Only that they keep writing to me about them from my constituency." * * * * * Beaver went downstairs but before going into the dining-room he told the porter to ring up his home and see if there was any message for him. "Mrs Tipping | that I'd have oysters here." The barman came with the drinks. "Mr Beaver, sir, there's ten shillings against you in my books for last month." "Ah, thank you, Macdougal, remind me some time, will you?" "Very good, sir." Beaver said, "I'm going to Hetton to-morrow." "Are you now? Give Tony and Brenda my love." "What's the form?" "Very quiet and enjoyable." "No paper games?" "Oh, no, nothing like that. A certain amount of bridge and backgammon and low poker with the neighbours." "Comfortable?" "Not bad. Plenty to drink. Rather a shortage of bathrooms. You can stay in bed all the morning." "I've never met Brenda." "You'll like her, she's a grand girl. I often think Tony Last's one of the happiest men I know. He's got just enough money, loves the place, one son he's crazy about, devoted wife, not a worry in the world." "Most enviable. You don't know anyone else who's going, do you? I was wondering if I could get a lift down there." "I don't, I'm afraid. It's quite easy by train." "Yes, but it's more pleasant by road." "And cheaper." "Yes, and cheaper I suppose... well, I'm going down to lunch. You won't have another?"<|quote|>Beaver rose to go.</|quote|>"Yes, I think I will." "Oh, all right. Macdougal. Two more, please." Macdougal said, "Shall I book them to you, sir?" "Yes, if you will." Later, at the bar, Jock said, "I made Beaver pay for a drink." "He can't have liked that." "He nearly died of it. Know anything about pigs?" "No. Why." "Only that they keep writing to me about them from my constituency." * * * * * Beaver went downstairs but before going into the dining-room he told the porter to ring up his home and see if there was any message for him. "Mrs Tipping rang up a few minutes ago and asked whether you could come to luncheon with her to-day." "Will you ring her up and say that I shall be delighted to, but that I may be a few minutes late?" It was just after half-past one when he left Bratt's and walked at a good pace towards Hill Street. CHAPTER II ENGLISH GOTHIC [I] _Between the villages of Hetton and Compton Last lies the extensive park of Hetton Abbey. This, formerly one of the notable houses of the county, was entirely rebuilt in 1864 in the Gothic style and is now | He settled in one of the armchairs in the outer room and turned over the pages of the _New Yorker_, waiting until someone he knew should turn up. Jock Grant-Menzies came upstairs. The men at the bar greeted him saying, "Hullo, Jock old boy, what are you drinking?" or, more simply, "Well, old boy?" He was too young to have fought in the war but these men thought he was all right; they liked him far more than they did Beaver, who, they thought, ought never to have got into the club at all. But Jock stopped to talk to Beaver. "Well, old boy," he said. "What are you drinking?" "Nothing so far." Beaver looked at his watch. "But I think it's time I had one. Brandy and ginger ale." Jock called to the barman and then said: "Who was the old girl you wished on me at that party last night?" "She's called Mrs Tipping." "I thought she might be. That explains it. They gave me a message downstairs that someone with a name like that wanted me to lunch with her." "Are you going?" "No, I'm no good at lunch parties. Besides, I decided when I got up that I'd have oysters here." The barman came with the drinks. "Mr Beaver, sir, there's ten shillings against you in my books for last month." "Ah, thank you, Macdougal, remind me some time, will you?" "Very good, sir." Beaver said, "I'm going to Hetton to-morrow." "Are you now? Give Tony and Brenda my love." "What's the form?" "Very quiet and enjoyable." "No paper games?" "Oh, no, nothing like that. A certain amount of bridge and backgammon and low poker with the neighbours." "Comfortable?" "Not bad. Plenty to drink. Rather a shortage of bathrooms. You can stay in bed all the morning." "I've never met Brenda." "You'll like her, she's a grand girl. I often think Tony Last's one of the happiest men I know. He's got just enough money, loves the place, one son he's crazy about, devoted wife, not a worry in the world." "Most enviable. You don't know anyone else who's going, do you? I was wondering if I could get a lift down there." "I don't, I'm afraid. It's quite easy by train." "Yes, but it's more pleasant by road." "And cheaper." "Yes, and cheaper I suppose... well, I'm going down to lunch. You won't have another?"<|quote|>Beaver rose to go.</|quote|>"Yes, I think I will." "Oh, all right. Macdougal. Two more, please." Macdougal said, "Shall I book them to you, sir?" "Yes, if you will." Later, at the bar, Jock said, "I made Beaver pay for a drink." "He can't have liked that." "He nearly died of it. Know anything about pigs?" "No. Why." "Only that they keep writing to me about them from my constituency." * * * * * Beaver went downstairs but before going into the dining-room he told the porter to ring up his home and see if there was any message for him. "Mrs Tipping rang up a few minutes ago and asked whether you could come to luncheon with her to-day." "Will you ring her up and say that I shall be delighted to, but that I may be a few minutes late?" It was just after half-past one when he left Bratt's and walked at a good pace towards Hill Street. CHAPTER II ENGLISH GOTHIC [I] _Between the villages of Hetton and Compton Last lies the extensive park of Hetton Abbey. This, formerly one of the notable houses of the county, was entirely rebuilt in 1864 in the Gothic style and is now devoid of interest. The grounds are open to the public daily until sunset and the house may be viewed on application by writing. It contains some good portraits and furniture. The terrace commands a fine view._ This passage from the county Guide Book did not cause Tony Last any serious annoyance. Unkinder things had been said. His Aunt Frances, embittered by an upbringing of unremitting severity, remarked that the plans of the house must have been adapted by Mr Pecksniff from one of his pupils" designs for an orphanage. But there was not a glazed brick or encaustic tile that was not dear to Tony's heart. In some ways, he knew, it was not convenient to run; but what big house was? It was not altogether amenable to modern ideas of comfort; he had many small improvements in mind, which would be put into effect as soon as the death duties were paid off. But the general aspect and atmosphere of the place; the line of its battlements against the sky; the central clock tower where quarterly chimes disturbed all but the heaviest sleepers; the ecclesiastical gloom of the great hall, its ceiling groined and painted in diapers of red | had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst of bonhomie immediately after the war. It was intended for young men, to be a place where they could straddle across the fire and be jolly in the card-room without incurring scowls from older members. But now these founders were themselves passing into middle age; they were heavier, balder and redder in the face than when they had been demobilized, but their joviality persisted and it was their turn now to embarrass their successors, deploring their lack of manly and gentlemanly qualities. Six broad backs shut Beaver from the bar. He settled in one of the armchairs in the outer room and turned over the pages of the _New Yorker_, waiting until someone he knew should turn up. Jock Grant-Menzies came upstairs. The men at the bar greeted him saying, "Hullo, Jock old boy, what are you drinking?" or, more simply, "Well, old boy?" He was too young to have fought in the war but these men thought he was all right; they liked him far more than they did Beaver, who, they thought, ought never to have got into the club at all. But Jock stopped to talk to Beaver. "Well, old boy," he said. "What are you drinking?" "Nothing so far." Beaver looked at his watch. "But I think it's time I had one. Brandy and ginger ale." Jock called to the barman and then said: "Who was the old girl you wished on me at that party last night?" "She's called Mrs Tipping." "I thought she might be. That explains it. They gave me a message downstairs that someone with a name like that wanted me to lunch with her." "Are you going?" "No, I'm no good at lunch parties. Besides, I decided when I got up that I'd have oysters here." The barman came with the drinks. "Mr Beaver, sir, there's ten shillings against you in my books for last month." "Ah, thank you, Macdougal, remind me some time, will you?" "Very good, sir." Beaver said, "I'm going to Hetton to-morrow." "Are you now? Give Tony and Brenda my love." "What's the form?" "Very quiet and enjoyable." "No paper games?" "Oh, no, nothing like that. A certain amount of bridge and backgammon and low poker with the neighbours." "Comfortable?" "Not bad. Plenty to drink. Rather a shortage of bathrooms. You can stay in bed all the morning." "I've never met Brenda." "You'll like her, she's a grand girl. I often think Tony Last's one of the happiest men I know. He's got just enough money, loves the place, one son he's crazy about, devoted wife, not a worry in the world." "Most enviable. You don't know anyone else who's going, do you? I was wondering if I could get a lift down there." "I don't, I'm afraid. It's quite easy by train." "Yes, but it's more pleasant by road." "And cheaper." "Yes, and cheaper I suppose... well, I'm going down to lunch. You won't have another?"<|quote|>Beaver rose to go.</|quote|>"Yes, I think I will." "Oh, all right. Macdougal. Two more, please." Macdougal said, "Shall I book them to you, sir?" "Yes, if you will." Later, at the bar, Jock said, "I made Beaver pay for a drink." "He can't have liked that." "He nearly died of it. Know anything about pigs?" "No. Why." "Only that they keep writing to me about them from my constituency." * * * * * Beaver went downstairs but before going into the dining-room he told the porter to ring up his home and see if there was any message for him. "Mrs Tipping rang up a few minutes ago and asked whether you could come to luncheon with her to-day." "Will you ring her up and say that I shall be delighted to, but that I may be a few minutes late?" It was just after half-past one when he left Bratt's and walked at a good pace towards Hill Street. CHAPTER II ENGLISH GOTHIC [I] _Between the villages of Hetton and Compton Last lies the extensive park of Hetton Abbey. This, formerly one of the notable houses of the county, was entirely rebuilt in 1864 in the Gothic style and is now devoid of interest. The grounds are open to the public daily until sunset and the house may be viewed on application by writing. It contains some good portraits and furniture. The terrace commands a fine view._ This passage from the county Guide Book did not cause Tony Last any serious annoyance. Unkinder things had been said. His Aunt Frances, embittered by an upbringing of unremitting severity, remarked that the plans of the house must have been adapted by Mr Pecksniff from one of his pupils" designs for an orphanage. But there was not a glazed brick or encaustic tile that was not dear to Tony's heart. In some ways, he knew, it was not convenient to run; but what big house was? It was not altogether amenable to modern ideas of comfort; he had many small improvements in mind, which would be put into effect as soon as the death duties were paid off. But the general aspect and atmosphere of the place; the line of its battlements against the sky; the central clock tower where quarterly chimes disturbed all but the heaviest sleepers; the ecclesiastical gloom of the great hall, its ceiling groined and painted in diapers of red and gold, supported on shafts of polished granite with vine-wreathed capitals, half-lit by day through lancet windows of armorial stained glass, at night by a vast gasolier of brass and wrought iron, wired now and fitted with twenty electric bulbs; the blasts of hot air that rose suddenly at one's feet, through grills of cast-iron trefoils from the antiquated heating apparatus below; the cavernous chill of the more remote corridors where, economizing in coke, he had had the pipes shut off; the dining-hall with its hammer-beam roof and pitch-pine minstrels" gallery; the bedrooms with their brass bedsteads, each with a frieze of Gothic text, each named from Malory, Yseult, Elaine, Mordred and Merlin, Gawaine and Bedivere, Lancelot, Perceval, Tristram, Galahad, his own dressing-room, Morgan le Fay, and Brenda's Guinevere, where the bed stood on a dais, the walls were hung with tapestry, the fireplace was like a tomb of the thirteenth century, from whose bay window one could count, on days of exceptional clearness, the spires of six churches--all these things with which he had grown up were a source of constant delight and exultation to Tony; things of tender memory and proud possession. They were not in the fashion, he fully realized. Twenty years ago people had liked half timber and old pewter; now it was urns and colonnades; but the time would come, perhaps in John Andrew's day, when opinion would reinstate Hetton in its proper place. Already it was referred to as "amusing", and a very civil young man had asked permission to photograph it for an architectural review. * * * * * The ceiling of Morgan le Fay was not in perfect repair. In order to make an appearance of coffered wood, moulded slats had been nailed in a chequer across the plaster. They were painted in chevrons of blue and gold. The squares between were decorated alternately with Tudor roses and fleurs-de-lis. But damp had penetrated into one corner, leaving a large patch where the gilt had tarnished and the colour flaked away; in another place the wooden laths had become warped and separated from the plaster. Lying in bed, in the grave ten minutes between waking and ringing, Tony studied these defects and resolved anew to have them put right. He wondered whether it would be easy, nowadays, to find craftsmen capable of such delicate work. Morgan le Fay had been his room | was intended for young men, to be a place where they could straddle across the fire and be jolly in the card-room without incurring scowls from older members. But now these founders were themselves passing into middle age; they were heavier, balder and redder in the face than when they had been demobilized, but their joviality persisted and it was their turn now to embarrass their successors, deploring their lack of manly and gentlemanly qualities. Six broad backs shut Beaver from the bar. He settled in one of the armchairs in the outer room and turned over the pages of the _New Yorker_, waiting until someone he knew should turn up. Jock Grant-Menzies came upstairs. The men at the bar greeted him saying, "Hullo, Jock old boy, what are you drinking?" or, more simply, "Well, old boy?" He was too young to have fought in the war but these men thought he was all right; they liked him far more than they did Beaver, who, they thought, ought never to have got into the club at all. But Jock stopped to talk to Beaver. "Well, old boy," he said. "What are you drinking?" "Nothing so far." Beaver looked at his watch. "But I think it's time I had one. Brandy and ginger ale." Jock called to the barman and then said: "Who was the old girl you wished on me at that party last night?" "She's called Mrs Tipping." "I thought she might be. That explains it. They gave me a message downstairs that someone with a name like that wanted me to lunch with her." "Are you going?" "No, I'm no good at lunch parties. Besides, I decided when I got up that I'd have oysters here." The barman came with the drinks. "Mr Beaver, sir, there's ten shillings against you in my books for last month." "Ah, thank you, Macdougal, remind me some time, will you?" "Very good, sir." Beaver said, "I'm going to Hetton to-morrow." "Are you now? Give Tony and Brenda my love." "What's the form?" "Very quiet and enjoyable." "No paper games?" "Oh, no, nothing like that. A certain amount of bridge and backgammon and low poker with the neighbours." "Comfortable?" "Not bad. Plenty to drink. Rather a shortage of bathrooms. You can stay in bed all the morning." "I've never met Brenda." "You'll like her, she's a grand girl. I often think Tony Last's one of the happiest men I know. He's got just enough money, loves the place, one son he's crazy about, devoted wife, not a worry in the world." "Most enviable. You don't know anyone else who's going, do you? I was wondering if I could get a lift down there." "I don't, I'm afraid. It's quite easy by train." "Yes, but it's more pleasant by road." "And cheaper." "Yes, and cheaper I suppose... well, I'm going down to lunch. You won't have another?"<|quote|>Beaver rose to go.</|quote|>"Yes, I think I will." "Oh, all right. Macdougal. Two more, please." Macdougal said, "Shall I book them to you, sir?" "Yes, if you will." Later, at the bar, Jock said, "I made Beaver pay for a drink." "He can't have liked that." "He nearly died of it. Know anything about pigs?" "No. Why." "Only that they keep writing to me about them from my constituency." * * * * * Beaver went downstairs but before going into the dining-room he told the porter to ring up his home and see if there was any message for him. "Mrs Tipping rang up a few minutes ago and asked whether you could come to luncheon with her to-day." "Will you ring her up and say that I shall be delighted to, but that I may be a few minutes late?" It was just after half-past one when he left Bratt's and walked at a good pace towards Hill Street. CHAPTER II ENGLISH GOTHIC [I] _Between the villages of Hetton and Compton Last lies the extensive park of Hetton Abbey. This, formerly one of the notable houses of the county, was entirely rebuilt in 1864 in the Gothic style and is now devoid of interest. The grounds are open to the public daily until sunset and the house may be viewed on application by writing. It contains some good portraits and furniture. The terrace commands a fine view._ This passage from the county Guide Book did not cause Tony Last any serious annoyance. Unkinder things had been said. His Aunt Frances, embittered by an upbringing of unremitting severity, remarked that the plans of the house must have been adapted by Mr Pecksniff from one of his pupils" designs for an orphanage. But there was not a glazed brick or encaustic tile that was not dear to Tony's heart. In some ways, he knew, it was not convenient to run; but what big house was? It was not altogether amenable to modern ideas of comfort; he had many small improvements in mind, which would be put into effect as soon as the death duties were paid off. But the general aspect and atmosphere of the place; the line of its battlements against the sky; the central clock tower where quarterly chimes disturbed all but the heaviest sleepers; the ecclesiastical gloom of the great hall, its ceiling groined and painted in diapers of red and gold, supported on shafts of polished granite with vine-wreathed capitals, half-lit by day through lancet windows of armorial stained glass, at night by a vast gasolier of brass and wrought iron, wired now and fitted with twenty electric bulbs; the blasts of hot air that rose suddenly at one's feet, through grills of cast-iron trefoils from the antiquated heating apparatus below; the cavernous chill of the more remote corridors where, economizing in coke, he had had the pipes shut off; the dining-hall with its hammer-beam roof and pitch-pine minstrels" gallery; the bedrooms with their brass bedsteads, each with a frieze of Gothic text, each named from Malory, Yseult, Elaine, Mordred and Merlin, Gawaine and Bedivere, Lancelot, Perceval, Tristram, Galahad, his own dressing-room, Morgan le Fay, and Brenda's Guinevere, where the bed stood on a dais, the walls | A Handful Of Dust | anyone else who's going, do you? I was wondering if I could get a lift down there." "I don't, I'm afraid. It's quite easy by train." "Yes, but it's more pleasant by road." "And cheaper." "Yes, and cheaper I suppose... well, I'm going down to lunch. You won't have another?"<|quote|>Beaver rose to go.</|quote|>"Yes, I think I will." "Oh, all right. Macdougal. Two more, please." Macdougal said, "Shall I book them to you, sir?" "Yes, if you will." Later, at the bar, Jock said, "I made Beaver pay for a drink." "He can't have liked that." "He nearly died of it. Know anything | {
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sniffed Marilla. | No speaker | to be a sea gull,"<|quote|>sniffed Marilla.</|quote|>"I think you are very | the flowers." "Yesterday you wanted to be a sea gull,"<|quote|>sniffed Marilla.</|quote|>"I think you are very fickle minded. I told you | Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull,"<|quote|>sniffed Marilla.</|quote|>"I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly | Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull,"<|quote|>sniffed Marilla.</|quote|>"I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea." "Can I take the apple blossoms with me for company?" pleaded Anne. "No; | Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull,"<|quote|>sniffed Marilla.</|quote|>"I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea." "Can I take the apple blossoms with me for company?" pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to be picked if I were an apple blossom. But the temptation was _irresistible_. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by the window. "There--I | was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull,"<|quote|>sniffed Marilla.</|quote|>"I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea." "Can I take the apple blossoms with me for company?" pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to be picked if I were an apple blossom. But the temptation was _irresistible_. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by the window. "There--I know this prayer. I learned that last sentence coming upstairs. Now I'm going to imagine things into this room so that they'll always stay imagined. The floor is covered with a white velvet carpet with pink roses all over it and there are pink silk curtains at the windows. The walls are hung with gold and silver brocade tapestry. The furniture is mahogany. I never saw any mahogany, but it does sound _so_ luxurious. This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson and gold, and I am reclining gracefully on it. I can see my reflection in that splendid big mirror hanging on the wall. I am tall and regal, clad in a gown of trailing white lace, with a pearl cross on my breast and pearls in my hair. My hair is of midnight darkness and my skin is a clear ivory pallor. My name is the Lady Cordelia Fitzgerald. No, it isn't--I can't make _that_ seem real." She danced up to the little looking-glass and peered into it. Her pointed freckled face and solemn gray eyes peered back at her. "You're only Anne of Green Gables," she said earnestly, "and I | "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull,"<|quote|>sniffed Marilla.</|quote|>"I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea." "Can I take the apple blossoms with me for company?" pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to be picked if I were an apple blossom. But the temptation was _irresistible_. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by the window. "There--I know this prayer. I learned that last sentence coming upstairs. Now I'm going to imagine things into this room so that they'll always stay imagined. The floor is covered with a white velvet carpet with pink roses all over it and there are pink silk curtains at the windows. The walls are hung with gold and silver brocade tapestry. The furniture is mahogany. I never saw any mahogany, but it does sound _so_ luxurious. This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson and gold, and I am reclining gracefully on it. I can see my reflection in that splendid big mirror hanging on the wall. I am tall and regal, clad in a gown of trailing white lace, with a pearl cross on my breast and pearls in my hair. My hair is of midnight darkness and my skin is a clear ivory pallor. My name is the Lady Cordelia Fitzgerald. No, it isn't--I can't make _that_ seem real." She danced up to the little looking-glass and peered into it. Her pointed freckled face and solemn gray eyes peered back at her. "You're only Anne of Green Gables," she said earnestly, "and I see you, just as you are looking now, whenever I try to imagine I'm the Lady Cordelia. But it's a million times nicer to be Anne of Green Gables than Anne of nowhere in particular, isn't it?" She bent forward, kissed her reflection affectionately, and betook herself to the open window. "Dear Snow Queen, good afternoon. And good afternoon dear birches down in the hollow. And good afternoon, dear gray house up on the hill. I wonder if Diana is to be my bosom friend. I hope she will, and I shall love her very much. But I must never quite forget Katie Maurice and Violetta. They would feel so hurt if I did and I'd hate to hurt anybody's feelings, even a little bookcase girl's or a little echo girl's. I must be careful to remember them and send them a kiss every day." Anne blew a couple of airy kisses from her fingertips past the cherry blossoms and then, with her chin in her hands, drifted luxuriously out on a sea of daydreams. CHAPTER IX. Mrs. Rachel Lynde Is Properly Horrified |ANNE had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her. Mrs. Rachel, to do her justice, was not to blame for this. A severe and unseasonable attack of grippe had confined that good lady to her house ever since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla's orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea. Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash. She had made friends with | she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull,"<|quote|>sniffed Marilla.</|quote|>"I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea." "Can I take the apple blossoms with me for company?" pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to be picked if I were an apple blossom. But the temptation was _irresistible_. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by the window. "There--I know this prayer. I learned that last sentence coming upstairs. Now I'm going to imagine things into this room so that they'll always stay imagined. The floor is covered with a white velvet carpet with pink roses all over it and there are pink silk curtains at the windows. The walls are hung with gold and silver brocade tapestry. The furniture is mahogany. I never saw any mahogany, but it does sound _so_ luxurious. This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson and gold, and I am reclining gracefully on | Anne Of Green Gables | Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull,"<|quote|>sniffed Marilla.</|quote|>"I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly | {
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"content": "Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers.\" \"Yesterday you wanted to be a sea gull,\"<|quote|>sniffed Marilla.</|quote|>\"I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it.\" \"Oh, I know it pretty nearly",
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But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper: | No speaker | wink at a strange girl."<|quote|>But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper:</|quote|>"Carrots! Carrots!" Then Anne looked | It isn't good manners to wink at a strange girl."<|quote|>But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper:</|quote|>"Carrots! Carrots!" Then Anne looked at him with a vengeance! | his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome," confided Anne to Diana, "but I think he's very bold. It isn't good manners to wink at a strange girl."<|quote|>But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper:</|quote|>"Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" | sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome," confided Anne to Diana, "but I think he's very bold. It isn't good manners to wink at a strange girl."<|quote|>But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper:</|quote|>"Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" she exclaimed passionately. "How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be | room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome," confided Anne to Diana, "but I think he's very bold. It isn't good manners to wink at a strange girl."<|quote|>But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper:</|quote|>"Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" she exclaimed passionately. "How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school that she had been called "carrots." Gilbert it was who spoke up stoutly. "It was my fault Mr. Phillips. I teased her." Mr. Phillips paid no heed to Gilbert. "I am sorry to see | to being head of his class, I can tell you. He's only in the fourth book although he's nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn't go to school hardly any until they came back. You won't find it so easy to keep head after this, Anne." "I'm glad," said Anne quickly. "I couldn't really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling ?ebullition.' Josie Pye was head and, mind you, she peeped in her book. Mr. Phillips didn't see her--he was looking at Prissy Andrews--but I did. I just swept her a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome," confided Anne to Diana, "but I think he's very bold. It isn't good manners to wink at a strange girl."<|quote|>But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper:</|quote|>"Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" she exclaimed passionately. "How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school that she had been called "carrots." Gilbert it was who spoke up stoutly. "It was my fault Mr. Phillips. I teased her." Mr. Phillips paid no heed to Gilbert. "I am sorry to see a pupil of mine displaying such a temper and such a vindictive spirit," he said in a solemn tone, as if the mere fact of being a pupil of his ought to root out all evil passions from the hearts of small imperfect mortals. "Anne, go and stand on the platform in front of the blackboard for the rest of the afternoon." Anne would have infinitely preferred a whipping to this punishment under which her sensitive spirit quivered as from a whiplash. With a white, set face she obeyed. Mr. Phillips took a chalk crayon and wrote on the blackboard above her head. "Ann Shirley has a very bad temper. Ann Shirley must learn to control her temper," and then read it out loud so that even the primer class, who couldn't read writing, should understand it. Anne stood there the rest of the afternoon with that legend above her. She did not cry or hang her head. Anger was still too hot in her heart for that and it sustained her amid all her agony of humiliation. With resentful eyes and passion-red cheeks she confronted alike Diana's sympathetic gaze and Charlie Sloane's indignant nods and Josie Pye's malicious smiles. | shortly. Secretly she thought Anne's nose was a remarkable pretty one; but she had no intention of telling her so. That was three weeks ago and all had gone smoothly so far. And now, this crisp September morning, Anne and Diana were tripping blithely down the Birch Path, two of the happiest little girls in Avonlea. "I guess Gilbert Blythe will be in school today," said Diana. "He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out." Diana's voice indicated that she rather liked having her life tormented out than not. "Gilbert Blythe?" said Anne. "Isn't his name that's written up on the porch wall with Julia Bell's and a big ?Take Notice' over them?" "Yes," said Diana, tossing her head, "but I'm sure he doesn't like Julia Bell so very much. I've heard him say he studied the multiplication table by her freckles." "Oh, don't speak about freckles to me," implored Anne. "It isn't delicate when I've got so many. But I do think that writing take-notices up on the wall about the boys and girls is the silliest ever. I should just like to see anybody dare to write my name up with a boy's. Not, of course," she hastened to add, "that anybody would." Anne sighed. She didn't want her name written up. But it was a little humiliating to know that there was no danger of it. "Nonsense," said Diana, whose black eyes and glossy tresses had played such havoc with the hearts of Avonlea schoolboys that her name figured on the porch walls in half a dozen take-notices. "It's only meant as a joke. And don't you be too sure your name won't ever be written up. Charlie Sloane is _dead gone_ on you. He told his mother--his _mother_, mind you--that you were the smartest girl in school. That's better than being good looking." "No, it isn't," said Anne, feminine to the core. "I'd rather be pretty than clever. And I hate Charlie Sloane, I can't bear a boy with goggle eyes. If anyone wrote my name up with his I'd never _get_ over it, Diana Barry. But it _is_ nice to keep head of your class." "You'll have Gilbert in your class after this," said Diana, "and he's used to being head of his class, I can tell you. He's only in the fourth book although he's nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn't go to school hardly any until they came back. You won't find it so easy to keep head after this, Anne." "I'm glad," said Anne quickly. "I couldn't really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling ?ebullition.' Josie Pye was head and, mind you, she peeped in her book. Mr. Phillips didn't see her--he was looking at Prissy Andrews--but I did. I just swept her a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome," confided Anne to Diana, "but I think he's very bold. It isn't good manners to wink at a strange girl."<|quote|>But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper:</|quote|>"Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" she exclaimed passionately. "How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school that she had been called "carrots." Gilbert it was who spoke up stoutly. "It was my fault Mr. Phillips. I teased her." Mr. Phillips paid no heed to Gilbert. "I am sorry to see a pupil of mine displaying such a temper and such a vindictive spirit," he said in a solemn tone, as if the mere fact of being a pupil of his ought to root out all evil passions from the hearts of small imperfect mortals. "Anne, go and stand on the platform in front of the blackboard for the rest of the afternoon." Anne would have infinitely preferred a whipping to this punishment under which her sensitive spirit quivered as from a whiplash. With a white, set face she obeyed. Mr. Phillips took a chalk crayon and wrote on the blackboard above her head. "Ann Shirley has a very bad temper. Ann Shirley must learn to control her temper," and then read it out loud so that even the primer class, who couldn't read writing, should understand it. Anne stood there the rest of the afternoon with that legend above her. She did not cry or hang her head. Anger was still too hot in her heart for that and it sustained her amid all her agony of humiliation. With resentful eyes and passion-red cheeks she confronted alike Diana's sympathetic gaze and Charlie Sloane's indignant nods and Josie Pye's malicious smiles. As for Gilbert Blythe, she would not even look at him. She would _never_ look at him again! She would never speak to him!! When school was dismissed Anne marched out with her red head held high. Gilbert Blythe tried to intercept her at the porch door. "I'm awfully sorry I made fun of your hair, Anne," he whispered contritely. "Honest I am. Don't be mad for keeps, now." Anne swept by disdainfully, without look or sign of hearing. "Oh how could you, Anne?" breathed Diana as they went down the road half reproachfully, half admiringly. Diana felt that _she_ could never have resisted Gilbert's plea. "I shall never forgive Gilbert Blythe," said Anne firmly. "And Mr. Phillips spelled my name without an e, too. The iron has entered into my soul, Diana." Diana hadn't the least idea what Anne meant but she understood it was something terrible. "You mustn't mind Gilbert making fun of your hair," she said soothingly. "Why, he makes fun of all the girls. He laughs at mine because it's so black. He's called me a crow a dozen times; and I never heard him apologize for anything before, either." "There's a great deal of difference between being called a crow and being called carrots," said Anne with dignity. "Gilbert Blythe has hurt my feelings _excruciatingly_, Diana." It is possible the matter might have blown over without more excruciation if nothing else had happened. But when things begin to happen they are apt to keep on. Avonlea scholars often spent noon hour picking gum in Mr. Bell's spruce grove over the hill and across his big pasture field. From there they could keep an eye on Eben Wright's house, where the master boarded. When they saw Mr. Phillips emerging therefrom they ran for the schoolhouse; but the distance being about three times longer than Mr. Wright's lane they were very apt to arrive there, breathless and gasping, some three minutes too late. On the following day Mr. Phillips was seized with one of his spasmodic fits of reform and announced before going home to dinner, that he should expect to find all the scholars in their seats when he returned. Anyone who came in late would be punished. All the boys and some of the girls went to Mr. Bell's spruce grove as usual, fully intending to stay only long enough to "pick a chew." But | wrote my name up with his I'd never _get_ over it, Diana Barry. But it _is_ nice to keep head of your class." "You'll have Gilbert in your class after this," said Diana, "and he's used to being head of his class, I can tell you. He's only in the fourth book although he's nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn't go to school hardly any until they came back. You won't find it so easy to keep head after this, Anne." "I'm glad," said Anne quickly. "I couldn't really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling ?ebullition.' Josie Pye was head and, mind you, she peeped in her book. Mr. Phillips didn't see her--he was looking at Prissy Andrews--but I did. I just swept her a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome," confided Anne to Diana, "but I think he's very bold. It isn't good manners to wink at a strange girl."<|quote|>But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper:</|quote|>"Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" she exclaimed passionately. "How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school that she had been called "carrots." Gilbert it was who spoke up stoutly. "It was my fault Mr. Phillips. I teased her." Mr. Phillips paid no heed to Gilbert. "I am sorry to see a pupil of mine displaying such a temper and such a vindictive spirit," he said in a solemn tone, as if the mere fact of being a pupil of his ought to root out all evil passions from the hearts of small imperfect mortals. "Anne, go and stand on the platform in front of the blackboard for the rest of the afternoon." Anne would have infinitely preferred a whipping to this punishment | Anne Of Green Gables | his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome," confided Anne to Diana, "but I think he's very bold. It isn't good manners to wink at a strange girl."<|quote|>But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper:</|quote|>"Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" | {
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"content": "his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. \"I think your Gilbert Blythe _is_ handsome,\" confided Anne to Diana, \"but I think he's very bold. It isn't good manners to wink at a strange girl.\"<|quote|>But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper:</|quote|>\"Carrots! Carrots!\" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. \"You mean, hateful boy!\"",
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"Yes, that's friendly." | Tony Last | them." "Well, that's friendly enough."<|quote|>"Yes, that's friendly."</|quote|>They finished the Burgundy and | "the old boy". "John heard them." "Well, that's friendly enough."<|quote|>"Yes, that's friendly."</|quote|>They finished the Burgundy and drank some port. Presently Tony | get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough."<|quote|>"Yes, that's friendly."</|quote|>They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, | there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough."<|quote|>"Yes, that's friendly."</|quote|>They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" | do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough."<|quote|>"Yes, that's friendly."</|quote|>They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. | up in front of him. He was half-way through dinner and three-quarters of the way through a bottle of Burgundy. "Hullo," he said. "Chucked? Come and join me." It was some time since Jock had seen Tony; the meeting embarrassed him slightly, for like all his friends, he was wondering how Tony felt and how much he knew about Brenda and John Beaver. However, he sat down at Tony's table. "Been chucked?" asked Tony again. "Yes, it's the last time I ask that bitch out." "Better have a drink. I've been drinking a whole lot. Much the best thing." They took what was left of the Burgundy and ordered another bottle. "Just come up for the night," said Tony. "Staying here." "You've got a flat now, haven't you?" "Well, Brenda has. There isn't really room for two... we tried it once and it wasn't a success." "What's she doing to-night?" "Out somewhere. I didn't let her know I was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough."<|quote|>"Yes, that's friendly."</|quote|>They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. | Eve there was a party at a neighbouring house. Tony went home early and Beaver and Brenda returned together in the back of a car. Next morning, while they were having breakfast, she said to Tony, "I've made a New Year resolution." "Anything to do with spending more time at home?" "Oh no, _quite_ the reverse. Listen, Tony, it's serious. I think I'll take a course of something." "Not bone-setters again? I thought that was over." "No, something like economics. You see, I've been thinking. I don't really _do_ anything at all at present. The house runs itself. It seems to me time I _took_ to something. Now you're always talking about going into Parliament. Well, if I had done a course of economics I could be some use canvassing and writing speeches and things--you know, the way Marjorie did when Allan was standing on the Clydeside. There are all sorts of lectures in London, to do with the University, where girls go. Don't you think it's rather a good idea?" "It's one better than the bone-setters," Tony admitted. That was how the New Year began. CHAPTER III HARD CHEESE ON TONY [I] It is not uncommon at Bratt's Club, between nine and ten in the evening, to find men in white ties and tail coats sitting by themselves and eating, in evident low spirits, large and extravagant dinners. They are those who have been abandoned at the last minute by their women. For twenty minutes or so they have sat in the foyer of some restaurant, gazing expectantly towards the revolving doors and alternatively taking out their watches and ordering cocktails, until at length a telephone message has been brought them that their guests are unable to come. Then they go to Bratt's, half hoping to find friends but, more often than not, taking a melancholy satisfaction in finding the club deserted or peopled by strangers. So they sit there, round the walls, morosely regarding the mahogany tables before them, and eating and drinking heavily. It was in this mood and for this reason that, one evening towards the middle of February, Jock Grant-Menzies arrived at the club. "Anyone here?" "Very quiet to-night, sir. Mr Last is in the dining-room." Jock found him seated in a corner; he was in day clothes; the table and the chair at his side were littered with papers and magazines; one was propped up in front of him. He was half-way through dinner and three-quarters of the way through a bottle of Burgundy. "Hullo," he said. "Chucked? Come and join me." It was some time since Jock had seen Tony; the meeting embarrassed him slightly, for like all his friends, he was wondering how Tony felt and how much he knew about Brenda and John Beaver. However, he sat down at Tony's table. "Been chucked?" asked Tony again. "Yes, it's the last time I ask that bitch out." "Better have a drink. I've been drinking a whole lot. Much the best thing." They took what was left of the Burgundy and ordered another bottle. "Just come up for the night," said Tony. "Staying here." "You've got a flat now, haven't you?" "Well, Brenda has. There isn't really room for two... we tried it once and it wasn't a success." "What's she doing to-night?" "Out somewhere. I didn't let her know I was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough."<|quote|>"Yes, that's friendly."</|quote|>They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have | the table and the chair at his side were littered with papers and magazines; one was propped up in front of him. He was half-way through dinner and three-quarters of the way through a bottle of Burgundy. "Hullo," he said. "Chucked? Come and join me." It was some time since Jock had seen Tony; the meeting embarrassed him slightly, for like all his friends, he was wondering how Tony felt and how much he knew about Brenda and John Beaver. However, he sat down at Tony's table. "Been chucked?" asked Tony again. "Yes, it's the last time I ask that bitch out." "Better have a drink. I've been drinking a whole lot. Much the best thing." They took what was left of the Burgundy and ordered another bottle. "Just come up for the night," said Tony. "Staying here." "You've got a flat now, haven't you?" "Well, Brenda has. There isn't really room for two... we tried it once and it wasn't a success." "What's she doing to-night?" "Out somewhere. I didn't let her know I was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough."<|quote|>"Yes, that's friendly."</|quote|>They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like | A Handful Of Dust | get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough."<|quote|>"Yes, that's friendly."</|quote|>They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, | {
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"content": "get on with Brenda's new friends.\" \"People from the school of economics?\" \"No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as\" \"the old boy\". \"John heard them.\" \"Well, that's friendly enough.\"<|quote|>\"Yes, that's friendly.\"</|quote|>They finished the Burgundy and drank some port. Presently Tony said, \"I say, come next week-end, will you?\" \"I think I'd love to.\" \"Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap,",
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and | No speaker | his "Prepare to advance, advance"<|quote|>and</|quote|>"Lie down." We obeyed each | in the ploughed field with his "Prepare to advance, advance"<|quote|>and</|quote|>"Lie down." We obeyed each order, since an order's an | the seams of his trousers. Himmelstoss saw what we meant and went off without saying a word. But before he disappeared he growled: "You'll drink this!" --but it was the end of his authority. He tried it on once more in the ploughed field with his "Prepare to advance, advance"<|quote|>and</|quote|>"Lie down." We obeyed each order, since an order's an order and has to be obeyed. But we did it so slowly that Himmelstoss became desperate. Carefully we went down on our knees, then on our hands, and so on; in the meantime, quite infuriated, he had given another command. | had enough. "There'll be an inquiry first," he said, "and then we'll unload." "Mind how you speak to a non-commissioned officer!" bawled Himmelstoss. "Have you lost your senses? You wait till you're spoken to. What will you do, anyway?" "Show you up, Corporal," said Kropp, his thumbs in line with the seams of his trousers. Himmelstoss saw what we meant and went off without saying a word. But before he disappeared he growled: "You'll drink this!" --but it was the end of his authority. He tried it on once more in the ploughed field with his "Prepare to advance, advance"<|quote|>and</|quote|>"Lie down." We obeyed each order, since an order's an order and has to be obeyed. But we did it so slowly that Himmelstoss became desperate. Carefully we went down on our knees, then on our hands, and so on; in the meantime, quite infuriated, he had given another command. But before we had even begun to sweat he was hoarse. After that he left us in peace. He did indeed always refer to us as swine, but there was, nevertheless, a certain respect in his tone. There were many other staff corporals, the majority of whom were more decent. | parallel bars and strove to surpass my instructor at physical jerks;--we have trembled at the mere sound of his voice, but this runaway post-horse never got the better of us. One Sunday as Kropp and I were lugging a latrine-bucket on a pole across the barrack-yard, Himmelstoss came by, all polished up and spry for going out. He planted himself in front of us and asked how we liked the job. In spite of ourselves we tripped and emptied the bucket over his legs. He raved, but the limit had been reached. "That means clink," he yelled. But Kropp had had enough. "There'll be an inquiry first," he said, "and then we'll unload." "Mind how you speak to a non-commissioned officer!" bawled Himmelstoss. "Have you lost your senses? You wait till you're spoken to. What will you do, anyway?" "Show you up, Corporal," said Kropp, his thumbs in line with the seams of his trousers. Himmelstoss saw what we meant and went off without saying a word. But before he disappeared he growled: "You'll drink this!" --but it was the end of his authority. He tried it on once more in the ploughed field with his "Prepare to advance, advance"<|quote|>and</|quote|>"Lie down." We obeyed each order, since an order's an order and has to be obeyed. But we did it so slowly that Himmelstoss became desperate. Carefully we went down on our knees, then on our hands, and so on; in the meantime, quite infuriated, he had given another command. But before we had even begun to sweat he was hoarse. After that he left us in peace. He did indeed always refer to us as swine, but there was, nevertheless, a certain respect in his tone. There were many other staff corporals, the majority of whom were more decent. But above all each of them wanted to keep his good job there at home as long as possible, and that he could do only by being strict with the recruits. Practically every conceivable polishing job in the entire camp fell to us and we often howled with rage. Many of us became ill through it; Wolf actually died of inflammation of the lung. But we would have felt ridiculous had we hauled down our colours. We became hard, suspicious, pitiless, vicious, tough--and that was good; for these attributes had been entirely lacking in us. Had we gone into the | Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves for a quarter of an hour at a stretch, while Himmelstoss watched for the slightest movement of our bare fingers on the steel barrel of the rifle. I have run eight times from the top floor of the barracks down to the courtyard in my shirt at two o'clock in the morning because my drawers projected three inches beyond the edge of the stool on which one had to stack all one's things. Alongside me ran the corporal, Himmelstoss, and trod on my bare toes. At bayonet-practice I had constantly to fight with Himmelstoss, I with a heavy iron weapon whilst he had a handy wooden one with which he easily struck my arms till they were black and blue. Once, indeed, I became so infuriated that I ran at him blindly and gave him a mighty jab in the stomach and knocked him down. When he reported me the company commander laughed at him and told him he ought to keep his eyes open; he understood Himmelstoss, and apparently was not displeased at his discomfiture. I became a past master on the parallel bars and strove to surpass my instructor at physical jerks;--we have trembled at the mere sound of his voice, but this runaway post-horse never got the better of us. One Sunday as Kropp and I were lugging a latrine-bucket on a pole across the barrack-yard, Himmelstoss came by, all polished up and spry for going out. He planted himself in front of us and asked how we liked the job. In spite of ourselves we tripped and emptied the bucket over his legs. He raved, but the limit had been reached. "That means clink," he yelled. But Kropp had had enough. "There'll be an inquiry first," he said, "and then we'll unload." "Mind how you speak to a non-commissioned officer!" bawled Himmelstoss. "Have you lost your senses? You wait till you're spoken to. What will you do, anyway?" "Show you up, Corporal," said Kropp, his thumbs in line with the seams of his trousers. Himmelstoss saw what we meant and went off without saying a word. But before he disappeared he growled: "You'll drink this!" --but it was the end of his authority. He tried it on once more in the ploughed field with his "Prepare to advance, advance"<|quote|>and</|quote|>"Lie down." We obeyed each order, since an order's an order and has to be obeyed. But we did it so slowly that Himmelstoss became desperate. Carefully we went down on our knees, then on our hands, and so on; in the meantime, quite infuriated, he had given another command. But before we had even begun to sweat he was hoarse. After that he left us in peace. He did indeed always refer to us as swine, but there was, nevertheless, a certain respect in his tone. There were many other staff corporals, the majority of whom were more decent. But above all each of them wanted to keep his good job there at home as long as possible, and that he could do only by being strict with the recruits. Practically every conceivable polishing job in the entire camp fell to us and we often howled with rage. Many of us became ill through it; Wolf actually died of inflammation of the lung. But we would have felt ridiculous had we hauled down our colours. We became hard, suspicious, pitiless, vicious, tough--and that was good; for these attributes had been entirely lacking in us. Had we gone into the trenches without this period of training most of us would certainly have gone mad. Only thus were we prepared for what awaited us. We did not break down, but endured; our twenty years, which made many another thing so grievous, helped us in this. But by far the most important was that it awakened in us a strong, practical sense of _esprit de corps_, which in the field developed into the finest thing that arose out of the war--comradeship. * * I sit by Kemmerich's bed. He is sinking steadily. Around us is a great commotion. A hospital train has arrived and the wounded fit to be moved are being selected. The doctor passes by Kemmerich's bed without once looking at him. "Next time, Franz," I say. He raises himself on the pillow with his elbows. "They have amputated my leg." He knows it too then. I nod and answer: "You must be thankful you've come off with that." He is silent. I resume: "It might have been both legs, Franz. Wegeler has lost his right arm. That's much worse. Besides, you will be going home." He looks at me. "Do you think so?" "Of course." "Do you think so?" | of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the "Prepare to advance, advance!" and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves for a quarter of an hour at a stretch, while Himmelstoss watched for the slightest movement of our bare fingers on the steel barrel of the rifle. I have run eight times from the top floor of the barracks down to the courtyard in my shirt at two o'clock in the morning because my drawers projected three inches beyond the edge of the stool on which one had to stack all one's things. Alongside me ran the corporal, Himmelstoss, and trod on my bare toes. At bayonet-practice I had constantly to fight with Himmelstoss, I with a heavy iron weapon whilst he had a handy wooden one with which he easily struck my arms till they were black and blue. Once, indeed, I became so infuriated that I ran at him blindly and gave him a mighty jab in the stomach and knocked him down. When he reported me the company commander laughed at him and told him he ought to keep his eyes open; he understood Himmelstoss, and apparently was not displeased at his discomfiture. I became a past master on the parallel bars and strove to surpass my instructor at physical jerks;--we have trembled at the mere sound of his voice, but this runaway post-horse never got the better of us. One Sunday as Kropp and I were lugging a latrine-bucket on a pole across the barrack-yard, Himmelstoss came by, all polished up and spry for going out. He planted himself in front of us and asked how we liked the job. In spite of ourselves we tripped and emptied the bucket over his legs. He raved, but the limit had been reached. "That means clink," he yelled. But Kropp had had enough. "There'll be an inquiry first," he said, "and then we'll unload." "Mind how you speak to a non-commissioned officer!" bawled Himmelstoss. "Have you lost your senses? You wait till you're spoken to. What will you do, anyway?" "Show you up, Corporal," said Kropp, his thumbs in line with the seams of his trousers. Himmelstoss saw what we meant and went off without saying a word. But before he disappeared he growled: "You'll drink this!" --but it was the end of his authority. He tried it on once more in the ploughed field with his "Prepare to advance, advance"<|quote|>and</|quote|>"Lie down." We obeyed each order, since an order's an order and has to be obeyed. But we did it so slowly that Himmelstoss became desperate. Carefully we went down on our knees, then on our hands, and so on; in the meantime, quite infuriated, he had given another command. But before we had even begun to sweat he was hoarse. After that he left us in peace. He did indeed always refer to us as swine, but there was, nevertheless, a certain respect in his tone. There were many other staff corporals, the majority of whom were more decent. But above all each of them wanted to keep his good job there at home as long as possible, and that he could do only by being strict with the recruits. Practically every conceivable polishing job in the entire camp fell to us and we often howled with rage. Many of us became ill through it; Wolf actually died of inflammation of the lung. But we would have felt ridiculous had we hauled down our colours. We became hard, suspicious, pitiless, vicious, tough--and that was good; for these attributes had been entirely lacking in us. Had we gone into the trenches without this period of training most of us would certainly have gone mad. Only thus were we prepared for what awaited us. We did not break down, but endured; our twenty years, which made many another thing so grievous, helped us in this. But by far the most important was that it awakened in us a strong, practical sense of _esprit de corps_, which in the field developed into the finest thing that arose out of the war--comradeship. * * I sit by Kemmerich's bed. He is sinking steadily. Around us is a great commotion. A hospital train has arrived and the wounded fit to be moved are being selected. The doctor passes by Kemmerich's bed without once looking at him. "Next time, Franz," I say. He raises himself on the pillow with his elbows. "They have amputated my leg." He knows it too then. I nod and answer: "You must be thankful you've come off with that." He is silent. I resume: "It might have been both legs, Franz. Wegeler has lost his right arm. That's much worse. Besides, you will be going home." He looks at me. "Do you think so?" "Of course." "Do you think so?" he repeats. "Sure, Franz. Once you've got over the operation." He beckons me to bend down. I stoop over him and he whispers: "I don't think so." "Don't talk rubbish, Franz, in a couple of days you'll see for yourself. What is it anyway--an amputated leg? here they patch up far worse things than that." He lifts one hand. "Look here though, these fingers." "That's the result of the operation. Just eat decently and you'll soon be well again. Do they look after you properly?" He points to a dish that is still half full. I get excited. "Franz, you must eat. Eating is the main thing. That looks good too." He turns away. After a pause he says slowly: "I wanted to become a head-forester once." "So you may still," I assure him. "There are splendid artificial limbs now, you'd hardly know there was anything missing. They are fixed on to the muscles. You can move the fingers and work and even write with an artificial hand. And besides, they will always be making new improvements." For a while he lies still. Then he says: "You can take my lace-up boots with you for Müller." I nod and wonder what to say to encourage him. His lips have fallen away, his mouth has become larger, his teeth stick out and look as though they were made of chalk. The flesh melts, the forehead bulges more prominently, the cheek-bones protrude. The skeleton is working itself through. The eyes are already sunken in. In a couple of hours it will be over. He is not the first that I have seen thus; but we grew up together and that always makes it a bit different. I have copied his essays. At school he used to wear a brown coat with a belt and shiny sleeves. He was the only one of us, too, who could do the giant's turn on the horizontal bar. His hair flew in his face like silk when he did it. Kantorek was proud of him for it. But he couldn't endure cigarettes. His skin was very white; he had something of the girl about him. I glance at my boots. They are big and clumsy, the breeches are tucked into them, and standing up one looks well-built and powerful in these great drain-pipes. But when we go bathing and strip, suddenly we have slender legs again | told him he ought to keep his eyes open; he understood Himmelstoss, and apparently was not displeased at his discomfiture. I became a past master on the parallel bars and strove to surpass my instructor at physical jerks;--we have trembled at the mere sound of his voice, but this runaway post-horse never got the better of us. One Sunday as Kropp and I were lugging a latrine-bucket on a pole across the barrack-yard, Himmelstoss came by, all polished up and spry for going out. He planted himself in front of us and asked how we liked the job. In spite of ourselves we tripped and emptied the bucket over his legs. He raved, but the limit had been reached. "That means clink," he yelled. But Kropp had had enough. "There'll be an inquiry first," he said, "and then we'll unload." "Mind how you speak to a non-commissioned officer!" bawled Himmelstoss. "Have you lost your senses? You wait till you're spoken to. What will you do, anyway?" "Show you up, Corporal," said Kropp, his thumbs in line with the seams of his trousers. Himmelstoss saw what we meant and went off without saying a word. But before he disappeared he growled: "You'll drink this!" --but it was the end of his authority. He tried it on once more in the ploughed field with his "Prepare to advance, advance"<|quote|>and</|quote|>"Lie down." We obeyed each order, since an order's an order and has to be obeyed. But we did it so slowly that Himmelstoss became desperate. Carefully we went down on our knees, then on our hands, and so on; in the meantime, quite infuriated, he had given another command. But before we had even begun to sweat he was hoarse. After that he left us in peace. He did indeed always refer to us as swine, but there was, nevertheless, a certain respect in his tone. There were many other staff corporals, the majority of whom were more decent. But above all each of them wanted to keep his good job there at home as long as possible, and that he could do only by being strict with the recruits. Practically every conceivable polishing job in the entire camp fell to us and we often howled with rage. Many of us became ill through it; Wolf actually died of inflammation of the lung. But we would have felt ridiculous had we hauled down our colours. We became hard, suspicious, pitiless, vicious, tough--and that was good; for these attributes had been entirely lacking in us. Had we gone into the trenches without this period of training most of us would certainly have gone mad. Only thus were we prepared for what awaited us. We did not break down, but endured; our twenty years, which made many another thing so grievous, helped us in this. But by far the most important was that it awakened in us a strong, practical sense of _esprit de corps_, which in the field developed into the finest thing that arose out of the war--comradeship. * * I sit by Kemmerich's bed. He is sinking steadily. Around us is a great commotion. A hospital train has arrived and the wounded fit to be moved are being selected. The doctor passes by Kemmerich's bed without once looking at him. "Next time, Franz," I say. He raises himself on the pillow with his elbows. "They have amputated my leg." He knows it too then. I nod and answer: "You must be thankful you've come off with that." He is silent. I resume: "It might have been both legs, Franz. Wegeler has lost his right arm. That's much worse. Besides, you will be going home." He looks at me. "Do you think so?" "Of course." "Do you think so?" he repeats. "Sure, Franz. Once you've got over the operation." He beckons me to bend down. I stoop over him and he whispers: "I don't think so." "Don't talk rubbish, Franz, in a couple of days you'll see for yourself. What is it anyway--an amputated leg? here they patch up far worse things than that." He lifts one hand. "Look here though, these fingers." "That's the result of the operation. Just eat decently and you'll soon be well again. Do they look after you properly?" He points to a dish that is still half full. I get excited. "Franz, you must eat. Eating is the main thing. That looks good too." He turns away. After a pause he says slowly: "I wanted to become a head-forester once." "So you may still," I assure him. "There are splendid artificial limbs now, you'd hardly know there was anything missing. They are fixed on to the muscles. You can move the fingers and work and even write with an | All Quiet on the Western Front | the seams of his trousers. Himmelstoss saw what we meant and went off without saying a word. But before he disappeared he growled: "You'll drink this!" --but it was the end of his authority. He tried it on once more in the ploughed field with his "Prepare to advance, advance"<|quote|>and</|quote|>"Lie down." We obeyed each order, since an order's an order and has to be obeyed. But we did it so slowly that Himmelstoss became desperate. Carefully we went down on our knees, then on our hands, and so on; in the meantime, quite infuriated, he had given another command. | {
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"content": "the seams of his trousers. Himmelstoss saw what we meant and went off without saying a word. But before he disappeared he growled: \"You'll drink this!\" --but it was the end of his authority. He tried it on once more in the ploughed field with his \"Prepare to advance, advance\"<|quote|>and</|quote|>\"Lie down.\" We obeyed each order, since an order's an order and has to be obeyed. But we did it so slowly that Himmelstoss became desperate. Carefully we went down on our knees, then on our hands, and so on; in the meantime, quite infuriated, he had given another command.",
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"What d'you do?" | Babs | myself. They've more to say."<|quote|>"What d'you do?"</|quote|>"I design postmen's hats," said | "I like business gentlemen best, myself. They've more to say."<|quote|>"What d'you do?"</|quote|>"I design postmen's hats," said Jock. "Oh, go on." "And | _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say."<|quote|>"What d'you do?"</|quote|>"I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, | it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say."<|quote|>"What d'you do?"</|quote|>"I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we | telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say."<|quote|>"What d'you do?"</|quote|>"I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way | young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say."<|quote|>"What d'you do?"</|quote|>"I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's | cap and braided overcoat stepped out to open the taxi for them. The Old Hundredth has never been shut. For a generation, while other night clubs have sprung into being, with various names and managers, and various pretensions to respectability, have enjoyed a precarious and brief existence, and come to grief at the hands either of police or creditors, the Old Hundredth has maintained a solid front against all adversity. It has not been immune from persecution; far from it. Times out of number, magistrates have struck it off, cancelled its licence, condemned its premises; the staff and proprietor have been constantly in and out of prison; there have been questions in the House and committees of enquiry, but whatever Home Secretaries and Commissioners of Police have risen into eminence and retired discredited, the doors of the Old Hundredth have always been open from nine in the evening until four at night, and inside there has been an unimpeded flow of dubious, alcoholic preparations. A kindly young lady admitted Tony and Jock to the ramshackle building. "D'you mind signing on?" Tony and Jock inscribed fictitious names at the foot of a form which stated, _I have been invited to a Bottle Party at 100 Sink Street given by Captain Weybridge_. "That's five bob each, please." It is not an expensive club to run, because none of the staff, except the band, receive any wages; they make what they can by going through the overcoat pockets and giving the wrong change to drunks. The young ladies get in free but they have to see to it that their patrons spend money. "Last time I was here, Tony, was the bachelor party before your wedding." "Tight that night." "Stinking." "I'll tell you who else was tight that night--Reggie. Broke a fruit gum machine." "Reggie was stinking." "I say, you don't still feel low about that girl?" "I don't feel low." "Come on, we'll go downstairs." The dance-room was fairly full. An elderly man had joined the band and was trying to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say."<|quote|>"What d'you do?"</|quote|>"I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make surprise visits." "You are one for making people learn things," said Beaver. Tony emerged from the 3.18 feeling cold, tired, and heavy with guilt. John Andrew had come in the car to meet him. "Hullo, daddy, had a good time in London? You didn't mind me coming to | "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say."<|quote|>"What d'you do?"</|quote|>"I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower | A Handful Of Dust | _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say."<|quote|>"What d'you do?"</|quote|>"I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, | {
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"content": "_ought_ to go round there?\" \"We promised we would,\" said Jock. \"You should never disappoint a lady,\" said Milly. \"Oh, it's too late now.\" Babs said, \"You two are officers, aren't you?\" \"No, why?\" \"I thought you were.\" Milly said, \"I like business gentlemen best, myself. They've more to say.\"<|quote|>\"What d'you do?\"</|quote|>\"I design postmen's hats,\" said Jock. \"Oh, go on.\" \"And my friend here trains sea-lions.\" \"Tell us another.\" Babs said, \"I've got a gentleman friend who works on a newspaper.\" After a time Jock said, \"I say, ought we to do something about Brenda?\" \"I told her we weren't coming,",
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"Just as _you_ like." | Milly | "Oh, just as you like."<|quote|>"Just as _you_ like."</|quote|>"Well, perhaps Winnie would be | going to sleep?" asked Milly. "Oh, just as you like."<|quote|>"Just as _you_ like."</|quote|>"Well, perhaps Winnie would be happier with you... she'll have | is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like."<|quote|>"Just as _you_ like."</|quote|>"Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A | to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like."<|quote|>"Just as _you_ like."</|quote|>"Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large | ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like."<|quote|>"Just as _you_ like."</|quote|>"Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a | cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like."<|quote|>"Just as _you_ like."</|quote|>"Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of | _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece," he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague, "He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like."<|quote|>"Just as _you_ like."</|quote|>"Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?" said Tony. "Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby went to their room; they must doll up, they explained, as they were going to a party given by a friend of Dan's, at a place of his near there. Tony and Milly went in to dinner. "He's a very nice boy," she said, "and comes to the club a lot. We get all sorts there, but Dan's one of the decent ones. I was going to have gone abroad with him once but in the end he couldn't get away." "His girl didn't seem to like us much." "Oh, she was cold." Tony did not find conversation easy at dinner. At first he commented on their neighbours as he would have done if he had been dining with Brenda at Espinosa's. "That's a pretty girl in the corner." "I wonder you don't go and join her, dear," said Milly testily. "Look at that woman's diamonds. Do you think they can be real?" "Why don't you ask her, if you're so interested?" "That's an interesting type--the dark woman dancing." "I'm sure she'd be delighted to | seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like."<|quote|>"Just as _you_ like."</|quote|>"Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no | A Handful Of Dust | is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like."<|quote|>"Just as _you_ like."</|quote|>"Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A | {
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"content": "is always the same--to make the clients realize that divorce is a serious matter.\" Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. \"How are we going to sleep?\" asked Milly. \"Oh, just as you like.\"<|quote|>\"Just as _you_ like.\"</|quote|>\"Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course.\" So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A",
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said Dr Messinger. | No speaker | men to go Pie-wie country,"<|quote|>said Dr Messinger.</|quote|>"Pie-wie bad people. Macushi people | "You tell them I want men to go Pie-wie country,"<|quote|>said Dr Messinger.</|quote|>"Pie-wie bad people. Macushi people no go with Pie-wie people." | bought for barter. They retired at sundown but on the seventh day they came again, greatly reinforced. The entire population of the village was there. Rosa sat down on Tony's hammock under the thatch roof. "Give me cigarettes," she said. "You tell them I want men to go Pie-wie country,"<|quote|>said Dr Messinger.</|quote|>"Pie-wie bad people. Macushi people no go with Pie-wie people." "You say I want ten men. I give them guns." "You give me cigarettes..." Negotiations lasted for two days. Eventually twelve men agreed to come; seven of them insisted on bringing their wives with them. One of these was Rosa. | the Indians began to appear. They shook hands all round and then retired to the margin of the bush where they stood gazing at the camp equipment. Tony tried to photograph them but they ran away giggling like schoolgirls. Dr Messinger spread out on the ground the goods he had bought for barter. They retired at sundown but on the seventh day they came again, greatly reinforced. The entire population of the village was there. Rosa sat down on Tony's hammock under the thatch roof. "Give me cigarettes," she said. "You tell them I want men to go Pie-wie country,"<|quote|>said Dr Messinger.</|quote|>"Pie-wie bad people. Macushi people no go with Pie-wie people." "You say I want ten men. I give them guns." "You give me cigarettes..." Negotiations lasted for two days. Eventually twelve men agreed to come; seven of them insisted on bringing their wives with them. One of these was Rosa. When everything was arranged there was a party in the village and all the Indians got drunk again. This time, however, it was a shorter business as the women had not had time to prepare much cassiri. In three days the caravan was able to set out. One of the | of cassiri. Everything reeked of roast pork. "It will take them a week to get sober," said Dr Messinger. All that week the black boys lounged in camp; sometimes they washed their clothes and hung them out on the gunwales of the boat to dry in the sun; sometimes they went fishing and came back with a massive catch, speared on a stick (the flesh was tasteless and rubbery); usually in the evenings they sang songs round the fire. The fellow who had been stung kept to his hammock, groaning loudly and constantly asking for medicine. On the sixth day the Indians began to appear. They shook hands all round and then retired to the margin of the bush where they stood gazing at the camp equipment. Tony tried to photograph them but they ran away giggling like schoolgirls. Dr Messinger spread out on the ground the goods he had bought for barter. They retired at sundown but on the seventh day they came again, greatly reinforced. The entire population of the village was there. Rosa sat down on Tony's hammock under the thatch roof. "Give me cigarettes," she said. "You tell them I want men to go Pie-wie country,"<|quote|>said Dr Messinger.</|quote|>"Pie-wie bad people. Macushi people no go with Pie-wie people." "You say I want ten men. I give them guns." "You give me cigarettes..." Negotiations lasted for two days. Eventually twelve men agreed to come; seven of them insisted on bringing their wives with them. One of these was Rosa. When everything was arranged there was a party in the village and all the Indians got drunk again. This time, however, it was a shorter business as the women had not had time to prepare much cassiri. In three days the caravan was able to set out. One of the men had a long, single-barrelled, muzzle-loading gun; several others carried bows and arrows; they were naked except for red cotton cloths round their loins. The women wore grubby calico dresses--they had been issued to them years back by an itinerant preacher and kept for occasions of this kind; they had wicker panniers on their shoulders, supported by a band across the forehead. All the heaviest luggage was carried by the women in these panniers, including the rations for themselves and their men. Rosa had, in addition, an umbrella with a dented, silver crook, a relic of her association with Mr | bacon curers and has no direct relation to pig meat for sale in pies. That is being dealt with by a separate committee who have not yet made their report." "Would the honourable member consider an increase of the specified maximum of fatness on the shoulders?" "I must have notice of that question." Jock left the House that afternoon with the comfortable feeling that he had at last done something tangible in the interest of his constituents. * * * * * Two days later the Indians returned from hunting. It was tedious waiting. Dr Messinger put in some hours daily in checking the stores. Tony went into the bush with his gun, but the game had all migrated from that part of the river bank. One of the black boys was badly injured in the foot and calf by a sting-ray; after that they stopped bathing and washed in a zinc pail. When the news of the Indians' return reached camp, Tony and Dr Messinger went to the village to see them, but a feast had already started and everyone in the place was drunk. The men lay in their hammocks and the women trotted between them carrying calabashes of cassiri. Everything reeked of roast pork. "It will take them a week to get sober," said Dr Messinger. All that week the black boys lounged in camp; sometimes they washed their clothes and hung them out on the gunwales of the boat to dry in the sun; sometimes they went fishing and came back with a massive catch, speared on a stick (the flesh was tasteless and rubbery); usually in the evenings they sang songs round the fire. The fellow who had been stung kept to his hammock, groaning loudly and constantly asking for medicine. On the sixth day the Indians began to appear. They shook hands all round and then retired to the margin of the bush where they stood gazing at the camp equipment. Tony tried to photograph them but they ran away giggling like schoolgirls. Dr Messinger spread out on the ground the goods he had bought for barter. They retired at sundown but on the seventh day they came again, greatly reinforced. The entire population of the village was there. Rosa sat down on Tony's hammock under the thatch roof. "Give me cigarettes," she said. "You tell them I want men to go Pie-wie country,"<|quote|>said Dr Messinger.</|quote|>"Pie-wie bad people. Macushi people no go with Pie-wie people." "You say I want ten men. I give them guns." "You give me cigarettes..." Negotiations lasted for two days. Eventually twelve men agreed to come; seven of them insisted on bringing their wives with them. One of these was Rosa. When everything was arranged there was a party in the village and all the Indians got drunk again. This time, however, it was a shorter business as the women had not had time to prepare much cassiri. In three days the caravan was able to set out. One of the men had a long, single-barrelled, muzzle-loading gun; several others carried bows and arrows; they were naked except for red cotton cloths round their loins. The women wore grubby calico dresses--they had been issued to them years back by an itinerant preacher and kept for occasions of this kind; they had wicker panniers on their shoulders, supported by a band across the forehead. All the heaviest luggage was carried by the women in these panniers, including the rations for themselves and their men. Rosa had, in addition, an umbrella with a dented, silver crook, a relic of her association with Mr Forbes. The Negroes returned downstream to the coast. A dump of provisions, in substantial tin casing, was left in the ruinous shelter by the bank. "There's no one to touch it. We can send back for it in case of emergency from the Pie-wie country," said Dr Messinger. Tony and Dr Messinger walked immediately behind the man with the gun who was acting as guide; behind them the file straggled out for half a mile or more through the forest. "From now onwards the map is valueless to us," said Dr Messinger with relish. (Roll up the map--you will not need it again for how many years, said William Pitt... memories of Tony's private school came back to him at Dr Messinger's words, of inky little desks and a coloured picture of a Viking raid, of Mr Trotter who had taught him history and wore very vivid ties.) [III] "Mummy, Brenda wants a job." "Why?" "Just like everybody else, short of money and nothing to do. She wondered if she could be any use to you at the shop." "Well... It's hard to say. At any other time she is exactly the kind of saleswoman I am always looking for... | men?" "Men all go hunting three days." "When will they be back?" "They go after bush-pig." "When will they be back?" "No, bush-pig. Plenty bush-pig. Men all go hunting. You give me cigarette." "Listen, Rosa, I want to go to the Pie-wie country." "No, this Macushi. All the people Macushi." "But we want to go Pie-wie." "No, _all_ Macushi. You give me cigarette." "It's hopeless," said Dr Messinger. "We shall have to wait till the men come back." He took a packet of cigarettes from his pocket. "Look," he said, "cigarettes." "Give me." "When men come back from hunting you come to river and tell me. Understand?" "No, men hunting bush-pig. You give me cigarettes." Dr Messinger gave her the cigarettes. "What else you got?" she said. Dr Messinger pointed to the load which the second nigger had laid on the ground. "Give me," she said. "When men come back, I give you plenty things if men come with me to Pie-wies." "No, _all_ Macushi here." "We aren't doing any good," said Dr Messinger. "We'd better go back to camp and wait. The men have been away three days. It's not likely they will be much longer... I wish I could speak Macushi." They turned about, the four of them, and left the village. It was ten o'clock by Tony's wrist watch when they reached their camp. Ten o'clock on the river Waurupang was question time at Westminster. For a long time now Jock had had a question which his constituents wanted him to ask. It came up that afternoon. "Number twenty," he said. A few members turned to the order paper. _No. 20._ "_To ask the Minister of Agriculture whether in view of the dumping in this country of Japanese pork pies, the right honourable member is prepared to consider a modification of the eight-and-a-half-score basic pig from two and a half inches of thickness round the belly as originally specified, to two inches._" Replying for the Minister, the under-secretary said: "The matter is receiving the closest attention. As the honourable member is no doubt aware, the question of the importation of pork pies is a matter for the Board of Trade, not for the Board of Agriculture. With regard to the specifications of the basic pig, I must remind the honourable member that, as he is doubtless aware, the eight-and-a-half-score pig is modelled on the requirements of the bacon curers and has no direct relation to pig meat for sale in pies. That is being dealt with by a separate committee who have not yet made their report." "Would the honourable member consider an increase of the specified maximum of fatness on the shoulders?" "I must have notice of that question." Jock left the House that afternoon with the comfortable feeling that he had at last done something tangible in the interest of his constituents. * * * * * Two days later the Indians returned from hunting. It was tedious waiting. Dr Messinger put in some hours daily in checking the stores. Tony went into the bush with his gun, but the game had all migrated from that part of the river bank. One of the black boys was badly injured in the foot and calf by a sting-ray; after that they stopped bathing and washed in a zinc pail. When the news of the Indians' return reached camp, Tony and Dr Messinger went to the village to see them, but a feast had already started and everyone in the place was drunk. The men lay in their hammocks and the women trotted between them carrying calabashes of cassiri. Everything reeked of roast pork. "It will take them a week to get sober," said Dr Messinger. All that week the black boys lounged in camp; sometimes they washed their clothes and hung them out on the gunwales of the boat to dry in the sun; sometimes they went fishing and came back with a massive catch, speared on a stick (the flesh was tasteless and rubbery); usually in the evenings they sang songs round the fire. The fellow who had been stung kept to his hammock, groaning loudly and constantly asking for medicine. On the sixth day the Indians began to appear. They shook hands all round and then retired to the margin of the bush where they stood gazing at the camp equipment. Tony tried to photograph them but they ran away giggling like schoolgirls. Dr Messinger spread out on the ground the goods he had bought for barter. They retired at sundown but on the seventh day they came again, greatly reinforced. The entire population of the village was there. Rosa sat down on Tony's hammock under the thatch roof. "Give me cigarettes," she said. "You tell them I want men to go Pie-wie country,"<|quote|>said Dr Messinger.</|quote|>"Pie-wie bad people. Macushi people no go with Pie-wie people." "You say I want ten men. I give them guns." "You give me cigarettes..." Negotiations lasted for two days. Eventually twelve men agreed to come; seven of them insisted on bringing their wives with them. One of these was Rosa. When everything was arranged there was a party in the village and all the Indians got drunk again. This time, however, it was a shorter business as the women had not had time to prepare much cassiri. In three days the caravan was able to set out. One of the men had a long, single-barrelled, muzzle-loading gun; several others carried bows and arrows; they were naked except for red cotton cloths round their loins. The women wore grubby calico dresses--they had been issued to them years back by an itinerant preacher and kept for occasions of this kind; they had wicker panniers on their shoulders, supported by a band across the forehead. All the heaviest luggage was carried by the women in these panniers, including the rations for themselves and their men. Rosa had, in addition, an umbrella with a dented, silver crook, a relic of her association with Mr Forbes. The Negroes returned downstream to the coast. A dump of provisions, in substantial tin casing, was left in the ruinous shelter by the bank. "There's no one to touch it. We can send back for it in case of emergency from the Pie-wie country," said Dr Messinger. Tony and Dr Messinger walked immediately behind the man with the gun who was acting as guide; behind them the file straggled out for half a mile or more through the forest. "From now onwards the map is valueless to us," said Dr Messinger with relish. (Roll up the map--you will not need it again for how many years, said William Pitt... memories of Tony's private school came back to him at Dr Messinger's words, of inky little desks and a coloured picture of a Viking raid, of Mr Trotter who had taught him history and wore very vivid ties.) [III] "Mummy, Brenda wants a job." "Why?" "Just like everybody else, short of money and nothing to do. She wondered if she could be any use to you at the shop." "Well... It's hard to say. At any other time she is exactly the kind of saleswoman I am always looking for... but I don't know. _As things are_, I'm not sure it would be wise." "I said I'd ask you, that's all." "John, you never tell me _anything_ and I don't like to seem interfering; but what _is_ going to happen between you and Brenda?" "I don't know." "You never tell me _anything_," repeated Mrs Beaver. "And there are so many rumours going round. Is there going to be a divorce?" "I don't know." Mrs Beaver sighed. "Well, I must get back to work. Where are you lunching?" "Bratt's." "Poor John. By the way, I thought you were joining Brown's." "I haven't heard anything from them. I don't know whether they've had an election yet." "Your father was a member." "I've an idea I shan't get in... anyway I couldn't really afford it." "I'm not happy about you, John. I'm not sure that things are working out as well as I hoped about Christmas-time." "There's my telephone. Perhaps it's Margot. She hasn't asked me to anything for weeks." But it was only Brenda. "I'm afraid mother's got nothing for you at the shop," he said. "Oh well. I expect something will turn up. I could do with a little good luck just at the moment." "So could I. Have you asked Allan about Brown's?" "Yes, I did. He says they elected about ten chaps last week." "Oh, does that mean I've been blackballed?" "I shouldn't know. Gentlemen are so odd about their clubs." "I thought that you were going to make Allan and Reggie support me." "I asked them. What does it matter anyway? D'you want to come to Veronica's for the week-end?" "I'm not sure that I do." "_I'd_ like it." "It's a beastly little house--and I don't think Veronica likes me. Who'll be there?" "I shall be." "Yes... well, I'll let you know." "Am I seeing you this evening?" "I'll let you know." "Oh dear," said Brenda as she rang off. "Now he's taken against me. It isn't my fault he can't get into Brown's. As a matter of fact I believe Reggie _did_ try to help." Jenny Abdul Akbar was in the room with her. She came across every morning now in her dressing-gown and they read the newspaper together. Her dressing-gown was of striped Berber silk. "Let's go and have a cosy lunch at the Ritz," she said. "The Ritz isn't cosy at lunch-time and it costs | part of the river bank. One of the black boys was badly injured in the foot and calf by a sting-ray; after that they stopped bathing and washed in a zinc pail. When the news of the Indians' return reached camp, Tony and Dr Messinger went to the village to see them, but a feast had already started and everyone in the place was drunk. The men lay in their hammocks and the women trotted between them carrying calabashes of cassiri. Everything reeked of roast pork. "It will take them a week to get sober," said Dr Messinger. All that week the black boys lounged in camp; sometimes they washed their clothes and hung them out on the gunwales of the boat to dry in the sun; sometimes they went fishing and came back with a massive catch, speared on a stick (the flesh was tasteless and rubbery); usually in the evenings they sang songs round the fire. The fellow who had been stung kept to his hammock, groaning loudly and constantly asking for medicine. On the sixth day the Indians began to appear. They shook hands all round and then retired to the margin of the bush where they stood gazing at the camp equipment. Tony tried to photograph them but they ran away giggling like schoolgirls. Dr Messinger spread out on the ground the goods he had bought for barter. They retired at sundown but on the seventh day they came again, greatly reinforced. The entire population of the village was there. Rosa sat down on Tony's hammock under the thatch roof. "Give me cigarettes," she said. "You tell them I want men to go Pie-wie country,"<|quote|>said Dr Messinger.</|quote|>"Pie-wie bad people. Macushi people no go with Pie-wie people." "You say I want ten men. I give them guns." "You give me cigarettes..." Negotiations lasted for two days. Eventually twelve men agreed to come; seven of them insisted on bringing their wives with them. One of these was Rosa. When everything was arranged there was a party in the village and all the Indians got drunk again. This time, however, it was a shorter business as the women had not had time to prepare much cassiri. In three days the caravan was able to set out. One of the men had a long, single-barrelled, muzzle-loading gun; several others carried bows and arrows; they were naked except for red cotton cloths round their loins. The women wore grubby calico dresses--they had been issued to them years back by an itinerant preacher and kept for occasions of this kind; they had wicker panniers on their shoulders, supported by a band across the forehead. All the heaviest luggage was carried by the women in these panniers, including the rations for themselves and their men. Rosa had, in addition, an umbrella with a dented, silver crook, a relic of her association with Mr Forbes. The Negroes returned downstream to the coast. A dump of provisions, in substantial tin casing, was left in the ruinous shelter by the bank. "There's no one to touch it. We can send back for it in case of emergency from the Pie-wie country," said Dr Messinger. Tony and Dr Messinger walked immediately behind the man with the gun who was acting as guide; behind them the file straggled out for half a mile or more through the forest. "From now onwards the map is valueless to us," said Dr Messinger with relish. (Roll up the map--you will not need it again for how many years, said William Pitt... memories of Tony's private school came back to him at Dr Messinger's words, | A Handful Of Dust | bought for barter. They retired at sundown but on the seventh day they came again, greatly reinforced. The entire population of the village was there. Rosa sat down on Tony's hammock under the thatch roof. "Give me cigarettes," she said. "You tell them I want men to go Pie-wie country,"<|quote|>said Dr Messinger.</|quote|>"Pie-wie bad people. Macushi people no go with Pie-wie people." "You say I want ten men. I give them guns." "You give me cigarettes..." Negotiations lasted for two days. Eventually twelve men agreed to come; seven of them insisted on bringing their wives with them. One of these was Rosa. | {
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"content": "bought for barter. They retired at sundown but on the seventh day they came again, greatly reinforced. The entire population of the village was there. Rosa sat down on Tony's hammock under the thatch roof. \"Give me cigarettes,\" she said. \"You tell them I want men to go Pie-wie country,\"<|quote|>said Dr Messinger.</|quote|>\"Pie-wie bad people. Macushi people no go with Pie-wie people.\" \"You say I want ten men. I give them guns.\" \"You give me cigarettes...\" Negotiations lasted for two days. Eventually twelve men agreed to come; seven of them insisted on bringing their wives with them. One of these was Rosa.",
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"Well, you needn't suffer any longer," | Marilla Cuthbert | to know what it is."<|quote|>"Well, you needn't suffer any longer,"</|quote|>said Marilla sarcastically. "You can | flashes, and I'm really suffering to know what it is."<|quote|>"Well, you needn't suffer any longer,"</|quote|>said Marilla sarcastically. "You can go, but you're to be | we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is."<|quote|>"Well, you needn't suffer any longer,"</|quote|>said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within | on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is."<|quote|>"Well, you needn't suffer any longer,"</|quote|>said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And | you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is."<|quote|>"Well, you needn't suffer any longer,"</|quote|>said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a | talk to little girls as if they were too, and I'll never laugh when they use big words. I know from sorrowful experience how that hurts one's feelings. After tea Diana and I made taffy. The taffy wasn't very good, I suppose because neither Diana nor I had ever made any before. Diana left me to stir it while she buttered the plates and I forgot and let it burn; and then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is."<|quote|>"Well, you needn't suffer any longer,"</|quote|>said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana | sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could," ?I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion.' "That was a pretty dignified way of speaking wasn't it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry's head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry:" "If you love me as I love you Nothing but death can part us two." "And that is true, Marilla. We're going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can't tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves, Marilla. And Mrs. Barry asked me if I took tea and said" ?Pa, why don't you pass the biscuits to Anne?' "It must be lovely to be grown up, Marilla, when just being treated as if you were is so nice." "I don't know about that," said Marilla, with a brief sigh. "Well, anyway, when I am grown up," said Anne decidedly, "I'm always going to talk to little girls as if they were too, and I'll never laugh when they use big words. I know from sorrowful experience how that hurts one's feelings. After tea Diana and I made taffy. The taffy wasn't very good, I suppose because neither Diana nor I had ever made any before. Diana left me to stir it while she buttered the plates and I forgot and let it burn; and then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is."<|quote|>"Well, you needn't suffer any longer,"</|quote|>said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then." "Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go." "You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such | in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is."<|quote|>"Well, you needn't suffer any longer,"</|quote|>said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must | Anne Of Green Gables | we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is."<|quote|>"Well, you needn't suffer any longer,"</|quote|>said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within | {
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"content": "we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is.\"<|quote|>\"Well, you needn't suffer any longer,\"</|quote|>said Marilla sarcastically. \"You can go, but you're to be back here in just ten minutes, remember that.\" Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within",
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"I'm the last person to have about on an occasion like this," | Mrs. Rattery | going to say to Tony?"<|quote|>"I'm the last person to have about on an occasion like this,"</|quote|>said Mrs Rattery. They passed | "What on earth are we going to say to Tony?"<|quote|>"I'm the last person to have about on an occasion like this,"</|quote|>said Mrs Rattery. They passed the scene of the accident; | but at the moment everyone was shocked and silent. Someone lent Jock and Mrs Rattery a car to get home in, and a groom to see to the hirelings. "It's the most appalling thing," said Jock in the borrowed car. "What on earth are we going to say to Tony?"<|quote|>"I'm the last person to have about on an occasion like this,"</|quote|>said Mrs Rattery. They passed the scene of the accident; there were still people hanging about, talking. There were people hanging about, talking in the hall at the house. The doctor was buttoning up his coat, just going. "Killed instantly," he said. "Took it full on the base of the | the hounds back to the kennels. The voices were hushed which, five minutes before, had been proclaiming that they knew it for a fact, Last had given orders to shoot every fox on the place. Later, after their baths, they made up for it in criticism of Miss Ripon's father, but at the moment everyone was shocked and silent. Someone lent Jock and Mrs Rattery a car to get home in, and a groom to see to the hirelings. "It's the most appalling thing," said Jock in the borrowed car. "What on earth are we going to say to Tony?"<|quote|>"I'm the last person to have about on an occasion like this,"</|quote|>said Mrs Rattery. They passed the scene of the accident; there were still people hanging about, talking. There were people hanging about, talking in the hall at the house. The doctor was buttoning up his coat, just going. "Killed instantly," he said. "Took it full on the base of the skull. Very sad, awfully fond of the kid. No one to blame, though." Nanny was there in tears, also Mr Tendril and his niece; a policeman and Ben and two men who had helped bring up the body were in the servants' hall. "It wasn't the kid's fault," said Ben. | plunge away from the bus. "Take a hold of him, Miss. Use your whip," shouted Ben. "The boy's down." She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. * * * * * It was nearly an hour before the news reached Jock and Mrs Rattery where they were waiting beside another blank covert. Colonel Inch stopped hunting for the day and sent the hounds back to the kennels. The voices were hushed which, five minutes before, had been proclaiming that they knew it for a fact, Last had given orders to shoot every fox on the place. Later, after their baths, they made up for it in criticism of Miss Ripon's father, but at the moment everyone was shocked and silent. Someone lent Jock and Mrs Rattery a car to get home in, and a groom to see to the hirelings. "It's the most appalling thing," said Jock in the borrowed car. "What on earth are we going to say to Tony?"<|quote|>"I'm the last person to have about on an occasion like this,"</|quote|>said Mrs Rattery. They passed the scene of the accident; there were still people hanging about, talking. There were people hanging about, talking in the hall at the house. The doctor was buttoning up his coat, just going. "Killed instantly," he said. "Took it full on the base of the skull. Very sad, awfully fond of the kid. No one to blame, though." Nanny was there in tears, also Mr Tendril and his niece; a policeman and Ben and two men who had helped bring up the body were in the servants' hall. "It wasn't the kid's fault," said Ben. "It wasn't anyone's fault," they said. "He'd had a lousy day, too, poor little bastard," said Ben. "If it was anyone's fault it was Mr Grant-Menzies making him go in." "It wasn't anyone's fault," they said. * * * * * Tony was alone in the library. The first thing he said, when Jock came in, was, "We've got to tell Brenda." "D'you know where to get her?" "She's probably at that school... But we can't tell her over the telephone... Anyway, Ambrose has tried there and the flat but he can't get through... What on earth are we going | covered that neighbourhood. It was not going fast and, seeing the horses, the driver slowed down still further and drew into the side. Mr Tendril's niece, who had also despaired of the day's sport, was following behind them at a short distance on her motor bicycle; she too slowed down, and, observing that Miss Ripon's horse was likely to be difficult, stopped. Ben said, "Let me go first, Miss. He'll follow. Don't hold too hard on his mouth and just give him a tap." Miss Ripon did as she was told; everyone in fact behaved with complete good sense. They drew abreast of the omnibus. Miss Ripon's horse did not like it, but it seemed as though he would get by. The passengers watched with amusement. At that moment the motor bicycle, running gently in neutral gear, fired back into the cylinder with a sharp detonation. For a second Miss Ripon's horse stood rigid with alarm; then, menaced in front and behind, he did what was natural to him and shied sideways, cannoning violently into the pony at his side. John was knocked from the saddle and fell on the road while Miss Ripon's bay, rearing and skidding, continued to plunge away from the bus. "Take a hold of him, Miss. Use your whip," shouted Ben. "The boy's down." She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. * * * * * It was nearly an hour before the news reached Jock and Mrs Rattery where they were waiting beside another blank covert. Colonel Inch stopped hunting for the day and sent the hounds back to the kennels. The voices were hushed which, five minutes before, had been proclaiming that they knew it for a fact, Last had given orders to shoot every fox on the place. Later, after their baths, they made up for it in criticism of Miss Ripon's father, but at the moment everyone was shocked and silent. Someone lent Jock and Mrs Rattery a car to get home in, and a groom to see to the hirelings. "It's the most appalling thing," said Jock in the borrowed car. "What on earth are we going to say to Tony?"<|quote|>"I'm the last person to have about on an occasion like this,"</|quote|>said Mrs Rattery. They passed the scene of the accident; there were still people hanging about, talking. There were people hanging about, talking in the hall at the house. The doctor was buttoning up his coat, just going. "Killed instantly," he said. "Took it full on the base of the skull. Very sad, awfully fond of the kid. No one to blame, though." Nanny was there in tears, also Mr Tendril and his niece; a policeman and Ben and two men who had helped bring up the body were in the servants' hall. "It wasn't the kid's fault," said Ben. "It wasn't anyone's fault," they said. "He'd had a lousy day, too, poor little bastard," said Ben. "If it was anyone's fault it was Mr Grant-Menzies making him go in." "It wasn't anyone's fault," they said. * * * * * Tony was alone in the library. The first thing he said, when Jock came in, was, "We've got to tell Brenda." "D'you know where to get her?" "She's probably at that school... But we can't tell her over the telephone... Anyway, Ambrose has tried there and the flat but he can't get through... What on earth are we going to say to her?" Jock was silent. He stood in the fireplace with his hands in the pockets of his breeches, with his back to Tony. Presently Tony said, "You weren't anywhere near, were you?" "No, we'd gone on to another covert." "That niece of Mr Tendril's told me first... then we met them coming up, and Ben told me all that happened... It's awful for the girl." "Miss Ripon?" "Yes, she's just left... she had a nasty fall too, just after. Her horse slipped up in the village... she was in a terrible state, poor child, what with that and... John. She didn't know she'd hurt him until quite a time afterwards... she was in the chemist's shop having a bandage put on her head, when they told her. She cut it falling. She was in a terrible state. I sent her back in the car... it wasn't her fault." "No, it wasn't anybody's fault. It just happened." "That's it," said Tony. "It just happened... how are we going to tell Brenda?" "One of us will have to go up." "Yes... I think I shall have to stay here. I don't know why really, but there will be things | how one of the keepers had been observed last week burying Something late in the evening. They moved off again, away from Hetton. Ben began to feel his responsibility. "D'you think I ought to take the young gentleman home, sir?" "What did Mr Last say?" "He said he could go as far as the covert. He didn't say which, sir." "I'm afraid it sounds as if he ought to go." "_Oh, Mr Menzies!_" "Yes, come along, Master John. You've had enough for to-day." "But I haven't had _any_." "If you come back in good time to-day your dad will be all the more willing to let you come out another day." "But there mayn't _be_ another day. The world may come to an end. _Please_, Ben. _Please_, Mr Menzies." "It is a shame they shouldn't have found," said Ben. "He's been looking forward to it." "Still, I think Mr Last would want him to go back," said Jock. So John's fate was decided; hounds went in one direction, he and Ben in another. John was very near tears as they reached the main road. "Look," said Ben, to encourage him. "Here comes Miss Ripon on that nappy bay. Seems as if she's going in, too. Had a fall by the looks of her." Miss Ripon's hat and back were covered with mud and moss. She had had a bad twenty minutes after her disappearance. "I'm taking him away," she said. "I can't do anything with him this morning." She jogged along beside them towards the village. "I thought perhaps Mr Last would let me come up to the house and telephone for the car. I don't feel like hacking him home in his present state. I can't think what's come over him," she added loyally. "He was out on Saturday. I've never known him like this before." "He wants a man up," said Ben. "Oh, he's no better with the groom, and daddy won't go near him," said Miss Ripon, stung to indiscretion. "At least... I mean... I don't think that they'd be any better with him in this state." He was quiet enough at that moment, keeping pace with the other horses. They rode abreast, she on the outside with John's pony between her and Ben. Then this happened: they reached a turn in the road and came face to face with one of the single-decker country buses that covered that neighbourhood. It was not going fast and, seeing the horses, the driver slowed down still further and drew into the side. Mr Tendril's niece, who had also despaired of the day's sport, was following behind them at a short distance on her motor bicycle; she too slowed down, and, observing that Miss Ripon's horse was likely to be difficult, stopped. Ben said, "Let me go first, Miss. He'll follow. Don't hold too hard on his mouth and just give him a tap." Miss Ripon did as she was told; everyone in fact behaved with complete good sense. They drew abreast of the omnibus. Miss Ripon's horse did not like it, but it seemed as though he would get by. The passengers watched with amusement. At that moment the motor bicycle, running gently in neutral gear, fired back into the cylinder with a sharp detonation. For a second Miss Ripon's horse stood rigid with alarm; then, menaced in front and behind, he did what was natural to him and shied sideways, cannoning violently into the pony at his side. John was knocked from the saddle and fell on the road while Miss Ripon's bay, rearing and skidding, continued to plunge away from the bus. "Take a hold of him, Miss. Use your whip," shouted Ben. "The boy's down." She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. * * * * * It was nearly an hour before the news reached Jock and Mrs Rattery where they were waiting beside another blank covert. Colonel Inch stopped hunting for the day and sent the hounds back to the kennels. The voices were hushed which, five minutes before, had been proclaiming that they knew it for a fact, Last had given orders to shoot every fox on the place. Later, after their baths, they made up for it in criticism of Miss Ripon's father, but at the moment everyone was shocked and silent. Someone lent Jock and Mrs Rattery a car to get home in, and a groom to see to the hirelings. "It's the most appalling thing," said Jock in the borrowed car. "What on earth are we going to say to Tony?"<|quote|>"I'm the last person to have about on an occasion like this,"</|quote|>said Mrs Rattery. They passed the scene of the accident; there were still people hanging about, talking. There were people hanging about, talking in the hall at the house. The doctor was buttoning up his coat, just going. "Killed instantly," he said. "Took it full on the base of the skull. Very sad, awfully fond of the kid. No one to blame, though." Nanny was there in tears, also Mr Tendril and his niece; a policeman and Ben and two men who had helped bring up the body were in the servants' hall. "It wasn't the kid's fault," said Ben. "It wasn't anyone's fault," they said. "He'd had a lousy day, too, poor little bastard," said Ben. "If it was anyone's fault it was Mr Grant-Menzies making him go in." "It wasn't anyone's fault," they said. * * * * * Tony was alone in the library. The first thing he said, when Jock came in, was, "We've got to tell Brenda." "D'you know where to get her?" "She's probably at that school... But we can't tell her over the telephone... Anyway, Ambrose has tried there and the flat but he can't get through... What on earth are we going to say to her?" Jock was silent. He stood in the fireplace with his hands in the pockets of his breeches, with his back to Tony. Presently Tony said, "You weren't anywhere near, were you?" "No, we'd gone on to another covert." "That niece of Mr Tendril's told me first... then we met them coming up, and Ben told me all that happened... It's awful for the girl." "Miss Ripon?" "Yes, she's just left... she had a nasty fall too, just after. Her horse slipped up in the village... she was in a terrible state, poor child, what with that and... John. She didn't know she'd hurt him until quite a time afterwards... she was in the chemist's shop having a bandage put on her head, when they told her. She cut it falling. She was in a terrible state. I sent her back in the car... it wasn't her fault." "No, it wasn't anybody's fault. It just happened." "That's it," said Tony. "It just happened... how are we going to tell Brenda?" "One of us will have to go up." "Yes... I think I shall have to stay here. I don't know why really, but there will be things to see to. It's an awful thing to ask anyone to do..." "I'll go," said Jock. "There'll be things to see to there... there's got to be an inquest the doctor says. It's purely formal, of course, but it will be ghastly for that Ripon girl. She'll have to give evidence... she was in a terrible state. I hope I was all right to her. They'd just brought John in and I was rather muddled. She looked awful. I believe her father's bloody to her... I wish Brenda had been here. She's so good with everyone. I get in a muddle." The two men stood in silence. Tony said, "Can you really face going up and seeing Brenda?" "Yes, I'll go," said Jock. Presently Mrs Rattery came in. "Colonel Inch has been here," she said. "I talked to him. He wanted to give you his sympathy." "Is he still here?" "No, I told him you'd probably prefer to be left alone. He thought you'd be glad to hear he stopped the hunt." "Nice of him to come... Were you having a good day?" "No." "I'm sorry. We saw a fox in Bruton Wood last week. John and I... Jock's going up to London to fetch Brenda." "I'll take him in the aeroplane. It'll be quicker." "Yes, that will be quicker." "I'll go and change now. I won't be ten minutes." "I'll change, too," said Jock. When he was alone Tony rang the bell. A young footman answered; he was quite young and had not been long at Hetton. "Will you tell Mr Ambrose that Mrs Rattery is leaving to-day. She is flying up with Mr Grant-Menzies. Her ladyship will probably be coming by the evening train." "Very good, sir." "They had better have some luncheon before they go. I will have it with them... And will you put a call through to Colonel Inch and thank him for coming? Say I will write. And to Mr Ripon's to enquire how Miss Ripon is? And to the vicarage and ask Mr Tendril if I can see him this evening? He's not here still?" "No, sir, he left a few minutes ago." "Tell him I shall have to discuss arrangements with him." "Very good, sir." Mr Last was very matter of fact about everything, the footman reported later. It was perfectly quiet in the library, for the workmen in the morning-room had | loyally. "He was out on Saturday. I've never known him like this before." "He wants a man up," said Ben. "Oh, he's no better with the groom, and daddy won't go near him," said Miss Ripon, stung to indiscretion. "At least... I mean... I don't think that they'd be any better with him in this state." He was quiet enough at that moment, keeping pace with the other horses. They rode abreast, she on the outside with John's pony between her and Ben. Then this happened: they reached a turn in the road and came face to face with one of the single-decker country buses that covered that neighbourhood. It was not going fast and, seeing the horses, the driver slowed down still further and drew into the side. Mr Tendril's niece, who had also despaired of the day's sport, was following behind them at a short distance on her motor bicycle; she too slowed down, and, observing that Miss Ripon's horse was likely to be difficult, stopped. Ben said, "Let me go first, Miss. He'll follow. Don't hold too hard on his mouth and just give him a tap." Miss Ripon did as she was told; everyone in fact behaved with complete good sense. They drew abreast of the omnibus. Miss Ripon's horse did not like it, but it seemed as though he would get by. The passengers watched with amusement. At that moment the motor bicycle, running gently in neutral gear, fired back into the cylinder with a sharp detonation. For a second Miss Ripon's horse stood rigid with alarm; then, menaced in front and behind, he did what was natural to him and shied sideways, cannoning violently into the pony at his side. John was knocked from the saddle and fell on the road while Miss Ripon's bay, rearing and skidding, continued to plunge away from the bus. "Take a hold of him, Miss. Use your whip," shouted Ben. "The boy's down." She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. * * * * * It was nearly an hour before the news reached Jock and Mrs Rattery where they were waiting beside another blank covert. Colonel Inch stopped hunting for the day and sent the hounds back to the kennels. The voices were hushed which, five minutes before, had been proclaiming that they knew it for a fact, Last had given orders to shoot every fox on the place. Later, after their baths, they made up for it in criticism of Miss Ripon's father, but at the moment everyone was shocked and silent. Someone lent Jock and Mrs Rattery a car to get home in, and a groom to see to the hirelings. "It's the most appalling thing," said Jock in the borrowed car. "What on earth are we going to say to Tony?"<|quote|>"I'm the last person to have about on an occasion like this,"</|quote|>said Mrs Rattery. They passed the scene of the accident; there were still people hanging about, talking. There were people hanging about, talking in the hall at the house. The doctor was buttoning up his coat, just going. "Killed instantly," he said. "Took it full on the base of the skull. Very sad, awfully fond of the kid. No one to blame, though." Nanny was there in tears, also Mr Tendril and his niece; a policeman and Ben and two men who had helped bring up the body were in the servants' hall. "It wasn't the kid's fault," said Ben. "It wasn't anyone's fault," they said. "He'd had a lousy day, too, poor little bastard," said Ben. "If it was anyone's fault it was Mr Grant-Menzies making him go in." "It wasn't anyone's fault," they said. * * * * * Tony was alone in the library. The first thing he said, when Jock came in, was, "We've got to tell Brenda." "D'you know where to get her?" "She's probably at that school... But we can't tell her over the telephone... Anyway, Ambrose has tried there and the flat but he can't get through... What on earth are we going to say to her?" Jock was silent. He stood in the fireplace with his hands in the pockets of his breeches, with his back to Tony. Presently Tony said, "You weren't anywhere near, were you?" "No, we'd gone on to another covert." "That niece of Mr Tendril's told me first... then we met them coming up, and Ben told me all that happened... It's awful for the girl." "Miss Ripon?" "Yes, she's just left... she | A Handful Of Dust | but at the moment everyone was shocked and silent. Someone lent Jock and Mrs Rattery a car to get home in, and a groom to see to the hirelings. "It's the most appalling thing," said Jock in the borrowed car. "What on earth are we going to say to Tony?"<|quote|>"I'm the last person to have about on an occasion like this,"</|quote|>said Mrs Rattery. They passed the scene of the accident; there were still people hanging about, talking. There were people hanging about, talking in the hall at the house. The doctor was buttoning up his coat, just going. "Killed instantly," he said. "Took it full on the base of the | {
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"It isn't fit for any human to eat, not even Jerry Boute." | Marilla Cuthbert | to the pigs," said Marilla.<|quote|>"It isn't fit for any human to eat, not even Jerry Boute."</|quote|>CHAPTER XXII. Anne is Invited | go and give that cake to the pigs," said Marilla.<|quote|>"It isn't fit for any human to eat, not even Jerry Boute."</|quote|>CHAPTER XXII. Anne is Invited Out to Tea "AND what | "Oh, don't you see, Marilla? There must be a limit to the mistakes one person can make, and when I get to the end of them, then I'll be through with them. That's a very comforting thought." "Well, you'd better go and give that cake to the pigs," said Marilla.<|quote|>"It isn't fit for any human to eat, not even Jerry Boute."</|quote|>CHAPTER XXII. Anne is Invited Out to Tea "AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in | Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the mistakes one person can make, and when I get to the end of them, then I'll be through with them. That's a very comforting thought." "Well, you'd better go and give that cake to the pigs," said Marilla.<|quote|>"It isn't fit for any human to eat, not even Jerry Boute."</|quote|>CHAPTER XXII. Anne is Invited Out to Tea "AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the | plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the mistakes one person can make, and when I get to the end of them, then I'll be through with them. That's a very comforting thought." "Well, you'd better go and give that cake to the pigs," said Marilla.<|quote|>"It isn't fit for any human to eat, not even Jerry Boute."</|quote|>CHAPTER XXII. Anne is Invited Out to Tea "AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. ?Miss Anne Shirley, Green Gables.' That is the first time I was ever called ?Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures." "Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child." For Anne to take things calmly would have been to change her nature. All | after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the mistakes one person can make, and when I get to the end of them, then I'll be through with them. That's a very comforting thought." "Well, you'd better go and give that cake to the pigs," said Marilla.<|quote|>"It isn't fit for any human to eat, not even Jerry Boute."</|quote|>CHAPTER XXII. Anne is Invited Out to Tea "AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. ?Miss Anne Shirley, Green Gables.' That is the first time I was ever called ?Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures." "Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child." For Anne to take things calmly would have been to change her nature. All "spirit and fire and dew," as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows. She did not make much headway, as she sorrowfully admitted to herself. The downfall of some dear hope or plan plunged Anne into "deeps of affliction." The fulfillment thereof exalted her to dizzy realms of delight. Marilla had almost begun to despair of ever fashioning this waif of the world into her model little girl of demure manners and prim deportment. Neither would she have believed that she really liked Anne much better as she was. Anne went to bed that night speechless with misery because Matthew had said the wind was round northeast and he feared it would be a rainy day tomorrow. The rustle | "Oh, you must take a piece of this, Mrs. Allan. Anne made it on purpose for you." "In that case I must sample it," laughed Mrs. Allan, helping herself to a plump triangle, as did also the minister and Marilla. Mrs. Allan took a mouthful of hers and a most peculiar expression crossed her face; not a word did she say, however, but steadily ate away at it. Marilla saw the expression and hastened to taste the cake. "Anne Shirley!" she exclaimed, "what on earth did you put into that cake?" "Nothing but what the recipe said, Marilla," cried Anne with a look of anguish. "Oh, isn't it all right?" "All right! It's simply horrible. Mr. Allan, don't try to eat it. Anne, taste it yourself. What flavoring did you use?" "Vanilla," said Anne, her face scarlet with mortification after tasting the cake. "Only vanilla. Oh, Marilla, it must have been the baking powder. I had my suspicions of that bak--" "Baking powder fiddlesticks! Go and bring me the bottle of vanilla you used." Anne fled to the pantry and returned with a small bottle partially filled with a brown liquid and labeled yellowly, "Best Vanilla." Marilla took it, uncorked it, smelled it. "Mercy on us, Anne, you've flavored that cake with _Anodyne Liniment_. I broke the liniment bottle last week and poured what was left into an old empty vanilla bottle. I suppose it's partly my fault--I should have warned you--but for pity's sake why couldn't you have smelled it?" Anne dissolved into tears under this double disgrace. "I couldn't--I had such a cold!" and with this she fairly fled to the gable chamber, where she cast herself on the bed and wept as one who refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room. "Oh, Marilla," sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the mistakes one person can make, and when I get to the end of them, then I'll be through with them. That's a very comforting thought." "Well, you'd better go and give that cake to the pigs," said Marilla.<|quote|>"It isn't fit for any human to eat, not even Jerry Boute."</|quote|>CHAPTER XXII. Anne is Invited Out to Tea "AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. ?Miss Anne Shirley, Green Gables.' That is the first time I was ever called ?Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures." "Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child." For Anne to take things calmly would have been to change her nature. All "spirit and fire and dew," as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows. She did not make much headway, as she sorrowfully admitted to herself. The downfall of some dear hope or plan plunged Anne into "deeps of affliction." The fulfillment thereof exalted her to dizzy realms of delight. Marilla had almost begun to despair of ever fashioning this waif of the world into her model little girl of demure manners and prim deportment. Neither would she have believed that she really liked Anne much better as she was. Anne went to bed that night speechless with misery because Matthew had said the wind was round northeast and he feared it would be a rainy day tomorrow. The rustle of the poplar leaves about the house worried her, it sounded so like pattering raindrops, and the full, faraway roar of the gulf, to which she listened delightedly at other times, loving its strange, sonorous, haunting rhythm, now seemed like a prophecy of storm and disaster to a small maiden who particularly wanted a fine day. Anne thought that the morning would never come. But all things have an end, even nights before the day on which you are invited to take tea at the manse. The morning, in spite of Matthew's predictions, was fine and Anne's spirits soared to their highest. "Oh, Marilla, there is something in me today that makes me just love everybody I see," she exclaimed as she washed the breakfast dishes. "You don't know how good I feel! Wouldn't it be nice if it could last? I believe I could be a model child if I were just invited out to tea every day. But oh, Marilla, it's a solemn occasion too. I feel so anxious. What if I shouldn't behave properly? You know I never had tea at a manse before, and I'm not sure that I know all the rules of etiquette, although I've been studying the rules given in the Etiquette Department of the Family Herald ever since I came here. I'm so afraid I'll do something silly or forget to do something I should do. Would it be good manners to take a second helping of anything if you wanted to _very_ much?" "The trouble with you, Anne, is that you're thinking too much about yourself. You should just think of Mrs. Allan and what would be nicest and most agreeable to her," said Marilla, hitting for once in her life on a very sound and pithy piece of advice. Anne instantly realized this. "You are right, Marilla. I'll try not to think about myself at all." Anne evidently got through her visit without any serious breach of "etiquette," for she came home through the twilight, under a great, high-sprung sky gloried over with trails of saffron and rosy cloud, in a beatified state of mind and told Marilla all about it happily, sitting on the big red-sandstone slab at the kitchen door with her tired curly head in Marilla's gingham lap. A cool wind was blowing down over the long harvest fields from the rims of firry western hills and | refuses to be comforted. Presently a light step sounded on the stairs and somebody entered the room. "Oh, Marilla," sobbed Anne, without looking up, "I'm disgraced forever. I shall never be able to live this down. It will get out--things always do get out in Avonlea. Diana will ask me how my cake turned out and I shall have to tell her the truth. I shall always be pointed at as the girl who flavored a cake with anodyne liniment. Gil--the boys in school will never get over laughing at it. Oh, Marilla, if you have a spark of Christian pity don't tell me that I must go down and wash the dishes after this. I'll wash them when the minister and his wife are gone, but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried to poison her benefactor. But the liniment isn't poisonous. It's meant to be taken internally--although not in cakes. Won't you tell Mrs. Allan so, Marilla?" "Suppose you jump up and tell her so yourself," said a merry voice. Anne flew up, to find Mrs. Allan standing by her bed, surveying her with laughing eyes. "My dear little girl, you mustn't cry like this," she said, genuinely disturbed by Anne's tragic face. "Why, it's all just a funny mistake that anybody might make." "Oh, no, it takes me to make such a mistake," said Anne forlornly. "And I wanted to have that cake so nice for you, Mrs. Allan." "Yes, I know, dear. And I assure you I appreciate your kindness and thoughtfulness just as much as if it had turned out all right. Now, you mustn't cry any more, but come down with me and show me your flower garden. Miss Cuthbert tells me you have a little plot all your own. I want to see it, for I'm very much interested in flowers." Anne permitted herself to be led down and comforted, reflecting that it was really providential that Mrs. Allan was a kindred spirit. Nothing more was said about the liniment cake, and when the guests went away Anne found that she had enjoyed the evening more than could have been expected, considering that terrible incident. Nevertheless, she sighed deeply. "Marilla, isn't it nice to think that tomorrow is a new day with no mistakes in it yet?" "I'll warrant you'll make plenty in it," said Marilla. "I never saw your beat for making mistakes, Anne." "Yes, and well I know it," admitted Anne mournfully. "But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice." "I don't know as that's much benefit when you're always making new ones." "Oh, don't you see, Marilla? There must be a limit to the mistakes one person can make, and when I get to the end of them, then I'll be through with them. That's a very comforting thought." "Well, you'd better go and give that cake to the pigs," said Marilla.<|quote|>"It isn't fit for any human to eat, not even Jerry Boute."</|quote|>CHAPTER XXII. Anne is Invited Out to Tea "AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. ?Miss Anne Shirley, Green Gables.' That is the first time I was ever called ?Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures." "Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child." For Anne to take things calmly would have been to change her nature. All "spirit and fire and dew," as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows. She did not make much headway, as she sorrowfully admitted to herself. The downfall of some dear hope or plan plunged Anne into "deeps of affliction." The fulfillment thereof exalted her to dizzy realms of delight. Marilla had almost begun to despair of ever fashioning this waif of the world into her model little girl of demure manners and prim deportment. Neither would she have believed that she really liked Anne much better as she was. Anne went to bed | Anne Of Green Gables | "Oh, don't you see, Marilla? There must be a limit to the mistakes one person can make, and when I get to the end of them, then I'll be through with them. That's a very comforting thought." "Well, you'd better go and give that cake to the pigs," said Marilla.<|quote|>"It isn't fit for any human to eat, not even Jerry Boute."</|quote|>CHAPTER XXII. Anne is Invited Out to Tea "AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in | {
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"You seem pretty low to-night." | Tony Last | have some port." Tony said,<|quote|>"You seem pretty low to-night."</|quote|>"I am rather. Worried about | economics." "Yes, that's funny. Let's have some port." Tony said,<|quote|>"You seem pretty low to-night."</|quote|>"I am rather. Worried about the Pig Scheme. Constituents keep | had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said,<|quote|>"You seem pretty low to-night."</|quote|>"I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. | said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said,<|quote|>"You seem pretty low to-night."</|quote|>"I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." | believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said,<|quote|>"You seem pretty low to-night."</|quote|>"I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she | up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said,<|quote|>"You seem pretty low to-night."</|quote|>"I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see | good idea?" "It's one better than the bone-setters," Tony admitted. That was how the New Year began. CHAPTER III HARD CHEESE ON TONY [I] It is not uncommon at Bratt's Club, between nine and ten in the evening, to find men in white ties and tail coats sitting by themselves and eating, in evident low spirits, large and extravagant dinners. They are those who have been abandoned at the last minute by their women. For twenty minutes or so they have sat in the foyer of some restaurant, gazing expectantly towards the revolving doors and alternatively taking out their watches and ordering cocktails, until at length a telephone message has been brought them that their guests are unable to come. Then they go to Bratt's, half hoping to find friends but, more often than not, taking a melancholy satisfaction in finding the club deserted or peopled by strangers. So they sit there, round the walls, morosely regarding the mahogany tables before them, and eating and drinking heavily. It was in this mood and for this reason that, one evening towards the middle of February, Jock Grant-Menzies arrived at the club. "Anyone here?" "Very quiet to-night, sir. Mr Last is in the dining-room." Jock found him seated in a corner; he was in day clothes; the table and the chair at his side were littered with papers and magazines; one was propped up in front of him. He was half-way through dinner and three-quarters of the way through a bottle of Burgundy. "Hullo," he said. "Chucked? Come and join me." It was some time since Jock had seen Tony; the meeting embarrassed him slightly, for like all his friends, he was wondering how Tony felt and how much he knew about Brenda and John Beaver. However, he sat down at Tony's table. "Been chucked?" asked Tony again. "Yes, it's the last time I ask that bitch out." "Better have a drink. I've been drinking a whole lot. Much the best thing." They took what was left of the Burgundy and ordered another bottle. "Just come up for the night," said Tony. "Staying here." "You've got a flat now, haven't you?" "Well, Brenda has. There isn't really room for two... we tried it once and it wasn't a success." "What's she doing to-night?" "Out somewhere. I didn't let her know I was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said,<|quote|>"You seem pretty low to-night."</|quote|>"I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car. "Tell you what, I shouldn't drive if I were you." "Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting | We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said,<|quote|>"You seem pretty low to-night."</|quote|>"I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep | A Handful Of Dust | had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said,<|quote|>"You seem pretty low to-night."</|quote|>"I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. | {
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"content": "had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics.\" \"Yes, that's funny. Let's have some port.\" Tony said,<|quote|>\"You seem pretty low to-night.\"</|quote|>\"I am rather. Worried about the Pig Scheme. Constituents keep writing.\" \"_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted.",
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} | Tony Last |
"Tony, are you a tiny bit tight?" | Brenda | "We'll come and see you."<|quote|>"Tony, are you a tiny bit tight?"</|quote|>"Stinking. Jock and I'll come | and just going to bed." "We'll come and see you."<|quote|>"Tony, are you a tiny bit tight?"</|quote|>"Stinking. Jock and I'll come and see you." "_Tony_, you're | you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you."<|quote|>"Tony, are you a tiny bit tight?"</|quote|>"Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good | taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you."<|quote|>"Tony, are you a tiny bit tight?"</|quote|>"Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's | she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you."<|quote|>"Tony, are you a tiny bit tight?"</|quote|>"Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are | "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you."<|quote|>"Tony, are you a tiny bit tight?"</|quote|>"Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car. "Tell you what, I shouldn't drive if I were you." "Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better | silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you."<|quote|>"Tony, are you a tiny bit tight?"</|quote|>"Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car. "Tell you what, I shouldn't drive if I were you." "Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting us." "Well, I can't walk all that way. Besides, I don't think she really wanted us to come." "She'll be pleased when she sees us." "Yes, but it's a long way. Let's go some other place." "I'd like to see Brenda," said Jock. "I'm very fond of Brenda." "She's a grand girl." "She's a grand girl." "Well, let's take a taxi to Brenda's." But half-way Jock said, "Don't let's go there. Let's go some other place. Let's go to some low joint." "All the same to me. Tell him to go to some lousy joint." "Go to some lousy joint," said Jock, putting his head through the window. The cab wheeled round and made towards Regent Street. "We can always ring Brenda from the lousy joint." "Yes, I think we ought to do that. She's a grand girl." "Grand girl." The cab turned into Golden Square and then down Sink Street, a dingy little place inhabited for the most part by Asiatics. "D'you know, I believe he's taking us to the Old Hundredth." "Can't still be open? Thought they closed it down years ago." But the door was brightly illuminated and a seedy figure in peaked cap and braided overcoat stepped out to open the taxi for them. The Old Hundredth has never been shut. For a generation, while other night clubs have sprung into being, with various names and managers, and various pretensions to respectability, have enjoyed a precarious and brief existence, and come to grief at the hands either of police or creditors, the Old Hundredth has maintained a solid front against all adversity. It has not been immune from persecution; far from it. Times out of number, magistrates have struck it off, cancelled its licence, condemned its premises; the staff and proprietor have been constantly in and out of prison; there have been questions in the House and committees of enquiry, but whatever Home Secretaries and Commissioners of Police have risen into eminence and retired discredited, the doors of the Old Hundredth have always been open from nine in the evening until four at night, and inside there has been an unimpeded flow of dubious, alcoholic preparations. A kindly young lady admitted Tony and Jock to the ramshackle building. "D'you mind signing on?" Tony and Jock inscribed fictitious names at the foot of a form which stated, _I have been | there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you."<|quote|>"Tony, are you a tiny bit tight?"</|quote|>"Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car. "Tell you what, I shouldn't drive if I were you." "Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting us." "Well, I can't walk all that way. Besides, I don't think she really wanted us to come." "She'll be pleased when she sees us." "Yes, but it's a long way. Let's go some other place." "I'd like to see Brenda," said Jock. "I'm very fond | A Handful Of Dust | you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you."<|quote|>"Tony, are you a tiny bit tight?"</|quote|>"Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good | {
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"content": "you.\" \"I left a message from where I was dining. Are you having a lovely evening?\" \"Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?\" \"No, not now, darling, I'm terribly tired and just going to bed.\" \"We'll come and see you.\"<|quote|>\"Tony, are you a tiny bit tight?\"</|quote|>\"Stinking. Jock and I'll come and see you.\" \"_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow.\" \"Their name'll be mud when Jock and I come.\" \"Tony, listen, will you please not come, not to-night. Be a good",
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} | Brenda |
"She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." | Marilla Cuthbert | his tea in his corner.<|quote|>"She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now."</|quote|>"Well now, I dunno," said | and was waiting patiently for his tea in his corner.<|quote|>"She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now."</|quote|>"Well now, I dunno," said Matthew, who, being patient and | the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner.<|quote|>"She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now."</|quote|>"Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps | when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner.<|quote|>"She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now."</|quote|>"Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my | the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner.<|quote|>"She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now."</|quote|>"Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among | they may grow up to be ministers in spite of it. That's how I'd feel, Marilla." "The way I feel at present, Anne," said Marilla, "is that it's high time you had those dishes washed. You've taken half an hour longer than you should with all your chattering. Learn to work first and talk afterwards." CHAPTER XXVII. Vanity and Vexation of Spirit Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner.<|quote|>"She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now."</|quote|>"Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange | moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I'm glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I'm having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn't say there was a great deal" was Marilla's encouraging answer. "I'm sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn't always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been bad and mischievous? Mrs. Lynde says it is. Mrs. Lynde says she always feels shocked when she hears of anyone ever having been naughty, no matter how small they were. Mrs. Lynde says she once heard a minister confess that when he was a boy he stole a strawberry tart out of his aunt's pantry and she never had any respect for that minister again. Now, I wouldn't have felt that way. I'd have thought that it was real noble of him to confess it, and I'd have thought what an encouraging thing it would be for small boys nowadays who do naughty things and are sorry for them to know that perhaps they may grow up to be ministers in spite of it. That's how I'd feel, Marilla." "The way I feel at present, Anne," said Marilla, "is that it's high time you had those dishes washed. You've taken half an hour longer than you should with all your chattering. Learn to work first and talk afterwards." CHAPTER XXVII. Vanity and Vexation of Spirit Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner.<|quote|>"She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now."</|quote|>"Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians | should with all your chattering. Learn to work first and talk afterwards." CHAPTER XXVII. Vanity and Vexation of Spirit Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner.<|quote|>"She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now."</|quote|>"Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to | Anne Of Green Gables | the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner.<|quote|>"She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now."</|quote|>"Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps | {
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"content": "the meal herself against Matthew's return from plowing. \"I'll settle Miss Anne when she comes home,\" said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner.<|quote|>\"She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now.\"</|quote|>\"Well now, I dunno,\" said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. \"Perhaps",
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} | Marilla Cuthbert |
I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: | No speaker | then? How did he die?"<|quote|>I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me:</|quote|>"You lie. I know better. | him? Did you see him then? How did he die?"<|quote|>I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me:</|quote|>"You lie. I know better. I have felt how terribly | out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?"<|quote|>I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me:</|quote|>"You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me | and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?"<|quote|>I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me:</|quote|>"You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be | is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?"<|quote|>I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me:</|quote|>"You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then | couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?"<|quote|>I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me:</|quote|>"You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I | the march, about turn," the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?"<|quote|>I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me:</|quote|>"You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps." She is silent. Then she asks gently: "Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother," I say as calmly as I can. "And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get into the cook-house, that can easily be done." "You do it then, and if the others say anything----" "That won't worry me, mother----" She sighs. Her face is a white gleam in the darkness. "Now you must go to sleep, mother." She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. "And you must get well again, mother, before I come back." "Yes, yes, my child." "You ought not to send your | does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?"<|quote|>I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me:</|quote|>"You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By | All Quiet on the Western Front | out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?"<|quote|>I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me:</|quote|>"You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me | {
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"content": "out on me: \"Why are you living then, when he is dead?\" --who drowns me in tears and calls out: \"What are you there for at all, child, when you----\" --who drops into a chair and wails: \"Did you see him? Did you see him then? How did he die?\"<|quote|>I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me:</|quote|>\"You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it.\" \"No,\" I say, \"I was beside him. He died at once.\" She pleads with me",
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she said. | No speaker | had a bad headache yesterday,"<|quote|>she said.</|quote|>"Matthew went to Bright River. | I'm quite well although I had a bad headache yesterday,"<|quote|>she said.</|quote|>"Matthew went to Bright River. We're getting a little boy | thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday,"<|quote|>she said.</|quote|>"Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She | there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday,"<|quote|>she said.</|quote|>"Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums | briskly. "This is a real fine evening, isn't it? Won't you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday,"<|quote|>she said.</|quote|>"Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've | through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly. "This is a real fine evening, isn't it? Won't you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday,"<|quote|>she said.</|quote|>"Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact," returned Marilla. "Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know--he's sixty--and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get hired help. There's never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he's up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said" ?no' "flat to that." ?They may be all right--I'm not saying they're not--but no London street Arabs for me,' "I said." ?Give me a native born at least. There'll be a risk, no matter who we | off. I'm clean puzzled, that's what, and I won't know a minute's peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today." Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling, orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde's Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthbert's father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place _living_ at all. "It's just _staying_, that's what," she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. "It's no wonder Matthew and Marilla are both a little odd, living away back here by themselves. Trees aren't much company, though dear knows if they were there'd be enough of them. I'd ruther look at people. To be sure, they seem contented enough; but then, I suppose, they're used to it. A body can get used to anything, even to being hanged, as the Irishman said." With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows and the other with prim Lombardies. Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without over-brimming the proverbial peck of dirt. Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment--or would have been cheerful if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly. "This is a real fine evening, isn't it? Won't you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday,"<|quote|>she said.</|quote|>"Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact," returned Marilla. "Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know--he's sixty--and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get hired help. There's never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he's up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said" ?no' "flat to that." ?They may be all right--I'm not saying they're not--but no London street Arabs for me,' "I said." ?Give me a native born at least. There'll be a risk, no matter who we get. But I'll feel easier in my mind and sleep sounder at nights if we get a born Canadian.' "So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer's folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age--old enough to be of some use in doing chores right off and young enough to be trained up proper. We mean to give him a good home and schooling. We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station--saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself." Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news. "Well, Marilla, I'll just tell you plain that I think you're doing a mighty foolish thing--a risky thing, that's what. You don't know what you're getting. You're bringing a strange child into your house and home and you don't know a single thing about him nor what his disposition is like nor what sort of parents he had nor how he's likely to turn out. Why, it was only last week I read in the paper how a man and his wife up west of the Island took a boy out of an orphan asylum and he set fire to the house at night--set it _on purpose_, Marilla--and nearly burnt them to a crisp in their beds. And I know another case where an adopted boy used to suck the eggs--they couldn't break him of it. If you had asked my advice in the matter--which you didn't do, Marilla--I'd have said for mercy's sake not to think of such a thing, that's what." This Job's comforting seemed neither to offend nor to alarm Marilla. She knitted steadily on. "I don't deny there's something in what you say, Rachel. I've had some qualms myself. But Matthew was terrible set on it. I could see that, so I gave in. It's so seldom Matthew sets his mind | have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without over-brimming the proverbial peck of dirt. Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment--or would have been cheerful if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly. "This is a real fine evening, isn't it? Won't you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday,"<|quote|>she said.</|quote|>"Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact," returned Marilla. "Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know--he's sixty--and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get hired help. There's never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he's up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said" ?no' "flat to that." ?They may be all right--I'm not saying they're not--but no London street Arabs for me,' "I said." ?Give me a native born at least. There'll be a risk, no matter who we get. But I'll feel easier in my mind and sleep sounder at nights if we get a born Canadian.' "So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard | Anne Of Green Gables | thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday,"<|quote|>she said.</|quote|>"Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She | {
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"content": "thought maybe he was going to the doctor's.\" Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. \"Oh, no, I'm quite well although I had a bad headache yesterday,\"<|quote|>she said.</|quote|>\"Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight.\" If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She",
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Tony remarked. | No speaker | seem in wonderful spirits to-day,"<|quote|>Tony remarked.</|quote|>"I feel big. I think | had avoided Christian names. "You seem in wonderful spirits to-day,"<|quote|>Tony remarked.</|quote|>"I feel big. I think it's Mr Cruttwell. He puts | about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day,"<|quote|>Tony remarked.</|quote|>"I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should | her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day,"<|quote|>Tony remarked.</|quote|>"I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together | Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day,"<|quote|>Tony remarked.</|quote|>"I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do | got lots to read." "I _want_ to stay." "It's very sweet of you." Presently she said, rather timidly, for she was not used to asking for that sort of thing, "I suppose you wouldn't like to take me to Polly's party, would you?" Beaver hesitated. There would be several dinner parties that evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation. "I was afraid you would have." "But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day,"<|quote|>Tony remarked.</|quote|>"I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly." Marjorie was rung up by the woman at whose house she was dining. (" "Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man." "Oh dear, I didn't realize..." Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a | Mrs Beaver came across to their table. "I _must_ come and speak to you, though I'm in a great hurry. It's _so_ long since we met and John has been telling me about a _delightful_ week-end he had with you." "It was very quiet." "That's just what he _loves_. Poor boy, he gets rushed off his feet in London. Tell me, Lady Brenda, is it true you are looking for a flat?--because I think I've got just the place for you. It's being done up now and will be ready well before Christmas." She looked at her watch. "Oh dear, I must fly. You couldn't possibly come in for a cocktail, this evening? Then you could hear all about it." "I _could_..." said Brenda doubtfully. "Then _do_. I'll expect you about six. I daresay you don't know where I live?" She told her and left the table. "What's all this about a flat?" Marjorie asked. "Oh, just something I thought of..." * * * * * That afternoon, as she lay luxuriously on the osteopath's table, and her vertebrae, under his strong fingers, snapped like patent fasteners, Brenda wondered whether Beaver would be at home that evening. "Probably not, if he's so keen on going about," she thought, "and, anyhow, what's the sense?..." But he was there, in spite of two other invitations. She heard all about the maisonette. Mrs Beaver knew her job. What people wanted, she said, was somewhere to dress and telephone. She was subdividing a small house in Belgravia into six flats at three pounds a week, of one room each and a bath; the bathrooms were going to be slap-up, with limitless hot water and every transatlantic refinement; the other room would have a large built-in wardrobe with electric light inside, and space for a bed. It would fill a long-felt need, Mrs Beaver said. "I'll ask my husband and let you know." "You _will_ let me know soon, won't you, because _everyone_ will be wanting one." "I'll let you know very soon." When she had to go, Beaver came with her to the station. She usually ate some chocolate and buns in her carriage; they bought them together at the buffet. There was plenty of time before the train left and the carriage was not yet full. Beaver came in and sat with her. "I'm sure you want to go away." "No, really." "I've got lots to read." "I _want_ to stay." "It's very sweet of you." Presently she said, rather timidly, for she was not used to asking for that sort of thing, "I suppose you wouldn't like to take me to Polly's party, would you?" Beaver hesitated. There would be several dinner parties that evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation. "I was afraid you would have." "But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day,"<|quote|>Tony remarked.</|quote|>"I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly." Marjorie was rung up by the woman at whose house she was dining. (" "Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man." "Oh dear, I didn't realize..." Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late." Now that it was inevitable, she did not want to be left alone with Beaver. "No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on the arm of a chair, and made love to her at once; and probably he would have got away with it. Instead he remarked in an easy manner, "I suppose we ought to be going too." "Yes, where?" "I thought Espinosa's." "Yes, lovely. Only listen. I want you to understand right away that it's _my_ dinner." "Of course not... nothing of the sort." "Yes it is. I'm a year older than you and an old married woman and quite rich, so, please, I'm going to pay." Beaver continued protesting to the taxi door. But there was still a constraint between them and Beaver began to wonder, "Does | maisonette. Mrs Beaver knew her job. What people wanted, she said, was somewhere to dress and telephone. She was subdividing a small house in Belgravia into six flats at three pounds a week, of one room each and a bath; the bathrooms were going to be slap-up, with limitless hot water and every transatlantic refinement; the other room would have a large built-in wardrobe with electric light inside, and space for a bed. It would fill a long-felt need, Mrs Beaver said. "I'll ask my husband and let you know." "You _will_ let me know soon, won't you, because _everyone_ will be wanting one." "I'll let you know very soon." When she had to go, Beaver came with her to the station. She usually ate some chocolate and buns in her carriage; they bought them together at the buffet. There was plenty of time before the train left and the carriage was not yet full. Beaver came in and sat with her. "I'm sure you want to go away." "No, really." "I've got lots to read." "I _want_ to stay." "It's very sweet of you." Presently she said, rather timidly, for she was not used to asking for that sort of thing, "I suppose you wouldn't like to take me to Polly's party, would you?" Beaver hesitated. There would be several dinner parties that evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation. "I was afraid you would have." "But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day,"<|quote|>Tony remarked.</|quote|>"I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" | A Handful Of Dust | about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day,"<|quote|>Tony remarked.</|quote|>"I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should | {
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"content": "about bed, because I can't move.\" * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. \"You seem in wonderful spirits to-day,\"<|quote|>Tony remarked.</|quote|>\"I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything.\" [III] \"Where's mummy gone?\" \"London.\" \"Why?\" \"Someone called Lady Cockpurse is giving a party.\" \"Is she nice?\" \"Mummy thinks so. I don't.\" \"Why?\" \"Because she looks like a monkey.\" \"I should",
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she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. | No speaker | to the bed. "Good night,"<|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness.</|quote|>"How can you call it | up the candle, went over to the bed. "Good night,"<|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness.</|quote|>"How can you call it a _good_ night when you | most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night,"<|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness.</|quote|>"How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign | very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night,"<|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness.</|quote|>"How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this | the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night,"<|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness.</|quote|>"How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say | her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night,"<|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness.</|quote|>"How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not | you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night,"<|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness.</|quote|>"How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away. "I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; | a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night,"<|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness.</|quote|>"How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she | Anne Of Green Gables | most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night,"<|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness.</|quote|>"How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign | {
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"content": "most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. \"Good night,\"<|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness.</|quote|>\"How can you call it a _good_ night when you know it must be the very worst night I've ever had?\" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign",
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"_John!_ How dare you? What do you mean?" | Nanny | silly questions." "Silly old tart."<|quote|>"_John!_ How dare you? What do you mean?"</|quote|>Delighted by the effect of | not asking a lot of silly questions." "Silly old tart."<|quote|>"_John!_ How dare you? What do you mean?"</|quote|>Delighted by the effect of this sally, John broke away | always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart."<|quote|>"_John!_ How dare you? What do you mean?"</|quote|>Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little | please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart."<|quote|>"_John!_ How dare you? What do you mean?"</|quote|>Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's | the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart."<|quote|>"_John!_ How dare you? What do you mean?"</|quote|>Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you | suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle. "There, how did that feel? You just skimmed over like a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart."<|quote|>"_John!_ How dare you? What do you mean?"</|quote|>Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly | known a strawberry roan called Thunderclap who killed two riders and won the local point-to-point four years running. He had been a lovely little horse, said Ben, till he staked himself in the guts, hunting, and had to be shot. Ben knew stories about a great many different horses. There was one called Zero on whom he had won five Jimmy-o-goblins at ten to three at Chester one year. And there was a mule he had known during the war, called Peppermint, who had died of drinking the company's rum ration. But John was not going to name his pony after a drunken mule. So in the end they had decided on Thunderclap, in spite of her imperturbable disposition. She was a dark bay, with long tail and mane. Ben had left her legs shaggy. She cropped the grass, resisting John's attempts to keep her head up. Before her arrival riding had been a very different thing. He had jogged round the paddock on a little Shetland pony called Bunny, with his nurse panting at the bridle. Now it was a man's business. Nanny sat at a distance, crocheting, on her camp stool; out of earshot. There had been a corresponding promotion in Ben's position. From being the hand who looked after the farm horses, he was now, perceptibly, assuming the air of a stud groom. The handkerchief round his neck gave place to a stock with a fox-head pin. He was a man of varied experience in other parts of the country. Neither Tony nor Brenda hunted but they were anxious that John should like it. Ben foresaw the time when the stables would be full and himself in authority; it would not be like Mr Last to get anyone in from outside. Ben had got two posts bored for iron pegs, and a white-washed rail. With these he erected a two-foot jump in the middle of the field. "Now take it quite easy. Canter up slow and when she takes off lean forward in the saddle and you'll be over like a bird. Keep her head straight at it." Thunderclap trotted forwards, cantered two paces, thought better of it and, just before the jump, fell into a trot again and swerved round the obstacle. John recovered his balance by dropping the reins and gripping the mane with both hands; he looked guiltily at Ben, who said, "What d'you suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle. "There, how did that feel? You just skimmed over like a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart."<|quote|>"_John!_ How dare you? What do you mean?"</|quote|>Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben." "I'm not sure we shan't both be soon." They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and | reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle. "There, how did that feel? You just skimmed over like a swallow. Try it again?" Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart."<|quote|>"_John!_ How dare you? What do you mean?"</|quote|>Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. | A Handful Of Dust | always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart."<|quote|>"_John!_ How dare you? What do you mean?"</|quote|>Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little | {
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"content": "always evasive, like that--\" \"We'll see\" or \"That's asking\" or \"Those that ask no questions hear no lies\" \"--altogether unlike Ben's decisive and pungent judgments. \"What does it depend on?\" \"Lots of things.\" \"Tell me one of them.\" \"On your not asking a lot of silly questions.\" \"Silly old tart.\"<|quote|>\"_John!_ How dare you? What do you mean?\"</|quote|>Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, \"Silly old tart, silly old tart\" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little",
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"Who was there?" | Mrs. Beaver | yoghourt when Beaver reached home.<|quote|>"Who was there?"</|quote|>"No one." "No one? My | Mrs Beaver was eating her yoghourt when Beaver reached home.<|quote|>"Who was there?"</|quote|>"No one." "No one? My poor boy." "They weren't expecting | were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home.<|quote|>"Who was there?"</|quote|>"No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of | "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home.<|quote|>"Who was there?"</|quote|>"No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had | Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home.<|quote|>"Who was there?"</|quote|>"No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. | know... I suppose we're lucky to be able to afford to keep it up at all. Do you know how much it costs just to live here? We should be quite rich if it wasn't for that. As it is we support fifteen servants indoors, besides gardeners and carpenters and a night-watchman and all the people at the farm and odd little men constantly popping in to wind the clocks and cook the accounts and clean the moat, while Tony and I have to fuss about whether it's cheaper to take a car up to London for the night or buy an excursion ticket... I shouldn't feel so badly about it if it were a really lovely house--like my home for instance... but of course Tony's been brought up here and sees it all differently..." Tony joined them for tea. "I don't want to seem inhospitable, but if you're going to catch that train, you ought really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home.<|quote|>"Who was there?"</|quote|>"No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. The newspapers used always to refer to them as "the lovely Rex sisters". Marjorie and Allan were hard up and popular; they could not afford a baby; they lived in a little house in the neighbourhood of Portman Square, very convenient for Paddington Station. They had a Pekingese dog named Djinn. Brenda had come on impulse, leaving the butler to ring up and tell Marjorie of her arrival. She emerged from the train, after two hours and a quarter in a carriage crowded five a side, looking as fresh and fragile as if she had that moment left a circle of masseuses, chiropodists, manicurists and coiffeuses in an hotel suite. It was an aptitude she had, never to look half-finished; when she was really exhausted, as she often was on her return to Hetton after these days in London, she went completely to pieces quite suddenly and became a waif; then she would sit over the fire with a cup of bread and milk, hardly alive, until Tony took her up to bed. Marjorie had her hat on and was sitting at her writing-table puzzling over her cheque-book and a sheaf of bills. "Darling, what _does_ the country do to | you, we might go over the house. I know it isn't fashionable to like this sort of architecture now--my Aunt Frances says it is an authentic Pecksniff--but I think it's good of its kind." It took them two hours. Beaver was well practised in the art of being shown over houses; he had been brought up to it in fact, ever since he had begun to accompany his mother, whose hobby it had always been, and later, with changing circumstances, profession. He made apt and appreciative comments and greatly enhanced the pleasure Tony always took in exposing his treasures. They saw it all: the shuttered drawing-room, like a school speech hall, the cloistral passages, the dark inner courtyard, the chapel where, until Tony's succession, family prayers had been daily read to the assembled household, the plate-room and estate office, the bedrooms and attics, the water-tank concealed among the battlements. They climbed the spiral staircase into the works of the clock and waited to see it strike half-past three. Thence they descended with ringing ears to the collections--enamel, ivories, seals, snuff-boxes, china, ormulu, cloisonn?; they paused before each picture in the oak gallery and discussed its associations; they took out the more remarkable folios in the library and examined prints of the original buildings, manuscript account-books of the old Abbey, travel journals of Tony's ancestors. At intervals Beaver would say, "The So-and-so's have got one rather like that at Such-and-such a place" ", and Tony would say, "Yes, I've seen it but I think mine is the earlier." Eventually they came back to the smoking-room and Tony left Beaver to Brenda. She was stitching away at the petit-point, hunched in an armchair. "Well," she asked, without looking up from her needlework, "what did you think of it?" "Magnificent." "You don't have to say that to me, you know." "Well, a lot of the things are very fine." "Yes, the _things_ are all right, I suppose." "But don't you like the house?" "Me? I _detest_ it... at least I don't mean that really, but I do wish sometimes that it wasn't _all_, every bit of it, so appallingly ugly. Only I'd die rather than say that to Tony. We could never live anywhere else, of course. He's crazy about the place... It's funny. None of us minded very much when my brother Reggie sold _our_ house--and that was built by Vanbrugh, you know... I suppose we're lucky to be able to afford to keep it up at all. Do you know how much it costs just to live here? We should be quite rich if it wasn't for that. As it is we support fifteen servants indoors, besides gardeners and carpenters and a night-watchman and all the people at the farm and odd little men constantly popping in to wind the clocks and cook the accounts and clean the moat, while Tony and I have to fuss about whether it's cheaper to take a car up to London for the night or buy an excursion ticket... I shouldn't feel so badly about it if it were a really lovely house--like my home for instance... but of course Tony's been brought up here and sees it all differently..." Tony joined them for tea. "I don't want to seem inhospitable, but if you're going to catch that train, you ought really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home.<|quote|>"Who was there?"</|quote|>"No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. The newspapers used always to refer to them as "the lovely Rex sisters". Marjorie and Allan were hard up and popular; they could not afford a baby; they lived in a little house in the neighbourhood of Portman Square, very convenient for Paddington Station. They had a Pekingese dog named Djinn. Brenda had come on impulse, leaving the butler to ring up and tell Marjorie of her arrival. She emerged from the train, after two hours and a quarter in a carriage crowded five a side, looking as fresh and fragile as if she had that moment left a circle of masseuses, chiropodists, manicurists and coiffeuses in an hotel suite. It was an aptitude she had, never to look half-finished; when she was really exhausted, as she often was on her return to Hetton after these days in London, she went completely to pieces quite suddenly and became a waif; then she would sit over the fire with a cup of bread and milk, hardly alive, until Tony took her up to bed. Marjorie had her hat on and was sitting at her writing-table puzzling over her cheque-book and a sheaf of bills. "Darling, what _does_ the country do to you? You look like a thousand pounds. Where _did_ you get that suit?" "I don't know. Some shop." "What's the news at Hetton?" "All the same. Tony madly feudal. John Andrew cursing like a stable boy." "And you?" "Me? Oh, I'm all right." "Who's been to stay?" "No one. We had a friend of Tony's called Mr Beaver last week-end." "John Beaver?... How very odd. I shouldn't have thought he was at all Tony's ticket." "He wasn't... What's he like?" "I hardly know him. I see him at Margot's sometimes. He's a great one for going everywhere." "I thought he was rather pathetic." "Oh, he's _pathetic_ all right. D'you fancy him?" "Heavens, no." They took Djinn for a walk in the park. He was a very unrepaying dog who never looked about him and had to be dragged along by his harness; they took him to Watts's _Physical Energy_; when loosed he stood perfectly still, gazing moodily at the asphalt until they turned towards home; only once did he show any sign of emotion, when he snapped at a small child who attempted to stroke him; later he got lost and was found a few yards away, sitting under a chair and staring at a shred of waste paper. He was quite colourless, with pink nose and lips and pink circles of bald flesh round his eyes. "I don't believe he has a spark of human feeling," said Marjorie. They talked about Mr Cruttwell, their bone-setter, and Marjorie's new treatment. "He's never done that to me," said Brenda enviously; presently, "What do you suppose is Mr Beaver's sex-life?" "I shouldn't know. Pretty dim, I imagine... You _do_ fancy him?" "Oh well," said Brenda, "I don't see such a lot of young men..." They left the dog at home and did some shopping--towels for the nursery, pickled peaches, a clock for one of the lodgekeepers who was celebrating his sixtieth year of service at Hetton, a pot of Morecambe Bay shrimps as a surprise for Tony; they made an appointment with Mr Cruttwell for that afternoon. They talked about Polly Cockpurse's party. "Do come up for it. It's certain to be amusing." "I might... if I can find someone to take me. Tony doesn't like her... I can't go to parties alone at my age." They went out to luncheon, to a new restaurant in Albemarle Street which a friend of | really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home.<|quote|>"Who was there?"</|quote|>"No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. The newspapers used always to refer to them as "the lovely Rex sisters". Marjorie and Allan were hard up and popular; they could not afford a baby; they lived in a little house in the neighbourhood of Portman Square, very convenient for Paddington Station. They had a Pekingese dog named Djinn. Brenda had come on impulse, leaving the butler to ring up and tell Marjorie of her arrival. She emerged from the train, after two hours and a quarter in a carriage crowded five a side, looking as fresh and fragile as if she had that moment left a circle of masseuses, chiropodists, manicurists and coiffeuses in an hotel suite. It was an aptitude she had, never to look half-finished; when she was really exhausted, as she often was on her return to Hetton after these days in London, she went completely to pieces quite suddenly and became a waif; then she would sit over the fire with a cup of bread and milk, hardly alive, until Tony took | A Handful Of Dust | were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home.<|quote|>"Who was there?"</|quote|>"No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of | {
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"It isn't," | The Caterpillar | a day is very confusing."<|quote|>"It isn't,"</|quote|>said the Caterpillar. "Well, perhaps | so many different sizes in a day is very confusing."<|quote|>"It isn't,"</|quote|>said the Caterpillar. "Well, perhaps you haven't found it so | I'm afraid, sir," said Alice, "because I'm not myself, you see." "I don't see," said the Caterpillar. "I'm afraid I can't put it more clearly," Alice replied very politely, "for I can't understand it myself to begin with; and being so many different sizes in a day is very confusing."<|quote|>"It isn't,"</|quote|>said the Caterpillar. "Well, perhaps you haven't found it so yet," said Alice; "but when you have to turn into a chrysalis--you will some day, you know--and then after that into a butterfly, I should think you'll feel it a little queer, won't you?" "Not a bit," said the Caterpillar. | replied, rather shyly, "I--I hardly know, sir, just at present--at least I know who I _was_ when I got up this morning, but I think I must have been changed several times since then." "What do you mean by that?" said the Caterpillar sternly. "Explain yourself!" "I can't explain _myself_, I'm afraid, sir," said Alice, "because I'm not myself, you see." "I don't see," said the Caterpillar. "I'm afraid I can't put it more clearly," Alice replied very politely, "for I can't understand it myself to begin with; and being so many different sizes in a day is very confusing."<|quote|>"It isn't,"</|quote|>said the Caterpillar. "Well, perhaps you haven't found it so yet," said Alice; "but when you have to turn into a chrysalis--you will some day, you know--and then after that into a butterfly, I should think you'll feel it a little queer, won't you?" "Not a bit," said the Caterpillar. "Well, perhaps your feelings may be different," said Alice; "all I know is, it would feel very queer to _me_." "You!" said the Caterpillar contemptuously. "Who are _you?_" Which brought them back again to the beginning of the conversation. Alice felt a little irritated at the Caterpillar's making such _very_ | tiptoe, and peeped over the edge of the mushroom, and her eyes immediately met those of a large caterpillar, that was sitting on the top with its arms folded, quietly smoking a long hookah, and taking not the smallest notice of her or of anything else. CHAPTER V. Advice from a Caterpillar The Caterpillar and Alice looked at each other for some time in silence: at last the Caterpillar took the hookah out of its mouth, and addressed her in a languid, sleepy voice. "Who are _you?_" said the Caterpillar. This was not an encouraging opening for a conversation. Alice replied, rather shyly, "I--I hardly know, sir, just at present--at least I know who I _was_ when I got up this morning, but I think I must have been changed several times since then." "What do you mean by that?" said the Caterpillar sternly. "Explain yourself!" "I can't explain _myself_, I'm afraid, sir," said Alice, "because I'm not myself, you see." "I don't see," said the Caterpillar. "I'm afraid I can't put it more clearly," Alice replied very politely, "for I can't understand it myself to begin with; and being so many different sizes in a day is very confusing."<|quote|>"It isn't,"</|quote|>said the Caterpillar. "Well, perhaps you haven't found it so yet," said Alice; "but when you have to turn into a chrysalis--you will some day, you know--and then after that into a butterfly, I should think you'll feel it a little queer, won't you?" "Not a bit," said the Caterpillar. "Well, perhaps your feelings may be different," said Alice; "all I know is, it would feel very queer to _me_." "You!" said the Caterpillar contemptuously. "Who are _you?_" Which brought them back again to the beginning of the conversation. Alice felt a little irritated at the Caterpillar's making such _very_ short remarks, and she drew herself up and said, very gravely, "I think, you ought to tell me who _you_ are, first." "Why?" said the Caterpillar. Here was another puzzling question; and as Alice could not think of any good reason, and as the Caterpillar seemed to be in a _very_ unpleasant state of mind, she turned away. "Come back!" the Caterpillar called after her. "I've something important to say!" This sounded promising, certainly: Alice turned and came back again. "Keep your temper," said the Caterpillar. "Is that all?" said Alice, swallowing down her anger as well as she could. | at once, and ran till she was quite tired and out of breath, and till the puppy's bark sounded quite faint in the distance. "And yet what a dear little puppy it was!" said Alice, as she leant against a buttercup to rest herself, and fanned herself with one of the leaves: "I should have liked teaching it tricks very much, if--if I'd only been the right size to do it! Oh dear! I'd nearly forgotten that I've got to grow up again! Let me see--how _is_ it to be managed? I suppose I ought to eat or drink something or other; but the great question is, what?" The great question certainly was, what? Alice looked all round her at the flowers and the blades of grass, but she did not see anything that looked like the right thing to eat or drink under the circumstances. There was a large mushroom growing near her, about the same height as herself; and when she had looked under it, and on both sides of it, and behind it, it occurred to her that she might as well look and see what was on the top of it. She stretched herself up on tiptoe, and peeped over the edge of the mushroom, and her eyes immediately met those of a large caterpillar, that was sitting on the top with its arms folded, quietly smoking a long hookah, and taking not the smallest notice of her or of anything else. CHAPTER V. Advice from a Caterpillar The Caterpillar and Alice looked at each other for some time in silence: at last the Caterpillar took the hookah out of its mouth, and addressed her in a languid, sleepy voice. "Who are _you?_" said the Caterpillar. This was not an encouraging opening for a conversation. Alice replied, rather shyly, "I--I hardly know, sir, just at present--at least I know who I _was_ when I got up this morning, but I think I must have been changed several times since then." "What do you mean by that?" said the Caterpillar sternly. "Explain yourself!" "I can't explain _myself_, I'm afraid, sir," said Alice, "because I'm not myself, you see." "I don't see," said the Caterpillar. "I'm afraid I can't put it more clearly," Alice replied very politely, "for I can't understand it myself to begin with; and being so many different sizes in a day is very confusing."<|quote|>"It isn't,"</|quote|>said the Caterpillar. "Well, perhaps you haven't found it so yet," said Alice; "but when you have to turn into a chrysalis--you will some day, you know--and then after that into a butterfly, I should think you'll feel it a little queer, won't you?" "Not a bit," said the Caterpillar. "Well, perhaps your feelings may be different," said Alice; "all I know is, it would feel very queer to _me_." "You!" said the Caterpillar contemptuously. "Who are _you?_" Which brought them back again to the beginning of the conversation. Alice felt a little irritated at the Caterpillar's making such _very_ short remarks, and she drew herself up and said, very gravely, "I think, you ought to tell me who _you_ are, first." "Why?" said the Caterpillar. Here was another puzzling question; and as Alice could not think of any good reason, and as the Caterpillar seemed to be in a _very_ unpleasant state of mind, she turned away. "Come back!" the Caterpillar called after her. "I've something important to say!" This sounded promising, certainly: Alice turned and came back again. "Keep your temper," said the Caterpillar. "Is that all?" said Alice, swallowing down her anger as well as she could. "No," said the Caterpillar. Alice thought she might as well wait, as she had nothing else to do, and perhaps after all it might tell her something worth hearing. For some minutes it puffed away without speaking, but at last it unfolded its arms, took the hookah out of its mouth again, and said, "So you think you're changed, do you?" "I'm afraid I am, sir," said Alice; "I can't remember things as I used--and I don't keep the same size for ten minutes together!" "Can't remember _what_ things?" said the Caterpillar. "Well, I've tried to say" "How doth the little busy bee," "but it all came different!" Alice replied in a very melancholy voice. "Repeat" , '_You are old, Father William_,'" said the Caterpillar. Alice folded her hands, and began:-- "You are old, Father William," the young man said, "And your hair has become very white; And yet you incessantly stand on your head-- Do you think, at your age, it is right?" "In my youth," Father William replied to his son, "I feared it might injure the brain; But, now that I'm perfectly sure I have none, Why, I do it again and again." "You are old," said | a bottle. They all made a rush at Alice the moment she appeared; but she ran off as hard as she could, and soon found herself safe in a thick wood. "The first thing I've got to do," said Alice to herself, as she wandered about in the wood, "is to grow to my right size again; and the second thing is to find my way into that lovely garden. I think that will be the best plan." It sounded an excellent plan, no doubt, and very neatly and simply arranged; the only difficulty was, that she had not the smallest idea how to set about it; and while she was peering about anxiously among the trees, a little sharp bark just over her head made her look up in a great hurry. An enormous puppy was looking down at her with large round eyes, and feebly stretching out one paw, trying to touch her. "Poor little thing!" said Alice, in a coaxing tone, and she tried hard to whistle to it; but she was terribly frightened all the time at the thought that it might be hungry, in which case it would be very likely to eat her up in spite of all her coaxing. Hardly knowing what she did, she picked up a little bit of stick, and held it out to the puppy; whereupon the puppy jumped into the air off all its feet at once, with a yelp of delight, and rushed at the stick, and made believe to worry it; then Alice dodged behind a great thistle, to keep herself from being run over; and the moment she appeared on the other side, the puppy made another rush at the stick, and tumbled head over heels in its hurry to get hold of it; then Alice, thinking it was very like having a game of play with a cart-horse, and expecting every moment to be trampled under its feet, ran round the thistle again; then the puppy began a series of short charges at the stick, running a very little way forwards each time and a long way back, and barking hoarsely all the while, till at last it sat down a good way off, panting, with its tongue hanging out of its mouth, and its great eyes half shut. This seemed to Alice a good opportunity for making her escape; so she set off at once, and ran till she was quite tired and out of breath, and till the puppy's bark sounded quite faint in the distance. "And yet what a dear little puppy it was!" said Alice, as she leant against a buttercup to rest herself, and fanned herself with one of the leaves: "I should have liked teaching it tricks very much, if--if I'd only been the right size to do it! Oh dear! I'd nearly forgotten that I've got to grow up again! Let me see--how _is_ it to be managed? I suppose I ought to eat or drink something or other; but the great question is, what?" The great question certainly was, what? Alice looked all round her at the flowers and the blades of grass, but she did not see anything that looked like the right thing to eat or drink under the circumstances. There was a large mushroom growing near her, about the same height as herself; and when she had looked under it, and on both sides of it, and behind it, it occurred to her that she might as well look and see what was on the top of it. She stretched herself up on tiptoe, and peeped over the edge of the mushroom, and her eyes immediately met those of a large caterpillar, that was sitting on the top with its arms folded, quietly smoking a long hookah, and taking not the smallest notice of her or of anything else. CHAPTER V. Advice from a Caterpillar The Caterpillar and Alice looked at each other for some time in silence: at last the Caterpillar took the hookah out of its mouth, and addressed her in a languid, sleepy voice. "Who are _you?_" said the Caterpillar. This was not an encouraging opening for a conversation. Alice replied, rather shyly, "I--I hardly know, sir, just at present--at least I know who I _was_ when I got up this morning, but I think I must have been changed several times since then." "What do you mean by that?" said the Caterpillar sternly. "Explain yourself!" "I can't explain _myself_, I'm afraid, sir," said Alice, "because I'm not myself, you see." "I don't see," said the Caterpillar. "I'm afraid I can't put it more clearly," Alice replied very politely, "for I can't understand it myself to begin with; and being so many different sizes in a day is very confusing."<|quote|>"It isn't,"</|quote|>said the Caterpillar. "Well, perhaps you haven't found it so yet," said Alice; "but when you have to turn into a chrysalis--you will some day, you know--and then after that into a butterfly, I should think you'll feel it a little queer, won't you?" "Not a bit," said the Caterpillar. "Well, perhaps your feelings may be different," said Alice; "all I know is, it would feel very queer to _me_." "You!" said the Caterpillar contemptuously. "Who are _you?_" Which brought them back again to the beginning of the conversation. Alice felt a little irritated at the Caterpillar's making such _very_ short remarks, and she drew herself up and said, very gravely, "I think, you ought to tell me who _you_ are, first." "Why?" said the Caterpillar. Here was another puzzling question; and as Alice could not think of any good reason, and as the Caterpillar seemed to be in a _very_ unpleasant state of mind, she turned away. "Come back!" the Caterpillar called after her. "I've something important to say!" This sounded promising, certainly: Alice turned and came back again. "Keep your temper," said the Caterpillar. "Is that all?" said Alice, swallowing down her anger as well as she could. "No," said the Caterpillar. Alice thought she might as well wait, as she had nothing else to do, and perhaps after all it might tell her something worth hearing. For some minutes it puffed away without speaking, but at last it unfolded its arms, took the hookah out of its mouth again, and said, "So you think you're changed, do you?" "I'm afraid I am, sir," said Alice; "I can't remember things as I used--and I don't keep the same size for ten minutes together!" "Can't remember _what_ things?" said the Caterpillar. "Well, I've tried to say" "How doth the little busy bee," "but it all came different!" Alice replied in a very melancholy voice. "Repeat" , '_You are old, Father William_,'" said the Caterpillar. Alice folded her hands, and began:-- "You are old, Father William," the young man said, "And your hair has become very white; And yet you incessantly stand on your head-- Do you think, at your age, it is right?" "In my youth," Father William replied to his son, "I feared it might injure the brain; But, now that I'm perfectly sure I have none, Why, I do it again and again." "You are old," said the youth, "as I mentioned before, And have grown most uncommonly fat; Yet you turned a back-somersault in at the door-- Pray, what is the reason of that?" "In my youth," said the sage, as he shook his grey locks, "I kept all my limbs very supple By the use of this ointment--one shilling the box-- Allow me to sell you a couple?" "You are old," said the youth, "and your jaws are too weak For anything tougher than suet; Yet you finished the goose, with the bones and the beak-- Pray, how did you manage to do it?" "In my youth," said his father, "I took to the law, And argued each case with my wife; And the muscular strength, which it gave to my jaw, Has lasted the rest of my life." "You are old," said the youth, "one would hardly suppose That your eye was as steady as ever; Yet you balanced an eel on the end of your nose-- What made you so awfully clever?" "I have answered three questions, and that is enough," Said his father; "don't give yourself airs! Do you think I can listen all day to such stuff? Be off, or I'll kick you down stairs!" "That is not said right," said the Caterpillar. "Not _quite_ right, I'm afraid," said Alice, timidly; "some of the words have got altered." "It is wrong from beginning to end," said the Caterpillar decidedly, and there was silence for some minutes. The Caterpillar was the first to speak. "What size do you want to be?" it asked. "Oh, I'm not particular as to size," Alice hastily replied; "only one doesn't like changing so often, you know." "I _don't_ know," said the Caterpillar. Alice said nothing: she had never been so much contradicted in her life before, and she felt that she was losing her temper. "Are you content now?" said the Caterpillar. "Well, I should like to be a _little_ larger, sir, if you wouldn't mind," said Alice: "three inches is such a wretched height to be." "It is a very good height indeed!" said the Caterpillar angrily, rearing itself upright as it spoke (it was exactly three inches high). "But I'm not used to it!" pleaded poor Alice in a piteous tone. And she thought of herself, "I wish the creatures wouldn't be so easily offended!" "You'll get used to it in time," said the | yelp of delight, and rushed at the stick, and made believe to worry it; then Alice dodged behind a great thistle, to keep herself from being run over; and the moment she appeared on the other side, the puppy made another rush at the stick, and tumbled head over heels in its hurry to get hold of it; then Alice, thinking it was very like having a game of play with a cart-horse, and expecting every moment to be trampled under its feet, ran round the thistle again; then the puppy began a series of short charges at the stick, running a very little way forwards each time and a long way back, and barking hoarsely all the while, till at last it sat down a good way off, panting, with its tongue hanging out of its mouth, and its great eyes half shut. This seemed to Alice a good opportunity for making her escape; so she set off at once, and ran till she was quite tired and out of breath, and till the puppy's bark sounded quite faint in the distance. "And yet what a dear little puppy it was!" said Alice, as she leant against a buttercup to rest herself, and fanned herself with one of the leaves: "I should have liked teaching it tricks very much, if--if I'd only been the right size to do it! Oh dear! I'd nearly forgotten that I've got to grow up again! Let me see--how _is_ it to be managed? I suppose I ought to eat or drink something or other; but the great question is, what?" The great question certainly was, what? Alice looked all round her at the flowers and the blades of grass, but she did not see anything that looked like the right thing to eat or drink under the circumstances. There was a large mushroom growing near her, about the same height as herself; and when she had looked under it, and on both sides of it, and behind it, it occurred to her that she might as well look and see what was on the top of it. She stretched herself up on tiptoe, and peeped over the edge of the mushroom, and her eyes immediately met those of a large caterpillar, that was sitting on the top with its arms folded, quietly smoking a long hookah, and taking not the smallest notice of her or of anything else. CHAPTER V. Advice from a Caterpillar The Caterpillar and Alice looked at each other for some time in silence: at last the Caterpillar took the hookah out of its mouth, and addressed her in a languid, sleepy voice. "Who are _you?_" said the Caterpillar. This was not an encouraging opening for a conversation. Alice replied, rather shyly, "I--I hardly know, sir, just at present--at least I know who I _was_ when I got up this morning, but I think I must have been changed several times since then." "What do you mean by that?" said the Caterpillar sternly. "Explain yourself!" "I can't explain _myself_, I'm afraid, sir," said Alice, "because I'm not myself, you see." "I don't see," said the Caterpillar. "I'm afraid I can't put it more clearly," Alice replied very politely, "for I can't understand it myself to begin with; and being so many different sizes in a day is very confusing."<|quote|>"It isn't,"</|quote|>said the Caterpillar. "Well, perhaps you haven't found it so yet," said Alice; "but when you have to turn into a chrysalis--you will some day, you know--and then after that into a butterfly, I should think you'll feel it a little queer, won't you?" "Not a bit," said the Caterpillar. "Well, perhaps your feelings may be different," said Alice; "all I know is, it would feel very queer to _me_." "You!" said the Caterpillar contemptuously. "Who are _you?_" Which brought them back again to the beginning of the conversation. Alice felt a little irritated at the Caterpillar's making such _very_ short remarks, and she drew herself up and said, very gravely, "I think, you ought to tell me who _you_ are, first." "Why?" said the Caterpillar. Here was another puzzling question; and as Alice could not think of any good reason, and as the Caterpillar seemed to be in a _very_ unpleasant state of mind, she turned away. "Come back!" the Caterpillar called after her. "I've something important to say!" This sounded promising, certainly: Alice turned and came back again. "Keep your temper," said the Caterpillar. "Is that all?" said Alice, swallowing down her anger as well as she could. "No," said the Caterpillar. Alice thought she might as well wait, as she had nothing else to do, and perhaps after all it might tell her something worth hearing. For some minutes it puffed away without speaking, but at last it unfolded its arms, took the hookah out of its mouth again, and said, "So you think you're changed, do you?" "I'm afraid I am, sir," said Alice; "I can't remember things as I used--and I don't keep the same size for ten minutes together!" "Can't remember _what_ things?" said the Caterpillar. "Well, | Alices Adventures In Wonderland | I'm afraid, sir," said Alice, "because I'm not myself, you see." "I don't see," said the Caterpillar. "I'm afraid I can't put it more clearly," Alice replied very politely, "for I can't understand it myself to begin with; and being so many different sizes in a day is very confusing."<|quote|>"It isn't,"</|quote|>said the Caterpillar. "Well, perhaps you haven't found it so yet," said Alice; "but when you have to turn into a chrysalis--you will some day, you know--and then after that into a butterfly, I should think you'll feel it a little queer, won't you?" "Not a bit," said the Caterpillar. | {
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"content": "I'm afraid, sir,\" said Alice, \"because I'm not myself, you see.\" \"I don't see,\" said the Caterpillar. \"I'm afraid I can't put it more clearly,\" Alice replied very politely, \"for I can't understand it myself to begin with; and being so many different sizes in a day is very confusing.\"<|quote|>\"It isn't,\"</|quote|>said the Caterpillar. \"Well, perhaps you haven't found it so yet,\" said Alice; \"but when you have to turn into a chrysalis--you will some day, you know--and then after that into a butterfly, I should think you'll feel it a little queer, won't you?\" \"Not a bit,\" said the Caterpillar.",
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} | The Caterpillar |
"I left a message from where I was dining. Are you having a lovely evening?" | Brenda | I couldn't speak to you."<|quote|>"I left a message from where I was dining. Are you having a lovely evening?"</|quote|>"Hellish. I'm with Jock. He's | Brenda." "Some damn fool said I couldn't speak to you."<|quote|>"I left a message from where I was dining. Are you having a lovely evening?"</|quote|>"Hellish. I'm with Jock. He's worried about the Pig Scheme. | not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you."<|quote|>"I left a message from where I was dining. Are you having a lovely evening?"</|quote|>"Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, | gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you."<|quote|>"I left a message from where I was dining. Are you having a lovely evening?"</|quote|>"Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ | her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you."<|quote|>"I left a message from where I was dining. Are you having a lovely evening?"</|quote|>"Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's | like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you."<|quote|>"I left a message from where I was dining. Are you having a lovely evening?"</|quote|>"Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car. "Tell you what, I shouldn't drive if I were you." "Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who | "Just come up for the night," said Tony. "Staying here." "You've got a flat now, haven't you?" "Well, Brenda has. There isn't really room for two... we tried it once and it wasn't a success." "What's she doing to-night?" "Out somewhere. I didn't let her know I was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you."<|quote|>"I left a message from where I was dining. Are you having a lovely evening?"</|quote|>"Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car. "Tell you what, I shouldn't drive if I were you." "Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting us." "Well, I can't walk all that way. Besides, I don't think she really wanted us to come." "She'll be pleased when she sees us." "Yes, but it's a long way. Let's go some other place." "I'd like to see Brenda," said Jock. "I'm very fond of Brenda." "She's a grand girl." "She's a grand girl." "Well, let's take a taxi to Brenda's." But half-way Jock said, "Don't let's go there. Let's go some other place. Let's go to some low joint." "All the same to me. Tell him to go to some lousy joint." "Go to some lousy joint," said Jock, putting his head through the window. The cab wheeled round and made towards Regent Street. "We can always ring Brenda from the lousy joint." "Yes, I think we ought to do that. She's a grand girl." "Grand girl." The cab turned into Golden Square and then down Sink Street, a dingy little place inhabited for the most part by Asiatics. "D'you know, I believe he's taking us to the Old Hundredth." "Can't still be open? Thought they closed it down years ago." But the door was brightly illuminated and a seedy figure in peaked cap and braided overcoat stepped out to open the taxi for them. The Old Hundredth has never been shut. For a generation, while other night clubs have sprung into being, with various names and managers, and various pretensions to respectability, have enjoyed a precarious and brief existence, and come to grief at the hands either of police or creditors, the Old Hundredth has maintained a solid front against all adversity. It has not been immune from persecution; far from it. Times out of number, magistrates have struck it off, cancelled its licence, condemned its premises; the staff and proprietor have been constantly in and out of prison; there have been questions in the House and committees of enquiry, but whatever Home Secretaries and Commissioners of Police have risen into eminence and retired discredited, the doors of the Old Hundredth have always been open from nine in the evening until four at night, and inside there has | tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you."<|quote|>"I left a message from where I was dining. Are you having a lovely evening?"</|quote|>"Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car. "Tell you what, I shouldn't drive if I were you." "Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting us." "Well, I can't walk all that way. Besides, I don't think she really wanted us to come." "She'll be pleased when she sees us." "Yes, but it's a long way. Let's go some other place." "I'd like to see Brenda," said Jock. "I'm very fond of Brenda." "She's a grand girl." "She's a grand girl." "Well, let's take a taxi to Brenda's." But half-way Jock said, "Don't let's go there. Let's go some other place. Let's go to some low joint." "All the same to me. Tell him to go to some lousy joint." "Go to some lousy joint," said Jock, putting his head through the window. The cab wheeled round and made towards Regent Street. "We can always ring Brenda from the lousy joint." "Yes, I think we ought to do that. She's a grand girl." "Grand girl." The cab turned into Golden Square and then down | A Handful Of Dust | not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you."<|quote|>"I left a message from where I was dining. Are you having a lovely evening?"</|quote|>"Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, | {
"messages": [
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"content": "You are helpful",
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"content": "not to make surprise visits.\" \"Is he often like that?\" \"No, it's quite new.\" The telephone bell rang. \"D'you suppose that's him again? I'd better answer it.\" \"I want to speak to Lady Brenda Last.\" \"Tony, darling, this _is_ me, Brenda.\" \"Some damn fool said I couldn't speak to you.\"<|quote|>\"I left a message from where I was dining. Are you having a lovely evening?\"</|quote|>\"Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?\" \"No, not now, darling, I'm terribly tired and just going to bed.\" \"We'll come and see you.\" \"Tony, are you a tiny bit tight?\" \"Stinking. Jock and I'll come and see you.\" \"_Tony_,",
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"content": "Brenda",
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} | Brenda |
"This is a real fine evening, isn't it? Won't you sit down? How are all your folks?" | Marilla Cuthbert | evening, Rachel," Marilla said briskly.<|quote|>"This is a real fine evening, isn't it? Won't you sit down? How are all your folks?"</|quote|>Something that for lack of | quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly.<|quote|>"This is a real fine evening, isn't it? Won't you sit down? How are all your folks?"</|quote|>Something that for lack of any other name might be | only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly.<|quote|>"This is a real fine evening, isn't it? Won't you sit down? How are all your folks?"</|quote|>Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was | for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly.<|quote|>"This is a real fine evening, isn't it? Won't you sit down? How are all your folks?"</|quote|>Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might | the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly.<|quote|>"This is a real fine evening, isn't it? Won't you sit down? How are all your folks?"</|quote|>Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova | much company, though dear knows if they were there'd be enough of them. I'd ruther look at people. To be sure, they seem contented enough; but then, I suppose, they're used to it. A body can get used to anything, even to being hanged, as the Irishman said." With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows and the other with prim Lombardies. Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without over-brimming the proverbial peck of dirt. Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment--or would have been cheerful if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly.<|quote|>"This is a real fine evening, isn't it? Won't you sit down? How are all your folks?"</|quote|>Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact," returned Marilla. "Mrs. Alexander Spencer was | a considerable distance. Now, where was Matthew Cuthbert going and why was he going there? Had it been any other man in Avonlea, Mrs. Rachel, deftly putting this and that together, might have given a pretty good guess as to both questions. But Matthew so rarely went from home that it must be something pressing and unusual which was taking him; he was the shyest man alive and hated to have to go among strangers or to any place where he might have to talk. Matthew, dressed up with a white collar and driving in a buggy, was something that didn't happen often. Mrs. Rachel, ponder as she might, could make nothing of it and her afternoon's enjoyment was spoiled. "I'll just step over to Green Gables after tea and find out from Marilla where he's gone and why," the worthy woman finally concluded. "He doesn't generally go to town this time of year and he _never_ visits; if he'd run out of turnip seed he wouldn't dress up and take the buggy to go for more; he wasn't driving fast enough to be going for a doctor. Yet something must have happened since last night to start him off. I'm clean puzzled, that's what, and I won't know a minute's peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today." Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling, orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde's Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthbert's father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place _living_ at all. "It's just _staying_, that's what," she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. "It's no wonder Matthew and Marilla are both a little odd, living away back here by themselves. Trees aren't much company, though dear knows if they were there'd be enough of them. I'd ruther look at people. To be sure, they seem contented enough; but then, I suppose, they're used to it. A body can get used to anything, even to being hanged, as the Irishman said." With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows and the other with prim Lombardies. Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without over-brimming the proverbial peck of dirt. Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment--or would have been cheerful if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly.<|quote|>"This is a real fine evening, isn't it? Won't you sit down? How are all your folks?"</|quote|>Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact," returned Marilla. "Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know--he's sixty--and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get hired help. There's never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he's up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said" ?no' "flat to that." ?They may be all right--I'm not saying they're not--but no London street Arabs for me,' "I said." ?Give me a native born at least. There'll be a risk, no matter who we get. But I'll feel easier in my mind and sleep sounder at nights if we get a born Canadian.' "So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer's folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age--old enough to be of some use in doing chores right off and young enough to be trained up proper. We mean to give him a good home and schooling. We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station--saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself." Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news. "Well, Marilla, I'll just tell you plain that I think you're doing a mighty foolish thing--a risky thing, that's what. You don't know what you're getting. You're bringing a strange child | it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without over-brimming the proverbial peck of dirt. Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment--or would have been cheerful if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly.<|quote|>"This is a real fine evening, isn't it? Won't you sit down? How are all your folks?"</|quote|>Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of | Anne Of Green Gables | only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly.<|quote|>"This is a real fine evening, isn't it? Won't you sit down? How are all your folks?"</|quote|>Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was | {
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"content": "only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. \"Good evening, Rachel,\" Marilla said briskly.<|quote|>\"This is a real fine evening, isn't it? Won't you sit down? How are all your folks?\"</|quote|>Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was",
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he said. | No speaker | conversation. "How do you do?"<|quote|>he said.</|quote|>"I didn't know you were | in and quickly usurped the conversation. "How do you do?"<|quote|>he said.</|quote|>"I didn't know you were coming. Daddy said he had | well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?"<|quote|>he said.</|quote|>"I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are | numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?"<|quote|>he said.</|quote|>"I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How | tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?"<|quote|>he said.</|quote|>"I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, | gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark soon and we might get some of the sun while we can..." and so on. If Tony had been there it would have been difficult, for she would have caught his eye and her manner as ch?telaine would have collapsed. Beaver was well used to making conversation, so they went out together through the french windows on to the terrace, down the steps, into the Dutch garden, and back round the orangery without suffering a moment's real embarrassment. She even heard herself telling Beaver that his mother was one of her oldest friends. Tony returned in time for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?"<|quote|>he said.</|quote|>"I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic." Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously | right. I can easily leave Lowater till Monday." "And we might go to Woolworth's afterwards, eh?" What with Brenda's pretty ways and Tony's good sense, it was not surprising that their friends pointed to them as a pair who were pre-eminently successful in solving the problem of getting along well together. The pudding, without protein, was unattractive. Five minutes afterwards a telegram was brought in. Tony opened it and said "Hell." "Badders?" "Something too horrible has happened. Look at this." Brenda read. "_Arriving 3.18 so looking forward visit. Beaver._" And asked, "What's Beaver?" "It's a young man." "That sounds all right." "Oh no it's not. Wait till you see him." "What's he coming here for? Did you ask him to stay?" "I suppose I did in a vague kind of way. I went to Bratt's one evening and he was the only chap there so we had some drinks and he said something about wanting to see the house..." "I suppose you were tight." "Not really, but I never thought he'd hold it against me." "Well, it jolly well serves you right. That's what comes of going up to London on business and leaving me alone here... Who is he anyway?" "Just a young man. His mother keeps that shop." "I used to know her. She's hell. Come to think of it we owe her some money." "Look here, we must put a call through and say we're ill." "Too late, he's in the train now, recklessly mixing starch and protein in the Great Western three and sixpenny lunch... Anyway, he can go into Galahad. No one who sleeps there ever comes again--the bed's agony I believe." "What on earth are we going to do with him? It's too late to get anyone else." "You go over to Pigstanton. I'll look after him. It's easier alone. We can take him to the movies to-night, and to-morrow he can see over the house. If we're lucky he may go up by the evening train. Does he have to work on Monday morning?" "I shouldn't know." * * * * * Three-eighteen was far from being the most convenient time for arrival. One reached the house at about a quarter to four and if, like Beaver, one was a stranger, there was an awkward time until tea; but without Tony there to make her self-conscious, Brenda could carry these things off quite gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark soon and we might get some of the sun while we can..." and so on. If Tony had been there it would have been difficult, for she would have caught his eye and her manner as ch?telaine would have collapsed. Beaver was well used to making conversation, so they went out together through the french windows on to the terrace, down the steps, into the Dutch garden, and back round the orangery without suffering a moment's real embarrassment. She even heard herself telling Beaver that his mother was one of her oldest friends. Tony returned in time for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?"<|quote|>he said.</|quote|>"I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic." Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad. "I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; Tony had it in mind to revive the practice next winter. On Christmas Day and Harvest Thanksgiving Tony read the lessons from the back of the brass eagle. When service was | so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark soon and we might get some of the sun while we can..." and so on. If Tony had been there it would have been difficult, for she would have caught his eye and her manner as ch?telaine would have collapsed. Beaver was well used to making conversation, so they went out together through the french windows on to the terrace, down the steps, into the Dutch garden, and back round the orangery without suffering a moment's real embarrassment. She even heard herself telling Beaver that his mother was one of her oldest friends. Tony returned in time for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?"<|quote|>he said.</|quote|>"I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly | A Handful Of Dust | well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?"<|quote|>he said.</|quote|>"I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are | {
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"content": "well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren...\" \"Dear me,\" Brenda said at last. \"What fun everyone seems to be having.\" After tea John Andrew was brought in and quickly usurped the conversation. \"How do you do?\"<|quote|>he said.</|quote|>\"I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?\" \"Not for a long time.\" \"Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country.\" \"Perhaps I can't afford to.\" \"Are",
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"I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful." | Anne Shirley | fence. "Oh, Matthew," exclaimed Anne,<|quote|>"I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful."</|quote|>"Well now, I always said | to Marilla at the lane fence. "Oh, Matthew," exclaimed Anne,<|quote|>"I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful."</|quote|>"Well now, I always said it," said Matthew, gazing at | to tell Matthew. Then we'll go up the road and tell the good news to the others." They hurried to the hayfield below the barn where Matthew was coiling hay, and, as luck would have it, Mrs. Lynde was talking to Marilla at the lane fence. "Oh, Matthew," exclaimed Anne,<|quote|>"I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful."</|quote|>"Well now, I always said it," said Matthew, gazing at the pass list delightedly. "I knew you could beat them all easy." "You've done pretty well, I must say, Anne," said Marilla, trying to hide her extreme pride in Anne from Mrs. Rachel's critical eye. But that good soul said | dreamed of this--yes, I did too, just once! I let myself think _once_," ?What if I should come out first?' "quakingly, you know, for it seemed so vain and presumptuous to think I could lead the Island. Excuse me a minute, Diana. I must run right out to the field to tell Matthew. Then we'll go up the road and tell the good news to the others." They hurried to the hayfield below the barn where Matthew was coiling hay, and, as luck would have it, Mrs. Lynde was talking to Marilla at the lane fence. "Oh, Matthew," exclaimed Anne,<|quote|>"I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful."</|quote|>"Well now, I always said it," said Matthew, gazing at the pass list delightedly. "I knew you could beat them all easy." "You've done pretty well, I must say, Anne," said Marilla, trying to hide her extreme pride in Anne from Mrs. Rachel's critical eye. But that good soul said heartily: "I just guess she has done well, and far be it from me to be backward in saying it. You're a credit to your friends, Anne, that's what, and we're all proud of you." That night Anne, who had wound up the delightful evening with a serious little talk | Josie just scraped through with three marks to spare, but you'll see she'll put on as many airs as if she'd led. Won't Miss Stacy be delighted? Oh, Anne, what does it feel like to see your name at the head of a pass list like that? If it were me I know I'd go crazy with joy. I am pretty near crazy as it is, but you're as calm and cool as a spring evening." "I'm just dazzled inside," said Anne. "I want to say a hundred things, and I can't find words to say them in. I never dreamed of this--yes, I did too, just once! I let myself think _once_," ?What if I should come out first?' "quakingly, you know, for it seemed so vain and presumptuous to think I could lead the Island. Excuse me a minute, Diana. I must run right out to the field to tell Matthew. Then we'll go up the road and tell the good news to the others." They hurried to the hayfield below the barn where Matthew was coiling hay, and, as luck would have it, Mrs. Lynde was talking to Marilla at the lane fence. "Oh, Matthew," exclaimed Anne,<|quote|>"I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful."</|quote|>"Well now, I always said it," said Matthew, gazing at the pass list delightedly. "I knew you could beat them all easy." "You've done pretty well, I must say, Anne," said Marilla, trying to hide her extreme pride in Anne from Mrs. Rachel's critical eye. But that good soul said heartily: "I just guess she has done well, and far be it from me to be backward in saying it. You're a credit to your friends, Anne, that's what, and we're all proud of you." That night Anne, who had wound up the delightful evening with a serious little talk with Mrs. Allan at the manse, knelt sweetly by her open window in a great sheen of moonshine and murmured a prayer of gratitude and aspiration that came straight from her heart. There was in it thankfulness for the past and reverent petition for the future; and when she slept on her white pillow her dreams were as fair and bright and beautiful as maidenhood might desire. CHAPTER XXXIII. The Hotel Concert "PUT on your white organdy, by all means, Anne," advised Diana decidedly. They were together in the east gable chamber; outside it was only twilight--a lovely yellowish-green twilight | hall and burst into the room without even knocking, so great was her excitement. "Anne, you've passed," she cried, "passed the _very first_--you and Gilbert both--you're ties--but your name is first. Oh, I'm so proud!" Diana flung the paper on the table and herself on Anne's bed, utterly breathless and incapable of further speech. Anne lighted the lamp, oversetting the match safe and using up half a dozen matches before her shaking hands could accomplish the task. Then she snatched up the paper. Yes, she had passed--there was her name at the very top of a list of two hundred! That moment was worth living for. "You did just splendidly, Anne," puffed Diana, recovering sufficiently to sit up and speak, for Anne, starry eyed and rapt, had not uttered a word. "Father brought the paper home from Bright River not ten minutes ago--it came out on the afternoon train, you know, and won't be here till tomorrow by mail--and when I saw the pass list I just rushed over like a wild thing. You've all passed, every one of you, Moody Spurgeon and all, although he's conditioned in history. Jane and Ruby did pretty well--they're halfway up--and so did Charlie. Josie just scraped through with three marks to spare, but you'll see she'll put on as many airs as if she'd led. Won't Miss Stacy be delighted? Oh, Anne, what does it feel like to see your name at the head of a pass list like that? If it were me I know I'd go crazy with joy. I am pretty near crazy as it is, but you're as calm and cool as a spring evening." "I'm just dazzled inside," said Anne. "I want to say a hundred things, and I can't find words to say them in. I never dreamed of this--yes, I did too, just once! I let myself think _once_," ?What if I should come out first?' "quakingly, you know, for it seemed so vain and presumptuous to think I could lead the Island. Excuse me a minute, Diana. I must run right out to the field to tell Matthew. Then we'll go up the road and tell the good news to the others." They hurried to the hayfield below the barn where Matthew was coiling hay, and, as luck would have it, Mrs. Lynde was talking to Marilla at the lane fence. "Oh, Matthew," exclaimed Anne,<|quote|>"I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful."</|quote|>"Well now, I always said it," said Matthew, gazing at the pass list delightedly. "I knew you could beat them all easy." "You've done pretty well, I must say, Anne," said Marilla, trying to hide her extreme pride in Anne from Mrs. Rachel's critical eye. But that good soul said heartily: "I just guess she has done well, and far be it from me to be backward in saying it. You're a credit to your friends, Anne, that's what, and we're all proud of you." That night Anne, who had wound up the delightful evening with a serious little talk with Mrs. Allan at the manse, knelt sweetly by her open window in a great sheen of moonshine and murmured a prayer of gratitude and aspiration that came straight from her heart. There was in it thankfulness for the past and reverent petition for the future; and when she slept on her white pillow her dreams were as fair and bright and beautiful as maidenhood might desire. CHAPTER XXXIII. The Hotel Concert "PUT on your white organdy, by all means, Anne," advised Diana decidedly. They were together in the east gable chamber; outside it was only twilight--a lovely yellowish-green twilight with a clear-blue cloudless sky. A big round moon, slowly deepening from her pallid luster into burnished silver, hung over the Haunted Wood; the air was full of sweet summer sounds--sleepy birds twittering, freakish breezes, faraway voices and laughter. But in Anne's room the blind was drawn and the lamp lighted, for an important toilet was being made. The east gable was a very different place from what it had been on that night four years before, when Anne had felt its bareness penetrate to the marrow of her spirit with its inhospitable chill. Changes had crept in, Marilla conniving at them resignedly, until it was as sweet and dainty a nest as a young girl could desire. The velvet carpet with the pink roses and the pink silk curtains of Anne's early visions had certainly never materialized; but her dreams had kept pace with her growth, and it is not probable she lamented them. The floor was covered with a pretty matting, and the curtains that softened the high window and fluttered in the vagrant breezes were of pale-green art muslin. The walls, hung not with gold and silver brocade tapestry, but with a dainty apple-blossom paper, were adorned | foolish to hope for even in the wildest dreams. But she did hope fervently that she would be among the first ten at least, so that she might see Matthew's kindly brown eyes gleam with pride in her achievement. That, she felt, would be a sweet reward indeed for all her hard work and patient grubbing among unimaginative equations and conjugations. At the end of the fortnight Anne took to "haunting" the post office also, in the distracted company of Jane, Ruby, and Josie, opening the Charlottetown dailies with shaking hands and cold, sinkaway feelings as bad as any experienced during the Entrance week. Charlie and Gilbert were not above doing this too, but Moody Spurgeon stayed resolutely away. "I haven't got the grit to go there and look at a paper in cold blood," he told Anne. "I'm just going to wait until somebody comes and tells me suddenly whether I've passed or not." When three weeks had gone by without the pass list appearing Anne began to feel that she really couldn't stand the strain much longer. Her appetite failed and her interest in Avonlea doings languished. Mrs. Lynde wanted to know what else you could expect with a Tory superintendent of education at the head of affairs, and Matthew, noting Anne's paleness and indifference and the lagging steps that bore her home from the post office every afternoon, began seriously to wonder if he hadn't better vote Grit at the next election. But one evening the news came. Anne was sitting at her open window, for the time forgetful of the woes of examinations and the cares of the world, as she drank in the beauty of the summer dusk, sweet-scented with flower breaths from the garden below and sibilant and rustling from the stir of poplars. The eastern sky above the firs was flushed faintly pink from the reflection of the west, and Anne was wondering dreamily if the spirit of color looked like that, when she saw Diana come flying down through the firs, over the log bridge, and up the slope, with a fluttering newspaper in her hand. Anne sprang to her feet, knowing at once what that paper contained. The pass list was out! Her head whirled and her heart beat until it hurt her. She could not move a step. It seemed an hour to her before Diana came rushing along the hall and burst into the room without even knocking, so great was her excitement. "Anne, you've passed," she cried, "passed the _very first_--you and Gilbert both--you're ties--but your name is first. Oh, I'm so proud!" Diana flung the paper on the table and herself on Anne's bed, utterly breathless and incapable of further speech. Anne lighted the lamp, oversetting the match safe and using up half a dozen matches before her shaking hands could accomplish the task. Then she snatched up the paper. Yes, she had passed--there was her name at the very top of a list of two hundred! That moment was worth living for. "You did just splendidly, Anne," puffed Diana, recovering sufficiently to sit up and speak, for Anne, starry eyed and rapt, had not uttered a word. "Father brought the paper home from Bright River not ten minutes ago--it came out on the afternoon train, you know, and won't be here till tomorrow by mail--and when I saw the pass list I just rushed over like a wild thing. You've all passed, every one of you, Moody Spurgeon and all, although he's conditioned in history. Jane and Ruby did pretty well--they're halfway up--and so did Charlie. Josie just scraped through with three marks to spare, but you'll see she'll put on as many airs as if she'd led. Won't Miss Stacy be delighted? Oh, Anne, what does it feel like to see your name at the head of a pass list like that? If it were me I know I'd go crazy with joy. I am pretty near crazy as it is, but you're as calm and cool as a spring evening." "I'm just dazzled inside," said Anne. "I want to say a hundred things, and I can't find words to say them in. I never dreamed of this--yes, I did too, just once! I let myself think _once_," ?What if I should come out first?' "quakingly, you know, for it seemed so vain and presumptuous to think I could lead the Island. Excuse me a minute, Diana. I must run right out to the field to tell Matthew. Then we'll go up the road and tell the good news to the others." They hurried to the hayfield below the barn where Matthew was coiling hay, and, as luck would have it, Mrs. Lynde was talking to Marilla at the lane fence. "Oh, Matthew," exclaimed Anne,<|quote|>"I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful."</|quote|>"Well now, I always said it," said Matthew, gazing at the pass list delightedly. "I knew you could beat them all easy." "You've done pretty well, I must say, Anne," said Marilla, trying to hide her extreme pride in Anne from Mrs. Rachel's critical eye. But that good soul said heartily: "I just guess she has done well, and far be it from me to be backward in saying it. You're a credit to your friends, Anne, that's what, and we're all proud of you." That night Anne, who had wound up the delightful evening with a serious little talk with Mrs. Allan at the manse, knelt sweetly by her open window in a great sheen of moonshine and murmured a prayer of gratitude and aspiration that came straight from her heart. There was in it thankfulness for the past and reverent petition for the future; and when she slept on her white pillow her dreams were as fair and bright and beautiful as maidenhood might desire. CHAPTER XXXIII. The Hotel Concert "PUT on your white organdy, by all means, Anne," advised Diana decidedly. They were together in the east gable chamber; outside it was only twilight--a lovely yellowish-green twilight with a clear-blue cloudless sky. A big round moon, slowly deepening from her pallid luster into burnished silver, hung over the Haunted Wood; the air was full of sweet summer sounds--sleepy birds twittering, freakish breezes, faraway voices and laughter. But in Anne's room the blind was drawn and the lamp lighted, for an important toilet was being made. The east gable was a very different place from what it had been on that night four years before, when Anne had felt its bareness penetrate to the marrow of her spirit with its inhospitable chill. Changes had crept in, Marilla conniving at them resignedly, until it was as sweet and dainty a nest as a young girl could desire. The velvet carpet with the pink roses and the pink silk curtains of Anne's early visions had certainly never materialized; but her dreams had kept pace with her growth, and it is not probable she lamented them. The floor was covered with a pretty matting, and the curtains that softened the high window and fluttered in the vagrant breezes were of pale-green art muslin. The walls, hung not with gold and silver brocade tapestry, but with a dainty apple-blossom paper, were adorned with a few good pictures given Anne by Mrs. Allan. Miss Stacy's photograph occupied the place of honor, and Anne made a sentimental point of keeping fresh flowers on the bracket under it. Tonight a spike of white lilies faintly perfumed the room like the dream of a fragrance. There was no "mahogany furniture," but there was a white-painted bookcase filled with books, a cushioned wicker rocker, a toilet table befrilled with white muslin, a quaint, gilt-framed mirror with chubby pink Cupids and purple grapes painted over its arched top, that used to hang in the spare room, and a low white bed. Anne was dressing for a concert at the White Sands Hotel. The guests had got it up in aid of the Charlottetown hospital, and had hunted out all the available amateur talent in the surrounding districts to help it along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir had been asked to sing a duet; Milton Clark of Newbridge was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to recite. As Anne would have said at one time, it was "an epoch in her life," and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne and Marilla was not far behind, although she would have died rather than admit it, and said she didn't think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better," said Diana. "It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana | she snatched up the paper. Yes, she had passed--there was her name at the very top of a list of two hundred! That moment was worth living for. "You did just splendidly, Anne," puffed Diana, recovering sufficiently to sit up and speak, for Anne, starry eyed and rapt, had not uttered a word. "Father brought the paper home from Bright River not ten minutes ago--it came out on the afternoon train, you know, and won't be here till tomorrow by mail--and when I saw the pass list I just rushed over like a wild thing. You've all passed, every one of you, Moody Spurgeon and all, although he's conditioned in history. Jane and Ruby did pretty well--they're halfway up--and so did Charlie. Josie just scraped through with three marks to spare, but you'll see she'll put on as many airs as if she'd led. Won't Miss Stacy be delighted? Oh, Anne, what does it feel like to see your name at the head of a pass list like that? If it were me I know I'd go crazy with joy. I am pretty near crazy as it is, but you're as calm and cool as a spring evening." "I'm just dazzled inside," said Anne. "I want to say a hundred things, and I can't find words to say them in. I never dreamed of this--yes, I did too, just once! I let myself think _once_," ?What if I should come out first?' "quakingly, you know, for it seemed so vain and presumptuous to think I could lead the Island. Excuse me a minute, Diana. I must run right out to the field to tell Matthew. Then we'll go up the road and tell the good news to the others." They hurried to the hayfield below the barn where Matthew was coiling hay, and, as luck would have it, Mrs. Lynde was talking to Marilla at the lane fence. "Oh, Matthew," exclaimed Anne,<|quote|>"I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful."</|quote|>"Well now, I always said it," said Matthew, gazing at the pass list delightedly. "I knew you could beat them all easy." "You've done pretty well, I must say, Anne," said Marilla, trying to hide her extreme pride in Anne from Mrs. Rachel's critical eye. But that good soul said heartily: "I just guess she has done well, and far be it from me to be backward in saying it. You're a credit to your friends, Anne, that's what, and we're all proud of you." That night Anne, who had wound up the delightful evening with a serious little talk with Mrs. Allan at the manse, knelt sweetly by her open window in a great sheen of moonshine and murmured a prayer of gratitude and aspiration that came straight from her heart. There was in it thankfulness for the past and reverent petition for the future; and when she slept on her white pillow her dreams were as fair and bright and beautiful as maidenhood might desire. CHAPTER XXXIII. The Hotel Concert "PUT on your white organdy, by all means, Anne," advised Diana decidedly. They were together in the east gable chamber; outside it was only twilight--a lovely yellowish-green twilight with a clear-blue cloudless sky. A big round moon, slowly deepening from her pallid luster into burnished silver, hung over the Haunted Wood; the air was full of sweet summer sounds--sleepy birds twittering, freakish breezes, faraway voices and laughter. But in Anne's room the blind was drawn and the lamp lighted, for an important toilet was being made. The east gable was a very different place from what it had been on that night four years before, when Anne had felt its bareness penetrate to the marrow of her spirit with its inhospitable chill. Changes had crept in, Marilla conniving at them resignedly, until it was as sweet and dainty a nest as a young girl could desire. The velvet carpet with the pink roses and the pink silk curtains of Anne's early visions had certainly | Anne Of Green Gables | to tell Matthew. Then we'll go up the road and tell the good news to the others." They hurried to the hayfield below the barn where Matthew was coiling hay, and, as luck would have it, Mrs. Lynde was talking to Marilla at the lane fence. "Oh, Matthew," exclaimed Anne,<|quote|>"I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful."</|quote|>"Well now, I always said it," said Matthew, gazing at the pass list delightedly. "I knew you could beat them all easy." "You've done pretty well, I must say, Anne," said Marilla, trying to hide her extreme pride in Anne from Mrs. Rachel's critical eye. But that good soul said | {
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"content": "to tell Matthew. Then we'll go up the road and tell the good news to the others.\" They hurried to the hayfield below the barn where Matthew was coiling hay, and, as luck would have it, Mrs. Lynde was talking to Marilla at the lane fence. \"Oh, Matthew,\" exclaimed Anne,<|quote|>\"I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful.\"</|quote|>\"Well now, I always said it,\" said Matthew, gazing at the pass list delightedly. \"I knew you could beat them all easy.\" \"You've done pretty well, I must say, Anne,\" said Marilla, trying to hide her extreme pride in Anne from Mrs. Rachel's critical eye. But that good soul said",
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she said, | No speaker | of musk. "Oh, Mr Last,"<|quote|>she said,</|quote|>"what a sweet old place | preceded by a heavy odour of musk. "Oh, Mr Last,"<|quote|>she said,</|quote|>"what a sweet old place this is." "I'm afraid it's | was announced; the library was now too noisy during the daytime, for there were men at work on the walls of the morning-room next door, tearing down the plaster tracery. "Princess Abdul Akbar." He rose to greet her. She was preceded by a heavy odour of musk. "Oh, Mr Last,"<|quote|>she said,</|quote|>"what a sweet old place this is." "I'm afraid it's been restored a great deal," said Tony. "Ah, but its _atmosphere_. I always think that's what counts in a house. Such dignity, and repose. But of course you're used to it. When you've been very unhappy as I have, you | figure huddled herself in the rugs until she reached the gates. Then she opened her bag, tucked up her veil, shook out her powder puff and put her face to rights. She licked the rouge from her finger with a sharp red tongue. Tony was in the smoking-room when she was announced; the library was now too noisy during the daytime, for there were men at work on the walls of the morning-room next door, tearing down the plaster tracery. "Princess Abdul Akbar." He rose to greet her. She was preceded by a heavy odour of musk. "Oh, Mr Last,"<|quote|>she said,</|quote|>"what a sweet old place this is." "I'm afraid it's been restored a great deal," said Tony. "Ah, but its _atmosphere_. I always think that's what counts in a house. Such dignity, and repose. But of course you're used to it. When you've been very unhappy as I have, you appreciate these things." Tony said, "I'm afraid Brenda hasn't arrived yet. She's coming by car with Lady Cockpurse." "Brenda's been _such_ a friend to me." The Princess took off her furs and sat down on the stool before the fire, looking up at Tony. "D'you mind if I take off | I looked as close as anything... unless perhaps she has it rolled up between her legs. D'you think she has, daddy?" "I shouldn't be surprised." "_Very_ uncomfortable." Tony and John were friends again; but it had been a leaden week. * * * * * It was part of Polly Cockpurse's plan to arrive late at Hetton. "Give the girl a chance to get down to it," she said. So she and Brenda did not leave London until Jenny was already on her way from the station. It was a day of bitter cold and occasional rain. The resolute little figure huddled herself in the rugs until she reached the gates. Then she opened her bag, tucked up her veil, shook out her powder puff and put her face to rights. She licked the rouge from her finger with a sharp red tongue. Tony was in the smoking-room when she was announced; the library was now too noisy during the daytime, for there were men at work on the walls of the morning-room next door, tearing down the plaster tracery. "Princess Abdul Akbar." He rose to greet her. She was preceded by a heavy odour of musk. "Oh, Mr Last,"<|quote|>she said,</|quote|>"what a sweet old place this is." "I'm afraid it's been restored a great deal," said Tony. "Ah, but its _atmosphere_. I always think that's what counts in a house. Such dignity, and repose. But of course you're used to it. When you've been very unhappy as I have, you appreciate these things." Tony said, "I'm afraid Brenda hasn't arrived yet. She's coming by car with Lady Cockpurse." "Brenda's been _such_ a friend to me." The Princess took off her furs and sat down on the stool before the fire, looking up at Tony. "D'you mind if I take off my hat?" "No, no... of course." She threw it on to the sofa and shook out her hair, which was dead black and curled. "D'you know, Mr Last, I'm going to call you Teddy right away. You don't think that very fresh of me? And you must call me Jenny. "Princess" is so formal, isn't it, and suggests tight trousers and gold braid... Of course" ," she went on, stretching out her hands to the fire and letting her hair fall forwards a little across her face, "my husband was not called "Prince" in Morocco; his title was Moulay--but there's | lives in one of these flats, called Jenny Abdul Akbar. Not black but married one. Get her to tell you. She'll come by train 3.18 I expect. Must stop now and go to lecture. Keep away from the Demon Rum. x x x x x x Brenda. Saw Jock last night at Caf? de Paris with shameless blonde. Who? Gin. No, Djin--how?--has rheumatism and Marjorie is v. put out about it. She thinks his pelvis is out of place and Cruttwell won't do him which is pretty mean considering all the people she has brought there. "Are you _certain_ Jenny will be Tony's tea?" "You can't ever be certain," said Polly. "She bores my pants off, but she's a good trier." * * * * * "Is mummy coming down to-day, daddy?" "Yes." "Who else?" "Someone called Jenny Abdul Akbar." "What a silly name. Is she foreign?" "I don't know." "Sounds foreign, doesn't she, daddy? D'you think she won't be able to talk any English? Is she black?" "Mummy says not." "Oh... who else?" "Lady Cockpurse." "The monkey-woman. You know she wasn't a bit like a monkey except perhaps her face and I don't think she had a tail because I looked as close as anything... unless perhaps she has it rolled up between her legs. D'you think she has, daddy?" "I shouldn't be surprised." "_Very_ uncomfortable." Tony and John were friends again; but it had been a leaden week. * * * * * It was part of Polly Cockpurse's plan to arrive late at Hetton. "Give the girl a chance to get down to it," she said. So she and Brenda did not leave London until Jenny was already on her way from the station. It was a day of bitter cold and occasional rain. The resolute little figure huddled herself in the rugs until she reached the gates. Then she opened her bag, tucked up her veil, shook out her powder puff and put her face to rights. She licked the rouge from her finger with a sharp red tongue. Tony was in the smoking-room when she was announced; the library was now too noisy during the daytime, for there were men at work on the walls of the morning-room next door, tearing down the plaster tracery. "Princess Abdul Akbar." He rose to greet her. She was preceded by a heavy odour of musk. "Oh, Mr Last,"<|quote|>she said,</|quote|>"what a sweet old place this is." "I'm afraid it's been restored a great deal," said Tony. "Ah, but its _atmosphere_. I always think that's what counts in a house. Such dignity, and repose. But of course you're used to it. When you've been very unhappy as I have, you appreciate these things." Tony said, "I'm afraid Brenda hasn't arrived yet. She's coming by car with Lady Cockpurse." "Brenda's been _such_ a friend to me." The Princess took off her furs and sat down on the stool before the fire, looking up at Tony. "D'you mind if I take off my hat?" "No, no... of course." She threw it on to the sofa and shook out her hair, which was dead black and curled. "D'you know, Mr Last, I'm going to call you Teddy right away. You don't think that very fresh of me? And you must call me Jenny. "Princess" is so formal, isn't it, and suggests tight trousers and gold braid... Of course" ," she went on, stretching out her hands to the fire and letting her hair fall forwards a little across her face, "my husband was not called "Prince" in Morocco; his title was Moulay--but there's no proper equivalent for a woman, so I've always called myself Princess in Europe... Moulay is _far_ higher really... my husband was a descendant of the Prophet. Are you interested in the East?" "No... yes. I mean I know very little about it." "It has an uncanny fascination for me. You must go there, Teddy. I know you'd like it. I've been saying the same to Brenda." "I expect you'd like to see your room," said Tony. "They'll bring tea soon." "No, I'll stay here. I like just to curl up like a cat in front of the fire, and if you're nice to me I'll purr, and if you're cruel I shall pretend not to notice--just like a cat... Shall I purr, Teddy?" "Er... yes... do, please, if that's what you like doing." "Englishmen are so gentle and considerate. It's wonderful to be back among them... mine own people. Sometimes when I look back at my life, especially at times like this, among lovely old English things and kind people, I think the whole thing must be a frightful nightmare... then I remember my _scars_..." "Brenda tells me you've taken one of the flats in the same house as | a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her coming twice--Lyonesse can't be as beastly as most of the rooms, can it. Also charming girl I have taken up with who I want us to be kind to. She's had a _terrible_ life and she lives in one of these flats, called Jenny Abdul Akbar. Not black but married one. Get her to tell you. She'll come by train 3.18 I expect. Must stop now and go to lecture. Keep away from the Demon Rum. x x x x x x Brenda. Saw Jock last night at Caf? de Paris with shameless blonde. Who? Gin. No, Djin--how?--has rheumatism and Marjorie is v. put out about it. She thinks his pelvis is out of place and Cruttwell won't do him which is pretty mean considering all the people she has brought there. "Are you _certain_ Jenny will be Tony's tea?" "You can't ever be certain," said Polly. "She bores my pants off, but she's a good trier." * * * * * "Is mummy coming down to-day, daddy?" "Yes." "Who else?" "Someone called Jenny Abdul Akbar." "What a silly name. Is she foreign?" "I don't know." "Sounds foreign, doesn't she, daddy? D'you think she won't be able to talk any English? Is she black?" "Mummy says not." "Oh... who else?" "Lady Cockpurse." "The monkey-woman. You know she wasn't a bit like a monkey except perhaps her face and I don't think she had a tail because I looked as close as anything... unless perhaps she has it rolled up between her legs. D'you think she has, daddy?" "I shouldn't be surprised." "_Very_ uncomfortable." Tony and John were friends again; but it had been a leaden week. * * * * * It was part of Polly Cockpurse's plan to arrive late at Hetton. "Give the girl a chance to get down to it," she said. So she and Brenda did not leave London until Jenny was already on her way from the station. It was a day of bitter cold and occasional rain. The resolute little figure huddled herself in the rugs until she reached the gates. Then she opened her bag, tucked up her veil, shook out her powder puff and put her face to rights. She licked the rouge from her finger with a sharp red tongue. Tony was in the smoking-room when she was announced; the library was now too noisy during the daytime, for there were men at work on the walls of the morning-room next door, tearing down the plaster tracery. "Princess Abdul Akbar." He rose to greet her. She was preceded by a heavy odour of musk. "Oh, Mr Last,"<|quote|>she said,</|quote|>"what a sweet old place this is." "I'm afraid it's been restored a great deal," said Tony. "Ah, but its _atmosphere_. I always think that's what counts in a house. Such dignity, and repose. But of course you're used to it. When you've been very unhappy as I have, you appreciate these things." Tony said, "I'm afraid Brenda hasn't arrived yet. She's coming by car with Lady Cockpurse." "Brenda's been _such_ a friend to me." The Princess took off her furs and sat down on the stool before the fire, looking up at Tony. "D'you mind if I take off my hat?" "No, no... of course." She threw it on to the sofa and shook out her hair, which was dead black and curled. "D'you know, Mr Last, I'm going to call you Teddy right away. You don't think that very fresh of me? And you must call me Jenny. "Princess" is so formal, isn't it, and suggests tight trousers and gold braid... Of course" ," she went on, stretching out her hands to the fire and letting her hair fall forwards a little across her face, "my husband was not called "Prince" in Morocco; his title was Moulay--but there's no proper equivalent for a woman, so I've always called myself Princess in Europe... Moulay is _far_ higher really... my husband was a descendant of the Prophet. Are you interested in the East?" "No... yes. I mean I know very little about it." "It has an uncanny fascination for me. You must go there, Teddy. I know you'd like it. I've been saying the same to Brenda." "I expect you'd like to see your room," said Tony. "They'll bring tea soon." "No, I'll stay here. I like just to curl up like a cat in front of the fire, and if you're nice to me I'll purr, and if you're cruel I shall pretend not to notice--just like a cat... Shall I purr, Teddy?" "Er... yes... do, please, if that's what you like doing." "Englishmen are so gentle and considerate. It's wonderful to be back among them... mine own people. Sometimes when I look back at my life, especially at times like this, among lovely old English things and kind people, I think the whole thing must be a frightful nightmare... then I remember my _scars_..." "Brenda tells me you've taken one of the flats in the same house as hers. They must be very convenient." "How English you are, Teddy--so shy of talking about personal things, intimate things... I like you for that, you know. I love everything that's solid and homely and _good_ after... after all I've been through." "You're not studying economics too, are you, like Brenda?" "No; is Brenda? She never told me. What a wonderful person she is. When _does_ she find the time?" "Ah, here comes tea at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate heartily; often she ran her tongue over her lips, collecting crumbs that had become embedded there and melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said. "You've got butter on your chin." She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a | "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her coming twice--Lyonesse can't be as beastly as most of the rooms, can it. Also charming girl I have taken up with who I want us to be kind to. She's had a _terrible_ life and she lives in one of these flats, called Jenny Abdul Akbar. Not black but married one. Get her to tell you. She'll come by train 3.18 I expect. Must stop now and go to lecture. Keep away from the Demon Rum. x x x x x x Brenda. Saw Jock last night at Caf? de Paris with shameless blonde. Who? Gin. No, Djin--how?--has rheumatism and Marjorie is v. put out about it. She thinks his pelvis is out of place and Cruttwell won't do him which is pretty mean considering all the people she has brought there. "Are you _certain_ Jenny will be Tony's tea?" "You can't ever be certain," said Polly. "She bores my pants off, but she's a good trier." * * * * * "Is mummy coming down to-day, daddy?" "Yes." "Who else?" "Someone called Jenny Abdul Akbar." "What a silly name. Is she foreign?" "I don't know." "Sounds foreign, doesn't she, daddy? D'you think she won't be able to talk any English? Is she black?" "Mummy says not." "Oh... who else?" "Lady Cockpurse." "The monkey-woman. You know she wasn't a bit like a monkey except perhaps her face and I don't think she had a tail because I looked as close as anything... unless perhaps she has it rolled up between her legs. D'you think she has, daddy?" "I shouldn't be surprised." "_Very_ uncomfortable." Tony and John were friends again; but it had been a leaden week. * * * * * It was part of Polly Cockpurse's plan to arrive late at Hetton. "Give the girl a chance to get down to it," she said. So she and Brenda did not leave London until Jenny was already on her way from the station. It was a day of bitter cold and occasional rain. The resolute little figure huddled herself in the rugs until she reached the gates. Then she opened her bag, tucked up her veil, shook out her powder puff and put her face to rights. She licked the rouge from her finger with a sharp red tongue. Tony was in the smoking-room when she was announced; the library was now too noisy during the daytime, for there were men at work on the walls of the morning-room next door, tearing down the plaster tracery. "Princess Abdul Akbar." He rose to greet her. She was preceded by a heavy odour of musk. "Oh, Mr Last,"<|quote|>she said,</|quote|>"what a sweet old place this is." "I'm afraid it's been restored a great deal," said Tony. "Ah, but its _atmosphere_. I always think that's what counts in a house. Such dignity, and repose. But of course you're used to it. When you've been very unhappy as I have, you appreciate these things." Tony said, "I'm afraid Brenda hasn't arrived yet. She's coming by car with Lady Cockpurse." "Brenda's been _such_ a friend to me." The Princess took off her furs and sat down on the stool before the fire, looking up at Tony. "D'you mind if I take off my hat?" "No, no... of course." She threw it on to the sofa and shook out her hair, which was dead black and curled. "D'you know, Mr Last, I'm going to call you Teddy right away. You don't think that very fresh of me? And you must call me Jenny. "Princess" is so formal, isn't it, and suggests tight trousers and gold braid... Of course" ," she went on, stretching out her hands to the fire and letting her hair fall forwards a little across her face, "my husband was not called "Prince" in Morocco; his title was Moulay--but there's no proper equivalent for a woman, so I've always called myself Princess in Europe... Moulay is _far_ higher really... my husband was a descendant of the Prophet. Are you interested in the East?" "No... yes. I mean I know very little about it." "It has an uncanny fascination for me. You must go there, Teddy. I know you'd like it. I've been saying the same to Brenda." "I expect you'd like to see your room," said Tony. "They'll bring tea soon." "No, I'll stay here. I like just to curl up like a cat in front of the fire, and if you're nice to me I'll purr, and if you're cruel I shall pretend not to notice--just like a cat... Shall I purr, Teddy?" "Er... yes... do, please, if that's what you like doing." "Englishmen are so gentle and considerate. It's wonderful to be back among them... mine own people. Sometimes when I look back at my life, especially at times like this, among lovely old English things and kind people, I think the whole thing must be a frightful nightmare... then I remember my _scars_..." "Brenda tells me you've taken one of the flats in the same house as hers. They must be very convenient." "How English you are, Teddy--so shy of talking about personal things, intimate things... I like you for that, you know. I love everything that's solid and homely and _good_ after... after all I've been through." "You're not studying economics too, are you, like Brenda?" "No; is Brenda? She never told me. What a wonderful person she is. When _does_ she find the time?" "Ah, here comes tea at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate | A Handful Of Dust | was announced; the library was now too noisy during the daytime, for there were men at work on the walls of the morning-room next door, tearing down the plaster tracery. "Princess Abdul Akbar." He rose to greet her. She was preceded by a heavy odour of musk. "Oh, Mr Last,"<|quote|>she said,</|quote|>"what a sweet old place this is." "I'm afraid it's been restored a great deal," said Tony. "Ah, but its _atmosphere_. I always think that's what counts in a house. Such dignity, and repose. But of course you're used to it. When you've been very unhappy as I have, you | {
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"content": "was announced; the library was now too noisy during the daytime, for there were men at work on the walls of the morning-room next door, tearing down the plaster tracery. \"Princess Abdul Akbar.\" He rose to greet her. She was preceded by a heavy odour of musk. \"Oh, Mr Last,\"<|quote|>she said,</|quote|>\"what a sweet old place this is.\" \"I'm afraid it's been restored a great deal,\" said Tony. \"Ah, but its _atmosphere_. I always think that's what counts in a house. Such dignity, and repose. But of course you're used to it. When you've been very unhappy as I have, you",
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he said in a hoarse, feeble voice: | No speaker | his eyes. "I wasn't asleep,"<|quote|>he said in a hoarse, feeble voice:</|quote|>"I heard every word you | once. The Dormouse slowly opened his eyes. "I wasn't asleep,"<|quote|>he said in a hoarse, feeble voice:</|quote|>"I heard every word you fellows were saying." "Tell us | I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep,"<|quote|>he said in a hoarse, feeble voice:</|quote|>"I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in | whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep,"<|quote|>he said in a hoarse, feeble voice:</|quote|>"I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute | to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep,"<|quote|>he said in a hoarse, feeble voice:</|quote|>"I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy | only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep,"<|quote|>he said in a hoarse, feeble voice:</|quote|>"I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?" said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse | _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep,"<|quote|>he said in a hoarse, feeble voice:</|quote|>"I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?" said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?" "Really, now you ask me," said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a | replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep,"<|quote|>he said in a hoarse, feeble voice:</|quote|>"I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?" said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said | Alices Adventures In Wonderland | I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep,"<|quote|>he said in a hoarse, feeble voice:</|quote|>"I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in | {
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"content": "I vote the young lady tells us a story.\" \"I'm afraid I don't know one,\" said Alice, rather alarmed at the proposal. \"Then the Dormouse shall!\" they both cried. \"Wake up, Dormouse!\" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. \"I wasn't asleep,\"<|quote|>he said in a hoarse, feeble voice:</|quote|>\"I heard every word you fellows were saying.\" \"Tell us a story!\" said the March Hare. \"Yes, please do!\" pleaded Alice. \"And be quick about it,\" added the Hatter, \"or you'll be asleep again before it's done.\" \"Once upon a time there were three little sisters,\" the Dormouse began in",
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comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. | No speaker | "On the march, about turn,"<|quote|>comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master.</|quote|>"Territorial Kantorek, we have the | he arrived than the order "On the march, about turn,"<|quote|>comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master.</|quote|>"Territorial Kantorek, we have the good fortune to live in | now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn,"<|quote|>comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master.</|quote|>"Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles | makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes "On the march, about turn," the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn,"<|quote|>comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master.</|quote|>"Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can | there enthroned at his desk, spearing at us with his pencil for our mistakes in those irregular French verbs with which afterwards we made so little headway in France. That is barely two years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes "On the march, about turn," the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn,"<|quote|>comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master.</|quote|>"Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of | a giant. The black, worn breeches are just as much too short; they reach barely halfway down his calf. The boots, tough old clod-hoppers, with turned-up toes and laces at the side, are much too big for him. But as a compensation the cap is too small, a terribly dirty, mean little pill-box. The whole rig-out is just pitiful. Mittelstaedt stops in front of him: "Territorial Kantorek, do you call those buttons polished? You seem as though you can never learn. Inadequate, Kantorek, quite inadequate----" It makes me bubble with glee. In school Kantorek used to chasten Mittelstaedt with exactly the same expression-- "Inadequate, Mittelstaedt, quite inadequate." Mittelstaedt continues to upbraid him: "Look at Boettcher now, there's a model for you to learn from." I can hardly believe my eyes. Boettcher is there too, Boettcher, our school porter. And he is a model! Kantorek shoots a glance at me as if he would like to eat me. But I grin at him innocently, as though I do not recognize him any more. Nothing could look more ludicrous than his forage-cap and his uniform. And this is the object before whom we used to stand in anguish, as he sat up there enthroned at his desk, spearing at us with his pencil for our mistakes in those irregular French verbs with which afterwards we made so little headway in France. That is barely two years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes "On the march, about turn," the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn,"<|quote|>comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master.</|quote|>"Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up | do not give up hope. I do not, indeed, go to my room any more, but comfort myself with the thought that a few days are not enough to judge by. Afterwards--later on--there is plenty of time for that. So I go over to see Mittelstaedt in the barracks, and we sit in his room, there is an atmosphere about it that I do not like but with which I am quite familiar. Mittelstaedt has some news ready for me that electrifies me on the spot. He tells me Kantorek has been called up as a territorial. "Just think of it," says he, and takes out a couple of good cigars, "I come back here from the hospital and bump right into him. He stretches out his paw to me and bleats: 'Hullo Mittelstaedt, how are you?'--I look at him and say: 'Territorial Kantorek, business is business and schnapps is schnapps, you ought to know that well enough yourself. Stand to attention when you speak to a superior officer.' You should have seen his face! A cross between a dud and a pickled cucumber. He tried once again to chum up. So I snubbed him a bit harder. Then he brought up his biggest guns and asked confidentially: 'Would you like me to use my influence so that you can take an emergency-exam.?' He was trying to remind me of those things, you know. Then I got mad and I reminded him of something instead. 'Territorial Kantorek, two years ago you preached us into enlisting; and among us there was one, Joseph Behm, who didn't want to enlist. He was killed three months before he would have been called up in the ordinary way. If it had not been for you he would have lived just that much longer. And now: Dismiss. You will hear from me later.' It was easy to get put in charge of his company. First thing I did was to take him to the stores and fit him out with a suitable equipment. You will see in a minute." We go out to the parade ground. The company has fallen in. Mittelstaedt stands them at ease and inspects. Then I see Kantorek and am scarcely able to stifle my laughter. He is wearing a faded blue tunic. On the back and in the sleeves there are big dark patches. The overcoat must have belonged to a giant. The black, worn breeches are just as much too short; they reach barely halfway down his calf. The boots, tough old clod-hoppers, with turned-up toes and laces at the side, are much too big for him. But as a compensation the cap is too small, a terribly dirty, mean little pill-box. The whole rig-out is just pitiful. Mittelstaedt stops in front of him: "Territorial Kantorek, do you call those buttons polished? You seem as though you can never learn. Inadequate, Kantorek, quite inadequate----" It makes me bubble with glee. In school Kantorek used to chasten Mittelstaedt with exactly the same expression-- "Inadequate, Mittelstaedt, quite inadequate." Mittelstaedt continues to upbraid him: "Look at Boettcher now, there's a model for you to learn from." I can hardly believe my eyes. Boettcher is there too, Boettcher, our school porter. And he is a model! Kantorek shoots a glance at me as if he would like to eat me. But I grin at him innocently, as though I do not recognize him any more. Nothing could look more ludicrous than his forage-cap and his uniform. And this is the object before whom we used to stand in anguish, as he sat up there enthroned at his desk, spearing at us with his pencil for our mistakes in those irregular French verbs with which afterwards we made so little headway in France. That is barely two years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes "On the march, about turn," the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn,"<|quote|>comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master.</|quote|>"Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at | to stifle my laughter. He is wearing a faded blue tunic. On the back and in the sleeves there are big dark patches. The overcoat must have belonged to a giant. The black, worn breeches are just as much too short; they reach barely halfway down his calf. The boots, tough old clod-hoppers, with turned-up toes and laces at the side, are much too big for him. But as a compensation the cap is too small, a terribly dirty, mean little pill-box. The whole rig-out is just pitiful. Mittelstaedt stops in front of him: "Territorial Kantorek, do you call those buttons polished? You seem as though you can never learn. Inadequate, Kantorek, quite inadequate----" It makes me bubble with glee. In school Kantorek used to chasten Mittelstaedt with exactly the same expression-- "Inadequate, Mittelstaedt, quite inadequate." Mittelstaedt continues to upbraid him: "Look at Boettcher now, there's a model for you to learn from." I can hardly believe my eyes. Boettcher is there too, Boettcher, our school porter. And he is a model! Kantorek shoots a glance at me as if he would like to eat me. But I grin at him innocently, as though I do not recognize him any more. Nothing could look more ludicrous than his forage-cap and his uniform. And this is the object before whom we used to stand in anguish, as he sat up there enthroned at his desk, spearing at us with his pencil for our mistakes in those irregular French verbs with which afterwards we made so little headway in France. That is barely two years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes "On the march, about turn," the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn,"<|quote|>comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master.</|quote|>"Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent," | All Quiet on the Western Front | now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn,"<|quote|>comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master.</|quote|>"Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles | {
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"content": "now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order \"On the march, about turn,\"<|quote|>comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master.</|quote|>\"Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness.\" Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: \"And in the trifles",
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"But did you know that they proposed to ask for two thousand?" | Tony Last | no use coming to me."<|quote|>"But did you know that they proposed to ask for two thousand?"</|quote|>"Yes. They did say that. | lawyers are doing everything. It's no use coming to me."<|quote|>"But did you know that they proposed to ask for two thousand?"</|quote|>"Yes. They did say that. I know it sounds a | * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me."<|quote|>"But did you know that they proposed to ask for two thousand?"</|quote|>"Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. | got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me."<|quote|>"But did you know that they proposed to ask for two thousand?"</|quote|>"Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He hung up the receiver and went back to the smoking-room. His mind had suddenly become clearer | things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me."<|quote|>"But did you know that they proposed to ask for two thousand?"</|quote|>"Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He hung up the receiver and went back to the smoking-room. His mind had suddenly become clearer on many points that had puzzled him. A whole Gothic world had come to grief... there was now no armour glittering through the forest glades, no embroidered feet on the green sward; the cream and dappled unicorns had fled... Reggie sat expanded in his chair. "Well?" "I got on to her. You were quite right. I'm sorry I didn't believe you. It seemed so unlikely at first." "That's all right, my dear fellow." "I've decided exactly what's going to happen." "Good." "Brenda is not going to get her divorce. The evidence I provided at Brighton isn't worth anything. There happens | yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me."<|quote|>"But did you know that they proposed to ask for two thousand?"</|quote|>"Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He hung up the receiver and went back to the smoking-room. His mind had suddenly become clearer on many points that had puzzled him. A whole Gothic world had come to grief... there was now no armour glittering through the forest glades, no embroidered feet on the green sward; the cream and dappled unicorns had fled... Reggie sat expanded in his chair. "Well?" "I got on to her. You were quite right. I'm sorry I didn't believe you. It seemed so unlikely at first." "That's all right, my dear fellow." "I've decided exactly what's going to happen." "Good." "Brenda is not going to get her divorce. The evidence I provided at Brighton isn't worth anything. There happens to have been a child there all the time. She slept both nights in the room I am supposed to have occupied. If you care to bring the case I shall defend it and win, but I think when you have seen my evidence you will drop it. I am going away for six months or so. When I come back, if she wishes it, I shall divorce Brenda without settlements of any kind. Is that clear?" "But look here, my dear fellow." "Good night. Thank you for the dinner. Good luck to the excavations." On his way out of the club he noticed that John Beaver of Bratt's Club was up for election. * * * * * "Who on earth would have expected the old boy to turn up like that?" asked Polly Cockpurse. "Now I understand why they keep going on in the papers about divorce law reform," said Veronica. "It's _too_ monstrous that he should be allowed to get away with it." "The mistake they made was in telling him first," said Souki. "It's so like Brenda to trust everyone," said Jenny Abdul Akbar. * * * * * "I do think Tony comes out of | it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me."<|quote|>"But did you know that they proposed to ask for two thousand?"</|quote|>"Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He hung up the receiver and went back to the smoking-room. His mind had suddenly become clearer on many points that had puzzled him. A whole Gothic world had come to grief... there was now no armour glittering through the forest glades, no embroidered feet on the green sward; the cream and dappled unicorns had fled... Reggie sat expanded in his chair. "Well?" "I got on to her. You were quite right. I'm sorry I didn't believe you. It seemed so unlikely at first." "That's all right, my dear fellow." "I've decided exactly what's going to happen." "Good." "Brenda is not going to get her divorce. The evidence I provided at Brighton isn't worth anything. There happens to have been a child there all the time. She slept both nights in the room I am supposed to have occupied. If you care to bring the case I shall defend it and win, but I think when you have seen my evidence you will drop it. I am going away for six months or so. When I come back, if she wishes it, I shall divorce Brenda without settlements of any kind. Is that clear?" "But look here, my dear fellow." "Good night. Thank you for the dinner. Good luck to the excavations." On his way out of the club he noticed that John Beaver of Bratt's Club was up for election. * * * * * "Who on earth would have expected the old boy to turn up like that?" asked Polly Cockpurse. "Now I understand why they keep going on in the papers about divorce law reform," said Veronica. "It's _too_ monstrous that he should be allowed to get away with it." "The mistake they made was in telling him first," said Souki. "It's so like Brenda to trust everyone," said Jenny Abdul Akbar. * * * * * "I do think Tony comes out of this pretty poorly," said Marjorie. "Oh, I don't know," said Allan. "I expect your ass of a brother put the thing wrong." CHAPTER V IN SEARCH OF A CITY [I] "any idea how many times round the deck make a mile?" "None, I'm afraid," said Tony. "But I should think you must have walked a great distance." "Twenty-two times. One soon gets out of sorts at sea if you're used to an active life. She's not much of a boat. Travel with this line often?" "Never before." "Ah. Thought you might have been in business in the islands. Not many tourists going out this time of year. Just the other way about. All coming home, if you see what I mean. Going far?" "Demerara." "Ah. Looking for minerals perhaps?" "No, to tell you the truth I am looking for a city." The genial passenger was surprised and then laughed. "Sounded just like you said you were looking for a city." "Yes." "That _was_ what you said?" "Yes." "I thought it sounded like that... well, so long. I must do another few rounds before dinner." He paced off up the deck, straddling slightly in order to keep his balance and occasionally putting out a hand to the rail for support. Regularly every three minutes for the last hour or so, this man had come by. At first Tony had looked up at his approach and then turned away again, out to sea. Presently the man had taken to nodding, then to saying "Hullo" or "Bit choppy" or "Here we are again" "; finally he had stopped and began a conversation. Tony went aft to break this rather embarrassing sequence. He descended the companion way which led to the lower deck. Here, in crates lashed to the side, was a variety of livestock--some stud bulls, a heavily blanketed racehorse, a couple of beagles, being exported to various West Indian islands. Tony threaded a way between them and the hatches to the stern, where he sat against a winch watching the horizon mount above the funnels, then fall until they stood out black against the darkening sky. The pitch was more sensible here than it had been amidships; the animals shifted restlessly in their cramped quarters; the beagles whined intermittently. A lascar took down from a line some washing which had been flapping there all day. The wash of the ship was quickly | up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me."<|quote|>"But did you know that they proposed to ask for two thousand?"</|quote|>"Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He hung up the receiver and went back to the smoking-room. His mind had suddenly become clearer on many points that had puzzled him. A whole Gothic world had come to grief... there was now no armour glittering through the forest glades, no embroidered feet on the green sward; the cream and dappled unicorns had fled... Reggie sat expanded in his chair. "Well?" "I got on to her. You were quite right. I'm sorry I didn't believe you. It seemed so unlikely at first." "That's all right, my dear fellow." "I've decided exactly what's going to happen." "Good." "Brenda is not going to get her divorce. The evidence I provided at Brighton isn't worth anything. There happens to have been a child there all the time. She slept both nights in the room I am supposed to have occupied. If you care to | A Handful Of Dust | * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me."<|quote|>"But did you know that they proposed to ask for two thousand?"</|quote|>"Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. | {
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"content": "* * * * \"Brenda, this is Tony... I've just been dining with Reggie.\" \"Yes, he said something about it.\" \"He tells me that you are going to sue for alimony. Is that so?\" \"Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me.\"<|quote|>\"But did you know that they proposed to ask for two thousand?\"</|quote|>\"Yes. They did say that. I know it sounds a lot but...\" \"And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?\" \"Yes, I'm here.\" \"You know it means that?\" \"Tony, don't make me feel a beast.",
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So they sat down, and nobody spoke for some minutes. Alice thought to herself, | No speaker | a word till I've finished."<|quote|>So they sat down, and nobody spoke for some minutes. Alice thought to herself,</|quote|>"I don't see how he | of you, and don't speak a word till I've finished."<|quote|>So they sat down, and nobody spoke for some minutes. Alice thought to herself,</|quote|>"I don't see how he can _ever_ finish, if he | large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished."<|quote|>So they sat down, and nobody spoke for some minutes. Alice thought to herself,</|quote|>"I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from | pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished."<|quote|>So they sat down, and nobody spoke for some minutes. Alice thought to herself,</|quote|>"I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the | "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished."<|quote|>So they sat down, and nobody spoke for some minutes. Alice thought to herself,</|quote|>"I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At | made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished."<|quote|>So they sat down, and nobody spoke for some minutes. Alice thought to herself,</|quote|>"I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of | any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished."<|quote|>So they sat down, and nobody spoke for some minutes. Alice thought to herself,</|quote|>"I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his | creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished."<|quote|>So they sat down, and nobody spoke for some minutes. Alice thought to herself,</|quote|>"I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I | Alices Adventures In Wonderland | large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished."<|quote|>So they sat down, and nobody spoke for some minutes. Alice thought to herself,</|quote|>"I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from | {
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"It would be if you'd only cultivate it," | Anne Shirley | was as good as yours."<|quote|>"It would be if you'd only cultivate it,"</|quote|>said Anne cheeringly. "I've just | Anne. I wish my imagination was as good as yours."<|quote|>"It would be if you'd only cultivate it,"</|quote|>said Anne cheeringly. "I've just thought of a plan, Diana. | lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours."<|quote|>"It would be if you'd only cultivate it,"</|quote|>said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only | bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours."<|quote|>"It would be if you'd only cultivate it,"</|quote|>said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include | All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.' "But Bertram saw it all and he at once plunged into the current, exclaiming," ?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours."<|quote|>"It would be if you'd only cultivate it,"</|quote|>said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather | said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.' "But Bertram saw it all and he at once plunged into the current, exclaiming," ?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours."<|quote|>"It would be if you'd only cultivate it,"</|quote|>said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and | the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.' "But Bertram saw it all and he at once plunged into the current, exclaiming," ?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours."<|quote|>"It would be if you'd only cultivate it,"</|quote|>said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I'm glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I'm having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn't say there was a great deal" was Marilla's encouraging answer. "I'm sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn't always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been bad and mischievous? Mrs. Lynde says it is. Mrs. Lynde says she always feels shocked when she hears of anyone ever having been naughty, no matter how small they were. Mrs. Lynde says she once heard a minister confess that when he was a boy he stole a strawberry tart out of his aunt's pantry and she never had any respect for that minister again. Now, I wouldn't have felt that way. I'd have thought that it was real noble of him to confess it, and I'd have thought what an encouraging thing it would be for small boys nowadays who do naughty things and are sorry for them to know that perhaps they may grow up to be ministers in spite of it. That's how I'd feel, Marilla." "The way I feel at | Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.' "But Bertram saw it all and he at once plunged into the current, exclaiming," ?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours."<|quote|>"It would be if you'd only cultivate it,"</|quote|>said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her | Anne Of Green Gables | lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours."<|quote|>"It would be if you'd only cultivate it,"</|quote|>said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only | {
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Marjorie was rung up by the woman at whose house she was dining. (" | No speaker | room. "Lovely, darling. New?" "Fairly."<|quote|>Marjorie was rung up by the woman at whose house she was dining. ("</|quote|>"Look here, are you absolutely | and came into her sister's room. "Lovely, darling. New?" "Fairly."<|quote|>Marjorie was rung up by the woman at whose house she was dining. ("</|quote|>"Look here, are you absolutely sure you can't make Allan | chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly."<|quote|>Marjorie was rung up by the woman at whose house she was dining. ("</|quote|>"Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think | people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly."<|quote|>Marjorie was rung up by the woman at whose house she was dining. ("</|quote|>"Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man." "Oh dear, I didn't realize..." Beaver arrived at quarter to nine in a state of | a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly."<|quote|>Marjorie was rung up by the woman at whose house she was dining. ("</|quote|>"Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man." "Oh dear, I didn't realize..." Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and | * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly."<|quote|>Marjorie was rung up by the woman at whose house she was dining. ("</|quote|>"Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man." "Oh dear, I didn't realize..." Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late." Now that it was inevitable, she did not want to be left alone with Beaver. "No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the | week, of one room each and a bath; the bathrooms were going to be slap-up, with limitless hot water and every transatlantic refinement; the other room would have a large built-in wardrobe with electric light inside, and space for a bed. It would fill a long-felt need, Mrs Beaver said. "I'll ask my husband and let you know." "You _will_ let me know soon, won't you, because _everyone_ will be wanting one." "I'll let you know very soon." When she had to go, Beaver came with her to the station. She usually ate some chocolate and buns in her carriage; they bought them together at the buffet. There was plenty of time before the train left and the carriage was not yet full. Beaver came in and sat with her. "I'm sure you want to go away." "No, really." "I've got lots to read." "I _want_ to stay." "It's very sweet of you." Presently she said, rather timidly, for she was not used to asking for that sort of thing, "I suppose you wouldn't like to take me to Polly's party, would you?" Beaver hesitated. There would be several dinner parties that evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation. "I was afraid you would have." "But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly."<|quote|>Marjorie was rung up by the woman at whose house she was dining. ("</|quote|>"Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man." "Oh dear, I didn't realize..." Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late." Now that it was inevitable, she did not want to be left alone with Beaver. "No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on the arm of a chair, and made love to her at once; and probably he would have got away with it. Instead he remarked in an easy manner, "I suppose we ought to be going too." "Yes, where?" "I thought Espinosa's." "Yes, lovely. Only listen. I want you to understand right away that it's _my_ dinner." "Of course not... nothing of the sort." "Yes it is. I'm a year older than you and an old married woman and quite rich, so, please, I'm going to pay." Beaver continued protesting to the taxi door. But there was still a constraint between them and Beaver began to wonder, "Does she expect me to pounce?" So, as they waited in a traffic block by the Marble Arch, he leaned forward to kiss her; when he was quite near, she drew back. He said, "_Please_, Brenda," but she turned away and looked out of the window, shaking her head several times quickly. Then, her eyes still fixed on the window, she put out her hand to his and they sat in silence till they reached the restaurant. Beaver was thoroughly puzzled. Once they were in public again, his confidence returned. Espinosa led them to their table; it was the one by itself on the right of the door, the only table in the restaurant at which one's conversation was not overheard. Brenda handed him the card. "You choose. Very little for me, but it must only have starch, no protein." The bill at Espinosa's was, as a rule, roughly the same whatever one ate, but Brenda would not know this, so, since it was now understood that she was paying, Beaver felt constrained from ordering anything that looked obviously expensive. However, she insisted on champagne, and later a ballon of liqueur brandy for him. "You can't think how exciting it is for me to take a young man out. I've never done it before." They stayed at Espinosa's until it was time to go to the party, dancing once or twice, but most of the time sitting at the table, talking. Their interest in each other had so far outdistanced their knowledge that there was a great deal to say. Presently Beaver said, "I'm sorry I was an ass in the taxi just | could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation. "I was afraid you would have." "But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly."<|quote|>Marjorie was rung up by the woman at whose house she was dining. ("</|quote|>"Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man." "Oh dear, I didn't realize..." Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late." Now that it was inevitable, she did not want to be left alone with Beaver. "No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on the arm of a chair, and made love to her at once; and probably he would have got away with it. Instead he remarked in an easy manner, "I suppose we ought to be going too." "Yes, where?" "I thought Espinosa's." "Yes, lovely. Only listen. I want you to understand right away that | A Handful Of Dust | chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly."<|quote|>Marjorie was rung up by the woman at whose house she was dining. ("</|quote|>"Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think | {
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"content": "chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it.\" * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. \"Lovely, darling. New?\" \"Fairly.\"<|quote|>Marjorie was rung up by the woman at whose house she was dining. (\"</|quote|>\"Look here, are you absolutely sure you can't make Allan come to-night?\" \"Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's.\" \"Is there _any_ man you can bring?\" \"Can't think of anybody.\" \"Well, we shall have to be one short, that's all. I can't think",
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the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully. | No speaker | We get up. "Where's Tjaden?"<|quote|>the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully.</|quote|>"You know very well. You | boots gleam in the sun. We get up. "Where's Tjaden?"<|quote|>the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully.</|quote|>"You know very well. You won't say, that's the fact | The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?"<|quote|>the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully.</|quote|>"You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off with Himmelstoss in his wake. | had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war. * * The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?"<|quote|>the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully.</|quote|>"You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off with Himmelstoss in his wake. "I have a feeling that next time we go up wiring I'll be letting a bundle of wire fall on Himmelstoss's leg," hints Kropp. "We'll have quite a lot of jokes with him," laughs Müller.-- That is our sole ambition: to knock the conceit out of a postman.-- I go | to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war. * * The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?"<|quote|>the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully.</|quote|>"You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off with Himmelstoss in his wake. "I have a feeling that next time we go up wiring I'll be letting a bundle of wire fall on Himmelstoss's leg," hints Kropp. "We'll have quite a lot of jokes with him," laughs Müller.-- That is our sole ambition: to knock the conceit out of a postman.-- I go into the hut and put Tjaden wise. He disappears. Then we change our possy and lie down again to play cards. We know how to do that: to play cards, to swear, and to fight. Not much for twenty years;--and yet too much for twenty years. Half an hour later Himmelstoss is back again. Nobody pays any attention to him. He asks for Tjaden. We shrug our shoulders. "Then you'd better find him," he persists. "Haven't you been to look for him?" Kropp lies back in the grass and says: "Have you ever been out here before?" "That's none of | at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war. * * The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?"<|quote|>the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully.</|quote|>"You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off with Himmelstoss in his wake. "I have a feeling that next time we go up wiring I'll be letting a bundle of wire fall on Himmelstoss's leg," hints Kropp. "We'll have quite a lot of jokes with him," laughs Müller.-- That is our sole ambition: to knock the conceit out of a postman.-- I go into the hut and put Tjaden wise. He disappears. Then we change our possy and lie down again to play cards. We know how to do that: to play cards, to swear, and to fight. Not much for twenty years;--and yet too much for twenty years. Half an hour later Himmelstoss is back again. Nobody pays any attention to him. He asks for Tjaden. We shrug our shoulders. "Then you'd better find him," he persists. "Haven't you been to look for him?" Kropp lies back in the grass and says: "Have you ever been out here before?" "That's none of your business," retorts Himmelstoss. "I expect an answer." "Very good," says Kropp, getting up. "See up there where those little white clouds are. Those are anti-aircraft. We were over there yesterday. Five dead and eight wounded. It was a lot of fun. Next time, when you go up with us, before they die the fellows will come up to you, click their heels, and ask stiffly: 'Please may I go? Please may I hop it? We've been waiting here a long time for someone like you.'" He sits down again and Himmelstoss disappears like a comet. "Three days C.B.," Kat conjectures. "Next time I'll let fly," I say to Albert. But that is the end. The case comes up for trial in the evening. In the Orderly Room sits our Lieutenant, Bertink, and calls us in one after another. I have to appear as a witness and explain the reason of Tjaden's insubordination. The story of the bed-wetting makes an impression. Himmelstoss is recalled and I repeat my statement. "Is that right?" Bertink asks Himmelstoss. He tries to evade the question, but in the end has to confess, for Kropp tells the same story. "Why didn't someone report the matter, | and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war. * * The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?"<|quote|>the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully.</|quote|>"You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off with Himmelstoss in his wake. "I have a feeling that next time we go up wiring I'll be letting a bundle of wire fall on Himmelstoss's leg," hints Kropp. "We'll have quite a lot of jokes with him," laughs Müller.-- That is our sole ambition: to knock the conceit out of a postman.-- I go into the hut and put Tjaden wise. He disappears. Then we change our possy and lie down again to play cards. We know how to do that: to play cards, to swear, and to fight. Not much for twenty years;--and yet too much for twenty years. Half an hour later Himmelstoss is back again. Nobody pays any attention to him. He asks for Tjaden. We shrug our shoulders. "Then you'd better find him," he persists. "Haven't you been to look for him?" Kropp lies back in the grass and says: "Have you ever been out here before?" "That's none of your business," retorts Himmelstoss. "I expect an answer." "Very good," says Kropp, getting up. "See up there where those little white clouds are. Those are anti-aircraft. We were over there yesterday. Five dead and eight wounded. It was a lot of fun. Next time, when you go up with us, before they die the fellows will come up to you, click their heels, and ask stiffly: 'Please may I go? Please may I hop it? We've been waiting here a long time for someone like you.'" He sits down again and Himmelstoss disappears like a comet. "Three days C.B.," Kat conjectures. "Next time I'll let fly," I say to Albert. But that is the end. The case comes up for trial in the evening. In the Orderly Room sits our Lieutenant, Bertink, and calls us in one after another. I have to appear as a witness and explain the reason of Tjaden's insubordination. The story of the bed-wetting makes an impression. Himmelstoss is recalled and I repeat my statement. "Is that right?" Bertink asks Himmelstoss. He tries to evade the question, but in the end has to confess, for Kropp tells the same story. "Why didn't someone report the matter, then?" asks Bertink. We are silent: he must know himself how much use it is reporting such things in the army. It isn't usual to make complaints in the army. He understands it all right though, and lectures Himmelstoss, making it plain to him that the front isn't a parade-ground. Then comes Tjaden's turn, who gets a long sermon and three days open arrest. He gives Kropp a wink and one day's open arrest. "It can't be helped," he says to him regretfully. He is a decent fellow. Open arrest is quite pleasant. The clink was once a fowl-house; there we can visit the prisoners, we know how to manage it. Close arrest would have meant the cellar. They used to tie us to a tree, but that is forbidden now. In many ways we are treated quite like men. An hour after Tjaden and Kropp are settled in behind their wire-netting we make our way in to them. Tjaden greets us crowing. Then we play skat far into the night. Tjaden wins of course, the lucky wretch. * * When we break up Kat says to me: "What do you say to some roast goose?" "Not bad," I agree. We climb up on a munition-waggon. The ride costs us two cigarettes. Kat has marked the spot exactly. The shed belongs to a regimental headquarters. I agree to get the goose and receive my instructions. The out-house is behind the wall and the door shuts with just a peg. Kat hoists me up. I rest my foot in his hands and climb over the wall. Kat keeps watch below. I wait a few moments to accustom my eyes to the darkness. Then I recognize the shed. Softly I steal across, lift the peg, pull it out and open the door. I distinguish two white patches. Two geese, that's bad: if I grab one the other will cackle. Well, both of them--if I'm quick, it can be done. I make a jump. I catch hold of one and the next instant the second. Like a madman I bash their heads against the wall to stun them. But I haven't quite enough weight. The beasts cackle and strike out with their feet and wings. I fight desperately, but Lord! what a kick a goose has! They struggle and I stagger about. In the dark these white patches are terrifying. My arms have | surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war. * * The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?"<|quote|>the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully.</|quote|>"You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off with Himmelstoss in his wake. "I have a feeling that next time we go up wiring I'll be letting a bundle of wire fall on Himmelstoss's leg," hints Kropp. "We'll have quite a lot of jokes with him," laughs Müller.-- That is our sole ambition: to knock the conceit out of a postman.-- I go into the hut and put Tjaden wise. He disappears. Then we change our possy and lie down again to play cards. We know how to do that: to play cards, to swear, and to fight. Not much for twenty years;--and yet too much for twenty years. Half an hour later Himmelstoss is back again. Nobody pays any attention to him. He asks for Tjaden. We shrug our shoulders. "Then you'd better find him," he persists. "Haven't you been to look for him?" Kropp lies back in the grass and says: "Have you ever been out here before?" "That's none of your business," retorts Himmelstoss. "I expect an answer." "Very good," says Kropp, getting up. "See up there where those little white clouds are. Those are anti-aircraft. We were over there yesterday. Five dead and eight wounded. It was a lot of fun. Next time, when you go up with us, before they die the fellows will come up to you, click their heels, and ask stiffly: 'Please may I go? Please may I hop it? We've been waiting here a long time for someone like you.'" He sits down again and Himmelstoss disappears like a comet. "Three days C.B.," Kat conjectures. "Next time I'll let fly," I say to Albert. But that is the end. The case comes up for trial in the evening. In the Orderly Room sits our Lieutenant, Bertink, and calls us in one after another. I have to appear as a witness and explain the reason of Tjaden's insubordination. The story of the bed-wetting makes an impression. Himmelstoss is recalled and I repeat my statement. "Is that right?" Bertink asks Himmelstoss. He tries to evade the question, but in the end has to confess, for Kropp tells the same story. "Why didn't someone report the matter, then?" asks Bertink. We are silent: he must know himself how much use it is reporting such things in the army. It isn't usual to make complaints in the army. He understands it all right though, and lectures Himmelstoss, making it plain to him that the front isn't a parade-ground. Then comes Tjaden's turn, who gets a long sermon and three days open arrest. He gives Kropp a wink and one day's open arrest. "It can't be helped," he says to him regretfully. He is a decent fellow. Open | All Quiet on the Western Front | The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?"<|quote|>the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully.</|quote|>"You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off with Himmelstoss in his wake. | {
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"content": "The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. \"Where's Tjaden?\"<|quote|>the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully.</|quote|>\"You know very well. You won't say, that's the fact of the matter. Out with it!\" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. \"Tjaden will report at the Orderly Room in ten minutes.\" Then he steams off with Himmelstoss in his wake.",
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"But I'm going to study Latin and Greek just the same, Mrs. Lynde," | Anne Shirley | Greek and all that nonsense."<|quote|>"But I'm going to study Latin and Greek just the same, Mrs. Lynde,"</|quote|>said Anne laughing. "I'm going | heads full of Latin and Greek and all that nonsense."<|quote|>"But I'm going to study Latin and Greek just the same, Mrs. Lynde,"</|quote|>said Anne laughing. "I'm going to take my Arts course | your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense."<|quote|>"But I'm going to study Latin and Greek just the same, Mrs. Lynde,"</|quote|>said Anne laughing. "I'm going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you'll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I'm not going | "I declare I'm getting glad to sit down. I've been on my feet all day, and two hundred pounds is a good bit for two feet to carry round. It's a great blessing not to be fat, Marilla. I hope you appreciate it. Well, Anne, I hear you've given up your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense."<|quote|>"But I'm going to study Latin and Greek just the same, Mrs. Lynde,"</|quote|>said Anne laughing. "I'm going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you'll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I'm not going to overdo things. As ?Josiah Allen's wife,' says, I shall be ?mejum'. But I'll have lots of spare time in the long winter evenings, and I've no vocation for fancy work. I'm going to teach over at Carmody, you know." "I don't know it. I guess you're going to teach | so in approving words that brought tears of pleasure to the girl's eyes. Neither did good Mrs. Lynde. She came up one evening and found Anne and Marilla sitting at the front door in the warm, scented summer dusk. They liked to sit there when the twilight came down and the white moths flew about in the garden and the odor of mint filled the dewy air. Mrs. Rachel deposited her substantial person upon the stone bench by the door, behind which grew a row of tall pink and yellow hollyhocks, with a long breath of mingled weariness and relief. "I declare I'm getting glad to sit down. I've been on my feet all day, and two hundred pounds is a good bit for two feet to carry round. It's a great blessing not to be fat, Marilla. I hope you appreciate it. Well, Anne, I hear you've given up your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense."<|quote|>"But I'm going to study Latin and Greek just the same, Mrs. Lynde,"</|quote|>said Anne laughing. "I'm going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you'll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I'm not going to overdo things. As ?Josiah Allen's wife,' says, I shall be ?mejum'. But I'll have lots of spare time in the long winter evenings, and I've no vocation for fancy work. I'm going to teach over at Carmody, you know." "I don't know it. I guess you're going to teach right here in Avonlea. The trustees have decided to give you the school." "Mrs. Lynde!" cried Anne, springing to her feet in her surprise. "Why, I thought they had promised it to Gilbert Blythe!" "So they did. But as soon as Gilbert heard that you had applied for it he went to them--they had a business meeting at the school last night, you know--and told them that he withdrew his application, and suggested that they accept yours. He said he was going to teach at White Sands. Of course he knew how much you wanted to stay with Marilla, and | new landscapes--what new beauties--what curves and hills and valleys further on." "I don't feel as if I ought to let you give it up," said Marilla, referring to the scholarship. "But you can't prevent me. I'm sixteen and a half," ?obstinate as a mule,' "as Mrs. Lynde once told me," laughed Anne. "Oh, Marilla, don't you go pitying me. I don't like to be pitied, and there is no need for it. I'm heart glad over the very thought of staying at dear Green Gables. Nobody could love it as you and I do--so we must keep it." "You blessed girl!" said Marilla, yielding. "I feel as if you'd given me new life. I guess I ought to stick out and make you go to college--but I know I can't, so I ain't going to try. I'll make it up to you though, Anne." When it became noised abroad in Avonlea that Anne Shirley had given up the idea of going to college and intended to stay home and teach there was a good deal of discussion over it. Most of the good folks, not knowing about Marilla's eyes, thought she was foolish. Mrs. Allan did not. She told Anne so in approving words that brought tears of pleasure to the girl's eyes. Neither did good Mrs. Lynde. She came up one evening and found Anne and Marilla sitting at the front door in the warm, scented summer dusk. They liked to sit there when the twilight came down and the white moths flew about in the garden and the odor of mint filled the dewy air. Mrs. Rachel deposited her substantial person upon the stone bench by the door, behind which grew a row of tall pink and yellow hollyhocks, with a long breath of mingled weariness and relief. "I declare I'm getting glad to sit down. I've been on my feet all day, and two hundred pounds is a good bit for two feet to carry round. It's a great blessing not to be fat, Marilla. I hope you appreciate it. Well, Anne, I hear you've given up your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense."<|quote|>"But I'm going to study Latin and Greek just the same, Mrs. Lynde,"</|quote|>said Anne laughing. "I'm going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you'll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I'm not going to overdo things. As ?Josiah Allen's wife,' says, I shall be ?mejum'. But I'll have lots of spare time in the long winter evenings, and I've no vocation for fancy work. I'm going to teach over at Carmody, you know." "I don't know it. I guess you're going to teach right here in Avonlea. The trustees have decided to give you the school." "Mrs. Lynde!" cried Anne, springing to her feet in her surprise. "Why, I thought they had promised it to Gilbert Blythe!" "So they did. But as soon as Gilbert heard that you had applied for it he went to them--they had a business meeting at the school last night, you know--and told them that he withdrew his application, and suggested that they accept yours. He said he was going to teach at White Sands. Of course he knew how much you wanted to stay with Marilla, and I must say I think it was real kind and thoughtful in him, that's what. Real self-sacrificing, too, for he'll have his board to pay at White Sands, and everybody knows he's got to earn his own way through college. So the trustees decided to take you. I was tickled to death when Thomas came home and told me." "I don't feel that I ought to take it," murmured Anne. "I mean--I don't think I ought to let Gilbert make such a sacrifice for--for me." "I guess you can't prevent him now. He's signed papers with the White Sands trustees. So it wouldn't do him any good now if you were to refuse. Of course you'll take the school. You'll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that's what. There's been some Pye or other going to Avonlea school for the last twenty years, and I guess their mission in life was to keep school teachers reminded that earth isn't their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go | wants to rent the farm for next year. So you won't have any bother over that. And I'm going to teach. I've applied for the school here--but I don't expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won't be quite as nice or convenient as if I had the Avonlea school. But I can board home and drive myself over to Carmody and back, in the warm weather at least. And even in winter I can come home Fridays. We'll keep a horse for that. Oh, I have it all planned out, Marilla. And I'll read to you and keep you cheered up. You sha'n't be dull or lonesome. And we'll be real cozy and happy here together, you and I." Marilla had listened like a woman in a dream. "Oh, Anne, I could get on real well if you were here, I know. But I can't let you sacrifice yourself so for me. It would be terrible." "Nonsense!" Anne laughed merrily. "There is no sacrifice. Nothing could be worse than giving up Green Gables--nothing could hurt me more. We must keep the dear old place. My mind is quite made up, Marilla. I'm _not_ going to Redmond; and I _am_ going to stay here and teach. Don't you worry about me a bit." "But your ambitions--and--" "I'm just as ambitious as ever. Only, I've changed the object of my ambitions. I'm going to be a good teacher--and I'm going to save your eyesight. Besides, I mean to study at home here and take a little college course all by myself. Oh, I've dozens of plans, Marilla. I've been thinking them out for a week. I shall give life here my best, and I believe it will give its best to me in return. When I left Queen's my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don't know what lies around the bend, but I'm going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes--what there is of green glory and soft, checkered light and shadows--what new landscapes--what new beauties--what curves and hills and valleys further on." "I don't feel as if I ought to let you give it up," said Marilla, referring to the scholarship. "But you can't prevent me. I'm sixteen and a half," ?obstinate as a mule,' "as Mrs. Lynde once told me," laughed Anne. "Oh, Marilla, don't you go pitying me. I don't like to be pitied, and there is no need for it. I'm heart glad over the very thought of staying at dear Green Gables. Nobody could love it as you and I do--so we must keep it." "You blessed girl!" said Marilla, yielding. "I feel as if you'd given me new life. I guess I ought to stick out and make you go to college--but I know I can't, so I ain't going to try. I'll make it up to you though, Anne." When it became noised abroad in Avonlea that Anne Shirley had given up the idea of going to college and intended to stay home and teach there was a good deal of discussion over it. Most of the good folks, not knowing about Marilla's eyes, thought she was foolish. Mrs. Allan did not. She told Anne so in approving words that brought tears of pleasure to the girl's eyes. Neither did good Mrs. Lynde. She came up one evening and found Anne and Marilla sitting at the front door in the warm, scented summer dusk. They liked to sit there when the twilight came down and the white moths flew about in the garden and the odor of mint filled the dewy air. Mrs. Rachel deposited her substantial person upon the stone bench by the door, behind which grew a row of tall pink and yellow hollyhocks, with a long breath of mingled weariness and relief. "I declare I'm getting glad to sit down. I've been on my feet all day, and two hundred pounds is a good bit for two feet to carry round. It's a great blessing not to be fat, Marilla. I hope you appreciate it. Well, Anne, I hear you've given up your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense."<|quote|>"But I'm going to study Latin and Greek just the same, Mrs. Lynde,"</|quote|>said Anne laughing. "I'm going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you'll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I'm not going to overdo things. As ?Josiah Allen's wife,' says, I shall be ?mejum'. But I'll have lots of spare time in the long winter evenings, and I've no vocation for fancy work. I'm going to teach over at Carmody, you know." "I don't know it. I guess you're going to teach right here in Avonlea. The trustees have decided to give you the school." "Mrs. Lynde!" cried Anne, springing to her feet in her surprise. "Why, I thought they had promised it to Gilbert Blythe!" "So they did. But as soon as Gilbert heard that you had applied for it he went to them--they had a business meeting at the school last night, you know--and told them that he withdrew his application, and suggested that they accept yours. He said he was going to teach at White Sands. Of course he knew how much you wanted to stay with Marilla, and I must say I think it was real kind and thoughtful in him, that's what. Real self-sacrificing, too, for he'll have his board to pay at White Sands, and everybody knows he's got to earn his own way through college. So the trustees decided to take you. I was tickled to death when Thomas came home and told me." "I don't feel that I ought to take it," murmured Anne. "I mean--I don't think I ought to let Gilbert make such a sacrifice for--for me." "I guess you can't prevent him now. He's signed papers with the White Sands trustees. So it wouldn't do him any good now if you were to refuse. Of course you'll take the school. You'll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that's what. There's been some Pye or other going to Avonlea school for the last twenty years, and I guess their mission in life was to keep school teachers reminded that earth isn't their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go over," laughed Anne. "You know we keep up the old custom. Excuse me while I run over and see what she wants." Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. "There's a good deal of the child about her yet in some ways." "There's a good deal more of the woman about her in others," retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured, "you are very lovely, and I am glad to be alive in you." Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was | It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes--what there is of green glory and soft, checkered light and shadows--what new landscapes--what new beauties--what curves and hills and valleys further on." "I don't feel as if I ought to let you give it up," said Marilla, referring to the scholarship. "But you can't prevent me. I'm sixteen and a half," ?obstinate as a mule,' "as Mrs. Lynde once told me," laughed Anne. "Oh, Marilla, don't you go pitying me. I don't like to be pitied, and there is no need for it. I'm heart glad over the very thought of staying at dear Green Gables. Nobody could love it as you and I do--so we must keep it." "You blessed girl!" said Marilla, yielding. "I feel as if you'd given me new life. I guess I ought to stick out and make you go to college--but I know I can't, so I ain't going to try. I'll make it up to you though, Anne." When it became noised abroad in Avonlea that Anne Shirley had given up the idea of going to college and intended to stay home and teach there was a good deal of discussion over it. Most of the good folks, not knowing about Marilla's eyes, thought she was foolish. Mrs. Allan did not. She told Anne so in approving words that brought tears of pleasure to the girl's eyes. Neither did good Mrs. Lynde. She came up one evening and found Anne and Marilla sitting at the front door in the warm, scented summer dusk. They liked to sit there when the twilight came down and the white moths flew about in the garden and the odor of mint filled the dewy air. Mrs. Rachel deposited her substantial person upon the stone bench by the door, behind which grew a row of tall pink and yellow hollyhocks, with a long breath of mingled weariness and relief. "I declare I'm getting glad to sit down. I've been on my feet all day, and two hundred pounds is a good bit for two feet to carry round. It's a great blessing not to be fat, Marilla. I hope you appreciate it. Well, Anne, I hear you've given up your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense."<|quote|>"But I'm going to study Latin and Greek just the same, Mrs. Lynde,"</|quote|>said Anne laughing. "I'm going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you'll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I'm not going to overdo things. As ?Josiah Allen's wife,' says, I shall be ?mejum'. But I'll have lots of spare time in the long winter evenings, and I've no vocation for fancy work. I'm going to teach over at Carmody, you know." "I don't know it. I guess you're going to teach right here in Avonlea. The trustees have decided to give you the school." "Mrs. Lynde!" cried Anne, springing to her feet in her surprise. "Why, I thought they had promised it to Gilbert Blythe!" "So they did. But as soon as Gilbert heard that you had applied for it he went to them--they had a business meeting at the school last night, you know--and told them that he withdrew his application, and suggested that they accept yours. He said he was going to teach at White Sands. Of course he knew how much you wanted to stay with Marilla, and I must say I think it was real kind and thoughtful in him, that's what. Real self-sacrificing, too, for he'll have his board to pay at White Sands, and everybody knows he's got to earn his own way through college. So the trustees decided to take you. I was tickled to death when Thomas came home and told me." "I don't feel that I ought to take it," murmured Anne. "I mean--I don't think I ought to let Gilbert make such a sacrifice for--for me." "I guess you can't prevent him now. He's signed papers with the White Sands trustees. So it wouldn't do him any good now if you were to refuse. Of course you'll take the school. You'll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that's what. | Anne Of Green Gables | your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense."<|quote|>"But I'm going to study Latin and Greek just the same, Mrs. Lynde,"</|quote|>said Anne laughing. "I'm going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you'll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I'm not going | {
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"content": "your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense.\"<|quote|>\"But I'm going to study Latin and Greek just the same, Mrs. Lynde,\"</|quote|>said Anne laughing. \"I'm going to take my Arts course right here at Green Gables, and study everything that I would at college.\" Mrs. Lynde lifted her hands in holy horror. \"Anne Shirley, you'll kill yourself.\" \"Not a bit of it. I shall thrive on it. Oh, I'm not going",
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"And our bags of grub, too, Albert." | Paul | business, a real good living.<|quote|>"And our bags of grub, too, Albert."</|quote|>We grow melancholy. We might | have turned into a regular business, a real good living.<|quote|>"And our bags of grub, too, Albert."</|quote|>We grow melancholy. We might have made some use of | the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living.<|quote|>"And our bags of grub, too, Albert."</|quote|>We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast | bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living.<|quote|>"And our bags of grub, too, Albert."</|quote|>We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. | "Done." We cannot get a minute's sleep all night. Seven fellows die in our ward. One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living.<|quote|>"And our bags of grub, too, Albert."</|quote|>We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get | Now I see that he is tormenting me, he is merely raking about in the wound and looking up surreptitiously at me over his glasses. My hands squeeze around the grips, I'll kick the bucket before he will get a squeak out of me. He has fished out a piece of shell and tosses it to me. Apparently he is pleased at my self-control, for he seems to be more considerate of me now and says: "To-morrow you'll be off home." Then I am put in plaster. When I am back again with Kropp I tell him that apparently a hospital train comes in to-morrow morning. "We must work the army medical sergeant-major so that we can keep together, Albert." I manage to slip the sergeant-major two of my cigars with belly-bands, and then tip the word to him. He smells the cigars and says: "Have you got any more of them?" "Another good handful," I say, "and my comrade," I point to Kropp, "he has some as well. We might possibly be glad to hand them to you out of the window of the hospital train in the morning." He understands, of course, smells them once again and says: "Done." We cannot get a minute's sleep all night. Seven fellows die in our ward. One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living.<|quote|>"And our bags of grub, too, Albert."</|quote|>We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the | to get this far. Fear alone made it possible; we would have run even if our feet had been shot off;--we would have run on the stumps. I can still crawl a little. I call out to a passing ambulance wagon which picks us up. It is full of wounded. There is an army medical lance-corporal with it who sticks an anti-tetanus needle into our chests. At the dressing station we arrange matters so that we lie side by side. They give us a thin soup which we spoon down greedily and scornfully, because we are accustomed to better times but are hungry all the same. "Now for home, Albert," I say. "Let's hope so," he replies, "I only wish I knew what I've got." The pain increases. The bandages burn like fire. We drink and drink, one glass of water after another. "How far above the knee am I hit?" asks Kropp. "At least four inches, Albert," I answer. Actually it is perhaps one. "I've made up my mind," he says after a while, "if they take off my leg, I'll put an end to it. I won't go through life as a cripple." So we lie there with our thoughts and wait. * * In the evening we are hauled on to the chopping-block. I am frightened and think quickly what I ought to do; for everyone knows that the surgeons in the dressing stations amputate on the slightest provocation. Under the great pressure of business that is much simpler than complicated patching. I think of Kemmerich. Whatever happens I will not let them chloroform me, even if I have to crack a couple of their skulls. It is all right. The surgeon pokes around in the wound and a blackness comes before my eyes. "Don't carry on so," he says gruffly, and hacks away. The instruments gleam in the bright light like malevolent animals. The pain is insufferable. Two orderlies hold my arms fast, but I break loose with one of them and try to crash into the surgeon's spectacles just as he notices and springs back. "Chloroform the scoundrel," he roars madly. Then I become quiet. "Pardon me, Herr Doctor, I will keep still, but do not chloroform me." "Well now," he cackles and takes up his instrument again. He is a fair fellow, not more than thirty years old, with scars and disgusting gold spectacles. Now I see that he is tormenting me, he is merely raking about in the wound and looking up surreptitiously at me over his glasses. My hands squeeze around the grips, I'll kick the bucket before he will get a squeak out of me. He has fished out a piece of shell and tosses it to me. Apparently he is pleased at my self-control, for he seems to be more considerate of me now and says: "To-morrow you'll be off home." Then I am put in plaster. When I am back again with Kropp I tell him that apparently a hospital train comes in to-morrow morning. "We must work the army medical sergeant-major so that we can keep together, Albert." I manage to slip the sergeant-major two of my cigars with belly-bands, and then tip the word to him. He smells the cigars and says: "Have you got any more of them?" "Another good handful," I say, "and my comrade," I point to Kropp, "he has some as well. We might possibly be glad to hand them to you out of the window of the hospital train in the morning." He understands, of course, smells them once again and says: "Done." We cannot get a minute's sleep all night. Seven fellows die in our ward. One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living.<|quote|>"And our bags of grub, too, Albert."</|quote|>We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. | surreptitiously at me over his glasses. My hands squeeze around the grips, I'll kick the bucket before he will get a squeak out of me. He has fished out a piece of shell and tosses it to me. Apparently he is pleased at my self-control, for he seems to be more considerate of me now and says: "To-morrow you'll be off home." Then I am put in plaster. When I am back again with Kropp I tell him that apparently a hospital train comes in to-morrow morning. "We must work the army medical sergeant-major so that we can keep together, Albert." I manage to slip the sergeant-major two of my cigars with belly-bands, and then tip the word to him. He smells the cigars and says: "Have you got any more of them?" "Another good handful," I say, "and my comrade," I point to Kropp, "he has some as well. We might possibly be glad to hand them to you out of the window of the hospital train in the morning." He understands, of course, smells them once again and says: "Done." We cannot get a minute's sleep all night. Seven fellows die in our ward. One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living.<|quote|>"And our bags of grub, too, Albert."</|quote|>We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we | All Quiet on the Western Front | the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living.<|quote|>"And our bags of grub, too, Albert."</|quote|>We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast | {
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"content": "the club chairs,\" he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living.<|quote|>\"And our bags of grub, too, Albert.\"</|quote|>We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast",
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shouted Ben. | No speaker | him, Miss. Use your whip,"<|quote|>shouted Ben.</|quote|>"The boy's down." She hit | bus. "Take a hold of him, Miss. Use your whip,"<|quote|>shouted Ben.</|quote|>"The boy's down." She hit him and the horse collected | what was natural to him and shied sideways, cannoning violently into the pony at his side. John was knocked from the saddle and fell on the road while Miss Ripon's bay, rearing and skidding, continued to plunge away from the bus. "Take a hold of him, Miss. Use your whip,"<|quote|>shouted Ben.</|quote|>"The boy's down." She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. * | seemed as though he would get by. The passengers watched with amusement. At that moment the motor bicycle, running gently in neutral gear, fired back into the cylinder with a sharp detonation. For a second Miss Ripon's horse stood rigid with alarm; then, menaced in front and behind, he did what was natural to him and shied sideways, cannoning violently into the pony at his side. John was knocked from the saddle and fell on the road while Miss Ripon's bay, rearing and skidding, continued to plunge away from the bus. "Take a hold of him, Miss. Use your whip,"<|quote|>shouted Ben.</|quote|>"The boy's down." She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. * * * * * It was nearly an hour before the news reached Jock and Mrs Rattery where they were waiting beside another blank covert. Colonel Inch stopped hunting for the day and sent the hounds back to the kennels. The voices were hushed which, five minutes before, had been | slowed down still further and drew into the side. Mr Tendril's niece, who had also despaired of the day's sport, was following behind them at a short distance on her motor bicycle; she too slowed down, and, observing that Miss Ripon's horse was likely to be difficult, stopped. Ben said, "Let me go first, Miss. He'll follow. Don't hold too hard on his mouth and just give him a tap." Miss Ripon did as she was told; everyone in fact behaved with complete good sense. They drew abreast of the omnibus. Miss Ripon's horse did not like it, but it seemed as though he would get by. The passengers watched with amusement. At that moment the motor bicycle, running gently in neutral gear, fired back into the cylinder with a sharp detonation. For a second Miss Ripon's horse stood rigid with alarm; then, menaced in front and behind, he did what was natural to him and shied sideways, cannoning violently into the pony at his side. John was knocked from the saddle and fell on the road while Miss Ripon's bay, rearing and skidding, continued to plunge away from the bus. "Take a hold of him, Miss. Use your whip,"<|quote|>shouted Ben.</|quote|>"The boy's down." She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. * * * * * It was nearly an hour before the news reached Jock and Mrs Rattery where they were waiting beside another blank covert. Colonel Inch stopped hunting for the day and sent the hounds back to the kennels. The voices were hushed which, five minutes before, had been proclaiming that they knew it for a fact, Last had given orders to shoot every fox on the place. Later, after their baths, they made up for it in criticism of Miss Ripon's father, but at the moment everyone was shocked and silent. Someone lent Jock and Mrs Rattery a car to get home in, and a groom to see to the hirelings. "It's the most appalling thing," said Jock in the borrowed car. "What on earth are we going to say to Tony?" "I'm the last person to have about on an occasion like this," said Mrs Rattery. They | Ripon's hat and back were covered with mud and moss. She had had a bad twenty minutes after her disappearance. "I'm taking him away," she said. "I can't do anything with him this morning." She jogged along beside them towards the village. "I thought perhaps Mr Last would let me come up to the house and telephone for the car. I don't feel like hacking him home in his present state. I can't think what's come over him," she added loyally. "He was out on Saturday. I've never known him like this before." "He wants a man up," said Ben. "Oh, he's no better with the groom, and daddy won't go near him," said Miss Ripon, stung to indiscretion. "At least... I mean... I don't think that they'd be any better with him in this state." He was quiet enough at that moment, keeping pace with the other horses. They rode abreast, she on the outside with John's pony between her and Ben. Then this happened: they reached a turn in the road and came face to face with one of the single-decker country buses that covered that neighbourhood. It was not going fast and, seeing the horses, the driver slowed down still further and drew into the side. Mr Tendril's niece, who had also despaired of the day's sport, was following behind them at a short distance on her motor bicycle; she too slowed down, and, observing that Miss Ripon's horse was likely to be difficult, stopped. Ben said, "Let me go first, Miss. He'll follow. Don't hold too hard on his mouth and just give him a tap." Miss Ripon did as she was told; everyone in fact behaved with complete good sense. They drew abreast of the omnibus. Miss Ripon's horse did not like it, but it seemed as though he would get by. The passengers watched with amusement. At that moment the motor bicycle, running gently in neutral gear, fired back into the cylinder with a sharp detonation. For a second Miss Ripon's horse stood rigid with alarm; then, menaced in front and behind, he did what was natural to him and shied sideways, cannoning violently into the pony at his side. John was knocked from the saddle and fell on the road while Miss Ripon's bay, rearing and skidding, continued to plunge away from the bus. "Take a hold of him, Miss. Use your whip,"<|quote|>shouted Ben.</|quote|>"The boy's down." She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. * * * * * It was nearly an hour before the news reached Jock and Mrs Rattery where they were waiting beside another blank covert. Colonel Inch stopped hunting for the day and sent the hounds back to the kennels. The voices were hushed which, five minutes before, had been proclaiming that they knew it for a fact, Last had given orders to shoot every fox on the place. Later, after their baths, they made up for it in criticism of Miss Ripon's father, but at the moment everyone was shocked and silent. Someone lent Jock and Mrs Rattery a car to get home in, and a groom to see to the hirelings. "It's the most appalling thing," said Jock in the borrowed car. "What on earth are we going to say to Tony?" "I'm the last person to have about on an occasion like this," said Mrs Rattery. They passed the scene of the accident; there were still people hanging about, talking. There were people hanging about, talking in the hall at the house. The doctor was buttoning up his coat, just going. "Killed instantly," he said. "Took it full on the base of the skull. Very sad, awfully fond of the kid. No one to blame, though." Nanny was there in tears, also Mr Tendril and his niece; a policeman and Ben and two men who had helped bring up the body were in the servants' hall. "It wasn't the kid's fault," said Ben. "It wasn't anyone's fault," they said. "He'd had a lousy day, too, poor little bastard," said Ben. "If it was anyone's fault it was Mr Grant-Menzies making him go in." "It wasn't anyone's fault," they said. * * * * * Tony was alone in the library. The first thing he said, when Jock came in, was, "We've got to tell Brenda." "D'you know where to get her?" "She's probably at that school... But we can't tell her over the telephone... Anyway, Ambrose has tried there and the flat but he can't get through... What on earth are we going to say to her?" | sweating and lathered at the bridle but temporarily at rest, cropping the tufts of sedge that lay round the woods. Miss Ripon was much out of breath, and her hands shook as she fiddled with veil, bun and bowler. John rode up to Jock's side. "What's happening, Mr Grant-Menzies?" "Hounds are drawing the covert." "Oh." "Are you enjoying yourself?" "Oh, yes. Thunderclap's terribly fresh. I've never known her like this." There was a long wait as the horn sounded in the heart of the wood. Everyone stood in the corner of the big field, near a gate. Everyone, that is to say, except Miss Ripon, who some minutes ago had disappeared suddenly, indeed in the middle of a sentence, at full gallop towards Hetton Hills. After half an hour Jock said, "They're calling hounds off." "Does that mean it's a blank?" "I'm afraid so." "I hate this happening in _our_ woods," said Ben. "Looks bad." Indeed the Pigstanton were already beginning to forget their hospitality and to ask each other what did one expect when Last did not hunt himself, and to circulate dark reports of how one of the keepers had been observed last week burying Something late in the evening. They moved off again, away from Hetton. Ben began to feel his responsibility. "D'you think I ought to take the young gentleman home, sir?" "What did Mr Last say?" "He said he could go as far as the covert. He didn't say which, sir." "I'm afraid it sounds as if he ought to go." "_Oh, Mr Menzies!_" "Yes, come along, Master John. You've had enough for to-day." "But I haven't had _any_." "If you come back in good time to-day your dad will be all the more willing to let you come out another day." "But there mayn't _be_ another day. The world may come to an end. _Please_, Ben. _Please_, Mr Menzies." "It is a shame they shouldn't have found," said Ben. "He's been looking forward to it." "Still, I think Mr Last would want him to go back," said Jock. So John's fate was decided; hounds went in one direction, he and Ben in another. John was very near tears as they reached the main road. "Look," said Ben, to encourage him. "Here comes Miss Ripon on that nappy bay. Seems as if she's going in, too. Had a fall by the looks of her." Miss Ripon's hat and back were covered with mud and moss. She had had a bad twenty minutes after her disappearance. "I'm taking him away," she said. "I can't do anything with him this morning." She jogged along beside them towards the village. "I thought perhaps Mr Last would let me come up to the house and telephone for the car. I don't feel like hacking him home in his present state. I can't think what's come over him," she added loyally. "He was out on Saturday. I've never known him like this before." "He wants a man up," said Ben. "Oh, he's no better with the groom, and daddy won't go near him," said Miss Ripon, stung to indiscretion. "At least... I mean... I don't think that they'd be any better with him in this state." He was quiet enough at that moment, keeping pace with the other horses. They rode abreast, she on the outside with John's pony between her and Ben. Then this happened: they reached a turn in the road and came face to face with one of the single-decker country buses that covered that neighbourhood. It was not going fast and, seeing the horses, the driver slowed down still further and drew into the side. Mr Tendril's niece, who had also despaired of the day's sport, was following behind them at a short distance on her motor bicycle; she too slowed down, and, observing that Miss Ripon's horse was likely to be difficult, stopped. Ben said, "Let me go first, Miss. He'll follow. Don't hold too hard on his mouth and just give him a tap." Miss Ripon did as she was told; everyone in fact behaved with complete good sense. They drew abreast of the omnibus. Miss Ripon's horse did not like it, but it seemed as though he would get by. The passengers watched with amusement. At that moment the motor bicycle, running gently in neutral gear, fired back into the cylinder with a sharp detonation. For a second Miss Ripon's horse stood rigid with alarm; then, menaced in front and behind, he did what was natural to him and shied sideways, cannoning violently into the pony at his side. John was knocked from the saddle and fell on the road while Miss Ripon's bay, rearing and skidding, continued to plunge away from the bus. "Take a hold of him, Miss. Use your whip,"<|quote|>shouted Ben.</|quote|>"The boy's down." She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. * * * * * It was nearly an hour before the news reached Jock and Mrs Rattery where they were waiting beside another blank covert. Colonel Inch stopped hunting for the day and sent the hounds back to the kennels. The voices were hushed which, five minutes before, had been proclaiming that they knew it for a fact, Last had given orders to shoot every fox on the place. Later, after their baths, they made up for it in criticism of Miss Ripon's father, but at the moment everyone was shocked and silent. Someone lent Jock and Mrs Rattery a car to get home in, and a groom to see to the hirelings. "It's the most appalling thing," said Jock in the borrowed car. "What on earth are we going to say to Tony?" "I'm the last person to have about on an occasion like this," said Mrs Rattery. They passed the scene of the accident; there were still people hanging about, talking. There were people hanging about, talking in the hall at the house. The doctor was buttoning up his coat, just going. "Killed instantly," he said. "Took it full on the base of the skull. Very sad, awfully fond of the kid. No one to blame, though." Nanny was there in tears, also Mr Tendril and his niece; a policeman and Ben and two men who had helped bring up the body were in the servants' hall. "It wasn't the kid's fault," said Ben. "It wasn't anyone's fault," they said. "He'd had a lousy day, too, poor little bastard," said Ben. "If it was anyone's fault it was Mr Grant-Menzies making him go in." "It wasn't anyone's fault," they said. * * * * * Tony was alone in the library. The first thing he said, when Jock came in, was, "We've got to tell Brenda." "D'you know where to get her?" "She's probably at that school... But we can't tell her over the telephone... Anyway, Ambrose has tried there and the flat but he can't get through... What on earth are we going to say to her?" Jock was silent. He stood in the fireplace with his hands in the pockets of his breeches, with his back to Tony. Presently Tony said, "You weren't anywhere near, were you?" "No, we'd gone on to another covert." "That niece of Mr Tendril's told me first... then we met them coming up, and Ben told me all that happened... It's awful for the girl." "Miss Ripon?" "Yes, she's just left... she had a nasty fall too, just after. Her horse slipped up in the village... she was in a terrible state, poor child, what with that and... John. She didn't know she'd hurt him until quite a time afterwards... she was in the chemist's shop having a bandage put on her head, when they told her. She cut it falling. She was in a terrible state. I sent her back in the car... it wasn't her fault." "No, it wasn't anybody's fault. It just happened." "That's it," said Tony. "It just happened... how are we going to tell Brenda?" "One of us will have to go up." "Yes... I think I shall have to stay here. I don't know why really, but there will be things to see to. It's an awful thing to ask anyone to do..." "I'll go," said Jock. "There'll be things to see to there... there's got to be an inquest the doctor says. It's purely formal, of course, but it will be ghastly for that Ripon girl. She'll have to give evidence... she was in a terrible state. I hope I was all right to her. They'd just brought John in and I was rather muddled. She looked awful. I believe her father's bloody to her... I wish Brenda had been here. She's so good with everyone. I get in a muddle." The two men stood in silence. Tony said, "Can you really face going up and seeing Brenda?" "Yes, I'll go," said Jock. Presently Mrs Rattery came in. "Colonel Inch has been here," she said. "I talked to him. He wanted to give you his sympathy." "Is he still here?" "No, I told him you'd probably prefer to be left alone. He thought you'd be glad to hear he stopped the hunt." "Nice of him to come... Were you having a good day?" "No." "I'm sorry. We saw a fox in Bruton Wood last week. John and I... Jock's going up to London to | mud and moss. She had had a bad twenty minutes after her disappearance. "I'm taking him away," she said. "I can't do anything with him this morning." She jogged along beside them towards the village. "I thought perhaps Mr Last would let me come up to the house and telephone for the car. I don't feel like hacking him home in his present state. I can't think what's come over him," she added loyally. "He was out on Saturday. I've never known him like this before." "He wants a man up," said Ben. "Oh, he's no better with the groom, and daddy won't go near him," said Miss Ripon, stung to indiscretion. "At least... I mean... I don't think that they'd be any better with him in this state." He was quiet enough at that moment, keeping pace with the other horses. They rode abreast, she on the outside with John's pony between her and Ben. Then this happened: they reached a turn in the road and came face to face with one of the single-decker country buses that covered that neighbourhood. It was not going fast and, seeing the horses, the driver slowed down still further and drew into the side. Mr Tendril's niece, who had also despaired of the day's sport, was following behind them at a short distance on her motor bicycle; she too slowed down, and, observing that Miss Ripon's horse was likely to be difficult, stopped. Ben said, "Let me go first, Miss. He'll follow. Don't hold too hard on his mouth and just give him a tap." Miss Ripon did as she was told; everyone in fact behaved with complete good sense. They drew abreast of the omnibus. Miss Ripon's horse did not like it, but it seemed as though he would get by. The passengers watched with amusement. At that moment the motor bicycle, running gently in neutral gear, fired back into the cylinder with a sharp detonation. For a second Miss Ripon's horse stood rigid with alarm; then, menaced in front and behind, he did what was natural to him and shied sideways, cannoning violently into the pony at his side. John was knocked from the saddle and fell on the road while Miss Ripon's bay, rearing and skidding, continued to plunge away from the bus. "Take a hold of him, Miss. Use your whip,"<|quote|>shouted Ben.</|quote|>"The boy's down." She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. * * * * * It was nearly an hour before the news reached Jock and Mrs Rattery where they were waiting beside another blank covert. Colonel Inch stopped hunting for the day and sent the hounds back to the kennels. The voices were hushed which, five minutes before, had been proclaiming that they knew it for a fact, Last had given orders to shoot every fox on the place. Later, after their baths, they made up for it in criticism of Miss Ripon's father, but at the moment everyone was shocked and silent. Someone lent Jock and Mrs Rattery a car to get home in, and a groom to see to the hirelings. "It's the most appalling thing," said Jock in the borrowed car. "What on earth are we going to say to Tony?" "I'm the last person to have about on an occasion like this," said Mrs Rattery. They | A Handful Of Dust | what was natural to him and shied sideways, cannoning violently into the pony at his side. John was knocked from the saddle and fell on the road while Miss Ripon's bay, rearing and skidding, continued to plunge away from the bus. "Take a hold of him, Miss. Use your whip,"<|quote|>shouted Ben.</|quote|>"The boy's down." She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. * | {
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"content": "what was natural to him and shied sideways, cannoning violently into the pony at his side. John was knocked from the saddle and fell on the road while Miss Ripon's bay, rearing and skidding, continued to plunge away from the bus. \"Take a hold of him, Miss. Use your whip,\"<|quote|>shouted Ben.</|quote|>\"The boy's down.\" She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. *",
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"You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there." | Anne Shirley | she rose to her feet.<|quote|>"You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there."</|quote|>"Laws, yes, run along, child. | drew a long breath as she rose to her feet.<|quote|>"You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there."</|quote|>"Laws, yes, run along, child. And you can pick a | hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet.<|quote|>"You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there."</|quote|>"Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier | "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet.<|quote|>"You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there."</|quote|>"Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry | every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet.<|quote|>"You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there."</|quote|>"Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself--a little too--well, too kind of forcible, you know; but she'll likely get over that now that she's come to live among civilized folks. And then, her temper's pretty quick, I guess; but there's one comfort, a child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful. Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of | Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet.<|quote|>"You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there."</|quote|>"Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself--a little too--well, too kind of forcible, you know; but she'll likely get over that now that she's come to live among civilized folks. And then, her temper's pretty quick, I guess; but there's one comfort, a child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful. Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of the fragrant twilight of the orchard with a sheaf of white narcissi in her hands. "I apologized pretty well, didn't I?" she said proudly as they went down the lane. "I thought since I had to do it I might as well do it thoroughly." "You did it thoroughly, all right enough," was Marilla's comment. Marilla was dismayed at finding herself inclined to laugh over the recollection. She had also an uneasy feeling that she ought to scold Anne for apologizing so well; but then, that was ridiculous! She compromised with her conscience by saying severely: "I hope you won't have occasion to make many more such apologies. I hope you'll try to control your temper now, Anne." "That wouldn't be so hard if people wouldn't twit me about my looks," said Anne with a sigh. "I don't get cross about other things; but I'm _so_ tired of being twitted about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn't think so much about your looks, Anne. I'm afraid you are a very vain little girl." "How can I be vain when | you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won't drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet.<|quote|>"You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there."</|quote|>"Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself--a little too--well, too kind of forcible, you know; but she'll likely get over that now that she's come to live among civilized folks. And then, her temper's pretty quick, I guess; but there's one comfort, a child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful. Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of the fragrant twilight of the orchard with a sheaf of white narcissi in her hands. "I apologized pretty well, didn't I?" she said proudly as they went down the lane. "I thought since I had to do it I might as well do it thoroughly." "You did it thoroughly, all right enough," was Marilla's comment. Marilla was dismayed at finding herself inclined to laugh over the recollection. She had also an uneasy feeling that she ought to scold Anne for apologizing so well; but then, that was ridiculous! She compromised with her conscience by saying severely: "I hope you won't have occasion to make many more such apologies. I hope you'll try to control your temper now, Anne." "That wouldn't be so hard if people wouldn't twit me about my looks," said Anne with a sigh. "I don't get cross about other things; but I'm _so_ tired of being twitted about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn't think so much about your looks, Anne. I'm afraid you are a very vain little girl." "How can I be vain when I know I'm homely?" protested Anne. "I love pretty things; and I hate to look in the glass and see something that isn't pretty. It makes me feel so sorrowful--just as I feel when I look at any ugly thing. I pity it because it isn't beautiful." "Handsome is as handsome does," quoted Marilla. "I've had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren't these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue," said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm. "It's lovely to be going home and know it's home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard." Something warm and pleasant welled up in Marilla's heart at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you'll be a good girl you'll always be happy, Anne. And you should never find it hard to say your prayers." "Saying one's prayers isn't exactly the same thing as praying," said Anne meditatively. "But I'm going to imagine that I'm the wind that is blowing up there in those tree tops. When I get tired of the trees I'll imagine I'm gently waving down here in the ferns--and then I'll fly over to Mrs. Lynde's | the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet.<|quote|>"You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there."</|quote|>"Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself--a little too--well, too kind of forcible, you know; but she'll likely get over that now that she's come to live among civilized folks. And then, her temper's pretty quick, I guess; but there's one comfort, a child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful. Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of the fragrant twilight of the orchard with a sheaf of white narcissi in her hands. "I apologized pretty well, didn't I?" she said proudly as they went down the lane. "I thought since I had to do it I might as well do it thoroughly." "You did | Anne Of Green Gables | hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet.<|quote|>"You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there."</|quote|>"Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier | {
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"content": "hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite.\" \"Oh, Mrs. Lynde!\" Anne drew a long breath as she rose to her feet.<|quote|>\"You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there.\"</|quote|>\"Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like.\" As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. \"She's a real odd little thing. Take this chair, Marilla; it's easier",
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the mystified Marilla wanted to know. | No speaker | anyone ever hear the like?"<|quote|>the mystified Marilla wanted to know.</|quote|>"Anne Shirley, whatever is the | don't look at me." "Did anyone ever hear the like?"<|quote|>the mystified Marilla wanted to know.</|quote|>"Anne Shirley, whatever is the matter with you? What have | best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?"<|quote|>the mystified Marilla wanted to know.</|quote|>"Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle | going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?"<|quote|>the mystified Marilla wanted to know.</|quote|>"Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here | still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?"<|quote|>the mystified Marilla wanted to know.</|quote|>"Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been | it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?"<|quote|>the mystified Marilla wanted to know.</|quote|>"Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of | shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?"<|quote|>the mystified Marilla wanted to know.</|quote|>"Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but | was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?"<|quote|>the mystified Marilla wanted to know.</|quote|>"Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working | Anne Of Green Gables | best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?"<|quote|>the mystified Marilla wanted to know.</|quote|>"Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle | {
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"Oh, Marilla, looking forward to things is half the pleasure of them," | Anne Shirley | store for you through life."<|quote|>"Oh, Marilla, looking forward to things is half the pleasure of them,"</|quote|>exclaimed Anne. "You mayn't get | a great many disappointments in store for you through life."<|quote|>"Oh, Marilla, looking forward to things is half the pleasure of them,"</|quote|>exclaimed Anne. "You mayn't get the things themselves; but nothing | help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it." "You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life."<|quote|>"Oh, Marilla, looking forward to things is half the pleasure of them,"</|quote|>exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be | church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit. "Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it." "You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life."<|quote|>"Oh, Marilla, looking forward to things is half the pleasure of them,"</|quote|>exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring | even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit. "Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it." "You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life."<|quote|>"Oh, Marilla, looking forward to things is half the pleasure of them,"</|quote|>exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant | handsome and she went through great tribulations. She could faint as easy as anything. I'd love to be able to faint, wouldn't you, Marilla? It's so romantic. But I'm really very healthy for all I'm so thin. I believe I'm getting fatter, though. Don't you think I am? I look at my elbows every morning when I get up to see if any dimples are coming. Diana is having a new dress made with elbow sleeves. She is going to wear it to the picnic. Oh, I do hope it will be fine next Wednesday. I don't feel that I could endure the disappointment if anything happened to prevent me from getting to the picnic. I suppose I'd live through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit. "Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it." "You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life."<|quote|>"Oh, Marilla, looking forward to things is half the pleasure of them,"</|quote|>exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession |ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the spotless table and singing, "Nelly of the Hazel Dell" with a vigor and expression that did credit to Diana's teaching, "did you see anything of my amethyst brooch? I thought I stuck it in my pincushion when I came home | seem to be getting anywhere. But of course I'd rather be Anne of Green Gables sewing patchwork than Anne of any other place with nothing to do but play. I wish time went as quick sewing patches as it does when I'm playing with Diana, though. Oh, we do have such elegant times, Marilla. I have to furnish most of the imagination, but I'm well able to do that. Diana is simply perfect in every other way. You know that little piece of land across the brook that runs up between our farm and Mr. Barry's. It belongs to Mr. William Bell, and right in the corner there is a little ring of white birch trees--the most romantic spot, Marilla. Diana and I have our playhouse there. We call it Idlewild. Isn't that a poetical name? I assure you it took me some time to think it out. I stayed awake nearly a whole night before I invented it. Then, just as I was dropping off to sleep, it came like an inspiration. Diana was _enraptured_ when she heard it. We have got our house fixed up elegantly. You must come and see it, Marilla--won't you? We have great big stones, all covered with moss, for seats, and boards from tree to tree for shelves. And we have all our dishes on them. Of course, they're all broken but it's the easiest thing in the world to imagine that they are whole. There's a piece of a plate with a spray of red and yellow ivy on it that is especially beautiful. We keep it in the parlor and we have the fairy glass there, too. The fairy glass is as lovely as a dream. Diana found it out in the woods behind their chicken house. It's all full of rainbows--just little young rainbows that haven't grown big yet--and Diana's mother told her it was broken off a hanging lamp they once had. But it's nice to imagine the fairies lost it one night when they had a ball, so we call it the fairy glass. Matthew is going to make us a table. Oh, we have named that little round pool over in Mr. Barry's field Willowmere. I got that name out of the book Diana lent me. That was a thrilling book, Marilla. The heroine had five lovers. I'd be satisfied with one, wouldn't you? She was very handsome and she went through great tribulations. She could faint as easy as anything. I'd love to be able to faint, wouldn't you, Marilla? It's so romantic. But I'm really very healthy for all I'm so thin. I believe I'm getting fatter, though. Don't you think I am? I look at my elbows every morning when I get up to see if any dimples are coming. Diana is having a new dress made with elbow sleeves. She is going to wear it to the picnic. Oh, I do hope it will be fine next Wednesday. I don't feel that I could endure the disappointment if anything happened to prevent me from getting to the picnic. I suppose I'd live through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit. "Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it." "You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life."<|quote|>"Oh, Marilla, looking forward to things is half the pleasure of them,"</|quote|>exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession |ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the spotless table and singing, "Nelly of the Hazel Dell" with a vigor and expression that did credit to Diana's teaching, "did you see anything of my amethyst brooch? I thought I stuck it in my pincushion when I came home from church yesterday evening, but I can't find it anywhere." "I--I saw it this afternoon when you were away at the Aid Society," said Anne, a little slowly. "I was passing your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne." "I did put it back," said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." | rainbows--just little young rainbows that haven't grown big yet--and Diana's mother told her it was broken off a hanging lamp they once had. But it's nice to imagine the fairies lost it one night when they had a ball, so we call it the fairy glass. Matthew is going to make us a table. Oh, we have named that little round pool over in Mr. Barry's field Willowmere. I got that name out of the book Diana lent me. That was a thrilling book, Marilla. The heroine had five lovers. I'd be satisfied with one, wouldn't you? She was very handsome and she went through great tribulations. She could faint as easy as anything. I'd love to be able to faint, wouldn't you, Marilla? It's so romantic. But I'm really very healthy for all I'm so thin. I believe I'm getting fatter, though. Don't you think I am? I look at my elbows every morning when I get up to see if any dimples are coming. Diana is having a new dress made with elbow sleeves. She is going to wear it to the picnic. Oh, I do hope it will be fine next Wednesday. I don't feel that I could endure the disappointment if anything happened to prevent me from getting to the picnic. I suppose I'd live through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit. "Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it." "You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life."<|quote|>"Oh, Marilla, looking forward to things is half the pleasure of them,"</|quote|>exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession |ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the spotless table and singing, "Nelly of the Hazel Dell" with a vigor and expression that did credit to Diana's teaching, "did you see anything of my amethyst brooch? I thought I stuck it in my pincushion when I came home from church yesterday evening, but I can't find it anywhere." "I--I saw it this afternoon when you were away at the Aid Society," said Anne, a little slowly. "I was passing your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, | Anne Of Green Gables | help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it." "You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life."<|quote|>"Oh, Marilla, looking forward to things is half the pleasure of them,"</|quote|>exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be | {
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"content": "help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it.\" \"You set your heart too much on things, Anne,\" said Marilla, with a sigh. \"I'm afraid there'll be a great many disappointments in store for you through life.\"<|quote|>\"Oh, Marilla, looking forward to things is half the pleasure of them,\"</|quote|>exclaimed Anne. \"You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says,\" ?Blessed are they who expect nothing for they shall not be disappointed.' \"But I think it would be worse to expect nothing than to be",
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"Well," | Reggie St Cloud | you of that." "It's inconceivable."<|quote|>"Well,"</|quote|>said Reggie, puffing at his | my dear fellow. I assure you of that." "It's inconceivable."<|quote|>"Well,"</|quote|>said Reggie, puffing at his cigar, "there's more to it | said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable."<|quote|>"Well,"</|quote|>said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I | agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable."<|quote|>"Well,"</|quote|>said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to | that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable."<|quote|>"Well,"</|quote|>said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our | which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable."<|quote|>"Well,"</|quote|>said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me." "But did you know that they proposed to ask for two thousand?" "Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has | line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee." When they were settled in front of the fire in the empty smoking-room, he answered, "Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable."<|quote|>"Well,"</|quote|>said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me." "But did you know that they proposed to ask for two thousand?" "Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He hung up the receiver and went back to the smoking-room. His mind had suddenly become clearer on many points that had puzzled him. A whole Gothic world had come to grief... there was now no armour glittering through the forest glades, no embroidered feet on the green sward; the cream and dappled unicorns had fled... Reggie sat expanded in his chair. "Well?" "I got on to her. You were quite right. I'm sorry I didn't believe you. It seemed so unlikely at first." "That's all right, my dear fellow." "I've decided exactly what's going to happen." "Good." "Brenda is not going to get her divorce. The evidence I provided at Brighton isn't worth anything. There happens to have been a child there all the time. She slept both nights in the room I am supposed to have occupied. If you care to bring the case I shall defend it and win, but I think when you have seen my evidence you will drop it. I am going away for six months or so. When I come back, if she wishes it, I shall divorce Brenda without settlements of any kind. Is that clear?" "But look here, my dear fellow." "Good night. Thank you for the dinner. Good luck to the excavations." On his way out of the club he noticed that John Beaver of Bratt's Club was up for election. * * * * * "Who on earth would have expected the old boy to turn up like that?" asked Polly Cockpurse. "Now I understand why they keep going on in the papers about divorce law reform," said Veronica. "It's _too_ monstrous that he should be allowed to get away with it." "The mistake they made was in telling him first," said Souki. "It's so like Brenda to trust everyone," said Jenny Abdul Akbar. * * * * * "I do think Tony comes out of this pretty poorly," said Marjorie. "Oh, I don't know," said Allan. "I expect your ass of a brother put the thing wrong." CHAPTER V IN SEARCH OF A CITY [I] "any idea how many times round the deck make a mile?" "None, I'm afraid," said Tony. "But I should think you must | I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable."<|quote|>"Well,"</|quote|>said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me." "But did you know that they proposed to ask for two thousand?" "Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All | A Handful Of Dust | said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable."<|quote|>"Well,"</|quote|>said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I | {
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"content": "said Tony. \"You're making things extremely awkward for everyone,\" said Reggie. \"I can't understand why you are taking up this attitude.\" \"What is more, I don't believe that Brenda ever expected or wanted me to agree.\" \"Oh yes, she did, my dear fellow. I assure you of that.\" \"It's inconceivable.\"<|quote|>\"Well,\"</|quote|>said Reggie, puffing at his cigar, \"there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I",
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} | Reggie St Cloud |
They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, | No speaker | interesting." "Thank you, Mrs Beaver."<|quote|>They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said,</|quote|>"Mr Beaver? Will you please | you on to something more interesting." "Thank you, Mrs Beaver."<|quote|>They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said,</|quote|>"Mr Beaver? Will you please hold the line, sir, Mrs | walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man. "That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver."<|quote|>They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said,</|quote|>"Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful | telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man. "That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver."<|quote|>They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said,</|quote|>"Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in | prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man. "That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver."<|quote|>They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said,</|quote|>"Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and | darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man. "That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver."<|quote|>They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said,</|quote|>"Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst of bonhomie immediately after the war. It was intended for young men, to be a place where they could straddle across the fire and be jolly in the card-room without incurring scowls from older members. But now these founders were themselves passing into middle age; they were heavier, balder and redder in the face than when they had been demobilized, but their joviality persisted and it was their turn now to embarrass their successors, deploring their lack of manly and gentlemanly qualities. Six broad backs shut Beaver from the bar. He settled in one of the armchairs in the outer room and turned over the pages of the _New Yorker_, waiting until someone he knew should turn up. Jock Grant-Menzies came upstairs. The men at the bar greeted him saying, "Hullo, Jock old boy, what are you drinking?" or, more simply, "Well, old | his wedding and twenty-first birthday, ivory, brass bound, covered in pigskin, crested and gold mounted, suggestive of expensive Edwardian masculinity--racing flasks and hunting flasks, cigar cases, tobacco jars, jockeys, elaborate meerschaum pipes, buttonhooks and hat brushes. There were four servants, all female and all, save one, elderly. When anyone asked Beaver why he stayed there instead of setting up on his own, he sometimes said that he thought his mother liked having him there (in spite of her business she was lonely); sometimes that it saved him at least five pounds a week. His total income varied around six pounds a week, so this was an important saving. He was twenty-five years old. From leaving Oxford until the beginning of the slump he had worked in an advertising agency. Since then no one had been able to find anything for him to do. So he got up late and sat near his telephone most of the day, hoping to be rung up. Whenever it was possible, Mrs Beaver took an hour off in the middle of the morning. She was always at her shop punctually at nine, and by half-past eleven she needed a break. Then, if no important customer was imminent, she would get into her two-seater and drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad." "Poor mumsy." "I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man. "That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver."<|quote|>They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said,</|quote|>"Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst of bonhomie immediately after the war. It was intended for young men, to be a place where they could straddle across the fire and be jolly in the card-room without incurring scowls from older members. But now these founders were themselves passing into middle age; they were heavier, balder and redder in the face than when they had been demobilized, but their joviality persisted and it was their turn now to embarrass their successors, deploring their lack of manly and gentlemanly qualities. Six broad backs shut Beaver from the bar. He settled in one of the armchairs in the outer room and turned over the pages of the _New Yorker_, waiting until someone he knew should turn up. Jock Grant-Menzies came upstairs. The men at the bar greeted him saying, "Hullo, Jock old boy, what are you drinking?" or, more simply, "Well, old boy?" He was too young to have fought in the war but these men thought he was all right; they liked him far more than they did Beaver, who, they thought, ought never to have got into the club at all. But Jock stopped to talk to Beaver. "Well, old boy," he said. "What are you drinking?" "Nothing so far." Beaver looked at his watch. "But I think it's time I had one. Brandy and ginger ale." Jock called to the barman and then said: "Who was the old girl you wished on me at that party last night?" "She's called Mrs Tipping." "I thought she might be. That explains it. They gave me a message downstairs that someone with a name like that wanted me to lunch with her." "Are you going?" "No, I'm no good at lunch parties. Besides, I decided when I got up that I'd have oysters here." The barman came with the drinks. "Mr Beaver, sir, there's ten shillings against you in my books for last month." "Ah, thank you, Macdougal, remind me some time, will you?" "Very good, sir." Beaver said, "I'm going to Hetton to-morrow." "Are you now? Give Tony and Brenda my love." "What's the form?" "Very quiet and enjoyable." "No paper games?" "Oh, no, nothing like that. A certain amount of bridge and backgammon and low poker with the neighbours." "Comfortable?" "Not bad. Plenty to drink. Rather a shortage of bathrooms. You can stay in bed all the morning." "I've never met Brenda." "You'll like her, she's a grand girl. I often think Tony Last's one of the happiest men I know. He's got just enough money, loves the place, one son he's crazy about, devoted wife, not a worry in the world." "Most enviable. You don't know anyone else who's going, do you? I was wondering if I could get a lift down there." "I don't, I'm afraid. It's quite easy by train." "Yes, but it's more pleasant by road." "And cheaper." "Yes, and cheaper I suppose... well, I'm going down to lunch. You won't have another?" Beaver rose to go. "Yes, I think I will." "Oh, all right. Macdougal. Two more, please." Macdougal said, "Shall I book them to you, sir?" "Yes, if you will." Later, at the bar, Jock said, "I made Beaver pay for a drink." "He can't have liked that." "He nearly died of it. Know | a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man. "That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver."<|quote|>They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said,</|quote|>"Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst of bonhomie immediately after the war. It was intended for young men, to be a place where they could straddle across the fire and be jolly in the card-room without incurring scowls from older members. But now these founders were themselves passing into middle age; they were heavier, balder and redder in the face than when they had been demobilized, but their joviality persisted and it was their turn now to embarrass their successors, deploring their lack of manly and gentlemanly qualities. Six broad backs shut Beaver from the bar. He settled in one of the armchairs in the outer room and turned over the pages of the _New Yorker_, waiting until someone he knew should turn up. Jock Grant-Menzies came upstairs. The men at the bar greeted him saying, "Hullo, Jock old boy, what are you drinking?" or, more simply, "Well, old boy?" He was too young to have fought in the war but these men thought he was all right; they liked him far more than they did Beaver, who, they thought, ought never to have got into the club at all. But Jock stopped to talk to Beaver. "Well, old boy," he said. "What are you drinking?" "Nothing so far." Beaver looked at his watch. "But I think it's time I had one. Brandy and ginger ale." Jock called to the barman and then said: "Who was the old girl you wished on me at that party last night?" "She's called Mrs Tipping." "I | A Handful Of Dust | walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man. "That's the way," she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver."<|quote|>They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said,</|quote|>"Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful | {
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"content": "walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man. \"That's the way,\" she said, \"you are doing very nicely, Joyce. I'll soon get you on to something more interesting.\" \"Thank you, Mrs Beaver.\"<|quote|>They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said,</|quote|>\"Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you.\" The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful",
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} | No speaker |
"It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." | Matthew Cuthbert | to let the cows through.<|quote|>"It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."</|quote|>"If I had been the | he opened the yard gate to let the cows through.<|quote|>"It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."</|quote|>"If I had been the boy you sent for," said | walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through.<|quote|>"It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."</|quote|>"If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than | had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through.<|quote|>"It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."</|quote|>"If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as | the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through.<|quote|>"It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."</|quote|>"If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been | I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through.<|quote|>"It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."</|quote|>"If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked | have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana. "Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave." Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through.<|quote|>"It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."</|quote|>"If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes. "Oh, Marilla," she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as I have you'll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank. The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned. When the calm night came softly down over Green Gables the old house was hushed and tranquil. In the parlor lay Matthew Cuthbert in his coffin, his long gray hair framing his placid face on which there was a little kindly smile as if he but slept, dreaming pleasant dreams. There were flowers about him--sweet old-fashioned flowers which his mother had planted in the homestead garden in her bridal days and for which Matthew had always had a secret, wordless love. Anne had gathered them and brought them to him, her anguished, tearless eyes burning in her white face. It was the last thing she could do for him. The Barrys and Mrs. Lynde stayed with them that night. Diana, going to the east gable, where Anne was standing at her window, said gently: "Anne dear, would you like to have me sleep with you tonight?" "Thank you, Diana." Anne looked earnestly into her friend's face. "I think you won't misunderstand me when I say I want to be alone. I'm not afraid. I haven't been alone one minute since it happened--and I want to be. I want to be quite silent and quiet and try to realize | face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through.<|quote|>"It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."</|quote|>"If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across | Anne Of Green Gables | walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through.<|quote|>"It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."</|quote|>"If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than | {
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"content": "walked slowly with bent head; Anne, tall and erect, suited her springing step to his. \"You've been working too hard today, Matthew,\" she said reproachfully. \"Why won't you take things easier?\" \"Well now, I can't seem to,\" said Matthew, as he opened the yard gate to let the cows through.<|quote|>\"It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness.\"</|quote|>\"If I had been the boy you sent for,\" said Anne wistfully, \"I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that.\" \"Well now, I'd rather have you than",
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?sweets to the sweet.' | No speaker | I heard him to say"<|quote|>?sweets to the sweet.'</|quote|>"He got that out of | found to Prissy Andrews and I heard him to say"<|quote|>?sweets to the sweet.'</|quote|>"He got that out of a book, I know; but | old well--such a _romantic_ spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn't take a dare. Nobody would in school. It is very _fashionable_ to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say"<|quote|>?sweets to the sweet.'</|quote|>"He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers too, but I rejected them with scorn. I can't tell you the person's name because I have vowed never to let it cross my lips. We made wreaths of | miss them. Do you know what I think Mayflowers are, Marilla? I think they must be the souls of the flowers that died last summer and this is their heaven. But we had a splendid time today, Marilla. We had our lunch down in a big mossy hollow by an old well--such a _romantic_ spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn't take a dare. Nobody would in school. It is very _fashionable_ to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say"<|quote|>?sweets to the sweet.'</|quote|>"He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers too, but I rejected them with scorn. I can't tell you the person's name because I have vowed never to let it cross my lips. We made wreaths of the Mayflowers and put them on our hats; and when the time came to go home we marched in procession down the road, two by two, with our bouquets and wreaths, singing ?My Home on the Hill.' Oh, it was so thrilling, Marilla. All Mr. Silas Sloane's folks rushed out | girls and boys had one golden afternoon gathering them, coming home in the clear, echoing twilight with arms and baskets full of flowery spoil. "I'm so sorry for people who live in lands where there are no Mayflowers," said Anne. "Diana says perhaps they have something better, but there couldn't be anything better than Mayflowers, could there, Marilla? And Diana says if they don't know what they are like they don't miss them. But I think that is the saddest thing of all. I think it would be _tragic_, Marilla, not to know what Mayflowers are like and _not_ to miss them. Do you know what I think Mayflowers are, Marilla? I think they must be the souls of the flowers that died last summer and this is their heaven. But we had a splendid time today, Marilla. We had our lunch down in a big mossy hollow by an old well--such a _romantic_ spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn't take a dare. Nobody would in school. It is very _fashionable_ to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say"<|quote|>?sweets to the sweet.'</|quote|>"He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers too, but I rejected them with scorn. I can't tell you the person's name because I have vowed never to let it cross my lips. We made wreaths of the Mayflowers and put them on our hats; and when the time came to go home we marched in procession down the road, two by two, with our bouquets and wreaths, singing ?My Home on the Hill.' Oh, it was so thrilling, Marilla. All Mr. Silas Sloane's folks rushed out to see us and everybody we met on the road stopped and stared after us. We made a real sensation." "Not much wonder! Such silly doings!" was Marilla's response. After the Mayflowers came the violets, and Violet Vale was empurpled with them. Anne walked through it on her way to school with reverent steps and worshiping eyes, as if she trod on holy ground. "Somehow," she told Diana, "when I'm going through here I don't really care whether Gil--whether anybody gets ahead of me in class or not. But when I'm up in school it's all different and I care | usual, for Anne kept her in good humor. They became firm friends. When Miss Barry went away she said: "Remember, you Anne-girl, when you come to town you're to visit me and I'll put you in my very sparest spare-room bed to sleep." "Miss Barry was a kindred spirit, after all," Anne confided to Marilla. "You wouldn't think so to look at her, but she is. You don't find it right out at first, as in Matthew's case, but after a while you come to see it. Kindred spirits are not so scarce as I used to think. It's splendid to find out there are so many of them in the world." CHAPTER XX. A Good Imagination Gone Wrong SPRING had come once more to Green Gables--the beautiful capricious, reluctant Canadian spring, lingering along through April and May in a succession of sweet, fresh, chilly days, with pink sunsets and miracles of resurrection and growth. The maples in Lover's Lane were red budded and little curly ferns pushed up around the Dryad's Bubble. Away up in the barrens, behind Mr. Silas Sloane's place, the Mayflowers blossomed out, pink and white stars of sweetness under their brown leaves. All the school girls and boys had one golden afternoon gathering them, coming home in the clear, echoing twilight with arms and baskets full of flowery spoil. "I'm so sorry for people who live in lands where there are no Mayflowers," said Anne. "Diana says perhaps they have something better, but there couldn't be anything better than Mayflowers, could there, Marilla? And Diana says if they don't know what they are like they don't miss them. But I think that is the saddest thing of all. I think it would be _tragic_, Marilla, not to know what Mayflowers are like and _not_ to miss them. Do you know what I think Mayflowers are, Marilla? I think they must be the souls of the flowers that died last summer and this is their heaven. But we had a splendid time today, Marilla. We had our lunch down in a big mossy hollow by an old well--such a _romantic_ spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn't take a dare. Nobody would in school. It is very _fashionable_ to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say"<|quote|>?sweets to the sweet.'</|quote|>"He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers too, but I rejected them with scorn. I can't tell you the person's name because I have vowed never to let it cross my lips. We made wreaths of the Mayflowers and put them on our hats; and when the time came to go home we marched in procession down the road, two by two, with our bouquets and wreaths, singing ?My Home on the Hill.' Oh, it was so thrilling, Marilla. All Mr. Silas Sloane's folks rushed out to see us and everybody we met on the road stopped and stared after us. We made a real sensation." "Not much wonder! Such silly doings!" was Marilla's response. After the Mayflowers came the violets, and Violet Vale was empurpled with them. Anne walked through it on her way to school with reverent steps and worshiping eyes, as if she trod on holy ground. "Somehow," she told Diana, "when I'm going through here I don't really care whether Gil--whether anybody gets ahead of me in class or not. But when I'm up in school it's all different and I care as much as ever. There's such a lot of different Annes in me. I sometimes think that is why I'm such a troublesome person. If I was just the one Anne it would be ever so much more comfortable, but then it wouldn't be half so interesting." One June evening, when the orchards were pink blossomed again, when the frogs were singing silverly sweet in the marshes about the head of the Lake of Shining Waters, and the air was full of the savor of clover fields and balsamic fir woods, Anne was sitting by her gable window. She had been studying her lessons, but it had grown too dark to see the book, so she had fallen into wide-eyed reverie, looking out past the boughs of the Snow Queen, once more bestarred with its tufts of blossom. In all essential respects the little gable chamber was unchanged. The walls were as white, the pincushion as hard, the chairs as stiffly and yellowly upright as ever. Yet the whole character of the room was altered. It was full of a new vital, pulsing personality that seemed to pervade it and to be quite independent of schoolgirl books and dresses and | it must have been very disturbing. But then, there is our side of it too. Have you any imagination, Miss Barry? If you have, just put yourself in our place. We didn't know there was anybody in that bed and you nearly scared us to death. It was simply awful the way we felt. And then we couldn't sleep in the spare room after being promised. I suppose you are used to sleeping in spare rooms. But just imagine what you would feel like if you were a little orphan girl who had never had such an honor." All the snap had gone by this time. Miss Barry actually laughed--a sound which caused Diana, waiting in speechless anxiety in the kitchen outside, to give a great gasp of relief. "I'm afraid my imagination is a little rusty--it's so long since I used it," she said. "I dare say your claim to sympathy is just as strong as mine. It all depends on the way we look at it. Sit down here and tell me about yourself." "I am very sorry I can't," said Anne firmly. "I would like to, because you seem like an interesting lady, and you might even be a kindred spirit although you don't look very much like it. But it is my duty to go home to Miss Marilla Cuthbert. Miss Marilla Cuthbert is a very kind lady who has taken me to bring up properly. She is doing her best, but it is very discouraging work. You must not blame her because I jumped on the bed. But before I go I do wish you would tell me if you will forgive Diana and stay just as long as you meant to in Avonlea." "I think perhaps I will if you will come over and talk to me occasionally," said Miss Barry. That evening Miss Barry gave Diana a silver bangle bracelet and told the senior members of the household that she had unpacked her valise. "I've made up my mind to stay simply for the sake of getting better acquainted with that Anne-girl," she said frankly. "She amuses me, and at my time of life an amusing person is a rarity." Marilla's only comment when she heard the story was, "I told you so." This was for Matthew's benefit. Miss Barry stayed her month out and over. She was a more agreeable guest than usual, for Anne kept her in good humor. They became firm friends. When Miss Barry went away she said: "Remember, you Anne-girl, when you come to town you're to visit me and I'll put you in my very sparest spare-room bed to sleep." "Miss Barry was a kindred spirit, after all," Anne confided to Marilla. "You wouldn't think so to look at her, but she is. You don't find it right out at first, as in Matthew's case, but after a while you come to see it. Kindred spirits are not so scarce as I used to think. It's splendid to find out there are so many of them in the world." CHAPTER XX. A Good Imagination Gone Wrong SPRING had come once more to Green Gables--the beautiful capricious, reluctant Canadian spring, lingering along through April and May in a succession of sweet, fresh, chilly days, with pink sunsets and miracles of resurrection and growth. The maples in Lover's Lane were red budded and little curly ferns pushed up around the Dryad's Bubble. Away up in the barrens, behind Mr. Silas Sloane's place, the Mayflowers blossomed out, pink and white stars of sweetness under their brown leaves. All the school girls and boys had one golden afternoon gathering them, coming home in the clear, echoing twilight with arms and baskets full of flowery spoil. "I'm so sorry for people who live in lands where there are no Mayflowers," said Anne. "Diana says perhaps they have something better, but there couldn't be anything better than Mayflowers, could there, Marilla? And Diana says if they don't know what they are like they don't miss them. But I think that is the saddest thing of all. I think it would be _tragic_, Marilla, not to know what Mayflowers are like and _not_ to miss them. Do you know what I think Mayflowers are, Marilla? I think they must be the souls of the flowers that died last summer and this is their heaven. But we had a splendid time today, Marilla. We had our lunch down in a big mossy hollow by an old well--such a _romantic_ spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn't take a dare. Nobody would in school. It is very _fashionable_ to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say"<|quote|>?sweets to the sweet.'</|quote|>"He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers too, but I rejected them with scorn. I can't tell you the person's name because I have vowed never to let it cross my lips. We made wreaths of the Mayflowers and put them on our hats; and when the time came to go home we marched in procession down the road, two by two, with our bouquets and wreaths, singing ?My Home on the Hill.' Oh, it was so thrilling, Marilla. All Mr. Silas Sloane's folks rushed out to see us and everybody we met on the road stopped and stared after us. We made a real sensation." "Not much wonder! Such silly doings!" was Marilla's response. After the Mayflowers came the violets, and Violet Vale was empurpled with them. Anne walked through it on her way to school with reverent steps and worshiping eyes, as if she trod on holy ground. "Somehow," she told Diana, "when I'm going through here I don't really care whether Gil--whether anybody gets ahead of me in class or not. But when I'm up in school it's all different and I care as much as ever. There's such a lot of different Annes in me. I sometimes think that is why I'm such a troublesome person. If I was just the one Anne it would be ever so much more comfortable, but then it wouldn't be half so interesting." One June evening, when the orchards were pink blossomed again, when the frogs were singing silverly sweet in the marshes about the head of the Lake of Shining Waters, and the air was full of the savor of clover fields and balsamic fir woods, Anne was sitting by her gable window. She had been studying her lessons, but it had grown too dark to see the book, so she had fallen into wide-eyed reverie, looking out past the boughs of the Snow Queen, once more bestarred with its tufts of blossom. In all essential respects the little gable chamber was unchanged. The walls were as white, the pincushion as hard, the chairs as stiffly and yellowly upright as ever. Yet the whole character of the room was altered. It was full of a new vital, pulsing personality that seemed to pervade it and to be quite independent of schoolgirl books and dresses and ribbons, and even of the cracked blue jug full of apple blossoms on the table. It was as if all the dreams, sleeping and waking, of its vivid occupant had taken a visible although unmaterial form and had tapestried the bare room with splendid filmy tissues of rainbow and moonshine. Presently Marilla came briskly in with some of Anne's freshly ironed school aprons. She hung them over a chair and sat down with a short sigh. She had had one of her headaches that afternoon, and although the pain had gone she felt weak and "tuckered out," as she expressed it. Anne looked at her with eyes limpid with sympathy. "I do truly wish I could have had the headache in your place, Marilla. I would have endured it joyfully for your sake." "I guess you did your part in attending to the work and letting me rest," said Marilla. "You seem to have got on fairly well and made fewer mistakes than usual. Of course it wasn't exactly necessary to starch Matthew's handkerchiefs! And most people when they put a pie in the oven to warm up for dinner take it out and eat it when it gets hot instead of leaving it to be burned to a crisp. But that doesn't seem to be your way evidently." Headaches always left Marilla somewhat sarcastic. "Oh, I'm so sorry," said Anne penitently. "I never thought about that pie from the moment I put it in the oven till now, although I felt _instinctively_ that there was something missing on the dinner table. I was firmly resolved, when you left me in charge this morning, not to imagine anything, but keep my thoughts on facts. I did pretty well until I put the pie in, and then an irresistible temptation came to me to imagine I was an enchanted princess shut up in a lonely tower with a handsome knight riding to my rescue on a coal-black steed. So that is how I came to forget the pie. I didn't know I starched the handkerchiefs. All the time I was ironing I was trying to think of a name for a new island Diana and I have discovered up the brook. It's the most ravishing spot, Marilla. There are two maple trees on it and the brook flows right around it. At last it struck me that it would be splendid | she said frankly. "She amuses me, and at my time of life an amusing person is a rarity." Marilla's only comment when she heard the story was, "I told you so." This was for Matthew's benefit. Miss Barry stayed her month out and over. She was a more agreeable guest than usual, for Anne kept her in good humor. They became firm friends. When Miss Barry went away she said: "Remember, you Anne-girl, when you come to town you're to visit me and I'll put you in my very sparest spare-room bed to sleep." "Miss Barry was a kindred spirit, after all," Anne confided to Marilla. "You wouldn't think so to look at her, but she is. You don't find it right out at first, as in Matthew's case, but after a while you come to see it. Kindred spirits are not so scarce as I used to think. It's splendid to find out there are so many of them in the world." CHAPTER XX. A Good Imagination Gone Wrong SPRING had come once more to Green Gables--the beautiful capricious, reluctant Canadian spring, lingering along through April and May in a succession of sweet, fresh, chilly days, with pink sunsets and miracles of resurrection and growth. The maples in Lover's Lane were red budded and little curly ferns pushed up around the Dryad's Bubble. Away up in the barrens, behind Mr. Silas Sloane's place, the Mayflowers blossomed out, pink and white stars of sweetness under their brown leaves. All the school girls and boys had one golden afternoon gathering them, coming home in the clear, echoing twilight with arms and baskets full of flowery spoil. "I'm so sorry for people who live in lands where there are no Mayflowers," said Anne. "Diana says perhaps they have something better, but there couldn't be anything better than Mayflowers, could there, Marilla? And Diana says if they don't know what they are like they don't miss them. But I think that is the saddest thing of all. I think it would be _tragic_, Marilla, not to know what Mayflowers are like and _not_ to miss them. Do you know what I think Mayflowers are, Marilla? I think they must be the souls of the flowers that died last summer and this is their heaven. But we had a splendid time today, Marilla. We had our lunch down in a big mossy hollow by an old well--such a _romantic_ spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn't take a dare. Nobody would in school. It is very _fashionable_ to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say"<|quote|>?sweets to the sweet.'</|quote|>"He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers too, but I rejected them with scorn. I can't tell you the person's name because I have vowed never to let it cross my lips. We made wreaths of the Mayflowers and put them on our hats; and when the time came to go home we marched in procession down the road, two by two, with our bouquets and wreaths, singing ?My Home on the Hill.' Oh, it was so thrilling, Marilla. All Mr. Silas Sloane's folks rushed out to see us and everybody we met on the road stopped and stared after us. We made a real sensation." "Not much wonder! Such silly doings!" was Marilla's response. After the Mayflowers came the violets, and Violet Vale was empurpled with them. Anne walked through it on her way to school with reverent steps and worshiping eyes, as if she trod on holy ground. "Somehow," she told Diana, "when I'm going through here I don't really care whether Gil--whether anybody gets ahead of me in class or not. But when I'm up in school it's all different and I care as much as ever. There's such a lot of different Annes in me. I sometimes think that is why I'm such a troublesome person. If I was just the one Anne it would be ever so much more comfortable, but then it wouldn't be half so interesting." One June evening, when the orchards were pink blossomed again, when the frogs were singing silverly sweet in the marshes about the head of the Lake of Shining Waters, and the air was full of the savor of clover fields and balsamic fir woods, Anne was sitting by her gable window. She had been studying her lessons, but it had grown too dark to see the book, so she had fallen into wide-eyed reverie, looking out past the boughs of the Snow Queen, once more bestarred with its tufts of blossom. In all essential respects the little gable chamber was unchanged. The walls were as white, the pincushion as hard, the chairs as stiffly and yellowly upright as ever. Yet the whole character of the room was altered. It | Anne Of Green Gables | old well--such a _romantic_ spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn't take a dare. Nobody would in school. It is very _fashionable_ to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say"<|quote|>?sweets to the sweet.'</|quote|>"He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers too, but I rejected them with scorn. I can't tell you the person's name because I have vowed never to let it cross my lips. We made wreaths of | {
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"content": "old well--such a _romantic_ spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn't take a dare. Nobody would in school. It is very _fashionable_ to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say\"<|quote|>?sweets to the sweet.'</|quote|>\"He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers too, but I rejected them with scorn. I can't tell you the person's name because I have vowed never to let it cross my lips. We made wreaths of",
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"Write that down," | The King Of Hearts | Hare. "Sixteenth," added the Dormouse.<|quote|>"Write that down,"</|quote|>the King said to the | said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse.<|quote|>"Write that down,"</|quote|>the King said to the jury, and the jury eagerly | sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse.<|quote|>"Write that down,"</|quote|>the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King | trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse.<|quote|>"Write that down,"</|quote|>the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. | no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse.<|quote|>"Write that down,"</|quote|>the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave | the trial." "Stupid things!" Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, "Silence in the court!" and the King put on his spectacles and looked anxiously round, to make out who was talking. Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down "stupid things!" on their slates, and she could even make out that one of them didn't know how to spell "stupid," and that he had to ask his neighbour to tell him. "A nice muddle their slates'll be in before the trial's over!" thought Alice. One of the jurors had a pencil that squeaked. This of course, Alice could _not_ stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse.<|quote|>"Write that down,"</|quote|>the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and | Gryphon only answered "Come on!" and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:-- "Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" CHAPTER XI. Who Stole the Tarts? The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them--" "I wish they'd get the trial done," she thought, "and hand round the refreshments!" But there seemed to be no chance of this, so she began looking at everything about her, to pass away the time. Alice had never been in a court of justice before, but she had read about them in books, and she was quite pleased to find that she knew the name of nearly everything there. "That's the judge," she said to herself, "because of his great wig." The judge, by the way, was the King; and as he wore his crown over the wig, (look at the frontispiece if you want to see how he did it,) he did not look at all comfortable, and it was certainly not becoming. "And that's the jury-box," thought Alice, "and those twelve creatures," (she was obliged to say "creatures," you see, because some of them were animals, and some were birds,) "I suppose they are the jurors." She said this last word two or three times over to herself, being rather proud of it: for she thought, and rightly too, that very few little girls of her age knew the meaning of it at all. However, "jury-men" would have done just as well. The twelve jurors were all writing very busily on slates. "What are they doing?" Alice whispered to the Gryphon. "They can't have anything to put down yet, before the trial's begun." "They're putting down their names," the Gryphon whispered in reply, "for fear they should forget them before the end of the trial." "Stupid things!" Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, "Silence in the court!" and the King put on his spectacles and looked anxiously round, to make out who was talking. Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down "stupid things!" on their slates, and she could even make out that one of them didn't know how to spell "stupid," and that he had to ask his neighbour to tell him. "A nice muddle their slates'll be in before the trial's over!" thought Alice. One of the jurors had a pencil that squeaked. This of course, Alice could _not_ stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse.<|quote|>"Write that down,"</|quote|>the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put | on slates. "What are they doing?" Alice whispered to the Gryphon. "They can't have anything to put down yet, before the trial's begun." "They're putting down their names," the Gryphon whispered in reply, "for fear they should forget them before the end of the trial." "Stupid things!" Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, "Silence in the court!" and the King put on his spectacles and looked anxiously round, to make out who was talking. Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down "stupid things!" on their slates, and she could even make out that one of them didn't know how to spell "stupid," and that he had to ask his neighbour to tell him. "A nice muddle their slates'll be in before the trial's over!" thought Alice. One of the jurors had a pencil that squeaked. This of course, Alice could _not_ stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse.<|quote|>"Write that down,"</|quote|>the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes | Alices Adventures In Wonderland | sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse.<|quote|>"Write that down,"</|quote|>the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King | {
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"content": "sent for.\" \"You ought to have finished,\" said the King. \"When did you begin?\" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. \"Fourteenth of March, I _think_ it was,\" he said. \"Fifteenth,\" said the March Hare. \"Sixteenth,\" added the Dormouse.<|quote|>\"Write that down,\"</|quote|>the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. \"Take off your hat,\" the King said to the Hatter. \"It isn't mine,\" said the Hatter. \"_Stolen!_\" the King",
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she exclaimed passionately. | No speaker | tears. "You mean, hateful boy!"<|quote|>she exclaimed passionately.</|quote|>"How dare you!" And then--thwack! | swiftly quenched in equally angry tears. "You mean, hateful boy!"<|quote|>she exclaimed passionately.</|quote|>"How dare you!" And then--thwack! Anne had brought her slate | "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!"<|quote|>she exclaimed passionately.</|quote|>"How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to | red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper: "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!"<|quote|>she exclaimed passionately.</|quote|>"How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much | look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper: "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!"<|quote|>she exclaimed passionately.</|quote|>"How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school that she had been called "carrots." Gilbert it was who spoke up stoutly. "It was my fault Mr. Phillips. I teased her." Mr. Phillips paid no heed to Gilbert. "I am sorry to see a pupil of mine displaying such a temper and such a vindictive spirit," he said in a solemn tone, as if the mere fact of being a pupil of his ought to root out all evil passions from the hearts of small imperfect mortals. "Anne, go and stand on the platform in front | back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome," confided Anne to Diana, "but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper: "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!"<|quote|>she exclaimed passionately.</|quote|>"How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school that she had been called "carrots." Gilbert it was who spoke up stoutly. "It was my fault Mr. Phillips. I teased her." Mr. Phillips paid no heed to Gilbert. "I am sorry to see a pupil of mine displaying such a temper and such a vindictive spirit," he said in a solemn tone, as if the mere fact of being a pupil of his ought to root out all evil passions from the hearts of small imperfect mortals. "Anne, go and stand on the platform in front of the blackboard for the rest of the afternoon." Anne would have infinitely preferred a whipping to this punishment under which her sensitive spirit quivered as from a whiplash. With a white, set face she obeyed. Mr. Phillips took a chalk crayon and wrote on the blackboard above her head. "Ann Shirley has a very bad temper. Ann Shirley must learn to control her temper," and then read it out loud so that even the primer class, who couldn't read writing, should understand it. Anne stood there the rest of the afternoon with that legend above her. She did not cry or hang her head. Anger was still too hot in her heart for that and it sustained her amid all her agony of humiliation. With resentful eyes and passion-red cheeks she confronted alike Diana's sympathetic gaze and Charlie Sloane's indignant nods and Josie Pye's malicious smiles. As for Gilbert Blythe, she would not even look at him. She would _never_ look at him again! She would never speak to him!! When school was dismissed Anne marched out with her red head held high. Gilbert Blythe tried to intercept her at the porch door. "I'm awfully sorry I made fun | havoc with the hearts of Avonlea schoolboys that her name figured on the porch walls in half a dozen take-notices. "It's only meant as a joke. And don't you be too sure your name won't ever be written up. Charlie Sloane is _dead gone_ on you. He told his mother--his _mother_, mind you--that you were the smartest girl in school. That's better than being good looking." "No, it isn't," said Anne, feminine to the core. "I'd rather be pretty than clever. And I hate Charlie Sloane, I can't bear a boy with goggle eyes. If anyone wrote my name up with his I'd never _get_ over it, Diana Barry. But it _is_ nice to keep head of your class." "You'll have Gilbert in your class after this," said Diana, "and he's used to being head of his class, I can tell you. He's only in the fourth book although he's nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn't go to school hardly any until they came back. You won't find it so easy to keep head after this, Anne." "I'm glad," said Anne quickly. "I couldn't really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling ?ebullition.' Josie Pye was head and, mind you, she peeped in her book. Mr. Phillips didn't see her--he was looking at Prissy Andrews--but I did. I just swept her a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome," confided Anne to Diana, "but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper: "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!"<|quote|>she exclaimed passionately.</|quote|>"How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school that she had been called "carrots." Gilbert it was who spoke up stoutly. "It was my fault Mr. Phillips. I teased her." Mr. Phillips paid no heed to Gilbert. "I am sorry to see a pupil of mine displaying such a temper and such a vindictive spirit," he said in a solemn tone, as if the mere fact of being a pupil of his ought to root out all evil passions from the hearts of small imperfect mortals. "Anne, go and stand on the platform in front of the blackboard for the rest of the afternoon." Anne would have infinitely preferred a whipping to this punishment under which her sensitive spirit quivered as from a whiplash. With a white, set face she obeyed. Mr. Phillips took a chalk crayon and wrote on the blackboard above her head. "Ann Shirley has a very bad temper. Ann Shirley must learn to control her temper," and then read it out loud so that even the primer class, who couldn't read writing, should understand it. Anne stood there the rest of the afternoon with that legend above her. She did not cry or hang her head. Anger was still too hot in her heart for that and it sustained her amid all her agony of humiliation. With resentful eyes and passion-red cheeks she confronted alike Diana's sympathetic gaze and Charlie Sloane's indignant nods and Josie Pye's malicious smiles. As for Gilbert Blythe, she would not even look at him. She would _never_ look at him again! She would never speak to him!! When school was dismissed Anne marched out with her red head held high. Gilbert Blythe tried to intercept her at the porch door. "I'm awfully sorry I made fun of your hair, Anne," he whispered contritely. "Honest I am. Don't be mad for keeps, now." Anne swept by disdainfully, without look or sign of hearing. "Oh how could you, Anne?" breathed Diana as they went down the road half reproachfully, half admiringly. Diana felt that _she_ could never have resisted Gilbert's plea. "I shall never forgive Gilbert Blythe," said Anne firmly. "And Mr. Phillips spelled my name without an e, too. The iron has entered into my soul, Diana." Diana hadn't the least idea what Anne meant but she understood it was something terrible. "You mustn't mind Gilbert making fun of your hair," she said soothingly. "Why, he makes fun of all the girls. He laughs at mine because it's so black. He's called me a crow a dozen times; and I never heard him apologize for anything before, either." "There's a great deal of difference between being called a crow and being called carrots," said Anne with dignity. "Gilbert Blythe has hurt my feelings _excruciatingly_, Diana." It is possible the matter might have blown over without more excruciation if nothing else had happened. But when things begin to happen they are apt to keep on. Avonlea scholars often spent noon hour picking gum in Mr. Bell's spruce grove over the hill and across his big pasture field. From there they could keep an eye on Eben Wright's house, where the master boarded. When they saw Mr. Phillips emerging therefrom they ran for the schoolhouse; but the distance being about three times longer than Mr. Wright's lane they were very apt to arrive there, breathless and gasping, some three minutes too late. On the following day Mr. Phillips was seized with one of his spasmodic fits of reform and announced before going home to dinner, that he should expect to find all the scholars in their seats when he returned. Anyone who came in late would be punished. All the boys and some of the girls went to Mr. Bell's spruce grove as usual, fully intending to stay only long enough to "pick a chew." But spruce groves are seductive and yellow nuts of gum beguiling; they picked and loitered and strayed; and as usual the first thing that recalled them to a sense of the flight of time was Jimmy Glover shouting from the top of a patriarchal old spruce "Master's coming." The girls who were on the | a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome," confided Anne to Diana, "but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She _should_ look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper: "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!"<|quote|>she exclaimed passionately.</|quote|>"How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school that she had been called "carrots." Gilbert it was who spoke up stoutly. "It was my fault Mr. Phillips. I teased her." Mr. Phillips paid no heed to Gilbert. "I am sorry to see a pupil of mine displaying such a temper and such a vindictive spirit," he said in a solemn tone, as if the mere fact of being a pupil of his ought to root out all evil passions from the hearts of small imperfect mortals. "Anne, go and stand on the platform in front of the blackboard for the rest of the afternoon." Anne would have infinitely preferred a whipping to this punishment under which her sensitive spirit quivered as from a whiplash. With a white, set face she obeyed. Mr. Phillips took a chalk crayon and wrote on the blackboard above her head. "Ann Shirley has a very bad temper. Ann Shirley must learn to control her temper," and then read it out loud so that even the primer class, who couldn't read writing, should understand it. Anne stood there the rest of the afternoon with that legend above her. She did not cry or hang her head. Anger was still too hot in her heart for that and it sustained her amid all her agony of humiliation. With resentful eyes and passion-red cheeks she confronted alike Diana's sympathetic gaze and Charlie Sloane's indignant nods and Josie Pye's malicious smiles. As for Gilbert Blythe, | Anne Of Green Gables | "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!"<|quote|>she exclaimed passionately.</|quote|>"How dare you!" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to | {
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"content": "\"Carrots! Carrots!\" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. \"You mean, hateful boy!\"<|quote|>she exclaimed passionately.</|quote|>\"How dare you!\" And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said \"Oh\" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to",
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"Over to the right of the door, I think." | Kropp | know where the latrine is?"<|quote|>"Over to the right of the door, I think."</|quote|>"I'm going to have a | I whisper. "Yes----" "Do you know where the latrine is?"<|quote|>"Over to the right of the door, I think."</|quote|>"I'm going to have a look." It is dark, I | with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?"<|quote|>"Over to the right of the door, I think."</|quote|>"I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I | is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?"<|quote|>"Over to the right of the door, I think."</|quote|>"I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths | "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?"<|quote|>"Over to the right of the door, I think."</|quote|>"I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most | sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?"<|quote|>"Over to the right of the door, I think."</|quote|>"I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train | grips, I'll kick the bucket before he will get a squeak out of me. He has fished out a piece of shell and tosses it to me. Apparently he is pleased at my self-control, for he seems to be more considerate of me now and says: "To-morrow you'll be off home." Then I am put in plaster. When I am back again with Kropp I tell him that apparently a hospital train comes in to-morrow morning. "We must work the army medical sergeant-major so that we can keep together, Albert." I manage to slip the sergeant-major two of my cigars with belly-bands, and then tip the word to him. He smells the cigars and says: "Have you got any more of them?" "Another good handful," I say, "and my comrade," I point to Kropp, "he has some as well. We might possibly be glad to hand them to you out of the window of the hospital train in the morning." He understands, of course, smells them once again and says: "Done." We cannot get a minute's sleep all night. Seven fellows die in our ward. One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?"<|quote|>"Over to the right of the door, I think."</|quote|>"I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it | have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?"<|quote|>"Over to the right of the door, I think."</|quote|>"I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few | All Quiet on the Western Front | with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?"<|quote|>"Over to the right of the door, I think."</|quote|>"I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I | {
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"content": "with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. \"Albert!\" I whisper. \"Yes----\" \"Do you know where the latrine is?\"<|quote|>\"Over to the right of the door, I think.\"</|quote|>\"I'm going to have a look.\" It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. \"Damn!\" I",
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"Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed." | Diana Barry | her knees beside her friend.<|quote|>"Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed."</|quote|>To the immense relief of | shrieked Diana, throwing herself on her knees beside her friend.<|quote|>"Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed."</|quote|>To the immense relief of all the girls, and especially | had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper. "Anne, are you killed?" shrieked Diana, throwing herself on her knees beside her friend.<|quote|>"Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed."</|quote|>To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered | would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper. "Anne, are you killed?" shrieked Diana, throwing herself on her knees beside her friend.<|quote|>"Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed."</|quote|>To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little | precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath--all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper. "Anne, are you killed?" shrieked Diana, throwing herself on her knees beside her friend.<|quote|>"Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed."</|quote|>To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What's the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I'm sure I couldn't hop so far on one foot when Jane couldn't even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry coming over the log bridge and up the slope, with Mrs. Barry beside him and a whole procession of little girls trailing after him. In his | red braids. "I don't think it's such a very wonderful thing to walk a little, low, board fence," she said. "I knew a girl in Marysville who could walk the ridgepole of a roof." "I don't believe it," said Josie flatly. "I don't believe anybody could walk a ridgepole. _You_ couldn't, anyhow." "Couldn't I?" cried Anne rashly. "Then I dare you to do it," said Josie defiantly. "I dare you to climb up there and walk the ridgepole of Mr. Barry's kitchen roof." Anne turned pale, but there was clearly only one thing to be done. She walked toward the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, "Oh!" partly in excitement, partly in dismay. "Don't you do it, Anne," entreated Diana. "You'll fall off and be killed. Never mind Josie Pye. It isn't fair to dare anybody to do anything so dangerous." "I must do it. My honor is at stake," said Anne solemnly. "I shall walk that ridgepole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring." Anne climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath--all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper. "Anne, are you killed?" shrieked Diana, throwing herself on her knees beside her friend.<|quote|>"Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed."</|quote|>To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What's the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I'm sure I couldn't hop so far on one foot when Jane couldn't even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry coming over the log bridge and up the slope, with Mrs. Barry beside him and a whole procession of little girls trailing after him. In his arms he carried Anne, whose head lay limply against his shoulder. At that moment Marilla had a revelation. In the sudden stab of fear that pierced her very heart she realized what Anne had come to mean to her. She would have admitted that she liked Anne--nay, that she was very fond of Anne. But now she knew as she hurried wildly down the slope that Anne was dearer to her than anything else on earth. "Mr. Barry, what has happened to her?" she gasped, more white and shaken than the self-contained, sensible Marilla had been for many years. Anne herself answered, lifting her head. "Don't be very frightened, Marilla. I was walking the ridgepole and I fell off. I expect I have sprained my ankle. But, Marilla, I might have broken my neck. Let us look on the bright side of things." "I might have known you'd go and do something of the sort when I let you go to that party," said Marilla, sharp and shrewish in her very relief. "Bring her in here, Mr. Barry, and lay her on the sofa. Mercy me, the child has gone and fainted!" It was quite true. Overcome by the pain | the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting. A week after the tea at the manse Diana Barry gave a party. "Small and select," Anne assured Marilla. "Just the girls in our class." They had a very good time and nothing untoward happened until after tea, when they found themselves in the Barry garden, a little tired of all their games and ripe for any enticing form of mischief which might present itself. This presently took the form of "daring." Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done in Avonlea that summer because the doers thereof were "dared" to do them would fill a book by themselves. First of all Carrie Sloane dared Ruby Gillis to climb to a certain point in the huge old willow tree before the front door; which Ruby Gillis, albeit in mortal dread of the fat green caterpillars with which said tree was infested and with the fear of her mother before her eyes if she should tear her new muslin dress, nimbly did, to the discomfiture of the aforesaid Carrie Sloane. Then Josie Pye dared Jane Andrews to hop on her left leg around the garden without stopping once or putting her right foot to the ground; which Jane Andrews gamely tried to do, but gave out at the third corner and had to confess herself defeated. Josie's triumph being rather more pronounced than good taste permitted, Anne Shirley dared her to walk along the top of the board fence which bounded the garden to the east. Now, to "walk" board fences requires more skill and steadiness of head and heel than one might suppose who has never tried it. But Josie Pye, if deficient in some qualities that make for popularity, had at least a natural and inborn gift, duly cultivated, for walking board fences. Josie walked the Barry fence with an airy unconcern which seemed to imply that a little thing like that wasn't worth a "dare." Reluctant admiration greeted her exploit, for most of the other girls could appreciate it, having suffered many things themselves in their efforts to walk fences. Josie descended from her perch, flushed with victory, and darted a defiant glance at Anne. Anne tossed her red braids. "I don't think it's such a very wonderful thing to walk a little, low, board fence," she said. "I knew a girl in Marysville who could walk the ridgepole of a roof." "I don't believe it," said Josie flatly. "I don't believe anybody could walk a ridgepole. _You_ couldn't, anyhow." "Couldn't I?" cried Anne rashly. "Then I dare you to do it," said Josie defiantly. "I dare you to climb up there and walk the ridgepole of Mr. Barry's kitchen roof." Anne turned pale, but there was clearly only one thing to be done. She walked toward the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, "Oh!" partly in excitement, partly in dismay. "Don't you do it, Anne," entreated Diana. "You'll fall off and be killed. Never mind Josie Pye. It isn't fair to dare anybody to do anything so dangerous." "I must do it. My honor is at stake," said Anne solemnly. "I shall walk that ridgepole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring." Anne climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath--all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper. "Anne, are you killed?" shrieked Diana, throwing herself on her knees beside her friend.<|quote|>"Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed."</|quote|>To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What's the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I'm sure I couldn't hop so far on one foot when Jane couldn't even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry coming over the log bridge and up the slope, with Mrs. Barry beside him and a whole procession of little girls trailing after him. In his arms he carried Anne, whose head lay limply against his shoulder. At that moment Marilla had a revelation. In the sudden stab of fear that pierced her very heart she realized what Anne had come to mean to her. She would have admitted that she liked Anne--nay, that she was very fond of Anne. But now she knew as she hurried wildly down the slope that Anne was dearer to her than anything else on earth. "Mr. Barry, what has happened to her?" she gasped, more white and shaken than the self-contained, sensible Marilla had been for many years. Anne herself answered, lifting her head. "Don't be very frightened, Marilla. I was walking the ridgepole and I fell off. I expect I have sprained my ankle. But, Marilla, I might have broken my neck. Let us look on the bright side of things." "I might have known you'd go and do something of the sort when I let you go to that party," said Marilla, sharp and shrewish in her very relief. "Bring her in here, Mr. Barry, and lay her on the sofa. Mercy me, the child has gone and fainted!" It was quite true. Overcome by the pain of her injury, Anne had one more of her wishes granted to her. She had fainted dead away. Matthew, hastily summoned from the harvest field, was straightway dispatched for the doctor, who in due time came, to discover that the injury was more serious than they had supposed. Anne's ankle was broken. That night, when Marilla went up to the east gable, where a white-faced girl was lying, a plaintive voice greeted her from the bed. "Aren't you very sorry for me, Marilla?" "It was your own fault," said Marilla, twitching down the blind and lighting a lamp. "And that is just why you should be sorry for me," said Anne, "because the thought that it is all my own fault is what makes it so hard. If I could blame it on anybody I would feel so much better. But what would you have done, Marilla, if you had been dared to walk a ridgepole?" "I'd have stayed on good firm ground and let them dare away. Such absurdity!" said Marilla. Anne sighed. "But you have such strength of mind, Marilla. I haven't. I just felt that I couldn't bear Josie Pye's scorn. She would have crowed over me all my life. And I think I have been punished so much that you needn't be very cross with me, Marilla. It's not a bit nice to faint, after all. And the doctor hurt me dreadfully when he was setting my ankle. I won't be able to go around for six or seven weeks and I'll miss the new lady teacher. She won't be new any more by the time I'm able to go to school. And Gil--everybody will get ahead of me in class. Oh, I am an afflicted mortal. But I'll try to bear it all bravely if only you won't be cross with me, Marilla." "There, there, I'm not cross," said Marilla. "You're an unlucky child, there's no doubt about that; but as you say, you'll have the suffering of it. Here now, try and eat some supper." "Isn't it fortunate I've got such an imagination?" said Anne. "It will help me through splendidly, I expect. What do people who haven't any imagination do when they break their bones, do you suppose, Marilla?" Anne had good reason to bless her imagination many a time and oft during the tedious seven weeks that followed. But she was not | to do it," said Josie defiantly. "I dare you to climb up there and walk the ridgepole of Mr. Barry's kitchen roof." Anne turned pale, but there was clearly only one thing to be done. She walked toward the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, "Oh!" partly in excitement, partly in dismay. "Don't you do it, Anne," entreated Diana. "You'll fall off and be killed. Never mind Josie Pye. It isn't fair to dare anybody to do anything so dangerous." "I must do it. My honor is at stake," said Anne solemnly. "I shall walk that ridgepole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring." Anne climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath--all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper. "Anne, are you killed?" shrieked Diana, throwing herself on her knees beside her friend.<|quote|>"Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed."</|quote|>To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What's the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I'm sure I couldn't hop so far on one foot when Jane couldn't even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry coming over the log bridge and up the slope, with Mrs. Barry beside him and a whole procession of little girls trailing after him. In his arms he carried Anne, whose head lay limply against his shoulder. At that moment Marilla had a revelation. In the sudden stab of fear that pierced her very heart she realized what Anne had come to mean to her. She would have admitted that she liked Anne--nay, that she was very fond of Anne. But now she knew as she hurried wildly down the slope that Anne was dearer to her than anything else on earth. "Mr. Barry, what has happened to her?" she gasped, more white and shaken than the self-contained, sensible Marilla had been for many years. Anne herself answered, lifting her head. "Don't be very frightened, Marilla. I was walking the ridgepole and I fell off. I expect I have sprained my ankle. But, Marilla, I might have broken my neck. Let us look on the bright side of things." "I might have known you'd go and do something of the sort when I let you go to that party," said Marilla, sharp and shrewish in her very relief. "Bring her in here, Mr. Barry, and lay her on the sofa. Mercy me, the child has gone and fainted!" It was quite true. Overcome by the pain of her injury, Anne had one more of her wishes granted to her. She had fainted dead away. Matthew, hastily summoned from the harvest field, was straightway dispatched for the doctor, who in due time came, to discover that the injury was more serious than they had supposed. Anne's ankle was broken. That night, when Marilla went up to the east gable, where a white-faced girl was lying, a plaintive voice greeted her from the bed. "Aren't you very sorry for me, Marilla?" "It was your own fault," said Marilla, twitching down the blind and lighting a lamp. "And that is just why you should be sorry for me," said Anne, "because the thought that it is all my own fault is what makes it so hard. If I could blame it on anybody I would feel so much better. But what would you have done, Marilla, if you had been dared to walk a ridgepole?" "I'd have stayed on | Anne Of Green Gables | had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper. "Anne, are you killed?" shrieked Diana, throwing herself on her knees beside her friend.<|quote|>"Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed."</|quote|>To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered | {
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"I only took the regular course." | The Mock Turtle | Mock Turtle with a sigh.<|quote|>"I only took the regular course."</|quote|>"What was that?" inquired Alice. | to learn it." said the Mock Turtle with a sigh.<|quote|>"I only took the regular course."</|quote|>"What was that?" inquired Alice. "Reeling and Writhing, of course, | Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh.<|quote|>"I only took the regular course."</|quote|>"What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! | too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh.<|quote|>"I only took the regular course."</|quote|>"What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, | silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh.<|quote|>"I only took the regular course."</|quote|>"What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an | finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh.<|quote|>"I only took the regular course."</|quote|>"What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, | is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh.<|quote|>"I only took the regular course."</|quote|>"What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, | Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh.<|quote|>"I only took the regular course."</|quote|>"What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the | Alices Adventures In Wonderland | Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh.<|quote|>"I only took the regular course."</|quote|>"What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! | {
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"content": "Turtle in a tone of great relief. \"Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'\" \"You couldn't have wanted it much,\" said Alice; \"living at the bottom of the sea.\" \"I couldn't afford to learn it.\" said the Mock Turtle with a sigh.<|quote|>\"I only took the regular course.\"</|quote|>\"What was that?\" inquired Alice. \"Reeling and Writhing, of course, to begin with,\" the Mock Turtle replied; \"and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision.\" \"I never heard of 'Uglification,'\" Alice ventured to say. \"What is it?\" The Gryphon lifted up both its paws in surprise. \"What!",
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"He's gone to harness the sorrel mare to go to Carmody for the doctor," | Anne Shirley | the darkness of the yard.<|quote|>"He's gone to harness the sorrel mare to go to Carmody for the doctor,"</|quote|>said Anne, who was hurrying | past Diana and away into the darkness of the yard.<|quote|>"He's gone to harness the sorrel mare to go to Carmody for the doctor,"</|quote|>said Anne, who was hurrying on hood and jacket. "I | to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard.<|quote|>"He's gone to harness the sorrel mare to go to Carmody for the doctor,"</|quote|>said Anne, who was hurrying on hood and jacket. "I know it as well as if he'd said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don't believe he'll find the doctor at Carmody," sobbed Diana. "I know that Dr. | gathered them up and thanked mercy the house hadn't been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?" "Oh, Anne, do come quick," implored Diana nervously. "Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard.<|quote|>"He's gone to harness the sorrel mare to go to Carmody for the doctor,"</|quote|>said Anne, who was hurrying on hood and jacket. "I know it as well as if he'd said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don't believe he'll find the doctor at Carmody," sobbed Diana. "I know that Dr. Blair went to town and I guess Dr. Spencer would go too. Young Mary Joe never saw anybody with croup and Mrs. Lynde is away. Oh, Anne!" "Don't cry, Di," said Anne cheerily. "I know exactly what to do for croup. You forget that Mrs. Hammond had twins three times. | never ate russets but knew Anne's weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn't been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?" "Oh, Anne, do come quick," implored Diana nervously. "Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard.<|quote|>"He's gone to harness the sorrel mare to go to Carmody for the doctor,"</|quote|>said Anne, who was hurrying on hood and jacket. "I know it as well as if he'd said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don't believe he'll find the doctor at Carmody," sobbed Diana. "I know that Dr. Blair went to town and I guess Dr. Spencer would go too. Young Mary Joe never saw anybody with croup and Mrs. Lynde is away. Oh, Anne!" "Don't cry, Di," said Anne cheerily. "I know exactly what to do for croup. You forget that Mrs. Hammond had twins three times. When you look after three pairs of twins you naturally get a lot of experience. They all had croup regularly. Just wait till I get the ipecac bottle--you mayn't have any at your house. Come on now." The two little girls hastened out hand in hand and hurried through Lover's Lane and across the crusted field beyond, for the snow was too deep to go by the shorter wood way. Anne, although sincerely sorry for Minnie May, was far from being insensible to the romance of the situation and to the sweetness of once more sharing that romance with a | he never goes to help her in the evenings at all. There are a great many things in this world that I can't understand very well, Matthew." "Well now, I dunno as I comprehend them all myself," acknowledged Matthew. "Well, I suppose I must finish up my lessons. I won't allow myself to open that new book Jane lent me until I'm through. But it's a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I'll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must _not_ give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It's all very well to say resist temptation, but it's ever so much easier to resist it if you can't get the key. And then shall I run down the cellar and get some russets, Matthew? Wouldn't you like some russets?" "Well now, I dunno but what I would," said Matthew, who never ate russets but knew Anne's weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn't been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?" "Oh, Anne, do come quick," implored Diana nervously. "Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard.<|quote|>"He's gone to harness the sorrel mare to go to Carmody for the doctor,"</|quote|>said Anne, who was hurrying on hood and jacket. "I know it as well as if he'd said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don't believe he'll find the doctor at Carmody," sobbed Diana. "I know that Dr. Blair went to town and I guess Dr. Spencer would go too. Young Mary Joe never saw anybody with croup and Mrs. Lynde is away. Oh, Anne!" "Don't cry, Di," said Anne cheerily. "I know exactly what to do for croup. You forget that Mrs. Hammond had twins three times. When you look after three pairs of twins you naturally get a lot of experience. They all had croup regularly. Just wait till I get the ipecac bottle--you mayn't have any at your house. Come on now." The two little girls hastened out hand in hand and hurried through Lover's Lane and across the crusted field beyond, for the snow was too deep to go by the shorter wood way. Anne, although sincerely sorry for Minnie May, was far from being insensible to the romance of the situation and to the sweetness of once more sharing that romance with a kindred spirit. The night was clear and frosty, all ebony of shadow and silver of snowy slope; big stars were shining over the silent fields; here and there the dark pointed firs stood up with snow powdering their branches and the wind whistling through them. Anne thought it was truly delightful to go skimming through all this mystery and loveliness with your bosom friend who had been so long estranged. Minnie May, aged three, was really very sick. She lay on the kitchen sofa feverish and restless, while her hoarse breathing could be heard all over the house. Young Mary Joe, a buxom, broad-faced French girl from the creek, whom Mrs. Barry had engaged to stay with the children during her absence, was helpless and bewildered, quite incapable of thinking what to do, or doing it if she thought of it. Anne went to work with skill and promptness. "Minnie May has croup all right; she's pretty bad, but I've seen them worse. First we must have lots of hot water. I declare, Diana, there isn't more than a cupful in the kettle! There, I've filled it up, and, Mary Joe, you may put some wood in the stove. I | I guess he's all right." Matthew would have thought anyone who praised Anne was "all right." "I'm sure I'd get on better with geometry if only he wouldn't change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don't think a teacher should take such a mean advantage, do you? We're studying agriculture now and I've found out at last what makes the roads red. It's a great comfort. I wonder how Marilla and Mrs. Lynde are enjoying themselves. Mrs. Lynde says Canada is going to the dogs the way things are being run at Ottawa and that it's an awful warning to the electors. She says if women were allowed to vote we would soon see a blessed change. What way do you vote, Matthew?" "Conservative," said Matthew promptly. To vote Conservative was part of Matthew's religion. "Then I'm Conservative too," said Anne decidedly. "I'm glad because Gil--because some of the boys in school are Grits. I guess Mr. Phillips is a Grit too because Prissy Andrews's father is one, and Ruby Gillis says that when a man is courting he always has to agree with the girl's mother in religion and her father in politics. Is that true, Matthew?" "Well now, I dunno," said Matthew. "Did you ever go courting, Matthew?" "Well now, no, I dunno's I ever did," said Matthew, who had certainly never thought of such a thing in his whole existence. Anne reflected with her chin in her hands. "It must be rather interesting, don't you think, Matthew? Ruby Gillis says when she grows up she's going to have ever so many beaus on the string and have them all crazy about her; but I think that would be too exciting. I'd rather have just one in his right mind. But Ruby Gillis knows a great deal about such matters because she has so many big sisters, and Mrs. Lynde says the Gillis girls have gone off like hot cakes. Mr. Phillips goes up to see Prissy Andrews nearly every evening. He says it is to help her with her lessons but Miranda Sloane is studying for Queen's too, and I should think she needed help a lot more than Prissy because she's ever so much stupider, but he never goes to help her in the evenings at all. There are a great many things in this world that I can't understand very well, Matthew." "Well now, I dunno as I comprehend them all myself," acknowledged Matthew. "Well, I suppose I must finish up my lessons. I won't allow myself to open that new book Jane lent me until I'm through. But it's a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I'll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must _not_ give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It's all very well to say resist temptation, but it's ever so much easier to resist it if you can't get the key. And then shall I run down the cellar and get some russets, Matthew? Wouldn't you like some russets?" "Well now, I dunno but what I would," said Matthew, who never ate russets but knew Anne's weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn't been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?" "Oh, Anne, do come quick," implored Diana nervously. "Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard.<|quote|>"He's gone to harness the sorrel mare to go to Carmody for the doctor,"</|quote|>said Anne, who was hurrying on hood and jacket. "I know it as well as if he'd said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don't believe he'll find the doctor at Carmody," sobbed Diana. "I know that Dr. Blair went to town and I guess Dr. Spencer would go too. Young Mary Joe never saw anybody with croup and Mrs. Lynde is away. Oh, Anne!" "Don't cry, Di," said Anne cheerily. "I know exactly what to do for croup. You forget that Mrs. Hammond had twins three times. When you look after three pairs of twins you naturally get a lot of experience. They all had croup regularly. Just wait till I get the ipecac bottle--you mayn't have any at your house. Come on now." The two little girls hastened out hand in hand and hurried through Lover's Lane and across the crusted field beyond, for the snow was too deep to go by the shorter wood way. Anne, although sincerely sorry for Minnie May, was far from being insensible to the romance of the situation and to the sweetness of once more sharing that romance with a kindred spirit. The night was clear and frosty, all ebony of shadow and silver of snowy slope; big stars were shining over the silent fields; here and there the dark pointed firs stood up with snow powdering their branches and the wind whistling through them. Anne thought it was truly delightful to go skimming through all this mystery and loveliness with your bosom friend who had been so long estranged. Minnie May, aged three, was really very sick. She lay on the kitchen sofa feverish and restless, while her hoarse breathing could be heard all over the house. Young Mary Joe, a buxom, broad-faced French girl from the creek, whom Mrs. Barry had engaged to stay with the children during her absence, was helpless and bewildered, quite incapable of thinking what to do, or doing it if she thought of it. Anne went to work with skill and promptness. "Minnie May has croup all right; she's pretty bad, but I've seen them worse. First we must have lots of hot water. I declare, Diana, there isn't more than a cupful in the kettle! There, I've filled it up, and, Mary Joe, you may put some wood in the stove. I don't want to hurt your feelings but it seems to me you might have thought of this before if you'd any imagination. Now, I'll undress Minnie May and put her to bed and you try to find some soft flannel cloths, Diana. I'm going to give her a dose of ipecac first of all." Minnie May did not take kindly to the ipecac but Anne had not brought up three pairs of twins for nothing. Down that ipecac went, not only once, but many times during the long, anxious night when the two little girls worked patiently over the suffering Minnie May, and Young Mary Joe, honestly anxious to do all she could, kept up a roaring fire and heated more water than would have been needed for a hospital of croupy babies. It was three o'clock when Matthew came with a doctor, for he had been obliged to go all the way to Spencervale for one. But the pressing need for assistance was past. Minnie May was much better and was sleeping soundly. "I was awfully near giving up in despair," explained Anne. "She got worse and worse until she was sicker than ever the Hammond twins were, even the last pair. I actually thought she was going to choke to death. I gave her every drop of ipecac in that bottle and when the last dose went down I said to myself--not to Diana or Young Mary Joe, because I didn't want to worry them any more than they were worried, but I had to say it to myself just to relieve my feelings--" ?This is the last lingering hope and I fear, tis a vain one.' "But in about three minutes she coughed up the phlegm and began to get better right away. You must just imagine my relief, doctor, because I can't express it in words. You know there are some things that cannot be expressed in words." "Yes, I know," nodded the doctor. He looked at Anne as if he were thinking some things about her that couldn't be expressed in words. Later on, however, he expressed them to Mr. and Mrs. Barry. "That little redheaded girl they have over at Cuthbert's is as smart as they make ?em. I tell you she saved that baby's life, for it would have been too late by the time I got there. She seems to have a | religion and her father in politics. Is that true, Matthew?" "Well now, I dunno," said Matthew. "Did you ever go courting, Matthew?" "Well now, no, I dunno's I ever did," said Matthew, who had certainly never thought of such a thing in his whole existence. Anne reflected with her chin in her hands. "It must be rather interesting, don't you think, Matthew? Ruby Gillis says when she grows up she's going to have ever so many beaus on the string and have them all crazy about her; but I think that would be too exciting. I'd rather have just one in his right mind. But Ruby Gillis knows a great deal about such matters because she has so many big sisters, and Mrs. Lynde says the Gillis girls have gone off like hot cakes. Mr. Phillips goes up to see Prissy Andrews nearly every evening. He says it is to help her with her lessons but Miranda Sloane is studying for Queen's too, and I should think she needed help a lot more than Prissy because she's ever so much stupider, but he never goes to help her in the evenings at all. There are a great many things in this world that I can't understand very well, Matthew." "Well now, I dunno as I comprehend them all myself," acknowledged Matthew. "Well, I suppose I must finish up my lessons. I won't allow myself to open that new book Jane lent me until I'm through. But it's a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I'll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must _not_ give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It's all very well to say resist temptation, but it's ever so much easier to resist it if you can't get the key. And then shall I run down the cellar and get some russets, Matthew? Wouldn't you like some russets?" "Well now, I dunno but what I would," said Matthew, who never ate russets but knew Anne's weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn't been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?" "Oh, Anne, do come quick," implored Diana nervously. "Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard.<|quote|>"He's gone to harness the sorrel mare to go to Carmody for the doctor,"</|quote|>said Anne, who was hurrying on hood and jacket. "I know it as well as if he'd said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don't believe he'll find the doctor at Carmody," sobbed Diana. "I know that Dr. Blair went to town and I guess Dr. Spencer would go too. Young Mary Joe never saw anybody with croup and Mrs. Lynde is away. Oh, Anne!" "Don't cry, Di," said Anne cheerily. "I know exactly what to do for croup. You forget that Mrs. Hammond had twins three times. When you look after three pairs of twins you naturally get a lot of experience. They all had croup regularly. Just wait till I get the ipecac bottle--you mayn't have any at your house. Come on now." The two little girls hastened out hand in hand and hurried through Lover's Lane and across the crusted field beyond, for the snow was too deep to go by the shorter wood way. Anne, although sincerely sorry for Minnie May, was far from being insensible to the romance of the situation and to the sweetness of once more sharing that romance with a kindred spirit. The night was clear and frosty, all ebony of shadow and silver of snowy slope; big stars were shining over the silent fields; here and there the dark pointed firs stood up with snow powdering their branches and the wind whistling through them. Anne thought it was truly delightful to go skimming through all this mystery and loveliness with your bosom friend who had been so long estranged. Minnie May, aged three, was really very sick. She | Anne Of Green Gables | to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard.<|quote|>"He's gone to harness the sorrel mare to go to Carmody for the doctor,"</|quote|>said Anne, who was hurrying on hood and jacket. "I know it as well as if he'd said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don't believe he'll find the doctor at Carmody," sobbed Diana. "I know that Dr. | {
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"content": "to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!\" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard.<|quote|>\"He's gone to harness the sorrel mare to go to Carmody for the doctor,\"</|quote|>said Anne, who was hurrying on hood and jacket. \"I know it as well as if he'd said so. Matthew and I are such kindred spirits I can read his thoughts without words at all.\" \"I don't believe he'll find the doctor at Carmody,\" sobbed Diana. \"I know that Dr.",
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} | Anne Shirley |
"Jock's staying on. He's having the Shameless Blonde down. You don't mind?" | Tony Last | * * * * *<|quote|>"Jock's staying on. He's having the Shameless Blonde down. You don't mind?"</|quote|>"Me? Of course not." "This | I believe." "Yes, I might." * * * * *<|quote|>"Jock's staying on. He's having the Shameless Blonde down. You don't mind?"</|quote|>"Me? Of course not." "This _has_ been a jolly week-end." | could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * *<|quote|>"Jock's staying on. He's having the Shameless Blonde down. You don't mind?"</|quote|>"Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose | Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * *<|quote|>"Jock's staying on. He's having the Shameless Blonde down. You don't mind?"</|quote|>"Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was | scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * *<|quote|>"Jock's staying on. He's having the Shameless Blonde down. You don't mind?"</|quote|>"Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole | He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing." "We shall all be coming to you for advice about our overdrafts." "Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * *<|quote|>"Jock's staying on. He's having the Shameless Blonde down. You don't mind?"</|quote|>"Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a | alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing." "We shall all be coming to you for advice about our overdrafts." "Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * *<|quote|>"Jock's staying on. He's having the Shameless Blonde down. You don't mind?"</|quote|>"Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll | "Absorbing." "We shall all be coming to you for advice about our overdrafts." "Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * *<|quote|>"Jock's staying on. He's having the Shameless Blonde down. You don't mind?"</|quote|>"Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. | A Handful Of Dust | could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * *<|quote|>"Jock's staying on. He's having the Shameless Blonde down. You don't mind?"</|quote|>"Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose | {
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"content": "could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable.\" \"She'd probably love it. I'll ring up and ask her.\" \"Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe.\" \"Yes, I might.\" * * * * *<|quote|>\"Jock's staying on. He's having the Shameless Blonde down. You don't mind?\"</|quote|>\"Me? Of course not.\" \"This _has_ been a jolly week-end.\" \"I thought you were enjoying it.\" \"Just like old times--before the economics began.\" * * * * * Marjorie said to Jock, \"D'you think Tony knows about Mr Beaver?\" \"Not a thing.\" \"I haven't mentioned it to Allan. D'you suppose",
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"What does she want?" | Mrs. Beaver | part of Mrs Beaver's business.<|quote|>"What does she want?"</|quote|>"Something quite simple. Two rooms | and garages was an important part of Mrs Beaver's business.<|quote|>"What does she want?"</|quote|>"Something quite simple. Two rooms and a bath. But it's | It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business.<|quote|>"What does she want?"</|quote|>"Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly | "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business.<|quote|>"What does she want?"</|quote|>"Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the | guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business.<|quote|>"What does she want?"</|quote|>"Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. The newspapers used always to refer to them as "the lovely Rex sisters". Marjorie and Allan were hard up and popular; they could not afford a baby; they lived in a little house in the neighbourhood of Portman Square, very convenient for Paddington Station. They had a Pekingese dog named Djinn. Brenda had come on impulse, leaving the butler to ring up and tell Marjorie | popping in to wind the clocks and cook the accounts and clean the moat, while Tony and I have to fuss about whether it's cheaper to take a car up to London for the night or buy an excursion ticket... I shouldn't feel so badly about it if it were a really lovely house--like my home for instance... but of course Tony's been brought up here and sees it all differently..." Tony joined them for tea. "I don't want to seem inhospitable, but if you're going to catch that train, you ought really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business.<|quote|>"What does she want?"</|quote|>"Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. The newspapers used always to refer to them as "the lovely Rex sisters". Marjorie and Allan were hard up and popular; they could not afford a baby; they lived in a little house in the neighbourhood of Portman Square, very convenient for Paddington Station. They had a Pekingese dog named Djinn. Brenda had come on impulse, leaving the butler to ring up and tell Marjorie of her arrival. She emerged from the train, after two hours and a quarter in a carriage crowded five a side, looking as fresh and fragile as if she had that moment left a circle of masseuses, chiropodists, manicurists and coiffeuses in an hotel suite. It was an aptitude she had, never to look half-finished; when she was really exhausted, as she often was on her return to Hetton after these days in London, she went completely to pieces quite suddenly and became a waif; then she would sit over the fire with a cup of bread and milk, hardly alive, until Tony took her up to bed. Marjorie had her hat on and was sitting at her writing-table puzzling over her cheque-book and a sheaf of bills. "Darling, what _does_ the country do to you? You look like a thousand pounds. Where _did_ you get that suit?" "I don't know. Some shop." "What's the news at Hetton?" "All the same. Tony madly feudal. John Andrew cursing like a stable boy." "And you?" "Me? Oh, I'm all right." "Who's been to stay?" "No one. We had a friend of Tony's called Mr Beaver last week-end." "John Beaver?... How very odd. | begun to accompany his mother, whose hobby it had always been, and later, with changing circumstances, profession. He made apt and appreciative comments and greatly enhanced the pleasure Tony always took in exposing his treasures. They saw it all: the shuttered drawing-room, like a school speech hall, the cloistral passages, the dark inner courtyard, the chapel where, until Tony's succession, family prayers had been daily read to the assembled household, the plate-room and estate office, the bedrooms and attics, the water-tank concealed among the battlements. They climbed the spiral staircase into the works of the clock and waited to see it strike half-past three. Thence they descended with ringing ears to the collections--enamel, ivories, seals, snuff-boxes, china, ormulu, cloisonn?; they paused before each picture in the oak gallery and discussed its associations; they took out the more remarkable folios in the library and examined prints of the original buildings, manuscript account-books of the old Abbey, travel journals of Tony's ancestors. At intervals Beaver would say, "The So-and-so's have got one rather like that at Such-and-such a place" ", and Tony would say, "Yes, I've seen it but I think mine is the earlier." Eventually they came back to the smoking-room and Tony left Beaver to Brenda. She was stitching away at the petit-point, hunched in an armchair. "Well," she asked, without looking up from her needlework, "what did you think of it?" "Magnificent." "You don't have to say that to me, you know." "Well, a lot of the things are very fine." "Yes, the _things_ are all right, I suppose." "But don't you like the house?" "Me? I _detest_ it... at least I don't mean that really, but I do wish sometimes that it wasn't _all_, every bit of it, so appallingly ugly. Only I'd die rather than say that to Tony. We could never live anywhere else, of course. He's crazy about the place... It's funny. None of us minded very much when my brother Reggie sold _our_ house--and that was built by Vanbrugh, you know... I suppose we're lucky to be able to afford to keep it up at all. Do you know how much it costs just to live here? We should be quite rich if it wasn't for that. As it is we support fifteen servants indoors, besides gardeners and carpenters and a night-watchman and all the people at the farm and odd little men constantly popping in to wind the clocks and cook the accounts and clean the moat, while Tony and I have to fuss about whether it's cheaper to take a car up to London for the night or buy an excursion ticket... I shouldn't feel so badly about it if it were a really lovely house--like my home for instance... but of course Tony's been brought up here and sees it all differently..." Tony joined them for tea. "I don't want to seem inhospitable, but if you're going to catch that train, you ought really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business.<|quote|>"What does she want?"</|quote|>"Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. The newspapers used always to refer to them as "the lovely Rex sisters". Marjorie and Allan were hard up and popular; they could not afford a baby; they lived in a little house in the neighbourhood of Portman Square, very convenient for Paddington Station. They had a Pekingese dog named Djinn. Brenda had come on impulse, leaving the butler to ring up and tell Marjorie of her arrival. She emerged from the train, after two hours and a quarter in a carriage crowded five a side, looking as fresh and fragile as if she had that moment left a circle of masseuses, chiropodists, manicurists and coiffeuses in an hotel suite. It was an aptitude she had, never to look half-finished; when she was really exhausted, as she often was on her return to Hetton after these days in London, she went completely to pieces quite suddenly and became a waif; then she would sit over the fire with a cup of bread and milk, hardly alive, until Tony took her up to bed. Marjorie had her hat on and was sitting at her writing-table puzzling over her cheque-book and a sheaf of bills. "Darling, what _does_ the country do to you? You look like a thousand pounds. Where _did_ you get that suit?" "I don't know. Some shop." "What's the news at Hetton?" "All the same. Tony madly feudal. John Andrew cursing like a stable boy." "And you?" "Me? Oh, I'm all right." "Who's been to stay?" "No one. We had a friend of Tony's called Mr Beaver last week-end." "John Beaver?... How very odd. I shouldn't have thought he was at all Tony's ticket." "He wasn't... What's he like?" "I hardly know him. I see him at Margot's sometimes. He's a great one for going everywhere." "I thought he was rather pathetic." "Oh, he's _pathetic_ all right. D'you fancy him?" "Heavens, no." They took Djinn for a walk in the park. He was a very unrepaying dog who never looked about him and had to be dragged along by his harness; they took him to Watts's _Physical Energy_; when loosed he stood perfectly still, gazing moodily at the asphalt until they turned towards home; only once did he show any sign of emotion, when he snapped at a small child who attempted to stroke him; later he got lost and was found a few yards away, sitting under a chair and staring at a shred of waste paper. He was quite colourless, with pink nose and lips and pink circles of bald flesh round his eyes. "I don't believe he has a spark of human feeling," said Marjorie. They talked about Mr Cruttwell, their bone-setter, and Marjorie's new treatment. "He's never done that to me," said Brenda enviously; presently, "What do you suppose is Mr Beaver's sex-life?" "I shouldn't know. Pretty dim, I imagine... You _do_ fancy him?" "Oh well," said Brenda, "I don't see such a lot of young men..." They left the dog at home and did some shopping--towels for the nursery, pickled peaches, a clock for one of the lodgekeepers who was celebrating his sixtieth year of service at Hetton, a pot of Morecambe Bay shrimps as a surprise for Tony; they made an appointment with Mr Cruttwell for that afternoon. They talked about Polly Cockpurse's party. "Do come up for it. It's certain to be amusing." "I might... if I can find someone to take me. Tony doesn't like her... I can't go to parties alone at my age." They went out to luncheon, to a new restaurant in Albemarle Street which a friend of theirs named Daisy had recently opened. "You're in luck," said Marjorie, as soon as they got inside the door, "there's your Mr Beaver's mother." She was entertaining a party of eight at a large round table in the centre of the room; she was being paid to do so by Daisy, whose restaurant was not doing all she expected of it--that is to say the | it all differently..." Tony joined them for tea. "I don't want to seem inhospitable, but if you're going to catch that train, you ought really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business.<|quote|>"What does she want?"</|quote|>"Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. The newspapers used always to refer to them as "the lovely Rex sisters". Marjorie and Allan were hard up and popular; they could not afford a baby; they lived in a little house in the neighbourhood of Portman Square, very convenient for Paddington Station. They had a Pekingese dog named Djinn. Brenda had come on impulse, leaving the butler to ring up and tell Marjorie of her arrival. She emerged from the train, after two hours and a quarter in a carriage crowded five a side, looking as fresh and fragile as if she had that moment left a circle of masseuses, chiropodists, manicurists and coiffeuses in an hotel suite. It was | A Handful Of Dust | It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business.<|quote|>"What does she want?"</|quote|>"Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly | {
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"and perhaps you were never even introduced to a lobster--" | The Mock Turtle | (" "I haven't," said Alice)--"<|quote|>"and perhaps you were never even introduced to a lobster--"</|quote|>(Alice began to say "I | lived much under the sea--" (" "I haven't," said Alice)--"<|quote|>"and perhaps you were never even introduced to a lobster--"</|quote|>(Alice began to say "I once tasted--" but checked herself | throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--"<|quote|>"and perhaps you were never even introduced to a lobster--"</|quote|>(Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a | the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--"<|quote|>"and perhaps you were never even introduced to a lobster--"</|quote|>(Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," | first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--"<|quote|>"and perhaps you were never even introduced to a lobster--"</|quote|>(Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the | means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--"<|quote|>"and perhaps you were never even introduced to a lobster--"</|quote|>(Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really | Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--"<|quote|>"and perhaps you were never even introduced to a lobster--"</|quote|>(Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice | it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--"<|quote|>"and perhaps you were never even introduced to a lobster--"</|quote|>(Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave | Alices Adventures In Wonderland | throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--"<|quote|>"and perhaps you were never even introduced to a lobster--"</|quote|>(Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a | {
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"Oh, Anne, do come quick," | Diana Barry | your mother relented at last?"<|quote|>"Oh, Anne, do come quick,"</|quote|>implored Diana nervously. "Minnie May | matter, Diana?" cried Anne. "Has your mother relented at last?"<|quote|>"Oh, Anne, do come quick,"</|quote|>implored Diana nervously. "Minnie May is awful sick--she's got croup. | and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn't been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?"<|quote|>"Oh, Anne, do come quick,"</|quote|>implored Diana nervously. "Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without | flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn't been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?"<|quote|>"Oh, Anne, do come quick,"</|quote|>implored Diana nervously. "Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard. "He's gone to harness the sorrel mare to go to Carmody for the doctor," said Anne, who was hurrying on hood and jacket. "I know it as well as if he'd | must _not_ give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It's all very well to say resist temptation, but it's ever so much easier to resist it if you can't get the key. And then shall I run down the cellar and get some russets, Matthew? Wouldn't you like some russets?" "Well now, I dunno but what I would," said Matthew, who never ate russets but knew Anne's weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn't been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?"<|quote|>"Oh, Anne, do come quick,"</|quote|>implored Diana nervously. "Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard. "He's gone to harness the sorrel mare to go to Carmody for the doctor," said Anne, who was hurrying on hood and jacket. "I know it as well as if he'd said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don't believe he'll find the doctor at Carmody," sobbed Diana. "I know that Dr. Blair went to town and I guess Dr. Spencer would go too. Young Mary Joe never saw anybody with croup and Mrs. Lynde is away. Oh, Anne!" "Don't cry, Di," said Anne cheerily. "I know exactly what to do for croup. You forget that Mrs. Hammond had twins three times. When you look after three pairs of twins you naturally get a lot of experience. They all | a great deal about such matters because she has so many big sisters, and Mrs. Lynde says the Gillis girls have gone off like hot cakes. Mr. Phillips goes up to see Prissy Andrews nearly every evening. He says it is to help her with her lessons but Miranda Sloane is studying for Queen's too, and I should think she needed help a lot more than Prissy because she's ever so much stupider, but he never goes to help her in the evenings at all. There are a great many things in this world that I can't understand very well, Matthew." "Well now, I dunno as I comprehend them all myself," acknowledged Matthew. "Well, I suppose I must finish up my lessons. I won't allow myself to open that new book Jane lent me until I'm through. But it's a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I'll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must _not_ give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It's all very well to say resist temptation, but it's ever so much easier to resist it if you can't get the key. And then shall I run down the cellar and get some russets, Matthew? Wouldn't you like some russets?" "Well now, I dunno but what I would," said Matthew, who never ate russets but knew Anne's weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn't been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?"<|quote|>"Oh, Anne, do come quick,"</|quote|>implored Diana nervously. "Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard. "He's gone to harness the sorrel mare to go to Carmody for the doctor," said Anne, who was hurrying on hood and jacket. "I know it as well as if he'd said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don't believe he'll find the doctor at Carmody," sobbed Diana. "I know that Dr. Blair went to town and I guess Dr. Spencer would go too. Young Mary Joe never saw anybody with croup and Mrs. Lynde is away. Oh, Anne!" "Don't cry, Di," said Anne cheerily. "I know exactly what to do for croup. You forget that Mrs. Hammond had twins three times. When you look after three pairs of twins you naturally get a lot of experience. They all had croup regularly. Just wait till I get the ipecac bottle--you mayn't have any at your house. Come on now." The two little girls hastened out hand in hand and hurried through Lover's Lane and across the crusted field beyond, for the snow was too deep to go by the shorter wood way. Anne, although sincerely sorry for Minnie May, was far from being insensible to the romance of the situation and to the sweetness of once more sharing that romance with a kindred spirit. The night was clear and frosty, all ebony of shadow and silver of snowy slope; big stars were shining over the silent fields; here and there the dark pointed firs stood up with snow powdering their branches and the wind whistling through them. Anne thought it was truly delightful to go skimming through all this mystery and loveliness with your bosom friend who had been so long estranged. Minnie May, aged three, was really very sick. She lay on the kitchen sofa feverish and restless, while her hoarse breathing could be heard all over the house. Young Mary Joe, a buxom, broad-faced French girl from the creek, whom Mrs. Barry had engaged to stay with | casting a cloud over my whole life. I'm such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you're all right at anything. Mr. Phillips told me last week in Blair's store at Carmody that you was the smartest scholar in school and was making rapid progress." ?Rapid progress' "was his very words. There's them as runs down Teddy Phillips and says he ain't much of a teacher, but I guess he's all right." Matthew would have thought anyone who praised Anne was "all right." "I'm sure I'd get on better with geometry if only he wouldn't change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don't think a teacher should take such a mean advantage, do you? We're studying agriculture now and I've found out at last what makes the roads red. It's a great comfort. I wonder how Marilla and Mrs. Lynde are enjoying themselves. Mrs. Lynde says Canada is going to the dogs the way things are being run at Ottawa and that it's an awful warning to the electors. She says if women were allowed to vote we would soon see a blessed change. What way do you vote, Matthew?" "Conservative," said Matthew promptly. To vote Conservative was part of Matthew's religion. "Then I'm Conservative too," said Anne decidedly. "I'm glad because Gil--because some of the boys in school are Grits. I guess Mr. Phillips is a Grit too because Prissy Andrews's father is one, and Ruby Gillis says that when a man is courting he always has to agree with the girl's mother in religion and her father in politics. Is that true, Matthew?" "Well now, I dunno," said Matthew. "Did you ever go courting, Matthew?" "Well now, no, I dunno's I ever did," said Matthew, who had certainly never thought of such a thing in his whole existence. Anne reflected with her chin in her hands. "It must be rather interesting, don't you think, Matthew? Ruby Gillis says when she grows up she's going to have ever so many beaus on the string and have them all crazy about her; but I think that would be too exciting. I'd rather have just one in his right mind. But Ruby Gillis knows a great deal about such matters because she has so many big sisters, and Mrs. Lynde says the Gillis girls have gone off like hot cakes. Mr. Phillips goes up to see Prissy Andrews nearly every evening. He says it is to help her with her lessons but Miranda Sloane is studying for Queen's too, and I should think she needed help a lot more than Prissy because she's ever so much stupider, but he never goes to help her in the evenings at all. There are a great many things in this world that I can't understand very well, Matthew." "Well now, I dunno as I comprehend them all myself," acknowledged Matthew. "Well, I suppose I must finish up my lessons. I won't allow myself to open that new book Jane lent me until I'm through. But it's a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I'll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must _not_ give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It's all very well to say resist temptation, but it's ever so much easier to resist it if you can't get the key. And then shall I run down the cellar and get some russets, Matthew? Wouldn't you like some russets?" "Well now, I dunno but what I would," said Matthew, who never ate russets but knew Anne's weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn't been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?"<|quote|>"Oh, Anne, do come quick,"</|quote|>implored Diana nervously. "Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard. "He's gone to harness the sorrel mare to go to Carmody for the doctor," said Anne, who was hurrying on hood and jacket. "I know it as well as if he'd said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don't believe he'll find the doctor at Carmody," sobbed Diana. "I know that Dr. Blair went to town and I guess Dr. Spencer would go too. Young Mary Joe never saw anybody with croup and Mrs. Lynde is away. Oh, Anne!" "Don't cry, Di," said Anne cheerily. "I know exactly what to do for croup. You forget that Mrs. Hammond had twins three times. When you look after three pairs of twins you naturally get a lot of experience. They all had croup regularly. Just wait till I get the ipecac bottle--you mayn't have any at your house. Come on now." The two little girls hastened out hand in hand and hurried through Lover's Lane and across the crusted field beyond, for the snow was too deep to go by the shorter wood way. Anne, although sincerely sorry for Minnie May, was far from being insensible to the romance of the situation and to the sweetness of once more sharing that romance with a kindred spirit. The night was clear and frosty, all ebony of shadow and silver of snowy slope; big stars were shining over the silent fields; here and there the dark pointed firs stood up with snow powdering their branches and the wind whistling through them. Anne thought it was truly delightful to go skimming through all this mystery and loveliness with your bosom friend who had been so long estranged. Minnie May, aged three, was really very sick. She lay on the kitchen sofa feverish and restless, while her hoarse breathing could be heard all over the house. Young Mary Joe, a buxom, broad-faced French girl from the creek, whom Mrs. Barry had engaged to stay with the children during her absence, was helpless and bewildered, quite incapable of thinking what to do, or doing it if she thought of it. Anne went to work with skill and promptness. "Minnie May has croup all right; she's pretty bad, but I've seen them worse. First we must have lots of hot water. I declare, Diana, there isn't more than a cupful in the kettle! There, I've filled it up, and, Mary Joe, you may put some wood in the stove. I don't want to hurt your feelings but it seems to me you might have thought of this before if you'd any imagination. Now, I'll undress Minnie May and put her to bed and you try to find some soft flannel cloths, Diana. I'm going to give her a dose of ipecac first of all." Minnie May did not take kindly to the ipecac but Anne had not brought up three pairs of twins for nothing. Down that ipecac went, not only once, but many times during the long, anxious night when the two little girls worked patiently over the suffering Minnie May, and Young Mary Joe, honestly anxious to do all she could, kept up a roaring fire and heated more water than would have been needed for a hospital of croupy babies. It was three o'clock when Matthew came with a doctor, for he had been obliged to go all the way to Spencervale for one. But the pressing need for assistance was past. Minnie May was much better and was sleeping soundly. "I was awfully near giving up in despair," explained Anne. "She got worse and worse until she was sicker than ever the Hammond twins were, even the last pair. I actually thought she was going to choke to death. I gave her every drop of ipecac in that bottle and when the last dose went down I said to myself--not to Diana or Young Mary Joe, because I didn't want to worry them any more than they were worried, but I had to say it to myself just to relieve my feelings--" ?This is the last lingering hope and I fear, tis a vain one.' "But in about three minutes she coughed up the phlegm and began to get better right away. You must just imagine my relief, doctor, because I can't express it in words. You know there are some things that | dunno as I comprehend them all myself," acknowledged Matthew. "Well, I suppose I must finish up my lessons. I won't allow myself to open that new book Jane lent me until I'm through. But it's a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I'll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must _not_ give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It's all very well to say resist temptation, but it's ever so much easier to resist it if you can't get the key. And then shall I run down the cellar and get some russets, Matthew? Wouldn't you like some russets?" "Well now, I dunno but what I would," said Matthew, who never ate russets but knew Anne's weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn't been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?"<|quote|>"Oh, Anne, do come quick,"</|quote|>implored Diana nervously. "Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard. "He's gone to harness the sorrel mare to go to Carmody for the doctor," said Anne, who was hurrying on hood and jacket. "I know it as well as if he'd said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don't believe he'll find the doctor at Carmody," sobbed Diana. "I know that Dr. Blair went to town and I guess Dr. Spencer would go too. Young Mary Joe never saw anybody with croup and Mrs. Lynde is away. Oh, Anne!" "Don't cry, Di," said Anne cheerily. "I know exactly what to do for croup. You forget that Mrs. Hammond had twins three times. When you look after three pairs of twins you naturally get a lot of experience. They all had croup regularly. Just wait till I get the ipecac bottle--you mayn't have any | Anne Of Green Gables | and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn't been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?"<|quote|>"Oh, Anne, do come quick,"</|quote|>implored Diana nervously. "Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!" Matthew, without | {
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"content": "and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn't been set on fire. \"Whatever is the matter, Diana?\" cried Anne. \"Has your mother relented at last?\"<|quote|>\"Oh, Anne, do come quick,\"</|quote|>implored Diana nervously. \"Minnie May is awful sick--she's got croup. Young Mary Joe says--and Father and Mother are away to town and there's nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn't know what to do--and oh, Anne, I'm so scared!\" Matthew, without",
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said the Pigeon; | No speaker | trouble enough hatching the eggs,"<|quote|>said the Pigeon;</|quote|>"but I must be on | finished. "As if it wasn't trouble enough hatching the eggs,"<|quote|>said the Pigeon;</|quote|>"but I must be on the look-out for serpents night | and I've tried hedges," the Pigeon went on, without attending to her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs,"<|quote|>said the Pigeon;</|quote|>"but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued | I say again!" repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, "I've tried every way, and nothing seems to suit them!" "I haven't the least idea what you're talking about," said Alice. "I've tried the roots of trees, and I've tried banks, and I've tried hedges," the Pigeon went on, without attending to her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs,"<|quote|>said the Pigeon;</|quote|>"but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" | them, and was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag, and was going to dive in among the leaves, which she found to be nothing but the tops of the trees under which she had been wandering, when a sharp hiss made her draw back in a hurry: a large pigeon had flown into her face, and was beating her violently with its wings. "Serpent!" screamed the Pigeon. "I'm _not_ a serpent!" said Alice indignantly. "Let me alone!" "Serpent, I say again!" repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, "I've tried every way, and nothing seems to suit them!" "I haven't the least idea what you're talking about," said Alice. "I've tried the roots of trees, and I've tried banks, and I've tried hedges," the Pigeon went on, without attending to her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs,"<|quote|>said the Pigeon;</|quote|>"but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly," said Alice, who was a very | once to eat some of the other bit. Her chin was pressed so closely against her foot, that there was hardly room to open her mouth; but she did it at last, and managed to swallow a morsel of the lefthand bit. * * * * * * * * * * * * * * * * * * * * "Come, my head's free at last!" said Alice in a tone of delight, which changed into alarm in another moment, when she found that her shoulders were nowhere to be found: all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her. "What _can_ all that green stuff be?" said Alice. "And where _have_ my shoulders got to? And oh, my poor hands, how is it I can't see you?" She was moving them about as she spoke, but no result seemed to follow, except a little shaking among the distant green leaves. As there seemed to be no chance of getting her hands up to her head, she tried to get her head down to them, and was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag, and was going to dive in among the leaves, which she found to be nothing but the tops of the trees under which she had been wandering, when a sharp hiss made her draw back in a hurry: a large pigeon had flown into her face, and was beating her violently with its wings. "Serpent!" screamed the Pigeon. "I'm _not_ a serpent!" said Alice indignantly. "Let me alone!" "Serpent, I say again!" repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, "I've tried every way, and nothing seems to suit them!" "I haven't the least idea what you're talking about," said Alice. "I've tried the roots of trees, and I've tried banks, and I've tried hedges," the Pigeon went on, without attending to her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs,"<|quote|>said the Pigeon;</|quote|>"but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly," said Alice, who was a very truthful child; "but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then | Caterpillar was the first to speak. "What size do you want to be?" it asked. "Oh, I'm not particular as to size," Alice hastily replied; "only one doesn't like changing so often, you know." "I _don't_ know," said the Caterpillar. Alice said nothing: she had never been so much contradicted in her life before, and she felt that she was losing her temper. "Are you content now?" said the Caterpillar. "Well, I should like to be a _little_ larger, sir, if you wouldn't mind," said Alice: "three inches is such a wretched height to be." "It is a very good height indeed!" said the Caterpillar angrily, rearing itself upright as it spoke (it was exactly three inches high). "But I'm not used to it!" pleaded poor Alice in a piteous tone. And she thought of herself, "I wish the creatures wouldn't be so easily offended!" "You'll get used to it in time," said the Caterpillar; and it put the hookah into its mouth and began smoking again. This time Alice waited patiently until it chose to speak again. In a minute or two the Caterpillar took the hookah out of its mouth and yawned once or twice, and shook itself. Then it got down off the mushroom, and crawled away in the grass, merely remarking as it went, "One side will make you grow taller, and the other side will make you grow shorter." "One side of _what?_ The other side of _what?_" thought Alice to herself. "Of the mushroom," said the Caterpillar, just as if she had asked it aloud; and in another moment it was out of sight. Alice remained looking thoughtfully at the mushroom for a minute, trying to make out which were the two sides of it; and as it was perfectly round, she found this a very difficult question. However, at last she stretched her arms round it as far as they would go, and broke off a bit of the edge with each hand. "And now which is which?" she said to herself, and nibbled a little of the right-hand bit to try the effect: the next moment she felt a violent blow underneath her chin: it had struck her foot! She was a good deal frightened by this very sudden change, but she felt that there was no time to be lost, as she was shrinking rapidly; so she set to work at once to eat some of the other bit. Her chin was pressed so closely against her foot, that there was hardly room to open her mouth; but she did it at last, and managed to swallow a morsel of the lefthand bit. * * * * * * * * * * * * * * * * * * * * "Come, my head's free at last!" said Alice in a tone of delight, which changed into alarm in another moment, when she found that her shoulders were nowhere to be found: all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her. "What _can_ all that green stuff be?" said Alice. "And where _have_ my shoulders got to? And oh, my poor hands, how is it I can't see you?" She was moving them about as she spoke, but no result seemed to follow, except a little shaking among the distant green leaves. As there seemed to be no chance of getting her hands up to her head, she tried to get her head down to them, and was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag, and was going to dive in among the leaves, which she found to be nothing but the tops of the trees under which she had been wandering, when a sharp hiss made her draw back in a hurry: a large pigeon had flown into her face, and was beating her violently with its wings. "Serpent!" screamed the Pigeon. "I'm _not_ a serpent!" said Alice indignantly. "Let me alone!" "Serpent, I say again!" repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, "I've tried every way, and nothing seems to suit them!" "I haven't the least idea what you're talking about," said Alice. "I've tried the roots of trees, and I've tried banks, and I've tried hedges," the Pigeon went on, without attending to her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs,"<|quote|>said the Pigeon;</|quote|>"but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly," said Alice, who was a very truthful child; "but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of | it at last, and managed to swallow a morsel of the lefthand bit. * * * * * * * * * * * * * * * * * * * * "Come, my head's free at last!" said Alice in a tone of delight, which changed into alarm in another moment, when she found that her shoulders were nowhere to be found: all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her. "What _can_ all that green stuff be?" said Alice. "And where _have_ my shoulders got to? And oh, my poor hands, how is it I can't see you?" She was moving them about as she spoke, but no result seemed to follow, except a little shaking among the distant green leaves. As there seemed to be no chance of getting her hands up to her head, she tried to get her head down to them, and was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag, and was going to dive in among the leaves, which she found to be nothing but the tops of the trees under which she had been wandering, when a sharp hiss made her draw back in a hurry: a large pigeon had flown into her face, and was beating her violently with its wings. "Serpent!" screamed the Pigeon. "I'm _not_ a serpent!" said Alice indignantly. "Let me alone!" "Serpent, I say again!" repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, "I've tried every way, and nothing seems to suit them!" "I haven't the least idea what you're talking about," said Alice. "I've tried the roots of trees, and I've tried banks, and I've tried hedges," the Pigeon went on, without attending to her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs,"<|quote|>said the Pigeon;</|quote|>"but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--" "Well! _What_ are you?" said the Pigeon. "I can see you're trying to invent something!" "I--I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly," said Alice, who was a very truthful child; "but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and | Alices Adventures In Wonderland | and I've tried hedges," the Pigeon went on, without attending to her; "but those serpents! There's no pleasing them!" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. "As if it wasn't trouble enough hatching the eggs,"<|quote|>said the Pigeon;</|quote|>"but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!" "I'm very sorry you've been annoyed," said Alice, who was beginning to see its meaning. "And just as I'd taken the highest tree in the wood," continued | {
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"content": "and I've tried hedges,\" the Pigeon went on, without attending to her; \"but those serpents! There's no pleasing them!\" Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. \"As if it wasn't trouble enough hatching the eggs,\"<|quote|>said the Pigeon;</|quote|>\"but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!\" \"I'm very sorry you've been annoyed,\" said Alice, who was beginning to see its meaning. \"And just as I'd taken the highest tree in the wood,\" continued",
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No answer from Anne save more tears and stormier sobs! | No speaker | saucy to Mrs. Lynde again."<|quote|>No answer from Anne save more tears and stormier sobs!</|quote|>"Anne Shirley, when I ask | you haven't gone and been saucy to Mrs. Lynde again."<|quote|>No answer from Anne save more tears and stormier sobs!</|quote|>"Anne Shirley, when I ask you a question I want | up the lane with tears rolling down her cheeks. Into the kitchen she dashed and flung herself face downward on the sofa in an agony. "Whatever has gone wrong now, Anne?" queried Marilla in doubt and dismay. "I do hope you haven't gone and been saucy to Mrs. Lynde again."<|quote|>No answer from Anne save more tears and stormier sobs!</|quote|>"Anne Shirley, when I ask you a question I want to be answered. Sit right up this very minute and tell me what you are crying about." Anne sat up, tragedy personified. "Mrs. Lynde was up to see Mrs. Barry today and Mrs. Barry was in an awful state," she | the performance. The next day was Sunday and as the rain poured down in torrents from dawn till dusk Anne did not stir abroad from Green Gables. Monday afternoon Marilla sent her down to Mrs. Lynde's on an errand. In a very short space of time Anne came flying back up the lane with tears rolling down her cheeks. Into the kitchen she dashed and flung herself face downward on the sofa in an agony. "Whatever has gone wrong now, Anne?" queried Marilla in doubt and dismay. "I do hope you haven't gone and been saucy to Mrs. Lynde again."<|quote|>No answer from Anne save more tears and stormier sobs!</|quote|>"Anne Shirley, when I ask you a question I want to be answered. Sit right up this very minute and tell me what you are crying about." Anne sat up, tragedy personified. "Mrs. Lynde was up to see Mrs. Barry today and Mrs. Barry was in an awful state," she wailed. "She says that I set Diana _drunk_ Saturday and sent her home in a disgraceful condition. And she says I must be a thoroughly bad, wicked little girl and she's never, never going to let Diana play with me again. Oh, Marilla, I'm just overcome with woe." Marilla stared | I'll go and nurse you, you can depend on that. I'll never forsake you. But I do wish you'd stay till after tea. Where do you feel bad?" "I'm awful dizzy," said Diana. And indeed, she walked very dizzily. Anne, with tears of disappointment in her eyes, got Diana's hat and went with her as far as the Barry yard fence. Then she wept all the way back to Green Gables, where she sorrowfully put the remainder of the raspberry cordial back into the pantry and got tea ready for Matthew and Jerry, with all the zest gone out of the performance. The next day was Sunday and as the rain poured down in torrents from dawn till dusk Anne did not stir abroad from Green Gables. Monday afternoon Marilla sent her down to Mrs. Lynde's on an errand. In a very short space of time Anne came flying back up the lane with tears rolling down her cheeks. Into the kitchen she dashed and flung herself face downward on the sofa in an agony. "Whatever has gone wrong now, Anne?" queried Marilla in doubt and dismay. "I do hope you haven't gone and been saucy to Mrs. Lynde again."<|quote|>No answer from Anne save more tears and stormier sobs!</|quote|>"Anne Shirley, when I ask you a question I want to be answered. Sit right up this very minute and tell me what you are crying about." Anne sat up, tragedy personified. "Mrs. Lynde was up to see Mrs. Barry today and Mrs. Barry was in an awful state," she wailed. "She says that I set Diana _drunk_ Saturday and sent her home in a disgraceful condition. And she says I must be a thoroughly bad, wicked little girl and she's never, never going to let Diana play with me again. Oh, Marilla, I'm just overcome with woe." Marilla stared in blank amazement. "Set Diana drunk!" she said when she found her voice. "Anne are you or Mrs. Barry crazy? What on earth did you give her?" "Not a thing but raspberry cordial," sobbed Anne. "I never thought raspberry cordial would set people drunk, Marilla--not even if they drank three big tumblerfuls as Diana did. Oh, it sounds so--so--like Mrs. Thomas's husband! But I didn't mean to set her drunk." "Drunk fiddlesticks!" said Marilla, marching to the sitting room pantry. There on the shelf was a bottle which she at once recognized as one containing some of her three-year-old homemade | and pudding out and brought in some strawberry preserves. She even offered me some, but I couldn't swallow a mouthful. It was like heaping coals of fire on my head. After Mrs. Chester Ross went away, Marilla gave me a dreadful scolding. Why, Diana, what is the matter?" Diana had stood up very unsteadily; then she sat down again, putting her hands to her head. "I'm--I'm awful sick," she said, a little thickly. "I--I--must go right home." "Oh, you mustn't dream of going home without your tea," cried Anne in distress. "I'll get it right off--I'll go and put the tea down this very minute." "I must go home," repeated Diana, stupidly but determinedly. "Let me get you a lunch anyhow," implored Anne. "Let me give you a bit of fruit cake and some of the cherry preserves. Lie down on the sofa for a little while and you'll be better. Where do you feel bad?" "I must go home," said Diana, and that was all she would say. In vain Anne pleaded. "I never heard of company going home without tea," she mourned. "Oh, Diana, do you suppose that it's possible you're really taking the smallpox? If you are I'll go and nurse you, you can depend on that. I'll never forsake you. But I do wish you'd stay till after tea. Where do you feel bad?" "I'm awful dizzy," said Diana. And indeed, she walked very dizzily. Anne, with tears of disappointment in her eyes, got Diana's hat and went with her as far as the Barry yard fence. Then she wept all the way back to Green Gables, where she sorrowfully put the remainder of the raspberry cordial back into the pantry and got tea ready for Matthew and Jerry, with all the zest gone out of the performance. The next day was Sunday and as the rain poured down in torrents from dawn till dusk Anne did not stir abroad from Green Gables. Monday afternoon Marilla sent her down to Mrs. Lynde's on an errand. In a very short space of time Anne came flying back up the lane with tears rolling down her cheeks. Into the kitchen she dashed and flung herself face downward on the sofa in an agony. "Whatever has gone wrong now, Anne?" queried Marilla in doubt and dismay. "I do hope you haven't gone and been saucy to Mrs. Lynde again."<|quote|>No answer from Anne save more tears and stormier sobs!</|quote|>"Anne Shirley, when I ask you a question I want to be answered. Sit right up this very minute and tell me what you are crying about." Anne sat up, tragedy personified. "Mrs. Lynde was up to see Mrs. Barry today and Mrs. Barry was in an awful state," she wailed. "She says that I set Diana _drunk_ Saturday and sent her home in a disgraceful condition. And she says I must be a thoroughly bad, wicked little girl and she's never, never going to let Diana play with me again. Oh, Marilla, I'm just overcome with woe." Marilla stared in blank amazement. "Set Diana drunk!" she said when she found her voice. "Anne are you or Mrs. Barry crazy? What on earth did you give her?" "Not a thing but raspberry cordial," sobbed Anne. "I never thought raspberry cordial would set people drunk, Marilla--not even if they drank three big tumblerfuls as Diana did. Oh, it sounds so--so--like Mrs. Thomas's husband! But I didn't mean to set her drunk." "Drunk fiddlesticks!" said Marilla, marching to the sitting room pantry. There on the shelf was a bottle which she at once recognized as one containing some of her three-year-old homemade currant wine for which she was celebrated in Avonlea, although certain of the stricter sort, Mrs. Barry among them, disapproved strongly of it. And at the same time Marilla recollected that she had put the bottle of raspberry cordial down in the cellar instead of in the pantry as she had told Anne. She went back to the kitchen with the wine bottle in her hand. Her face was twitching in spite of herself. "Anne, you certainly have a genius for getting into trouble. You went and gave Diana currant wine instead of raspberry cordial. Didn't you know the difference yourself?" "I never tasted it," said Anne. "I thought it was the cordial. I meant to be so--so--hospitable. Diana got awfully sick and had to go home. Mrs. Barry told Mrs. Lynde she was simply dead drunk. She just laughed silly-like when her mother asked her what was the matter and went to sleep and slept for hours. Her mother smelled her breath and knew she was drunk. She had a fearful headache all day yesterday. Mrs. Barry is so indignant. She will never believe but what I did it on purpose." "I should think she would better punish Diana | left over. Marilla said there was enough for another dinner and told me to set it on the pantry shelf and cover it. I meant to cover it just as much as could be, Diana, but when I carried it in I was imagining I was a nun--of course I'm a Protestant but I imagined I was a Catholic--taking the veil to bury a broken heart in cloistered seclusion; and I forgot all about covering the pudding sauce. I thought of it next morning and ran to the pantry. Diana, fancy if you can my extreme horror at finding a mouse drowned in that pudding sauce! I lifted the mouse out with a spoon and threw it out in the yard and then I washed the spoon in three waters. Marilla was out milking and I fully intended to ask her when she came in if I'd give the sauce to the pigs; but when she did come in I was imagining that I was a frost fairy going through the woods turning the trees red and yellow, whichever they wanted to be, so I never thought about the pudding sauce again and Marilla sent me out to pick apples. Well, Mr. and Mrs. Chester Ross from Spencervale came here that morning. You know they are very stylish people, especially Mrs. Chester Ross. When Marilla called me in dinner was all ready and everybody was at the table. I tried to be as polite and dignified as I could be, for I wanted Mrs. Chester Ross to think I was a ladylike little girl even if I wasn't pretty. Everything went right until I saw Marilla coming with the plum pudding in one hand and the pitcher of pudding sauce _warmed up_, in the other. Diana, that was a terrible moment. I remembered everything and I just stood up in my place and shrieked out" ?Marilla, you mustn't use that pudding sauce. There was a mouse drowned in it. I forgot to tell you before.' "Oh, Diana, I shall never forget that awful moment if I live to be a hundred. Mrs. Chester Ross just _looked_ at me and I thought I would sink through the floor with mortification. She is such a perfect housekeeper and fancy what she must have thought of us. Marilla turned red as fire but she never said a word--then. She just carried that sauce and pudding out and brought in some strawberry preserves. She even offered me some, but I couldn't swallow a mouthful. It was like heaping coals of fire on my head. After Mrs. Chester Ross went away, Marilla gave me a dreadful scolding. Why, Diana, what is the matter?" Diana had stood up very unsteadily; then she sat down again, putting her hands to her head. "I'm--I'm awful sick," she said, a little thickly. "I--I--must go right home." "Oh, you mustn't dream of going home without your tea," cried Anne in distress. "I'll get it right off--I'll go and put the tea down this very minute." "I must go home," repeated Diana, stupidly but determinedly. "Let me get you a lunch anyhow," implored Anne. "Let me give you a bit of fruit cake and some of the cherry preserves. Lie down on the sofa for a little while and you'll be better. Where do you feel bad?" "I must go home," said Diana, and that was all she would say. In vain Anne pleaded. "I never heard of company going home without tea," she mourned. "Oh, Diana, do you suppose that it's possible you're really taking the smallpox? If you are I'll go and nurse you, you can depend on that. I'll never forsake you. But I do wish you'd stay till after tea. Where do you feel bad?" "I'm awful dizzy," said Diana. And indeed, she walked very dizzily. Anne, with tears of disappointment in her eyes, got Diana's hat and went with her as far as the Barry yard fence. Then she wept all the way back to Green Gables, where she sorrowfully put the remainder of the raspberry cordial back into the pantry and got tea ready for Matthew and Jerry, with all the zest gone out of the performance. The next day was Sunday and as the rain poured down in torrents from dawn till dusk Anne did not stir abroad from Green Gables. Monday afternoon Marilla sent her down to Mrs. Lynde's on an errand. In a very short space of time Anne came flying back up the lane with tears rolling down her cheeks. Into the kitchen she dashed and flung herself face downward on the sofa in an agony. "Whatever has gone wrong now, Anne?" queried Marilla in doubt and dismay. "I do hope you haven't gone and been saucy to Mrs. Lynde again."<|quote|>No answer from Anne save more tears and stormier sobs!</|quote|>"Anne Shirley, when I ask you a question I want to be answered. Sit right up this very minute and tell me what you are crying about." Anne sat up, tragedy personified. "Mrs. Lynde was up to see Mrs. Barry today and Mrs. Barry was in an awful state," she wailed. "She says that I set Diana _drunk_ Saturday and sent her home in a disgraceful condition. And she says I must be a thoroughly bad, wicked little girl and she's never, never going to let Diana play with me again. Oh, Marilla, I'm just overcome with woe." Marilla stared in blank amazement. "Set Diana drunk!" she said when she found her voice. "Anne are you or Mrs. Barry crazy? What on earth did you give her?" "Not a thing but raspberry cordial," sobbed Anne. "I never thought raspberry cordial would set people drunk, Marilla--not even if they drank three big tumblerfuls as Diana did. Oh, it sounds so--so--like Mrs. Thomas's husband! But I didn't mean to set her drunk." "Drunk fiddlesticks!" said Marilla, marching to the sitting room pantry. There on the shelf was a bottle which she at once recognized as one containing some of her three-year-old homemade currant wine for which she was celebrated in Avonlea, although certain of the stricter sort, Mrs. Barry among them, disapproved strongly of it. And at the same time Marilla recollected that she had put the bottle of raspberry cordial down in the cellar instead of in the pantry as she had told Anne. She went back to the kitchen with the wine bottle in her hand. Her face was twitching in spite of herself. "Anne, you certainly have a genius for getting into trouble. You went and gave Diana currant wine instead of raspberry cordial. Didn't you know the difference yourself?" "I never tasted it," said Anne. "I thought it was the cordial. I meant to be so--so--hospitable. Diana got awfully sick and had to go home. Mrs. Barry told Mrs. Lynde she was simply dead drunk. She just laughed silly-like when her mother asked her what was the matter and went to sleep and slept for hours. Her mother smelled her breath and knew she was drunk. She had a fearful headache all day yesterday. Mrs. Barry is so indignant. She will never believe but what I did it on purpose." "I should think she would better punish Diana for being so greedy as to drink three glassfuls of anything," said Marilla shortly. "Why, three of those big glasses would have made her sick even if it had only been cordial. Well, this story will be a nice handle for those folks who are so down on me for making currant wine, although I haven't made any for three years ever since I found out that the minister didn't approve. I just kept that bottle for sickness. There, there, child, don't cry. I can't see as you were to blame although I'm sorry it happened so." "I must cry," said Anne. "My heart is broken. The stars in their courses fight against me, Marilla. Diana and I are parted forever. Oh, Marilla, I little dreamed of this when first we swore our vows of friendship." "Don't be foolish, Anne. Mrs. Barry will think better of it when she finds you're not to blame. I suppose she thinks you've done it for a silly joke or something of that sort. You'd best go up this evening and tell her how it was." "My courage fails me at the thought of facing Diana's injured mother," sighed Anne. "I wish you'd go, Marilla. You're so much more dignified than I am. Likely she'd listen to you quicker than to me." "Well, I will," said Marilla, reflecting that it would probably be the wiser course. "Don't cry any more, Anne. It will be all right." Marilla had changed her mind about it being all right by the time she got back from Orchard Slope. Anne was watching for her coming and flew to the porch door to meet her. "Oh, Marilla, I know by your face that it's been no use," she said sorrowfully. "Mrs. Barry won't forgive me?" "Mrs. Barry indeed!" snapped Marilla. "Of all the unreasonable women I ever saw she's the worst. I told her it was all a mistake and you weren't to blame, but she just simply didn't believe me. And she rubbed it well in about my currant wine and how I'd always said it couldn't have the least effect on anybody. I just told her plainly that currant wine wasn't meant to be drunk three tumblerfuls at a time and that if a child I had to do with was so greedy I'd sober her up with a right good spanking." Marilla whisked into the kitchen, | of going home without your tea," cried Anne in distress. "I'll get it right off--I'll go and put the tea down this very minute." "I must go home," repeated Diana, stupidly but determinedly. "Let me get you a lunch anyhow," implored Anne. "Let me give you a bit of fruit cake and some of the cherry preserves. Lie down on the sofa for a little while and you'll be better. Where do you feel bad?" "I must go home," said Diana, and that was all she would say. In vain Anne pleaded. "I never heard of company going home without tea," she mourned. "Oh, Diana, do you suppose that it's possible you're really taking the smallpox? If you are I'll go and nurse you, you can depend on that. I'll never forsake you. But I do wish you'd stay till after tea. Where do you feel bad?" "I'm awful dizzy," said Diana. And indeed, she walked very dizzily. Anne, with tears of disappointment in her eyes, got Diana's hat and went with her as far as the Barry yard fence. Then she wept all the way back to Green Gables, where she sorrowfully put the remainder of the raspberry cordial back into the pantry and got tea ready for Matthew and Jerry, with all the zest gone out of the performance. The next day was Sunday and as the rain poured down in torrents from dawn till dusk Anne did not stir abroad from Green Gables. Monday afternoon Marilla sent her down to Mrs. Lynde's on an errand. In a very short space of time Anne came flying back up the lane with tears rolling down her cheeks. Into the kitchen she dashed and flung herself face downward on the sofa in an agony. "Whatever has gone wrong now, Anne?" queried Marilla in doubt and dismay. "I do hope you haven't gone and been saucy to Mrs. Lynde again."<|quote|>No answer from Anne save more tears and stormier sobs!</|quote|>"Anne Shirley, when I ask you a question I want to be answered. Sit right up this very minute and tell me what you are crying about." Anne sat up, tragedy personified. "Mrs. Lynde was up to see Mrs. Barry today and Mrs. Barry was in an awful state," she wailed. "She says that I set Diana _drunk_ Saturday and sent her home in a disgraceful condition. And she says I must be a thoroughly bad, wicked little girl and she's never, never going to let Diana play with me again. Oh, Marilla, I'm just overcome with woe." Marilla stared in blank amazement. "Set Diana drunk!" she said when she found her voice. "Anne are you or Mrs. Barry crazy? What on earth did you give her?" "Not a thing but raspberry cordial," sobbed Anne. "I never thought raspberry cordial would set people drunk, Marilla--not even if they drank three big tumblerfuls as Diana did. Oh, it sounds so--so--like Mrs. Thomas's husband! But I didn't mean to set her drunk." "Drunk fiddlesticks!" said Marilla, marching to the sitting room pantry. There on the shelf was a bottle which she at once recognized as one containing some of her three-year-old homemade currant wine for which she was celebrated in Avonlea, although certain of the stricter sort, Mrs. Barry among | Anne Of Green Gables | up the lane with tears rolling down her cheeks. Into the kitchen she dashed and flung herself face downward on the sofa in an agony. "Whatever has gone wrong now, Anne?" queried Marilla in doubt and dismay. "I do hope you haven't gone and been saucy to Mrs. Lynde again."<|quote|>No answer from Anne save more tears and stormier sobs!</|quote|>"Anne Shirley, when I ask you a question I want to be answered. Sit right up this very minute and tell me what you are crying about." Anne sat up, tragedy personified. "Mrs. Lynde was up to see Mrs. Barry today and Mrs. Barry was in an awful state," she | {
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"content": "up the lane with tears rolling down her cheeks. Into the kitchen she dashed and flung herself face downward on the sofa in an agony. \"Whatever has gone wrong now, Anne?\" queried Marilla in doubt and dismay. \"I do hope you haven't gone and been saucy to Mrs. Lynde again.\"<|quote|>No answer from Anne save more tears and stormier sobs!</|quote|>\"Anne Shirley, when I ask you a question I want to be answered. Sit right up this very minute and tell me what you are crying about.\" Anne sat up, tragedy personified. \"Mrs. Lynde was up to see Mrs. Barry today and Mrs. Barry was in an awful state,\" she",
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Now that it was inevitable, she did not want to be left alone with Beaver. | No speaker | "She's sure to be late."<|quote|>Now that it was inevitable, she did not want to be left alone with Beaver.</|quote|>"No, I must go. Enjoy | "Stay a bit," said Brenda. "She's sure to be late."<|quote|>Now that it was inevitable, she did not want to be left alone with Beaver.</|quote|>"No, I must go. Enjoy yourselves, bless you both." She | dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late."<|quote|>Now that it was inevitable, she did not want to be left alone with Beaver.</|quote|>"No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more | beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late."<|quote|>Now that it was inevitable, she did not want to be left alone with Beaver.</|quote|>"No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on the arm of a chair, and made love to her at once; and probably he would have got away with it. Instead he remarked in an | It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late."<|quote|>Now that it was inevitable, she did not want to be left alone with Beaver.</|quote|>"No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on the arm of a chair, and made love to her at once; and probably he would have got away with it. Instead he remarked in an easy manner, "I suppose we ought to be going too." "Yes, where?" "I thought Espinosa's." "Yes, lovely. Only listen. I want you to understand right away that it's _my_ dinner." "Of course not... nothing of the sort." "Yes it is. I'm a year older than you and an old married woman and quite rich, so, please, I'm going to pay." Beaver continued protesting to the taxi door. But there was still a constraint between them and Beaver began to wonder, "Does she expect me to pounce?" So, as they waited in a traffic block by the Marble Arch, he leaned | it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly." Marjorie was rung up by the woman at whose house she was dining. (" "Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man." "Oh dear, I didn't realize..." Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late."<|quote|>Now that it was inevitable, she did not want to be left alone with Beaver.</|quote|>"No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on the arm of a chair, and made love to her at once; and probably he would have got away with it. Instead he remarked in an easy manner, "I suppose we ought to be going too." "Yes, where?" "I thought Espinosa's." "Yes, lovely. Only listen. I want you to understand right away that it's _my_ dinner." "Of course not... nothing of the sort." "Yes it is. I'm a year older than you and an old married woman and quite rich, so, please, I'm going to pay." Beaver continued protesting to the taxi door. But there was still a constraint between them and Beaver began to wonder, "Does she expect me to pounce?" So, as they waited in a traffic block by the Marble Arch, he leaned forward to kiss her; when he was quite near, she drew back. He said, "_Please_, Brenda," but she turned away and looked out of the window, shaking her head several times quickly. Then, her eyes still fixed on the window, she put out her hand to his and they sat in silence till they reached the restaurant. Beaver was thoroughly puzzled. Once they were in public again, his confidence returned. Espinosa led them to their table; it was the one by itself on the right of the door, the only table in the restaurant at which one's conversation was not overheard. Brenda handed him the card. "You choose. Very little for me, but it must only have starch, no protein." The bill at Espinosa's was, as a rule, roughly the same whatever one ate, but Brenda would not know this, so, since it was now understood that she was paying, Beaver felt constrained from ordering anything that looked obviously expensive. However, she insisted on champagne, and later a ballon of liqueur brandy for him. "You can't think how exciting it is for me to take a young man out. I've never done it before." They stayed at Espinosa's until it | I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly." Marjorie was rung up by the woman at whose house she was dining. (" "Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man." "Oh dear, I didn't realize..." Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late."<|quote|>Now that it was inevitable, she did not want to be left alone with Beaver.</|quote|>"No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on the arm of a chair, and made love to her at once; and probably he would have got away with it. Instead he remarked in an easy manner, "I suppose we ought to be going too." "Yes, where?" "I thought Espinosa's." "Yes, lovely. Only listen. I want you to understand right away that it's _my_ dinner." "Of course not... nothing of the sort." "Yes it is. I'm a year older than you and an old married woman and quite rich, so, please, I'm going to pay." Beaver continued protesting to the taxi door. But there was still a constraint between them and Beaver began to wonder, "Does she expect me to pounce?" So, as they waited in a traffic block by the Marble Arch, he leaned forward to kiss her; when he was quite near, she drew back. He said, "_Please_, Brenda," but she turned away and looked out of the window, shaking her head several times quickly. Then, her eyes still fixed on the window, she put out her hand to his and they sat in silence till they reached the restaurant. Beaver was thoroughly puzzled. Once they were in public again, his confidence returned. Espinosa led them to their table; it was the one by itself on the right of the door, the only table in the restaurant at which one's conversation was not overheard. Brenda handed him the card. "You choose. Very little for me, but it must only have starch, no protein." The bill at Espinosa's was, as a rule, roughly the same whatever one ate, but Brenda would not know this, so, since it was now understood that she was paying, Beaver felt constrained from ordering anything that looked obviously expensive. However, she insisted on champagne, and later a ballon of liqueur brandy for him. "You can't think how exciting it is for me to take a young man out. I've never done it before." They stayed at Espinosa's until it was time to go to the party, dancing once or twice, but most of the time sitting at the table, talking. Their interest in each other had so far outdistanced their knowledge that there was a great deal to say. Presently Beaver said, "I'm sorry I was an ass in the taxi just now." "Eh?" He changed it and said, "Did you mind when I tried to kiss you just now?" "Me? No, not particularly." "Then why wouldn't you let me?" "Oh dear, you've got a lot to learn." "How d'you mean?" "You mustn't ever ask questions like that. Will you try and remember?" Then he was sulky. "You talk to me as if I was an undergraduate having his first walk out." "Oh, is this a walk out?" "Not as far as I am concerned." There was a pause in which Brenda said, "I am not sure it hasn't been a mistake, taking you out to dinner. Let's ask for the bill and go to Polly's." But they took ten minutes to bring the bill, and in that time Beaver and Brenda had to say something, so he said he was sorry. "You've got to _learn_ to be nicer," she said soberly. "I don't believe you'd find it impossible." When the bill eventually came, she said, "How much do I tip him?" and Beaver showed her. "Are you sure that's enough? I should have given twice as much." "It's exactly right," said Beaver, feeling older again, just as Brenda had meant him to feel. When they sat in the taxi Beaver knew at once that Brenda wished him to make love to her. But he decided it was time she took the lead. So he sat at a distance from her and commented on an old house that was being demolished to make way for a block of flats. "Shut up," said Brenda. "Come here." When he had kissed her, she rubbed against his cheek in the way she had. * * * * * Polly's party was exactly what she wished it to be, an accurate replica of all the best parties she had been to in the last year; the same band, the same supper and, above all, the same guests. Hers was not the ambition to create a sensation, to have the party talked about in months to come for any unusual feature, to hunt out | club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late."<|quote|>Now that it was inevitable, she did not want to be left alone with Beaver.</|quote|>"No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on the arm of a chair, and made love to her at once; and probably he would have got away with it. Instead he remarked in an easy manner, "I suppose we ought to be going too." "Yes, where?" "I thought Espinosa's." "Yes, lovely. Only listen. I want you to understand right away that it's _my_ dinner." "Of course not... nothing of the sort." "Yes it is. I'm a year older than you and an old married woman and quite rich, so, please, I'm going to pay." Beaver continued protesting to the taxi door. But there was still a constraint between them and Beaver began to wonder, "Does she expect me to pounce?" So, as they waited in a traffic block by the Marble Arch, he leaned forward to kiss her; when he was quite near, she drew back. He said, "_Please_, Brenda," but she turned away and looked out of the window, shaking her head several times quickly. Then, her eyes still fixed on the window, she put out her hand to his and they sat in silence till they reached the restaurant. Beaver was thoroughly puzzled. Once they were in public again, his confidence returned. Espinosa led them to their table; it was the one by itself on the right of the door, the only table in the restaurant at which one's conversation was not | A Handful Of Dust | dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late."<|quote|>Now that it was inevitable, she did not want to be left alone with Beaver.</|quote|>"No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more | {
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"content": "dine. \"Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing.\" \"Give her my love,\" said Beaver. \"Anyway we'll all meet at Polly's.\" \"I must go, we're dining at nine.\" \"Stay a bit,\" said Brenda. \"She's sure to be late.\"<|quote|>Now that it was inevitable, she did not want to be left alone with Beaver.</|quote|>\"No, I must go. Enjoy yourselves, bless you both.\" She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more",
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"Perhaps _that's_ him." | Brenda | very serious." The telephone rang.<|quote|>"Perhaps _that's_ him."</|quote|>But a familiar voice rang | "Oh dear, I see you're very serious." The telephone rang.<|quote|>"Perhaps _that's_ him."</|quote|>But a familiar voice rang out from the instrument so | night. He got engaged once but they couldn't get married because of money and since then he's never had a proper affair with anyone decent... he's got to be taught a whole lot of things. That's part of his attraction." "Oh dear, I see you're very serious." The telephone rang.<|quote|>"Perhaps _that's_ him."</|quote|>But a familiar voice rang out from the instrument so that Brenda could hear it, "Good morning, darling, what's the dirt to-day?" "Oh, Polly, what a good party last night." "Not so bad for the old girl, was it? I say, what about your sister and Mr Beaver?" "What about | cold as a fish, but I happen to have a fancy for him, that's all... besides I'm not sure he's _altogether_ awful... he's got that odious mother whom he adores... and he's always been very poor. I don't think he's had a fair deal. I heard all about it last night. He got engaged once but they couldn't get married because of money and since then he's never had a proper affair with anyone decent... he's got to be taught a whole lot of things. That's part of his attraction." "Oh dear, I see you're very serious." The telephone rang.<|quote|>"Perhaps _that's_ him."</|quote|>But a familiar voice rang out from the instrument so that Brenda could hear it, "Good morning, darling, what's the dirt to-day?" "Oh, Polly, what a good party last night." "Not so bad for the old girl, was it? I say, what about your sister and Mr Beaver?" "What about them?" "How long has _that_ been on?" "There's nothing doing there, Polly." "Don't you tell me. They were well away last night. How's the boy managed it? That's what I want to know. He must have something we didn't know about..." "So Polly's on to your story. She'll be telling | know that." "And he was furious when I rang him up." "What does he think of you?" "Simply can't make me out at all... terribly puzzled, and rather bored in bits." "Are you going to go on with it?" "I shouldn't know." The telephone rang. "Perhaps that's him." But it was not. Brenda had come into Marjorie's room and they were having breakfast in bed. Marjorie was more than ever like an elder sister that morning. "But, really, Brenda, he's such a _dreary_ young man." "I know it all. He's second rate and a snob and, I should think, as cold as a fish, but I happen to have a fancy for him, that's all... besides I'm not sure he's _altogether_ awful... he's got that odious mother whom he adores... and he's always been very poor. I don't think he's had a fair deal. I heard all about it last night. He got engaged once but they couldn't get married because of money and since then he's never had a proper affair with anyone decent... he's got to be taught a whole lot of things. That's part of his attraction." "Oh dear, I see you're very serious." The telephone rang.<|quote|>"Perhaps _that's_ him."</|quote|>But a familiar voice rang out from the instrument so that Brenda could hear it, "Good morning, darling, what's the dirt to-day?" "Oh, Polly, what a good party last night." "Not so bad for the old girl, was it? I say, what about your sister and Mr Beaver?" "What about them?" "How long has _that_ been on?" "There's nothing doing there, Polly." "Don't you tell me. They were well away last night. How's the boy managed it? That's what I want to know. He must have something we didn't know about..." "So Polly's on to your story. She'll be telling everyone in London at this moment." "How I wish there was anything to tell! The cub hasn't even rung me up... Well, I'll leave him in peace. If he doesn't do anything about me, I'll go down to Hetton this afternoon. Perhaps that's him." But it was only Allan from the Conservative Central Office, to say how sorry he had been not to get to the party the night before. "I hear Brenda disgraced herself," he said. "Goodness," said Brenda. "People do think that young men are easily come by." * * * * * "I scarcely saw you at | then turned to the keyhole. Beaver hesitated a minute whether he should go back to the party, but decided not to. He was near home, and everyone at Polly's would have settled down by now; so he gave his address in Sussex Gardens, and went up to bed. Just as he was undressed he heard the telephone ringing downstairs. It was his telephone. He went down, two flights in the cold. It was Brenda's voice. "Darling, I was just going to ring off. I thought you must have gone back to Polly's. Is the telephone not by your bed?" "No, it's on the ground floor." "Oh dear, then it wasn't a very good idea to ring up, was it?" "Oh, I don't know. What is it?" "Just to say "good night"." "Oh, I see, well--good night." "And you'll ring me in the morning?" "Yes." "Early, before you've made any plans." "Yes." "Then good night, bless you." Beaver went up the two flights of stairs again, and got into bed. * * * * * "...going away in the middle of the party." "I can't tell you how innocent it was. He didn't even come in." "No one is going to know that." "And he was furious when I rang him up." "What does he think of you?" "Simply can't make me out at all... terribly puzzled, and rather bored in bits." "Are you going to go on with it?" "I shouldn't know." The telephone rang. "Perhaps that's him." But it was not. Brenda had come into Marjorie's room and they were having breakfast in bed. Marjorie was more than ever like an elder sister that morning. "But, really, Brenda, he's such a _dreary_ young man." "I know it all. He's second rate and a snob and, I should think, as cold as a fish, but I happen to have a fancy for him, that's all... besides I'm not sure he's _altogether_ awful... he's got that odious mother whom he adores... and he's always been very poor. I don't think he's had a fair deal. I heard all about it last night. He got engaged once but they couldn't get married because of money and since then he's never had a proper affair with anyone decent... he's got to be taught a whole lot of things. That's part of his attraction." "Oh dear, I see you're very serious." The telephone rang.<|quote|>"Perhaps _that's_ him."</|quote|>But a familiar voice rang out from the instrument so that Brenda could hear it, "Good morning, darling, what's the dirt to-day?" "Oh, Polly, what a good party last night." "Not so bad for the old girl, was it? I say, what about your sister and Mr Beaver?" "What about them?" "How long has _that_ been on?" "There's nothing doing there, Polly." "Don't you tell me. They were well away last night. How's the boy managed it? That's what I want to know. He must have something we didn't know about..." "So Polly's on to your story. She'll be telling everyone in London at this moment." "How I wish there was anything to tell! The cub hasn't even rung me up... Well, I'll leave him in peace. If he doesn't do anything about me, I'll go down to Hetton this afternoon. Perhaps that's him." But it was only Allan from the Conservative Central Office, to say how sorry he had been not to get to the party the night before. "I hear Brenda disgraced herself," he said. "Goodness," said Brenda. "People do think that young men are easily come by." * * * * * "I scarcely saw you at Polly's last night," said Mrs Beaver. "What became of you?" "We went early. Brenda Last was tired." "She was looking lovely. I am so glad you've made friends with her. When are you going to see her again?" "I said I'd ring up." "Well, why don't you?" "Oh, mumsy, what's the use? I can't afford to start taking about women like Brenda Last. If I ring up she'll say, what are you doing, and I shall have to ask her to something, and it will be the same thing every day. I simply haven't the money." "I know, my son. It's very difficult for you... and you're wonderful about money. I ought to be grateful that I haven't a son always coming to me with debts. Still, it doesn't do to deny yourself _everything_, you know. You're getting to be an old bachelor already at twenty-five. I could see Brenda liked you, that evening she came here." "Oh, she likes me all right." "I hope she makes up her mind about that flat. They're going like hot cakes. I shall have to look about for another suitable house to split up. You'd be surprised who've been taking them--quite a number | saw he was out of temper and said, "Time for supper." It was early, and the tables were mostly empty except for earnest couples sitting alone. There was a large round table between the windows, with no one at it; they sat there. "I don't propose to move for a long time, d'you mind?" She wanted to make him feel important again, so she asked him about the other people in the room. Presently their table filled up. These were Brenda's old friends, among whom she used to live when she came out and in the first two years of her marriage, before Tony's father died; men in the early thirties, married women of her own age, none of whom knew Beaver or liked him. It was by far the gayest table in the room. Brenda thought "How my poor young man must be hating this"; it did not occur to her that, from Beaver's point of view, these old friends of hers were quite the most desirable people at the party, and that he was delighted to be seen at their table. "Are you dying of it?" she whispered. "No, indeed, never happier." "Well, I am. Let's go and dance." But the band was taking a rest and there was no one in the ballroom except the earnest couples who had migrated there away from the crowd and were sitting huddled in solitude round the walls, lost in conversation. "Oh dear," said Brenda, "now we're done. We can't go back to the table... it almost looks as though we should have to go home." "It's not two." "That's late for me. Look here, don't you come. Stay and enjoy yourself." "Of course I'll come," said Beaver. It was a cold, clear night. Brenda shivered and he put his arm round her in the taxi. They did not say much. "There already?" They sat for a few seconds without moving. Then Brenda slipped free and Beaver got out. "I am afraid I can't ask you in for a drink. You see it isn't my house and I shouldn't know where to find anything." "No, of course not." "Well, good night, my dear. Thank you a thousand times for looking after me. I'm afraid I rather bitched your evening." "No, of course not," said Beaver. "Will you ring me in the morning... promise?" She touched her hand to her lips and then turned to the keyhole. Beaver hesitated a minute whether he should go back to the party, but decided not to. He was near home, and everyone at Polly's would have settled down by now; so he gave his address in Sussex Gardens, and went up to bed. Just as he was undressed he heard the telephone ringing downstairs. It was his telephone. He went down, two flights in the cold. It was Brenda's voice. "Darling, I was just going to ring off. I thought you must have gone back to Polly's. Is the telephone not by your bed?" "No, it's on the ground floor." "Oh dear, then it wasn't a very good idea to ring up, was it?" "Oh, I don't know. What is it?" "Just to say "good night"." "Oh, I see, well--good night." "And you'll ring me in the morning?" "Yes." "Early, before you've made any plans." "Yes." "Then good night, bless you." Beaver went up the two flights of stairs again, and got into bed. * * * * * "...going away in the middle of the party." "I can't tell you how innocent it was. He didn't even come in." "No one is going to know that." "And he was furious when I rang him up." "What does he think of you?" "Simply can't make me out at all... terribly puzzled, and rather bored in bits." "Are you going to go on with it?" "I shouldn't know." The telephone rang. "Perhaps that's him." But it was not. Brenda had come into Marjorie's room and they were having breakfast in bed. Marjorie was more than ever like an elder sister that morning. "But, really, Brenda, he's such a _dreary_ young man." "I know it all. He's second rate and a snob and, I should think, as cold as a fish, but I happen to have a fancy for him, that's all... besides I'm not sure he's _altogether_ awful... he's got that odious mother whom he adores... and he's always been very poor. I don't think he's had a fair deal. I heard all about it last night. He got engaged once but they couldn't get married because of money and since then he's never had a proper affair with anyone decent... he's got to be taught a whole lot of things. That's part of his attraction." "Oh dear, I see you're very serious." The telephone rang.<|quote|>"Perhaps _that's_ him."</|quote|>But a familiar voice rang out from the instrument so that Brenda could hear it, "Good morning, darling, what's the dirt to-day?" "Oh, Polly, what a good party last night." "Not so bad for the old girl, was it? I say, what about your sister and Mr Beaver?" "What about them?" "How long has _that_ been on?" "There's nothing doing there, Polly." "Don't you tell me. They were well away last night. How's the boy managed it? That's what I want to know. He must have something we didn't know about..." "So Polly's on to your story. She'll be telling everyone in London at this moment." "How I wish there was anything to tell! The cub hasn't even rung me up... Well, I'll leave him in peace. If he doesn't do anything about me, I'll go down to Hetton this afternoon. Perhaps that's him." But it was only Allan from the Conservative Central Office, to say how sorry he had been not to get to the party the night before. "I hear Brenda disgraced herself," he said. "Goodness," said Brenda. "People do think that young men are easily come by." * * * * * "I scarcely saw you at Polly's last night," said Mrs Beaver. "What became of you?" "We went early. Brenda Last was tired." "She was looking lovely. I am so glad you've made friends with her. When are you going to see her again?" "I said I'd ring up." "Well, why don't you?" "Oh, mumsy, what's the use? I can't afford to start taking about women like Brenda Last. If I ring up she'll say, what are you doing, and I shall have to ask her to something, and it will be the same thing every day. I simply haven't the money." "I know, my son. It's very difficult for you... and you're wonderful about money. I ought to be grateful that I haven't a son always coming to me with debts. Still, it doesn't do to deny yourself _everything_, you know. You're getting to be an old bachelor already at twenty-five. I could see Brenda liked you, that evening she came here." "Oh, she likes me all right." "I hope she makes up her mind about that flat. They're going like hot cakes. I shall have to look about for another suitable house to split up. You'd be surprised who've been taking them--quite a number of people with houses in London already... Well, I must be getting back to work. I'm away for two nights by the way. See that Chambers looks after you properly. There are some Australians Sylvia Newport discovered who want to take a house in the country, so I'm driving them round to one or two that might do for them. Where are you lunching?" "Margot's." By one o'clock, when they came back from taking Djinn to the park, Beaver had not rung up. "So that's that," said Brenda, "I daresay I'm glad really." She sent a telegram to Tony to expect her by the afternoon train and, in a small voice, ordered her things to be packed. "I don't seem to have anywhere to lunch," she said. "Why don't you come to Margot's? I know she'd love it." "Well, ring up and ask her." So she met Beaver again. He was sitting some way from her and they did not speak to each other until everyone was going. "I kept trying to get through to you this morning," he said, "but the line was always engaged." "Oh, come on," said Brenda, "I'll sock you a movie." Later she wired to Tony: _Staying with Marjorie another day or two all love to you both_. [IV] "Is mummy coming back to-day?" "I hope so." "That monkey-woman's party has lasted a long time. Can I come in to the station and meet her?" "Yes, we'll both go." "She hasn't seen Thunderclap for four days. She hasn't seen me jump the new post and rail, has she, daddy?" She was coming by the 3.18. Tony and John Andrew were there early. They wandered about the station looking at things, and bought some chocolate from a slot machine. The stationmaster came out to talk to them. "Her ladyship coming back to-day?" He was an old friend of Tony's. "I've been expecting her every day. You know what it is when ladies get to London." "Sam Brace's wife went to London and he couldn't get her back. Had to go up and fetch her himself. And then she give him a hiding." Presently the train came in and Brenda emerged exquisitely from her third-class carriage. "You've _both_ come. What angels you are. I don't at all deserve it." "Oh, mummy, have you brought the monkey-lady?" "What _does_ the child mean?" "He's got it into his head | we should have to go home." "It's not two." "That's late for me. Look here, don't you come. Stay and enjoy yourself." "Of course I'll come," said Beaver. It was a cold, clear night. Brenda shivered and he put his arm round her in the taxi. They did not say much. "There already?" They sat for a few seconds without moving. Then Brenda slipped free and Beaver got out. "I am afraid I can't ask you in for a drink. You see it isn't my house and I shouldn't know where to find anything." "No, of course not." "Well, good night, my dear. Thank you a thousand times for looking after me. I'm afraid I rather bitched your evening." "No, of course not," said Beaver. "Will you ring me in the morning... promise?" She touched her hand to her lips and then turned to the keyhole. Beaver hesitated a minute whether he should go back to the party, but decided not to. He was near home, and everyone at Polly's would have settled down by now; so he gave his address in Sussex Gardens, and went up to bed. Just as he was undressed he heard the telephone ringing downstairs. It was his telephone. He went down, two flights in the cold. It was Brenda's voice. "Darling, I was just going to ring off. I thought you must have gone back to Polly's. Is the telephone not by your bed?" "No, it's on the ground floor." "Oh dear, then it wasn't a very good idea to ring up, was it?" "Oh, I don't know. What is it?" "Just to say "good night"." "Oh, I see, well--good night." "And you'll ring me in the morning?" "Yes." "Early, before you've made any plans." "Yes." "Then good night, bless you." Beaver went up the two flights of stairs again, and got into bed. * * * * * "...going away in the middle of the party." "I can't tell you how innocent it was. He didn't even come in." "No one is going to know that." "And he was furious when I rang him up." "What does he think of you?" "Simply can't make me out at all... terribly puzzled, and rather bored in bits." "Are you going to go on with it?" "I shouldn't know." The telephone rang. "Perhaps that's him." But it was not. Brenda had come into Marjorie's room and they were having breakfast in bed. Marjorie was more than ever like an elder sister that morning. "But, really, Brenda, he's such a _dreary_ young man." "I know it all. He's second rate and a snob and, I should think, as cold as a fish, but I happen to have a fancy for him, that's all... besides I'm not sure he's _altogether_ awful... he's got that odious mother whom he adores... and he's always been very poor. I don't think he's had a fair deal. I heard all about it last night. He got engaged once but they couldn't get married because of money and since then he's never had a proper affair with anyone decent... he's got to be taught a whole lot of things. That's part of his attraction." "Oh dear, I see you're very serious." The telephone rang.<|quote|>"Perhaps _that's_ him."</|quote|>But a familiar voice rang out from the instrument so that Brenda could hear it, "Good morning, darling, what's the dirt to-day?" "Oh, Polly, what a good party last night." "Not so bad for the old girl, was it? I say, what about your sister and Mr Beaver?" "What about them?" "How long has _that_ been on?" "There's nothing doing there, Polly." "Don't you tell me. They were well away last night. How's the boy managed it? That's what I want to know. He must have something we didn't know about..." "So Polly's on to your story. She'll be telling everyone in London at this moment." "How I wish there was anything to tell! The cub hasn't even rung me up... Well, I'll leave him in peace. If he doesn't do anything about me, I'll go down to Hetton this afternoon. Perhaps that's him." But it was only Allan from the Conservative Central Office, to say how sorry he had been not to get to the party the night before. "I hear Brenda disgraced herself," he said. "Goodness," said Brenda. "People do think that young men are easily come by." * * * * * "I scarcely saw you at Polly's last night," said Mrs Beaver. "What became of you?" "We went early. Brenda Last was tired." "She was looking lovely. I am so glad you've made friends with her. When are you going to | A Handful Of Dust | night. He got engaged once but they couldn't get married because of money and since then he's never had a proper affair with anyone decent... he's got to be taught a whole lot of things. That's part of his attraction." "Oh dear, I see you're very serious." The telephone rang.<|quote|>"Perhaps _that's_ him."</|quote|>But a familiar voice rang out from the instrument so that Brenda could hear it, "Good morning, darling, what's the dirt to-day?" "Oh, Polly, what a good party last night." "Not so bad for the old girl, was it? I say, what about your sister and Mr Beaver?" "What about | {
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"content": "night. He got engaged once but they couldn't get married because of money and since then he's never had a proper affair with anyone decent... he's got to be taught a whole lot of things. That's part of his attraction.\" \"Oh dear, I see you're very serious.\" The telephone rang.<|quote|>\"Perhaps _that's_ him.\"</|quote|>But a familiar voice rang out from the instrument so that Brenda could hear it, \"Good morning, darling, what's the dirt to-day?\" \"Oh, Polly, what a good party last night.\" \"Not so bad for the old girl, was it? I say, what about your sister and Mr Beaver?\" \"What about",
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"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company." | Katczinsky | persisted Ginger. Katczinsky got angry.<|quote|>"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."</|quote|>We began to jostle the | issue rations for eighty men," persisted Ginger. Katczinsky got angry.<|quote|>"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."</|quote|>We began to jostle the fellow. No one felt kindly | to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry.<|quote|>"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."</|quote|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much | Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry.<|quote|>"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."</|quote|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right | "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry.<|quote|>"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."</|quote|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked: "Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole | the war. Close behind us were our friends: Tjaden, a skinny lock-smith of our own age, the biggest eater of the company. He sits down to eat as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry.<|quote|>"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."</|quote|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked: "Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They | and had them filled up to the brim as a reserve. In Tjaden this is voracity, in Müller it is foresight. Where Tjaden puts it all is a mystery, for he is and always will be as thin as a rake. What's more important still is the issue of a double ration of smokes. Ten cigars, twenty cigarettes, and two quids of chew per man; now that is decent. I have exchanged my chewing tobacco with Katczinsky for his cigarettes, which means I have forty altogether. That's enough for a day. It is true we have no right to this windfall. The Prussian is not so generous. We have only a miscalculation to thank for it. Fourteen days ago we had to go up and relieve the front line. It was fairly quiet on our sector, so the quartermaster who remained in the rear had requisitioned the usual quantity of rations and provided for the full company of one hundred and fifty men. But on the last day an astonishing number of English field-guns opened up on us with high-explosive, drumming ceaselessly on our position, so that we suffered heavily and came back only eighty strong. Last night we moved back and settled down to get a good sleep for once: Katczinsky is right when he says it would not be such a bad war if only one could get a little more sleep. In the line we have had next to none, and fourteen days is a long time at one stretch. It was noon before the first of us crawled out of our quarters. Half an hour later every man had his mess-tin and we gathered at the cook-house, which smelt greasy and nourishing. At the head of the queue of course were the hungriest--little Albert Kropp, the clearest thinker among us and therefore the first to be lance-corporal; Müller, who still carries his school textbooks with him, dreams of examinations, and during a bombardment mutters propositions in physics; Leer, who wears a full beard and has a preference for the girls from officers' brothels. He swears that they are obliged by an army order to wear silk chemises and to bathe before entertaining guests of the rank of major and upwards. And as the fourth, myself, Paul Bäumer. All four are nineteen years of age, and all four joined up from the same class as volunteers for the war. Close behind us were our friends: Tjaden, a skinny lock-smith of our own age, the biggest eater of the company. He sits down to eat as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry.<|quote|>"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."</|quote|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked: "Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory seats. On the sides are hand-grips enabling one to shift them about. We move three together in a ring and sit down comfortably. For two hours we have been here without getting up. I well remember how embarrassed we were as recruits in barracks when we had to use the general latrine. There were no doors and twenty men sat side by side as in a railway carriage, so that they could be reviewed all at one glance, for soldiers must always be under supervision. Since then we have learned better than to be shy about such trifling immodesties. In time things far worse than that came easy to us. Here in the open air though, the business is entirely a pleasure. I no longer understand why we should always have shied at it before. It is, in fact, just as natural as eating and drinking. We did not properly appreciate these boxes when we first enlisted; they were new to us and did not fill such an important rôle--but now they have long been a matter of course. The soldier is on friendlier terms than other men with his stomach and intestines. Three-quarters of his vocabulary is derived from these regions, and they give an intimate flavour to expressions of his greatest joy as well as of his deepest indignation. It is impossible to express oneself in any other way so clearly and pithily. Our families and our teachers will be shocked when we go home, but here it is the universal language. Enforced publicity has in our eyes restored the character of complete innocence to all these things. More than that, they are so much a matter of course that their comfortable performance is fully as much enjoyed as the playing of a safe top running flush. Not for nothing was the word "latrine-rumour" invented; these places are the regimental gossip-shops and common-rooms. We feel ourselves for the time being better off than in any palatial white-tiled "convenience." _There_ it can only be hygienic; _here_ it is beautiful. These are wonderfully care-free hours. Over us is the blue sky. On the horizon float the bright yellow, sunlit observation-balloons, and the many little white clouds of the anti-aircraft shells. Often they rise in a sheaf as they follow after an airman. We hear the muffled rumble | the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry.<|quote|>"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."</|quote|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked: "Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory seats. On the | All Quiet on the Western Front | to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry.<|quote|>"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company."</|quote|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much | {
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"content": "to crowd around. \"Why won't that do, you old carrot?\" demanded Katczinsky. \"Eighty men can't have what is meant for a hundred and fifty.\" \"We'll soon show you,\" growled Müller. \"I don't care about the stew, but I can only issue rations for eighty men,\" persisted Ginger. Katczinsky got angry.<|quote|>\"You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company.\"</|quote|>We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much",
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} | Katczinsky |
said Marilla as soon as she could get a word in edgewise. | No speaker | and never mind your imaginings,"<|quote|>said Marilla as soon as she could get a word in edgewise.</|quote|>"Breakfast is waiting. Wash your | get dressed and come down-stairs and never mind your imaginings,"<|quote|>said Marilla as soon as she could get a word in edgewise.</|quote|>"Breakfast is waiting. Wash your face and comb your hair. | and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You'd better get dressed and come down-stairs and never mind your imaginings,"<|quote|>said Marilla as soon as she could get a word in edgewise.</|quote|>"Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can." Anne could evidently be smart to some purpose for she was down-stairs in ten minutes' time, with her clothes | feeling that there ought to be one. I'm not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid thing that there are mornings? But I feel very sad. I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You'd better get dressed and come down-stairs and never mind your imaginings,"<|quote|>said Marilla as soon as she could get a word in edgewise.</|quote|>"Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can." Anne could evidently be smart to some purpose for she was down-stairs in ten minutes' time, with her clothes neatly on, her hair brushed and braided, her face washed, and a comfortable consciousness pervading her soul that she had fulfilled all Marilla's requirements. As a matter of fact, however, she had forgotten to turn back the bedclothes. "I'm pretty hungry this morning," she announced as she slipped into the | world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They're always laughing. Even in winter-time I've heard them under the ice. I'm so glad there's a brook near Green Gables. Perhaps you think it doesn't make any difference to me when you're not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn't a brook I'd be _haunted_ by the uncomfortable feeling that there ought to be one. I'm not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid thing that there are mornings? But I feel very sad. I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You'd better get dressed and come down-stairs and never mind your imaginings,"<|quote|>said Marilla as soon as she could get a word in edgewise.</|quote|>"Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can." Anne could evidently be smart to some purpose for she was down-stairs in ten minutes' time, with her clothes neatly on, her hair brushed and braided, her face washed, and a comfortable consciousness pervading her soul that she had fulfilled all Marilla's requirements. As a matter of fact, however, she had forgotten to turn back the bedclothes. "I'm pretty hungry this morning," she announced as she slipped into the chair Marilla placed for her. "The world doesn't seem such a howling wilderness as it did last night. I'm so glad it's a sunshiny morning. But I like rainy mornings real well, too. All sorts of mornings are interesting, don't you think? You don't know what's going to happen through the day, and there's so much scope for imagination. But I'm glad it's not rainy today because it's easier to be cheerful and bear up under affliction on a sunshiny day. I feel that I have a good deal to bear up under. It's all very well to read about | low-sloping fields, was a sparkling blue glimpse of sea. Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer. "It's time you were dressed," she said curtly. Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be. Anne stood up and drew a long breath. "Oh, isn't it wonderful?" she said, waving her hand comprehensively at the good world outside. "It's a big tree," said Marilla, "and it blooms great, but the fruit don't amount to much never--small and wormy." "Oh, I don't mean just the tree; of course it's lovely--yes, it's _radiantly_ lovely--it blooms as if it meant it--but I meant everything, the garden and the orchard and the brook and the woods, the whole big dear world. Don't you feel as if you just loved the world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They're always laughing. Even in winter-time I've heard them under the ice. I'm so glad there's a brook near Green Gables. Perhaps you think it doesn't make any difference to me when you're not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn't a brook I'd be _haunted_ by the uncomfortable feeling that there ought to be one. I'm not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid thing that there are mornings? But I feel very sad. I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You'd better get dressed and come down-stairs and never mind your imaginings,"<|quote|>said Marilla as soon as she could get a word in edgewise.</|quote|>"Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can." Anne could evidently be smart to some purpose for she was down-stairs in ten minutes' time, with her clothes neatly on, her hair brushed and braided, her face washed, and a comfortable consciousness pervading her soul that she had fulfilled all Marilla's requirements. As a matter of fact, however, she had forgotten to turn back the bedclothes. "I'm pretty hungry this morning," she announced as she slipped into the chair Marilla placed for her. "The world doesn't seem such a howling wilderness as it did last night. I'm so glad it's a sunshiny morning. But I like rainy mornings real well, too. All sorts of mornings are interesting, don't you think? You don't know what's going to happen through the day, and there's so much scope for imagination. But I'm glad it's not rainy today because it's easier to be cheerful and bear up under affliction on a sunshiny day. I feel that I have a good deal to bear up under. It's all very well to read about sorrows and imagine yourself living through them heroically, but it's not so nice when you really come to have them, is it?" "For pity's sake hold your tongue," said Marilla. "You talk entirely too much for a little girl." Thereupon Anne held her tongue so obediently and thoroughly that her continued silence made Marilla rather nervous, as if in the presence of something not exactly natural. Matthew also held his tongue,--but this was natural,--so that the meal was a very silent one. As it progressed Anne became more and more abstracted, eating mechanically, with her big eyes fixed unswervingly and unseeingly on the sky outside the window. This made Marilla more nervous than ever; she had an uncomfortable feeling that while this odd child's body might be there at the table her spirit was far away in some remote airy cloudland, borne aloft on the wings of imagination. Who would want such a child about the place? Yet Matthew wished to keep her, of all unaccountable things! Marilla felt that he wanted it just as much this morning as he had the night before, and that he would go on wanting it. That was Matthew's way--take a whim into his | put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer. "It's time you were dressed," she said curtly. Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be. Anne stood up and drew a long breath. "Oh, isn't it wonderful?" she said, waving her hand comprehensively at the good world outside. "It's a big tree," said Marilla, "and it blooms great, but the fruit don't amount to much never--small and wormy." "Oh, I don't mean just the tree; of course it's lovely--yes, it's _radiantly_ lovely--it blooms as if it meant it--but I meant everything, the garden and the orchard and the brook and the woods, the whole big dear world. Don't you feel as if you just loved the world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They're always laughing. Even in winter-time I've heard them under the ice. I'm so glad there's a brook near Green Gables. Perhaps you think it doesn't make any difference to me when you're not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn't a brook I'd be _haunted_ by the uncomfortable feeling that there ought to be one. I'm not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid thing that there are mornings? But I feel very sad. I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You'd better get dressed and come down-stairs and never mind your imaginings,"<|quote|>said Marilla as soon as she could get a word in edgewise.</|quote|>"Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can." Anne could evidently be smart to some purpose for she was down-stairs in ten minutes' time, with her clothes neatly on, her hair brushed and braided, her face washed, and a comfortable consciousness pervading her soul that she had fulfilled all Marilla's requirements. As a matter of fact, however, she had forgotten to turn back the bedclothes. "I'm pretty hungry this morning," she announced as she slipped into the chair Marilla placed for her. "The world doesn't seem such a howling wilderness as it did last night. I'm so glad it's a sunshiny morning. But I like rainy mornings real well, too. All sorts of mornings are interesting, don't you think? You don't know what's going to happen through the day, and there's so much scope for imagination. But I'm glad it's not rainy today because it's easier to be cheerful and bear up under affliction on a sunshiny day. I feel that I have a good deal to bear up under. It's all very well to read about sorrows and imagine yourself living through them heroically, but it's not so nice when you really come to have them, is it?" "For pity's sake hold your tongue," said Marilla. "You talk entirely too much for a little girl." Thereupon Anne held her tongue so obediently and thoroughly that her continued silence made Marilla rather nervous, as if in the presence of something not exactly natural. Matthew also held his tongue,--but this was natural,--so that the meal was a very silent one. As it progressed Anne became more and more abstracted, eating mechanically, with her big eyes fixed unswervingly and unseeingly on the sky outside the window. This made Marilla more nervous than ever; she had an uncomfortable feeling that while this odd child's body might be there at the table her spirit was far away in some remote airy cloudland, borne aloft on the wings of imagination. Who would want such a child about the place? Yet Matthew wished to keep her, of all unaccountable things! Marilla felt that he wanted it just as much this morning as he had the night before, and that he would go on wanting it. That was Matthew's way--take a whim into his head and cling to it with the most amazing silent persistency--a persistency ten times more potent and effectual in its very silence than if he had talked it out. When the meal was ended Anne came out of her reverie and offered to wash the dishes. "Can you wash dishes right?" asked Marilla distrustfully. "Pretty well. I'm better at looking after children, though. I've had so much experience at that. It's such a pity you haven't any here for me to look after." "I don't feel as if I wanted any more children to look after than I've got at present. _You're_ problem enough in all conscience. What's to be done with you I don't know. Matthew is a most ridiculous man." "I think he's lovely," said Anne reproachfully. "He is so very sympathetic. He didn't mind how much I talked--he seemed to like it. I felt that he was a kindred spirit as soon as ever I saw him." "You're both queer enough, if that's what you mean by kindred spirits," said Marilla with a sniff. "Yes, you may wash the dishes. Take plenty of hot water, and be sure you dry them well. I've got enough to attend to this morning for I'll have to drive over to White Sands in the afternoon and see Mrs. Spencer. You'll come with me and we'll settle what's to be done with you. After you've finished the dishes go up-stairs and make your bed." Anne washed the dishes deftly enough, as Marilla who kept a sharp eye on the process, discerned. Later on she made her bed less successfully, for she had never learned the art of wrestling with a feather tick. But is was done somehow and smoothed down; and then Marilla, to get rid of her, told her she might go out-of-doors and amuse herself until dinner time. Anne flew to the door, face alight, eyes glowing. On the very threshold she stopped short, wheeled about, came back and sat down by the table, light and glow as effectually blotted out as if some one had clapped an extinguisher on her. "What's the matter now?" demanded Marilla. "I don't dare go out," said Anne, in the tone of a martyr relinquishing all earthly joys. "If I can't stay here there is no use in my loving Green Gables. And if I go out there and get acquainted with all | the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer. "It's time you were dressed," she said curtly. Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be. Anne stood up and drew a long breath. "Oh, isn't it wonderful?" she said, waving her hand comprehensively at the good world outside. "It's a big tree," said Marilla, "and it blooms great, but the fruit don't amount to much never--small and wormy." "Oh, I don't mean just the tree; of course it's lovely--yes, it's _radiantly_ lovely--it blooms as if it meant it--but I meant everything, the garden and the orchard and the brook and the woods, the whole big dear world. Don't you feel as if you just loved the world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They're always laughing. Even in winter-time I've heard them under the ice. I'm so glad there's a brook near Green Gables. Perhaps you think it doesn't make any difference to me when you're not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn't a brook I'd be _haunted_ by the uncomfortable feeling that there ought to be one. I'm not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid thing that there are mornings? But I feel very sad. I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You'd better get dressed and come down-stairs and never mind your imaginings,"<|quote|>said Marilla as soon as she could get a word in edgewise.</|quote|>"Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can." Anne could evidently be smart to some purpose for she was down-stairs in ten minutes' time, with her clothes neatly on, her hair brushed and braided, her face washed, and a comfortable consciousness pervading her soul that she had fulfilled all Marilla's requirements. As a matter of fact, however, she had forgotten to turn back the bedclothes. "I'm pretty hungry this morning," she announced as she slipped into the chair Marilla placed for her. "The world doesn't seem such a howling wilderness as it did last night. I'm so glad it's a sunshiny morning. But I like rainy mornings real well, too. All sorts of mornings are interesting, don't you think? You don't know what's going to happen through the day, and there's so much scope for imagination. But I'm glad it's not rainy today because it's easier to be cheerful and bear up under affliction on a sunshiny day. I feel that I have a good deal to bear up under. It's all very well to read about sorrows and imagine yourself living through them heroically, but it's not so nice when you really come to have them, is it?" "For pity's sake hold your tongue," said Marilla. "You talk entirely too much for a little girl." Thereupon Anne held her tongue so obediently and thoroughly that her continued silence made Marilla rather nervous, as if in the presence of something not exactly natural. Matthew also held his tongue,--but this was natural,--so that the meal was a very silent one. As it progressed Anne became more and more abstracted, eating mechanically, with her big eyes fixed unswervingly and unseeingly on the sky outside the window. This made Marilla more nervous than ever; she had an uncomfortable feeling that while this odd child's body might be there at the table her spirit was far away in some remote airy cloudland, borne aloft on the wings of imagination. Who would want such a child about the place? Yet Matthew wished to keep her, of all unaccountable things! Marilla felt that he wanted it just as much this morning as he had the night before, and that he would go on wanting it. That was Matthew's way--take a whim into his head and cling to it with the most amazing silent persistency--a persistency ten times more potent and effectual in its very silence than if he had talked it out. When the meal was ended Anne came out of her reverie and offered to wash the dishes. "Can you wash dishes right?" asked Marilla distrustfully. "Pretty well. I'm better at looking after children, though. I've had so much experience at that. It's such a pity you haven't any here for me to look after." "I don't feel as if I wanted any more children to look after than I've got at present. _You're_ problem enough in all conscience. What's to be done with you I don't know. Matthew is a most ridiculous man." "I think he's lovely," said Anne reproachfully. "He is so very sympathetic. He didn't mind how much I | Anne Of Green Gables | and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You'd better get dressed and come down-stairs and never mind your imaginings,"<|quote|>said Marilla as soon as she could get a word in edgewise.</|quote|>"Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can." Anne could evidently be smart to some purpose for she was down-stairs in ten minutes' time, with her clothes | {
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"content": "and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts.\" \"You'd better get dressed and come down-stairs and never mind your imaginings,\"<|quote|>said Marilla as soon as she could get a word in edgewise.</|quote|>\"Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can.\" Anne could evidently be smart to some purpose for she was down-stairs in ten minutes' time, with her clothes",
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Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies. | No speaker | I call it positively providential."<|quote|>Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies.</|quote|>"Well, I'll go in and | the very girl for you. I call it positively providential."<|quote|>Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies.</|quote|>"Well, I'll go in and we'll talk the matter over," | and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential."<|quote|>Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies.</|quote|>"Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been | to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential."<|quote|>Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies.</|quote|>"Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't wiggle. Let me | "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential."<|quote|>Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies.</|quote|>"Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't wiggle. Let me take your hats. Flora Jane, go out and put the kettle on. Good afternoon, Mrs. Blewett. We were just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed | |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" "I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential."<|quote|>Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies.</|quote|>"Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't wiggle. Let me take your hats. Flora Jane, go out and put the kettle on. Good afternoon, Mrs. Blewett. We were just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed woman? She felt a lump coming up in her throat and her eyes smarted painfully. She was beginning to be afraid she couldn't keep the tears back when Mrs. Spencer returned, flushed and beaming, quite capable of taking any and every difficulty, physical, mental or spiritual, into consideration and settling it out of hand. "It seems there's been a mistake about this little girl, Mrs. Blewett," she said. "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you." Mrs. Blewett darted her eyes over Anne from head to foot. "How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I'm eleven years old." "Humph! You don't look as if there was much to you. But you're wiry. I don't know but the wiry ones are the best after all. Well, if I take you you'll have to be a good girl, you know--good | real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say," thought Marilla, "but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" "I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential."<|quote|>Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies.</|quote|>"Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't wiggle. Let me take your hats. Flora Jane, go out and put the kettle on. Good afternoon, Mrs. Blewett. We were just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed woman? She felt a lump coming up in her throat and her eyes smarted painfully. She was beginning to be afraid she couldn't keep the tears back when Mrs. Spencer returned, flushed and beaming, quite capable of taking any and every difficulty, physical, mental or spiritual, into consideration and settling it out of hand. "It seems there's been a mistake about this little girl, Mrs. Blewett," she said. "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you." Mrs. Blewett darted her eyes over Anne from head to foot. "How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I'm eleven years old." "Humph! You don't look as if there was much to you. But you're wiry. I don't know but the wiry ones are the best after all. Well, if I take you you'll have to be a good girl, you know--good and smart and respectful. I'll expect you to earn your keep, and no mistake about that. Yes, I suppose I might as well take her off your hands, Miss Cuthbert. The baby's awful fractious, and I'm clean worn out attending to him. If you like I can take her right home now." Marilla looked at Anne and softened at sight of the child's pale face with its look of mute misery--the misery of a helpless little creature who finds itself once more caught in the trap from which it had escaped. Marilla felt an uncomfortable conviction that, if she denied the appeal of that look, it would haunt her to her dying day. More-over, she did not fancy Mrs. Blewett. To hand a sensitive, "highstrung" child over to such a woman! No, she could not take the responsibility of doing that! "Well, I don't know," she said slowly. "I didn't say that Matthew and I had absolutely decided that we wouldn't keep her. In fact I may say that Matthew is disposed to keep her. I just came over to find out how the mistake had occurred. I think I'd better take her home again and talk it over with Matthew. I feel that I oughtn't to decide on anything without consulting him. If we make up our mind not to keep her we'll bring or send her over to you tomorrow night. If we don't you may know that she is going to stay with us. Will that suit you, Mrs. Blewett?" "I suppose it'll have to," said Mrs. Blewett ungraciously. During Marilla's speech a sunrise had been dawning on Anne's face. First the look of despair faded out; then came a faint flush of hope; her eyes grew deep and bright as morning stars. The child was quite transfigured; and, a moment later, when Mrs. Spencer and Mrs. Blewett went out in quest of a recipe the latter had come to borrow she sprang up and flew across the room to Marilla. "Oh, Miss Cuthbert, did you really say that perhaps you would let me stay at Green Gables?" she said, in a breathless whisper, as if speaking aloud might shatter the glorious possibility. "Did you really say it? Or did I only imagine that you did?" "I think you'd better learn to control that imagination of yours, Anne, if you can't distinguish between what is real and | VI. Marilla Makes Up Her Mind |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" "I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential."<|quote|>Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies.</|quote|>"Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't wiggle. Let me take your hats. Flora Jane, go out and put the kettle on. Good afternoon, Mrs. Blewett. We were just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed woman? She felt a lump coming up in her throat and her eyes smarted painfully. She was beginning to be afraid she couldn't keep the tears back when Mrs. Spencer returned, flushed and | Anne Of Green Gables | and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential."<|quote|>Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies.</|quote|>"Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been | {
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"content": "and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential.\"<|quote|>Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. \"A terrible worker and driver,\" Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies.</|quote|>\"Well, I'll go in and we'll talk the matter over,\" she said. \"And if there isn't Mrs. Peter coming up the lane this blessed minute!\" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been",
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we yell. They withdraw. The little one who came first is the last to go. | No speaker | in concert. "Shut the door!"<|quote|>we yell. They withdraw. The little one who came first is the last to go.</|quote|>"Heathen," she chirps, but shuts | sisters appear and reproach us in concert. "Shut the door!"<|quote|>we yell. They withdraw. The little one who came first is the last to go.</|quote|>"Heathen," she chirps, but shuts the door all the same. | something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!"<|quote|>we yell. They withdraw. The little one who came first is the last to go.</|quote|>"Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one | quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!"<|quote|>we yell. They withdraw. The little one who came first is the last to go.</|quote|>"Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I | "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!"<|quote|>we yell. They withdraw. The little one who came first is the last to go.</|quote|>"Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!" He grins. "That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting | a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones. "Such an absurdity!" I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!"<|quote|>we yell. They withdraw. The little one who came first is the last to go.</|quote|>"Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!" He grins. "That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. "Yes," he explains, "I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible for my actions. Ever since then I've had a grand time. No one dares to annoy me. And nobody does anything to me." "I reported myself because the shot amused me. If they open the door again to-morrow we will pitch another." We are overjoyed. With Josef Hamacher in our midst we can now risk anything. Then come the soundless, flat trollies to take us away. The bandages are stuck fast. We bellow like steers. * * There are eight men in our room. Peter, a curly black-haired fellow, has the worst injury;--a severe lung wound. Franz Wächter, alongside him, has a shot in the arm which didn't look too bad at first. But the third night he calls out to us, telling us to ring, he thinks he has a hæmorrhage. I ring loudly. The night sister does not come. We have been making rather heavy demands on her during the night, because we have all been freshly bandaged, and so have a good deal of pain. | new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones. "Such an absurdity!" I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!"<|quote|>we yell. They withdraw. The little one who came first is the last to go.</|quote|>"Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!" He grins. "That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. "Yes," he explains, "I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible for my actions. Ever since then I've had a grand time. No one dares to annoy me. And nobody does anything to me." "I reported myself because the shot amused me. If they open the door again to-morrow we will pitch another." We are overjoyed. With Josef Hamacher in our midst we can now risk anything. Then come the soundless, flat trollies to take us away. The bandages are stuck fast. We bellow like steers. * * There are eight men in our room. Peter, a curly black-haired fellow, has the worst injury;--a severe lung wound. Franz Wächter, alongside him, has a shot in the arm which didn't look too bad at first. But the third night he calls out to us, telling us to ring, he thinks he has a hæmorrhage. I ring loudly. The night sister does not come. We have been making rather heavy demands on her during the night, because we have all been freshly bandaged, and so have a good deal of pain. One wants his leg placed so, another so, a third wants water, a fourth wants her to shake up his pillow;--in the end the buxom old body grumbled bad temperedly and slammed the doors. Now no doubt she thinks it is something of the same sort and so she is not coming. We wait. Then Franz says: "Ring again." I do so. Still she does not put in an appearance. In our wing there is only one night sister, perhaps she has something to do in one of the other rooms. "Franz, are you quite sure you are bleeding?" I ask. "Otherwise we shall be getting cursed again." "The bandage is wet. Can't anybody make a light?" That cannot be done either. The switch is by the door and none of us can stand up. I hold my thumb against the button of the bell till it becomes numb. Perhaps the sister has fallen asleep. They certainly have a great deal to do and are all overworked day after day. And added to that is the everlasting praying. "Should we smash a bottle?" asks Josef Hamacher of the shooting licence. "She wouldn't hear that any more than the bell." At last the door opens. The old lady appears, mumbling. When she perceives Franz's trouble she begins to bustle, and says: "Why did not someone say I was wanted?" "We did ring. And none of us here can walk." He has been bleeding badly and she binds him up. In the morning we look at his face, it has become sharp and yellow, whereas the evening before he looked almost healthy. Now a sister comes oftener. * * Sometimes there are red-cross voluntary aid sisters. They are pleasant, but often rather unskilled. They frequently give us pain when re-making our beds, and then are so frightened that they hurt us still more. The nuns are more reliable. They know how they must take hold of us, but we would be more pleased if they were somewhat more cheerful. A few of them have real spirit, they are superb. There is no one who would not do anything for Sister Libertine, this marvellous sister, who spreads good cheer through the whole wing even when she can only be seen in the distance. And there are others like her. We would go through fire for her. A man cannot really complain, here he | us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones. "Such an absurdity!" I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!"<|quote|>we yell. They withdraw. The little one who came first is the last to go.</|quote|>"Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!" He grins. "That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. "Yes," he explains, "I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible for my actions. Ever since then I've had a grand time. No one dares to annoy me. And nobody does anything to me." "I reported myself because the shot amused me. If they open the door again to-morrow we will pitch another." We are overjoyed. With Josef Hamacher in our midst we can now risk anything. Then come the soundless, flat trollies to take us away. The bandages are stuck fast. We bellow like steers. * * There are eight men in our room. Peter, a curly black-haired fellow, has the worst injury;--a severe lung wound. Franz Wächter, alongside him, has a shot in the arm which didn't look too bad at first. But the third night he calls out to us, telling us to ring, he thinks he has a hæmorrhage. I ring loudly. The night sister does not come. We have been making rather heavy demands on her during the night, because we have all been freshly bandaged, and so have a good deal of pain. One wants his leg placed so, another so, a third wants water, a fourth wants her to shake up his pillow;--in the end the buxom old body | All Quiet on the Western Front | something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!"<|quote|>we yell. They withdraw. The little one who came first is the last to go.</|quote|>"Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one | {
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"content": "something fly.\" \"Me, too,\" says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. \"Shut the door!\"<|quote|>we yell. They withdraw. The little one who came first is the last to go.</|quote|>\"Heathen,\" she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one",
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I tell him. | No speaker | well for you to talk,"<|quote|>I tell him.</|quote|>"You've a wife and children." | lousy war----" "It's all very well for you to talk,"<|quote|>I tell him.</|quote|>"You've a wife and children." "True," he nods, "and I | but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk,"<|quote|>I tell him.</|quote|>"You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, | then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk,"<|quote|>I tell him.</|quote|>"You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much | Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk,"<|quote|>I tell him.</|quote|>"You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: | the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk,"<|quote|>I tell him.</|quote|>"You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and | ought to put him out of his misery." He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head. "Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--," dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry: "Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk,"<|quote|>I tell him.</|quote|>"You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie looks at him sadly and is silent. His thoughts still linger over the clear evenings in autumn, the Sundays in the heather, the village bells, the afternoons and evenings with the servant girls, the fried bacon and barley, the care-free evening hours in the ale-house---- He can't part with all these dreams so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?" asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence: "I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his little corner of Oldenburg. They haven't brought the hay in yet. At this moment Himmelstoss appears. He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then he marches up to us. No one makes any motion to stand up. Kropp looks up at him with interest. He continues to stand in front of us and wait. As no one | surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk,"<|quote|>I tell him.</|quote|>"You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews | All Quiet on the Western Front | but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk,"<|quote|>I tell him.</|quote|>"You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, | {
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"I should think Marilla's raspberry cordial would prob'ly be much nicer than Mrs. Lynde's," | Anne Shirley | taste a bit like hers."<|quote|>"I should think Marilla's raspberry cordial would prob'ly be much nicer than Mrs. Lynde's,"</|quote|>said Anne loyally. "Marilla is | hers so much. It doesn't taste a bit like hers."<|quote|>"I should think Marilla's raspberry cordial would prob'ly be much nicer than Mrs. Lynde's,"</|quote|>said Anne loyally. "Marilla is a famous cook. She is | particular objection to the drinking of a third. The tumblerfuls were generous ones and the raspberry cordial was certainly very nice. "The nicest I ever drank," said Diana. "It's ever so much nicer than Mrs. Lynde's, although she brags of hers so much. It doesn't taste a bit like hers."<|quote|>"I should think Marilla's raspberry cordial would prob'ly be much nicer than Mrs. Lynde's,"</|quote|>said Anne loyally. "Marilla is a famous cook. She is trying to teach me to cook but I assure you, Diana, it is uphill work. There's so little scope for imagination in cookery. You just have to go by rules. The last time I made a cake I forgot to | want. I'm going to run out and stir the fire up. There are so many responsibilities on a person's mind when they're keeping house, isn't there?" When Anne came back from the kitchen Diana was drinking her second glassful of cordial; and, being entreated thereto by Anne, she offered no particular objection to the drinking of a third. The tumblerfuls were generous ones and the raspberry cordial was certainly very nice. "The nicest I ever drank," said Diana. "It's ever so much nicer than Mrs. Lynde's, although she brags of hers so much. It doesn't taste a bit like hers."<|quote|>"I should think Marilla's raspberry cordial would prob'ly be much nicer than Mrs. Lynde's,"</|quote|>said Anne loyally. "Marilla is a famous cook. She is trying to teach me to cook but I assure you, Diana, it is uphill work. There's so little scope for imagination in cookery. You just have to go by rules. The last time I made a cake I forgot to put the flour in. I was thinking the loveliest story about you and me, Diana. I thought you were desperately ill with smallpox and everybody deserted you, but I went boldly to your bedside and nursed you back to life; and then I took the smallpox and died and I | of raspberry cordial there. Search revealed it away back on the top shelf. Anne put it on a tray and set it on the table with a tumbler. "Now, please help yourself, Diana," she said politely. "I don't believe I'll have any just now. I don't feel as if I wanted any after all those apples." Diana poured herself out a tumblerful, looked at its bright-red hue admiringly, and then sipped it daintily. "That's awfully nice raspberry cordial, Anne," she said. "I didn't know raspberry cordial was so nice." "I'm real glad you like it. Take as much as you want. I'm going to run out and stir the fire up. There are so many responsibilities on a person's mind when they're keeping house, isn't there?" When Anne came back from the kitchen Diana was drinking her second glassful of cordial; and, being entreated thereto by Anne, she offered no particular objection to the drinking of a third. The tumblerfuls were generous ones and the raspberry cordial was certainly very nice. "The nicest I ever drank," said Diana. "It's ever so much nicer than Mrs. Lynde's, although she brags of hers so much. It doesn't taste a bit like hers."<|quote|>"I should think Marilla's raspberry cordial would prob'ly be much nicer than Mrs. Lynde's,"</|quote|>said Anne loyally. "Marilla is a famous cook. She is trying to teach me to cook but I assure you, Diana, it is uphill work. There's so little scope for imagination in cookery. You just have to go by rules. The last time I made a cake I forgot to put the flour in. I was thinking the loveliest story about you and me, Diana. I thought you were desperately ill with smallpox and everybody deserted you, but I went boldly to your bedside and nursed you back to life; and then I took the smallpox and died and I was buried under those poplar trees in the graveyard and you planted a rosebush by my grave and watered it with your tears; and you never, never forgot the friend of your youth who sacrificed her life for you. Oh, it was such a pathetic tale, Diana. The tears just rained down over my cheeks while I mixed the cake. But I forgot the flour and the cake was a dismal failure. Flour is so essential to cakes, you know. Marilla was very cross and I don't wonder. I'm a great trial to her. She was terribly mortified about the | that old Mary Joe from the Creek gave her. You had to rub the warts with the pebble and then throw it away over your left shoulder at the time of the new moon and the warts would all go. Charlie Sloane's name was written up with Em White's on the porch wall and Em White was _awful mad_ about it; Sam Boulter had "sassed" Mr. Phillips in class and Mr. Phillips whipped him and Sam's father came down to the school and dared Mr. Phillips to lay a hand on one of his children again; and Mattie Andrews had a new red hood and a blue crossover with tassels on it and the airs she put on about it were perfectly sickening; and Lizzie Wright didn't speak to Mamie Wilson because Mamie Wilson's grown-up sister had cut out Lizzie Wright's grown-up sister with her beau; and everybody missed Anne so and wished she's come to school again; and Gilbert Blythe-- But Anne didn't want to hear about Gilbert Blythe. She jumped up hurriedly and said suppose they go in and have some raspberry cordial. Anne looked on the second shelf of the room pantry but there was no bottle of raspberry cordial there. Search revealed it away back on the top shelf. Anne put it on a tray and set it on the table with a tumbler. "Now, please help yourself, Diana," she said politely. "I don't believe I'll have any just now. I don't feel as if I wanted any after all those apples." Diana poured herself out a tumblerful, looked at its bright-red hue admiringly, and then sipped it daintily. "That's awfully nice raspberry cordial, Anne," she said. "I didn't know raspberry cordial was so nice." "I'm real glad you like it. Take as much as you want. I'm going to run out and stir the fire up. There are so many responsibilities on a person's mind when they're keeping house, isn't there?" When Anne came back from the kitchen Diana was drinking her second glassful of cordial; and, being entreated thereto by Anne, she offered no particular objection to the drinking of a third. The tumblerfuls were generous ones and the raspberry cordial was certainly very nice. "The nicest I ever drank," said Diana. "It's ever so much nicer than Mrs. Lynde's, although she brags of hers so much. It doesn't taste a bit like hers."<|quote|>"I should think Marilla's raspberry cordial would prob'ly be much nicer than Mrs. Lynde's,"</|quote|>said Anne loyally. "Marilla is a famous cook. She is trying to teach me to cook but I assure you, Diana, it is uphill work. There's so little scope for imagination in cookery. You just have to go by rules. The last time I made a cake I forgot to put the flour in. I was thinking the loveliest story about you and me, Diana. I thought you were desperately ill with smallpox and everybody deserted you, but I went boldly to your bedside and nursed you back to life; and then I took the smallpox and died and I was buried under those poplar trees in the graveyard and you planted a rosebush by my grave and watered it with your tears; and you never, never forgot the friend of your youth who sacrificed her life for you. Oh, it was such a pathetic tale, Diana. The tears just rained down over my cheeks while I mixed the cake. But I forgot the flour and the cake was a dismal failure. Flour is so essential to cakes, you know. Marilla was very cross and I don't wonder. I'm a great trial to her. She was terribly mortified about the pudding sauce last week. We had a plum pudding for dinner on Tuesday and there was half the pudding and a pitcherful of sauce left over. Marilla said there was enough for another dinner and told me to set it on the pantry shelf and cover it. I meant to cover it just as much as could be, Diana, but when I carried it in I was imagining I was a nun--of course I'm a Protestant but I imagined I was a Catholic--taking the veil to bury a broken heart in cloistered seclusion; and I forgot all about covering the pudding sauce. I thought of it next morning and ran to the pantry. Diana, fancy if you can my extreme horror at finding a mouse drowned in that pudding sauce! I lifted the mouse out with a spoon and threw it out in the yard and then I washed the spoon in three waters. Marilla was out milking and I fully intended to ask her when she came in if I'd give the sauce to the pigs; but when she did come in I was imagining that I was a frost fairy going through the woods turning the trees red | At other times she was wont to run into the kitchen without knocking; but now she knocked primly at the front door. And when Anne, dressed in her second best, as primly opened it, both little girls shook hands as gravely as if they had never met before. This unnatural solemnity lasted until after Diana had been taken to the east gable to lay off her hat and then had sat for ten minutes in the sitting room, toes in position. "How is your mother?" inquired Anne politely, just as if she had not seen Mrs. Barry picking apples that morning in excellent health and spirits. "She is very well, thank you. I suppose Mr. Cuthbert is hauling potatoes to the _lily sands_ this afternoon, is he?" said Diana, who had ridden down to Mr. Harmon Andrews's that morning in Matthew's cart. "Yes. Our potato crop is very good this year. I hope your father's crop is good too." "It is fairly good, thank you. Have you picked many of your apples yet?" "Oh, ever so many," said Anne forgetting to be dignified and jumping up quickly. "Let's go out to the orchard and get some of the Red Sweetings, Diana. Marilla says we can have all that are left on the tree. Marilla is a very generous woman. She said we could have fruit cake and cherry preserves for tea. But it isn't good manners to tell your company what you are going to give them to eat, so I won't tell you what she said we could have to drink. Only it begins with an R and a C and it's bright red color. I love bright red drinks, don't you? They taste twice as good as any other color." The orchard, with its great sweeping boughs that bent to the ground with fruit, proved so delightful that the little girls spent most of the afternoon in it, sitting in a grassy corner where the frost had spared the green and the mellow autumn sunshine lingered warmly, eating apples and talking as hard as they could. Diana had much to tell Anne of what went on in school. She had to sit with Gertie Pye and she hated it; Gertie squeaked her pencil all the time and it just made her--Diana's--blood run cold; Ruby Gillis had charmed all her warts away, true's you live, with a magic pebble that old Mary Joe from the Creek gave her. You had to rub the warts with the pebble and then throw it away over your left shoulder at the time of the new moon and the warts would all go. Charlie Sloane's name was written up with Em White's on the porch wall and Em White was _awful mad_ about it; Sam Boulter had "sassed" Mr. Phillips in class and Mr. Phillips whipped him and Sam's father came down to the school and dared Mr. Phillips to lay a hand on one of his children again; and Mattie Andrews had a new red hood and a blue crossover with tassels on it and the airs she put on about it were perfectly sickening; and Lizzie Wright didn't speak to Mamie Wilson because Mamie Wilson's grown-up sister had cut out Lizzie Wright's grown-up sister with her beau; and everybody missed Anne so and wished she's come to school again; and Gilbert Blythe-- But Anne didn't want to hear about Gilbert Blythe. She jumped up hurriedly and said suppose they go in and have some raspberry cordial. Anne looked on the second shelf of the room pantry but there was no bottle of raspberry cordial there. Search revealed it away back on the top shelf. Anne put it on a tray and set it on the table with a tumbler. "Now, please help yourself, Diana," she said politely. "I don't believe I'll have any just now. I don't feel as if I wanted any after all those apples." Diana poured herself out a tumblerful, looked at its bright-red hue admiringly, and then sipped it daintily. "That's awfully nice raspberry cordial, Anne," she said. "I didn't know raspberry cordial was so nice." "I'm real glad you like it. Take as much as you want. I'm going to run out and stir the fire up. There are so many responsibilities on a person's mind when they're keeping house, isn't there?" When Anne came back from the kitchen Diana was drinking her second glassful of cordial; and, being entreated thereto by Anne, she offered no particular objection to the drinking of a third. The tumblerfuls were generous ones and the raspberry cordial was certainly very nice. "The nicest I ever drank," said Diana. "It's ever so much nicer than Mrs. Lynde's, although she brags of hers so much. It doesn't taste a bit like hers."<|quote|>"I should think Marilla's raspberry cordial would prob'ly be much nicer than Mrs. Lynde's,"</|quote|>said Anne loyally. "Marilla is a famous cook. She is trying to teach me to cook but I assure you, Diana, it is uphill work. There's so little scope for imagination in cookery. You just have to go by rules. The last time I made a cake I forgot to put the flour in. I was thinking the loveliest story about you and me, Diana. I thought you were desperately ill with smallpox and everybody deserted you, but I went boldly to your bedside and nursed you back to life; and then I took the smallpox and died and I was buried under those poplar trees in the graveyard and you planted a rosebush by my grave and watered it with your tears; and you never, never forgot the friend of your youth who sacrificed her life for you. Oh, it was such a pathetic tale, Diana. The tears just rained down over my cheeks while I mixed the cake. But I forgot the flour and the cake was a dismal failure. Flour is so essential to cakes, you know. Marilla was very cross and I don't wonder. I'm a great trial to her. She was terribly mortified about the pudding sauce last week. We had a plum pudding for dinner on Tuesday and there was half the pudding and a pitcherful of sauce left over. Marilla said there was enough for another dinner and told me to set it on the pantry shelf and cover it. I meant to cover it just as much as could be, Diana, but when I carried it in I was imagining I was a nun--of course I'm a Protestant but I imagined I was a Catholic--taking the veil to bury a broken heart in cloistered seclusion; and I forgot all about covering the pudding sauce. I thought of it next morning and ran to the pantry. Diana, fancy if you can my extreme horror at finding a mouse drowned in that pudding sauce! I lifted the mouse out with a spoon and threw it out in the yard and then I washed the spoon in three waters. Marilla was out milking and I fully intended to ask her when she came in if I'd give the sauce to the pigs; but when she did come in I was imagining that I was a frost fairy going through the woods turning the trees red and yellow, whichever they wanted to be, so I never thought about the pudding sauce again and Marilla sent me out to pick apples. Well, Mr. and Mrs. Chester Ross from Spencervale came here that morning. You know they are very stylish people, especially Mrs. Chester Ross. When Marilla called me in dinner was all ready and everybody was at the table. I tried to be as polite and dignified as I could be, for I wanted Mrs. Chester Ross to think I was a ladylike little girl even if I wasn't pretty. Everything went right until I saw Marilla coming with the plum pudding in one hand and the pitcher of pudding sauce _warmed up_, in the other. Diana, that was a terrible moment. I remembered everything and I just stood up in my place and shrieked out" ?Marilla, you mustn't use that pudding sauce. There was a mouse drowned in it. I forgot to tell you before.' "Oh, Diana, I shall never forget that awful moment if I live to be a hundred. Mrs. Chester Ross just _looked_ at me and I thought I would sink through the floor with mortification. She is such a perfect housekeeper and fancy what she must have thought of us. Marilla turned red as fire but she never said a word--then. She just carried that sauce and pudding out and brought in some strawberry preserves. She even offered me some, but I couldn't swallow a mouthful. It was like heaping coals of fire on my head. After Mrs. Chester Ross went away, Marilla gave me a dreadful scolding. Why, Diana, what is the matter?" Diana had stood up very unsteadily; then she sat down again, putting her hands to her head. "I'm--I'm awful sick," she said, a little thickly. "I--I--must go right home." "Oh, you mustn't dream of going home without your tea," cried Anne in distress. "I'll get it right off--I'll go and put the tea down this very minute." "I must go home," repeated Diana, stupidly but determinedly. "Let me get you a lunch anyhow," implored Anne. "Let me give you a bit of fruit cake and some of the cherry preserves. Lie down on the sofa for a little while and you'll be better. Where do you feel bad?" "I must go home," said Diana, and that was all she would say. In vain Anne pleaded. "I never heard | and dared Mr. Phillips to lay a hand on one of his children again; and Mattie Andrews had a new red hood and a blue crossover with tassels on it and the airs she put on about it were perfectly sickening; and Lizzie Wright didn't speak to Mamie Wilson because Mamie Wilson's grown-up sister had cut out Lizzie Wright's grown-up sister with her beau; and everybody missed Anne so and wished she's come to school again; and Gilbert Blythe-- But Anne didn't want to hear about Gilbert Blythe. She jumped up hurriedly and said suppose they go in and have some raspberry cordial. Anne looked on the second shelf of the room pantry but there was no bottle of raspberry cordial there. Search revealed it away back on the top shelf. Anne put it on a tray and set it on the table with a tumbler. "Now, please help yourself, Diana," she said politely. "I don't believe I'll have any just now. I don't feel as if I wanted any after all those apples." Diana poured herself out a tumblerful, looked at its bright-red hue admiringly, and then sipped it daintily. "That's awfully nice raspberry cordial, Anne," she said. "I didn't know raspberry cordial was so nice." "I'm real glad you like it. Take as much as you want. I'm going to run out and stir the fire up. There are so many responsibilities on a person's mind when they're keeping house, isn't there?" When Anne came back from the kitchen Diana was drinking her second glassful of cordial; and, being entreated thereto by Anne, she offered no particular objection to the drinking of a third. The tumblerfuls were generous ones and the raspberry cordial was certainly very nice. "The nicest I ever drank," said Diana. "It's ever so much nicer than Mrs. Lynde's, although she brags of hers so much. It doesn't taste a bit like hers."<|quote|>"I should think Marilla's raspberry cordial would prob'ly be much nicer than Mrs. Lynde's,"</|quote|>said Anne loyally. "Marilla is a famous cook. She is trying to teach me to cook but I assure you, Diana, it is uphill work. There's so little scope for imagination in cookery. You just have to go by rules. The last time I made a cake I forgot to put the flour in. I was thinking the loveliest story about you and me, Diana. I thought you were desperately ill with smallpox and everybody deserted you, but I went boldly to your bedside and nursed you back to life; and then I took the smallpox and died and I was buried under those poplar trees in the graveyard and you planted a rosebush by my grave and watered it with your tears; and you never, never forgot the friend of your youth who sacrificed her life for you. Oh, it was such a pathetic tale, Diana. The tears just rained down over my cheeks while I mixed the cake. But I forgot the flour and the cake was a dismal failure. Flour is so essential to cakes, you know. Marilla was very cross and I don't wonder. I'm a great trial to her. She was terribly mortified about the pudding sauce last week. We had a plum pudding for dinner on Tuesday and there was half the pudding and a pitcherful of sauce left over. Marilla said there was enough for another dinner and told me to set it on the pantry shelf and cover it. | Anne Of Green Gables | particular objection to the drinking of a third. The tumblerfuls were generous ones and the raspberry cordial was certainly very nice. "The nicest I ever drank," said Diana. "It's ever so much nicer than Mrs. Lynde's, although she brags of hers so much. It doesn't taste a bit like hers."<|quote|>"I should think Marilla's raspberry cordial would prob'ly be much nicer than Mrs. Lynde's,"</|quote|>said Anne loyally. "Marilla is a famous cook. She is trying to teach me to cook but I assure you, Diana, it is uphill work. There's so little scope for imagination in cookery. You just have to go by rules. The last time I made a cake I forgot to | {
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said Alice; | No speaker | been to a day-school, too,"<|quote|>said Alice;</|quote|>"you needn't be so proud | to school every day--" "_I've_ been to a day-school, too,"<|quote|>said Alice;</|quote|>"you needn't be so proud as all that." "With extras?" | believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too,"<|quote|>said Alice;</|quote|>"you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a | and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too,"<|quote|>said Alice;</|quote|>"you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took | to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too,"<|quote|>said Alice;</|quote|>"you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more | pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too,"<|quote|>said Alice;</|quote|>"you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because | with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too,"<|quote|>said Alice;</|quote|>"you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly | hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too,"<|quote|>said Alice;</|quote|>"you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and | Alices Adventures In Wonderland | believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too,"<|quote|>said Alice;</|quote|>"you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a | {
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"content": "believe it--\" \"I never said I didn't!\" interrupted Alice. \"You did,\" said the Mock Turtle. \"Hold your tongue!\" added the Gryphon, before Alice could speak again. The Mock Turtle went on. \"We had the best of educations--in fact, we went to school every day--\" \"_I've_ been to a day-school, too,\"<|quote|>said Alice;</|quote|>\"you needn't be so proud as all that.\" \"With extras?\" asked the Mock Turtle a little anxiously. \"Yes,\" said Alice, \"we learned French and music.\" \"And washing?\" said the Mock Turtle. \"Certainly not!\" said Alice indignantly. \"Ah! then yours wasn't a really good school,\" said the Mock Turtle in a",
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"It's not much of a boat," | The Genial Passenger | which constituted the ship's library.<|quote|>"It's not much of a boat,"</|quote|>said the genial passenger, sitting | over the cupboardful of novels which constituted the ship's library.<|quote|>"It's not much of a boat,"</|quote|>said the genial passenger, sitting himself beside Tony. "But I | pink silk shades which hid the electric candles. Here the passengers assembled for their coffee, sitting on bulky, tapestry-covered chesterfields or on swivel chairs irremovably fastened before the writing tables. Here too the steward for an hour every day presided over the cupboardful of novels which constituted the ship's library.<|quote|>"It's not much of a boat,"</|quote|>said the genial passenger, sitting himself beside Tony. "But I expect things will look brighter when we get into the sun." Tony lit a cigar and was told by a steward that he must not smoke in this room. "That's all right," said the genial passenger, "we're just going down | in her cabin. _She_ is a sufferer." He was returning from a Congress, he told Tony. At the top of the stairs was a lounge named the Music and Writing Room. The light here was always subdued, in the day by the stained glass of the windows, at night by pink silk shades which hid the electric candles. Here the passengers assembled for their coffee, sitting on bulky, tapestry-covered chesterfields or on swivel chairs irremovably fastened before the writing tables. Here too the steward for an hour every day presided over the cupboardful of novels which constituted the ship's library.<|quote|>"It's not much of a boat,"</|quote|>said the genial passenger, sitting himself beside Tony. "But I expect things will look brighter when we get into the sun." Tony lit a cigar and was told by a steward that he must not smoke in this room. "That's all right," said the genial passenger, "we're just going down to the bar. You know," he said a few minutes later, "I feel I owe you an apology. I thought you were potty just now before dinner. Honestly I did, when you said you were going to Demerara to look for a city. Well, it sounded pretty potty. Then the | was the first evening at sea. Tony sat at the captain's table, but the captain was on the bridge. There were empty chairs on either side of him. It was not rough enough for the fiddles to be out, but the stewards had removed the flower vases and damped the tablecloth to make it adhesive. A coloured archdeacon sat facing him. He ate with great refinement but his black hands looked immense on the wet, whitish cloth. "I'm afraid our table is not showing up very well to-night," he said. "I see you are not a sufferer. My wife is in her cabin. _She_ is a sufferer." He was returning from a Congress, he told Tony. At the top of the stairs was a lounge named the Music and Writing Room. The light here was always subdued, in the day by the stained glass of the windows, at night by pink silk shades which hid the electric candles. Here the passengers assembled for their coffee, sitting on bulky, tapestry-covered chesterfields or on swivel chairs irremovably fastened before the writing tables. Here too the steward for an hour every day presided over the cupboardful of novels which constituted the ship's library.<|quote|>"It's not much of a boat,"</|quote|>said the genial passenger, sitting himself beside Tony. "But I expect things will look brighter when we get into the sun." Tony lit a cigar and was told by a steward that he must not smoke in this room. "That's all right," said the genial passenger, "we're just going down to the bar. You know," he said a few minutes later, "I feel I owe you an apology. I thought you were potty just now before dinner. Honestly I did, when you said you were going to Demerara to look for a city. Well, it sounded pretty potty. Then the purser--I'm at his table. Always get the cheeriest crowd at the purser's table _and_ the best attention--the purser told me about you. You're the explorer, aren't you?" "Yes, come to think of it, I suppose I am," said Tony. It did not come easily to him to realize that he was an explorer. It was barely a fortnight ago that he had become one. Even the presence in the hold of two vast crates, bearing his name and labelled _NOT WANTED ON THE VOYAGE_--crates containing such new and unfamiliar possessions as a medicine chest, an automatic shot-gun, camping equipment, pack | couple of beagles, being exported to various West Indian islands. Tony threaded a way between them and the hatches to the stern, where he sat against a winch watching the horizon mount above the funnels, then fall until they stood out black against the darkening sky. The pitch was more sensible here than it had been amidships; the animals shifted restlessly in their cramped quarters; the beagles whined intermittently. A lascar took down from a line some washing which had been flapping there all day. The wash of the ship was quickly lost in the high waves. They were steaming westward down the Channel. As it grew to be night, lighthouses appeared flashing from the French coast. Presently a steward walked round the bright, upper deck striking chimes on a gong of brass cylinders, and the genial passenger went below to prepare himself for dinner in hot sea water which splashed from side to side of the bath and dissolved the soap in a thin, sticky scum. He was the only man to dress that evening: Tony sat in the mustering darkness until the second bell. Then he left his greatcoat in the cabin and went down to dinner. It was the first evening at sea. Tony sat at the captain's table, but the captain was on the bridge. There were empty chairs on either side of him. It was not rough enough for the fiddles to be out, but the stewards had removed the flower vases and damped the tablecloth to make it adhesive. A coloured archdeacon sat facing him. He ate with great refinement but his black hands looked immense on the wet, whitish cloth. "I'm afraid our table is not showing up very well to-night," he said. "I see you are not a sufferer. My wife is in her cabin. _She_ is a sufferer." He was returning from a Congress, he told Tony. At the top of the stairs was a lounge named the Music and Writing Room. The light here was always subdued, in the day by the stained glass of the windows, at night by pink silk shades which hid the electric candles. Here the passengers assembled for their coffee, sitting on bulky, tapestry-covered chesterfields or on swivel chairs irremovably fastened before the writing tables. Here too the steward for an hour every day presided over the cupboardful of novels which constituted the ship's library.<|quote|>"It's not much of a boat,"</|quote|>said the genial passenger, sitting himself beside Tony. "But I expect things will look brighter when we get into the sun." Tony lit a cigar and was told by a steward that he must not smoke in this room. "That's all right," said the genial passenger, "we're just going down to the bar. You know," he said a few minutes later, "I feel I owe you an apology. I thought you were potty just now before dinner. Honestly I did, when you said you were going to Demerara to look for a city. Well, it sounded pretty potty. Then the purser--I'm at his table. Always get the cheeriest crowd at the purser's table _and_ the best attention--the purser told me about you. You're the explorer, aren't you?" "Yes, come to think of it, I suppose I am," said Tony. It did not come easily to him to realize that he was an explorer. It was barely a fortnight ago that he had become one. Even the presence in the hold of two vast crates, bearing his name and labelled _NOT WANTED ON THE VOYAGE_--crates containing such new and unfamiliar possessions as a medicine chest, an automatic shot-gun, camping equipment, pack saddles, a cinema camera, dynamite, disinfectants, a collapsible canoe, filters, tinned butter and, strangest of all, an assortment of what Dr Messinger called "trade goods" "--failed to convince him fully of the serious nature of his expedition. Dr Messinger had arranged everything. It was he who chose the musical boxes and mechanical mice, the mirrors, combs, perfumery, pills, fish hooks, axe heads, coloured rockets and rolls of artificial silk, which were packed in the box of "trade goods". And Dr Messinger himself was a new acquaintance who, prostrate now in his bunk with what the Negro clergyman would have called "suffering", that day, for the first time since Tony had met him, seemed entirely human. Tony had spent very little of his life abroad. At the age of eighteen, before going to the University, he had been boarded for the summer with an elderly gentleman near Tours, with the intention that he should learn the language. (...a grey stone house surrounded by vines. There was a stuffed spaniel in the bathroom. The old man had called it "Stop" because it was chic at that time to give dogs an English name. Tony had bicycled along straight, white roads to visit | Bratt's Club was up for election. * * * * * "Who on earth would have expected the old boy to turn up like that?" asked Polly Cockpurse. "Now I understand why they keep going on in the papers about divorce law reform," said Veronica. "It's _too_ monstrous that he should be allowed to get away with it." "The mistake they made was in telling him first," said Souki. "It's so like Brenda to trust everyone," said Jenny Abdul Akbar. * * * * * "I do think Tony comes out of this pretty poorly," said Marjorie. "Oh, I don't know," said Allan. "I expect your ass of a brother put the thing wrong." CHAPTER V IN SEARCH OF A CITY [I] "any idea how many times round the deck make a mile?" "None, I'm afraid," said Tony. "But I should think you must have walked a great distance." "Twenty-two times. One soon gets out of sorts at sea if you're used to an active life. She's not much of a boat. Travel with this line often?" "Never before." "Ah. Thought you might have been in business in the islands. Not many tourists going out this time of year. Just the other way about. All coming home, if you see what I mean. Going far?" "Demerara." "Ah. Looking for minerals perhaps?" "No, to tell you the truth I am looking for a city." The genial passenger was surprised and then laughed. "Sounded just like you said you were looking for a city." "Yes." "That _was_ what you said?" "Yes." "I thought it sounded like that... well, so long. I must do another few rounds before dinner." He paced off up the deck, straddling slightly in order to keep his balance and occasionally putting out a hand to the rail for support. Regularly every three minutes for the last hour or so, this man had come by. At first Tony had looked up at his approach and then turned away again, out to sea. Presently the man had taken to nodding, then to saying "Hullo" or "Bit choppy" or "Here we are again" "; finally he had stopped and began a conversation. Tony went aft to break this rather embarrassing sequence. He descended the companion way which led to the lower deck. Here, in crates lashed to the side, was a variety of livestock--some stud bulls, a heavily blanketed racehorse, a couple of beagles, being exported to various West Indian islands. Tony threaded a way between them and the hatches to the stern, where he sat against a winch watching the horizon mount above the funnels, then fall until they stood out black against the darkening sky. The pitch was more sensible here than it had been amidships; the animals shifted restlessly in their cramped quarters; the beagles whined intermittently. A lascar took down from a line some washing which had been flapping there all day. The wash of the ship was quickly lost in the high waves. They were steaming westward down the Channel. As it grew to be night, lighthouses appeared flashing from the French coast. Presently a steward walked round the bright, upper deck striking chimes on a gong of brass cylinders, and the genial passenger went below to prepare himself for dinner in hot sea water which splashed from side to side of the bath and dissolved the soap in a thin, sticky scum. He was the only man to dress that evening: Tony sat in the mustering darkness until the second bell. Then he left his greatcoat in the cabin and went down to dinner. It was the first evening at sea. Tony sat at the captain's table, but the captain was on the bridge. There were empty chairs on either side of him. It was not rough enough for the fiddles to be out, but the stewards had removed the flower vases and damped the tablecloth to make it adhesive. A coloured archdeacon sat facing him. He ate with great refinement but his black hands looked immense on the wet, whitish cloth. "I'm afraid our table is not showing up very well to-night," he said. "I see you are not a sufferer. My wife is in her cabin. _She_ is a sufferer." He was returning from a Congress, he told Tony. At the top of the stairs was a lounge named the Music and Writing Room. The light here was always subdued, in the day by the stained glass of the windows, at night by pink silk shades which hid the electric candles. Here the passengers assembled for their coffee, sitting on bulky, tapestry-covered chesterfields or on swivel chairs irremovably fastened before the writing tables. Here too the steward for an hour every day presided over the cupboardful of novels which constituted the ship's library.<|quote|>"It's not much of a boat,"</|quote|>said the genial passenger, sitting himself beside Tony. "But I expect things will look brighter when we get into the sun." Tony lit a cigar and was told by a steward that he must not smoke in this room. "That's all right," said the genial passenger, "we're just going down to the bar. You know," he said a few minutes later, "I feel I owe you an apology. I thought you were potty just now before dinner. Honestly I did, when you said you were going to Demerara to look for a city. Well, it sounded pretty potty. Then the purser--I'm at his table. Always get the cheeriest crowd at the purser's table _and_ the best attention--the purser told me about you. You're the explorer, aren't you?" "Yes, come to think of it, I suppose I am," said Tony. It did not come easily to him to realize that he was an explorer. It was barely a fortnight ago that he had become one. Even the presence in the hold of two vast crates, bearing his name and labelled _NOT WANTED ON THE VOYAGE_--crates containing such new and unfamiliar possessions as a medicine chest, an automatic shot-gun, camping equipment, pack saddles, a cinema camera, dynamite, disinfectants, a collapsible canoe, filters, tinned butter and, strangest of all, an assortment of what Dr Messinger called "trade goods" "--failed to convince him fully of the serious nature of his expedition. Dr Messinger had arranged everything. It was he who chose the musical boxes and mechanical mice, the mirrors, combs, perfumery, pills, fish hooks, axe heads, coloured rockets and rolls of artificial silk, which were packed in the box of "trade goods". And Dr Messinger himself was a new acquaintance who, prostrate now in his bunk with what the Negro clergyman would have called "suffering", that day, for the first time since Tony had met him, seemed entirely human. Tony had spent very little of his life abroad. At the age of eighteen, before going to the University, he had been boarded for the summer with an elderly gentleman near Tours, with the intention that he should learn the language. (...a grey stone house surrounded by vines. There was a stuffed spaniel in the bathroom. The old man had called it "Stop" because it was chic at that time to give dogs an English name. Tony had bicycled along straight, white roads to visit the chateaux; he carried rolls of bread and cold veal tied to the back of the machine, and the soft dust seeped into them through the paper and gritted against his teeth. There were two other English boys there, so he had learned little French. One of them fell in love and the other got drunk for the first time on sparkling Vouvray at a fair that had been held in the town. That evening Tony won a live pigeon at a tombola; he set it free and later saw it being recaptured by the proprietor of the stall with a butterfly net...) Later he had gone to Central Europe for a few weeks with a friend from Balliol. (They had found themselves suddenly rich with the falling mark and had lived in unaccustomed grandeur in the largest hotel suites. Tony had bought a fur for a few shillings and given it to a girl in Munich who spoke no English.) Later still his honeymoon with Brenda in a villa, lent to them, on the Italian Riviera. (...Cypress and olive trees, a domed church half-way down the hill, between the villa and the harbour, a caf? where they sat out in the evening, watching the fishing-boats and the lights reflected in the quiet water, waiting for the sudden agitation of sound and motion as the speed-boat came in. It had been owned by a dashing young official, who called it _Jazz Girl_. He seemed to spend twenty hours a day running in and out of the little harbour...) Once Brenda and he had gone to Le Touquet with Bratt's golf team. That was all. After his father died he had not left England. They could not easily afford it; it was one of the things they postponed until death duties were paid off; besides that, he was never happy away from Hetton, and Brenda did not like leaving John Andrew. Thus Tony had no very ambitious ideas about travel, and when he decided to go abroad his first act was to call at a tourist agency and come away laden with a sheaf of brightly coloured prospectuses, which advertised commodious cruises among palm trees, Negresses and ruined arches. He was going away because it seemed to be the conduct expected of a husband in his circumstances, because the associations of Hetton were for the time poisoned for him, because he | a heavily blanketed racehorse, a couple of beagles, being exported to various West Indian islands. Tony threaded a way between them and the hatches to the stern, where he sat against a winch watching the horizon mount above the funnels, then fall until they stood out black against the darkening sky. The pitch was more sensible here than it had been amidships; the animals shifted restlessly in their cramped quarters; the beagles whined intermittently. A lascar took down from a line some washing which had been flapping there all day. The wash of the ship was quickly lost in the high waves. They were steaming westward down the Channel. As it grew to be night, lighthouses appeared flashing from the French coast. Presently a steward walked round the bright, upper deck striking chimes on a gong of brass cylinders, and the genial passenger went below to prepare himself for dinner in hot sea water which splashed from side to side of the bath and dissolved the soap in a thin, sticky scum. He was the only man to dress that evening: Tony sat in the mustering darkness until the second bell. Then he left his greatcoat in the cabin and went down to dinner. It was the first evening at sea. Tony sat at the captain's table, but the captain was on the bridge. There were empty chairs on either side of him. It was not rough enough for the fiddles to be out, but the stewards had removed the flower vases and damped the tablecloth to make it adhesive. A coloured archdeacon sat facing him. He ate with great refinement but his black hands looked immense on the wet, whitish cloth. "I'm afraid our table is not showing up very well to-night," he said. "I see you are not a sufferer. My wife is in her cabin. _She_ is a sufferer." He was returning from a Congress, he told Tony. At the top of the stairs was a lounge named the Music and Writing Room. The light here was always subdued, in the day by the stained glass of the windows, at night by pink silk shades which hid the electric candles. Here the passengers assembled for their coffee, sitting on bulky, tapestry-covered chesterfields or on swivel chairs irremovably fastened before the writing tables. Here too the steward for an hour every day presided over the cupboardful of novels which constituted the ship's library.<|quote|>"It's not much of a boat,"</|quote|>said the genial passenger, sitting himself beside Tony. "But I expect things will look brighter when we get into the sun." Tony lit a cigar and was told by a steward that he must not smoke in this room. "That's all right," said the genial passenger, "we're just going down to the bar. You know," he said a few minutes later, "I feel I owe you an apology. I thought you were potty just now before dinner. Honestly I did, when you said you were going to Demerara to look for a city. Well, it sounded pretty potty. Then the purser--I'm at his table. Always get the cheeriest crowd at the purser's table _and_ the best attention--the purser told me about you. You're the explorer, aren't you?" "Yes, come to think of it, I suppose I am," said Tony. It did not come easily to him to realize that he was an explorer. It was barely a fortnight ago that he had become one. Even the presence in the hold of two vast crates, bearing his name and labelled _NOT WANTED ON THE VOYAGE_--crates containing such new and unfamiliar possessions as a medicine chest, an automatic shot-gun, camping equipment, pack saddles, a cinema camera, dynamite, disinfectants, a collapsible canoe, filters, tinned butter and, strangest of all, an assortment of what Dr Messinger called "trade goods" "--failed to convince him fully of the serious nature of his expedition. Dr Messinger had arranged everything. It was he who chose the musical boxes and mechanical mice, the mirrors, combs, perfumery, pills, fish hooks, axe heads, coloured rockets and rolls of artificial silk, which were packed in the box of "trade goods". And Dr Messinger himself was a new acquaintance who, prostrate now in his bunk with what the Negro clergyman would have called "suffering", that day, for the first time since Tony had met him, seemed entirely human. Tony had spent very little of his life abroad. At the age of eighteen, before going to the University, he had been boarded for the summer with an elderly gentleman near Tours, with the intention that he should learn the language. (...a grey stone house surrounded by vines. There was a stuffed spaniel in the bathroom. The old man had called it "Stop" because it was chic at that time to give dogs an English name. Tony had bicycled along straight, white roads to visit the chateaux; he carried rolls of bread and cold veal tied to the back of the machine, and the soft dust seeped into them through the paper and gritted against his teeth. There were two other English boys there, so he had learned little French. One of them fell in love and the other got drunk for the first time on sparkling Vouvray at a fair that had been held in the town. That evening Tony won a live pigeon at a tombola; he set it free and later saw it being recaptured by the proprietor of the stall with a butterfly net...) Later he had gone to Central Europe for a few weeks with a friend from Balliol. (They had found themselves suddenly rich with the falling mark and had lived in unaccustomed grandeur in the largest hotel suites. Tony had bought a fur for a few shillings and given it to | A Handful Of Dust | pink silk shades which hid the electric candles. Here the passengers assembled for their coffee, sitting on bulky, tapestry-covered chesterfields or on swivel chairs irremovably fastened before the writing tables. Here too the steward for an hour every day presided over the cupboardful of novels which constituted the ship's library.<|quote|>"It's not much of a boat,"</|quote|>said the genial passenger, sitting himself beside Tony. "But I expect things will look brighter when we get into the sun." Tony lit a cigar and was told by a steward that he must not smoke in this room. "That's all right," said the genial passenger, "we're just going down | {
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"fetch her here." | The Queen | Queen said to the executioner:<|quote|>"fetch her here."</|quote|>And the executioner went off | it." "She's in prison," the Queen said to the executioner:<|quote|>"fetch her here."</|quote|>And the executioner went off like an arrow. The Cat's | have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner:<|quote|>"fetch her here."</|quote|>And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the | thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner:<|quote|>"fetch her here."</|quote|>And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad | dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner:<|quote|>"fetch her here."</|quote|>And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make | three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner:<|quote|>"fetch her here."</|quote|>And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, | minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared. "I don't think they play at all fairly," Alice began, in rather a complaining tone, "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely to win, that it's hardly worth while finishing the game." The Queen smiled and passed on. "Who _are_ you talking to?" said the King, going up to Alice, and looking at the Cat's head with great curiosity. "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me like that!" He got behind Alice as he spoke. "A cat may look at a king," said Alice. "I've read that in some book, but I don't remember where." "Well, it must be removed," said the King very decidedly, and he called the Queen, who was passing at the moment, "My dear! I wish you would have this cat removed!" The Queen had only one way of settling all difficulties, great or small. "Off with his head!" she said, without even looking round. "I'll fetch the executioner myself," said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner:<|quote|>"fetch her here."</|quote|>And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture | up to Alice, and looking at the Cat's head with great curiosity. "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me like that!" He got behind Alice as he spoke. "A cat may look at a king," said Alice. "I've read that in some book, but I don't remember where." "Well, it must be removed," said the King very decidedly, and he called the Queen, who was passing at the moment, "My dear! I wish you would have this cat removed!" The Queen had only one way of settling all difficulties, great or small. "Off with his head!" she said, without even looking round. "I'll fetch the executioner myself," said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner:<|quote|>"fetch her here."</|quote|>And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, | Alices Adventures In Wonderland | have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner:<|quote|>"fetch her here."</|quote|>And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the | {
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"content": "have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but \"It belongs to the Duchess: you'd better ask _her_ about it.\" \"She's in prison,\" the Queen said to the executioner:<|quote|>\"fetch her here.\"</|quote|>And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the",
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