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"_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" | Anne Shirley | tear-stained face and trembling lips.<|quote|>"_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!"</|quote|>Something like a reluctant smile, | her head quickly, revealing a tear-stained face and trembling lips.<|quote|>"_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!"</|quote|>Something like a reluctant smile, rather rusty from long disuse, | at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips.<|quote|>"_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!"</|quote|>Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call | nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips.<|quote|>"_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!"</|quote|>Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly | "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips.<|quote|>"_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!"</|quote|>Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to | or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it. "Listen to the trees talking in their sleep," she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised |MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips.<|quote|>"_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!"</|quote|>Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, | the child's eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That's it, isn't it?" she said, pointing. Matthew slapped the reins on the sorrel's back delightedly. "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell." "No, she didn't--really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I've pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I'd be so afraid it was all a dream. Then I'd pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I'd better go on dreaming as long as I could; so I stopped pinching. But it _is_ real and we're nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it. "Listen to the trees talking in their sleep," she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised |MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips.<|quote|>"_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!"</|quote|>Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from | approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it. "Listen to the trees talking in their sleep," she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER III. Marilla Cuthbert is Surprised |MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips.<|quote|>"_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!"</|quote|>Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like | Anne Of Green Gables | at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips.<|quote|>"_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!"</|quote|>Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call | {
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"content": "at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. \"Well, well, there's no need to cry so about it.\" \"Yes, there _is_ need!\" The child raised her head quickly, revealing a tear-stained face and trembling lips.<|quote|>\"_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!\"</|quote|>Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. \"Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?\" The child hesitated for a moment. \"Will you please call",
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said Rosa. | No speaker | without you?" "Men no go,"<|quote|>said Rosa.</|quote|>"Of course the men will | can we talk with men without you?" "Men no go,"<|quote|>said Rosa.</|quote|>"Of course the men will go. The only question is, | like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go,"<|quote|>said Rosa.</|quote|>"Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman | them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go,"<|quote|>said Rosa.</|quote|>"Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony | Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go,"<|quote|>said Rosa.</|quote|>"Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; | will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?" Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs. "Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go,"<|quote|>said Rosa.</|quote|>"Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of | chatter and laughter of their women; sometimes they gave little grunts as they worked; only once they were merry, when one of them let his knife slip as he was working on the tree-trunk and cut deeply into the ball of his thumb. Dr Messinger dressed the wound with iodine, lint and bandages. After that the women constantly solicited him, showing him little scratches on their arms and legs and asking for iodine. Two of the trees were finished on one day, then another next day (that was the one which split) and the fourth two days after that; it was a larger tree than the others. When the last fibre was severed, four men got round the trunk and lifted the skin clear. It curled up again at once, making a hollow cylinder, which the men carried down to the waterside and set afloat, fastening it to a tree with a loop of vine-rope. When all the woodskins were ready it was an easy matter to make canoes of them. Four men held them open while two others fixed the struts. The ends were left open, and curled up slightly so as to lift them clear (when the craft was fully laden it drew only an inch or two of water). Then the men set about fashioning some single-bladed paddles; that, too, was an easy matter. Every day Dr Messinger asked Rosa, "When will the boats be ready? Ask the men." And she replied, "Just now." "How many days--four?--five?--how many?" "No, not many. Boats finish just now." At last when it was clear that the work was nearly complete, Dr Messinger busied himself with arrangements. He sorted out the stores, dividing the necessary freight into two groups; he and Tony were to sit in separate boats and each had with him a rifle and ammunition, a camera, tinned rations, trade goods and his own luggage. The third canoe, which would be manned solely by Indians, was to hold the flour and rice, sugar and farine and the rations for the men. The canoes would not hold all the stores and an "emergency dump" was made a little way up the bank. "We shall take eight men with us. Four can stay behind with the women to guard the camp. Once we are among the Pie-wies, everything will be easy. These Macushis can go home then. I don't think they will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?" Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs. "Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go,"<|quote|>said Rosa.</|quote|>"Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair. "What's the matter?" asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and Tony together prised open one of the cases and began to spread out the contents on a blanket. They had chosen these things together at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply. "Each man can choose three things from this box if he comes in the boats." But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively expensive articles; they had cost three and sixpence | Messinger asked Rosa, "When will the boats be ready? Ask the men." And she replied, "Just now." "How many days--four?--five?--how many?" "No, not many. Boats finish just now." At last when it was clear that the work was nearly complete, Dr Messinger busied himself with arrangements. He sorted out the stores, dividing the necessary freight into two groups; he and Tony were to sit in separate boats and each had with him a rifle and ammunition, a camera, tinned rations, trade goods and his own luggage. The third canoe, which would be manned solely by Indians, was to hold the flour and rice, sugar and farine and the rations for the men. The canoes would not hold all the stores and an "emergency dump" was made a little way up the bank. "We shall take eight men with us. Four can stay behind with the women to guard the camp. Once we are among the Pie-wies, everything will be easy. These Macushis can go home then. I don't think they will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?" Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs. "Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go,"<|quote|>said Rosa.</|quote|>"Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching | A Handful Of Dust | like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go,"<|quote|>said Rosa.</|quote|>"Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman | {
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"content": "like cigarettes--\" \"Yes, give me cigarettes.\" \"You come with men in boats, I give you plenty, plenty cigarettes.\" Rosa looked stolidly ahead of her and said nothing. \"Listen. You will have your man and seven others to protect you. How can we talk with men without you?\" \"Men no go,\"<|quote|>said Rosa.</|quote|>\"Of course the men will go. The only question is, will you come too?\" \"Macushi peoples no go with Pie-wie peoples,\" said Rosa. \"Oh God,\" said Dr Messinger wearily. \"All right, we'll talk about it in the morning.\" \"You give me cigarette....\" \"It's going to be awkward if that woman",
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Then he continued dreamily, | No speaker | a restaurant now in Mogador."<|quote|>Then he continued dreamily,</|quote|>"The pity is I can't | them. I believe he's running a restaurant now in Mogador."<|quote|>Then he continued dreamily,</|quote|>"The pity is I can't let the R.G.S. in on | yet." "You'd like him--a very straight fellow. He used to do quite a lot, selling ammunition to the Atlas caids before the pacification. Of course it was easy money with the capitulations, but he did it better than most of them. I believe he's running a restaurant now in Mogador."<|quote|>Then he continued dreamily,</|quote|>"The pity is I can't let the R.G.S. in on this expedition. I've got to find the money privately." It was one o'clock and the room was beginning to fill up; an Egyptologist was exhibiting a handkerchief-ful of scarabs to the editor of a church weekly. "We'd better go up | do without them. But I can't do without two hundred pounds." Tony had, open on his knee, a photograph of the harbour at Agadir. Dr Messinger looked over his shoulder at it. "Ah yes," he said, "interesting little place. I expect you know Zingermaun there?" "No, I've not been there yet." "You'd like him--a very straight fellow. He used to do quite a lot, selling ammunition to the Atlas caids before the pacification. Of course it was easy money with the capitulations, but he did it better than most of them. I believe he's running a restaurant now in Mogador."<|quote|>Then he continued dreamily,</|quote|>"The pity is I can't let the R.G.S. in on this expedition. I've got to find the money privately." It was one o'clock and the room was beginning to fill up; an Egyptologist was exhibiting a handkerchief-ful of scarabs to the editor of a church weekly. "We'd better go up and lunch," said Dr Messinger. Tony had not intended to lunch at the Greville but there was something compelling about the invitation; moreover, he had no other engagement. Dr Messinger lunched off apples and a rice pudding. (" "I have to be very careful what I eat," he said.) Tony | upset. Do you by any chance know a Nicaraguan calling himself alternately Ponsonby and FitzClarence?" "No, I don't think I do." "You are fortunate. That man has just robbed me of two hundred pounds and some machine guns." "Machine guns?" "Yes, I travel with one or two, mostly for show, you know, or for trade, and they are not easy to buy nowadays. Have you ever tried?" "No." "Well you can take it from me that it's not easy. You can't just walk into a shop and order machine guns." "No, I suppose not." "Still, at a pinch I can do without them. But I can't do without two hundred pounds." Tony had, open on his knee, a photograph of the harbour at Agadir. Dr Messinger looked over his shoulder at it. "Ah yes," he said, "interesting little place. I expect you know Zingermaun there?" "No, I've not been there yet." "You'd like him--a very straight fellow. He used to do quite a lot, selling ammunition to the Atlas caids before the pacification. Of course it was easy money with the capitulations, but he did it better than most of them. I believe he's running a restaurant now in Mogador."<|quote|>Then he continued dreamily,</|quote|>"The pity is I can't let the R.G.S. in on this expedition. I've got to find the money privately." It was one o'clock and the room was beginning to fill up; an Egyptologist was exhibiting a handkerchief-ful of scarabs to the editor of a church weekly. "We'd better go up and lunch," said Dr Messinger. Tony had not intended to lunch at the Greville but there was something compelling about the invitation; moreover, he had no other engagement. Dr Messinger lunched off apples and a rice pudding. (" "I have to be very careful what I eat," he said.) Tony ate cold steak and kidney pie. They sat at a window in the big dining-room upstairs. The places round them were soon filled with members, who even carried the tradition of general conversation so far as to lean back in their chairs and chat over their shoulders from table to table--a practice which greatly hindered the already imperfect service. But Tony remained oblivious to all that was said, absorbed in what Dr Messinger was telling him. "...You see, there has been a continuous tradition about the City since the first explorers of the sixteenth century. It has been variously allocated, | him he felt thankful that he had kept on with the Greville. It was a club of intellectual flavour, composed of dons, a few writers and the officials of museums and learned societies. It had a tradition of garrulity, so that he was not surprised when, seated in an armchair and surrounded with his illustrated folders, he was addressed by a member unknown to him who asked if he were thinking of going away. He was more surprised when he looked up and studied the questioner. Dr Messinger, though quite young, was bearded, and Tony knew few young men with beards. He was also very small, very sunburned and prematurely bald; the ruddy brown of his face ended abruptly along the line of his forehead, which rose in a pale dome; he wore steel-rimmed spectacles and there was something about his blue serge suit which suggested that the wearer found it uncomfortable. Tony admitted that he was considering taking a cruise. "I am going away shortly," said Dr Messinger, "to Brazil. At least it may be Brazil or Dutch Guiana. One cannot tell. The frontier has never been demarcated. I ought to have started last week, only my plans were upset. Do you by any chance know a Nicaraguan calling himself alternately Ponsonby and FitzClarence?" "No, I don't think I do." "You are fortunate. That man has just robbed me of two hundred pounds and some machine guns." "Machine guns?" "Yes, I travel with one or two, mostly for show, you know, or for trade, and they are not easy to buy nowadays. Have you ever tried?" "No." "Well you can take it from me that it's not easy. You can't just walk into a shop and order machine guns." "No, I suppose not." "Still, at a pinch I can do without them. But I can't do without two hundred pounds." Tony had, open on his knee, a photograph of the harbour at Agadir. Dr Messinger looked over his shoulder at it. "Ah yes," he said, "interesting little place. I expect you know Zingermaun there?" "No, I've not been there yet." "You'd like him--a very straight fellow. He used to do quite a lot, selling ammunition to the Atlas caids before the pacification. Of course it was easy money with the capitulations, but he did it better than most of them. I believe he's running a restaurant now in Mogador."<|quote|>Then he continued dreamily,</|quote|>"The pity is I can't let the R.G.S. in on this expedition. I've got to find the money privately." It was one o'clock and the room was beginning to fill up; an Egyptologist was exhibiting a handkerchief-ful of scarabs to the editor of a church weekly. "We'd better go up and lunch," said Dr Messinger. Tony had not intended to lunch at the Greville but there was something compelling about the invitation; moreover, he had no other engagement. Dr Messinger lunched off apples and a rice pudding. (" "I have to be very careful what I eat," he said.) Tony ate cold steak and kidney pie. They sat at a window in the big dining-room upstairs. The places round them were soon filled with members, who even carried the tradition of general conversation so far as to lean back in their chairs and chat over their shoulders from table to table--a practice which greatly hindered the already imperfect service. But Tony remained oblivious to all that was said, absorbed in what Dr Messinger was telling him. "...You see, there has been a continuous tradition about the City since the first explorers of the sixteenth century. It has been variously allocated, sometimes down in Matto Grosso, sometimes on the upper Orinoco in what is now Venezuela. I myself used to think it lay somewhere on the Uraricuera. I was out there last year and it was then that I established contact with the Pie-wie Indians; no white man had ever visited them and got out alive. And it was from the Pie-wies that I learned where to look. None of them had ever visited the City, of course, but they _knew about it_. Every Indian between Ciudad Bolivar and Para knows about it. But they won't talk. Queer people. But I became blood-brother with a Pie-wie--interesting ceremony. They buried me up to the neck in mud and all the women of the tribe spat on my head. Then we ate a toad and snake and a beetle and after that I was blood-brother--well, he told me that the City lies between the head waters of the Courantyne and the Takutu. There's a vast track of unexplored country there. I've often thought of visiting it." "I've been looking up the historical side too, and I more or less know how the City got there. It was the result of a migration from | proprietor of the stall with a butterfly net...) Later he had gone to Central Europe for a few weeks with a friend from Balliol. (They had found themselves suddenly rich with the falling mark and had lived in unaccustomed grandeur in the largest hotel suites. Tony had bought a fur for a few shillings and given it to a girl in Munich who spoke no English.) Later still his honeymoon with Brenda in a villa, lent to them, on the Italian Riviera. (...Cypress and olive trees, a domed church half-way down the hill, between the villa and the harbour, a caf? where they sat out in the evening, watching the fishing-boats and the lights reflected in the quiet water, waiting for the sudden agitation of sound and motion as the speed-boat came in. It had been owned by a dashing young official, who called it _Jazz Girl_. He seemed to spend twenty hours a day running in and out of the little harbour...) Once Brenda and he had gone to Le Touquet with Bratt's golf team. That was all. After his father died he had not left England. They could not easily afford it; it was one of the things they postponed until death duties were paid off; besides that, he was never happy away from Hetton, and Brenda did not like leaving John Andrew. Thus Tony had no very ambitious ideas about travel, and when he decided to go abroad his first act was to call at a tourist agency and come away laden with a sheaf of brightly coloured prospectuses, which advertised commodious cruises among palm trees, Negresses and ruined arches. He was going away because it seemed to be the conduct expected of a husband in his circumstances, because the associations of Hetton were for the time poisoned for him, because he wanted to live for a few months away from people who would know him or Brenda, in places where there was no expectation of meeting her or Beaver or Reggie St Cloud at every corner he frequented, and, with this feeling of evasion dominant in his mind, he took the prospectuses to read at the Greville Club. He had been a member there for some years, but rarely used it; his resignation was postponed only by his recurrent omission to cancel the banker's order for his subscription. Now that Bratt's and Brown's were distasteful to him he felt thankful that he had kept on with the Greville. It was a club of intellectual flavour, composed of dons, a few writers and the officials of museums and learned societies. It had a tradition of garrulity, so that he was not surprised when, seated in an armchair and surrounded with his illustrated folders, he was addressed by a member unknown to him who asked if he were thinking of going away. He was more surprised when he looked up and studied the questioner. Dr Messinger, though quite young, was bearded, and Tony knew few young men with beards. He was also very small, very sunburned and prematurely bald; the ruddy brown of his face ended abruptly along the line of his forehead, which rose in a pale dome; he wore steel-rimmed spectacles and there was something about his blue serge suit which suggested that the wearer found it uncomfortable. Tony admitted that he was considering taking a cruise. "I am going away shortly," said Dr Messinger, "to Brazil. At least it may be Brazil or Dutch Guiana. One cannot tell. The frontier has never been demarcated. I ought to have started last week, only my plans were upset. Do you by any chance know a Nicaraguan calling himself alternately Ponsonby and FitzClarence?" "No, I don't think I do." "You are fortunate. That man has just robbed me of two hundred pounds and some machine guns." "Machine guns?" "Yes, I travel with one or two, mostly for show, you know, or for trade, and they are not easy to buy nowadays. Have you ever tried?" "No." "Well you can take it from me that it's not easy. You can't just walk into a shop and order machine guns." "No, I suppose not." "Still, at a pinch I can do without them. But I can't do without two hundred pounds." Tony had, open on his knee, a photograph of the harbour at Agadir. Dr Messinger looked over his shoulder at it. "Ah yes," he said, "interesting little place. I expect you know Zingermaun there?" "No, I've not been there yet." "You'd like him--a very straight fellow. He used to do quite a lot, selling ammunition to the Atlas caids before the pacification. Of course it was easy money with the capitulations, but he did it better than most of them. I believe he's running a restaurant now in Mogador."<|quote|>Then he continued dreamily,</|quote|>"The pity is I can't let the R.G.S. in on this expedition. I've got to find the money privately." It was one o'clock and the room was beginning to fill up; an Egyptologist was exhibiting a handkerchief-ful of scarabs to the editor of a church weekly. "We'd better go up and lunch," said Dr Messinger. Tony had not intended to lunch at the Greville but there was something compelling about the invitation; moreover, he had no other engagement. Dr Messinger lunched off apples and a rice pudding. (" "I have to be very careful what I eat," he said.) Tony ate cold steak and kidney pie. They sat at a window in the big dining-room upstairs. The places round them were soon filled with members, who even carried the tradition of general conversation so far as to lean back in their chairs and chat over their shoulders from table to table--a practice which greatly hindered the already imperfect service. But Tony remained oblivious to all that was said, absorbed in what Dr Messinger was telling him. "...You see, there has been a continuous tradition about the City since the first explorers of the sixteenth century. It has been variously allocated, sometimes down in Matto Grosso, sometimes on the upper Orinoco in what is now Venezuela. I myself used to think it lay somewhere on the Uraricuera. I was out there last year and it was then that I established contact with the Pie-wie Indians; no white man had ever visited them and got out alive. And it was from the Pie-wies that I learned where to look. None of them had ever visited the City, of course, but they _knew about it_. Every Indian between Ciudad Bolivar and Para knows about it. But they won't talk. Queer people. But I became blood-brother with a Pie-wie--interesting ceremony. They buried me up to the neck in mud and all the women of the tribe spat on my head. Then we ate a toad and snake and a beetle and after that I was blood-brother--well, he told me that the City lies between the head waters of the Courantyne and the Takutu. There's a vast track of unexplored country there. I've often thought of visiting it." "I've been looking up the historical side too, and I more or less know how the City got there. It was the result of a migration from Peru at the beginning of the fifteenth century, when the Incas were at the height of their power. It is mentioned in all the early Spanish documents as a popular legend. One of the younger princes rebelled and led his people off into the forest. Most of the tribes had a tradition in one form or another of a strange race passing through their territory." "But what do you suppose this city will be like?" "Impossible to say. Every tribe has a different word for it. The Pie-wies call it the 'Shining' or 'Glittering', the Arekuna the 'Many Watered', the Patamonas the 'Bright Feathered', the Warau, oddly enough, use the same word for it that they use for a kind of aromatic jam they make. Of course, one can't tell how a civilization may have developed or degenerated in five hundred years of isolation..." Before Tony left the Greville that day, he tore up his sheaf of cruise prospectuses, for he had arranged to join Dr Messinger in his expedition. * * * * * "Done much of that kind of thing?" "No, to tell you the truth it is the first time." "Ah. Well, I daresay it's more interesting than it sounds," conceded the genial passenger, "else people wouldn't do it so much." The ship, so far as any consideration of comfort had contributed to her design, was planned for the tropics. It was slightly colder in the smoking-room than on deck. Tony went to his cabin and retrieved his cap and greatcoat; then he went aft again, to the place where he had sat before dinner. It was a starless night and nothing was visible beyond the small luminous area round the ship, save for a single lighthouse that flashed short-long, short-long, far away on the port bow. The crests of the waves caught the reflection from the promenade deck and shone for a moment before plunging away into the black depths behind. The beagles were awake, whining. For some days now Tony had been thoughtless about the events of the immediate past. His mind was occupied with the City, the Shining, the Many Watered, the Bright Feathered, the Aromatic Jam. He had a clear picture of it in his mind. It was Gothic in character, all vanes and pinnacles, gargoyles, battlements, groining and tracery, pavilions and terraces, a transfigured Hetton, pennons and banners floating on the sweet | of intellectual flavour, composed of dons, a few writers and the officials of museums and learned societies. It had a tradition of garrulity, so that he was not surprised when, seated in an armchair and surrounded with his illustrated folders, he was addressed by a member unknown to him who asked if he were thinking of going away. He was more surprised when he looked up and studied the questioner. Dr Messinger, though quite young, was bearded, and Tony knew few young men with beards. He was also very small, very sunburned and prematurely bald; the ruddy brown of his face ended abruptly along the line of his forehead, which rose in a pale dome; he wore steel-rimmed spectacles and there was something about his blue serge suit which suggested that the wearer found it uncomfortable. Tony admitted that he was considering taking a cruise. "I am going away shortly," said Dr Messinger, "to Brazil. At least it may be Brazil or Dutch Guiana. One cannot tell. The frontier has never been demarcated. I ought to have started last week, only my plans were upset. Do you by any chance know a Nicaraguan calling himself alternately Ponsonby and FitzClarence?" "No, I don't think I do." "You are fortunate. That man has just robbed me of two hundred pounds and some machine guns." "Machine guns?" "Yes, I travel with one or two, mostly for show, you know, or for trade, and they are not easy to buy nowadays. Have you ever tried?" "No." "Well you can take it from me that it's not easy. You can't just walk into a shop and order machine guns." "No, I suppose not." "Still, at a pinch I can do without them. But I can't do without two hundred pounds." Tony had, open on his knee, a photograph of the harbour at Agadir. Dr Messinger looked over his shoulder at it. "Ah yes," he said, "interesting little place. I expect you know Zingermaun there?" "No, I've not been there yet." "You'd like him--a very straight fellow. He used to do quite a lot, selling ammunition to the Atlas caids before the pacification. Of course it was easy money with the capitulations, but he did it better than most of them. I believe he's running a restaurant now in Mogador."<|quote|>Then he continued dreamily,</|quote|>"The pity is I can't let the R.G.S. in on this expedition. I've got to find the money privately." It was one o'clock and the room was beginning to fill up; an Egyptologist was exhibiting a handkerchief-ful of scarabs to the editor of a church weekly. "We'd better go up and lunch," said Dr Messinger. Tony had not intended to lunch at the Greville but there was something compelling about the invitation; moreover, he had no other engagement. Dr Messinger lunched off apples and a rice pudding. (" "I have to be very careful what I eat," he said.) Tony ate cold steak and kidney pie. They sat at a window in the big dining-room upstairs. The places round them were soon filled with members, who even carried the tradition of general conversation so far as to lean back in their chairs and chat over their shoulders from table to table--a practice which greatly hindered the already imperfect service. But Tony remained oblivious to all that was said, absorbed in what Dr Messinger was telling him. "...You see, there has been a continuous tradition about the City since the first explorers of the sixteenth century. It has been variously allocated, sometimes down in Matto Grosso, sometimes on the upper Orinoco in what is now Venezuela. I myself used to think it lay somewhere on the Uraricuera. I was out there last year and it was then that I established contact with the Pie-wie Indians; no white man had ever visited them and got out alive. And it was from the Pie-wies that I learned where to look. None of them had ever visited the City, of course, but they _knew about it_. Every Indian between Ciudad Bolivar and Para knows about it. But they won't talk. Queer people. But I became blood-brother with a Pie-wie--interesting ceremony. They buried me up to the neck in mud and all the women of the tribe spat on my head. Then we ate a toad and snake and a beetle and after that I was blood-brother--well, he told me that the City lies between the head waters of the Courantyne and the Takutu. There's a vast track of unexplored country there. I've often thought of visiting it." "I've been looking up the historical side too, and I more or less know how the City got there. It was the result of a migration from Peru at the beginning of the fifteenth century, when the Incas were at the height of their power. It is mentioned in all the early Spanish documents as a popular legend. | A Handful Of Dust | yet." "You'd like him--a very straight fellow. He used to do quite a lot, selling ammunition to the Atlas caids before the pacification. Of course it was easy money with the capitulations, but he did it better than most of them. I believe he's running a restaurant now in Mogador."<|quote|>Then he continued dreamily,</|quote|>"The pity is I can't let the R.G.S. in on this expedition. I've got to find the money privately." It was one o'clock and the room was beginning to fill up; an Egyptologist was exhibiting a handkerchief-ful of scarabs to the editor of a church weekly. "We'd better go up | {
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"content": "yet.\" \"You'd like him--a very straight fellow. He used to do quite a lot, selling ammunition to the Atlas caids before the pacification. Of course it was easy money with the capitulations, but he did it better than most of them. I believe he's running a restaurant now in Mogador.\"<|quote|>Then he continued dreamily,</|quote|>\"The pity is I can't let the R.G.S. in on this expedition. I've got to find the money privately.\" It was one o'clock and the room was beginning to fill up; an Egyptologist was exhibiting a handkerchief-ful of scarabs to the editor of a church weekly. \"We'd better go up",
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"It's red, ain't it?" | Matthew Cuthbert | there couldn't be much doubt.<|quote|>"It's red, ain't it?"</|quote|>he said. The girl let | tresses, but in this case there couldn't be much doubt.<|quote|>"It's red, ain't it?"</|quote|>he said. The girl let the braid drop back with | exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew's eyes. Matthew was not used to deciding on the tints of ladies' tresses, but in this case there couldn't be much doubt.<|quote|>"It's red, ain't it?"</|quote|>he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it's red," she said resignedly. "Now you see why I can't be perfectly happy. Nobody could who has red | one right below the house." "Fancy. It's always been one of my dreams to live near a brook. I never expected I would, though. Dreams don't often come true, do they? Wouldn't it be nice if they did? But just now I feel pretty nearly perfectly happy. I can't feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew's eyes. Matthew was not used to deciding on the tints of ladies' tresses, but in this case there couldn't be much doubt.<|quote|>"It's red, ain't it?"</|quote|>he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it's red," she said resignedly. "Now you see why I can't be perfectly happy. Nobody could who has red hair. I don't mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. But I _cannot_ imagine that red hair away. I do my best. I | you _poor_ little things! If you were out in a great big woods with other trees all around you and little mosses and June bells growing over your roots and a brook not far away and birds singing in you branches, you could grow, couldn't you? But you can't where you are. I know just exactly how you feel, little trees.' "I felt sorry to leave them behind this morning. You do get so attached to things like that, don't you? Is there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer that." "Well now, yes, there's one right below the house." "Fancy. It's always been one of my dreams to live near a brook. I never expected I would, though. Dreams don't often come true, do they? Wouldn't it be nice if they did? But just now I feel pretty nearly perfectly happy. I can't feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew's eyes. Matthew was not used to deciding on the tints of ladies' tresses, but in this case there couldn't be much doubt.<|quote|>"It's red, ain't it?"</|quote|>he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it's red," she said resignedly. "Now you see why I can't be perfectly happy. Nobody could who has red hair. I don't mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. But I _cannot_ imagine that red hair away. I do my best. I think to myself," ?Now my hair is a glorious black, black as the raven's wing.' "But all the time I _know_ it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn't red hair. Her hair was pure gold rippling back from her alabaster brow. What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I'm afraid I can't," said Matthew, who was getting a little dizzy. He felt as he had | talk as much as you like. I don't mind." "Oh, I'm so glad. I know you and I are going to get along together fine. It's such a relief to talk when one wants to and not be told that children should be seen and not heard. I've had that said to me a million times if I have once. And people laugh at me because I use big words. But if you have big ideas you have to use big words to express them, haven't you?" "Well now, that seems reasonable," said Matthew. "Mrs. Spencer said that my tongue must be hung in the middle. But it isn't--it's firmly fastened at one end. Mrs. Spencer said your place was named Green Gables. I asked her all about it. And she said there were trees all around it. I was gladder than ever. I just love trees. And there weren't any at all about the asylum, only a few poor weeny-teeny things out in front with little whitewashed cagey things about them. They just looked like orphans themselves, those trees did. It used to make me want to cry to look at them. I used to say to them," ?Oh, you _poor_ little things! If you were out in a great big woods with other trees all around you and little mosses and June bells growing over your roots and a brook not far away and birds singing in you branches, you could grow, couldn't you? But you can't where you are. I know just exactly how you feel, little trees.' "I felt sorry to leave them behind this morning. You do get so attached to things like that, don't you? Is there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer that." "Well now, yes, there's one right below the house." "Fancy. It's always been one of my dreams to live near a brook. I never expected I would, though. Dreams don't often come true, do they? Wouldn't it be nice if they did? But just now I feel pretty nearly perfectly happy. I can't feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew's eyes. Matthew was not used to deciding on the tints of ladies' tresses, but in this case there couldn't be much doubt.<|quote|>"It's red, ain't it?"</|quote|>he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it's red," she said resignedly. "Now you see why I can't be perfectly happy. Nobody could who has red hair. I don't mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. But I _cannot_ imagine that red hair away. I do my best. I think to myself," ?Now my hair is a glorious black, black as the raven's wing.' "But all the time I _know_ it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn't red hair. Her hair was pure gold rippling back from her alabaster brow. What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I'm afraid I can't," said Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry-go-round at a picnic. "Well, whatever it was it must have been something nice because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?" "Well now, no, I haven't," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don't know exactly." "Neither do I. I can never decide. But it doesn't make much real difference for it isn't likely I'll ever be either. It's certain I'll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" That was not what Mrs. Spencer had said; neither had the child tumbled out of the buggy nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the "Avenue." The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant | This Island is the bloomiest place. I just love it already, and I'm so glad I'm going to live here. I've always heard that Prince Edward Island was the prettiest place in the world, and I used to imagine I was living here, but I never really expected I would. It's delightful when your imaginations come true, isn't it? But those red roads are so funny. When we got into the train at Charlottetown and the red roads began to flash past I asked Mrs. Spencer what made them red and she said she didn't know and for pity's sake not to ask her any more questions. She said I must have asked her a thousand already. I suppose I had, too, but how you going to find out about things if you don't ask questions? And what _does_ make the roads red?" "Well now, I dunno," said Matthew. "Well, that is one of the things to find out sometime. Isn't it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive--it's such an interesting world. It wouldn't be half so interesting if we know all about everything, would it? There'd be no scope for imagination then, would there? But am I talking too much? People are always telling me I do. Would you rather I didn't talk? If you say so I'll stop. I can _stop_ when I make up my mind to it, although it's difficult." Matthew, much to his own surprise, was enjoying himself. Like most quiet folks he liked talkative people when they were willing to do the talking themselves and did not expect him to keep up his end of it. But he had never expected to enjoy the society of a little girl. Women were bad enough in all conscience, but little girls were worse. He detested the way they had of sidling past him timidly, with sidewise glances, as if they expected him to gobble them up at a mouthful if they ventured to say a word. That was the Avonlea type of well-bred little girl. But this freckled witch was very different, and although he found it rather difficult for his slower intelligence to keep up with her brisk mental processes he thought that he "kind of liked her chatter." So he said as shyly as usual: "Oh, you can talk as much as you like. I don't mind." "Oh, I'm so glad. I know you and I are going to get along together fine. It's such a relief to talk when one wants to and not be told that children should be seen and not heard. I've had that said to me a million times if I have once. And people laugh at me because I use big words. But if you have big ideas you have to use big words to express them, haven't you?" "Well now, that seems reasonable," said Matthew. "Mrs. Spencer said that my tongue must be hung in the middle. But it isn't--it's firmly fastened at one end. Mrs. Spencer said your place was named Green Gables. I asked her all about it. And she said there were trees all around it. I was gladder than ever. I just love trees. And there weren't any at all about the asylum, only a few poor weeny-teeny things out in front with little whitewashed cagey things about them. They just looked like orphans themselves, those trees did. It used to make me want to cry to look at them. I used to say to them," ?Oh, you _poor_ little things! If you were out in a great big woods with other trees all around you and little mosses and June bells growing over your roots and a brook not far away and birds singing in you branches, you could grow, couldn't you? But you can't where you are. I know just exactly how you feel, little trees.' "I felt sorry to leave them behind this morning. You do get so attached to things like that, don't you? Is there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer that." "Well now, yes, there's one right below the house." "Fancy. It's always been one of my dreams to live near a brook. I never expected I would, though. Dreams don't often come true, do they? Wouldn't it be nice if they did? But just now I feel pretty nearly perfectly happy. I can't feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew's eyes. Matthew was not used to deciding on the tints of ladies' tresses, but in this case there couldn't be much doubt.<|quote|>"It's red, ain't it?"</|quote|>he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it's red," she said resignedly. "Now you see why I can't be perfectly happy. Nobody could who has red hair. I don't mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. But I _cannot_ imagine that red hair away. I do my best. I think to myself," ?Now my hair is a glorious black, black as the raven's wing.' "But all the time I _know_ it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn't red hair. Her hair was pure gold rippling back from her alabaster brow. What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I'm afraid I can't," said Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry-go-round at a picnic. "Well, whatever it was it must have been something nice because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?" "Well now, no, I haven't," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don't know exactly." "Neither do I. I can never decide. But it doesn't make much real difference for it isn't likely I'll ever be either. It's certain I'll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" That was not what Mrs. Spencer had said; neither had the child tumbled out of the buggy nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the "Avenue." The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you're feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven't very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue," said Matthew after a few moments' profound reflection. "It is a kind of pretty place." "Pretty? Oh, _pretty_ doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful--wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfies me here" "--she put one hand on her breast--" "it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can't recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn't call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn't that a nice imaginative name? When I don't like the name of a place or a person I | I asked her all about it. And she said there were trees all around it. I was gladder than ever. I just love trees. And there weren't any at all about the asylum, only a few poor weeny-teeny things out in front with little whitewashed cagey things about them. They just looked like orphans themselves, those trees did. It used to make me want to cry to look at them. I used to say to them," ?Oh, you _poor_ little things! If you were out in a great big woods with other trees all around you and little mosses and June bells growing over your roots and a brook not far away and birds singing in you branches, you could grow, couldn't you? But you can't where you are. I know just exactly how you feel, little trees.' "I felt sorry to leave them behind this morning. You do get so attached to things like that, don't you? Is there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer that." "Well now, yes, there's one right below the house." "Fancy. It's always been one of my dreams to live near a brook. I never expected I would, though. Dreams don't often come true, do they? Wouldn't it be nice if they did? But just now I feel pretty nearly perfectly happy. I can't feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew's eyes. Matthew was not used to deciding on the tints of ladies' tresses, but in this case there couldn't be much doubt.<|quote|>"It's red, ain't it?"</|quote|>he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it's red," she said resignedly. "Now you see why I can't be perfectly happy. Nobody could who has red hair. I don't mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. But I _cannot_ imagine that red hair away. I do my best. I think to myself," ?Now my hair is a glorious black, black as the raven's wing.' "But all the time I _know_ it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn't red hair. Her hair was pure gold rippling back from her alabaster brow. What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I'm afraid I can't," said Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry-go-round at a picnic. "Well, whatever it was it must have been something nice because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?" "Well now, no, I haven't," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don't know exactly." "Neither do I. I can never decide. But it doesn't make much real difference for it isn't likely I'll ever be either. It's certain I'll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" That was not what Mrs. Spencer had said; neither had the child tumbled out of the buggy nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the "Avenue." The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where | Anne Of Green Gables | exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew's eyes. Matthew was not used to deciding on the tints of ladies' tresses, but in this case there couldn't be much doubt.<|quote|>"It's red, ain't it?"</|quote|>he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it's red," she said resignedly. "Now you see why I can't be perfectly happy. Nobody could who has red | {
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"content": "exactly perfectly happy because--well, what color would you call this?\" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew's eyes. Matthew was not used to deciding on the tints of ladies' tresses, but in this case there couldn't be much doubt.<|quote|>\"It's red, ain't it?\"</|quote|>he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. \"Yes, it's red,\" she said resignedly. \"Now you see why I can't be perfectly happy. Nobody could who has red",
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(when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually _took a watch out of its waistcoat-pocket_, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it. | No speaker | dear! I shall be late!"<|quote|>(when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually _took a watch out of its waistcoat-pocket_, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it.</|quote|>"Well!" thought Alice to herself, | to itself, "Oh dear! Oh dear! I shall be late!"<|quote|>(when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually _took a watch out of its waistcoat-pocket_, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it.</|quote|>"Well!" thought Alice to herself, "after such a fall as | picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so _very_ remarkable in that; nor did Alice think it so _very_ much out of the way to hear the Rabbit say to itself, "Oh dear! Oh dear! I shall be late!"<|quote|>(when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually _took a watch out of its waistcoat-pocket_, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it.</|quote|>"Well!" thought Alice to herself, "after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!" (Which was very likely true.) Down, | use of a book," thought Alice "without pictures or conversations?" So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so _very_ remarkable in that; nor did Alice think it so _very_ much out of the way to hear the Rabbit say to itself, "Oh dear! Oh dear! I shall be late!"<|quote|>(when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually _took a watch out of its waistcoat-pocket_, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it.</|quote|>"Well!" thought Alice to herself, "after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!" (Which was very likely true.) Down, down, down. Would the fall _never_ come to an end? "I wonder how many miles I've fallen by this time?" she said aloud. "I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--" (for, you see, Alice | CHAPTER I. Down the Rabbit-Hole Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, "and what is the use of a book," thought Alice "without pictures or conversations?" So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so _very_ remarkable in that; nor did Alice think it so _very_ much out of the way to hear the Rabbit say to itself, "Oh dear! Oh dear! I shall be late!"<|quote|>(when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually _took a watch out of its waistcoat-pocket_, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it.</|quote|>"Well!" thought Alice to herself, "after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!" (Which was very likely true.) Down, down, down. Would the fall _never_ come to an end? "I wonder how many miles I've fallen by this time?" she said aloud. "I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--" (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a _very_ good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) "--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?" (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. "I wonder if I shall fall right _through_ the earth! How funny it'll seem to come | CHAPTER I. Down the Rabbit-Hole Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, "and what is the use of a book," thought Alice "without pictures or conversations?" So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so _very_ remarkable in that; nor did Alice think it so _very_ much out of the way to hear the Rabbit say to itself, "Oh dear! Oh dear! I shall be late!"<|quote|>(when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually _took a watch out of its waistcoat-pocket_, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it.</|quote|>"Well!" thought Alice to herself, "after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!" (Which was very likely true.) Down, down, down. Would the fall _never_ come to an end? "I wonder how many miles I've fallen by this time?" she said aloud. "I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--" (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a _very_ good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) "--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?" (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. "I wonder if I shall fall right _through_ the earth! How funny it'll seem to come out among the people that walk with their heads downward! The Antipathies, I think--" (she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word) "--but I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?" (and she tried to curtsey as she spoke--fancy _curtseying_ as you're falling through the air! Do you think you could manage it?) "And what an ignorant little girl she'll think me for asking! No, it'll never do to ask: perhaps I shall see it written up somewhere." Down, down, down. There was nothing else to do, so Alice soon began talking again. "Dinah'll miss me very much to-night, I should think!" (Dinah was the cat.) "I hope they'll remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I'm afraid, but you might catch a bat, and that's very like a mouse, you know. But do cats eat bats, I wonder?" And here Alice began to get rather sleepy, and went on saying to herself, in a | CHAPTER I. Down the Rabbit-Hole Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, "and what is the use of a book," thought Alice "without pictures or conversations?" So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so _very_ remarkable in that; nor did Alice think it so _very_ much out of the way to hear the Rabbit say to itself, "Oh dear! Oh dear! I shall be late!"<|quote|>(when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually _took a watch out of its waistcoat-pocket_, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it.</|quote|>"Well!" thought Alice to herself, "after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!" (Which was very likely true.) Down, down, down. Would the fall _never_ come to an end? "I wonder how many miles I've fallen by this time?" she said aloud. "I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--" (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a _very_ good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) "--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?" (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. "I wonder if I shall fall right _through_ the earth! How funny it'll seem to come out among the people that walk with their heads downward! The Antipathies, I think--" (she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word) "--but I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?" (and she tried to curtsey as she spoke--fancy _curtseying_ as you're falling through the air! Do you think you could manage it?) "And what an ignorant little girl she'll think me for asking! No, it'll never do to ask: perhaps I shall see it written up somewhere." Down, down, down. There was nothing else to do, so Alice soon began talking again. "Dinah'll miss me very much to-night, I should think!" (Dinah was the cat.) "I hope they'll remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I'm afraid, but you might catch a bat, and that's very like a mouse, you know. But do cats eat bats, I wonder?" And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, "Do cats eat bats? Do cats eat bats?" and sometimes, "Do bats eat cats?" for, you see, as she couldn't answer either question, it didn't much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, "Now, Dinah, tell me the truth: did you ever eat a bat?" when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over. Alice was not a bit hurt, and she jumped up on to her feet in a moment: she looked up, but it was all dark overhead; before her was another long passage, and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost: away went Alice like the wind, and was just in time to hear it say, as it turned a corner, "Oh my ears and whiskers, how late it's getting!" She was close behind it when she turned the corner, but the Rabbit was no longer to be seen: she found herself in a long, low hall, which was lit up by a row of lamps hanging from the roof. There were doors all round the hall, but they were all locked; and when Alice had been all the way down one side and up the other, trying every door, she walked sadly down the middle, wondering how she was ever to get out again. Suddenly she came upon a little three-legged table, all made of solid glass; there was nothing on it except a tiny golden key, and Alice's first thought was that it might belong to one of the doors of the hall; but, alas! either the locks were too large, or the key was too small, but at any rate it would not open any of them. However, on the second time round, she came upon a low curtain she had not noticed before, and behind it was a little door about fifteen inches high: she tried the little golden key in the lock, and to her great delight it fitted! Alice opened the door and found that it led into a small passage, not much larger than a rat-hole: she knelt down and looked along the passage into the loveliest | CHAPTER I. Down the Rabbit-Hole Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, "and what is the use of a book," thought Alice "without pictures or conversations?" So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so _very_ remarkable in that; nor did Alice think it so _very_ much out of the way to hear the Rabbit say to itself, "Oh dear! Oh dear! I shall be late!"<|quote|>(when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually _took a watch out of its waistcoat-pocket_, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it.</|quote|>"Well!" thought Alice to herself, "after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!" (Which was very likely true.) Down, down, down. Would the fall _never_ come to an end? "I wonder how many miles I've fallen by this time?" she said aloud. "I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--" (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a _very_ good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) "--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?" (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. "I wonder if I shall fall right _through_ the earth! How funny it'll seem to come out among the people that walk with their heads downward! The Antipathies, I think--" (she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word) "--but I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?" (and she tried to curtsey as she spoke--fancy _curtseying_ as you're falling through the air! Do you think you could manage it?) "And what an ignorant little girl she'll think me for asking! No, it'll never do to ask: perhaps I shall see it written up somewhere." Down, down, down. There was nothing else to do, so Alice soon began talking again. "Dinah'll miss me very much to-night, I should think!" (Dinah was the cat.) "I hope they'll remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I'm afraid, but you might catch a bat, and that's very like a mouse, you know. But do cats eat bats, I wonder?" And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, "Do cats eat bats? Do cats eat bats?" and sometimes, "Do bats eat cats?" for, you see, as she couldn't answer either question, it didn't much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, "Now, Dinah, tell me the truth: did you ever eat | Alices Adventures In Wonderland | picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so _very_ remarkable in that; nor did Alice think it so _very_ much out of the way to hear the Rabbit say to itself, "Oh dear! Oh dear! I shall be late!"<|quote|>(when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually _took a watch out of its waistcoat-pocket_, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it.</|quote|>"Well!" thought Alice to herself, "after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!" (Which was very likely true.) Down, | {
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"content": "picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so _very_ remarkable in that; nor did Alice think it so _very_ much out of the way to hear the Rabbit say to itself, \"Oh dear! Oh dear! I shall be late!\"<|quote|>(when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually _took a watch out of its waistcoat-pocket_, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled \"ORANGE MARMALADE\", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it.</|quote|>\"Well!\" thought Alice to herself, \"after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!\" (Which was very likely true.) Down,",
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said Babs. | No speaker | make it a bit more,"<|quote|>said Babs.</|quote|>"We've sat with you two | them a pound. "You might make it a bit more,"<|quote|>said Babs.</|quote|>"We've sat with you two hours." Jock gave another pound. | afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more,"<|quote|>said Babs.</|quote|>"We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... | dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more,"<|quote|>said Babs.</|quote|>"We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into | what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more,"<|quote|>said Babs.</|quote|>"We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. | but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more,"<|quote|>said Babs.</|quote|>"We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You | that their patrons spend money. "Last time I was here, Tony, was the bachelor party before your wedding." "Tight that night." "Stinking." "I'll tell you who else was tight that night--Reggie. Broke a fruit gum machine." "Reggie was stinking." "I say, you don't still feel low about that girl?" "I don't feel low." "Come on, we'll go downstairs." The dance-room was fairly full. An elderly man had joined the band and was trying to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more,"<|quote|>said Babs.</|quote|>"We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make surprise visits." "You are one for making people learn things," said Beaver. Tony emerged from the 3.18 feeling cold, tired, and heavy with guilt. John Andrew had come in the car to meet him. "Hullo, daddy, had a good time in London? You didn't mind me coming to the station, did you? I _made_ nanny let me." "Very pleased to see you, John." "How was mummy?" "She sounded very well. I didn't see her." "But you _said_ you were going to see her." "Yes, I thought I was, but I turned out to be wrong. I talked to her several times on the telephone." "But you can telephone her from here, can't you, daddy? Why did you go all the way to London to telephone her?... _Why_, daddy?" "It would take too long to explain." "Well tell me some of it... _Why_, daddy?" "Look here, I'm tired. If you don't stop asking questions I shan't let you ever come and meet the train again." John Andrew's face began to pucker. "I thought you'd _like_ me to come and meet you." "If you cry I shall put you in front with Dawson. It's absurd to cry at your age." "I'd _sooner_ go in front with Dawson," said John Andrew between his tears. Tony picked up the speaking-tube to tell the chauffeur to stop, but he could not make him hear. So he hitched the mouthpiece back on its hook and they drove on in silence, John Andrew leaning against the window and snivelling slightly. When they got to the house he said, "Nanny, I don't want John to come to the station in future unless her ladyship or I specially say he can." "No, sir, I wouldn't have let him go to-day, only he went on so. Come along now, John, and take off your coat. Goodness, child, where's your handkerchief?" Tony went | think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more,"<|quote|>said Babs.</|quote|>"We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make surprise visits." "You are one for making people | A Handful Of Dust | afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more,"<|quote|>said Babs.</|quote|>"We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... | {
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"content": "afraid.\" \"Be a sport,\" said Milly. \"No, we can't really.\" \"All right. Well, how about a little present? We're professional dancing partners, you know,\" said Babs. \"Oh yes, sorry, how much?\" \"Oh, we leave that to the gentlemen.\" Tony gave them a pound. \"You might make it a bit more,\"<|quote|>said Babs.</|quote|>\"We've sat with you two hours.\" Jock gave another pound. \"Come and see us again one evening when you've got more time,\" said Milly. \"I'm feeling rather ill,\" said Tony on the way upstairs. \"Don't think I shall bother to ring up Brenda.\" \"Send a message.\" \"That's a good idea...",
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Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. | No speaker | you forgive me, Mrs. Lynde."<|quote|>Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart.</|quote|>"There, there, get up, child," | sure you wouldn't. Please say you forgive me, Mrs. Lynde."<|quote|>Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart.</|quote|>"There, there, get up, child," she said heartily. "Of course | but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde."<|quote|>Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart.</|quote|>"There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a | by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde."<|quote|>Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart.</|quote|>"There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a | word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde."<|quote|>Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart.</|quote|>"There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there." "Laws, yes, run along, child. | no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde."<|quote|>Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart.</|quote|>"There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there." "Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself--a little too--well, too kind of forcible, you know; but she'll likely get over that now that she's come to live among civilized folks. And then, her temper's pretty quick, I guess; but there's one comfort, a child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful. Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of the fragrant twilight of the | solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word," said Matthew eagerly. "Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won't drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde."<|quote|>Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart.</|quote|>"There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there." "Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself--a little too--well, too kind of forcible, you know; but she'll likely get over that now that she's come to live among civilized folks. And then, her temper's pretty quick, I guess; but there's one comfort, a child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful. Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of the fragrant twilight of the orchard with a sheaf of white narcissi in her hands. "I apologized pretty well, didn't I?" she said proudly as they went down the lane. "I thought since I had to do it I might as well do it thoroughly." "You did it thoroughly, all right enough," was Marilla's comment. Marilla was dismayed at finding herself inclined to laugh over the recollection. She had also an uneasy feeling that she ought to scold Anne for apologizing so well; but then, that was ridiculous! She compromised with her conscience by saying severely: "I hope you won't have occasion to make many more such apologies. I hope you'll try to control your temper now, Anne." "That wouldn't be so hard if people wouldn't twit me about my looks," said Anne with a sigh. "I don't get cross about other things; but I'm _so_ tired of being twitted about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn't think so much about your looks, Anne. I'm afraid you are a very vain little girl." "How can I be vain when I know I'm homely?" protested Anne. "I love pretty things; and I hate to look in the glass and see something that isn't pretty. It makes me feel so sorrowful--just as I feel when I look at any ugly thing. I pity it because it isn't beautiful." "Handsome is as handsome does," quoted Marilla. "I've had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren't these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue," said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the | Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde."<|quote|>Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart.</|quote|>"There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there." "Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking | Anne Of Green Gables | but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde."<|quote|>Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart.</|quote|>"There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a | {
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"content": "but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde.\"<|quote|>Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart.</|quote|>\"There, there, get up, child,\" she said heartily. \"Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a",
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"A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" | Anne Shirley | "A--a what kind of friend?"<|quote|>"A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?"</|quote|>"Diana Barry lives over at | a bosom friend in Avonlea?" "A--a what kind of friend?"<|quote|>"A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?"</|quote|>"Diana Barry lives over at Orchard Slope and she's about | Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?"<|quote|>"A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?"</|quote|>"Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. | poetry, but it makes me feel just the same way poetry does." ?Our Father who art in heaven hallowed be Thy name.' "That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?"<|quote|>"A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?"</|quote|>"Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad | heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does." ?Our Father who art in heaven hallowed be Thy name.' "That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?"<|quote|>"A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?"</|quote|>"Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next | He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does." ?Our Father who art in heaven hallowed be Thy name.' "That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?"<|quote|>"A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?"</|quote|>"Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and | afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does." ?Our Father who art in heaven hallowed be Thy name.' "That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?"<|quote|>"A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?"</|quote|>"Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull," sniffed Marilla. "I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never | start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does." ?Our Father who art in heaven hallowed be Thy name.' "That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?"<|quote|>"A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?"</|quote|>"Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I | Anne Of Green Gables | Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?"<|quote|>"A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?"</|quote|>"Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. | {
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Kat asks one of the youngsters. He grimaces. | No speaker | anything decent to eat, eh?"<|quote|>Kat asks one of the youngsters. He grimaces.</|quote|>"For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets | "Long time since you've had anything decent to eat, eh?"<|quote|>Kat asks one of the youngsters. He grimaces.</|quote|>"For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a | open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?"<|quote|>Kat asks one of the youngsters. He grimaces.</|quote|>"For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely | straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?"<|quote|>Kat asks one of the youngsters. He grimaces.</|quote|>"For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians | electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?"<|quote|>Kat asks one of the youngsters. He grimaces.</|quote|>"For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him. "Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too." Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has a sixth sense. There are such people everywhere but one does not appreciate | rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?"<|quote|>Kat asks one of the youngsters. He grimaces.</|quote|>"For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him. "Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too." Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has a sixth sense. There are such people everywhere but one does not appreciate it at first. Every company has one or two. Katczinsky is the smartest I know. By trade he is a cobbler, I believe, but that hasn't anything to do with it; he understands all trades. It's a good thing to be friends with him, as Kropp and I are, and Haie Westhus too, more or less. But Haie is rather the executive arm operating under Kat's orders when things come to blows. For that he has his qualifications. For example, we land at night in some entirely unknown spot, a sorry hole, that has been eaten out to the very walls. We are quartered in a small dark factory adapted to the purpose. There are beds in it, or rather bunks--a couple of wooden beams over which wire netting is stretched. Wire netting is hard. And there's nothing to put on it. Our waterproof sheets are too thin. We use our blankets to cover ourselves. Kat looks at the place and then says to Haie Westhus: "Come with me." They go off to explore. Half an hour later they are back again with arms full of straw. Kat has found a horse-box with straw in it. Now we might sleep | used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk! "But Franz" --I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says: "One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----" I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?"<|quote|>Kat asks one of the youngsters. He grimaces.</|quote|>"For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him. "Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too." Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has a sixth sense. There are such people everywhere but one does not appreciate it at first. Every company has one or two. Katczinsky is the smartest I know. By trade he is a cobbler, I believe, but that hasn't anything to do with it; he understands all trades. It's a good thing to be friends with him, as Kropp and I are, and Haie Westhus too, more or less. But Haie is rather the executive arm operating under Kat's orders when things come to blows. For that he has his qualifications. For example, we land at night in some entirely unknown spot, a sorry hole, that has been eaten out to the very walls. We are quartered in a small dark factory adapted to the purpose. There are beds in it, or rather bunks--a couple of wooden beams over which wire netting is stretched. Wire netting is hard. And there's nothing to put on it. Our waterproof sheets are too thin. We use our blankets to cover ourselves. Kat looks at the place and then says to Haie Westhus: "Come with me." They go off to explore. Half an hour later they are back again with arms full of straw. Kat has found a horse-box with straw in it. Now we might sleep if we weren't so terribly hungry. Kropp asks an artilleryman who has been some time in this neighbourhood: "Is there a canteen anywhere abouts?" "Is there a what?" he laughs. "There's nothing to be had here. You won't find so much as a crust of bread here." "Aren't there any inhabitants here at all then?" He spits. "Yes, a couple. But they mostly loaf round the cook house and beg." "That's a bad business!--Then we'll have to pull in our belts and wait till the rations come up in the morning." But I see Kat has put on his cap. "Where to, Kat?" I ask. "Just to explore the place a bit." He strolls off. The artilleryman grins scornfully. "Let him explore! But don't be too hopeful about it." Disappointed we lie down and consider whether we couldn't have a go at the iron rations. But it's too risky; so we try to get a wink of sleep. Kropp divides a cigarette and hands me half. Tjaden gives an account of his national dish--broad-beans and bacon. He despises it when not flavoured with bog-myrtle, and, "for God's sake, let it all be cooked together, not the potatoes, the beans, and the bacon separately." Someone growls that he will pound Tjaden into bog-myrtle if he doesn't shut up. Then all becomes quiet in the big room--only the candles flickering from the necks of a couple of bottles and the artilleryman spitting every now and then. We stir a bit as the door opens and Kat appears. I think I must be dreaming; he has two loaves of bread under his arm and a blood-stained sandbag full of horse-flesh in his hand. The artilleryman's pipe drops from his mouth. He feels the bread. "Real bread, by God! and still hot too!" Kat gives no explanation. He has the bread, the rest doesn't matter. I'm sure that if he were planted down in the middle of the desert, in half an hour he would have gathered together a supper of roast meat, dates, and wine. "Cut some wood," he says curtly to Haie. Then he hauls out a frying-pan from under his coat, and a handful of salt as well as a lump of fat from his pocket. He has thought of everything. Haie makes a fire on the floor. It lights up the empty room of the factory. We climb out of | up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?"<|quote|>Kat asks one of the youngsters. He grimaces.</|quote|>"For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him. "Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too." Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has a sixth sense. There are such people everywhere but one does not appreciate it at first. Every company has one or two. Katczinsky is the smartest I know. By trade he is a cobbler, I believe, but that hasn't anything to do with it; he understands all trades. It's a good thing to be friends with him, as Kropp and I are, and Haie Westhus too, more or less. But Haie is rather the executive arm operating under Kat's orders when things come to blows. For that he has his qualifications. For example, we land at night in some entirely unknown spot, a sorry hole, that has been eaten out to the very walls. We are quartered in a small dark factory adapted to the purpose. There are beds in it, or rather bunks--a couple of wooden beams over which wire netting is stretched. Wire netting is hard. And there's nothing to put on it. Our waterproof sheets are too thin. We use our blankets to cover ourselves. Kat looks at the place and then says to Haie Westhus: "Come with me." They go off to explore. Half an hour later they are back again with arms full of straw. Kat has found a horse-box with straw in it. Now we might sleep if we weren't so terribly hungry. Kropp asks an artilleryman who has been some time in this neighbourhood: "Is there a canteen anywhere abouts?" "Is there a what?" he laughs. "There's nothing to be had here. You won't find so much as a crust of bread here." "Aren't there any inhabitants here at all then?" He spits. "Yes, a couple. But they mostly loaf round the cook house and beg." "That's a bad business!--Then we'll have to pull in our belts and wait till the rations come up in the morning." But I see Kat has put on his cap. "Where to, Kat?" I ask. "Just to explore the place a bit." He strolls off. The artilleryman grins scornfully. "Let him explore! But don't be too hopeful about it." Disappointed we lie down and consider whether we couldn't have a go at the iron rations. But it's too risky; so we try to get a wink of sleep. Kropp divides a cigarette and hands me half. Tjaden gives an account of his national dish--broad-beans and | All Quiet on the Western Front | open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?"<|quote|>Kat asks one of the youngsters. He grimaces.</|quote|>"For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely | {
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"content": "open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. \"Long time since you've had anything decent to eat, eh?\"<|quote|>Kat asks one of the youngsters. He grimaces.</|quote|>\"For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad.\" Kat gives a knowing whistle. \"Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?\" The youngster turns red: \"You can't kid me.\" Katczinsky merely",
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whispered Kropp. | No speaker | he bawled: "Get up!" "Alone?"<|quote|>whispered Kropp.</|quote|>"Alone." I slipped round the | the door flew open and he bawled: "Get up!" "Alone?"<|quote|>whispered Kropp.</|quote|>"Alone." I slipped round the pile of stones with Tjaden. | behind a pile of stones. I had a bed-cover with me. We trembled with suspense, hoping he would be alone. At last we heard his footstep, which we recognized easily, so often had we heard it in the mornings as the door flew open and he bawled: "Get up!" "Alone?"<|quote|>whispered Kropp.</|quote|>"Alone." I slipped round the pile of stones with Tjaden. Himmelstoss seemed a little elevated; he was singing. His belt-buckle gleamed. He came on unsuspectingly. We seized the bed-cover, made a quick leap, threw it over his head from behind and pulled it round him so that he stood there | a good hiding. What could he do to us anyhow if he didn't recognize us and we left early the next morning? We knew which pub he used to visit every evening. Returning to the barracks he had to go along a dark, uninhabited road. There we waited for him behind a pile of stones. I had a bed-cover with me. We trembled with suspense, hoping he would be alone. At last we heard his footstep, which we recognized easily, so often had we heard it in the mornings as the door flew open and he bawled: "Get up!" "Alone?"<|quote|>whispered Kropp.</|quote|>"Alone." I slipped round the pile of stones with Tjaden. Himmelstoss seemed a little elevated; he was singing. His belt-buckle gleamed. He came on unsuspectingly. We seized the bed-cover, made a quick leap, threw it over his head from behind and pulled it round him so that he stood there in a white sack unable to raise his arms. The singing stopped. The next moment Haie Westhus was there, and spreading out his arms he shoved us back in order to be first in. He put himself in position with evident satisfaction, raised his arm like a signal-mast and his | leave next morning early. In the evening we prepared ourselves to square accounts with Himmelstoss. We had sworn for weeks past to do this. Kropp had even gone so far as to propose entering the postal service in peace-time in order to be Himmelstoss's superior when he became a postman again. He revelled in the thought of how he would grind him. It was this that made it impossible for him to crush us altogether--we always reckoned that later, at the end of the war, we would have our revenge on him. In the meantime we decided to give him a good hiding. What could he do to us anyhow if he didn't recognize us and we left early the next morning? We knew which pub he used to visit every evening. Returning to the barracks he had to go along a dark, uninhabited road. There we waited for him behind a pile of stones. I had a bed-cover with me. We trembled with suspense, hoping he would be alone. At last we heard his footstep, which we recognized easily, so often had we heard it in the mornings as the door flew open and he bawled: "Get up!" "Alone?"<|quote|>whispered Kropp.</|quote|>"Alone." I slipped round the pile of stones with Tjaden. Himmelstoss seemed a little elevated; he was singing. His belt-buckle gleamed. He came on unsuspectingly. We seized the bed-cover, made a quick leap, threw it over his head from behind and pulled it round him so that he stood there in a white sack unable to raise his arms. The singing stopped. The next moment Haie Westhus was there, and spreading out his arms he shoved us back in order to be first in. He put himself in position with evident satisfaction, raised his arm like a signal-mast and his hand like a coal-shovel and fetched such a blow on the white sack as would have felled an ox. Himmelstoss was thrown down, he rolled five yards and started to yell. But we were prepared for that and had brought a cushion. Haie squatted down, laid the cushion on his knees, felt where Himmelstoss's head was and pressed it down on the pillow. Immediately his voice was muffled. Haie let him get a gasp of air every so often, when he would give a mighty yell that was immediately hushed. Tjaden unbuttoned Himmelstoss's braces and pulled down his trousers, holding | another piss-a-bed, named Kindervater, from a neighbouring hut, and quartered him with Tjaden. In the huts there were the usual bunks, one above the other in pairs, with mattresses of wire-netting. Himmelstoss put these two so that one occupied the upper and the other the lower bunk. The man underneath was of course disgusted. The next night they were changed over and the lower one put on top so that he could retaliate. That was Himmelstoss's system of self-education. The idea was low but not ill-conceived. Unfortunately it accomplished nothing because the first assumption was wrong: it was not laziness in either of them. Anyone who looked at their sallow skin could see that. The matter ended in one of them always sleeping on the floor, where he frequently caught cold. Meanwhile Haie sits down beside us. He winks at me and rubs his paws thoughtfully. We once spent the finest day of our army-life together--the day before we left for the front. We had been allotted to one of the recently formed regiments, but were first to be sent back for equipment to the garrison, not to the reinforcement-depot, of course, but to another barracks. We were due to leave next morning early. In the evening we prepared ourselves to square accounts with Himmelstoss. We had sworn for weeks past to do this. Kropp had even gone so far as to propose entering the postal service in peace-time in order to be Himmelstoss's superior when he became a postman again. He revelled in the thought of how he would grind him. It was this that made it impossible for him to crush us altogether--we always reckoned that later, at the end of the war, we would have our revenge on him. In the meantime we decided to give him a good hiding. What could he do to us anyhow if he didn't recognize us and we left early the next morning? We knew which pub he used to visit every evening. Returning to the barracks he had to go along a dark, uninhabited road. There we waited for him behind a pile of stones. I had a bed-cover with me. We trembled with suspense, hoping he would be alone. At last we heard his footstep, which we recognized easily, so often had we heard it in the mornings as the door flew open and he bawled: "Get up!" "Alone?"<|quote|>whispered Kropp.</|quote|>"Alone." I slipped round the pile of stones with Tjaden. Himmelstoss seemed a little elevated; he was singing. His belt-buckle gleamed. He came on unsuspectingly. We seized the bed-cover, made a quick leap, threw it over his head from behind and pulled it round him so that he stood there in a white sack unable to raise his arms. The singing stopped. The next moment Haie Westhus was there, and spreading out his arms he shoved us back in order to be first in. He put himself in position with evident satisfaction, raised his arm like a signal-mast and his hand like a coal-shovel and fetched such a blow on the white sack as would have felled an ox. Himmelstoss was thrown down, he rolled five yards and started to yell. But we were prepared for that and had brought a cushion. Haie squatted down, laid the cushion on his knees, felt where Himmelstoss's head was and pressed it down on the pillow. Immediately his voice was muffled. Haie let him get a gasp of air every so often, when he would give a mighty yell that was immediately hushed. Tjaden unbuttoned Himmelstoss's braces and pulled down his trousers, holding the whip meantime in his teeth. Then he stood up and set to work. It was a wonderful picture: Himmelstoss on the ground; Haie bending over him with a fiendish grin and his mouth open with blood-lust, Himmelstoss's head on his knees; then the convulsed, striped drawers, the knock knees, executing at every blow most original movements in the lowered breeches, and towering over them like a woodcutter the indefatigable Tjaden. In the end we had to drag him away to get our turn. Finally Haie stood Himmelstoss on his feet again and gave one last personal remonstrance. As he stretched out his right arm preparatory to giving him a box on the ear he looked as if he were going to reach down a star. Himmelstoss staggered. Haie stood him up again, made ready and fetched him a second, well-aimed beauty with the left hand. Himmelstoss yelled and fell down on all fours cursing. His striped postman's backside gleamed in the moonlight. We disappeared at full speed. Haie looked round once again and said wrathfully, satisfied and rather mysteriously: "Revenge is black-pudding." Himmelstoss ought to have been pleased; his saying that we should each educate one another had borne | We are glad enough to be able to trail arms but we sing spiritlessly. At once the company is turned about and has to do another hour's drill as punishment. On the march back the order to sing is given again, and once more we start. Now what's the use of all that? It's simply that the company commander's head has been turned by having so much power. And nobody blames him. On the contrary, he is praised for being strict. That, of course, is only a trifling instance, but it holds also in very different affairs. Now I ask you: Let a man be whatever you like in peace-time, what occupation is there in which he can behave like that without getting a crack on the nose? He can only do that in the army. It goes to the heads of them all, you see. And the more insignificant a man has been in civil life the worse it takes him." "They say, of course, there must be discipline," ventures Kropp meditatively. "True," growls Kat, "they always do. And it may be so; still it oughtn't to become an abuse. But you try to explain that to a blacksmith or a labourer or a workman, you try to make that clear to a simple tommy--and that's what most of them are here. All he understands is that he has been properly trained so that when he comes up to the front he thinks he knows exactly what he should do in every circumstance and what not. It's simply amazing, I tell you, that the ordinary soldier survives so long up here in the front-line. Simply amazing!" No one protests. Everyone knows that drill ceases only in the front-line and begins again a few miles behind, with all the absurdities of saluting and parade. It is an iron law that the soldier must be employed under every circumstance. Here Tjaden comes up with a flushed face. He is so excited that he stutters. Beaming with satisfaction he stammers out: "Himmelstoss is on his way. He's coming to the front!" * * Tjaden has a special grudge against Himmelstoss, because of the way he educated him in the barracks. Tjaden wets his bed, he does it at night in his sleep. Himmelstoss maintained that it was sheer laziness and invented a method worthy of himself for curing Tjaden. He hunted up another piss-a-bed, named Kindervater, from a neighbouring hut, and quartered him with Tjaden. In the huts there were the usual bunks, one above the other in pairs, with mattresses of wire-netting. Himmelstoss put these two so that one occupied the upper and the other the lower bunk. The man underneath was of course disgusted. The next night they were changed over and the lower one put on top so that he could retaliate. That was Himmelstoss's system of self-education. The idea was low but not ill-conceived. Unfortunately it accomplished nothing because the first assumption was wrong: it was not laziness in either of them. Anyone who looked at their sallow skin could see that. The matter ended in one of them always sleeping on the floor, where he frequently caught cold. Meanwhile Haie sits down beside us. He winks at me and rubs his paws thoughtfully. We once spent the finest day of our army-life together--the day before we left for the front. We had been allotted to one of the recently formed regiments, but were first to be sent back for equipment to the garrison, not to the reinforcement-depot, of course, but to another barracks. We were due to leave next morning early. In the evening we prepared ourselves to square accounts with Himmelstoss. We had sworn for weeks past to do this. Kropp had even gone so far as to propose entering the postal service in peace-time in order to be Himmelstoss's superior when he became a postman again. He revelled in the thought of how he would grind him. It was this that made it impossible for him to crush us altogether--we always reckoned that later, at the end of the war, we would have our revenge on him. In the meantime we decided to give him a good hiding. What could he do to us anyhow if he didn't recognize us and we left early the next morning? We knew which pub he used to visit every evening. Returning to the barracks he had to go along a dark, uninhabited road. There we waited for him behind a pile of stones. I had a bed-cover with me. We trembled with suspense, hoping he would be alone. At last we heard his footstep, which we recognized easily, so often had we heard it in the mornings as the door flew open and he bawled: "Get up!" "Alone?"<|quote|>whispered Kropp.</|quote|>"Alone." I slipped round the pile of stones with Tjaden. Himmelstoss seemed a little elevated; he was singing. His belt-buckle gleamed. He came on unsuspectingly. We seized the bed-cover, made a quick leap, threw it over his head from behind and pulled it round him so that he stood there in a white sack unable to raise his arms. The singing stopped. The next moment Haie Westhus was there, and spreading out his arms he shoved us back in order to be first in. He put himself in position with evident satisfaction, raised his arm like a signal-mast and his hand like a coal-shovel and fetched such a blow on the white sack as would have felled an ox. Himmelstoss was thrown down, he rolled five yards and started to yell. But we were prepared for that and had brought a cushion. Haie squatted down, laid the cushion on his knees, felt where Himmelstoss's head was and pressed it down on the pillow. Immediately his voice was muffled. Haie let him get a gasp of air every so often, when he would give a mighty yell that was immediately hushed. Tjaden unbuttoned Himmelstoss's braces and pulled down his trousers, holding the whip meantime in his teeth. Then he stood up and set to work. It was a wonderful picture: Himmelstoss on the ground; Haie bending over him with a fiendish grin and his mouth open with blood-lust, Himmelstoss's head on his knees; then the convulsed, striped drawers, the knock knees, executing at every blow most original movements in the lowered breeches, and towering over them like a woodcutter the indefatigable Tjaden. In the end we had to drag him away to get our turn. Finally Haie stood Himmelstoss on his feet again and gave one last personal remonstrance. As he stretched out his right arm preparatory to giving him a box on the ear he looked as if he were going to reach down a star. Himmelstoss staggered. Haie stood him up again, made ready and fetched him a second, well-aimed beauty with the left hand. Himmelstoss yelled and fell down on all fours cursing. His striped postman's backside gleamed in the moonlight. We disappeared at full speed. Haie looked round once again and said wrathfully, satisfied and rather mysteriously: "Revenge is black-pudding." Himmelstoss ought to have been pleased; his saying that we should each educate one another had borne fruit for himself. We had become successful students of his method. He never discovered whom he had to thank for the business. At any rate he scored a bed-cover out of it; for when we returned a few hours later to look for it, it was no longer to be found. That evening's work made us more or less content to leave next morning. And an old buffer was pleased to describe us as "young heroes." CHAPTER IV We have to go up on wiring fatigue. The motor lorries roll up after dark. We climb in. It is a warm evening and the twilight seems like a canopy under whose shelter we feel drawn together. Even the stingy Tjaden gives me a cigarette and then a light. We stand jammed in together, shoulder to shoulder, there is no room to sit. But we do not expect that. Müller is in a good mood for once; he is wearing his new boots. The engines drone, the lorries bump and rattle. The roads are worn and full of holes. We dare not show a light so we lurch along and are often almost pitched out. That does not worry us, however. It can happen if it likes; a broken arm is better than a hole in the guts, and many a man would be thankful enough for such a chance of finding his way home again. Beside us stream the munition-columns in long files. They are making the pace, they overtake us going forward. We joke with them and they answer back. A wall becomes visible, it belongs to a house which lies on the side of the road. I suddenly prick up my ears. Am I deceived? Again I hear distinctly the cackle of geese. A glance at Katczinsky--a glance from him to me; we understand one another. "Kat, I hear some aspirants for the frying-pan over there." He nods. "It will be attended to when we come back. I have their number." Of course Kat has their number. He knows all about every leg of goose within a radius of fifteen miles. The lorries arrive at the artillery lines. The gun-emplacements are camouflaged with bushes against aerial observation, and look like a kind of military Feast of the Tabernacles. These branches might seem gay and cheerful were not cannon embowered there. The air becomes acrid with the smoke of the | lower one put on top so that he could retaliate. That was Himmelstoss's system of self-education. The idea was low but not ill-conceived. Unfortunately it accomplished nothing because the first assumption was wrong: it was not laziness in either of them. Anyone who looked at their sallow skin could see that. The matter ended in one of them always sleeping on the floor, where he frequently caught cold. Meanwhile Haie sits down beside us. He winks at me and rubs his paws thoughtfully. We once spent the finest day of our army-life together--the day before we left for the front. We had been allotted to one of the recently formed regiments, but were first to be sent back for equipment to the garrison, not to the reinforcement-depot, of course, but to another barracks. We were due to leave next morning early. In the evening we prepared ourselves to square accounts with Himmelstoss. We had sworn for weeks past to do this. Kropp had even gone so far as to propose entering the postal service in peace-time in order to be Himmelstoss's superior when he became a postman again. He revelled in the thought of how he would grind him. It was this that made it impossible for him to crush us altogether--we always reckoned that later, at the end of the war, we would have our revenge on him. In the meantime we decided to give him a good hiding. What could he do to us anyhow if he didn't recognize us and we left early the next morning? We knew which pub he used to visit every evening. Returning to the barracks he had to go along a dark, uninhabited road. There we waited for him behind a pile of stones. I had a bed-cover with me. We trembled with suspense, hoping he would be alone. At last we heard his footstep, which we recognized easily, so often had we heard it in the mornings as the door flew open and he bawled: "Get up!" "Alone?"<|quote|>whispered Kropp.</|quote|>"Alone." I slipped round the pile of stones with Tjaden. Himmelstoss seemed a little elevated; he was singing. His belt-buckle gleamed. He came on unsuspectingly. We seized the bed-cover, made a quick leap, threw it over his head from behind and pulled it round him so that he stood there in a white sack unable to raise his arms. The singing stopped. The next moment Haie Westhus was there, and spreading out his arms he shoved us back in order to be first in. He put himself in position with evident satisfaction, raised his arm like a signal-mast and his hand like a coal-shovel and fetched such a blow on the white sack as would have felled an ox. Himmelstoss was thrown down, he rolled five yards and started to yell. But we were prepared for that and had brought a cushion. Haie squatted down, laid the cushion on his knees, felt where Himmelstoss's head was and pressed it down on the pillow. Immediately his voice was muffled. Haie let him get a gasp of air every so often, when he would give a mighty yell that was immediately hushed. Tjaden unbuttoned Himmelstoss's braces and pulled down his trousers, holding the whip meantime in his teeth. Then he stood up and set to work. It was a wonderful picture: Himmelstoss on the ground; Haie bending over him with a fiendish grin and his mouth open with blood-lust, Himmelstoss's head on his knees; then the convulsed, striped drawers, the knock knees, executing at every blow most original movements in the lowered breeches, and towering over them like a woodcutter the indefatigable Tjaden. In the end we had to drag him away to get our turn. Finally Haie stood Himmelstoss on his feet again and gave one last personal remonstrance. As he stretched out his right arm preparatory to giving him a box on the ear he looked as if he were going to reach down a star. Himmelstoss staggered. Haie stood him up again, made ready and fetched him a second, well-aimed beauty with the left hand. Himmelstoss yelled and fell down on all fours cursing. His striped postman's backside gleamed in the moonlight. We disappeared at full speed. Haie looked round once again and said wrathfully, satisfied and rather mysteriously: "Revenge is black-pudding." Himmelstoss ought to have been pleased; his saying that we should each educate one another had borne fruit for himself. We had become successful students of his method. He never discovered whom he had to thank for the business. At any rate he scored a bed-cover out of it; for when we returned a few hours later to look for it, it was no longer to be found. That evening's work made us more or less content to leave next morning. And an old buffer was pleased to describe us as "young heroes." CHAPTER IV We have to go up on wiring fatigue. The motor lorries roll up after dark. We climb in. It is a warm evening and the twilight seems like | All Quiet on the Western Front | behind a pile of stones. I had a bed-cover with me. We trembled with suspense, hoping he would be alone. At last we heard his footstep, which we recognized easily, so often had we heard it in the mornings as the door flew open and he bawled: "Get up!" "Alone?"<|quote|>whispered Kropp.</|quote|>"Alone." I slipped round the pile of stones with Tjaden. Himmelstoss seemed a little elevated; he was singing. His belt-buckle gleamed. He came on unsuspectingly. We seized the bed-cover, made a quick leap, threw it over his head from behind and pulled it round him so that he stood there | {
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"content": "behind a pile of stones. I had a bed-cover with me. We trembled with suspense, hoping he would be alone. At last we heard his footstep, which we recognized easily, so often had we heard it in the mornings as the door flew open and he bawled: \"Get up!\" \"Alone?\"<|quote|>whispered Kropp.</|quote|>\"Alone.\" I slipped round the pile of stones with Tjaden. Himmelstoss seemed a little elevated; he was singing. His belt-buckle gleamed. He came on unsuspectingly. We seized the bed-cover, made a quick leap, threw it over his head from behind and pulled it round him so that he stood there",
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"_Are_ you to get in at all?" | The Frog-Footman | again, in a louder tone.<|quote|>"_Are_ you to get in at all?"</|quote|>said the Footman. "That's the | to get in?" asked Alice again, in a louder tone.<|quote|>"_Are_ you to get in at all?"</|quote|>said the Footman. "That's the first question, you know." It | at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone.<|quote|>"_Are_ you to get in at all?"</|quote|>said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity | at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone.<|quote|>"_Are_ you to get in at all?"</|quote|>said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" | then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone.<|quote|>"_Are_ you to get in at all?"</|quote|>said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was | to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone.<|quote|>"_Are_ you to get in at all?"</|quote|>said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject | not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone.<|quote|>"_Are_ you to get in at all?"</|quote|>said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said | a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone.<|quote|>"_Are_ you to get in at all?"</|quote|>said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the | Alices Adventures In Wonderland | at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone.<|quote|>"_Are_ you to get in at all?"</|quote|>said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity | {
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"content": "at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. \"--or next day, maybe,\" the Footman continued in the same tone, exactly as if nothing had happened. \"How am I to get in?\" asked Alice again, in a louder tone.<|quote|>\"_Are_ you to get in at all?\"</|quote|>said the Footman. \"That's the first question, you know.\" It was, no doubt: only Alice did not like to be told so. \"It's really dreadful,\" she muttered to herself, \"the way all the creatures argue. It's enough to drive one crazy!\" The Footman seemed to think this a good opportunity",
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said Brenda. | No speaker | is going quite smoothly now,"<|quote|>said Brenda.</|quote|>"There was a certain amount | Jenny Abdul Akbar. "Oh, everything is going quite smoothly now,"<|quote|>said Brenda.</|quote|>"There was a certain amount of _g?ne_ with relatives." * | It makes me feel rather a beast," said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now,"<|quote|>said Brenda.</|quote|>"There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so | is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?" "Not so well. It makes me feel rather a beast," said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now,"<|quote|>said Brenda.</|quote|>"There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent | it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?" "Not so well. It makes me feel rather a beast," said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now,"<|quote|>said Brenda.</|quote|>"There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I know just how you feel, but it doesn't do to be medieval about it. If Brenda hadn't been upset at John's death this need never have come to a crisis. Why, last year Marjorie was going everywhere with that ass Robin Beaseley. She was mad | be absolutely alone and away from everything that reminds her of what has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?" "Not so well. It makes me feel rather a beast," said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now,"<|quote|>said Brenda.</|quote|>"There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I know just how you feel, but it doesn't do to be medieval about it. If Brenda hadn't been upset at John's death this need never have come to a crisis. Why, last year Marjorie was going everywhere with that ass Robin Beaseley. She was mad about him at the time, but I pretended not to notice and it all blew over. If I were you I should refuse to recognize that anything has happened." Marjorie had said, "Of _course_ Brenda doesn't love Beaver. How could she?... And if she thinks she does at the moment, it's your duty to prevent her making a fool of herself. You must refuse to be divorced--anyway, until she has found someone more reasonable." Lady St Cloud had said, "Brenda has been very, very foolish. She always was an excitable girl, but I am sure there was never anything _wrong_, quite sure. _That_ wouldn't be like Brenda at all. I haven't met Mr Beaver and I do not wish to. I understand he is unsuitable in every way. Brenda would never want to marry anyone like that. I will tell you exactly how it happened, Tony. Brenda must have felt a tiny bit neglected--people often do at that stage of marriage. I have known countless cases--and it was naturally flattering to find a young man to beg and carry for her. That's all it was, nothing _wrong_. And then the terrible shock of little John's accident unsettled her and she | to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later." Next morning. "A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda coming," said Veronica. "I do think she might have chucked. I shan't in the least know what to say to her." * * * * * Tony said to Jock, as they sat alone after dinner, "I've been trying to understand, and I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away from everything that reminds her of what has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?" "Not so well. It makes me feel rather a beast," said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now,"<|quote|>said Brenda.</|quote|>"There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I know just how you feel, but it doesn't do to be medieval about it. If Brenda hadn't been upset at John's death this need never have come to a crisis. Why, last year Marjorie was going everywhere with that ass Robin Beaseley. She was mad about him at the time, but I pretended not to notice and it all blew over. If I were you I should refuse to recognize that anything has happened." Marjorie had said, "Of _course_ Brenda doesn't love Beaver. How could she?... And if she thinks she does at the moment, it's your duty to prevent her making a fool of herself. You must refuse to be divorced--anyway, until she has found someone more reasonable." Lady St Cloud had said, "Brenda has been very, very foolish. She always was an excitable girl, but I am sure there was never anything _wrong_, quite sure. _That_ wouldn't be like Brenda at all. I haven't met Mr Beaver and I do not wish to. I understand he is unsuitable in every way. Brenda would never want to marry anyone like that. I will tell you exactly how it happened, Tony. Brenda must have felt a tiny bit neglected--people often do at that stage of marriage. I have known countless cases--and it was naturally flattering to find a young man to beg and carry for her. That's all it was, nothing _wrong_. And then the terrible shock of little John's accident unsettled her and she didn't know what she was saying or writing. You'll both laugh over this little fracas in years to come." Tony had not set eyes on Brenda since the afternoon of the funeral. Once he spoke to her over the telephone. It was during the second week when he was feeling most lonely and bewildered by various counsels. Allan had been with him urging a reconciliation. "I've been talking to Brenda," he had said. "She's sick of Beaver already. The one thing she wants is to go back to Hetton and settle down with you again." While Allan was there, Tony resolutely refused to listen, but later the words, and the picture they evoked, would not leave his mind. So he rang her up and she answered him calmly and gravely. "Brenda, this is Tony." "Hullo, Tony, what is it?" "I've been talking to Allan. He's just told me about your change of mind." "I'm not sure I know what you mean." "That you want to leave Beaver and come back to Hetton." "Did Allan say that?" "Yes; isn't it true?" "I'm afraid it's not. Allan is an interfering ass. I had him here this afternoon. He told me that you didn't want a divorce but that you were willing to let me stay on alone in London and do as I liked provided there was no public scandal. It seemed a good idea and I was going to ring you up about it. But I suppose that's just his diplomacy too. Anyway, I'm afraid there's no prospect of my coming back to Hetton just at present." "Oh, I see. I didn't think it was likely... I just rang you up." "That's all right. How are you, Tony?" "All right, thanks." "Good, so am I. Good-bye." That was all he had heard of her. Both avoided places where there was a likelihood of their meeting. * * * * * It was thought convenient that Brenda should appear as the plaintiff. Tony did not employ the family solicitors in the matter but another less reputable firm who specialized in divorce. He had steeled himself to expect a certain professional gusto, even levity, but found them instead disposed to melancholy and suspicion. "I gather Lady Brenda is being far from discreet. It is quite likely that the King's Proctor may intervene... Moreover, there is the question of money. You understand that by | terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." "But it's not true, is it?" "Yes, I'm afraid it is. Everyone has known for some time." But it was several days before Tony fully realized what it meant. He had got into a habit of loving and trusting Brenda. CHAPTER IV ENGLISH GOTHIC--II [I] "How's the old boy taking it?" "Not so well. It makes me feel rather a beast," said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now,"<|quote|>said Brenda.</|quote|>"There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so had Beaver; they were afraid of meeting each other. Instead, Tony and Jock went to Brown's, where Beaver was not a member. Beaver was continually with Brenda nowadays, at one of half a dozen houses. Mrs Beaver did not like the turn things had taken; her workmen had been sent back from Hetton with their job unfinished. * * * * * In the first week Tony had had several distasteful interviews. Allan had attempted to act as peacemaker. "You just wait a few weeks," he had said. "Brenda will come back. She'll soon get sick of Beaver." "But I don't want her back." "I know just how you feel, but it doesn't do to be medieval about it. If Brenda hadn't been upset at John's death this need never have come to a crisis. Why, last year Marjorie was going everywhere with that ass Robin Beaseley. She was mad about him at the time, but I pretended not to notice and it all blew over. If I were you I should refuse to recognize that anything has happened." Marjorie had said, "Of _course_ Brenda doesn't love Beaver. How could she?... And if she thinks she does at the moment, it's your duty to prevent her making a fool of herself. You must refuse to be divorced--anyway, until she has found someone more reasonable." Lady St Cloud had said, "Brenda has been very, very foolish. She always was an excitable girl, but I am sure there was never anything _wrong_, quite sure. _That_ wouldn't be like Brenda at all. I haven't met Mr Beaver and I do not wish to. I understand he is unsuitable in every way. Brenda would never want to marry anyone like that. I will tell you exactly how it happened, Tony. Brenda must have felt a tiny bit neglected--people often do at that stage of marriage. I have known countless cases--and it was naturally flattering to find a young man to beg and carry for her. That's all it was, nothing _wrong_. And then the terrible shock of little John's accident unsettled her and she didn't know what she was saying or writing. You'll both laugh over this little fracas in years to come." Tony had not set eyes on Brenda since the afternoon of the funeral. Once he spoke to her over the telephone. It was during the second week when he was feeling most lonely and bewildered by various counsels. Allan had been with him urging a reconciliation. "I've been talking to Brenda," he had said. "She's sick of Beaver already. The one thing she wants is to go back to Hetton and settle down with you again." While Allan was there, Tony resolutely refused to listen, but later the words, and the picture they evoked, would not leave his mind. So he rang her up and she answered him calmly and gravely. "Brenda, this is Tony." "Hullo, Tony, what is it?" "I've been talking to Allan. He's just told me about your change of mind." "I'm not sure I know what you mean." "That you want to leave Beaver and come back to Hetton." "Did Allan say that?" "Yes; isn't it true?" "I'm afraid it's not. Allan is an interfering ass. I had | A Handful Of Dust | It makes me feel rather a beast," said Brenda. "I'm afraid he minds a lot." "Well, you wouldn't like it if he didn't," said Polly to console her. "No, I suppose not." "I shall stick by you whatever happens," said Jenny Abdul Akbar. "Oh, everything is going quite smoothly now,"<|quote|>said Brenda.</|quote|>"There was a certain amount of _g?ne_ with relatives." * * * * * Tony had been living with Jock for the last three weeks. Mrs Rattery had gone to California and he was grateful for company. They dined together most evenings. They had given up going to Bratt's; so | {
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said Diana, gasping with laughter. | No speaker | fright. "It was Aunt Josephine,"<|quote|>said Diana, gasping with laughter.</|quote|>"Oh, Anne, it was Aunt | teeth chattering with cold and fright. "It was Aunt Josephine,"<|quote|>said Diana, gasping with laughter.</|quote|>"Oh, Anne, it was Aunt Josephine, however she came to | were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--_what_ was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine,"<|quote|>said Diana, gasping with laughter.</|quote|>"Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It's dreadful--it's really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She's father's aunt and she lives in Charlottetown. She's awfully old--seventy anyhow--and I | first." The suggestion appealed to Diana. The two little white-clad figures flew down the long room, through the spare-room door, and bounded on the bed at the same moment. And then--something--moved beneath them, there was a gasp and a cry--and somebody said in muffled accents: "Merciful goodness!" Anne and Diana were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--_what_ was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine,"<|quote|>said Diana, gasping with laughter.</|quote|>"Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It's dreadful--it's really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She's father's aunt and she lives in Charlottetown. She's awfully old--seventy anyhow--and I don't believe she was _ever_ a little girl. We were expecting her out for a visit, but not so soon. She's awfully prim and proper and she'll scold dreadfully about this, I know. Well, we'll have to sleep with Minnie May--and you can't think how she kicks." Miss Josephine Barry | we will ever be asked to do it, Diana?" "Yes, of course, someday. They're always wanting the big scholars to recite. Gilbert Blythe does often and he's only two years older than us. Oh, Anne, how could you pretend not to listen to him? When he came to the line," ?_There's Another_, not _a sister_,' "he looked right down at you." "Diana," said Anne with dignity, "you are my bosom friend, but I cannot allow even you to speak to me of that person. Are you ready for bed? Let's run a race and see who'll get to the bed first." The suggestion appealed to Diana. The two little white-clad figures flew down the long room, through the spare-room door, and bounded on the bed at the same moment. And then--something--moved beneath them, there was a gasp and a cry--and somebody said in muffled accents: "Merciful goodness!" Anne and Diana were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--_what_ was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine,"<|quote|>said Diana, gasping with laughter.</|quote|>"Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It's dreadful--it's really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She's father's aunt and she lives in Charlottetown. She's awfully old--seventy anyhow--and I don't believe she was _ever_ a little girl. We were expecting her out for a visit, but not so soon. She's awfully prim and proper and she'll scold dreadfully about this, I know. Well, we'll have to sleep with Minnie May--and you can't think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn't disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful | that was rather threadbare even in Avonlea; and when Mr. Phillips gave Mark Antony's oration over the dead body of Caesar in the most heart-stirring tones--looking at Prissy Andrews at the end of every sentence--Anne felt that she could rise and mutiny on the spot if but one Roman citizen led the way. Only one number on the program failed to interest her. When Gilbert Blythe recited "Bingen on the Rhine" Anne picked up Rhoda Murray's library book and read it until he had finished, when she sat rigidly stiff and motionless while Diana clapped her hands until they tingled. It was eleven when they got home, sated with dissipation, but with the exceeding sweet pleasure of talking it all over still to come. Everybody seemed asleep and the house was dark and silent. Anne and Diana tiptoed into the parlor, a long narrow room out of which the spare room opened. It was pleasantly warm and dimly lighted by the embers of a fire in the grate. "Let's undress here," said Diana. "It's so nice and warm." "Hasn't it been a delightful time?" sighed Anne rapturously. "It must be splendid to get up and recite there. Do you suppose we will ever be asked to do it, Diana?" "Yes, of course, someday. They're always wanting the big scholars to recite. Gilbert Blythe does often and he's only two years older than us. Oh, Anne, how could you pretend not to listen to him? When he came to the line," ?_There's Another_, not _a sister_,' "he looked right down at you." "Diana," said Anne with dignity, "you are my bosom friend, but I cannot allow even you to speak to me of that person. Are you ready for bed? Let's run a race and see who'll get to the bed first." The suggestion appealed to Diana. The two little white-clad figures flew down the long room, through the spare-room door, and bounded on the bed at the same moment. And then--something--moved beneath them, there was a gasp and a cry--and somebody said in muffled accents: "Merciful goodness!" Anne and Diana were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--_what_ was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine,"<|quote|>said Diana, gasping with laughter.</|quote|>"Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It's dreadful--it's really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She's father's aunt and she lives in Charlottetown. She's awfully old--seventy anyhow--and I don't believe she was _ever_ a little girl. We were expecting her out for a visit, but not so soon. She's awfully prim and proper and she'll scold dreadfully about this, I know. Well, we'll have to sleep with Minnie May--and you can't think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn't disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde's on an errand for Marilla. "So you and Diana nearly frightened poor old Miss Barry to death last night?" said Mrs. Lynde severely, but with a twinkle in her eye. "Mrs. Barry was here a few minutes ago on her way to Carmody. She's feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning--and Josephine Barry's temper is no joke, I can tell you that. She wouldn't speak to Diana at all." "It wasn't Diana's fault," said Anne contritely. "It was mine. I suggested racing to see who would get into bed first." "I knew it!" said Mrs. Lynde, with the exultation of a correct guesser. "I knew that idea came out of your head. Well, it's made a nice lot of trouble, that's what. Old Miss Barry came out to stay for a month, but she declares she won't stay another day and is going right back to town tomorrow, Sunday and all as it is. She'd have gone today if they could have taken her. She had | did Anne's front hair in the new pompadour style and Anne tied Diana's bows with the especial knack she possessed; and they experimented with at least half a dozen different ways of arranging their back hair. At last they were ready, cheeks scarlet and eyes glowing with excitement. True, Anne could not help a little pang when she contrasted her plain black tam and shapeless, tight-sleeved, homemade gray-cloth coat with Diana's jaunty fur cap and smart little jacket. But she remembered in time that she had an imagination and could use it. Then Diana's cousins, the Murrays from Newbridge, came; they all crowded into the big pung sleigh, among straw and furry robes. Anne reveled in the drive to the hall, slipping along over the satin-smooth roads with the snow crisping under the runners. There was a magnificent sunset, and the snowy hills and deep-blue water of the St. Lawrence Gulf seemed to rim in the splendor like a huge bowl of pearl and sapphire brimmed with wine and fire. Tinkles of sleigh bells and distant laughter, that seemed like the mirth of wood elves, came from every quarter. "Oh, Diana," breathed Anne, squeezing Diana's mittened hand under the fur robe, "isn't it all like a beautiful dream? Do I really look the same as usual? I feel so different that it seems to me it must show in my looks." "You look awfully nice," said Diana, who having just received a compliment from one of her cousins, felt that she ought to pass it on. "You've got the loveliest color." The program that night was a series of "thrills" for at least one listener in the audience, and, as Anne assured Diana, every succeeding thrill was thrillier than the last. When Prissy Andrews, attired in a new pink-silk waist with a string of pearls about her smooth white throat and real carnations in her hair--rumor whispered that the master had sent all the way to town for them for her--"climbed the slimy ladder, dark without one ray of light," Anne shivered in luxurious sympathy; when the choir sang "Far Above the Gentle Daisies" Anne gazed at the ceiling as if it were frescoed with angels; when Sam Sloane proceeded to explain and illustrate "How Sockery Set a Hen" Anne laughed until people sitting near her laughed too, more out of sympathy with her than with amusement at a selection that was rather threadbare even in Avonlea; and when Mr. Phillips gave Mark Antony's oration over the dead body of Caesar in the most heart-stirring tones--looking at Prissy Andrews at the end of every sentence--Anne felt that she could rise and mutiny on the spot if but one Roman citizen led the way. Only one number on the program failed to interest her. When Gilbert Blythe recited "Bingen on the Rhine" Anne picked up Rhoda Murray's library book and read it until he had finished, when she sat rigidly stiff and motionless while Diana clapped her hands until they tingled. It was eleven when they got home, sated with dissipation, but with the exceeding sweet pleasure of talking it all over still to come. Everybody seemed asleep and the house was dark and silent. Anne and Diana tiptoed into the parlor, a long narrow room out of which the spare room opened. It was pleasantly warm and dimly lighted by the embers of a fire in the grate. "Let's undress here," said Diana. "It's so nice and warm." "Hasn't it been a delightful time?" sighed Anne rapturously. "It must be splendid to get up and recite there. Do you suppose we will ever be asked to do it, Diana?" "Yes, of course, someday. They're always wanting the big scholars to recite. Gilbert Blythe does often and he's only two years older than us. Oh, Anne, how could you pretend not to listen to him? When he came to the line," ?_There's Another_, not _a sister_,' "he looked right down at you." "Diana," said Anne with dignity, "you are my bosom friend, but I cannot allow even you to speak to me of that person. Are you ready for bed? Let's run a race and see who'll get to the bed first." The suggestion appealed to Diana. The two little white-clad figures flew down the long room, through the spare-room door, and bounded on the bed at the same moment. And then--something--moved beneath them, there was a gasp and a cry--and somebody said in muffled accents: "Merciful goodness!" Anne and Diana were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--_what_ was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine,"<|quote|>said Diana, gasping with laughter.</|quote|>"Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It's dreadful--it's really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She's father's aunt and she lives in Charlottetown. She's awfully old--seventy anyhow--and I don't believe she was _ever_ a little girl. We were expecting her out for a visit, but not so soon. She's awfully prim and proper and she'll scold dreadfully about this, I know. Well, we'll have to sleep with Minnie May--and you can't think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn't disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde's on an errand for Marilla. "So you and Diana nearly frightened poor old Miss Barry to death last night?" said Mrs. Lynde severely, but with a twinkle in her eye. "Mrs. Barry was here a few minutes ago on her way to Carmody. She's feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning--and Josephine Barry's temper is no joke, I can tell you that. She wouldn't speak to Diana at all." "It wasn't Diana's fault," said Anne contritely. "It was mine. I suggested racing to see who would get into bed first." "I knew it!" said Mrs. Lynde, with the exultation of a correct guesser. "I knew that idea came out of your head. Well, it's made a nice lot of trouble, that's what. Old Miss Barry came out to stay for a month, but she declares she won't stay another day and is going right back to town tomorrow, Sunday and all as it is. She'd have gone today if they could have taken her. She had promised to pay for a quarter's music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they'd like to keep on the good side of her. Of course, Mrs. Barry didn't say just that to me, but I'm a pretty good judge of human nature, that's what." "I'm such an unlucky girl," mourned Anne. "I'm always getting into scrapes myself and getting my best friends--people I'd shed my heart's blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It's because you're too heedless and impulsive, child, that's what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment's reflection." "Oh, but that's the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven't you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that's what. The proverb you need to go by is ?Look before you leap'--especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde's she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." | master had sent all the way to town for them for her--"climbed the slimy ladder, dark without one ray of light," Anne shivered in luxurious sympathy; when the choir sang "Far Above the Gentle Daisies" Anne gazed at the ceiling as if it were frescoed with angels; when Sam Sloane proceeded to explain and illustrate "How Sockery Set a Hen" Anne laughed until people sitting near her laughed too, more out of sympathy with her than with amusement at a selection that was rather threadbare even in Avonlea; and when Mr. Phillips gave Mark Antony's oration over the dead body of Caesar in the most heart-stirring tones--looking at Prissy Andrews at the end of every sentence--Anne felt that she could rise and mutiny on the spot if but one Roman citizen led the way. Only one number on the program failed to interest her. When Gilbert Blythe recited "Bingen on the Rhine" Anne picked up Rhoda Murray's library book and read it until he had finished, when she sat rigidly stiff and motionless while Diana clapped her hands until they tingled. It was eleven when they got home, sated with dissipation, but with the exceeding sweet pleasure of talking it all over still to come. Everybody seemed asleep and the house was dark and silent. Anne and Diana tiptoed into the parlor, a long narrow room out of which the spare room opened. It was pleasantly warm and dimly lighted by the embers of a fire in the grate. "Let's undress here," said Diana. "It's so nice and warm." "Hasn't it been a delightful time?" sighed Anne rapturously. "It must be splendid to get up and recite there. Do you suppose we will ever be asked to do it, Diana?" "Yes, of course, someday. They're always wanting the big scholars to recite. Gilbert Blythe does often and he's only two years older than us. Oh, Anne, how could you pretend not to listen to him? When he came to the line," ?_There's Another_, not _a sister_,' "he looked right down at you." "Diana," said Anne with dignity, "you are my bosom friend, but I cannot allow even you to speak to me of that person. Are you ready for bed? Let's run a race and see who'll get to the bed first." The suggestion appealed to Diana. The two little white-clad figures flew down the long room, through the spare-room door, and bounded on the bed at the same moment. And then--something--moved beneath them, there was a gasp and a cry--and somebody said in muffled accents: "Merciful goodness!" Anne and Diana were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--_what_ was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine,"<|quote|>said Diana, gasping with laughter.</|quote|>"Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It's dreadful--it's really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She's father's aunt and she lives in Charlottetown. She's awfully old--seventy anyhow--and I don't believe she was _ever_ a little girl. We were expecting her out for a visit, but not so soon. She's awfully prim and proper and she'll scold dreadfully about this, I know. Well, we'll have to sleep with Minnie May--and you can't think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn't disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde's on an errand for Marilla. "So you and Diana nearly frightened poor old Miss Barry to death last night?" said Mrs. Lynde severely, but with a twinkle in her eye. "Mrs. Barry was here a few minutes ago on her way to Carmody. She's feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning--and Josephine Barry's temper is no joke, I can tell you that. She wouldn't speak to Diana at all." "It wasn't Diana's fault," said Anne contritely. "It was mine. I suggested racing to see who would get into bed first." "I knew it!" said Mrs. Lynde, with the exultation of a correct guesser. "I knew that idea came out of your head. Well, it's made a nice lot of trouble, that's what. Old Miss Barry came out to stay for a month, but she declares she won't stay another day and is going right back to town tomorrow, Sunday and all as it is. She'd have gone today if they could have taken her. She had promised to pay for a quarter's music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they'd like to keep on the good side of her. Of course, Mrs. Barry didn't say just that to me, but I'm a pretty good judge of human nature, that's what." "I'm such an unlucky girl," mourned Anne. "I'm always getting into scrapes myself and getting my best friends--people I'd shed my heart's blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It's because you're too heedless and impulsive, child, that's what. You never stop to think--whatever comes into your head to say or | Anne Of Green Gables | were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--_what_ was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine,"<|quote|>said Diana, gasping with laughter.</|quote|>"Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It's dreadful--it's really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She's father's aunt and she lives in Charlottetown. She's awfully old--seventy anyhow--and I | {
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"You're a _very_ poor _speaker_," | The King Of Hearts | man, your Majesty," he began.<|quote|>"You're a _very_ poor _speaker_,"</|quote|>said the King. Here one | one knee. "I'm a poor man, your Majesty," he began.<|quote|>"You're a _very_ poor _speaker_,"</|quote|>said the King. Here one of the guinea-pigs cheered, and | what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began.<|quote|>"You're a _very_ poor _speaker_,"</|quote|>said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: | denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began.<|quote|>"You're a _very_ poor _speaker_,"</|quote|>said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and | "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began.<|quote|>"You're a _very_ poor _speaker_,"</|quote|>said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the | and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began.<|quote|>"You're a _very_ poor _speaker_,"</|quote|>said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court | was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began.<|quote|>"You're a _very_ poor _speaker_,"</|quote|>said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write | staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began.<|quote|>"You're a _very_ poor _speaker_,"</|quote|>said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who | Alices Adventures In Wonderland | what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began.<|quote|>"You're a _very_ poor _speaker_,"</|quote|>said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: | {
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"content": "what did the Dormouse say?\" one of the jury asked. \"That I can't remember,\" said the Hatter. \"You _must_ remember,\" remarked the King, \"or I'll have you executed.\" The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. \"I'm a poor man, your Majesty,\" he began.<|quote|>\"You're a _very_ poor _speaker_,\"</|quote|>said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings:",
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"I told you butter wouldn't suit the works!" | The Hatter | days wrong!" sighed the Hatter.<|quote|>"I told you butter wouldn't suit the works!"</|quote|>he added looking angrily at | then said "The fourth." "Two days wrong!" sighed the Hatter.<|quote|>"I told you butter wouldn't suit the works!"</|quote|>he added looking angrily at the March Hare. "It was | month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter.<|quote|>"I told you butter wouldn't suit the works!"</|quote|>he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it | _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter.<|quote|>"I told you butter wouldn't suit the works!"</|quote|>he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she | mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter.<|quote|>"I told you butter wouldn't suit the works!"</|quote|>he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," | but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter.<|quote|>"I told you butter wouldn't suit the works!"</|quote|>he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were | said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself "Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!" CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter.<|quote|>"I told you butter wouldn't suit the works!"</|quote|>he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides | Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter.<|quote|>"I told you butter wouldn't suit the works!"</|quote|>he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, | Alices Adventures In Wonderland | month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter.<|quote|>"I told you butter wouldn't suit the works!"</|quote|>he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it | {
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"content": "month is it?\" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said \"The fourth.\" \"Two days wrong!\" sighed the Hatter.<|quote|>\"I told you butter wouldn't suit the works!\"</|quote|>he added looking angrily at the March Hare. \"It was the _best_ butter,\" the March Hare meekly replied. \"Yes, but some crumbs must have got in as well,\" the Hatter grumbled: \"you shouldn't have put it in with the bread-knife.\" The March Hare took the watch and looked at it",
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"You are fond of Dickens?" | Tony Last | matter which we take first."<|quote|>"You are fond of Dickens?"</|quote|>"Why, yes, of course. More | _Bleak House_. "It does not matter which we take first."<|quote|>"You are fond of Dickens?"</|quote|>"Why, yes, of course. More than fond, far more. You | to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first."<|quote|>"You are fond of Dickens?"</|quote|>"Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there | a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first."<|quote|>"You are fond of Dickens?"</|quote|>"Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well," said Tony lightly, "they will well | suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first."<|quote|>"You are fond of Dickens?"</|quote|>"Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well," said Tony lightly, "they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery | me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango trees. "He was very kind. Every afternoon until he died, for two hours, he used to read to me. I think I will put up a cross--to commemorate his death and your arrival--a pretty idea. Do you believe in God?" "I suppose so. I've never really thought about it much." "I have thought about it a _great_ deal and I still do not know... Dickens did." "I suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first."<|quote|>"You are fond of Dickens?"</|quote|>"Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well," said Tony lightly, "they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?" He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple. "I think the Dedlock is a | shuddering slightly at the bitterness. Mr Todd stood beside him until the draught was finished; then he threw out the dregs on to the mud floor. Tony lay back in the hammock sobbing quietly. Soon he fell into a deep sleep. * * * * * Tony's recovery was slow. At first, days of lucidity alternated with delirium; then his temperature dropped and he was conscious even when most ill. The days of fever grew less frequent, finally occurring in the normal system of the tropics, between long periods of comparative health. Mr Todd dosed him regularly with herbal remedies. "It's very nasty," said Tony, "but it does do good." "There is medicine for everything in the forest," said Mr Todd; "to make you well and to make you ill. My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?" "My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?" "Yes, of course." "It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango trees. "He was very kind. Every afternoon until he died, for two hours, he used to read to me. I think I will put up a cross--to commemorate his death and your arrival--a pretty idea. Do you believe in God?" "I suppose so. I've never really thought about it much." "I have thought about it a _great_ deal and I still do not know... Dickens did." "I suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first."<|quote|>"You are fond of Dickens?"</|quote|>"Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well," said Tony lightly, "they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?" He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple. "I think the Dedlock is a very proud man," or, "Mrs Jellyby does not take enough care of her children." Tony enjoyed the readings almost as much as he did. At the end of the first day the old man said, "You read beautifully, with a far better accent than the black man. And you explain better. It is almost as though my father were here again." And always at the end of a session he thanked his guest courteously. "I enjoyed that _very_ much. It was an extremely distressing chapter. But, if I remember it rightly, it will all turn out well." By the time that they were in the second volume, however, the novelty of the old man's delight had begun to wane, and Tony was feeling strong enough to be restless. He touched more than once on the subject of his departure, asking about canoes and rains and the possibility of finding guides. But Mr Todd seemed obtuse and paid no attention to these hints. One day, running his thumb through the pages of _Bleak House_ that remained to be read, Tony said, "We still have a lot to get through. I hope I shall be able to finish it before I go." "Oh yes," said Mr Todd. "Do not disturb yourself about that. You will have time to finish it, my friend." For the first time Tony noticed something slightly menacing in his host's manner. That evening at supper, a brief meal of farine and dried beef, eaten just before sundown, Tony renewed the subject. "You know, Mr Todd, the time has come when I must be thinking about getting back to civilization. I have already imposed myself on your hospitality far too long." Mr Todd bent over the plate, crunching mouthfuls of farine, but made no reply. "How soon do you think I shall be able to get a boat?... I said, how soon do you think I shall be able to get a boat? I appreciate all your kindness to me more than I can say, but..." "My friend, any kindness I may have shown is amply repaid by your reading of Dickens. Do not let us mention the subject again." "Well, I'm very glad you have enjoyed it. I have, too. But I really must be thinking of getting back..." "Yes," said Mr Todd. "The black man was like that. He thought of it all the time. But he | in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?" "Yes, of course." "It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango trees. "He was very kind. Every afternoon until he died, for two hours, he used to read to me. I think I will put up a cross--to commemorate his death and your arrival--a pretty idea. Do you believe in God?" "I suppose so. I've never really thought about it much." "I have thought about it a _great_ deal and I still do not know... Dickens did." "I suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first."<|quote|>"You are fond of Dickens?"</|quote|>"Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well," said Tony lightly, "they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?" He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple. "I think the Dedlock is a very proud man," or, "Mrs Jellyby does not take enough care of her children." Tony enjoyed the readings almost as much as he did. At the end of the first day the old man said, "You read beautifully, with a far better accent than the black man. And you explain better. It is almost as though my father were here again." And always at the end of a session he thanked his guest courteously. "I enjoyed that _very_ much. It was an extremely distressing chapter. But, if I remember it rightly, it will all turn out well." By the time that they were in the second volume, however, the novelty of the old man's delight had begun to wane, and Tony was feeling strong enough to be restless. He touched more than once on the subject of his departure, asking about canoes and rains and the possibility of finding guides. But Mr Todd seemed obtuse and paid no attention | A Handful Of Dust | to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first."<|quote|>"You are fond of Dickens?"</|quote|>"Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there | {
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"content": "to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful.\" He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. \"It does not matter which we take first.\"<|quote|>\"You are fond of Dickens?\"</|quote|>\"Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there",
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"Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." | Anne Shirley | made good use of them.<|quote|>"Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited."</|quote|>"You can calm down then, | But at least she had made good use of them.<|quote|>"Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited."</|quote|>"You can calm down then, because you're not going. You're | minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them.<|quote|>"Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited."</|quote|>"You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable | mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is." "Well, you needn't suffer any longer," said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them.<|quote|>"Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited."</|quote|>"You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge | you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is." "Well, you needn't suffer any longer," said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them.<|quote|>"Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited."</|quote|>"You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. | then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is." "Well, you needn't suffer any longer," said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them.<|quote|>"Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited."</|quote|>"You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then." "Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go." "You'd think I ought to let Anne go to the moon if she took the notion, I've no | at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could," ?I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion.' "That was a pretty dignified way of speaking wasn't it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry's head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry:" "If you love me as I love you Nothing but death can part us two." "And that is true, Marilla. We're going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can't tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves, Marilla. And Mrs. Barry asked me if I took tea and said" ?Pa, why don't you pass the biscuits to Anne?' "It must be lovely to be grown up, Marilla, when just being treated as if you were is so nice." "I don't know about that," said Marilla, with a brief sigh. "Well, anyway, when I am grown up," said Anne decidedly, "I'm always going to talk to little girls as if they were too, and I'll never laugh when they use big words. I know from sorrowful experience how that hurts one's feelings. After tea Diana and I made taffy. The taffy wasn't very good, I suppose because neither Diana nor I had ever made any before. Diana left me to stir it while she buttered the plates and I forgot and let it burn; and then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is." "Well, you needn't suffer any longer," said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them.<|quote|>"Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited."</|quote|>"You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then." "Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go." "You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again: "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly: "Very well, she can go, since nothing else ?ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew's doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don't blame me, blame Matthew. Anne Shirley, you're dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I'm a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don't make, although I might. I'll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn't know just how I felt about it, but you see Matthew did. Matthew understands me, and it's so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne's consequent humiliation was less than it might have | Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is." "Well, you needn't suffer any longer," said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them.<|quote|>"Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited."</|quote|>"You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then." "Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go." "You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child's disposition and what's good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to | Anne Of Green Gables | minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them.<|quote|>"Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited."</|quote|>"You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable | {
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"content": "minutes, remember that.\" Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them.<|quote|>\"Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited.\"</|quote|>\"You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all.\" \"I'm sure the Debating Club is a most respectable",
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} | Anne Shirley |
"Well," | Marilla Cuthbert | eyes of the latter's face.<|quote|>"Well,"</|quote|>said Marilla, unable to find | to Marilla and fastened imploring eyes of the latter's face.<|quote|>"Well,"</|quote|>said Marilla, unable to find any excuse for deferring her | "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face.<|quote|>"Well,"</|quote|>said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm | said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face.<|quote|>"Well,"</|quote|>said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try | obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face.<|quote|>"Well,"</|quote|>said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for | retreated to the kitchen, set the candle firmly on the table, and glared at Matthew. "Matthew Cuthbert, it's about time somebody adopted that child and taught her something. She's next door to a perfect heathen. Will you believe that she never said a prayer in her life till tonight? I'll send her to the manse tomorrow and borrow the Peep of the Day series, that's what I'll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can't get through this world without our share of trouble. I've had a pretty easy life of it so far, but my time has come at last and I suppose I'll just have to make the best of it." CHAPTER VIII. Anne's Bringing-up Is Begun |FOR reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face.<|quote|>"Well,"</|quote|>said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different | suddenly occurred to her that that simple little prayer, sacred to white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing about God's love, since she had never had it translated to her through the medium of human love. "You're old enough to pray for yourself, Anne," she said finally. "Just thank God for your blessings and ask Him humbly for the things you want." "Well, I'll do my best," promised Anne, burying her face in Marilla's lap. "Gracious heavenly Father--that's the way the ministers say it in church, so I suppose it's all right in private prayer, isn't it?" she interjected, lifting her head for a moment. "Gracious heavenly Father, I thank Thee for the White Way of Delight and the Lake of Shining Waters and Bonny and the Snow Queen. I'm really extremely grateful for them. And that's all the blessings I can think of just now to thank Thee for. As for the things I want, they're so numerous that it would take a great deal of time to name them all so I will only mention the two most important. Please let me stay at Green Gables; and please let me be good-looking when I grow up. I remain, "Yours respectfully, Anne Shirley." "There, did I do all right?" she asked eagerly, getting up. "I could have made it much more flowery if I'd had a little more time to think it over." Poor Marilla was only preserved from complete collapse by remembering that it was not irreverence, but simply spiritual ignorance on the part of Anne that was responsible for this extraordinary petition. She tucked the child up in bed, mentally vowing that she should be taught a prayer the very next day, and was leaving the room with the light when Anne called her back. "I've just thought of it now. I should have said, ?Amen' in place of ?yours respectfully,' shouldn't I?--the way the ministers do. I'd forgotten it, but I felt a prayer should be finished off in some way, so I put in the other. Do you suppose it will make any difference?" "I--I don't suppose it will," said Marilla. "Go to sleep now like a good child. Good night." "I can only say good night tonight with a clear conscience," said Anne, cuddling luxuriously down among her pillows. Marilla retreated to the kitchen, set the candle firmly on the table, and glared at Matthew. "Matthew Cuthbert, it's about time somebody adopted that child and taught her something. She's next door to a perfect heathen. Will you believe that she never said a prayer in her life till tonight? I'll send her to the manse tomorrow and borrow the Peep of the Day series, that's what I'll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can't get through this world without our share of trouble. I've had a pretty easy life of it so far, but my time has come at last and I suppose I'll just have to make the best of it." CHAPTER VIII. Anne's Bringing-up Is Begun |FOR reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face.<|quote|>"Well,"</|quote|>said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of | not irreverence, but simply spiritual ignorance on the part of Anne that was responsible for this extraordinary petition. She tucked the child up in bed, mentally vowing that she should be taught a prayer the very next day, and was leaving the room with the light when Anne called her back. "I've just thought of it now. I should have said, ?Amen' in place of ?yours respectfully,' shouldn't I?--the way the ministers do. I'd forgotten it, but I felt a prayer should be finished off in some way, so I put in the other. Do you suppose it will make any difference?" "I--I don't suppose it will," said Marilla. "Go to sleep now like a good child. Good night." "I can only say good night tonight with a clear conscience," said Anne, cuddling luxuriously down among her pillows. Marilla retreated to the kitchen, set the candle firmly on the table, and glared at Matthew. "Matthew Cuthbert, it's about time somebody adopted that child and taught her something. She's next door to a perfect heathen. Will you believe that she never said a prayer in her life till tonight? I'll send her to the manse tomorrow and borrow the Peep of the Day series, that's what I'll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can't get through this world without our share of trouble. I've had a pretty easy life of it so far, but my time has come at last and I suppose I'll just have to make the best of it." CHAPTER VIII. Anne's Bringing-up Is Begun |FOR reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face.<|quote|>"Well,"</|quote|>said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. | Anne Of Green Gables | "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face.<|quote|>"Well,"</|quote|>said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm | {
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"content": "\"You haven't scalded the dishcloth in clean hot water as I told you to do,\" said Marilla immovably. \"Just go and do it before you ask any more questions, Anne.\" Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face.<|quote|>\"Well,\"</|quote|>said Marilla, unable to find any excuse for deferring her explanation longer, \"I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?\" \"I'm",
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said Diana. | No speaker | you ever so much better,"<|quote|>said Diana.</|quote|>"It's so soft and frilly | so fashionable." "But it suits you ever so much better,"<|quote|>said Diana.</|quote|>"It's so soft and frilly and clinging. The muslin is | from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better,"<|quote|>said Diana.</|quote|>"It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects | folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better,"<|quote|>said Diana.</|quote|>"It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were | was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to recite. As Anne would have said at one time, it was "an epoch in her life," and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne and Marilla was not far behind, although she would have died rather than admit it, and said she didn't think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better,"<|quote|>said Diana.</|quote|>"It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen's taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall | curtains that softened the high window and fluttered in the vagrant breezes were of pale-green art muslin. The walls, hung not with gold and silver brocade tapestry, but with a dainty apple-blossom paper, were adorned with a few good pictures given Anne by Mrs. Allan. Miss Stacy's photograph occupied the place of honor, and Anne made a sentimental point of keeping fresh flowers on the bracket under it. Tonight a spike of white lilies faintly perfumed the room like the dream of a fragrance. There was no "mahogany furniture," but there was a white-painted bookcase filled with books, a cushioned wicker rocker, a toilet table befrilled with white muslin, a quaint, gilt-framed mirror with chubby pink Cupids and purple grapes painted over its arched top, that used to hang in the spare room, and a low white bed. Anne was dressing for a concert at the White Sands Hotel. The guests had got it up in aid of the Charlottetown hospital, and had hunted out all the available amateur talent in the surrounding districts to help it along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir had been asked to sing a duet; Milton Clark of Newbridge was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to recite. As Anne would have said at one time, it was "an epoch in her life," and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne and Marilla was not far behind, although she would have died rather than admit it, and said she didn't think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better,"<|quote|>said Diana.</|quote|>"It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen's taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?" asked Anne. "Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat. "There's something so stylish about you, Anne," said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn't complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the | and, as luck would have it, Mrs. Lynde was talking to Marilla at the lane fence. "Oh, Matthew," exclaimed Anne, "I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful." "Well now, I always said it," said Matthew, gazing at the pass list delightedly. "I knew you could beat them all easy." "You've done pretty well, I must say, Anne," said Marilla, trying to hide her extreme pride in Anne from Mrs. Rachel's critical eye. But that good soul said heartily: "I just guess she has done well, and far be it from me to be backward in saying it. You're a credit to your friends, Anne, that's what, and we're all proud of you." That night Anne, who had wound up the delightful evening with a serious little talk with Mrs. Allan at the manse, knelt sweetly by her open window in a great sheen of moonshine and murmured a prayer of gratitude and aspiration that came straight from her heart. There was in it thankfulness for the past and reverent petition for the future; and when she slept on her white pillow her dreams were as fair and bright and beautiful as maidenhood might desire. CHAPTER XXXIII. The Hotel Concert "PUT on your white organdy, by all means, Anne," advised Diana decidedly. They were together in the east gable chamber; outside it was only twilight--a lovely yellowish-green twilight with a clear-blue cloudless sky. A big round moon, slowly deepening from her pallid luster into burnished silver, hung over the Haunted Wood; the air was full of sweet summer sounds--sleepy birds twittering, freakish breezes, faraway voices and laughter. But in Anne's room the blind was drawn and the lamp lighted, for an important toilet was being made. The east gable was a very different place from what it had been on that night four years before, when Anne had felt its bareness penetrate to the marrow of her spirit with its inhospitable chill. Changes had crept in, Marilla conniving at them resignedly, until it was as sweet and dainty a nest as a young girl could desire. The velvet carpet with the pink roses and the pink silk curtains of Anne's early visions had certainly never materialized; but her dreams had kept pace with her growth, and it is not probable she lamented them. The floor was covered with a pretty matting, and the curtains that softened the high window and fluttered in the vagrant breezes were of pale-green art muslin. The walls, hung not with gold and silver brocade tapestry, but with a dainty apple-blossom paper, were adorned with a few good pictures given Anne by Mrs. Allan. Miss Stacy's photograph occupied the place of honor, and Anne made a sentimental point of keeping fresh flowers on the bracket under it. Tonight a spike of white lilies faintly perfumed the room like the dream of a fragrance. There was no "mahogany furniture," but there was a white-painted bookcase filled with books, a cushioned wicker rocker, a toilet table befrilled with white muslin, a quaint, gilt-framed mirror with chubby pink Cupids and purple grapes painted over its arched top, that used to hang in the spare room, and a low white bed. Anne was dressing for a concert at the White Sands Hotel. The guests had got it up in aid of the Charlottetown hospital, and had hunted out all the available amateur talent in the surrounding districts to help it along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir had been asked to sing a duet; Milton Clark of Newbridge was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to recite. As Anne would have said at one time, it was "an epoch in her life," and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne and Marilla was not far behind, although she would have died rather than admit it, and said she didn't think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better,"<|quote|>said Diana.</|quote|>"It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen's taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?" asked Anne. "Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat. "There's something so stylish about you, Anne," said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn't complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. "Come right in and look at our elocutionist, Marilla. Doesn't she look lovely?" Marilla emitted a sound between a sniff and a grunt. "She looks neat and proper. I like that way of fixing her hair. But I expect she'll ruin that dress driving over there in the dust and dew with it, and it looks most too thin for these damp nights. Organdy's the most unserviceable stuff in the world anyhow, and I told Matthew so when he got it. But there is no use in saying anything to Matthew nowadays. Time was when he would take my advice, but now he just buys things for Anne regardless, and the clerks at Carmody know they can palm anything off on him. Just let them tell him a thing is pretty and fashionable, and Matthew plunks his money down for it. Mind you keep your skirt clear of the wheel, Anne, and put your warm jacket on." Then Marilla stalked downstairs, thinking proudly how sweet Anne looked, with that "One moonbeam from the forehead to the crown" and regretting that she could not go to the concert herself to hear her girl recite. "I wonder if it _is_ too damp for my dress," said Anne anxiously. "Not a bit of it," said Diana, pulling up the window blind. "It's a perfect night, and there won't be any dew. Look at the moonlight." "I'm so glad my window looks east into the sun rising," said Anne, going over to Diana. "It's so splendid to see the morning coming up over those long hills and glowing through those sharp fir tops. It's new every morning, and I feel as if I washed my very soul in that bath of earliest sunshine. Oh, Diana, I love this little room so dearly. I don't know how I'll get along without it when I go to town next month." "Don't speak of your going away tonight," begged Diana. "I don't want to think of it, it makes me so miserable, and I do want to have a good time this evening. What are you going to recite, Anne? And are you nervous?" "Not a bit. I've recited so often in public I don't mind at all now. I've decided to give ?The Maiden's Vow.' It's | room like the dream of a fragrance. There was no "mahogany furniture," but there was a white-painted bookcase filled with books, a cushioned wicker rocker, a toilet table befrilled with white muslin, a quaint, gilt-framed mirror with chubby pink Cupids and purple grapes painted over its arched top, that used to hang in the spare room, and a low white bed. Anne was dressing for a concert at the White Sands Hotel. The guests had got it up in aid of the Charlottetown hospital, and had hunted out all the available amateur talent in the surrounding districts to help it along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir had been asked to sing a duet; Milton Clark of Newbridge was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to recite. As Anne would have said at one time, it was "an epoch in her life," and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne and Marilla was not far behind, although she would have died rather than admit it, and said she didn't think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better,"<|quote|>said Diana.</|quote|>"It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen's taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?" asked Anne. "Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat. "There's something so stylish about you, Anne," said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just | Anne Of Green Gables | from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better,"<|quote|>said Diana.</|quote|>"It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects | {
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"content": "from town, and after the concert a supper was to be given to the performers. \"Do you really think the organdy will be best?\" queried Anne anxiously. \"I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable.\" \"But it suits you ever so much better,\"<|quote|>said Diana.</|quote|>\"It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you.\" Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects",
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"I did put it back," | Anne Shirley | it out or something, Anne."<|quote|>"I did put it back,"</|quote|>said Anne quickly--pertly, Marilla thought. | on the bureau. You've taken it out or something, Anne."<|quote|>"I did put it back,"</|quote|>said Anne quickly--pertly, Marilla thought. "I don't just remember whether | the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne."<|quote|>"I did put it back,"</|quote|>said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's | touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne."<|quote|>"I did put it back,"</|quote|>said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. | "I--I saw it this afternoon when you were away at the Aid Society," said Anne, a little slowly. "I was passing your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne."<|quote|>"I did put it back,"</|quote|>said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as | the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession |ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the spotless table and singing, "Nelly of the Hazel Dell" with a vigor and expression that did credit to Diana's teaching, "did you see anything of my amethyst brooch? I thought I stuck it in my pincushion when I came home from church yesterday evening, but I can't find it anywhere." "I--I saw it this afternoon when you were away at the Aid Society," said Anne, a little slowly. "I was passing your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne."<|quote|>"I did put it back,"</|quote|>said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply. "I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess." "Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas. "Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And | for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit. "Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it." "You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says," ?Blessed are they who expect nothing for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession |ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the spotless table and singing, "Nelly of the Hazel Dell" with a vigor and expression that did credit to Diana's teaching, "did you see anything of my amethyst brooch? I thought I stuck it in my pincushion when I came home from church yesterday evening, but I can't find it anywhere." "I--I saw it this afternoon when you were away at the Aid Society," said Anne, a little slowly. "I was passing your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne."<|quote|>"I did put it back,"</|quote|>said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply. "I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess." "Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas. "Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much." Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she did. She told Matthew the story the next morning. Matthew was confounded and puzzled; he could not so quickly lose faith in Anne but he had to admit that circumstances were against her. "You're sure it hasn't fell down behind the bureau?" was the only suggestion he could offer. "I've moved the bureau and I've taken out the drawers and I've looked in every crack and cranny" was Marilla's positive answer. "The brooch is gone and that child has taken it and lied about it. That's the plain, ugly truth, Matthew Cuthbert, and we might as well look it in the face." "Well now, what are you going to do about it?" Matthew asked forlornly, feeling secretly thankful that Marilla and not he had to deal with the situation. He felt no desire to put his oar in this time. "She'll stay in her room until she confesses," said Marilla grimly, remembering the success of this method in the former case. "Then we'll see. Perhaps we'll be able to find the brooch if she'll only tell where she took it; but in any case she'll have to be severely punished, Matthew." "Well now, you'll have to punish her," said Matthew, reaching for his hat. "I've nothing to do with it, remember. You warned me off yourself." Marilla felt deserted by everyone. She could not even go to Mrs. Lynde for advice. She went up to the east gable with a very serious face and left it with a face more serious still. Anne steadfastly refused to confess. She persisted in asserting | to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession |ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the spotless table and singing, "Nelly of the Hazel Dell" with a vigor and expression that did credit to Diana's teaching, "did you see anything of my amethyst brooch? I thought I stuck it in my pincushion when I came home from church yesterday evening, but I can't find it anywhere." "I--I saw it this afternoon when you were away at the Aid Society," said Anne, a little slowly. "I was passing your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne."<|quote|>"I did put it back,"</|quote|>said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, | Anne Of Green Gables | the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne."<|quote|>"I did put it back,"</|quote|>said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's | {
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"content": "the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice.\" \"You didn't put it back,\" said Marilla. \"That brooch isn't anywhere on the bureau. You've taken it out or something, Anne.\"<|quote|>\"I did put it back,\"</|quote|>said Anne quickly--pertly, Marilla thought. \"I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back.\" \"I'll go and have another look,\" said Marilla, determining to be just. \"If you put that brooch back it's",
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says he, | No speaker | your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the | and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. | the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they | There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged | by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less | she was probably in pain as she stood before the hot stove. I put the bag back in my pack and take only two cakes to the Russians. CHAPTER IX We travel for several days. The first aeroplanes appear in the sky. We roll on past transport lines. Guns, guns. The light railway picks us up. I search for my regiment. No one knows exactly where it lies. Somewhere or other I put up for the night, somewhere or other I receive provisions and a few vague instructions. And so with my pack and my rifle I set out again on the way. By the time I come up they are no longer in that devastated place. I hear we have become one of the flying divisions that are pushed in wherever it is hottest. That does not sound cheerful to me. They tell me of heavy losses that we have been having. I inquire after Kat and Albert. No one knows anything of them. I search farther and wander about here and there; it is a wonderful feeling. One night and then another I camp out like a Red Indian. Then at last I get some definite information, and by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. | Hospital," says my father. "In which class?" "Third. We must wait till we know what the operation costs. She wanted to be in the third herself. She said that then she would have some company. And besides it is cheaper." "So she is lying there with all those people. If only she could sleep properly." My father nods. His face is broken and full of furrows. My mother has always been sickly; and though she has only gone to the hospital when she has been compelled to, it has cost a great deal of money, and my father's life has been practically given up to it. "If only I knew how much the operation costs," says he. "Have you not asked?" "Not directly, I cannot do that--the surgeon might take it amiss and that would not do, he must operate on mother." Yes, I think bitterly, that's how it is with us, and with all poor people. They don't dare to ask the price, but worry themselves dreadfully beforehand about it; but the others, for whom it is not important, they settle the price first as a matter of course. And the doctor does not take it amiss from them. "And the dressings afterwards are so expensive," says my father. "Doesn't the Invalid's Fund pay anything toward it, then?" I ask. "Mother has been ill too long." "Have you any money at all?" He shakes his head: "No, but I can do some overtime." I know. He will stand at his desk folding and pasting and cutting until twelve o'clock at night. At eight o'clock in the evening he will eat some of the miserable rubbish they get in exchange for their food tickets, then he will take a powder for his headache and work on. In order to cheer him up a bit I tell him a few stories, soldiers' jokes, and the like, about generals and sergeant-majors. Afterwards I accompany them both to the railway station. They give me a pot of jam and a bag of potato-cakes that my mother has made for me. Then they go off and I return to the camp. In the evening I spread the jam on the cakes and eat some. But I have no taste for them. So I go out to give them to the Russians. Then it occurs to me that my mother cooked them herself and that she was probably in pain as she stood before the hot stove. I put the bag back in my pack and take only two cakes to the Russians. CHAPTER IX We travel for several days. The first aeroplanes appear in the sky. We roll on past transport lines. Guns, guns. The light railway picks us up. I search for my regiment. No one knows exactly where it lies. Somewhere or other I put up for the night, somewhere or other I receive provisions and a few vague instructions. And so with my pack and my rifle I set out again on the way. By the time I come up they are no longer in that devastated place. I hear we have become one of the flying divisions that are pushed in wherever it is hottest. That does not sound cheerful to me. They tell me of heavy losses that we have been having. I inquire after Kat and Albert. No one knows anything of them. I search farther and wander about here and there; it is a wonderful feeling. One night and then another I camp out like a Red Indian. Then at last I get some definite information, and by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he | By the time I come up they are no longer in that devastated place. I hear we have become one of the flying divisions that are pushed in wherever it is hottest. That does not sound cheerful to me. They tell me of heavy losses that we have been having. I inquire after Kat and Albert. No one knows anything of them. I search farther and wander about here and there; it is a wonderful feeling. One night and then another I camp out like a Red Indian. Then at last I get some definite information, and by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to | All Quiet on the Western Front | the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they | {
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"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." | Diana Barry | our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's | we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, | Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I | affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if | But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously | Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their | really think she could. "I'm positively certain, Diana, that life can never be quite the same again as it was in those olden days," she said mournfully, as if referring to a period of at least fifty years back. "Perhaps after a while I'll get used to it, but I'm afraid concerts spoil people for everyday life. I suppose that is why Marilla disapproves of them. Marilla is such a sensible woman. It must be a great deal better to be sensible; but still, I don't believe I'd really want to be a sensible person, because they are so unromantic. Mrs. Lynde says there is no danger of my ever being one, but you can never tell. I feel just now that I may grow up to be sensible yet. But perhaps that is only because I'm tired. I simply couldn't sleep last night for ever so long. I just lay awake and imagined the concert over and over again. That's one splendid thing about such affairs--it's so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.' "But Bertram saw it all and he at once plunged into the | friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out | Anne Of Green Gables | Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I | {
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"content": "Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better.\" \"In four more years we'll be able to put our hair up,\" said Diana.<|quote|>\"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen.\"</|quote|>\"If I had Alice Bell's crooked nose,\" said Anne decidedly, \"I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I",
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said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia. | No speaker | It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome | didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she | puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat | answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining | trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson's class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla's drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining Waters, so I just gazed at that and imagined all sorts of splendid things." "You shouldn't have done anything of the sort. You should have listened to Mr. Bell." "But he wasn't talking to me," protested Anne. "He was talking to God and he didn't seem to be very much inter-ested in it, either. I think he thought God was too far off though. There was a long row of white birches hanging over the lake and the sunshine fell down through them, ?way, ?way down, deep into the water. Oh, Marilla, it was like a beautiful dream! It gave | was a little, flat, glossy, new sailor, the extreme plainness of which had likewise much disappointed Anne, who had permitted herself secret visions of ribbon and flowers. The latter, however, were supplied before Anne reached the main road, for being confronted halfway down the lane with a golden frenzy of wind-stirred buttercups and a glory of wild roses, Anne promptly and liberally garlanded her hat with a heavy wreath of them. Whatever other people might have thought of the result it satisfied Anne, and she tripped gaily down the road, holding her ruddy head with its decoration of pink and yellow very proudly. When she had reached Mrs. Lynde's house she found that lady gone. Nothing daunted, Anne proceeded onward to the church alone. In the porch she found a crowd of little girls, all more or less gaily attired in whites and blues and pinks, and all staring with curious eyes at this stranger in their midst, with her extraordinary head adornment. Avonlea little girls had already heard queer stories about Anne. Mrs. Lynde said she had an awful temper; Jerry Buote, the hired boy at Green Gables, said she talked all the time to herself or to the trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson's class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla's drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining Waters, so I just gazed at that and imagined all sorts of splendid things." "You shouldn't have done anything of the sort. You should have listened to Mr. Bell." "But he wasn't talking to me," protested Anne. "He was talking to God and he didn't seem to be very much inter-ested in it, either. I think he thought God was too far off though. There was a long row of white birches hanging over the lake and the sunshine fell down through them, ?way, ?way down, deep into the water. Oh, Marilla, it was like a beautiful dream! It gave me a thrill and I just said," ?Thank you for it, God,' two or three times." "Not out loud, I hope," said Marilla anxiously. "Oh, no, just under my breath. Well, Mr. Bell did get through at last and they told me to go into the classroom with Miss Rogerson's class. There were nine other girls in it. They all had puffed sleeves. I tried to imagine mine were puffed, too, but I couldn't. Why couldn't I? It was as easy as could be to imagine they were puffed when I was alone in the east gable, but it was awfully hard there among the others who had really truly puffs." "You shouldn't have been thinking about your sleeves in Sunday school. You should have been attending to the lesson. I hope you knew it." "Oh, yes; and I answered a lot of questions. Miss Rogerson asked ever so many. I don't think it was fair for her to do all the asking. There were lots I wanted to ask her, but I didn't like to because I didn't think she was a kindred spirit. Then all the other little girls recited a paraphrase. She asked me if I knew | The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing." "Oh, I _am_ grateful," protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I hadn't any material to waste on puffed sleeves. I think they are ridiculous-looking things anyhow. I prefer the plain, sensible ones." "But I'd rather look ridiculous when everybody else does than plain and sensible all by myself," persisted Anne mournfully. "Trust you for that! Well, hang those dresses carefully up in your closet, and then sit down and learn the Sunday school lesson. I got a quarterly from Mr. Bell for you and you'll go to Sunday school tomorrow," said Marilla, disappearing downstairs in high dudgeon. Anne clasped her hands and looked at the dresses. "I did hope there would be a white one with puffed sleeves," she whispered disconsolately. "I prayed for one, but I didn't much expect it on that account. I didn't suppose God would have time to bother about a little orphan girl's dress. I knew I'd just have to depend on Marilla for it. Well, fortunately I can imagine that one of them is of snow-white muslin with lovely lace frills and three-puffed sleeves." The next morning warnings of a sick headache prevented Marilla from going to Sunday-school with Anne. "You'll have to go down and call for Mrs. Lynde, Anne," she said. "She'll see that you get into the right class. Now, mind you behave yourself properly. Stay to preaching afterwards and ask Mrs. Lynde to show you our pew. Here's a cent for collection. Don't stare at people and don't fidget. I shall expect you to tell me the text when you come home." Anne started off irreproachable, arrayed in the stiff black-and-white sateen, which, while decent as regards length and certainly not open to the charge of skimpiness, contrived to emphasize every corner and angle of her thin figure. Her hat was a little, flat, glossy, new sailor, the extreme plainness of which had likewise much disappointed Anne, who had permitted herself secret visions of ribbon and flowers. The latter, however, were supplied before Anne reached the main road, for being confronted halfway down the lane with a golden frenzy of wind-stirred buttercups and a glory of wild roses, Anne promptly and liberally garlanded her hat with a heavy wreath of them. Whatever other people might have thought of the result it satisfied Anne, and she tripped gaily down the road, holding her ruddy head with its decoration of pink and yellow very proudly. When she had reached Mrs. Lynde's house she found that lady gone. Nothing daunted, Anne proceeded onward to the church alone. In the porch she found a crowd of little girls, all more or less gaily attired in whites and blues and pinks, and all staring with curious eyes at this stranger in their midst, with her extraordinary head adornment. Avonlea little girls had already heard queer stories about Anne. Mrs. Lynde said she had an awful temper; Jerry Buote, the hired boy at Green Gables, said she talked all the time to herself or to the trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson's class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla's drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining Waters, so I just gazed at that and imagined all sorts of splendid things." "You shouldn't have done anything of the sort. You should have listened to Mr. Bell." "But he wasn't talking to me," protested Anne. "He was talking to God and he didn't seem to be very much inter-ested in it, either. I think he thought God was too far off though. There was a long row of white birches hanging over the lake and the sunshine fell down through them, ?way, ?way down, deep into the water. Oh, Marilla, it was like a beautiful dream! It gave me a thrill and I just said," ?Thank you for it, God,' two or three times." "Not out loud, I hope," said Marilla anxiously. "Oh, no, just under my breath. Well, Mr. Bell did get through at last and they told me to go into the classroom with Miss Rogerson's class. There were nine other girls in it. They all had puffed sleeves. I tried to imagine mine were puffed, too, but I couldn't. Why couldn't I? It was as easy as could be to imagine they were puffed when I was alone in the east gable, but it was awfully hard there among the others who had really truly puffs." "You shouldn't have been thinking about your sleeves in Sunday school. You should have been attending to the lesson. I hope you knew it." "Oh, yes; and I answered a lot of questions. Miss Rogerson asked ever so many. I don't think it was fair for her to do all the asking. There were lots I wanted to ask her, but I didn't like to because I didn't think she was a kindred spirit. Then all the other little girls recited a paraphrase. She asked me if I knew any. I told her I didn't, but I could recite, ?The Dog at His Master's Grave' if she liked. That's in the Third Royal Reader. It isn't a really truly religious piece of poetry, but it's so sad and melancholy that it might as well be. She said it wouldn't do and she told me to learn the nineteenth paraphrase for next Sunday. I read it over in church afterwards and it's splendid. There are two lines in particular that just thrill me." "?Quick as the slaughtered squadrons fell In Midian's evil day.' "I don't know what ?squadrons' means nor ?Midian,' either, but it sounds _so_ tragical. I can hardly wait until next Sunday to recite it. I'll practice it all the week. After Sunday school I asked Miss Rogerson--because Mrs. Lynde was too far away--to show me your pew. I sat just as still as I could and the text was Revelations, third chapter, second and third verses. It was a very long text. If I was a minister I'd pick the short, snappy ones. The sermon was awfully long, too. I suppose the minister had to match it to the text. I didn't think he was a bit interesting. The trouble with him seems to be that he hasn't enough imagination. I didn't listen to him very much. I just let my thoughts run and I thought of the most surprising things." Marilla felt helplessly that all this should be sternly reproved, but she was hampered by the undeniable fact that some of the things Anne had said, especially about the minister's sermons and Mr. Bell's prayers, were what she herself had really thought deep down in her heart for years, but had never given expression to. It almost seemed to her that those secret, unuttered, critical thoughts had suddenly taken visible and accusing shape and form in the person of this outspoken morsel of neglected humanity. CHAPTER XII. A Solemn Vow and Promise |IT was not until the next Friday that Marilla heard the story of the flower-wreathed hat. She came home from Mrs. Lynde's and called Anne to account. "Anne, Mrs. Rachel says you went to church last Sunday with your hat rigged out ridiculous with roses and buttercups. What on earth put you up to such a caper? A pretty-looking object you must have been!" "Oh. I know pink and yellow aren't becoming to me," | midst, with her extraordinary head adornment. Avonlea little girls had already heard queer stories about Anne. Mrs. Lynde said she had an awful temper; Jerry Buote, the hired boy at Green Gables, said she talked all the time to herself or to the trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson's class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla's drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining Waters, so I just gazed at that and imagined all sorts of splendid things." "You shouldn't have done anything of the sort. You should have listened to Mr. Bell." "But he wasn't talking to me," protested Anne. "He was talking to God and he didn't seem to be very much inter-ested in it, either. I think he thought God was too far off though. There was a long row of white birches hanging over the lake and the sunshine fell down through them, ?way, ?way down, deep into the water. Oh, Marilla, it was like a beautiful dream! It gave me a thrill and I just said," ?Thank you for it, God,' two or three times." "Not out loud, I hope," said Marilla anxiously. "Oh, no, just under my breath. Well, Mr. Bell did get through at last and they told me to go into the classroom with Miss Rogerson's class. There were nine other girls in it. They all had puffed sleeves. I tried to imagine mine were puffed, too, but I couldn't. Why couldn't I? It was as easy as | Anne Of Green Gables | puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat | {
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"content": "puffed sleeves. \"Well, how did you like Sunday school?\" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. \"I didn't like it a bit. It was horrid.\" \"Anne Shirley!\"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>\"They might have been lonesome while I was away,\" she explained. \"And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat",
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"you say," | Brenda | didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time | the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. | advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage | heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage it, but it'll mean putting off the improvements down here." "I don't really deserve it," she said, clinching the matter. "I've been carrying on _anyhow_ this week." * * * * * Brenda's stay at Hetton lasted only for three nights. Then she returned to London, saying that she had | to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage it, but it'll mean putting off the improvements down here." "I don't really deserve it," she said, clinching the matter. "I've been carrying on _anyhow_ this week." * * * * * Brenda's stay at Hetton lasted only for three nights. Then she returned to London, saying that she had to see about the flat. It did not, however, require very great attention. There was only the colour of the paint to choose and some few articles of furniture. Mrs Beaver had them ready for her inspection, a bed, a carpet, a dressing table and chair--there was not room for more. Mrs Beaver tried to sell her a set of needlework pictures for the walls, but these she refused, also an electric bed-warmer, a miniature weighing machine for the bathroom, a Frigidaire, an antique grandfather clock, a backgammon set of looking-glass and synthetic ivory, a set of prettily bound French | things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt on the sofa, sitting back on her heels. "Listen, you haven't been brooding?" "No." "Because, you see, when you say 'flat' you're thinking of something quite different to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage it, but it'll mean putting off the improvements down here." "I don't really deserve it," she said, clinching the matter. "I've been carrying on _anyhow_ this week." * * * * * Brenda's stay at Hetton lasted only for three nights. Then she returned to London, saying that she had to see about the flat. It did not, however, require very great attention. There was only the colour of the paint to choose and some few articles of furniture. Mrs Beaver had them ready for her inspection, a bed, a carpet, a dressing table and chair--there was not room for more. Mrs Beaver tried to sell her a set of needlework pictures for the walls, but these she refused, also an electric bed-warmer, a miniature weighing machine for the bathroom, a Frigidaire, an antique grandfather clock, a backgammon set of looking-glass and synthetic ivory, a set of prettily bound French eighteenth-century poets, a massage apparatus, and a wireless set fitted in a case of Regency lacquer, all of which had been grouped in the shop for her as a "suggestion". Mrs Beaver bore Brenda no ill will for the modesty of her requirements; she was doing very well on the floor above with a Canadian lady who was having her walls covered with chromium plating at immense expense. Meanwhile Brenda stayed with Marjorie, on terms which gradually became acrimonious. "I'm sorry to be pompous," she said one morning, "but I just don't want your Mr Beaver hanging about the house all day and calling me Marjorie." "Oh well, the flat won't be long now." "And I shall go on saying that I think you're making a ridiculous mistake." "It's just that you don't like Mr Beaver." "It isn't only that. I think it's hard cheese on Tony." "Oh, Tony's all right." "And if there's a row--" "There won't be a row." "You never know. If there is, I don't want Allan to think I've been helping to arrange things." "I wasn't so disagreeable to you about Robin Beaseley." "There was never much in that," said Marjorie. But with the exception | "but the line was always engaged." "Oh, come on," said Brenda, "I'll sock you a movie." Later she wired to Tony: _Staying with Marjorie another day or two all love to you both_. [IV] "Is mummy coming back to-day?" "I hope so." "That monkey-woman's party has lasted a long time. Can I come in to the station and meet her?" "Yes, we'll both go." "She hasn't seen Thunderclap for four days. She hasn't seen me jump the new post and rail, has she, daddy?" She was coming by the 3.18. Tony and John Andrew were there early. They wandered about the station looking at things, and bought some chocolate from a slot machine. The stationmaster came out to talk to them. "Her ladyship coming back to-day?" He was an old friend of Tony's. "I've been expecting her every day. You know what it is when ladies get to London." "Sam Brace's wife went to London and he couldn't get her back. Had to go up and fetch her himself. And then she give him a hiding." Presently the train came in and Brenda emerged exquisitely from her third-class carriage. "You've _both_ come. What angels you are. I don't at all deserve it." "Oh, mummy, have you brought the monkey-lady?" "What _does_ the child mean?" "He's got it into his head that your chum Polly has a tail." "Come to think of it, I shouldn't be surprised if she had." Two little cases held all her luggage. The chauffeur strapped them on behind the car, and they drove to Hetton. "What's all the news?" "Ben's put the rail up ever so high and Thunderclap and I jumped it six times yesterday and six times again to-day and two more of the fish in the little pond are dead, floating upside down all swollen and nanny burnt her finger on the kettle yesterday and daddy and I saw a fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again." "Nothing much has happened," said Tony. "We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt on the sofa, sitting back on her heels. "Listen, you haven't been brooding?" "No." "Because, you see, when you say 'flat' you're thinking of something quite different to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage it, but it'll mean putting off the improvements down here." "I don't really deserve it," she said, clinching the matter. "I've been carrying on _anyhow_ this week." * * * * * Brenda's stay at Hetton lasted only for three nights. Then she returned to London, saying that she had to see about the flat. It did not, however, require very great attention. There was only the colour of the paint to choose and some few articles of furniture. Mrs Beaver had them ready for her inspection, a bed, a carpet, a dressing table and chair--there was not room for more. Mrs Beaver tried to sell her a set of needlework pictures for the walls, but these she refused, also an electric bed-warmer, a miniature weighing machine for the bathroom, a Frigidaire, an antique grandfather clock, a backgammon set of looking-glass and synthetic ivory, a set of prettily bound French eighteenth-century poets, a massage apparatus, and a wireless set fitted in a case of Regency lacquer, all of which had been grouped in the shop for her as a "suggestion". Mrs Beaver bore Brenda no ill will for the modesty of her requirements; she was doing very well on the floor above with a Canadian lady who was having her walls covered with chromium plating at immense expense. Meanwhile Brenda stayed with Marjorie, on terms which gradually became acrimonious. "I'm sorry to be pompous," she said one morning, "but I just don't want your Mr Beaver hanging about the house all day and calling me Marjorie." "Oh well, the flat won't be long now." "And I shall go on saying that I think you're making a ridiculous mistake." "It's just that you don't like Mr Beaver." "It isn't only that. I think it's hard cheese on Tony." "Oh, Tony's all right." "And if there's a row--" "There won't be a row." "You never know. If there is, I don't want Allan to think I've been helping to arrange things." "I wasn't so disagreeable to you about Robin Beaseley." "There was never much in that," said Marjorie. But with the exception of her sister's, opinion was greatly in favour of Brenda's adventure. The morning telephone buzzed with news of her; even people with whom she had the barest acquaintance were delighted to relate that they had seen her and Beaver the evening before at a restaurant or cinema. It had been an autumn of very sparse and meagre romance; only the most obvious people had parted or come together, and Brenda was filling a want long felt by those whose simple, vicarious pleasure it was to discuss the subject in bed over the telephone. For them her circumstances shed peculiar glamour; for five years she had been a legendary, almost ghostly name, the imprisoned princess of fairy story, and now that she had emerged there was more enchantment in the occurrence than in the mere change of habit of any other circumspect wife. Her very choice of partner gave the affair an appropriate touch of fantasy; Beaver, the joke figure they had all known and despised, suddenly caught up to her among the luminous clouds of deity. If, after seven years looking neither to right or left, she had at last broken away with Jock Grant-Menzies or Robin Beaseley or any other young buck with whom nearly everyone had had a crack one time or another, it would have been thrilling no doubt, but straightforward, drawing-room comedy. The choice of Beaver raised the whole escapade into a realm of poetry for Polly and Daisy and Angela and all the gang of gossips. Mrs Beaver made no bones about her delight. "Of course the subject has not been mentioned between John and myself, but if what I hear is true, I think it will do the boy a world of good. Of course he's always been very much in demand and had a great number of friends, but _that isn't the same thing_. I've felt for a long time a Lack of Something in him, and I think that a charming and experienced woman like Brenda Last is just the person to help him. He's got a _very_ affectionate nature, but he's so sensitive that he hardly ever lets it appear... to tell you the truth I felt something of the kind was in the air last week, so I made an excuse to go away for a few days. If I had been there things might never have come to anything. | began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again." "Nothing much has happened," said Tony. "We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt on the sofa, sitting back on her heels. "Listen, you haven't been brooding?" "No." "Because, you see, when you say 'flat' you're thinking of something quite different to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage it, but it'll mean putting off the improvements down here." "I don't really deserve it," she said, clinching the matter. "I've been carrying on _anyhow_ this week." * * * * * Brenda's stay at Hetton lasted only for three nights. Then she returned to London, saying that she had to see about the flat. It did not, however, require very great attention. There was only the colour of the paint to choose and some few articles of furniture. Mrs Beaver had them ready for her inspection, a bed, a carpet, a dressing table and chair--there was not room for more. Mrs Beaver tried to sell her a set of needlework pictures for the walls, but these she refused, also an electric bed-warmer, a miniature weighing machine for the bathroom, a Frigidaire, an antique grandfather clock, a backgammon set of looking-glass and synthetic ivory, a set of prettily bound French eighteenth-century poets, a massage apparatus, and a wireless set fitted in a case of Regency lacquer, all of which had been grouped in the shop for her as a "suggestion". Mrs Beaver bore Brenda no ill will for the modesty of her requirements; she was doing very well on the floor above with a Canadian lady who was having her walls covered with chromium plating at immense expense. Meanwhile Brenda stayed with Marjorie, on terms which gradually became acrimonious. "I'm sorry to be pompous," she said one morning, "but I just don't want your Mr Beaver hanging about the house all day and calling me Marjorie." "Oh well, the flat won't be long now." "And I shall go on saying that I think you're making a ridiculous mistake." "It's just that you don't like Mr Beaver." "It isn't only that. I think it's hard cheese on Tony." "Oh, Tony's all right." "And if there's a row--" "There won't be a row." "You never know. If there is, I don't want Allan to think I've been helping to arrange things." "I wasn't so disagreeable to you about Robin Beaseley." "There was never much in that," said Marjorie. But with the exception of her sister's, opinion was greatly in favour of Brenda's adventure. The morning telephone buzzed with news of her; even people with whom she had the barest acquaintance were delighted to relate that they had seen her and Beaver the evening before at a restaurant or cinema. It had been an autumn of very sparse and meagre romance; only the most obvious people had parted or come together, and Brenda was filling a want long felt by those whose simple, vicarious pleasure it was to discuss the subject in bed over the telephone. For them her circumstances shed peculiar glamour; for five years she had | A Handful Of Dust | advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage | {
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"content": "advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping,\" \"Why didn't you stay the night,\"<|quote|>\"you say,\"</|quote|>\"instead of killing yourself?\" \"Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?\" \"D'you really want this thing?\" \"Mmm.\" \"Well, I'll have to see. We _might_ manage",
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The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking: | No speaker | voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything | began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things | as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm | in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure | one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. "You ought to be ashamed of yourself," said Alice, "a great girl like you," (she might well say this), "to go on crying in this way! Stop this moment, I tell you!" But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the | feet, they seemed to be almost out of sight, they were getting so far off). "Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I'm sure _I_ shan't be able! I shall be a great deal too far off to trouble myself about you: you must manage the best way you can;--but I must be kind to them," thought Alice, "or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas." And she went on planning to herself how she would manage it. "They must go by the carrier," she thought; "and how funny it'll seem, sending presents to one's own feet! And how odd the directions will look! _Alice's Right Foot, Esq., Hearthrug, near the Fender,_ (_with Alice's love_). Oh dear, what nonsense I'm talking!" Just then her head struck against the roof of the hall: in fact she was now more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. "You ought to be ashamed of yourself," said Alice, "a great girl like you," (she might well say this), "to go on crying in this way! Stop this moment, I tell you!" But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!" "I'm sure those are not the right words," said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting | the glass, and she tried her best to climb up one of the legs of the table, but it was too slippery; and when she had tired herself out with trying, the poor little thing sat down and cried. "Come, there's no use in crying like that!" said Alice to herself, rather sharply; "I advise you to leave off this minute!" She generally gave herself very good advice, (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes; and once she remembered trying to box her own ears for having cheated herself in a game of croquet she was playing against herself, for this curious child was very fond of pretending to be two people. "But it's no use now," thought poor Alice, "to pretend to be two people! Why, there's hardly enough of me left to make _one_ respectable person!" Soon her eye fell on a little glass box that was lying under the table: she opened it, and found in it a very small cake, on which the words "EAT ME" were beautifully marked in currants. "Well, I'll eat it," said Alice, "and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door; so either way I'll get into the garden, and I don't care which happens!" She ate a little bit, and said anxiously to herself, "Which way? Which way?" ", holding her hand on the top of her head to feel which way it was growing, and she was quite surprised to find that she remained the same size: to be sure, this generally happens when one eats cake, but Alice had got so much into the way of expecting nothing but out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in the common way. So she set to work, and very soon finished off the cake. * * * * * * * * * * * * * * * * * * * * CHAPTER II. The Pool of Tears "Curiouser and curiouser!" cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English); "now I'm opening out like the largest telescope that ever was! Good-bye, feet!" (for when she looked down at her feet, they seemed to be almost out of sight, they were getting so far off). "Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I'm sure _I_ shan't be able! I shall be a great deal too far off to trouble myself about you: you must manage the best way you can;--but I must be kind to them," thought Alice, "or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas." And she went on planning to herself how she would manage it. "They must go by the carrier," she thought; "and how funny it'll seem, sending presents to one's own feet! And how odd the directions will look! _Alice's Right Foot, Esq., Hearthrug, near the Fender,_ (_with Alice's love_). Oh dear, what nonsense I'm talking!" Just then her head struck against the roof of the hall: in fact she was now more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. "You ought to be ashamed of yourself," said Alice, "a great girl like you," (she might well say this), "to go on crying in this way! Stop this moment, I tell you!" But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!" "I'm sure those are not the right words," said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether. "That _was_ a narrow escape!" said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet | myself about you: you must manage the best way you can;--but I must be kind to them," thought Alice, "or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas." And she went on planning to herself how she would manage it. "They must go by the carrier," she thought; "and how funny it'll seem, sending presents to one's own feet! And how odd the directions will look! _Alice's Right Foot, Esq., Hearthrug, near the Fender,_ (_with Alice's love_). Oh dear, what nonsense I'm talking!" Just then her head struck against the roof of the hall: in fact she was now more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. "You ought to be ashamed of yourself," said Alice, "a great girl like you," (she might well say this), "to go on crying in this way! Stop this moment, I tell you!" But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden | Alices Adventures In Wonderland | as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm | {
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"I'm going to bed." | Matthew Cuthbert | and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And | course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had | "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up | her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then | exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. | Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were | a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer. "It's time you were dressed," she said curtly. Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be. Anne stood up and drew a long breath. "Oh, isn't it wonderful?" she said, waving her hand comprehensively at the good world outside. "It's a big tree," said Marilla, "and it blooms great, but the fruit don't amount to much never--small and wormy." "Oh, I don't mean just the tree; of course it's lovely--yes, it's _radiantly_ lovely--it blooms as if it meant it--but I meant everything, the garden and the orchard and the brook and the woods, the whole big dear world. Don't you feel as if you just loved the world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They're always laughing. Even in winter-time I've heard them under the ice. I'm so glad there's a brook near Green Gables. Perhaps you think it doesn't make any difference to me when you're not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn't a brook I'd be _haunted_ by the uncomfortable feeling that there ought to be one. I'm not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid thing that there are mornings? But I feel very sad. I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You'd better | down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its | Anne Of Green Gables | "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up | {
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"Back to land again, and that's all the first figure," | The Mock Turtle | the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly | again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the | "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a | some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing | lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, | in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said | Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should | back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out | Alices Adventures In Wonderland | "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a | {
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"content": "\"The lobsters!\" shouted the Gryphon, with a bound into the air. \"--as far out to sea as you can--\" \"Swim after them!\" screamed the Gryphon. \"Turn a somersault in the sea!\" cried the Mock Turtle, capering wildly about. \"Change lobsters again!\" yelled the Gryphon at the top of its voice.<|quote|>\"Back to land again, and that's all the first figure,\"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. \"It must be a very pretty dance,\" said Alice timidly. \"Would you like to see a",
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continued Marilla when Matthew had gone out. | No speaker | bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for | come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five | hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of | couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked | much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand | on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat | was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly. | say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of | Anne Of Green Gables | hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of | {
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"content": "hard.\" \"What on earth does she mean?\" demanded Marilla, staring at Matthew. \"She--she's just referring to some conversation we had on the road,\" said Matthew hastily. \"I'm going out to put the mare in, Marilla. Have tea ready when I come back.\" \"Did Mrs. Spencer bring anybody over besides you?\"<|quote|>continued Marilla when Matthew had gone out.</|quote|>\"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?\" \"No. We want a boy to help Matthew on the farm. A girl would be of",
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"You are the very wickedest girl I ever heard of." | Marilla Cuthbert | said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," | "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I | do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to | brooch off to have another look at it. Oh, how it did shine in the sunlight! And then, when I was leaning over the bridge, it just slipped through my fingers--so--and went down--down--down, all purply-sparkling, and sank forevermore beneath the Lake of Shining Waters. And that's the best I can do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to no picnic today, Anne Shirley. That shall be your punishment. And it isn't half severe enough either for what you've done!" "Not go to the picnic!" Anne sprang to her feet and clutched Marilla's hand. "But you _promised_ me I might! Oh, Marilla, I must go to the picnic. That | how perfectly thrilling it would be to take it to Idlewild and play I was the Lady Cordelia Fitzgerald. It would be so much easier to imagine I was the Lady Cordelia if I had a real amethyst brooch on. Diana and I make necklaces of roseberries but what are roseberries compared to amethysts? So I took the brooch. I thought I could put it back before you came home. I went all the way around by the road to lengthen out the time. When I was going over the bridge across the Lake of Shining Waters I took the brooch off to have another look at it. Oh, how it did shine in the sunlight! And then, when I was leaning over the bridge, it just slipped through my fingers--so--and went down--down--down, all purply-sparkling, and sank forevermore beneath the Lake of Shining Waters. And that's the best I can do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to no picnic today, Anne Shirley. That shall be your punishment. And it isn't half severe enough either for what you've done!" "Not go to the picnic!" Anne sprang to her feet and clutched Marilla's hand. "But you _promised_ me I might! Oh, Marilla, I must go to the picnic. That was why I confessed. Punish me any way you like but that. Oh, Marilla, please, please, let me go to the picnic. Think of the ice cream! For anything you know I may never have a chance to taste ice cream again." Marilla disengaged Anne's clinging hands stonily. "You needn't plead, Anne. You are not going to the picnic and that's final. No, not a word." Anne realized that Marilla was not to be moved. She clasped her hands together, gave a piercing shriek, and then flung herself face downward on the bed, crying and writhing in an utter abandonment | shut the door. Wednesday morning dawned as bright and fair as if expressly made to order for the picnic. Birds sang around Green Gables; the Madonna lilies in the garden sent out whiffs of perfume that entered in on viewless winds at every door and window, and wandered through halls and rooms like spirits of benediction. The birches in the hollow waved joyful hands as if watching for Anne's usual morning greeting from the east gable. But Anne was not at her window. When Marilla took her breakfast up to her she found the child sitting primly on her bed, pale and resolute, with tight-shut lips and gleaming eyes. "Marilla, I'm ready to confess." "Ah!" Marilla laid down her tray. Once again her method had succeeded; but her success was very bitter to her. "Let me hear what you have to say then, Anne." "I took the amethyst brooch," said Anne, as if repeating a lesson she had learned. "I took it just as you said. I didn't mean to take it when I went in. But it did look so beautiful, Marilla, when I pinned it on my breast that I was overcome by an irresistible temptation. I imagined how perfectly thrilling it would be to take it to Idlewild and play I was the Lady Cordelia Fitzgerald. It would be so much easier to imagine I was the Lady Cordelia if I had a real amethyst brooch on. Diana and I make necklaces of roseberries but what are roseberries compared to amethysts? So I took the brooch. I thought I could put it back before you came home. I went all the way around by the road to lengthen out the time. When I was going over the bridge across the Lake of Shining Waters I took the brooch off to have another look at it. Oh, how it did shine in the sunlight! And then, when I was leaning over the bridge, it just slipped through my fingers--so--and went down--down--down, all purply-sparkling, and sank forevermore beneath the Lake of Shining Waters. And that's the best I can do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to no picnic today, Anne Shirley. That shall be your punishment. And it isn't half severe enough either for what you've done!" "Not go to the picnic!" Anne sprang to her feet and clutched Marilla's hand. "But you _promised_ me I might! Oh, Marilla, I must go to the picnic. That was why I confessed. Punish me any way you like but that. Oh, Marilla, please, please, let me go to the picnic. Think of the ice cream! For anything you know I may never have a chance to taste ice cream again." Marilla disengaged Anne's clinging hands stonily. "You needn't plead, Anne. You are not going to the picnic and that's final. No, not a word." Anne realized that Marilla was not to be moved. She clasped her hands together, gave a piercing shriek, and then flung herself face downward on the bed, crying and writhing in an utter abandonment of disappointment and despair. "For the land's sake!" gasped Marilla, hastening from the room. "I believe the child is crazy. No child in her senses would behave as she does. If she isn't she's utterly bad. Oh dear, I'm afraid Rachel was right from the first. But I've put my hand to the plow and I won't look back." That was a dismal morning. Marilla worked fiercely and scrubbed the porch floor and the dairy shelves when she could find nothing else to do. Neither the shelves nor the porch needed it--but Marilla did. Then she went out and raked the yard. When dinner was ready she went to the stairs and called Anne. A tear-stained face appeared, looking tragically over the banisters. "Come down to your dinner, Anne." "I don't want any dinner, Marilla," said Anne, sobbingly. "I couldn't eat anything. My heart is broken. You'll feel remorse of conscience someday, I expect, for breaking it, Marilla, but I forgive you. Remember when the time comes that I forgive you. But please don't ask me to eat anything, especially boiled pork and greens. Boiled pork and greens are so unromantic when one is in affliction." Exasperated, Marilla returned to | that she knew anything about the brooch but Marilla was only the more firmly convinced that she did. She told Matthew the story the next morning. Matthew was confounded and puzzled; he could not so quickly lose faith in Anne but he had to admit that circumstances were against her. "You're sure it hasn't fell down behind the bureau?" was the only suggestion he could offer. "I've moved the bureau and I've taken out the drawers and I've looked in every crack and cranny" was Marilla's positive answer. "The brooch is gone and that child has taken it and lied about it. That's the plain, ugly truth, Matthew Cuthbert, and we might as well look it in the face." "Well now, what are you going to do about it?" Matthew asked forlornly, feeling secretly thankful that Marilla and not he had to deal with the situation. He felt no desire to put his oar in this time. "She'll stay in her room until she confesses," said Marilla grimly, remembering the success of this method in the former case. "Then we'll see. Perhaps we'll be able to find the brooch if she'll only tell where she took it; but in any case she'll have to be severely punished, Matthew." "Well now, you'll have to punish her," said Matthew, reaching for his hat. "I've nothing to do with it, remember. You warned me off yourself." Marilla felt deserted by everyone. She could not even go to Mrs. Lynde for advice. She went up to the east gable with a very serious face and left it with a face more serious still. Anne steadfastly refused to confess. She persisted in asserting that she had not taken the brooch. The child had evidently been crying and Marilla felt a pang of pity which she sternly repressed. By night she was, as she expressed it, "beat out." "You'll stay in this room until you confess, Anne. You can make up your mind to that," she said firmly. "But the picnic is tomorrow, Marilla," cried Anne. "You won't keep me from going to that, will you? You'll just let me out for the afternoon, won't you? Then I'll stay here as long as you like _afterwards_ cheerfully. But I _must_ go to the picnic." "You'll not go to picnics nor anywhere else until you've confessed, Anne." "Oh, Marilla," gasped Anne. But Marilla had gone out and shut the door. Wednesday morning dawned as bright and fair as if expressly made to order for the picnic. Birds sang around Green Gables; the Madonna lilies in the garden sent out whiffs of perfume that entered in on viewless winds at every door and window, and wandered through halls and rooms like spirits of benediction. The birches in the hollow waved joyful hands as if watching for Anne's usual morning greeting from the east gable. But Anne was not at her window. When Marilla took her breakfast up to her she found the child sitting primly on her bed, pale and resolute, with tight-shut lips and gleaming eyes. "Marilla, I'm ready to confess." "Ah!" Marilla laid down her tray. Once again her method had succeeded; but her success was very bitter to her. "Let me hear what you have to say then, Anne." "I took the amethyst brooch," said Anne, as if repeating a lesson she had learned. "I took it just as you said. I didn't mean to take it when I went in. But it did look so beautiful, Marilla, when I pinned it on my breast that I was overcome by an irresistible temptation. I imagined how perfectly thrilling it would be to take it to Idlewild and play I was the Lady Cordelia Fitzgerald. It would be so much easier to imagine I was the Lady Cordelia if I had a real amethyst brooch on. Diana and I make necklaces of roseberries but what are roseberries compared to amethysts? So I took the brooch. I thought I could put it back before you came home. I went all the way around by the road to lengthen out the time. When I was going over the bridge across the Lake of Shining Waters I took the brooch off to have another look at it. Oh, how it did shine in the sunlight! And then, when I was leaning over the bridge, it just slipped through my fingers--so--and went down--down--down, all purply-sparkling, and sank forevermore beneath the Lake of Shining Waters. And that's the best I can do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to no picnic today, Anne Shirley. That shall be your punishment. And it isn't half severe enough either for what you've done!" "Not go to the picnic!" Anne sprang to her feet and clutched Marilla's hand. "But you _promised_ me I might! Oh, Marilla, I must go to the picnic. That was why I confessed. Punish me any way you like but that. Oh, Marilla, please, please, let me go to the picnic. Think of the ice cream! For anything you know I may never have a chance to taste ice cream again." Marilla disengaged Anne's clinging hands stonily. "You needn't plead, Anne. You are not going to the picnic and that's final. No, not a word." Anne realized that Marilla was not to be moved. She clasped her hands together, gave a piercing shriek, and then flung herself face downward on the bed, crying and writhing in an utter abandonment of disappointment and despair. "For the land's sake!" gasped Marilla, hastening from the room. "I believe the child is crazy. No child in her senses would behave as she does. If she isn't she's utterly bad. Oh dear, I'm afraid Rachel was right from the first. But I've put my hand to the plow and I won't look back." That was a dismal morning. Marilla worked fiercely and scrubbed the porch floor and the dairy shelves when she could find nothing else to do. Neither the shelves nor the porch needed it--but Marilla did. Then she went out and raked the yard. When dinner was ready she went to the stairs and called Anne. A tear-stained face appeared, looking tragically over the banisters. "Come down to your dinner, Anne." "I don't want any dinner, Marilla," said Anne, sobbingly. "I couldn't eat anything. My heart is broken. You'll feel remorse of conscience someday, I expect, for breaking it, Marilla, but I forgive you. Remember when the time comes that I forgive you. But please don't ask me to eat anything, especially boiled pork and greens. Boiled pork and greens are so unromantic when one is in affliction." Exasperated, Marilla returned to the kitchen and poured out her tale of woe to Matthew, who, between his sense of justice and his unlawful sympathy with Anne, was a miserable man. "Well now, she shouldn't have taken the brooch, Marilla, or told stories about it," he admitted, mournfully surveying his plateful of unromantic pork and greens as if he, like Anne, thought it a food unsuited to crises of feeling, "but she's such a little thing--such an interesting little thing. Don't you think it's pretty rough not to let her go to the picnic when she's so set on it?" "Matthew Cuthbert, I'm amazed at you. I think I've let her off entirely too easy. And she doesn't appear to realize how wicked she's been at all--that's what worries me most. If she'd really felt sorry it wouldn't be so bad. And you don't seem to realize it, neither; you're making excuses for her all the time to yourself--I can see that." "Well now, she's such a little thing," feebly reiterated Matthew. "And there should be allowances made, Marilla. You know she's never had any bringing up." "Well, she's having it now" retorted Marilla. The retort silenced Matthew if it did not convince him. That dinner was a very dismal meal. The only cheerful thing about it was Jerry Buote, the hired boy, and Marilla resented his cheerfulness as a personal insult. When her dishes were washed and her bread sponge set and her hens fed Marilla remembered that she had noticed a small rent in her best black lace shawl when she had taken it off on Monday afternoon on returning from the Ladies' Aid. She would go and mend it. The shawl was in a box in her trunk. As Marilla lifted it out, the sunlight, falling through the vines that clustered thickly about the window, struck upon something caught in the shawl--something that glittered and sparkled in facets of violet light. Marilla snatched at it with a gasp. It was the amethyst brooch, hanging to a thread of the lace by its catch! "Dear life and heart," said Marilla blankly, "what does this mean? Here's my brooch safe and sound that I thought was at the bottom of Barry's pond. Whatever did that girl mean by saying she took it and lost it? I declare I believe Green Gables is bewitched. I remember now that when I took off my shawl | picnic. Birds sang around Green Gables; the Madonna lilies in the garden sent out whiffs of perfume that entered in on viewless winds at every door and window, and wandered through halls and rooms like spirits of benediction. The birches in the hollow waved joyful hands as if watching for Anne's usual morning greeting from the east gable. But Anne was not at her window. When Marilla took her breakfast up to her she found the child sitting primly on her bed, pale and resolute, with tight-shut lips and gleaming eyes. "Marilla, I'm ready to confess." "Ah!" Marilla laid down her tray. Once again her method had succeeded; but her success was very bitter to her. "Let me hear what you have to say then, Anne." "I took the amethyst brooch," said Anne, as if repeating a lesson she had learned. "I took it just as you said. I didn't mean to take it when I went in. But it did look so beautiful, Marilla, when I pinned it on my breast that I was overcome by an irresistible temptation. I imagined how perfectly thrilling it would be to take it to Idlewild and play I was the Lady Cordelia Fitzgerald. It would be so much easier to imagine I was the Lady Cordelia if I had a real amethyst brooch on. Diana and I make necklaces of roseberries but what are roseberries compared to amethysts? So I took the brooch. I thought I could put it back before you came home. I went all the way around by the road to lengthen out the time. When I was going over the bridge across the Lake of Shining Waters I took the brooch off to have another look at it. Oh, how it did shine in the sunlight! And then, when I was leaning over the bridge, it just slipped through my fingers--so--and went down--down--down, all purply-sparkling, and sank forevermore beneath the Lake of Shining Waters. And that's the best I can do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to no picnic today, Anne Shirley. That shall be your punishment. And it isn't half severe enough either for what you've done!" "Not go to the picnic!" Anne sprang to her feet and clutched Marilla's hand. "But you _promised_ me I might! Oh, Marilla, I must go to the picnic. That was why I confessed. Punish me any way you like but that. Oh, Marilla, please, please, let me go to the picnic. Think of the ice cream! For anything you know I may never have a chance to taste ice cream again." Marilla disengaged Anne's clinging hands stonily. "You needn't plead, Anne. You are not going to the picnic and that's final. No, not a word." Anne realized that Marilla was not to be moved. She clasped her hands together, gave a piercing shriek, and then flung herself face downward on the bed, crying and writhing in an utter abandonment of disappointment and despair. "For the land's sake!" gasped Marilla, hastening from the room. "I believe the child is crazy. No child | Anne Of Green Gables | do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to | {
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"content": "do at confessing, Marilla.\" Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. \"Anne, this is terrible,\" she said, trying to speak calmly.<|quote|>\"You are the very wickedest girl I ever heard of.\"</|quote|>\"Yes, I suppose I am,\" agreed Anne tranquilly. \"And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind.\" \"Picnic, indeed! You'll go to",
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"No," | Anne Shirley | "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are | on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla | her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and | her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away | all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green | brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted | work first and talk afterwards." CHAPTER XXVII. Vanity and Vexation of Spirit Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he | home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with | Anne Of Green Gables | her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and | {
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} | Anne Shirley |
"Thank God. I've been pretty ill, haven't I? I can't remember much." | Tony Last | "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something | he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had | were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, | have it?" "Just sit quiet here while I sling your hammock." "Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly | ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?" "Just sit quiet here while I sling your hammock." "Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a | He sat up and crouched with his head in his knees, shaking all over; only his forehead and cheeks were burning hot under the noon sun. There was still no sign of a village. * * * * * It was late in the afternoon when he first saw Brenda. For some time he had been staring intently at the odd shape amidships where the stores had been piled; then he realized that it was a human being. "So the Indians came back?" he said. "Yes." "I knew they would. Silly of them to be scared by a toy. I suppose the others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?" "Just sit quiet here while I sling your hammock." "Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a week or it may take much longer. That's a thing we've got to face. I can't risk taking you in the canoe. You nearly upset us several times the day before yesterday." "I thought there was someone there I knew." "You thought a lot of things. It'll go on like that. Meanwhile we've provisions for about ten days. There's no immediate anxiety there but it's a thing to remember. Besides, what you need is a roof over your head and constant nursing. If only we were at a village...." "I'm afraid I'm being a great nuisance." "That's not the point. The thing is to find what is best for us to do." But Tony felt too tired to think; he dozed for an hour or so. When he awoke, Dr Messinger was cutting back the bush farther. "I'm going to fix up the tarpaulin as a roof." (He had marked this place on his map _Temporary Emergency Base Camp_.) Tony watched him listlessly. Presently he said, "Look here, why don't you leave me here and go down the river for help?" "I thought of that. It's too big a risk." That afternoon Brenda was back at Tony's side and he | drink on the opposite bank; an hour later he was shivering so violently that he had to lay down his paddle; his head was flaming with heat, his body and limbs were frigid; by sunset he was slightly delirious. Dr Messinger took his temperature and found that it was a hundred and four degrees, Fahrenheit. He gave him twenty-five grains of quinine and lit a fire so close to his hammock that by morning it was singed and blacked with smoke. He told Tony to keep wrapped up in his blanket, but at intervals throughout that night he woke from sleep to find himself running with sweat; he was consumed with thirst and drank mug after mug of river water. Neither that evening nor next morning was he able to eat anything. But next morning his temperature was down again. He felt weak and exhausted but he was able to keep steady in his place and paddle a little. "It was just a passing attack, wasn't it?" he said. "I shall be perfectly fit to-morrow, shan't I?" "I hope so," said Dr Messinger. At mid-day Tony drank some cocoa and ate a cupful of rice. "I feel grand," he said. "Good." That night the fever came on again. They were camping on a sand bank. Dr Messinger heated stones and put them under Tony's feet and in the small of his back. He was awake most of the night fuelling the fire and refilling Tony's mug with water. At dawn Tony slept for an hour and woke feeling slightly better; he was taking frequent doses of quinine and his ears were filled with a muffled sound as though he were holding those shells to them in which, he had been told in childhood, one could hear the beat of the sea. "We've got to go on," said Dr Messinger. "We can't be far from a village now." "I feel awful. Wouldn't it be better to wait a day till I am perfectly fit again?" "It's no good waiting. We've got to get on. D'you think you can manage to get into the canoe?" Dr Messinger knew that Tony was in for a long bout. For the first few hours of that day Tony lay limp in the bows. They had shifted the stores so that he could lie full length. Then the fever came on again and his teeth chattered. He sat up and crouched with his head in his knees, shaking all over; only his forehead and cheeks were burning hot under the noon sun. There was still no sign of a village. * * * * * It was late in the afternoon when he first saw Brenda. For some time he had been staring intently at the odd shape amidships where the stores had been piled; then he realized that it was a human being. "So the Indians came back?" he said. "Yes." "I knew they would. Silly of them to be scared by a toy. I suppose the others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?" "Just sit quiet here while I sling your hammock." "Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a week or it may take much longer. That's a thing we've got to face. I can't risk taking you in the canoe. You nearly upset us several times the day before yesterday." "I thought there was someone there I knew." "You thought a lot of things. It'll go on like that. Meanwhile we've provisions for about ten days. There's no immediate anxiety there but it's a thing to remember. Besides, what you need is a roof over your head and constant nursing. If only we were at a village...." "I'm afraid I'm being a great nuisance." "That's not the point. The thing is to find what is best for us to do." But Tony felt too tired to think; he dozed for an hour or so. When he awoke, Dr Messinger was cutting back the bush farther. "I'm going to fix up the tarpaulin as a roof." (He had marked this place on his map _Temporary Emergency Base Camp_.) Tony watched him listlessly. Presently he said, "Look here, why don't you leave me here and go down the river for help?" "I thought of that. It's too big a risk." That afternoon Brenda was back at Tony's side and he was shivering and tossing in his hammock. * * * * * When he was next able to observe things, Tony noted that there was a tarpaulin over his head, slung to the tree-trunks. He asked, "How long have we been here?" "Only three days." "What time is it now?" "Getting on for ten in the morning." "I feel awful." Dr Messinger gave him some soup. "I am going downstream for the day," he said, "to see if there's any sign of a village. I hate leaving you but it's a chance worth taking. I shall be able to get a long way in the canoe now it's empty. Lie quiet. Don't move from the hammock. I shall be back before night. I hope with some Indians to help." "All right," said Tony and fell asleep. Dr Messinger went down to the river's edge and untied the canoe; he brought with him a rifle, a drinking cup and a day's provisions. He sat in the stern and pushed out from the bank; the current carried the bows down and in a few strokes of the paddle he was in midstream. The sun was high and its reflection in the water dazzled and scorched him; he paddled on with regular, leisurely strokes; he was travelling fast. For a mile's stretch the river narrowed and the water raced so that all he had to do was to trail the blade of the paddle as a rudder; then the walls of forest on either side of him fell back and he drifted into a great open lake, where he had to work heavily to keep in motion; all the time he watched keenly to right and left for the column of smoke, the thatched dome, the sly brown figure in the undergrowth, the drinking cattle, that would disclose the village he sought. But there was no sign. In the open water he took up his field-glasses and studied the whole wooded margin. But there was no sign. Later the river narrowed once more and the canoe shot forward in the swift current. Ahead of him the surface was broken by rapids; the smooth water seethed and eddied; a low monotone warned him that beyond the rapids was a fall. Dr Messinger began to steer for the bank. The current was running strongly and he exerted his full strength; ten yards from the beginning | sand bank. Dr Messinger heated stones and put them under Tony's feet and in the small of his back. He was awake most of the night fuelling the fire and refilling Tony's mug with water. At dawn Tony slept for an hour and woke feeling slightly better; he was taking frequent doses of quinine and his ears were filled with a muffled sound as though he were holding those shells to them in which, he had been told in childhood, one could hear the beat of the sea. "We've got to go on," said Dr Messinger. "We can't be far from a village now." "I feel awful. Wouldn't it be better to wait a day till I am perfectly fit again?" "It's no good waiting. We've got to get on. D'you think you can manage to get into the canoe?" Dr Messinger knew that Tony was in for a long bout. For the first few hours of that day Tony lay limp in the bows. They had shifted the stores so that he could lie full length. Then the fever came on again and his teeth chattered. He sat up and crouched with his head in his knees, shaking all over; only his forehead and cheeks were burning hot under the noon sun. There was still no sign of a village. * * * * * It was late in the afternoon when he first saw Brenda. For some time he had been staring intently at the odd shape amidships where the stores had been piled; then he realized that it was a human being. "So the Indians came back?" he said. "Yes." "I knew they would. Silly of them to be scared by a toy. I suppose the others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?" "Just sit quiet here while I sling your hammock." "Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a week or it may take much longer. That's a thing we've got to face. I can't risk taking you in the canoe. You nearly upset us several times the day before yesterday." "I thought there was someone there I knew." "You thought a lot of things. It'll go on like that. Meanwhile we've provisions for about ten days. There's no immediate anxiety there but it's a thing to remember. Besides, what you need is a roof over your head and constant nursing. If only we were at a village...." "I'm afraid I'm being a great nuisance." "That's not the point. The thing is to find what is best for us to do." But Tony felt too tired to think; he dozed | A Handful Of Dust | were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, | {
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"content": "were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. \"You're down to normal again.\"<|quote|>\"Thank God. I've been pretty ill, haven't I? I can't remember much.\"</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. \"How d'you feel?\" \"Grand,\" said Tony,",
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} | Tony Last |
"How many inhabitants has Melbourne?" | Müller | fear God and----'" I submit.<|quote|>"How many inhabitants has Melbourne?"</|quote|>asks Müller. "How do you | world,' or 'We, the Germans, fear God and----'" I submit.<|quote|>"How many inhabitants has Melbourne?"</|quote|>asks Müller. "How do you expect to succeed in life | mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit.<|quote|>"How many inhabitants has Melbourne?"</|quote|>asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever | laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit.<|quote|>"How many inhabitants has Melbourne?"</|quote|>asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the | He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit.<|quote|>"How many inhabitants has Melbourne?"</|quote|>asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he | you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?" urges the thoroughgoing Müller. "Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit.<|quote|>"How many inhabitants has Melbourne?"</|quote|>asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if | He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then he marches up to us. No one makes any motion to stand up. Kropp looks up at him with interest. He continues to stand in front of us and wait. As no one says anything he launches a "Well?" A couple of seconds go by. Apparently Himmelstoss doesn't quite know what to do. He would like most to set us all on the run again. But he seems to have learned already that the front line isn't a parade ground. He tries it on though, and by addressing himself to one instead of to all of us hopes to get some response. Kropp is nearest, so he favours him. "Well, you here too?" But Albert's no friend of his. "A bit longer than you, I fancy," he retorts. The red moustache twitches: "You don't recognize me any more, what?" Tjaden now opens his eyes. "I do though." Himmelstoss turns to him: "Tjaden, isn't it?" Tjaden lifts his head. "And do you know what you are?" Himmelstoss is disconcerted. "Since when have we become so familiar? I don't remember that we ever slept in the gutter together?" He has no idea what to make of the situation. He didn't expect this open hostility. But he is on his guard: someone has already dinned some rot into him about getting a shot in the back. The question about the gutter makes Tjaden so mad that he becomes almost witty: "No, you slept there by yourself." Himmelstoss begins to boil. But Tjaden gets in ahead of him. He must bring off his insult: "Wouldn't you like to know what you are? A dirty hound, that's what you are. I've been wanting to tell you that for a long time." The satisfaction of months shines in his dull pig's eyes as he spits out: Dirty hound! Himmelstoss lets fly too, now. "What's that, you muck-rake, you dirty peat-stealer? Stand up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?" urges the thoroughgoing Müller. "Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit.<|quote|>"How many inhabitants has Melbourne?"</|quote|>asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war. * * The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?" the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully. "You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off with Himmelstoss in his wake. "I have a feeling that next time we go up wiring I'll be letting a bundle of wire fall on Himmelstoss's leg," hints Kropp. "We'll have quite a lot of jokes with him," laughs Müller.-- That is our sole ambition: to knock the conceit out | up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?" urges the thoroughgoing Müller. "Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit.<|quote|>"How many inhabitants has Melbourne?"</|quote|>asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard | All Quiet on the Western Front | mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit.<|quote|>"How many inhabitants has Melbourne?"</|quote|>asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever | {
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"content": "mind, Kropp, sit down, three minus----\" I wink. \"What offices did Lycurgus consider the most important for the state?\" asks Müller, pretending to take off his pince-nez. \"Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'\" I submit.<|quote|>\"How many inhabitants has Melbourne?\"</|quote|>asks Müller. \"How do you expect to succeed in life if you don't know that?\" I ask Albert hotly. Which he caps with: \"What is meant by Cohesion?\" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever",
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"It's exactly right," | John Beaver | have given twice as much."<|quote|>"It's exactly right,"</|quote|>said Beaver, feeling older again, | sure that's enough? I should have given twice as much."<|quote|>"It's exactly right,"</|quote|>said Beaver, feeling older again, just as Brenda had meant | said he was sorry. "You've got to _learn_ to be nicer," she said soberly. "I don't believe you'd find it impossible." When the bill eventually came, she said, "How much do I tip him?" and Beaver showed her. "Are you sure that's enough? I should have given twice as much."<|quote|>"It's exactly right,"</|quote|>said Beaver, feeling older again, just as Brenda had meant him to feel. When they sat in the taxi Beaver knew at once that Brenda wished him to make love to her. But he decided it was time she took the lead. So he sat at a distance from her | pause in which Brenda said, "I am not sure it hasn't been a mistake, taking you out to dinner. Let's ask for the bill and go to Polly's." But they took ten minutes to bring the bill, and in that time Beaver and Brenda had to say something, so he said he was sorry. "You've got to _learn_ to be nicer," she said soberly. "I don't believe you'd find it impossible." When the bill eventually came, she said, "How much do I tip him?" and Beaver showed her. "Are you sure that's enough? I should have given twice as much."<|quote|>"It's exactly right,"</|quote|>said Beaver, feeling older again, just as Brenda had meant him to feel. When they sat in the taxi Beaver knew at once that Brenda wished him to make love to her. But he decided it was time she took the lead. So he sat at a distance from her and commented on an old house that was being demolished to make way for a block of flats. "Shut up," said Brenda. "Come here." When he had kissed her, she rubbed against his cheek in the way she had. * * * * * Polly's party was exactly what she | say. Presently Beaver said, "I'm sorry I was an ass in the taxi just now." "Eh?" He changed it and said, "Did you mind when I tried to kiss you just now?" "Me? No, not particularly." "Then why wouldn't you let me?" "Oh dear, you've got a lot to learn." "How d'you mean?" "You mustn't ever ask questions like that. Will you try and remember?" Then he was sulky. "You talk to me as if I was an undergraduate having his first walk out." "Oh, is this a walk out?" "Not as far as I am concerned." There was a pause in which Brenda said, "I am not sure it hasn't been a mistake, taking you out to dinner. Let's ask for the bill and go to Polly's." But they took ten minutes to bring the bill, and in that time Beaver and Brenda had to say something, so he said he was sorry. "You've got to _learn_ to be nicer," she said soberly. "I don't believe you'd find it impossible." When the bill eventually came, she said, "How much do I tip him?" and Beaver showed her. "Are you sure that's enough? I should have given twice as much."<|quote|>"It's exactly right,"</|quote|>said Beaver, feeling older again, just as Brenda had meant him to feel. When they sat in the taxi Beaver knew at once that Brenda wished him to make love to her. But he decided it was time she took the lead. So he sat at a distance from her and commented on an old house that was being demolished to make way for a block of flats. "Shut up," said Brenda. "Come here." When he had kissed her, she rubbed against his cheek in the way she had. * * * * * Polly's party was exactly what she wished it to be, an accurate replica of all the best parties she had been to in the last year; the same band, the same supper and, above all, the same guests. Hers was not the ambition to create a sensation, to have the party talked about in months to come for any unusual feature, to hunt out shy celebrities or introduce exotic strangers. She wanted a perfectly straight, smart party and she had got it. Practically everyone she asked had come. If there were other, more remote worlds upon which she did not impinge, Polly did not know about | window, she put out her hand to his and they sat in silence till they reached the restaurant. Beaver was thoroughly puzzled. Once they were in public again, his confidence returned. Espinosa led them to their table; it was the one by itself on the right of the door, the only table in the restaurant at which one's conversation was not overheard. Brenda handed him the card. "You choose. Very little for me, but it must only have starch, no protein." The bill at Espinosa's was, as a rule, roughly the same whatever one ate, but Brenda would not know this, so, since it was now understood that she was paying, Beaver felt constrained from ordering anything that looked obviously expensive. However, she insisted on champagne, and later a ballon of liqueur brandy for him. "You can't think how exciting it is for me to take a young man out. I've never done it before." They stayed at Espinosa's until it was time to go to the party, dancing once or twice, but most of the time sitting at the table, talking. Their interest in each other had so far outdistanced their knowledge that there was a great deal to say. Presently Beaver said, "I'm sorry I was an ass in the taxi just now." "Eh?" He changed it and said, "Did you mind when I tried to kiss you just now?" "Me? No, not particularly." "Then why wouldn't you let me?" "Oh dear, you've got a lot to learn." "How d'you mean?" "You mustn't ever ask questions like that. Will you try and remember?" Then he was sulky. "You talk to me as if I was an undergraduate having his first walk out." "Oh, is this a walk out?" "Not as far as I am concerned." There was a pause in which Brenda said, "I am not sure it hasn't been a mistake, taking you out to dinner. Let's ask for the bill and go to Polly's." But they took ten minutes to bring the bill, and in that time Beaver and Brenda had to say something, so he said he was sorry. "You've got to _learn_ to be nicer," she said soberly. "I don't believe you'd find it impossible." When the bill eventually came, she said, "How much do I tip him?" and Beaver showed her. "Are you sure that's enough? I should have given twice as much."<|quote|>"It's exactly right,"</|quote|>said Beaver, feeling older again, just as Brenda had meant him to feel. When they sat in the taxi Beaver knew at once that Brenda wished him to make love to her. But he decided it was time she took the lead. So he sat at a distance from her and commented on an old house that was being demolished to make way for a block of flats. "Shut up," said Brenda. "Come here." When he had kissed her, she rubbed against his cheek in the way she had. * * * * * Polly's party was exactly what she wished it to be, an accurate replica of all the best parties she had been to in the last year; the same band, the same supper and, above all, the same guests. Hers was not the ambition to create a sensation, to have the party talked about in months to come for any unusual feature, to hunt out shy celebrities or introduce exotic strangers. She wanted a perfectly straight, smart party and she had got it. Practically everyone she asked had come. If there were other, more remote worlds upon which she did not impinge, Polly did not know about them. These were the people she was after, and here they were. And looking round on her guests, with Lord Cockpurse, who was for the evening loyally putting in one of his rare appearances, at her side, she was able to congratulate herself that there were very few people present whom she did not want. In other years people had taken her hospitality more casually and brought on with them anyone with whom they happened to have been dining. This year, without any conscious effort on her part, there had been more formality. Those who wanted to bring friends had rung up in the morning and asked whether they might do so, and on the whole they had been cautious of even so much presumption. People who, only eighteen months before, would have pretended to be ignorant of her existence were now crowding up her stairs. She had got herself in line with the other married women of her world. As they started to go up, Brenda said, "You're not to leave me, please. I'm not going to know anybody," and Beaver again saw himself as the dominant male. They went straight through to the band and began dancing, not | came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late." Now that it was inevitable, she did not want to be left alone with Beaver. "No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on the arm of a chair, and made love to her at once; and probably he would have got away with it. Instead he remarked in an easy manner, "I suppose we ought to be going too." "Yes, where?" "I thought Espinosa's." "Yes, lovely. Only listen. I want you to understand right away that it's _my_ dinner." "Of course not... nothing of the sort." "Yes it is. I'm a year older than you and an old married woman and quite rich, so, please, I'm going to pay." Beaver continued protesting to the taxi door. But there was still a constraint between them and Beaver began to wonder, "Does she expect me to pounce?" So, as they waited in a traffic block by the Marble Arch, he leaned forward to kiss her; when he was quite near, she drew back. He said, "_Please_, Brenda," but she turned away and looked out of the window, shaking her head several times quickly. Then, her eyes still fixed on the window, she put out her hand to his and they sat in silence till they reached the restaurant. Beaver was thoroughly puzzled. Once they were in public again, his confidence returned. Espinosa led them to their table; it was the one by itself on the right of the door, the only table in the restaurant at which one's conversation was not overheard. Brenda handed him the card. "You choose. Very little for me, but it must only have starch, no protein." The bill at Espinosa's was, as a rule, roughly the same whatever one ate, but Brenda would not know this, so, since it was now understood that she was paying, Beaver felt constrained from ordering anything that looked obviously expensive. However, she insisted on champagne, and later a ballon of liqueur brandy for him. "You can't think how exciting it is for me to take a young man out. I've never done it before." They stayed at Espinosa's until it was time to go to the party, dancing once or twice, but most of the time sitting at the table, talking. Their interest in each other had so far outdistanced their knowledge that there was a great deal to say. Presently Beaver said, "I'm sorry I was an ass in the taxi just now." "Eh?" He changed it and said, "Did you mind when I tried to kiss you just now?" "Me? No, not particularly." "Then why wouldn't you let me?" "Oh dear, you've got a lot to learn." "How d'you mean?" "You mustn't ever ask questions like that. Will you try and remember?" Then he was sulky. "You talk to me as if I was an undergraduate having his first walk out." "Oh, is this a walk out?" "Not as far as I am concerned." There was a pause in which Brenda said, "I am not sure it hasn't been a mistake, taking you out to dinner. Let's ask for the bill and go to Polly's." But they took ten minutes to bring the bill, and in that time Beaver and Brenda had to say something, so he said he was sorry. "You've got to _learn_ to be nicer," she said soberly. "I don't believe you'd find it impossible." When the bill eventually came, she said, "How much do I tip him?" and Beaver showed her. "Are you sure that's enough? I should have given twice as much."<|quote|>"It's exactly right,"</|quote|>said Beaver, feeling older again, just as Brenda had meant him to feel. When they sat in the taxi Beaver knew at once that Brenda wished him to make love to her. But he decided it was time she took the lead. So he sat at a distance from her and commented on an old house that was being demolished to make way for a block of flats. "Shut up," said Brenda. "Come here." When he had kissed her, she rubbed against his cheek in the way she had. * * * * * Polly's party was exactly what she wished it to be, an accurate replica of all the best parties she had been to in the last year; the same band, the same supper and, above all, the same guests. Hers was not the ambition to create a sensation, to have the party talked about in months to come for any unusual feature, to hunt out shy celebrities or introduce exotic strangers. She wanted a perfectly straight, smart party and she had got it. Practically everyone she asked had come. If there were other, more remote worlds upon which she did not impinge, Polly did not know about them. These were the people she was after, and here they were. And looking round on her guests, with Lord Cockpurse, who was for the evening loyally putting in one of his rare appearances, at her side, she was able to congratulate herself that there were very few people present whom she did not want. In other years people had taken her hospitality more casually and brought on with them anyone with whom they happened to have been dining. This year, without any conscious effort on her part, there had been more formality. Those who wanted to bring friends had rung up in the morning and asked whether they might do so, and on the whole they had been cautious of even so much presumption. People who, only eighteen months before, would have pretended to be ignorant of her existence were now crowding up her stairs. She had got herself in line with the other married women of her world. As they started to go up, Brenda said, "You're not to leave me, please. I'm not going to know anybody," and Beaver again saw himself as the dominant male. They went straight through to the band and began dancing, not talking much except to greet other couples whom they knew. They danced for half an hour and then she said "All right, I'll give you a rest. Only don't let me get left." She danced with Jock Grant-Menzies and two or three old friends and did not see Beaver again until she came on him alone in the bar. He had been there a long time, talking sometimes to the couples who came in and out, but always ending up alone. He was not enjoying the evening and he told himself rather resentfully that it was because of Brenda; if he had come there in a large party it would have been different. Brenda saw he was out of temper and said, "Time for supper." It was early, and the tables were mostly empty except for earnest couples sitting alone. There was a large round table between the windows, with no one at it; they sat there. "I don't propose to move for a long time, d'you mind?" She wanted to make him feel important again, so she asked him about the other people in the room. Presently their table filled up. These were Brenda's old friends, among whom she used to live when she came out and in the first two years of her marriage, before Tony's father died; men in the early thirties, married women of her own age, none of whom knew Beaver or liked him. It was by far the gayest table in the room. Brenda thought "How my poor young man must be hating this"; it did not occur to her that, from Beaver's point of view, these old friends of hers were quite the most desirable people at the party, and that he was delighted to be seen at their table. "Are you dying of it?" she whispered. "No, indeed, never happier." "Well, I am. Let's go and dance." But the band was taking a rest and there was no one in the ballroom except the earnest couples who had migrated there away from the crowd and were sitting huddled in solitude round the walls, lost in conversation. "Oh dear," said Brenda, "now we're done. We can't go back to the table... it almost looks as though we should have to go home." "It's not two." "That's late for me. Look here, don't you come. Stay and enjoy yourself." "Of course I'll come," said | handed him the card. "You choose. Very little for me, but it must only have starch, no protein." The bill at Espinosa's was, as a rule, roughly the same whatever one ate, but Brenda would not know this, so, since it was now understood that she was paying, Beaver felt constrained from ordering anything that looked obviously expensive. However, she insisted on champagne, and later a ballon of liqueur brandy for him. "You can't think how exciting it is for me to take a young man out. I've never done it before." They stayed at Espinosa's until it was time to go to the party, dancing once or twice, but most of the time sitting at the table, talking. Their interest in each other had so far outdistanced their knowledge that there was a great deal to say. Presently Beaver said, "I'm sorry I was an ass in the taxi just now." "Eh?" He changed it and said, "Did you mind when I tried to kiss you just now?" "Me? No, not particularly." "Then why wouldn't you let me?" "Oh dear, you've got a lot to learn." "How d'you mean?" "You mustn't ever ask questions like that. Will you try and remember?" Then he was sulky. "You talk to me as if I was an undergraduate having his first walk out." "Oh, is this a walk out?" "Not as far as I am concerned." There was a pause in which Brenda said, "I am not sure it hasn't been a mistake, taking you out to dinner. Let's ask for the bill and go to Polly's." But they took ten minutes to bring the bill, and in that time Beaver and Brenda had to say something, so he said he was sorry. "You've got to _learn_ to be nicer," she said soberly. "I don't believe you'd find it impossible." When the bill eventually came, she said, "How much do I tip him?" and Beaver showed her. "Are you sure that's enough? I should have given twice as much."<|quote|>"It's exactly right,"</|quote|>said Beaver, feeling older again, just as Brenda had meant him to feel. When they sat in the taxi Beaver knew at once that Brenda wished him to make love to her. But he decided it was time she took the lead. So he sat at a distance from her and commented on an old house that was being demolished to make way for a block of flats. "Shut up," said Brenda. "Come here." When he had kissed her, she rubbed against his cheek in the way she had. * * * * * Polly's party was exactly what she wished it to be, an accurate replica of all the best parties she had been to in the last year; the same band, the same supper and, above all, the same guests. Hers was not the ambition to create a sensation, to have the party talked about in months to come for any unusual feature, to hunt out shy celebrities or introduce exotic strangers. She wanted a perfectly straight, smart party and she had got it. Practically everyone she asked had come. If there were other, more remote worlds upon which she did not impinge, Polly did not know about them. These were the people she was after, and here they were. And looking round on her guests, with Lord Cockpurse, who was for the evening loyally putting in one of his rare appearances, at her side, she was able to congratulate herself that there were very few people present whom she did not want. In other years | A Handful Of Dust | said he was sorry. "You've got to _learn_ to be nicer," she said soberly. "I don't believe you'd find it impossible." When the bill eventually came, she said, "How much do I tip him?" and Beaver showed her. "Are you sure that's enough? I should have given twice as much."<|quote|>"It's exactly right,"</|quote|>said Beaver, feeling older again, just as Brenda had meant him to feel. When they sat in the taxi Beaver knew at once that Brenda wished him to make love to her. But he decided it was time she took the lead. So he sat at a distance from her | {
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"content": "said he was sorry. \"You've got to _learn_ to be nicer,\" she said soberly. \"I don't believe you'd find it impossible.\" When the bill eventually came, she said, \"How much do I tip him?\" and Beaver showed her. \"Are you sure that's enough? I should have given twice as much.\"<|quote|>\"It's exactly right,\"</|quote|>said Beaver, feeling older again, just as Brenda had meant him to feel. When they sat in the taxi Beaver knew at once that Brenda wished him to make love to her. But he decided it was time she took the lead. So he sat at a distance from her",
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"I say, you know, really, I shouldn't take that line about it." | Jock Grant-Menzies | brave little life snuffed out."<|quote|>"I say, you know, really, I shouldn't take that line about it."</|quote|>"It isn't the first time | feel like a murderess... that brave little life snuffed out."<|quote|>"I say, you know, really, I shouldn't take that line about it."</|quote|>"It isn't the first time it's happened... always, anywhere, I | fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out."<|quote|>"I say, you know, really, I shouldn't take that line about it."</|quote|>"It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must | with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out."<|quote|>"I say, you know, really, I shouldn't take that line about it."</|quote|>"It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him | photographs of the Princess, a garden scene ingeniously constructed in pieces of coloured wood, and a radio set in fumed oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out."<|quote|>"I say, you know, really, I shouldn't take that line about it."</|quote|>"It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience. "Bad interview?" she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this | friend," said Princess Abdul Akbar. "Then perhaps you can tell me where I can find her?" "I think she's bound to be at Lady Cockpurse's. I'm just going there myself. Can I give her any message?" "I had better come and see her." "Well, wait five minutes and you can go with me. Come inside." The Princess's single room was furnished promiscuously and with truly Eastern disregard of the right properties of things; swords meant to adorn the state robes of a Moorish caid were swung from the picture rail; mats made for prayer were strewn on the divan; the carpet on the floor had been made in Bokhara as a wall covering; while over the dressing table was draped a shawl made in Yokohama for sale to cruise-passengers; an octagonal table from Port Said held a Tibetan Buddha of pale soapstone; six ivory elephants from Bombay stood along the top of the radiator. Other cultures, too, were represented by a set of Lalique bottles and powder boxes, a phallic fetish from Senegal, a Dutch copper bowl, a waste-paper basket made of varnished aquatint, a golliwog presented at the gala dinner of a seaside hotel, a dozen or so framed photographs of the Princess, a garden scene ingeniously constructed in pieces of coloured wood, and a radio set in fumed oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out."<|quote|>"I say, you know, really, I shouldn't take that line about it."</|quote|>"It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience. "Bad interview?" she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery. "Of course," Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, Veronica and Daisy and Sybil, Souki de Foucald-Esterhazy, and four or five others, all women. They were there to consult a new fortune-teller called Mrs Northcote. Mrs Beaver had discovered her and for every five guineas that she earned at her introduction Mrs Beaver took a commission of two pounds twelve and sixpence. She told fortunes in a new way, by reading the soles of the feet. They waited their turn impatiently. "What a time she is taking over Daisy." "She is very thorough," said Polly, "and it tickles rather." | when Albert came in to draw the curtains. Tony had only two cards left which he turned over regularly; Mrs Rattery was obliged to divide hers, they were too many to hold. They stopped playing when they found that Albert was in the room. "What must that man have thought?" said Tony, when he had gone out. (" "Sitting there clucking like a 'en," Albert reported, "and the little fellow lying dead upstairs." ") "We'd better stop." "It wasn't a very good game. And to think it's the only one you know." She collected the cards and began to deal them into their proper packs. Ambrose and Albert brought in tea. Tony looked at his watch. "Five o'clock. Now that the shutters are up we shan't hear the chimes. Jock must be in London by now." Mrs Rattery said, "I'd rather like some whisky." * * * * * Jock had not seen Brenda's flat. It was in a large, featureless house, typical of the district. Mrs Beaver deplored the space wasted by the well staircase and empty, paved hall. There was no porter; a woman came three mornings a week with bucket and mop. A board painted with the names of the tenants informed Jock that Brenda was IN. But he put little reliance on this information, knowing that Brenda was not one to remember, as she came in and out, to change the indicator. He found her front door on the second floor. After the first flight the staircase changed from marble to a faded carpet that had been there before Mrs Beaver undertook the reconstruction. Jock pressed the bell and heard it ringing just inside the door. Nobody came to open it. It was past five, and he had not expected to find Brenda at home. He had decided on the road up that after trying the flat, he would go to his club and ring up various friends of Brenda's who might know where she was. He rang again, from habit, and waited a little; then turned to go. But at that moment the door next to Brenda's opened and a dark lady in a dress of crimson velvet looked out at him; she wore very large earrings of oriental filigree, set with bosses of opaque, valueless stone. "Are you looking for Lady Brenda Last?" "I am. Is she a friend of yours?" "Oh, _such_ a friend," said Princess Abdul Akbar. "Then perhaps you can tell me where I can find her?" "I think she's bound to be at Lady Cockpurse's. I'm just going there myself. Can I give her any message?" "I had better come and see her." "Well, wait five minutes and you can go with me. Come inside." The Princess's single room was furnished promiscuously and with truly Eastern disregard of the right properties of things; swords meant to adorn the state robes of a Moorish caid were swung from the picture rail; mats made for prayer were strewn on the divan; the carpet on the floor had been made in Bokhara as a wall covering; while over the dressing table was draped a shawl made in Yokohama for sale to cruise-passengers; an octagonal table from Port Said held a Tibetan Buddha of pale soapstone; six ivory elephants from Bombay stood along the top of the radiator. Other cultures, too, were represented by a set of Lalique bottles and powder boxes, a phallic fetish from Senegal, a Dutch copper bowl, a waste-paper basket made of varnished aquatint, a golliwog presented at the gala dinner of a seaside hotel, a dozen or so framed photographs of the Princess, a garden scene ingeniously constructed in pieces of coloured wood, and a radio set in fumed oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out."<|quote|>"I say, you know, really, I shouldn't take that line about it."</|quote|>"It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience. "Bad interview?" she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery. "Of course," Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, Veronica and Daisy and Sybil, Souki de Foucald-Esterhazy, and four or five others, all women. They were there to consult a new fortune-teller called Mrs Northcote. Mrs Beaver had discovered her and for every five guineas that she earned at her introduction Mrs Beaver took a commission of two pounds twelve and sixpence. She told fortunes in a new way, by reading the soles of the feet. They waited their turn impatiently. "What a time she is taking over Daisy." "She is very thorough," said Polly, "and it tickles rather." Presently Daisy emerged. "What was she like?" they asked. "I mustn't tell or it spoils it all," said Daisy. They had dealt cards for precedence. It was Brenda's turn now. She went next door to Mrs Northcote, who was sitting at a stool beside an armchair. She was a dowdy, middle-aged woman with a slightly genteel accent. Brenda sat down and took off her shoe and stocking. Mrs Northcote laid the foot on her knee and gazed at it with great solemnity; then she picked it up and began tracing the small creases of the sole with the point of a silver pencil case. Brenda wriggled her toes luxuriously and settled down to listen. Next door they said, "Where's Mr Beaver to-day?" "He's flown over to France with his mother to see some new wallpapers. She's been worrying all day thinking he's had an accident." "It's all very touching, isn't it? Though I can't see his point myself..." "You must never do anything on Thursdays," said Mrs Northcote. "Nothing?" "Nothing important. You are intellectual, imaginative, sympathetic, easily led by others, impulsive, affectionate. You are highly artistic and are not giving full scope to your capabilities." "Isn't there anything about love?" "I am coming to love. All these lines from the great toe to the instep represent lovers." "Yes, go on some more about that..." Princess Abdul Akbar was announced. "Where's Brenda?" she said. "I thought she'd be here." "Mrs Northcote's doing her now." "Jock Menzies wants to see her. He's downstairs." "Darling Jock... Why on earth didn't you bring him up?" "No, it's something terribly important. He's got to see Brenda alone." "My dear, how mysterious. Well, she won't be long now. We can't disturb them. It would upset Mrs Northcote." Jenny told them the news. On the other side of the door, Brenda's leg was beginning to feel slightly chilly. "Four men dominate your fate," Mrs Northcote was saying, "one is loyal and tender but he has not yet disclosed his love, one is passionate and overpowering, you are a little afraid of him." "Dear me," said Brenda. "How very exciting. Who _can_ they be?" "One you must avoid; he bodes no good for you, he is steely hearted and rapacious." "I bet that's my Mr Beaver, bless him." Downstairs Jock was waiting in the small front room where Polly's guests usually assembled before luncheon. It was five past | and out, to change the indicator. He found her front door on the second floor. After the first flight the staircase changed from marble to a faded carpet that had been there before Mrs Beaver undertook the reconstruction. Jock pressed the bell and heard it ringing just inside the door. Nobody came to open it. It was past five, and he had not expected to find Brenda at home. He had decided on the road up that after trying the flat, he would go to his club and ring up various friends of Brenda's who might know where she was. He rang again, from habit, and waited a little; then turned to go. But at that moment the door next to Brenda's opened and a dark lady in a dress of crimson velvet looked out at him; she wore very large earrings of oriental filigree, set with bosses of opaque, valueless stone. "Are you looking for Lady Brenda Last?" "I am. Is she a friend of yours?" "Oh, _such_ a friend," said Princess Abdul Akbar. "Then perhaps you can tell me where I can find her?" "I think she's bound to be at Lady Cockpurse's. I'm just going there myself. Can I give her any message?" "I had better come and see her." "Well, wait five minutes and you can go with me. Come inside." The Princess's single room was furnished promiscuously and with truly Eastern disregard of the right properties of things; swords meant to adorn the state robes of a Moorish caid were swung from the picture rail; mats made for prayer were strewn on the divan; the carpet on the floor had been made in Bokhara as a wall covering; while over the dressing table was draped a shawl made in Yokohama for sale to cruise-passengers; an octagonal table from Port Said held a Tibetan Buddha of pale soapstone; six ivory elephants from Bombay stood along the top of the radiator. Other cultures, too, were represented by a set of Lalique bottles and powder boxes, a phallic fetish from Senegal, a Dutch copper bowl, a waste-paper basket made of varnished aquatint, a golliwog presented at the gala dinner of a seaside hotel, a dozen or so framed photographs of the Princess, a garden scene ingeniously constructed in pieces of coloured wood, and a radio set in fumed oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out."<|quote|>"I say, you know, really, I shouldn't take that line about it."</|quote|>"It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience. "Bad interview?" she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery. "Of course," Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, Veronica and Daisy and Sybil, Souki de Foucald-Esterhazy, and four or five others, all women. They were there to consult a new fortune-teller called Mrs Northcote. Mrs Beaver had discovered her and for every five guineas that she earned at her introduction Mrs Beaver took a commission of two pounds twelve and sixpence. She told fortunes in a new way, by reading the soles of the feet. They waited their turn impatiently. "What a time she is taking over Daisy." "She is very thorough," said Polly, "and it tickles rather." Presently Daisy emerged. "What was she like?" they asked. "I mustn't tell or it spoils it all," said Daisy. They had dealt cards for precedence. It was Brenda's turn now. She went next door to Mrs Northcote, who was sitting at a stool beside | A Handful Of Dust | fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out."<|quote|>"I say, you know, really, I shouldn't take that line about it."</|quote|>"It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must | {
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"content": "fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out.\"<|quote|>\"I say, you know, really, I shouldn't take that line about it.\"</|quote|>\"It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God,\" said Jenny Abdul Akbar. \"What have I done to deserve it?\" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, \"Well, I must",
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"O-o-o-h," | Anne Shirley | the corner of her eye.<|quote|>"O-o-o-h,"</|quote|>faltered Anne. Her sensitive little | looking at Anne out of the corner of her eye.<|quote|>"O-o-o-h,"</|quote|>faltered Anne. Her sensitive little face suddenly flushed scarlet and | Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye.<|quote|>"O-o-o-h,"</|quote|>faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. | ?Edinburgh after Flodden,' and ?Bingen of the Rhine,' and most of the ?Lady of the Lake' and most of ?The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--?The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye.<|quote|>"O-o-o-h,"</|quote|>faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked | "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the shore road. "Not a great deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--?The Battle of Hohenlinden' and ?Edinburgh after Flodden,' and ?Bingen of the Rhine,' and most of the ?Lady of the Lake' and most of ?The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--?The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye.<|quote|>"O-o-o-h,"</|quote|>faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim | handy with children, and I went up the river to live with her in a little clearing among the stumps. It was a very lonesome place. I'm sure I could never have lived there if I hadn't had an imagination. Mr. Hammond worked a little sawmill up there, and Mrs. Hammond had eight children. She had twins three times. I like babies in moderation, but twins three times in succession is _too much_. I told Mrs. Hammond so firmly, when the last pair came. I used to get so dreadfully tired carrying them about." "I lived up river with Mrs. Hammond over two years, and then Mr. Hammond died and Mrs. Hammond broke up housekeeping. She divided her children among her relatives and went to the States. I had to go to the asylum at Hopeton, because nobody would take me. They didn't want me at the asylum, either; they said they were over-crowded as it was. But they had to take me and I was there four months until Mrs. Spencer came." Anne finished up with another sigh, of relief this time. Evidently she did not like talking about her experiences in a world that had not wanted her. "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the shore road. "Not a great deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--?The Battle of Hohenlinden' and ?Edinburgh after Flodden,' and ?Bingen of the Rhine,' and most of the ?Lady of the Lake' and most of ?The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--?The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye.<|quote|>"O-o-o-h,"</|quote|>faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say," thought Marilla, "but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I | the parlor window and lilacs in the front yard and lilies of the valley just inside the gate. Yes, and muslin curtains in all the windows. Muslin curtains give a house such an air. I was born in that house. Mrs. Thomas said I was the homeliest baby she ever saw, I was so scrawny and tiny and nothing but eyes, but that mother thought I was perfectly beautiful. I should think a mother would be a better judge than a poor woman who came in to scrub, wouldn't you? I'm glad she was satisfied with me anyhow, I would feel so sad if I thought I was a disappointment to her--because she didn't live very long after that, you see. She died of fever when I was just three months old. I do wish she'd lived long enough for me to remember calling her mother. I think it would be so sweet to say ?mother,' don't you? And father died four days afterwards from fever too. That left me an orphan and folks were at their wits' end, so Mrs. Thomas said, what to do with me. You see, nobody wanted me even then. It seems to be my fate. Father and mother had both come from places far away and it was well known they hadn't any relatives living. Finally Mrs. Thomas said she'd take me, though she was poor and had a drunken husband. She brought me up by hand. Do you know if there is anything in being brought up by hand that ought to make people who are brought up that way better than other people? Because whenever I was naughty Mrs. Thomas would ask me how I could be such a bad girl when she had brought me up by hand--reproachful-like." "Mr. and Mrs. Thomas moved away from Bolingbroke to Marysville, and I lived with them until I was eight years old. I helped look after the Thomas children--there were four of them younger than me--and I can tell you they took a lot of looking after. Then Mr. Thomas was killed falling under a train and his mother offered to take Mrs. Thomas and the children, but she didn't want me. Mrs. Thomas was at _her_ wits' end, so she said, what to do with me. Then Mrs. Hammond from up the river came down and said she'd take me, seeing I was handy with children, and I went up the river to live with her in a little clearing among the stumps. It was a very lonesome place. I'm sure I could never have lived there if I hadn't had an imagination. Mr. Hammond worked a little sawmill up there, and Mrs. Hammond had eight children. She had twins three times. I like babies in moderation, but twins three times in succession is _too much_. I told Mrs. Hammond so firmly, when the last pair came. I used to get so dreadfully tired carrying them about." "I lived up river with Mrs. Hammond over two years, and then Mr. Hammond died and Mrs. Hammond broke up housekeeping. She divided her children among her relatives and went to the States. I had to go to the asylum at Hopeton, because nobody would take me. They didn't want me at the asylum, either; they said they were over-crowded as it was. But they had to take me and I was there four months until Mrs. Spencer came." Anne finished up with another sigh, of relief this time. Evidently she did not like talking about her experiences in a world that had not wanted her. "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the shore road. "Not a great deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--?The Battle of Hohenlinden' and ?Edinburgh after Flodden,' and ?Bingen of the Rhine,' and most of the ?Lady of the Lake' and most of ?The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--?The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye.<|quote|>"O-o-o-h,"</|quote|>faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say," thought Marilla, "but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" "I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly | they were over-crowded as it was. But they had to take me and I was there four months until Mrs. Spencer came." Anne finished up with another sigh, of relief this time. Evidently she did not like talking about her experiences in a world that had not wanted her. "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the shore road. "Not a great deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--?The Battle of Hohenlinden' and ?Edinburgh after Flodden,' and ?Bingen of the Rhine,' and most of the ?Lady of the Lake' and most of ?The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--?The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye.<|quote|>"O-o-o-h,"</|quote|>faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say," thought Marilla, "but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after | Anne Of Green Gables | Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye.<|quote|>"O-o-o-h,"</|quote|>faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. | {
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"content": "Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read.\" \"Were those women--Mrs. Thomas and Mrs. Hammond--good to you?\" asked Marilla, looking at Anne out of the corner of her eye.<|quote|>\"O-o-o-h,\"</|quote|>faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. \"Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always.",
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said the Dodo, | No speaker | inclined to say anything. "Why,"<|quote|>said the Dodo,</|quote|>"the best way to explain | and no one else seemed inclined to say anything. "Why,"<|quote|>said the Dodo,</|quote|>"the best way to explain it is to do it." | "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why,"<|quote|>said the Dodo,</|quote|>"the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it | "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why,"<|quote|>said the Dodo,</|quote|>"the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when | not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why,"<|quote|>said the Dodo,</|quote|>"the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give | her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why,"<|quote|>said the Dodo,</|quote|>"the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took | beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice, "Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs." It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why,"<|quote|>said the Dodo,</|quote|>"the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing. "It _is_ a long tail, certainly," said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' Said cunning old Fury: 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly: "you had got to the fifth bend, I think?" "I had _not!_" cried the Mouse, sharply and very angrily. "A knot!" said Alice, always ready to make herself useful, and looking anxiously about her. "Oh, do let me help to undo it!" "I shall do nothing of the sort," said the Mouse, getting up and walking away. "You insult me by talking such nonsense!" "I didn't mean it!" pleaded poor Alice. "But you're so easily offended, you know!" The Mouse only growled in reply. "Please come back and finish your story!" Alice called after it; and the others all joined in chorus, "Yes, please do!" but the Mouse only shook its head impatiently, and walked a little quicker. "What a pity it wouldn't stay!" sighed the Lory, as soon as it was quite out of | they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why,"<|quote|>said the Dodo,</|quote|>"the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance | Alices Adventures In Wonderland | "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why,"<|quote|>said the Dodo,</|quote|>"the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it | {
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He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple. | No speaker | of something in that paper?"<|quote|>He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple.</|quote|>"I think the Dedlock is | heat of the fire or of something in that paper?"<|quote|>He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple.</|quote|>"I think the Dedlock is a very proud man," or, | Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?"<|quote|>He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple.</|quote|>"I think the Dedlock is a very proud man," or, "Mrs Jellyby does not take enough care of her children." Tony enjoyed the readings almost as much as he did. At the end of the first day the old man said, "You read beautifully, with a far better accent than | character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?"<|quote|>He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple.</|quote|>"I think the Dedlock is a very proud man," or, "Mrs Jellyby does not take enough care of her children." Tony enjoyed the readings almost as much as he did. At the end of the first day the old man said, "You read beautifully, with a far better accent than the black man. And you explain better. It is almost as though my father were here again." And always at the end of a session he thanked his guest courteously. "I enjoyed that _very_ much. It was an extremely distressing chapter. But, if I remember it rightly, it will all | had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?"<|quote|>He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple.</|quote|>"I think the Dedlock is a very proud man," or, "Mrs Jellyby does not take enough care of her children." Tony enjoyed the readings almost as much as he did. At the end of the first day the old man said, "You read beautifully, with a far better accent than the black man. And you explain better. It is almost as though my father were here again." And always at the end of a session he thanked his guest courteously. "I enjoyed that _very_ much. It was an extremely distressing chapter. But, if I remember it rightly, it will all turn out well." By the time that they were in the second volume, however, the novelty of the old man's delight had begun to wane, and Tony was feeling strong enough to be restless. He touched more than once on the subject of his departure, asking about canoes and rains and the possibility of finding guides. But Mr Todd seemed obtuse and paid no attention to these hints. One day, running his thumb through the pages of _Bleak House_ that remained to be read, Tony said, "We still have a lot to get through. I hope I shall be able | and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first." "You are fond of Dickens?" "Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well," said Tony lightly, "they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?"<|quote|>He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple.</|quote|>"I think the Dedlock is a very proud man," or, "Mrs Jellyby does not take enough care of her children." Tony enjoyed the readings almost as much as he did. At the end of the first day the old man said, "You read beautifully, with a far better accent than the black man. And you explain better. It is almost as though my father were here again." And always at the end of a session he thanked his guest courteously. "I enjoyed that _very_ much. It was an extremely distressing chapter. But, if I remember it rightly, it will all turn out well." By the time that they were in the second volume, however, the novelty of the old man's delight had begun to wane, and Tony was feeling strong enough to be restless. He touched more than once on the subject of his departure, asking about canoes and rains and the possibility of finding guides. But Mr Todd seemed obtuse and paid no attention to these hints. One day, running his thumb through the pages of _Bleak House_ that remained to be read, Tony said, "We still have a lot to get through. I hope I shall be able to finish it before I go." "Oh yes," said Mr Todd. "Do not disturb yourself about that. You will have time to finish it, my friend." For the first time Tony noticed something slightly menacing in his host's manner. That evening at supper, a brief meal of farine and dried beef, eaten just before sundown, Tony renewed the subject. "You know, Mr Todd, the time has come when I must be thinking about getting back to civilization. I have already imposed myself on your hospitality far too long." Mr Todd bent over the plate, crunching mouthfuls of farine, but made no reply. "How soon do you think I shall be able to get a boat?... I said, how soon do you think I shall be able to get a boat? I appreciate all your kindness to me more than I can say, but..." "My friend, any kindness I may have shown is amply repaid by your reading of Dickens. Do not let us mention the subject again." "Well, I'm very glad you have enjoyed it. I have, too. But I really must be thinking of getting back..." "Yes," said Mr Todd. "The black man was like that. He thought of | Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango trees. "He was very kind. Every afternoon until he died, for two hours, he used to read to me. I think I will put up a cross--to commemorate his death and your arrival--a pretty idea. Do you believe in God?" "I suppose so. I've never really thought about it much." "I have thought about it a _great_ deal and I still do not know... Dickens did." "I suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first." "You are fond of Dickens?" "Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well," said Tony lightly, "they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?"<|quote|>He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple.</|quote|>"I think the Dedlock is a very proud man," or, "Mrs Jellyby does not take enough care of her children." Tony enjoyed the readings almost as much as he did. At the end of the first day the old man said, "You read beautifully, with a far better accent than the black man. And you explain better. It is almost as though my father were here again." And always at the end of a session he thanked his guest courteously. "I enjoyed that _very_ much. It was an extremely distressing chapter. But, if I remember it rightly, it will all turn out well." By the time that they were in the second volume, however, the novelty of the old man's delight had begun to wane, and Tony was feeling strong enough to be restless. He touched more than once on the subject of his departure, asking about canoes and rains and the possibility of finding guides. But Mr Todd seemed obtuse and paid no attention to these hints. One day, running his thumb through the pages of _Bleak House_ that remained to be read, Tony said, "We still have a lot to get through. I hope I shall be able to finish it before I go." "Oh yes," said Mr Todd. "Do not disturb yourself about that. You will have time to finish it, my friend." For the first time Tony noticed something slightly menacing in his host's manner. That evening at supper, a brief meal of farine and dried beef, eaten just before sundown, Tony renewed the subject. "You know, Mr Todd, the time has come when I must be thinking about getting back to civilization. I have already imposed myself on your hospitality far too long." Mr Todd bent over the plate, crunching mouthfuls of farine, but made no reply. "How soon do you think I shall be able to get a boat?... I said, how soon do you think I shall be able to get a boat? I appreciate all your kindness to me more than I can say, but..." "My friend, any kindness I may have shown is amply repaid by your reading of Dickens. Do not let us mention the subject again." "Well, I'm very glad you have enjoyed it. I have, too. But I really must be thinking of getting back..." "Yes," said Mr Todd. "The black man was like that. He thought of it all the time. But he died here..." Twice during the next day Tony opened the subject, but his host was evasive. Finally, he said, "Forgive me, Mr Todd, but I really must press the point. When can I get a boat?" "There is no boat." "Well, the Indians can build one." "You must wait for the rains. There is not enough water in the river now." "How long will that be?" "A month... two months..." They had finished _Bleak House_ and were nearing the end of _Dombey and Son_ when the rain came. "Now it is time to make preparations to go." "Oh, that is impossible. The Indians will not make a boat during the rainy season--it is one of their superstitions." "You might have told me." "Did I not mention it? I forgot." Next morning Tony went out alone while his host was busy, and, looking as aimless as he could, strolled across the savannah to the group of Indian houses. There were four or five Pie-wies sitting in one of the doorways. They did not look up as he approached them. He addressed them in the few words of Macushi he had acquired during the journey but they made no sign whether they understood him or not. Then he drew a sketch of a canoe in the sand, he went through some vague motions of carpentry, pointed from them to him, then made motions of giving something to them and scratched out the outlines of a gun and a hat and a few other recognizable articles of trade. One of the women giggled but no one gave any sign of comprehension, and he went away unsatisfied. At their mid-day meal Mr Todd said, "Mr Last, the Indians tell me that you have been trying to speak with them. It is easier that you say anything you wish through me. You realize, do you not, that they would do nothing without my authority. They regard themselves, quite rightly in many cases, as my children." "Well, as a matter of fact, I was asking them about a canoe." "So they gave me to understand... and now if you have finished your meal perhaps we might have another chapter. I am quite absorbed in the book." * * * * * They finished _Dombey and Son_. Nearly a year had passed since Tony had left England, and his gloomy foreboding | "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?"<|quote|>He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple.</|quote|>"I think the Dedlock is a very proud man," or, "Mrs Jellyby does not take enough care of her children." Tony enjoyed the readings almost as much as he did. At the end of the first day the old man said, "You read beautifully, with a far better accent than the black man. And you explain better. It is almost as though my father were here again." And always at the end of a session he thanked his guest courteously. "I enjoyed that _very_ much. It was an extremely distressing chapter. But, if I remember it rightly, it will all turn out well." By the time that they were in the second volume, however, the novelty of the old man's delight had begun to wane, and Tony was feeling strong enough to be restless. He touched more than once on the subject of his departure, asking about canoes and rains and the possibility of finding guides. But Mr Todd seemed obtuse and paid no attention to these hints. One day, running his thumb through the pages of _Bleak House_ that remained to be read, Tony said, "We still have a lot to get through. I hope I shall be able to finish it before I go." "Oh yes," said Mr Todd. "Do not disturb yourself about that. You will have time to finish it, my friend." For the first time Tony noticed something slightly menacing in his host's manner. That evening at supper, a brief meal of farine and dried beef, eaten just before sundown, Tony renewed the subject. "You know, Mr Todd, the time has come when I must be thinking about getting back to civilization. I have already imposed myself on your hospitality far too long." Mr Todd bent over the plate, crunching mouthfuls of farine, but made no reply. "How soon do you think I shall be able to get a boat?... I said, how soon do you think I shall be able to get a boat? I appreciate all your kindness to me more than I can say, but..." "My friend, any kindness I may have shown is amply repaid by your reading of Dickens. Do not let us mention the subject again." "Well, I'm very glad you have enjoyed it. I have, too. But I really must be thinking of getting back..." "Yes," said Mr Todd. "The black man was like that. He thought of it all the time. But he died here..." Twice during the next day Tony opened the subject, but his host was evasive. Finally, he said, "Forgive me, Mr Todd, but I really must press the point. When can I get a boat?" "There | A Handful Of Dust | Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?"<|quote|>He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple.</|quote|>"I think the Dedlock is a very proud man," or, "Mrs Jellyby does not take enough care of her children." Tony enjoyed the readings almost as much as he did. At the end of the first day the old man said, "You read beautifully, with a far better accent than | {
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"Oh, there's no use in talking to him," | Alice | the Footman, and began whistling.<|quote|>"Oh, there's no use in talking to him,"</|quote|>said Alice desperately: "he's perfectly | Alice. "Anything you like," said the Footman, and began whistling.<|quote|>"Oh, there's no use in talking to him,"</|quote|>said Alice desperately: "he's perfectly idiotic!" And she opened the | enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling.<|quote|>"Oh, there's no use in talking to him,"</|quote|>said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was | asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling.<|quote|>"Oh, there's no use in talking to him,"</|quote|>said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and | herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling.<|quote|>"Oh, there's no use in talking to him,"</|quote|>said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but | back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling.<|quote|>"Oh, there's no use in talking to him,"</|quote|>said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and | carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling.<|quote|>"Oh, there's no use in talking to him,"</|quote|>said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish," thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and | was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice, "how am I to get in?" "There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling.<|quote|>"Oh, there's no use in talking to him,"</|quote|>said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. | Alices Adventures In Wonderland | enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling.<|quote|>"Oh, there's no use in talking to him,"</|quote|>said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was | {
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"content": "enough to drive one crazy!\" The Footman seemed to think this a good opportunity for repeating his remark, with variations. \"I shall sit here,\" he said, \"on and off, for days and days.\" \"But what am _I_ to do?\" said Alice. \"Anything you like,\" said the Footman, and began whistling.<|quote|>\"Oh, there's no use in talking to him,\"</|quote|>said Alice desperately: \"he's perfectly idiotic!\" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was",
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says Kat, | No speaker | clothes," mutters Tjaden. "It's funny,"<|quote|>says Kat,</|quote|>"we have seen that a | been blown out of his clothes," mutters Tjaden. "It's funny,"<|quote|>says Kat,</|quote|>"we have seen that a couple of times now. If | in the fork of a tree, he still has his helmet on, otherwise he is entirely unclad. There is only half of him sitting up there, the top half, the legs are missing. "What can that mean?" I ask. "He's been blown out of his clothes," mutters Tjaden. "It's funny,"<|quote|>says Kat,</|quote|>"we have seen that a couple of times now. If a mortar gets you it blows you almost clean out of your clothes. It's the concussion that does it." I search around. And so it is. Here hang bits of uniform, and somewhere else is plastered a bloody mess that | the tree trunks shattered and the ground ploughed up. At several places there are tremendous craters. "Great guns, something's hit that," I say to Kat. "Trench mortars," he replies, and then points up at one of the trees. In the branches dead men are hanging. A naked soldier is squatting in the fork of a tree, he still has his helmet on, otherwise he is entirely unclad. There is only half of him sitting up there, the top half, the legs are missing. "What can that mean?" I ask. "He's been blown out of his clothes," mutters Tjaden. "It's funny,"<|quote|>says Kat,</|quote|>"we have seen that a couple of times now. If a mortar gets you it blows you almost clean out of your clothes. It's the concussion that does it." I search around. And so it is. Here hang bits of uniform, and somewhere else is plastered a bloody mess that was once a human limb. Over there lies a body with nothing but a piece of the underpants on one leg and the collar of the tunic around its neck. Otherwise it is naked and the clothes are hanging up in the tree. Both arms are missing as though they | that is the end of it; everything else from joining up onwards he criticizes from a practical point of view. Albert lies down on the grass and growls angrily: "The best thing is not to talk about the rotten business." "It won't make any difference, that's sure," agrees Kat. As for the windfall, we have to return almost all the new things and take back our old rags again. The good ones were merely for the inspection. * * Instead of going to Russia, we go up the line again. On the way we pass through a devastated wood with the tree trunks shattered and the ground ploughed up. At several places there are tremendous craters. "Great guns, something's hit that," I say to Kat. "Trench mortars," he replies, and then points up at one of the trees. In the branches dead men are hanging. A naked soldier is squatting in the fork of a tree, he still has his helmet on, otherwise he is entirely unclad. There is only half of him sitting up there, the top half, the legs are missing. "What can that mean?" I ask. "He's been blown out of his clothes," mutters Tjaden. "It's funny,"<|quote|>says Kat,</|quote|>"we have seen that a couple of times now. If a mortar gets you it blows you almost clean out of your clothes. It's the concussion that does it." I search around. And so it is. Here hang bits of uniform, and somewhere else is plastered a bloody mess that was once a human limb. Over there lies a body with nothing but a piece of the underpants on one leg and the collar of the tunic around its neck. Otherwise it is naked and the clothes are hanging up in the tree. Both arms are missing as though they had been pulled out. I discover one of them twenty yards off in a shrub. The dead man lies on his face. There, where the arm wounds are, the earth is black with blood. Underfoot the leaves are scratched up as though the man had been kicking. "That's no joke, Kat," say I. "No more is a shell splinter in the belly," he replies, shrugging his shoulders. "But don't get tender-hearted," says Tjaden. All this can only have happened a little while ago, the blood is still fresh. As everybody we see there is dead we do not waste any | war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better that the war is here instead of in Germany. Just you take a look at the shell-holes." "True," assents Tjaden, "but no war at all would be better still." He is quite proud of himself because he has for once scored over us volunteers. And his opinion is quite typical here, one meets it time and again, and there is nothing with which one can properly counter it, because that is the limit of their comprehension of the factors involved. The national feeling of the tommy resolves itself into this--here he is. But that is the end of it; everything else from joining up onwards he criticizes from a practical point of view. Albert lies down on the grass and growls angrily: "The best thing is not to talk about the rotten business." "It won't make any difference, that's sure," agrees Kat. As for the windfall, we have to return almost all the new things and take back our old rags again. The good ones were merely for the inspection. * * Instead of going to Russia, we go up the line again. On the way we pass through a devastated wood with the tree trunks shattered and the ground ploughed up. At several places there are tremendous craters. "Great guns, something's hit that," I say to Kat. "Trench mortars," he replies, and then points up at one of the trees. In the branches dead men are hanging. A naked soldier is squatting in the fork of a tree, he still has his helmet on, otherwise he is entirely unclad. There is only half of him sitting up there, the top half, the legs are missing. "What can that mean?" I ask. "He's been blown out of his clothes," mutters Tjaden. "It's funny,"<|quote|>says Kat,</|quote|>"we have seen that a couple of times now. If a mortar gets you it blows you almost clean out of your clothes. It's the concussion that does it." I search around. And so it is. Here hang bits of uniform, and somewhere else is plastered a bloody mess that was once a human limb. Over there lies a body with nothing but a piece of the underpants on one leg and the collar of the tunic around its neck. Otherwise it is naked and the clothes are hanging up in the tree. Both arms are missing as though they had been pulled out. I discover one of them twenty yards off in a shrub. The dead man lies on his face. There, where the arm wounds are, the earth is black with blood. Underfoot the leaves are scratched up as though the man had been kicking. "That's no joke, Kat," say I. "No more is a shell splinter in the belly," he replies, shrugging his shoulders. "But don't get tender-hearted," says Tjaden. All this can only have happened a little while ago, the blood is still fresh. As everybody we see there is dead we do not waste any more time, but report the affair at the next stretcher-bearers' post. After all it is not our business to take these stretcher-bearers' jobs away from them. * * A patrol has to be sent out to discover just how far the enemy position is advanced. Since my leave I feel a certain strange attachment to the other fellows, and so I volunteer to go with them. We agree on a plan, slip out through the wire and then divide and creep forward separately. After a while I find a shallow shell-hole and crawl into it. From here I peer forward. There is moderate machine-gun fire. It sweeps across from all directions, not very heavy, but always sufficient to make one keep down. A parachute star-shell opens out. The ground lies stark in the pale light, and then the darkness shuts down again blacker than ever. In the trenches we were told there were black troops in front of us. That is nasty, it is hard to see them; they are very good at patrolling, too. And oddly enough they are often quite stupid; for instance, both Kat and Kropp were once able to shoot down a black enemy patrol because | joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better that the war is here instead of in Germany. Just you take a look at the shell-holes." "True," assents Tjaden, "but no war at all would be better still." He is quite proud of himself because he has for once scored over us volunteers. And his opinion is quite typical here, one meets it time and again, and there is nothing with which one can properly counter it, because that is the limit of their comprehension of the factors involved. The national feeling of the tommy resolves itself into this--here he is. But that is the end of it; everything else from joining up onwards he criticizes from a practical point of view. Albert lies down on the grass and growls angrily: "The best thing is not to talk about the rotten business." "It won't make any difference, that's sure," agrees Kat. As for the windfall, we have to return almost all the new things and take back our old rags again. The good ones were merely for the inspection. * * Instead of going to Russia, we go up the line again. On the way we pass through a devastated wood with the tree trunks shattered and the ground ploughed up. At several places there are tremendous craters. "Great guns, something's hit that," I say to Kat. "Trench mortars," he replies, and then points up at one of the trees. In the branches dead men are hanging. A naked soldier is squatting in the fork of a tree, he still has his helmet on, otherwise he is entirely unclad. There is only half of him sitting up there, the top half, the legs are missing. "What can that mean?" I ask. "He's been blown out of his clothes," mutters Tjaden. "It's funny,"<|quote|>says Kat,</|quote|>"we have seen that a couple of times now. If a mortar gets you it blows you almost clean out of your clothes. It's the concussion that does it." I search around. And so it is. Here hang bits of uniform, and somewhere else is plastered a bloody mess that was once a human limb. Over there lies a body with nothing but a piece of the underpants on one leg and the collar of the tunic around its neck. Otherwise it is naked and the clothes are hanging up in the tree. Both arms are missing as though they had been pulled out. I discover one of them twenty yards off in a shrub. The dead man lies on his face. There, where the arm wounds are, the earth is black with blood. Underfoot the leaves are scratched up as though the man had been kicking. "That's no joke, Kat," say I. "No more is a shell splinter in the belly," he replies, shrugging his shoulders. "But don't get tender-hearted," says Tjaden. All this can only have happened a little while ago, the blood is still fresh. As everybody we see there is dead we do not waste any more time, but report the affair at the next stretcher-bearers' post. After all it is not our business to take these stretcher-bearers' jobs away from them. * * A patrol has to be sent out to discover just how far the enemy position is advanced. Since my leave I feel a certain strange attachment to the other fellows, and so I volunteer to go with them. We agree on a plan, slip out through the wire and then divide and creep forward separately. After a while I find a shallow shell-hole and crawl into it. From here I peer forward. There is moderate machine-gun fire. It sweeps across from all directions, not very heavy, but always sufficient to make one keep down. A parachute star-shell opens out. The ground lies stark in the pale light, and then the darkness shuts down again blacker than ever. In the trenches we were told there were black troops in front of us. That is nasty, it is hard to see them; they are very good at patrolling, too. And oddly enough they are often quite stupid; for instance, both Kat and Kropp were once able to shoot down a black enemy patrol because the fellows in their enthusiasm for cigarettes smoked while they were creeping about. Kat and Albert had simply to aim at the glowing ends of the cigarettes. A bomb or something lands close beside me. I have not heard it coming and am terrified. At the same moment a senseless fear takes hold on me. Here I am alone and almost helpless in the dark--perhaps two other eyes have been watching me for a long while from another shell-hole in front of me, and a bomb lies ready to blow me to pieces. I try to pull myself together. It is not my first patrol and not a particularly risky one. But it is the first since my leave, and besides, the lie of the land is still rather strange to me. I tell myself that my alarm is absurd, that there is probably nothing at all there in the darkness watching me, because otherwise the missile would not have landed so flat. It is in vain. In whirling confusion my thoughts hum in my brain--I hear the warning voice of my mother, I see the Russians with the flowing beards leaning against the wire fence, I have a bright picture of a canteen with stools, of a cinema in Valenciennes; tormented, terrified, in my imagination I see the grey, impalpable muzzle of a rifle which moves noiselessly before me whichever way I try to turn my head. The sweat breaks out from every pore. I still continue to lie in my shallow bowl. I look at the time; only a few minutes have passed. My forehead is wet, the sockets of my eyes are damp, my hands tremble, and I am panting softly. It is nothing but an awful spasm of fear, a simple animal fear of poking out my head and crawling on farther. All my efforts subside like froth into the one desire to be able just to stay lying there. My limbs are glued to the earth. I make a vain attempt;--they refuse to come away. I press myself down on the earth, I cannot go forward, I make up my mind to stay lying there. But immediately the wave floods over me anew, a mingled sense of shame, of remorse, and yet at the same time of security. I raise myself up a little to take a look around. My eyes burn with staring into | it time and again, and there is nothing with which one can properly counter it, because that is the limit of their comprehension of the factors involved. The national feeling of the tommy resolves itself into this--here he is. But that is the end of it; everything else from joining up onwards he criticizes from a practical point of view. Albert lies down on the grass and growls angrily: "The best thing is not to talk about the rotten business." "It won't make any difference, that's sure," agrees Kat. As for the windfall, we have to return almost all the new things and take back our old rags again. The good ones were merely for the inspection. * * Instead of going to Russia, we go up the line again. On the way we pass through a devastated wood with the tree trunks shattered and the ground ploughed up. At several places there are tremendous craters. "Great guns, something's hit that," I say to Kat. "Trench mortars," he replies, and then points up at one of the trees. In the branches dead men are hanging. A naked soldier is squatting in the fork of a tree, he still has his helmet on, otherwise he is entirely unclad. There is only half of him sitting up there, the top half, the legs are missing. "What can that mean?" I ask. "He's been blown out of his clothes," mutters Tjaden. "It's funny,"<|quote|>says Kat,</|quote|>"we have seen that a couple of times now. If a mortar gets you it blows you almost clean out of your clothes. It's the concussion that does it." I search around. And so it is. Here hang bits of uniform, and somewhere else is plastered a bloody mess that was once a human limb. Over there lies a body with nothing but a piece of the underpants on one leg and the collar of the tunic around its neck. Otherwise it is naked and the clothes are hanging up in the tree. Both arms are missing as though they had been pulled out. I discover one of them twenty yards off in a shrub. The dead man lies on his face. There, where the arm wounds are, the earth is black with blood. Underfoot the leaves are scratched up as though the man had been kicking. "That's no joke, Kat," say I. "No more is a shell splinter in the belly," he replies, shrugging his shoulders. "But don't get tender-hearted," says Tjaden. All this can only have happened a little while ago, the blood is still fresh. As everybody we see there is dead we do not waste any more time, but report the affair at the next stretcher-bearers' post. After all it is not our business to take these stretcher-bearers' jobs away from them. * * A patrol has to be sent out to discover just how far the enemy position is advanced. Since my leave I feel a certain strange attachment to the other fellows, and so I volunteer to go with them. We agree on a plan, slip out through the wire and then divide | All Quiet on the Western Front | in the fork of a tree, he still has his helmet on, otherwise he is entirely unclad. There is only half of him sitting up there, the top half, the legs are missing. "What can that mean?" I ask. "He's been blown out of his clothes," mutters Tjaden. "It's funny,"<|quote|>says Kat,</|quote|>"we have seen that a couple of times now. If a mortar gets you it blows you almost clean out of your clothes. It's the concussion that does it." I search around. And so it is. Here hang bits of uniform, and somewhere else is plastered a bloody mess that | {
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"content": "in the fork of a tree, he still has his helmet on, otherwise he is entirely unclad. There is only half of him sitting up there, the top half, the legs are missing. \"What can that mean?\" I ask. \"He's been blown out of his clothes,\" mutters Tjaden. \"It's funny,\"<|quote|>says Kat,</|quote|>\"we have seen that a couple of times now. If a mortar gets you it blows you almost clean out of your clothes. It's the concussion that does it.\" I search around. And so it is. Here hang bits of uniform, and somewhere else is plastered a bloody mess that",
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said Alice: | No speaker | anxiously into her face. "Very,"<|quote|>said Alice:</|quote|>"--where's the Duchess?" "Hush! Hush!" | White Rabbit, who was peeping anxiously into her face. "Very,"<|quote|>said Alice:</|quote|>"--where's the Duchess?" "Hush! Hush!" said the Rabbit in a | for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very,"<|quote|>said Alice:</|quote|>"--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What | quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very,"<|quote|>said Alice:</|quote|>"--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear | on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very,"<|quote|>said Alice:</|quote|>"--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief | the Queen, pointing to the three gardeners who were lying round the rose-tree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children. "How should _I_ know?" said Alice, surprised at her own courage. "It's no business of _mine_." The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed "Off with her head! Off--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. "Leave off that!" screamed the Queen. "You make me giddy." And then, turning to the rose-tree, she went on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very,"<|quote|>said Alice:</|quote|>"--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and | is, you see, Miss, this here ought to have been a _red_ rose-tree, and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we're doing our best, afore she comes, to--" At this moment Five, who had been anxiously looking across the garden, called out "The Queen! The Queen!" and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen. First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS. Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; "and besides, what would be the use of a procession," thought she, "if people had all to lie down upon their faces, so that they couldn't see it?" So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely "Who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply. "Idiot!" said the Queen, tossing her head impatiently; and, turning to Alice, she went on, "What's your name, child?" "My name is Alice, so please your Majesty," said Alice very politely; but she added, to herself, "Why, they're only a pack of cards, after all. I needn't be afraid of them!" "And who are _these?_" said the Queen, pointing to the three gardeners who were lying round the rose-tree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children. "How should _I_ know?" said Alice, surprised at her own courage. "It's no business of _mine_." The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed "Off with her head! Off--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. "Leave off that!" screamed the Queen. "You make me giddy." And then, turning to the rose-tree, she went on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very,"<|quote|>said Alice:</|quote|>"--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she, "what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!" She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself "It's the Cheshire Cat: now I shall have somebody to talk to." "How are you getting on?" said the Cat, as soon as there was mouth enough for it to speak with. Alice waited till the eyes appeared, and then nodded. "It's no use speaking to it," she thought, "till its ears have come, or at least one of them." In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared. "I don't think they play at all fairly," Alice began, in rather a complaining tone, "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely to win, that it's hardly worth while finishing the game." The Queen smiled and passed on. "Who _are_ you talking to?" said the King, going up to Alice, and looking at | but she could not remember ever having heard of such a rule at processions; "and besides, what would be the use of a procession," thought she, "if people had all to lie down upon their faces, so that they couldn't see it?" So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely "Who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply. "Idiot!" said the Queen, tossing her head impatiently; and, turning to Alice, she went on, "What's your name, child?" "My name is Alice, so please your Majesty," said Alice very politely; but she added, to herself, "Why, they're only a pack of cards, after all. I needn't be afraid of them!" "And who are _these?_" said the Queen, pointing to the three gardeners who were lying round the rose-tree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children. "How should _I_ know?" said Alice, surprised at her own courage. "It's no business of _mine_." The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed "Off with her head! Off--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. "Leave off that!" screamed the Queen. "You make me giddy." And then, turning to the rose-tree, she went on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very,"<|quote|>said Alice:</|quote|>"--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a | Alices Adventures In Wonderland | for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very,"<|quote|>said Alice:</|quote|>"--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What | {
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"I don't want to do anything," | Kropp | could we do?" I ask.<|quote|>"I don't want to do anything,"</|quote|>replies Kropp wearily. "You'll be | utterly at a loss. "What could we do?" I ask.<|quote|>"I don't want to do anything,"</|quote|>replies Kropp wearily. "You'll be dead one day, so what | feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask.<|quote|>"I don't want to do anything,"</|quote|>replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if | had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask.<|quote|>"I don't want to do anything,"</|quote|>replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it | have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask.<|quote|>"I don't want to do anything,"</|quote|>replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. | studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask.<|quote|>"I don't want to do anything,"</|quote|>replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war. * * The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?" the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully. "You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off | up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?" urges the thoroughgoing Müller. "Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask.<|quote|>"I don't want to do anything,"</|quote|>replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war. * * The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?" the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully. "You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off with Himmelstoss in his wake. "I have a feeling that next time we go up wiring I'll be letting a bundle of wire fall on Himmelstoss's leg," hints Kropp. "We'll have quite a lot of jokes with him," laughs Müller.-- That is our sole ambition: to knock the conceit out of a postman.-- I go into the hut and put Tjaden wise. He disappears. Then we change our possy and lie down again to play cards. We know how to do that: to play cards, to swear, and to fight. Not much for twenty years;--and yet too much for twenty years. Half an hour later Himmelstoss is back again. Nobody pays any attention to him. He asks for Tjaden. We shrug our shoulders. "Then you'd better find him," he persists. "Haven't you been to look for him?" Kropp lies back in the grass and says: "Have you ever been out here before?" "That's none of your business," retorts Himmelstoss. "I expect an answer." "Very good," says Kropp, getting up. "See up there where those little white clouds are. Those are anti-aircraft. We were over there yesterday. Five dead and eight wounded. It was a lot of fun. Next time, when you go up with us, before they die the fellows will come up to you, click their heels, and ask stiffly: 'Please may I go? Please may I hop it? We've been waiting here a long time for someone like you.'" He sits down again and Himmelstoss disappears like a comet. "Three days C.B.," Kat conjectures. "Next time I'll let fly," I say to Albert. But that is the end. The case comes up for trial in the evening. In the Orderly Room sits our Lieutenant, Bertink, and calls us in one after another. I have to appear as a witness and explain the reason of Tjaden's insubordination. The story of the bed-wetting makes an impression. Himmelstoss is recalled and I repeat my statement. "Is that right?" Bertink asks Himmelstoss. He tries to evade the question, but in the end has to confess, for Kropp tells the same story. "Why didn't someone report the matter, then?" asks Bertink. We are silent: he must know himself how much use it is reporting such things in the army. It isn't usual to make complaints in the army. He understands it all right though, and lectures Himmelstoss, making it plain to him that | cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask.<|quote|>"I don't want to do anything,"</|quote|>replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war. * * The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?" the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully. "You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the Orderly Room in ten minutes." Then he steams off with Himmelstoss in his wake. "I have a feeling that | All Quiet on the Western Front | feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask.<|quote|>"I don't want to do anything,"</|quote|>replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if | {
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"content": "feel ashamed of this absurd idea. \"But what will really happen when we go back?\" wonders Müller, and even he is troubled. Kropp gives a shrug. \"I don't know. Let's get back first, then we'll find out.\" We are all utterly at a loss. \"What could we do?\" I ask.<|quote|>\"I don't want to do anything,\"</|quote|>replies Kropp wearily. \"You'll be dead one day, so what does it matter? I don't think we'll ever go back.\" \"When I think about it, Albert,\" I say after a while, rolling over on my back, \"when I hear the word 'peace time,' it goes to my head; and if",
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Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. | No speaker | Anne. I'll call her in."<|quote|>Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment.</|quote|>"Well, they didn't pick you | suppose you'd like to see Anne. I'll call her in."<|quote|>Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment.</|quote|>"Well, they didn't pick you for your looks, that's sure | a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in."<|quote|>Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment.</|quote|>"Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let | say when she began, for she read disapproval in Mrs. Rachel's expression. "It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in."<|quote|>Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment.</|quote|>"Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her | call. "I've been hearing some surprising things about you and Matthew." "I don't suppose you are any more surprised than I am myself," said Marilla. "I'm getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn't you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself--although I admit she has her faults. The house seems a different place already. She's a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel's expression. "It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in."<|quote|>Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment.</|quote|>"Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. "I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you | and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year's blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech. All these raptured voyages of exploration were made in the odd half hours which she was allowed for play, and Anne talked Matthew and Marilla half-deaf over her discoveries. Not that Matthew complained, to be sure; he listened to it all with a wordless smile of enjoyment on his face; Marilla permitted the "chatter" until she found herself becoming too interested in it, whereupon she always promptly quenched Anne by a curt command to hold her tongue. Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet will through the lush, tremulous grasses splashed with ruddy evening sunshine; so that good lady had an excellent chance to talk her illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I've been hearing some surprising things about you and Matthew." "I don't suppose you are any more surprised than I am myself," said Marilla. "I'm getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn't you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself--although I admit she has her faults. The house seems a different place already. She's a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel's expression. "It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in."<|quote|>Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment.</|quote|>"Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. "I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn't a spark of imagination in you? I don't care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas' intoxicated husband. And I'll _never_ forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don't envy you your job bringing _that_ up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology | birches down in the hollow. And good afternoon, dear gray house up on the hill. I wonder if Diana is to be my bosom friend. I hope she will, and I shall love her very much. But I must never quite forget Katie Maurice and Violetta. They would feel so hurt if I did and I'd hate to hurt anybody's feelings, even a little bookcase girl's or a little echo girl's. I must be careful to remember them and send them a kiss every day." Anne blew a couple of airy kisses from her fingertips past the cherry blossoms and then, with her chin in her hands, drifted luxuriously out on a sea of daydreams. CHAPTER IX. Mrs. Rachel Lynde Is Properly Horrified |ANNE had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her. Mrs. Rachel, to do her justice, was not to blame for this. A severe and unseasonable attack of grippe had confined that good lady to her house ever since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla's orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea. Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash. She had made friends with the spring down in the hollow--that wonderful deep, clear icy-cold spring; it was set about with smooth red sandstones and rimmed in by great palm-like clumps of water fern; and beyond it was a log bridge over the brook. That bridge led Anne's dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year's blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech. All these raptured voyages of exploration were made in the odd half hours which she was allowed for play, and Anne talked Matthew and Marilla half-deaf over her discoveries. Not that Matthew complained, to be sure; he listened to it all with a wordless smile of enjoyment on his face; Marilla permitted the "chatter" until she found herself becoming too interested in it, whereupon she always promptly quenched Anne by a curt command to hold her tongue. Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet will through the lush, tremulous grasses splashed with ruddy evening sunshine; so that good lady had an excellent chance to talk her illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I've been hearing some surprising things about you and Matthew." "I don't suppose you are any more surprised than I am myself," said Marilla. "I'm getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn't you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself--although I admit she has her faults. The house seems a different place already. She's a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel's expression. "It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in."<|quote|>Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment.</|quote|>"Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. "I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn't a spark of imagination in you? I don't care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas' intoxicated husband. And I'll _never_ forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don't envy you your job bringing _that_ up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology or deprecation. What she did say was a surprise to herself then and ever afterwards. "You shouldn't have twitted her about her looks, Rachel." "Marilla Cuthbert, you don't mean to say that you are upholding her in such a terrible display of temper as we've just seen?" demanded Mrs. Rachel indignantly. "No," said Marilla slowly, "I'm not trying to excuse her. She's been very naughty and I'll have to give her a talking to about it. But we must make allowances for her. She's never been taught what is right. And you _were_ too hard on her, Rachel." Marilla could not help tacking on that last sentence, although she was again surprised at herself for doing it. Mrs. Rachel got up with an air of offended dignity. "Well, I see that I'll have to be very careful what I say after this, Marilla, since the fine feelings of orphans, brought from goodness knows where, have to be considered before anything else. Oh, no, I'm not vexed--don't worry yourself. I'm too sorry for you to leave any room for anger in my mind. You'll have your own troubles with that child. But if you'll take my advice--which I suppose you won't do, although I've brought up ten children and buried two--you'll do that ?talking to' you mention with a fair-sized birch switch. I should think _that_ would be the most effective language for that kind of a child. Her temper matches her hair I guess. Well, good evening, Marilla. I hope you'll come down to see me often as usual. But you can't expect me to visit here again in a hurry, if I'm liable to be flown at and insulted in such a fashion. It's something new in _my_ experience." Whereat Mrs. Rachel swept out and away--if a fat woman who always waddled _could_ be said to sweep away--and Marilla with a very solemn face betook herself to the east gable. On the way upstairs she pondered uneasily as to what she ought to do. She felt no little dismay over the scene that had just been enacted. How unfortunate that Anne should have displayed such temper before Mrs. Rachel Lynde, of all people! Then Marilla suddenly became aware of an uncomfortable and rebuking consciousness that she felt more humiliation over this than sorrow over the discovery of such a serious defect in Anne's disposition. And how was she to | That bridge led Anne's dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year's blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech. All these raptured voyages of exploration were made in the odd half hours which she was allowed for play, and Anne talked Matthew and Marilla half-deaf over her discoveries. Not that Matthew complained, to be sure; he listened to it all with a wordless smile of enjoyment on his face; Marilla permitted the "chatter" until she found herself becoming too interested in it, whereupon she always promptly quenched Anne by a curt command to hold her tongue. Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet will through the lush, tremulous grasses splashed with ruddy evening sunshine; so that good lady had an excellent chance to talk her illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I've been hearing some surprising things about you and Matthew." "I don't suppose you are any more surprised than I am myself," said Marilla. "I'm getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn't you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself--although I admit she has her faults. The house seems a different place already. She's a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel's expression. "It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in."<|quote|>Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment.</|quote|>"Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. "I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn't a spark of imagination in you? I don't care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas' intoxicated husband. And I'll _never_ forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don't envy you your job bringing _that_ up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology or deprecation. What she did say was a surprise to herself then and ever afterwards. "You shouldn't have twitted her about her looks, Rachel." "Marilla Cuthbert, you don't mean to say that you are upholding her in such a terrible display of temper as we've just seen?" demanded Mrs. Rachel indignantly. "No," said Marilla slowly, "I'm not trying to excuse her. She's been very naughty and I'll have to give her a talking to about it. But we must make allowances for her. She's never been taught what is right. And you _were_ too hard on her, Rachel." Marilla could not help tacking on that last sentence, although she was again surprised at herself for doing it. Mrs. Rachel got up with an air of offended dignity. "Well, I see that I'll have to be very careful what I say after this, Marilla, since the fine feelings of orphans, brought from goodness knows where, have to be considered before anything else. Oh, no, I'm not vexed--don't worry yourself. I'm too sorry for you to leave any room for anger in my mind. You'll have your own troubles with that child. | Anne Of Green Gables | a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in."<|quote|>Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment.</|quote|>"Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let | {
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"content": "a child like that will turn out. But I don't want to discourage you I'm sure, Marilla.\" \"I'm not feeling discouraged,\" was Marilla's dry response, \"when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in.\"<|quote|>Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment.</|quote|>\"Well, they didn't pick you for your looks, that's sure and certain,\" was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. \"She's terrible skinny and homely, Marilla. Come here, child, and let",
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said Brenda as she rang off. | No speaker | let you know." "Oh dear,"<|quote|>said Brenda as she rang off.</|quote|>"Now he's taken against me. | seeing you this evening?" "I'll let you know." "Oh dear,"<|quote|>said Brenda as she rang off.</|quote|>"Now he's taken against me. It isn't my fault he | come to Veronica's for the week-end?" "I'm not sure that I do." "_I'd_ like it." "It's a beastly little house--and I don't think Veronica likes me. Who'll be there?" "I shall be." "Yes... well, I'll let you know." "Am I seeing you this evening?" "I'll let you know." "Oh dear,"<|quote|>said Brenda as she rang off.</|quote|>"Now he's taken against me. It isn't my fault he can't get into Brown's. As a matter of fact I believe Reggie _did_ try to help." Jenny Abdul Akbar was in the room with her. She came across every morning now in her dressing-gown and they read the newspaper together. | He says they elected about ten chaps last week." "Oh, does that mean I've been blackballed?" "I shouldn't know. Gentlemen are so odd about their clubs." "I thought that you were going to make Allan and Reggie support me." "I asked them. What does it matter anyway? D'you want to come to Veronica's for the week-end?" "I'm not sure that I do." "_I'd_ like it." "It's a beastly little house--and I don't think Veronica likes me. Who'll be there?" "I shall be." "Yes... well, I'll let you know." "Am I seeing you this evening?" "I'll let you know." "Oh dear,"<|quote|>said Brenda as she rang off.</|quote|>"Now he's taken against me. It isn't my fault he can't get into Brown's. As a matter of fact I believe Reggie _did_ try to help." Jenny Abdul Akbar was in the room with her. She came across every morning now in her dressing-gown and they read the newspaper together. Her dressing-gown was of striped Berber silk. "Let's go and have a cosy lunch at the Ritz," she said. "The Ritz isn't cosy at lunch-time and it costs eight and six. I daren't cash a cheque for three weeks, Jenny. The lawyers are so disagreeable. I've never been like this | was a member." "I've an idea I shan't get in... anyway I couldn't really afford it." "I'm not happy about you, John. I'm not sure that things are working out as well as I hoped about Christmas-time." "There's my telephone. Perhaps it's Margot. She hasn't asked me to anything for weeks." But it was only Brenda. "I'm afraid mother's got nothing for you at the shop," he said. "Oh well. I expect something will turn up. I could do with a little good luck just at the moment." "So could I. Have you asked Allan about Brown's?" "Yes, I did. He says they elected about ten chaps last week." "Oh, does that mean I've been blackballed?" "I shouldn't know. Gentlemen are so odd about their clubs." "I thought that you were going to make Allan and Reggie support me." "I asked them. What does it matter anyway? D'you want to come to Veronica's for the week-end?" "I'm not sure that I do." "_I'd_ like it." "It's a beastly little house--and I don't think Veronica likes me. Who'll be there?" "I shall be." "Yes... well, I'll let you know." "Am I seeing you this evening?" "I'll let you know." "Oh dear,"<|quote|>said Brenda as she rang off.</|quote|>"Now he's taken against me. It isn't my fault he can't get into Brown's. As a matter of fact I believe Reggie _did_ try to help." Jenny Abdul Akbar was in the room with her. She came across every morning now in her dressing-gown and they read the newspaper together. Her dressing-gown was of striped Berber silk. "Let's go and have a cosy lunch at the Ritz," she said. "The Ritz isn't cosy at lunch-time and it costs eight and six. I daren't cash a cheque for three weeks, Jenny. The lawyers are so disagreeable. I've never been like this before." "What wouldn't I do to Tony? Leaving you stranded like this." "Oh, what's the good of knocking Tony? I don't suppose he's having a packet of fun himself in Brazil or wherever it is." "I hear they are putting in bathrooms at Hetton--while you are practically starving. And he hasn't even gone to Mrs Beaver for them." "Yes, I _do_ think that was mean." Presently Jenny went back to dress. Brenda telephoned to a delicatessen store round the corner for some sandwiches. She would spend that day in bed, as she spent two or three days a week at | back to him at Dr Messinger's words, of inky little desks and a coloured picture of a Viking raid, of Mr Trotter who had taught him history and wore very vivid ties.) [III] "Mummy, Brenda wants a job." "Why?" "Just like everybody else, short of money and nothing to do. She wondered if she could be any use to you at the shop." "Well... It's hard to say. At any other time she is exactly the kind of saleswoman I am always looking for... but I don't know. _As things are_, I'm not sure it would be wise." "I said I'd ask you, that's all." "John, you never tell me _anything_ and I don't like to seem interfering; but what _is_ going to happen between you and Brenda?" "I don't know." "You never tell me _anything_," repeated Mrs Beaver. "And there are so many rumours going round. Is there going to be a divorce?" "I don't know." Mrs Beaver sighed. "Well, I must get back to work. Where are you lunching?" "Bratt's." "Poor John. By the way, I thought you were joining Brown's." "I haven't heard anything from them. I don't know whether they've had an election yet." "Your father was a member." "I've an idea I shan't get in... anyway I couldn't really afford it." "I'm not happy about you, John. I'm not sure that things are working out as well as I hoped about Christmas-time." "There's my telephone. Perhaps it's Margot. She hasn't asked me to anything for weeks." But it was only Brenda. "I'm afraid mother's got nothing for you at the shop," he said. "Oh well. I expect something will turn up. I could do with a little good luck just at the moment." "So could I. Have you asked Allan about Brown's?" "Yes, I did. He says they elected about ten chaps last week." "Oh, does that mean I've been blackballed?" "I shouldn't know. Gentlemen are so odd about their clubs." "I thought that you were going to make Allan and Reggie support me." "I asked them. What does it matter anyway? D'you want to come to Veronica's for the week-end?" "I'm not sure that I do." "_I'd_ like it." "It's a beastly little house--and I don't think Veronica likes me. Who'll be there?" "I shall be." "Yes... well, I'll let you know." "Am I seeing you this evening?" "I'll let you know." "Oh dear,"<|quote|>said Brenda as she rang off.</|quote|>"Now he's taken against me. It isn't my fault he can't get into Brown's. As a matter of fact I believe Reggie _did_ try to help." Jenny Abdul Akbar was in the room with her. She came across every morning now in her dressing-gown and they read the newspaper together. Her dressing-gown was of striped Berber silk. "Let's go and have a cosy lunch at the Ritz," she said. "The Ritz isn't cosy at lunch-time and it costs eight and six. I daren't cash a cheque for three weeks, Jenny. The lawyers are so disagreeable. I've never been like this before." "What wouldn't I do to Tony? Leaving you stranded like this." "Oh, what's the good of knocking Tony? I don't suppose he's having a packet of fun himself in Brazil or wherever it is." "I hear they are putting in bathrooms at Hetton--while you are practically starving. And he hasn't even gone to Mrs Beaver for them." "Yes, I _do_ think that was mean." Presently Jenny went back to dress. Brenda telephoned to a delicatessen store round the corner for some sandwiches. She would spend that day in bed, as she spent two or three days a week at this time. Perhaps, if Allan was making a speech somewhere, as he usually was, Marjorie would have her to dinner. The Helm-Hubbards had a supper party that night but Beaver had not been asked. "If I went there without him it would be a major bust-up... Come to think of it, Marjorie's probably going. Well, I can always have sandwiches for dinner here. They make all kinds. Thank God for the little shop round the corner." She was reading a biography of Nelson that had lately appeared; it was very long and would keep her going well into the night. At one o'clock Jenny came in to say good-bye (she had a latch-key of Brenda's), dressed for a cosy lunch. "I got Polly and Souki," she said. "We're going to Daisy's joint. I _wish_ you were coming." "Me? Oh, I'm all right," said Brenda, and she thought, "It might occur to her to sock a girl a meal once in a way." * * * * * They walked for a fortnight, averaging about fifteen miles a day. Sometimes they would do much more and sometimes much less; the Indian who went in front decided the camping places; they depended | where they stood gazing at the camp equipment. Tony tried to photograph them but they ran away giggling like schoolgirls. Dr Messinger spread out on the ground the goods he had bought for barter. They retired at sundown but on the seventh day they came again, greatly reinforced. The entire population of the village was there. Rosa sat down on Tony's hammock under the thatch roof. "Give me cigarettes," she said. "You tell them I want men to go Pie-wie country," said Dr Messinger. "Pie-wie bad people. Macushi people no go with Pie-wie people." "You say I want ten men. I give them guns." "You give me cigarettes..." Negotiations lasted for two days. Eventually twelve men agreed to come; seven of them insisted on bringing their wives with them. One of these was Rosa. When everything was arranged there was a party in the village and all the Indians got drunk again. This time, however, it was a shorter business as the women had not had time to prepare much cassiri. In three days the caravan was able to set out. One of the men had a long, single-barrelled, muzzle-loading gun; several others carried bows and arrows; they were naked except for red cotton cloths round their loins. The women wore grubby calico dresses--they had been issued to them years back by an itinerant preacher and kept for occasions of this kind; they had wicker panniers on their shoulders, supported by a band across the forehead. All the heaviest luggage was carried by the women in these panniers, including the rations for themselves and their men. Rosa had, in addition, an umbrella with a dented, silver crook, a relic of her association with Mr Forbes. The Negroes returned downstream to the coast. A dump of provisions, in substantial tin casing, was left in the ruinous shelter by the bank. "There's no one to touch it. We can send back for it in case of emergency from the Pie-wie country," said Dr Messinger. Tony and Dr Messinger walked immediately behind the man with the gun who was acting as guide; behind them the file straggled out for half a mile or more through the forest. "From now onwards the map is valueless to us," said Dr Messinger with relish. (Roll up the map--you will not need it again for how many years, said William Pitt... memories of Tony's private school came back to him at Dr Messinger's words, of inky little desks and a coloured picture of a Viking raid, of Mr Trotter who had taught him history and wore very vivid ties.) [III] "Mummy, Brenda wants a job." "Why?" "Just like everybody else, short of money and nothing to do. She wondered if she could be any use to you at the shop." "Well... It's hard to say. At any other time she is exactly the kind of saleswoman I am always looking for... but I don't know. _As things are_, I'm not sure it would be wise." "I said I'd ask you, that's all." "John, you never tell me _anything_ and I don't like to seem interfering; but what _is_ going to happen between you and Brenda?" "I don't know." "You never tell me _anything_," repeated Mrs Beaver. "And there are so many rumours going round. Is there going to be a divorce?" "I don't know." Mrs Beaver sighed. "Well, I must get back to work. Where are you lunching?" "Bratt's." "Poor John. By the way, I thought you were joining Brown's." "I haven't heard anything from them. I don't know whether they've had an election yet." "Your father was a member." "I've an idea I shan't get in... anyway I couldn't really afford it." "I'm not happy about you, John. I'm not sure that things are working out as well as I hoped about Christmas-time." "There's my telephone. Perhaps it's Margot. She hasn't asked me to anything for weeks." But it was only Brenda. "I'm afraid mother's got nothing for you at the shop," he said. "Oh well. I expect something will turn up. I could do with a little good luck just at the moment." "So could I. Have you asked Allan about Brown's?" "Yes, I did. He says they elected about ten chaps last week." "Oh, does that mean I've been blackballed?" "I shouldn't know. Gentlemen are so odd about their clubs." "I thought that you were going to make Allan and Reggie support me." "I asked them. What does it matter anyway? D'you want to come to Veronica's for the week-end?" "I'm not sure that I do." "_I'd_ like it." "It's a beastly little house--and I don't think Veronica likes me. Who'll be there?" "I shall be." "Yes... well, I'll let you know." "Am I seeing you this evening?" "I'll let you know." "Oh dear,"<|quote|>said Brenda as she rang off.</|quote|>"Now he's taken against me. It isn't my fault he can't get into Brown's. As a matter of fact I believe Reggie _did_ try to help." Jenny Abdul Akbar was in the room with her. She came across every morning now in her dressing-gown and they read the newspaper together. Her dressing-gown was of striped Berber silk. "Let's go and have a cosy lunch at the Ritz," she said. "The Ritz isn't cosy at lunch-time and it costs eight and six. I daren't cash a cheque for three weeks, Jenny. The lawyers are so disagreeable. I've never been like this before." "What wouldn't I do to Tony? Leaving you stranded like this." "Oh, what's the good of knocking Tony? I don't suppose he's having a packet of fun himself in Brazil or wherever it is." "I hear they are putting in bathrooms at Hetton--while you are practically starving. And he hasn't even gone to Mrs Beaver for them." "Yes, I _do_ think that was mean." Presently Jenny went back to dress. Brenda telephoned to a delicatessen store round the corner for some sandwiches. She would spend that day in bed, as she spent two or three days a week at this time. Perhaps, if Allan was making a speech somewhere, as he usually was, Marjorie would have her to dinner. The Helm-Hubbards had a supper party that night but Beaver had not been asked. "If I went there without him it would be a major bust-up... Come to think of it, Marjorie's probably going. Well, I can always have sandwiches for dinner here. They make all kinds. Thank God for the little shop round the corner." She was reading a biography of Nelson that had lately appeared; it was very long and would keep her going well into the night. At one o'clock Jenny came in to say good-bye (she had a latch-key of Brenda's), dressed for a cosy lunch. "I got Polly and Souki," she said. "We're going to Daisy's joint. I _wish_ you were coming." "Me? Oh, I'm all right," said Brenda, and she thought, "It might occur to her to sock a girl a meal once in a way." * * * * * They walked for a fortnight, averaging about fifteen miles a day. Sometimes they would do much more and sometimes much less; the Indian who went in front decided the camping places; they depended on water and evil spirits. Dr Messinger made a compass traverse of their route. It gave him something to think about. He took readings every hour from an aneroid. In the evening, if they had halted early enough, he employed the last hours of daylight in elaborating a chart. "_Dry watercourse, three deserted huts, stony ground...._" "We are now in the Amazon system of rivers," he announced with satisfaction one day. "You see, the water is running south." But almost immediately they crossed a stream flowing in the opposite direction. "Very curious," said Dr Messinger. "A discovery of genuine scientific value." Next day they waded through four streams at intervals of two miles, running alternately north and south. The chart began to have a mythical appearance. "Is there a name for any of these streams?" he asked Rosa. "Macushi people called him Waurupang." "No, not the river where we first camped. _These rivers._" "Yes, Waurupang." "_This river here._" "Macushi people call him all Waurupang." "It's hopeless," said Dr Messinger. When they were near water they forced their way through blind bush; the trail there was grown over and barred by timber; only Indian eyes and Indian memory could trace its course; sometimes they crossed little patches of dry savannah, dun grass growing in tufts from the baked earth; thousands of lizards scampered and darted before their feet and the grass rustled like newspaper; it was burning hot in these enclosed spaces. Sometimes they climbed up into the wind, over loose red pebbles that bruised their feet; after these painful ascents they would lie in the wind till their wet clothes grew cold against their bodies; from these low eminences they could see other hill-tops and the belts of bush through which they had travelled, and the file of porters trailing behind them. As each man and woman arrived he sank on to the dry grass and rested against his load; when the last of them came up with the party Dr Messinger would give the word and they would start off again, descending into the green heart of the forest before them. Tony and Dr Messinger seldom spoke to one another, either when they were marching or at the halts, for they were constantly strained and exhausted. In the evenings after they had washed and changed into dry shirts and flannel trousers, they talked a little, mostly about the number | across the forehead. All the heaviest luggage was carried by the women in these panniers, including the rations for themselves and their men. Rosa had, in addition, an umbrella with a dented, silver crook, a relic of her association with Mr Forbes. The Negroes returned downstream to the coast. A dump of provisions, in substantial tin casing, was left in the ruinous shelter by the bank. "There's no one to touch it. We can send back for it in case of emergency from the Pie-wie country," said Dr Messinger. Tony and Dr Messinger walked immediately behind the man with the gun who was acting as guide; behind them the file straggled out for half a mile or more through the forest. "From now onwards the map is valueless to us," said Dr Messinger with relish. (Roll up the map--you will not need it again for how many years, said William Pitt... memories of Tony's private school came back to him at Dr Messinger's words, of inky little desks and a coloured picture of a Viking raid, of Mr Trotter who had taught him history and wore very vivid ties.) [III] "Mummy, Brenda wants a job." "Why?" "Just like everybody else, short of money and nothing to do. She wondered if she could be any use to you at the shop." "Well... It's hard to say. At any other time she is exactly the kind of saleswoman I am always looking for... but I don't know. _As things are_, I'm not sure it would be wise." "I said I'd ask you, that's all." "John, you never tell me _anything_ and I don't like to seem interfering; but what _is_ going to happen between you and Brenda?" "I don't know." "You never tell me _anything_," repeated Mrs Beaver. "And there are so many rumours going round. Is there going to be a divorce?" "I don't know." Mrs Beaver sighed. "Well, I must get back to work. Where are you lunching?" "Bratt's." "Poor John. By the way, I thought you were joining Brown's." "I haven't heard anything from them. I don't know whether they've had an election yet." "Your father was a member." "I've an idea I shan't get in... anyway I couldn't really afford it." "I'm not happy about you, John. I'm not sure that things are working out as well as I hoped about Christmas-time." "There's my telephone. Perhaps it's Margot. She hasn't asked me to anything for weeks." But it was only Brenda. "I'm afraid mother's got nothing for you at the shop," he said. "Oh well. I expect something will turn up. I could do with a little good luck just at the moment." "So could I. Have you asked Allan about Brown's?" "Yes, I did. He says they elected about ten chaps last week." "Oh, does that mean I've been blackballed?" "I shouldn't know. Gentlemen are so odd about their clubs." "I thought that you were going to make Allan and Reggie support me." "I asked them. What does it matter anyway? D'you want to come to Veronica's for the week-end?" "I'm not sure that I do." "_I'd_ like it." "It's a beastly little house--and I don't think Veronica likes me. Who'll be there?" "I shall be." "Yes... well, I'll let you know." "Am I seeing you this evening?" "I'll let you know." "Oh dear,"<|quote|>said Brenda as she rang off.</|quote|>"Now he's taken against me. It isn't my fault he can't get into Brown's. As a matter of fact I believe Reggie _did_ try to help." Jenny Abdul Akbar was in the room with her. She came across every morning now in her dressing-gown and they read the newspaper together. Her dressing-gown was of striped Berber silk. "Let's go and have a cosy lunch at the Ritz," she said. "The Ritz isn't cosy at lunch-time and it costs eight and six. I daren't cash a cheque for three weeks, Jenny. The lawyers are so disagreeable. I've never been like this before." "What wouldn't I do to Tony? Leaving you stranded like this." "Oh, what's the good of knocking Tony? I don't suppose he's having a packet of fun himself in Brazil or wherever it is." "I hear they are putting in bathrooms at Hetton--while you are practically starving. And he hasn't even gone to Mrs Beaver for them." "Yes, I _do_ think that was mean." Presently Jenny went back to dress. Brenda telephoned to a delicatessen store round the corner for some sandwiches. She would spend that day in bed, as she spent two or three days a week at this time. Perhaps, if Allan was making a speech somewhere, as he usually was, Marjorie would have her to dinner. The Helm-Hubbards had a supper party that night but Beaver had not been asked. "If I went there without him it would be a major bust-up... Come to think of it, Marjorie's probably going. Well, I can always have sandwiches for dinner here. They make all kinds. Thank God for the little shop round the corner." She was reading a biography of Nelson that had lately appeared; it was very long and would keep her going well into the night. At one o'clock Jenny came in to say good-bye (she had a latch-key of Brenda's), dressed for a cosy lunch. "I got Polly and Souki," she said. "We're going to Daisy's joint. I _wish_ you were coming." "Me? Oh, I'm all right," said Brenda, and she thought, "It might occur to her to sock a girl a meal once in a way." * * * * * They walked for a fortnight, averaging about fifteen miles a day. Sometimes they would do much more and sometimes much less; the Indian who went in front decided the camping places; they depended on water and evil spirits. Dr Messinger made a compass traverse of their route. It gave him something to think about. He took readings every hour from an aneroid. In the evening, if they had halted early enough, he employed the last hours of daylight in elaborating a chart. "_Dry watercourse, three deserted huts, stony ground...._" "We are now in the Amazon system of rivers," he announced with satisfaction one day. "You see, the water is running south." But almost immediately they crossed a stream flowing in the opposite direction. "Very curious," said Dr Messinger. "A discovery of genuine scientific value." Next day they waded through four streams at intervals of two miles, running alternately north and south. The chart began to have a mythical appearance. "Is there a name for any of these streams?" he asked Rosa. "Macushi people called him | A Handful Of Dust | come to Veronica's for the week-end?" "I'm not sure that I do." "_I'd_ like it." "It's a beastly little house--and I don't think Veronica likes me. Who'll be there?" "I shall be." "Yes... well, I'll let you know." "Am I seeing you this evening?" "I'll let you know." "Oh dear,"<|quote|>said Brenda as she rang off.</|quote|>"Now he's taken against me. It isn't my fault he can't get into Brown's. As a matter of fact I believe Reggie _did_ try to help." Jenny Abdul Akbar was in the room with her. She came across every morning now in her dressing-gown and they read the newspaper together. | {
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"content": "come to Veronica's for the week-end?\" \"I'm not sure that I do.\" \"_I'd_ like it.\" \"It's a beastly little house--and I don't think Veronica likes me. Who'll be there?\" \"I shall be.\" \"Yes... well, I'll let you know.\" \"Am I seeing you this evening?\" \"I'll let you know.\" \"Oh dear,\"<|quote|>said Brenda as she rang off.</|quote|>\"Now he's taken against me. It isn't my fault he can't get into Brown's. As a matter of fact I believe Reggie _did_ try to help.\" Jenny Abdul Akbar was in the room with her. She came across every morning now in her dressing-gown and they read the newspaper together.",
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He unfolded the paper as he spoke, and added | No speaker | nothing written on the _outside_."<|quote|>He unfolded the paper as he spoke, and added</|quote|>"It isn't a letter, after | White Rabbit; "in fact, there's nothing written on the _outside_."<|quote|>He unfolded the paper as he spoke, and added</|quote|>"It isn't a letter, after all: it's a set of | the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_."<|quote|>He unfolded the paper as he spoke, and added</|quote|>"It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the | "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_."<|quote|>He unfolded the paper as he spoke, and added</|quote|>"It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, | from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_."<|quote|>He unfolded the paper as he spoke, and added</|quote|>"It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses | back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_."<|quote|>He unfolded the paper as he spoke, and added</|quote|>"It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting | him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_."<|quote|>He unfolded the paper as he spoke, and added</|quote|>"It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?" said Alice, (she had | very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_."<|quote|>He unfolded the paper as he spoke, and added</|quote|>"It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. | Alices Adventures In Wonderland | the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_."<|quote|>He unfolded the paper as he spoke, and added</|quote|>"It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the | {
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"No, I didn't," | Alice | a pity!'?" the Rabbit asked.<|quote|>"No, I didn't,"</|quote|>said Alice: "I don't think | Alice. "Did you say 'What a pity!'?" the Rabbit asked.<|quote|>"No, I didn't,"</|quote|>said Alice: "I don't think it's at all a pity. | said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked.<|quote|>"No, I didn't,"</|quote|>said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and | then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked.<|quote|>"No, I didn't,"</|quote|>said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a | to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked.<|quote|>"No, I didn't,"</|quote|>said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and | should _I_ know?" said Alice, surprised at her own courage. "It's no business of _mine_." The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed "Off with her head! Off--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. "Leave off that!" screamed the Queen. "You make me giddy." And then, turning to the rose-tree, she went on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked.<|quote|>"No, I didn't,"</|quote|>said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she, "what would become of me? They're dreadfully fond of beheading | who had been anxiously looking across the garden, called out "The Queen! The Queen!" and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen. First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS. Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; "and besides, what would be the use of a procession," thought she, "if people had all to lie down upon their faces, so that they couldn't see it?" So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely "Who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply. "Idiot!" said the Queen, tossing her head impatiently; and, turning to Alice, she went on, "What's your name, child?" "My name is Alice, so please your Majesty," said Alice very politely; but she added, to herself, "Why, they're only a pack of cards, after all. I needn't be afraid of them!" "And who are _these?_" said the Queen, pointing to the three gardeners who were lying round the rose-tree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children. "How should _I_ know?" said Alice, surprised at her own courage. "It's no business of _mine_." The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed "Off with her head! Off--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. "Leave off that!" screamed the Queen. "You make me giddy." And then, turning to the rose-tree, she went on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked.<|quote|>"No, I didn't,"</|quote|>said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she, "what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!" She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself "It's the Cheshire Cat: now I shall have somebody to talk to." "How are you getting on?" said the Cat, as soon as there was mouth enough for it to speak with. Alice waited till the eyes appeared, and then nodded. "It's no use speaking to it," she thought, "till its ears have come, or at least one of them." In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared. "I don't think they play at all fairly," Alice began, in rather a complaining tone, "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely to win, that it's hardly worth while finishing the game." The Queen smiled and passed on. "Who _are_ you talking to?" said the King, going up to Alice, and looking at the Cat's head with great curiosity. "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me | "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. "Leave off that!" screamed the Queen. "You make me giddy." And then, turning to the rose-tree, she went on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked.<|quote|>"No, I didn't,"</|quote|>said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the | Alices Adventures In Wonderland | said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked.<|quote|>"No, I didn't,"</|quote|>said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and | {
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"content": "said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered \"She's under sentence of execution.\" \"What for?\" said Alice. \"Did you say 'What a pity!'?\" the Rabbit asked.<|quote|>\"No, I didn't,\"</|quote|>said Alice: \"I don't think it's at all a pity. I said 'What for?'\" \"She boxed the Queen's ears--\" the Rabbit began. Alice gave a little scream of laughter. \"Oh, hush!\" the Rabbit whispered in a frightened tone. \"The Queen will hear you! You see, she came rather late, and",
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here the Mock Turtle yawned and shut his eyes.--" | No speaker | mouths; and the reason is--"<|quote|>here the Mock Turtle yawned and shut his eyes.--"</|quote|>"Tell her about the reason | _have_ their tails in their mouths; and the reason is--"<|quote|>here the Mock Turtle yawned and shut his eyes.--"</|quote|>"Tell her about the reason and all that," he said | know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--"<|quote|>here the Mock Turtle yawned and shut his eyes.--"</|quote|>"Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast | the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--"<|quote|>here the Mock Turtle yawned and shut his eyes.--"</|quote|>"Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I | the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--"<|quote|>here the Mock Turtle yawned and shut his eyes.--"</|quote|>"Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked | Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--"<|quote|>here the Mock Turtle yawned and shut his eyes.--"</|quote|>"Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began | on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--"<|quote|>here the Mock Turtle yawned and shut his eyes.--"</|quote|>"Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, | said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--"<|quote|>here the Mock Turtle yawned and shut his eyes.--"</|quote|>"Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and | Alices Adventures In Wonderland | know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--"<|quote|>here the Mock Turtle yawned and shut his eyes.--"</|quote|>"Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast | {
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"content": "know what they're like.\" \"I believe so,\" Alice replied thoughtfully. \"They have their tails in their mouths--and they're all over crumbs.\" \"You're wrong about the crumbs,\" said the Mock Turtle: \"crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--\"<|quote|>here the Mock Turtle yawned and shut his eyes.--\"</|quote|>\"Tell her about the reason and all that,\" he said to the Gryphon. \"The reason is,\" said the Gryphon, \"that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast",
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says the sister, | No speaker | leave the room, sister." "Ah!"<|quote|>says the sister,</|quote|>"but he shouldn't climb out | finishes hastily: "He wants to leave the room, sister." "Ah!"<|quote|>says the sister,</|quote|>"but he shouldn't climb out of his bed with his | "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!"<|quote|>says the sister,</|quote|>"but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" | what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!"<|quote|>says the sister,</|quote|>"but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask | me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!"<|quote|>says the sister,</|quote|>"but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far | what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!"<|quote|>says the sister,</|quote|>"but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will | exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!"<|quote|>says the sister,</|quote|>"but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones. "Such an absurdity!" I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave | over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!"<|quote|>says the sister,</|quote|>"but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face | All Quiet on the Western Front | "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!"<|quote|>says the sister,</|quote|>"but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" | {
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"content": "\"Sister, he wants----\" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: \"He wants to leave the room, sister.\" \"Ah!\"<|quote|>says the sister,</|quote|>\"but he shouldn't climb out of his bed with his plaster bandage. What do you want then?\" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. \"Little or big?\"",
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said the Duchess; | No speaker | "I quite agree with you,"<|quote|>said the Duchess;</|quote|>"and the moral of that | like one, but it is." "I quite agree with you,"<|quote|>said the Duchess;</|quote|>"and the moral of that is--'Be what you would seem | large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you,"<|quote|>said the Duchess;</|quote|>"and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have | flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you,"<|quote|>said the Duchess;</|quote|>"and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. | of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you,"<|quote|>said the Duchess;</|quote|>"and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to | something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you,"<|quote|>said the Duchess;</|quote|>"and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and | arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you,"<|quote|>said the Duchess;</|quote|>"and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing | "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you,"<|quote|>said the Duchess;</|quote|>"and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by | Alices Adventures In Wonderland | large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you,"<|quote|>said the Duchess;</|quote|>"and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have | {
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"It isn't nonsense at all," | Anne Shirley | got home. "Nonsense," said Marilla.<|quote|>"It isn't nonsense at all,"</|quote|>said Anne, gazing at Marilla | told Marilla so when she got home. "Nonsense," said Marilla.<|quote|>"It isn't nonsense at all,"</|quote|>said Anne, gazing at Marilla with solemn, reproachful eyes. "Don't | chapter about, down by the brook. And you know you are so fond of reading out loud, Anne." Nothing moved Anne in the least. Her mind was made up. She would not go to school to Mr. Phillips again; she told Marilla so when she got home. "Nonsense," said Marilla.<|quote|>"It isn't nonsense at all,"</|quote|>said Anne, gazing at Marilla with solemn, reproachful eyes. "Don't you understand, Marilla? I've been insulted." "Insulted fiddlesticks! You'll go to school tomorrow as usual." "Oh, no." Anne shook her head gently. "I'm not going back, Marilla. I'll learn my lessons at home and I'll be as good as I | be playing ball next week and you've never played ball, Anne. It's tremendously exciting. And we're going to learn a new song--Jane Andrews is practicing it up now; and Alice Andrews is going to bring a new Pansy book next week and we're all going to read it out loud, chapter about, down by the brook. And you know you are so fond of reading out loud, Anne." Nothing moved Anne in the least. Her mind was made up. She would not go to school to Mr. Phillips again; she told Marilla so when she got home. "Nonsense," said Marilla.<|quote|>"It isn't nonsense at all,"</|quote|>said Anne, gazing at Marilla with solemn, reproachful eyes. "Don't you understand, Marilla? I've been insulted." "Insulted fiddlesticks! You'll go to school tomorrow as usual." "Oh, no." Anne shook her head gently. "I'm not going back, Marilla. I'll learn my lessons at home and I'll be as good as I can be and hold my tongue all the time if it's possible at all. But I will not go back to school, I assure you." Marilla saw something remarkably like unyielding stubbornness looking out of Anne's small face. She understood that she would have trouble in overcoming it; but she | think you're mean. What shall I do? Mr. Phillips will make me sit with that horrid Gertie Pye--I know he will because she is sitting alone. Do come back, Anne." "I'd do almost anything in the world for you, Diana," said Anne sadly. "I'd let myself be torn limb from limb if it would do you any good. But I can't do this, so please don't ask it. You harrow up my very soul." "Just think of all the fun you will miss," mourned Diana. "We are going to build the loveliest new house down by the brook; and we'll be playing ball next week and you've never played ball, Anne. It's tremendously exciting. And we're going to learn a new song--Jane Andrews is practicing it up now; and Alice Andrews is going to bring a new Pansy book next week and we're all going to read it out loud, chapter about, down by the brook. And you know you are so fond of reading out loud, Anne." Nothing moved Anne in the least. Her mind was made up. She would not go to school to Mr. Phillips again; she told Marilla so when she got home. "Nonsense," said Marilla.<|quote|>"It isn't nonsense at all,"</|quote|>said Anne, gazing at Marilla with solemn, reproachful eyes. "Don't you understand, Marilla? I've been insulted." "Insulted fiddlesticks! You'll go to school tomorrow as usual." "Oh, no." Anne shook her head gently. "I'm not going back, Marilla. I'll learn my lessons at home and I'll be as good as I can be and hold my tongue all the time if it's possible at all. But I will not go back to school, I assure you." Marilla saw something remarkably like unyielding stubbornness looking out of Anne's small face. She understood that she would have trouble in overcoming it; but she re-solved wisely to say nothing more just then. "I'll run down and see Rachel about it this evening," she thought. "There's no use reasoning with Anne now. She's too worked up and I've an idea she can be awful stubborn if she takes the notion. Far as I can make out from her story, Mr. Phillips has been carrying matters with a rather high hand. But it would never do to say so to her. I'll just talk it over with Rachel. She's sent ten children to school and she ought to know something about it. She'll have heard the | obstinate rhyme still and never missed her. Once, when nobody was looking, Gilbert took from his desk a little pink candy heart with a gold motto on it, "You are sweet," and slipped it under the curve of Anne's arm. Whereupon Anne arose, took the pink heart gingerly between the tips of her fingers, dropped it on the floor, ground it to powder beneath her heel, and resumed her position without deigning to bestow a glance on Gilbert. When school went out Anne marched to her desk, ostentatiously took out everything therein, books and writing tablet, pen and ink, testament and arithmetic, and piled them neatly on her cracked slate. "What are you taking all those things home for, Anne?" Diana wanted to know, as soon as they were out on the road. She had not dared to ask the question before. "I am not coming back to school any more," said Anne. Diana gasped and stared at Anne to see if she meant it. "Will Marilla let you stay home?" she asked. "She'll have to," said Anne. "I'll _never_ go to school to that man again." "Oh, Anne!" Diana looked as if she were ready to cry. "I do think you're mean. What shall I do? Mr. Phillips will make me sit with that horrid Gertie Pye--I know he will because she is sitting alone. Do come back, Anne." "I'd do almost anything in the world for you, Diana," said Anne sadly. "I'd let myself be torn limb from limb if it would do you any good. But I can't do this, so please don't ask it. You harrow up my very soul." "Just think of all the fun you will miss," mourned Diana. "We are going to build the loveliest new house down by the brook; and we'll be playing ball next week and you've never played ball, Anne. It's tremendously exciting. And we're going to learn a new song--Jane Andrews is practicing it up now; and Alice Andrews is going to bring a new Pansy book next week and we're all going to read it out loud, chapter about, down by the brook. And you know you are so fond of reading out loud, Anne." Nothing moved Anne in the least. Her mind was made up. She would not go to school to Mr. Phillips again; she told Marilla so when she got home. "Nonsense," said Marilla.<|quote|>"It isn't nonsense at all,"</|quote|>said Anne, gazing at Marilla with solemn, reproachful eyes. "Don't you understand, Marilla? I've been insulted." "Insulted fiddlesticks! You'll go to school tomorrow as usual." "Oh, no." Anne shook her head gently. "I'm not going back, Marilla. I'll learn my lessons at home and I'll be as good as I can be and hold my tongue all the time if it's possible at all. But I will not go back to school, I assure you." Marilla saw something remarkably like unyielding stubbornness looking out of Anne's small face. She understood that she would have trouble in overcoming it; but she re-solved wisely to say nothing more just then. "I'll run down and see Rachel about it this evening," she thought. "There's no use reasoning with Anne now. She's too worked up and I've an idea she can be awful stubborn if she takes the notion. Far as I can make out from her story, Mr. Phillips has been carrying matters with a rather high hand. But it would never do to say so to her. I'll just talk it over with Rachel. She's sent ten children to school and she ought to know something about it. She'll have heard the whole story, too, by this time." Marilla found Mrs. Lynde knitting quilts as industriously and cheerfully as usual. "I suppose you know what I've come about," she said, a little shamefacedly. Mrs. Rachel nodded. "About Anne's fuss in school, I reckon," she said. "Tillie Boulter was in on her way home from school and told me about it." "I don't know what to do with her," said Marilla. "She declares she won't go back to school. I never saw a child so worked up. I've been expecting trouble ever since she started to school. I knew things were going too smooth to last. She's so high strung. What would you advise, Rachel?" "Well, since you've asked my advice, Marilla," said Mrs. Lynde amiably--Mrs. Lynde dearly loved to be asked for advice--" "I'd just humor her a little at first, that's what I'd do. It's my belief that Mr. Phillips was in the wrong. Of course, it doesn't do to say so to the children, you know. And of course he did right to punish her yesterday for giving way to temper. But today it was different. The others who were late should have been punished as well as Anne, that's | for a scapegoat and found it in Anne, who had dropped into her seat, gasping for breath, with a forgotten lily wreath hanging askew over one ear and giving her a particularly rakish and disheveled appearance. "Anne Shirley, since you seem to be so fond of the boys' company we shall indulge your taste for it this afternoon," he said sarcastically. "Take those flowers out of your hair and sit with Gilbert Blythe." The other boys snickered. Diana, turning pale with pity, plucked the wreath from Anne's hair and squeezed her hand. Anne stared at the master as if turned to stone. "Did you hear what I said, Anne?" queried Mr. Phillips sternly. "Yes, sir," said Anne slowly "but I didn't suppose you really meant it." "I assure you I did" "--still with the sarcastic inflection which all the children, and Anne especially, hated. It flicked on the raw. "Obey me at once." For a moment Anne looked as if she meant to disobey. Then, realizing that there was no help for it, she rose haughtily, stepped across the aisle, sat down beside Gilbert Blythe, and buried her face in her arms on the desk. Ruby Gillis, who got a glimpse of it as it went down, told the others going home from school that she'd "acksually never seen anything like it--it was so white, with awful little red spots in it." To Anne, this was as the end of all things. It was bad enough to be singled out for punishment from among a dozen equally guilty ones; it was worse still to be sent to sit with a boy, but that that boy should be Gilbert Blythe was heaping insult on injury to a degree utterly unbearable. Anne felt that she could not bear it and it would be of no use to try. Her whole being seethed with shame and anger and humiliation. At first the other scholars looked and whispered and giggled and nudged. But as Anne never lifted her head and as Gilbert worked fractions as if his whole soul was absorbed in them and them only, they soon returned to their own tasks and Anne was forgotten. When Mr. Phillips called the history class out Anne should have gone, but Anne did not move, and Mr. Phillips, who had been writing some verses "To Priscilla" before he called the class, was thinking about an obstinate rhyme still and never missed her. Once, when nobody was looking, Gilbert took from his desk a little pink candy heart with a gold motto on it, "You are sweet," and slipped it under the curve of Anne's arm. Whereupon Anne arose, took the pink heart gingerly between the tips of her fingers, dropped it on the floor, ground it to powder beneath her heel, and resumed her position without deigning to bestow a glance on Gilbert. When school went out Anne marched to her desk, ostentatiously took out everything therein, books and writing tablet, pen and ink, testament and arithmetic, and piled them neatly on her cracked slate. "What are you taking all those things home for, Anne?" Diana wanted to know, as soon as they were out on the road. She had not dared to ask the question before. "I am not coming back to school any more," said Anne. Diana gasped and stared at Anne to see if she meant it. "Will Marilla let you stay home?" she asked. "She'll have to," said Anne. "I'll _never_ go to school to that man again." "Oh, Anne!" Diana looked as if she were ready to cry. "I do think you're mean. What shall I do? Mr. Phillips will make me sit with that horrid Gertie Pye--I know he will because she is sitting alone. Do come back, Anne." "I'd do almost anything in the world for you, Diana," said Anne sadly. "I'd let myself be torn limb from limb if it would do you any good. But I can't do this, so please don't ask it. You harrow up my very soul." "Just think of all the fun you will miss," mourned Diana. "We are going to build the loveliest new house down by the brook; and we'll be playing ball next week and you've never played ball, Anne. It's tremendously exciting. And we're going to learn a new song--Jane Andrews is practicing it up now; and Alice Andrews is going to bring a new Pansy book next week and we're all going to read it out loud, chapter about, down by the brook. And you know you are so fond of reading out loud, Anne." Nothing moved Anne in the least. Her mind was made up. She would not go to school to Mr. Phillips again; she told Marilla so when she got home. "Nonsense," said Marilla.<|quote|>"It isn't nonsense at all,"</|quote|>said Anne, gazing at Marilla with solemn, reproachful eyes. "Don't you understand, Marilla? I've been insulted." "Insulted fiddlesticks! You'll go to school tomorrow as usual." "Oh, no." Anne shook her head gently. "I'm not going back, Marilla. I'll learn my lessons at home and I'll be as good as I can be and hold my tongue all the time if it's possible at all. But I will not go back to school, I assure you." Marilla saw something remarkably like unyielding stubbornness looking out of Anne's small face. She understood that she would have trouble in overcoming it; but she re-solved wisely to say nothing more just then. "I'll run down and see Rachel about it this evening," she thought. "There's no use reasoning with Anne now. She's too worked up and I've an idea she can be awful stubborn if she takes the notion. Far as I can make out from her story, Mr. Phillips has been carrying matters with a rather high hand. But it would never do to say so to her. I'll just talk it over with Rachel. She's sent ten children to school and she ought to know something about it. She'll have heard the whole story, too, by this time." Marilla found Mrs. Lynde knitting quilts as industriously and cheerfully as usual. "I suppose you know what I've come about," she said, a little shamefacedly. Mrs. Rachel nodded. "About Anne's fuss in school, I reckon," she said. "Tillie Boulter was in on her way home from school and told me about it." "I don't know what to do with her," said Marilla. "She declares she won't go back to school. I never saw a child so worked up. I've been expecting trouble ever since she started to school. I knew things were going too smooth to last. She's so high strung. What would you advise, Rachel?" "Well, since you've asked my advice, Marilla," said Mrs. Lynde amiably--Mrs. Lynde dearly loved to be asked for advice--" "I'd just humor her a little at first, that's what I'd do. It's my belief that Mr. Phillips was in the wrong. Of course, it doesn't do to say so to the children, you know. And of course he did right to punish her yesterday for giving way to temper. But today it was different. The others who were late should have been punished as well as Anne, that's what. And I don't believe in making the girls sit with the boys for punishment. It isn't modest. Tillie Boulter was real indignant. She took Anne's part right through and said all the scholars did too. Anne seems real popular among them, somehow. I never thought she'd take with them so well." "Then you really think I'd better let her stay home," said Marilla in amazement. "Yes. That is I wouldn't say school to her again until she said it herself. Depend upon it, Marilla, she'll cool off in a week or so and be ready enough to go back of her own accord, that's what, while, if you were to make her go back right off, dear knows what freak or tantrum she'd take next and make more trouble than ever. The less fuss made the better, in my opinion. She won't miss much by not going to school, as far as _that_ goes. Mr. Phillips isn't any good at all as a teacher. The order he keeps is scandalous, that's what, and he neglects the young fry and puts all his time on those big scholars he's getting ready for Queen's. He'd never have got the school for another year if his uncle hadn't been a trustee--_the_ trustee, for he just leads the other two around by the nose, that's what. I declare, I don't know what education in this Island is coming to." Mrs. Rachel shook her head, as much as to say if she were only at the head of the educational system of the Province things would be much better managed. Marilla took Mrs. Rachel's advice and not another word was said to Anne about going back to school. She learned her lessons at home, did her chores, and played with Diana in the chilly purple autumn twilights; but when she met Gilbert Blythe on the road or encountered him in Sunday school she passed him by with an icy contempt that was no whit thawed by his evident desire to appease her. Even Diana's efforts as a peacemaker were of no avail. Anne had evidently made up her mind to hate Gilbert Blythe to the end of life. As much as she hated Gilbert, however, did she love Diana, with all the love of her passionate little heart, equally intense in its likes and dislikes. One evening Marilla, coming in from the orchard with | a little pink candy heart with a gold motto on it, "You are sweet," and slipped it under the curve of Anne's arm. Whereupon Anne arose, took the pink heart gingerly between the tips of her fingers, dropped it on the floor, ground it to powder beneath her heel, and resumed her position without deigning to bestow a glance on Gilbert. When school went out Anne marched to her desk, ostentatiously took out everything therein, books and writing tablet, pen and ink, testament and arithmetic, and piled them neatly on her cracked slate. "What are you taking all those things home for, Anne?" Diana wanted to know, as soon as they were out on the road. She had not dared to ask the question before. "I am not coming back to school any more," said Anne. Diana gasped and stared at Anne to see if she meant it. "Will Marilla let you stay home?" she asked. "She'll have to," said Anne. "I'll _never_ go to school to that man again." "Oh, Anne!" Diana looked as if she were ready to cry. "I do think you're mean. What shall I do? Mr. Phillips will make me sit with that horrid Gertie Pye--I know he will because she is sitting alone. Do come back, Anne." "I'd do almost anything in the world for you, Diana," said Anne sadly. "I'd let myself be torn limb from limb if it would do you any good. But I can't do this, so please don't ask it. You harrow up my very soul." "Just think of all the fun you will miss," mourned Diana. "We are going to build the loveliest new house down by the brook; and we'll be playing ball next week and you've never played ball, Anne. It's tremendously exciting. And we're going to learn a new song--Jane Andrews is practicing it up now; and Alice Andrews is going to bring a new Pansy book next week and we're all going to read it out loud, chapter about, down by the brook. And you know you are so fond of reading out loud, Anne." Nothing moved Anne in the least. Her mind was made up. She would not go to school to Mr. Phillips again; she told Marilla so when she got home. "Nonsense," said Marilla.<|quote|>"It isn't nonsense at all,"</|quote|>said Anne, gazing at Marilla with solemn, reproachful eyes. "Don't you understand, Marilla? I've been insulted." "Insulted fiddlesticks! You'll go to school tomorrow as usual." "Oh, no." Anne shook her head gently. "I'm not going back, Marilla. I'll learn my lessons at home and I'll be as good as I can be and hold my tongue all the time if it's possible at all. But I will not go back to school, I assure you." Marilla saw something remarkably like unyielding stubbornness looking out of Anne's small face. She understood that she would have trouble in overcoming it; but she re-solved wisely to say nothing more just then. "I'll run down and see Rachel about it this evening," she thought. "There's no use reasoning with Anne now. She's too worked up and I've an idea she can be awful stubborn if she takes the notion. Far as I can make out from her story, Mr. Phillips has been carrying matters with a rather high hand. But it would never do to say so to her. I'll just talk it over with Rachel. She's sent ten children to school and she ought to know something about it. She'll have heard the whole story, too, by this time." Marilla found Mrs. Lynde knitting quilts as industriously and cheerfully as usual. "I suppose you know what I've come about," she said, a little shamefacedly. Mrs. Rachel nodded. "About Anne's fuss in school, I reckon," she said. "Tillie Boulter was in on her way home from school and told me about it." "I don't know what to do with her," said Marilla. "She declares she won't go back to school. I never saw a child so worked up. I've been expecting trouble ever since she started to school. I knew things were going too smooth to last. She's so high strung. What would you advise, Rachel?" "Well, since you've asked my advice, Marilla," said Mrs. Lynde amiably--Mrs. Lynde dearly loved to be asked for advice--" "I'd just humor her a little at first, that's what I'd do. It's my belief that Mr. Phillips was in the wrong. Of course, it doesn't do to say so to the children, you know. And of course he did right to punish her yesterday for giving way to temper. But today it was different. The others who were late should have been punished as well as Anne, that's what. And I don't believe in making the girls sit with the boys for punishment. It isn't modest. Tillie Boulter was real indignant. She took Anne's part right through and said all the scholars did too. Anne seems real popular among them, somehow. I never thought she'd take with them so well." "Then you really think I'd better let her stay home," said Marilla in amazement. "Yes. That is I wouldn't say school to her again until she said it herself. Depend upon it, Marilla, she'll cool off in a week or so and be ready enough to go back of her own accord, that's what, while, if you were to make her go back right off, dear knows | Anne Of Green Gables | chapter about, down by the brook. And you know you are so fond of reading out loud, Anne." Nothing moved Anne in the least. Her mind was made up. She would not go to school to Mr. Phillips again; she told Marilla so when she got home. "Nonsense," said Marilla.<|quote|>"It isn't nonsense at all,"</|quote|>said Anne, gazing at Marilla with solemn, reproachful eyes. "Don't you understand, Marilla? I've been insulted." "Insulted fiddlesticks! You'll go to school tomorrow as usual." "Oh, no." Anne shook her head gently. "I'm not going back, Marilla. I'll learn my lessons at home and I'll be as good as I | {
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"content": "chapter about, down by the brook. And you know you are so fond of reading out loud, Anne.\" Nothing moved Anne in the least. Her mind was made up. She would not go to school to Mr. Phillips again; she told Marilla so when she got home. \"Nonsense,\" said Marilla.<|quote|>\"It isn't nonsense at all,\"</|quote|>said Anne, gazing at Marilla with solemn, reproachful eyes. \"Don't you understand, Marilla? I've been insulted.\" \"Insulted fiddlesticks! You'll go to school tomorrow as usual.\" \"Oh, no.\" Anne shook her head gently. \"I'm not going back, Marilla. I'll learn my lessons at home and I'll be as good as I",
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"No, darling, that's why." | Brenda | so amiable if I'd known."<|quote|>"No, darling, that's why."</|quote|>Half the house party wondered | I might not have been so amiable if I'd known."<|quote|>"No, darling, that's why."</|quote|>Half the house party wondered why Beaver was there; the | saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known."<|quote|>"No, darling, that's why."</|quote|>Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. | that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known."<|quote|>"No, darling, that's why."</|quote|>Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already acquired a trick of twisting it as he talked. On New Year's Eve there was a party at a neighbouring house. Tony went home | "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks." They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs. "I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known."<|quote|>"No, darling, that's why."</|quote|>Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already acquired a trick of twisting it as he talked. On New Year's Eve there was a party at a neighbouring house. Tony went home early and Beaver and Brenda returned together in the back of a car. Next morning, while they were having breakfast, she said to Tony, "I've made a New Year resolution." "Anything to do with spending more time at home?" "Oh no, _quite_ the reverse. Listen, Tony, it's serious. I think I'll take a course of something." "Not bone-setters again? I thought that was over." "No, something like economics. You see, I've been thinking. I don't really _do_ anything at all at present. The house runs itself. It seems to me time I _took_ to something. Now you're always talking about | came from him thanking her. _Darling Brenda_, he wrote. _Thank you so very much for the charming Christmas present. You can imagine my delight when I saw the pink leather case and my surprise at opening it. It really was_ sweet _of you to send me such a charming present. Thank you again very much for it. I hope your party is being a success. It is rather dull here. The others went hunting yesterday. I went to the meet. They did not have a good day. Mother is here too and sends her love. We shall be leaving to-morrow or the day after. Mother has got rather a cold._ It ended there at the bottom of a page. Beaver had been writing it before dinner and later had put it in the envelope without remembering to finish it. He wrote a large, school-girlish hand with wide spaces between the lines. Brenda felt a little sick when she read this letter but she showed it to Marjorie, saying, "I can't complain, he's never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks." They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs. "I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known."<|quote|>"No, darling, that's why."</|quote|>Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already acquired a trick of twisting it as he talked. On New Year's Eve there was a party at a neighbouring house. Tony went home early and Beaver and Brenda returned together in the back of a car. Next morning, while they were having breakfast, she said to Tony, "I've made a New Year resolution." "Anything to do with spending more time at home?" "Oh no, _quite_ the reverse. Listen, Tony, it's serious. I think I'll take a course of something." "Not bone-setters again? I thought that was over." "No, something like economics. You see, I've been thinking. I don't really _do_ anything at all at present. The house runs itself. It seems to me time I _took_ to something. Now you're always talking about going into Parliament. Well, if I had done a course of economics I could be some use canvassing and writing speeches and things--you know, the way Marjorie did when Allan was standing on the Clydeside. There are all sorts of lectures in London, to do with the University, where girls go. Don't you think it's rather a good idea?" "It's one better than the bone-setters," Tony admitted. That was how the New Year began. CHAPTER III HARD CHEESE ON TONY [I] It is not uncommon at Bratt's Club, between nine and ten in the evening, to find men in white ties and tail coats sitting by themselves and eating, in evident low spirits, large and extravagant dinners. They are those who have been abandoned at the last minute by their women. For twenty minutes or so they have sat in the foyer of some restaurant, gazing expectantly towards the revolving doors and alternatively taking out their watches and ordering cocktails, until at length a telephone message has been brought them that their guests are unable to come. Then they go to Bratt's, half hoping to find friends but, more often than not, taking a melancholy satisfaction in finding the club | ox and ass of Bethlehem," said the vicar, slightly losing the thread of his comparisons, "we have for companions the ravening tiger and the exotic camel, the furtive jackal and the ponderous elephant..." And so on, through the pages of faded manuscript. The words had temporarily touched the heart of many an obdurate trooper, and hearing them again, as he had heard them year after year since Mr Tendril had come to the parish, Tony and most of Tony's guests felt that it was an integral part of their Christmas festivities; one with which they would find it very hard to dispense. "The ravening tiger and exotic camel" had long been bywords in the family, of frequent recurrence in all their games. These games were the hardest part for Brenda. They did not amuse her and she still could not see Tony dressed up for charades without a feeling of shyness. Moreover, she was tortured by the fear that any lack of gusto on her part might be construed by the poor Lasts as superiority. These scruples, had she known it, were quite superfluous, for it never occurred to her husband's relatives to look on her with anything but cousinly cordiality and a certain tolerance, for, as Lasts, they considered they had far more right in Hetton than herself. Aunt Frances, with acid mind, quickly discerned the trouble and attempted to reassure her, saying, "Dear child, all these feelings of delicacy are valueless; only the rich realize the gulf that separates them from the poor," but the uneasiness persisted, and night after night she found herself being sent out of the room, asking or answering questions, performing actions in uncouth manners, paying forfeits, drawing pictures, writing verses, dressing herself up and even being chased about the house, and secluded in cupboards, at the will of her relatives. Christmas was on a Friday that year, so the party was a long one, from Thursday until Monday. She had forbidden Beaver to send her a present or to write to her; in self-protection, for she knew that whatever he said would hurt her by its poverty, but in spite of this she awaited the posts nervously, hoping that he might have disobeyed her. She had sent him to Ireland a ring of three interlocked hoops of gold and platinum. An hour after ordering it she regretted her choice. On Tuesday a letter came from him thanking her. _Darling Brenda_, he wrote. _Thank you so very much for the charming Christmas present. You can imagine my delight when I saw the pink leather case and my surprise at opening it. It really was_ sweet _of you to send me such a charming present. Thank you again very much for it. I hope your party is being a success. It is rather dull here. The others went hunting yesterday. I went to the meet. They did not have a good day. Mother is here too and sends her love. We shall be leaving to-morrow or the day after. Mother has got rather a cold._ It ended there at the bottom of a page. Beaver had been writing it before dinner and later had put it in the envelope without remembering to finish it. He wrote a large, school-girlish hand with wide spaces between the lines. Brenda felt a little sick when she read this letter but she showed it to Marjorie, saying, "I can't complain, he's never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks." They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs. "I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known."<|quote|>"No, darling, that's why."</|quote|>Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already acquired a trick of twisting it as he talked. On New Year's Eve there was a party at a neighbouring house. Tony went home early and Beaver and Brenda returned together in the back of a car. Next morning, while they were having breakfast, she said to Tony, "I've made a New Year resolution." "Anything to do with spending more time at home?" "Oh no, _quite_ the reverse. Listen, Tony, it's serious. I think I'll take a course of something." "Not bone-setters again? I thought that was over." "No, something like economics. You see, I've been thinking. I don't really _do_ anything at all at present. The house runs itself. It seems to me time I _took_ to something. Now you're always talking about going into Parliament. Well, if I had done a course of economics I could be some use canvassing and writing speeches and things--you know, the way Marjorie did when Allan was standing on the Clydeside. There are all sorts of lectures in London, to do with the University, where girls go. Don't you think it's rather a good idea?" "It's one better than the bone-setters," Tony admitted. That was how the New Year began. CHAPTER III HARD CHEESE ON TONY [I] It is not uncommon at Bratt's Club, between nine and ten in the evening, to find men in white ties and tail coats sitting by themselves and eating, in evident low spirits, large and extravagant dinners. They are those who have been abandoned at the last minute by their women. For twenty minutes or so they have sat in the foyer of some restaurant, gazing expectantly towards the revolving doors and alternatively taking out their watches and ordering cocktails, until at length a telephone message has been brought them that their guests are unable to come. Then they go to Bratt's, half hoping to find friends but, more often than not, taking a melancholy satisfaction in finding the club deserted or peopled by strangers. So they sit there, round the walls, morosely regarding the mahogany tables before them, and eating and drinking heavily. It was in this mood and for this reason that, one evening towards the middle of February, Jock Grant-Menzies arrived at the club. "Anyone here?" "Very quiet to-night, sir. Mr Last is in the dining-room." Jock found him seated in a corner; he was in day clothes; the table and the chair at his side were littered with papers and magazines; one was propped up in front of him. He was half-way through dinner and three-quarters of the way through a bottle of Burgundy. "Hullo," he said. "Chucked? Come and join me." It was some time since Jock had seen Tony; the meeting embarrassed him slightly, for like all his friends, he was wondering how Tony felt and how much he knew about Brenda and John Beaver. However, he sat down at Tony's table. "Been chucked?" asked Tony again. "Yes, it's the last time I ask that bitch out." "Better have a drink. I've been drinking a whole lot. Much the best thing." They took what was left of the Burgundy and ordered another bottle. "Just come up for the night," said Tony. "Staying here." "You've got a flat now, haven't you?" "Well, Brenda has. There isn't really room for two... we tried it once and it wasn't a success." "What's she doing to-night?" "Out somewhere. I didn't let her know I was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I | never pretended to like me much. And anyway it was a damned silly present." Tony had become fretful about his visit to Angela's. He always hated staying away. "Don't come, darling. I'll make it all right with them." "No, I'll come. I haven't seen so much of you in the last three weeks." They had the whole of Wednesday alone together. Brenda exerted herself and Tony's fretfulness subsided. She was particularly tender to him at this time and scarcely teased him at all. On Thursday they went North to Yorkshire. Beaver was there. Tony discovered him in the first half hour and brought the news to Brenda upstairs. "I'll tell you something very odd," he said. "Who do you think is here?" "Who?" "Our old friend Beaver." "Why's that odd particularly?" "Oh, I don't know. I'd forgotten all about him, hadn't you? D'you think he sent a telegram as he did to us?" "I daresay." Tony supposed Beaver must be fairly lonely and took pains to be agreeable to him. He said, "All kinds of changes since we saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known."<|quote|>"No, darling, that's why."</|quote|>Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already acquired a trick of twisting it as he talked. On New Year's Eve there was a party at a neighbouring house. Tony went home early and Beaver and Brenda returned together in the back of a car. Next morning, while they were having breakfast, she said to Tony, "I've made a New Year resolution." "Anything to do with spending more time at home?" "Oh no, _quite_ the reverse. Listen, Tony, it's serious. I think I'll take a course of something." "Not bone-setters again? I thought that was over." "No, something like economics. You see, I've been thinking. I don't really _do_ anything at all at present. The house runs itself. It seems to me time I _took_ to something. Now you're always talking about going into Parliament. Well, if I had done a course of economics I could be some use canvassing and writing speeches and things--you know, the way Marjorie did when Allan was standing on the Clydeside. There are all sorts of lectures in London, to do with the University, where girls go. Don't you think it's rather a good idea?" "It's one better than the bone-setters," Tony admitted. That was how the New Year began. CHAPTER III HARD CHEESE ON TONY [I] It is not uncommon at Bratt's Club, between nine and ten in the evening, to find men in white ties and tail coats sitting by themselves and eating, in evident low spirits, large and extravagant dinners. They are those who have been abandoned at the last minute by their women. For twenty minutes or so they have sat in the foyer of some restaurant, gazing expectantly towards the revolving doors and alternatively taking out their watches and ordering cocktails, until at length a telephone message has been brought them that their guests are unable to come. Then they go to Bratt's, half hoping to find friends but, more often than not, taking a melancholy satisfaction in finding the club deserted or peopled by strangers. So they sit there, round the walls, morosely regarding the mahogany tables before them, and eating and drinking heavily. It was in this mood and for this reason that, one evening towards the middle of February, Jock Grant-Menzies arrived at the club. "Anyone here?" "Very quiet to-night, sir. Mr Last is in the dining-room." Jock found him seated in a corner; he was in day clothes; the table and the chair | A Handful Of Dust | saw you last. Brenda's taken a flat in London." "Yes, I know." "How?" "Well, my mother let it to her, you know." Tony was greatly surprised and taxed Brenda with this. "You never told me who was behind your flat. I might not have been so amiable if I'd known."<|quote|>"No, darling, that's why."</|quote|>Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, "I daresay it was a mistake to ask him. | {
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"content": "saw you last. Brenda's taken a flat in London.\" \"Yes, I know.\" \"How?\" \"Well, my mother let it to her, you know.\" Tony was greatly surprised and taxed Brenda with this. \"You never told me who was behind your flat. I might not have been so amiable if I'd known.\"<|quote|>\"No, darling, that's why.\"</|quote|>Half the house party wondered why Beaver was there; the other half knew. As a result of this he and Brenda saw each other very little, less than if they had been casual acquaintances, so that Angela remarked to her husband, \"I daresay it was a mistake to ask him.",
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"Mm." | Brenda | was almost asleep." "Very tired?"<|quote|>"Mm."</|quote|>"Want to be left alone?" | "Why, Tony," she said, "I was almost asleep." "Very tired?"<|quote|>"Mm."</|quote|>"Want to be left alone?" "So tired... and I've just | said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?"<|quote|>"Mm."</|quote|>"Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night." "Good night... don't mind, do you?... so tired." He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out | water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?"<|quote|>"Mm."</|quote|>"Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night." "Good night... don't mind, do you?... so tired." He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies | and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?"<|quote|>"Mm."</|quote|>"Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night." "Good night... don't mind, do you?... so tired." He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, | can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?"<|quote|>"Mm."</|quote|>"Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night." "Good night... don't mind, do you?... so tired." He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at | speak to your dad like that for? You've been going on about seeing the kennels since Christmas." "Not with _him_," said John. "You ungrateful little bastard, that's a lousy way to speak of your dad." "And you ought not to say bastard or lousy in front of me, nanny says not." So Tony went over alone to Little Bayton, where he had some business to discuss with Colonel Brink. He hoped they would ask him to stay on, but the Colonel and his wife were themselves going out to tea, so he drove back in the dusk to Hetton. A thin mist lay breast-high over the park; the turrets and battlements of the abbey stood grey and flat; the boiler man was hauling down the flag on the main tower. * * * * * "My poor Brenda, it's an appalling room," said Mrs Beaver. "It's not one we use a great deal," said Tony very coldly. "I should think not," said the one they called Veronica. "I can't see much wrong with it," said Polly, "except it's a bit mouldy." "You see," Brenda explained, not looking at Tony. "What I thought was that I must have _one_ habitable room downstairs. At present there's only the smoking-room and the library. The drawing-room is vast and quite out of the question. I thought what I needed was a small sitting-room more or less to myself. Don't you think it has possibilities?" "But, my angel, the _shape's_ all wrong," said Daisy, "and that chimney-piece--what is it made of, pink granite, and all the plaster work and the dado. _Everything's_ horrible. It's so _dark_." "I know exactly what Brenda wants," said Mrs Beaver more moderately. "I don't think it will be impossible. I must think about it. As Veronica says, the structure does rather limit one... you know, I think the only thing to do would be to disregard it altogether and find some treatment so definite that it _carried_ the room, if you see what I mean... supposing we covered the walls with white chromium plating and had natural sheepskin carpet... I wonder if that would be running you in for more than you meant to spend?" "I'd blow the whole thing sky-high," said Veronica. Tony left them to their discussion. * * * * * "D'you really want Mrs Beaver to do up the morning-room?" "Not if you don't, sweet." "But can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?"<|quote|>"Mm."</|quote|>"Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night." "Good night... don't mind, do you?... so tired." He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her coming twice--Lyonesse can't be as beastly as most of the rooms, can it. Also charming girl I have taken up with who I want us to be kind to. She's had a _terrible_ life and she lives in one of these flats, called Jenny Abdul Akbar. Not black but married one. Get her to tell you. She'll come by train 3.18 I expect. Must stop now and go to lecture. Keep away from the Demon Rum. x x x x x x Brenda. Saw Jock last night at Caf? de Paris with shameless blonde. Who? Gin. No, Djin--how?--has rheumatism and Marjorie is v. put out about it. She thinks his pelvis is out of place and Cruttwell won't do him which is pretty mean considering all the people she has brought there. "Are you _certain_ Jenny will be Tony's tea?" "You can't ever be certain," said Polly. "She bores my pants off, but she's a good trier." * * * * * "Is mummy coming down to-day, daddy?" "Yes." "Who else?" "Someone called Jenny Abdul Akbar." "What a silly name. Is she foreign?" "I don't know." "Sounds foreign, doesn't she, daddy? D'you think she won't be able to talk any English? Is she black?" "Mummy says not." "Oh... who else?" "Lady Cockpurse." "The monkey-woman. You know she wasn't a bit like a monkey except perhaps her face and I don't think she had a tail because I looked as close as anything... unless perhaps she has it rolled up between | plaster work and the dado. _Everything's_ horrible. It's so _dark_." "I know exactly what Brenda wants," said Mrs Beaver more moderately. "I don't think it will be impossible. I must think about it. As Veronica says, the structure does rather limit one... you know, I think the only thing to do would be to disregard it altogether and find some treatment so definite that it _carried_ the room, if you see what I mean... supposing we covered the walls with white chromium plating and had natural sheepskin carpet... I wonder if that would be running you in for more than you meant to spend?" "I'd blow the whole thing sky-high," said Veronica. Tony left them to their discussion. * * * * * "D'you really want Mrs Beaver to do up the morning-room?" "Not if you don't, sweet." "But can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?"<|quote|>"Mm."</|quote|>"Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night." "Good night... don't mind, do you?... so tired." He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still." "Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" "Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled | A Handful Of Dust | said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?"<|quote|>"Mm."</|quote|>"Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night." "Good night... don't mind, do you?... so tired." He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out | {
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"content": "said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. \"Why, Tony,\" she said, \"I was almost asleep.\" \"Very tired?\"<|quote|>\"Mm.\"</|quote|>\"Want to be left alone?\" \"So tired... and I've just drunk a lot of that stuff of Polly's.\" \"I see... well, good night.\" \"Good night... don't mind, do you?... so tired.\" He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out",
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"It's not how I should have put it," | Reggie St Cloud | to buy Beaver for Brenda."<|quote|>"It's not how I should have put it,"</|quote|>said Reggie. "Well, I'm not | give up Hetton in order to buy Beaver for Brenda."<|quote|>"It's not how I should have put it,"</|quote|>said Reggie. "Well, I'm not going to and that's the | can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda."<|quote|>"It's not how I should have put it,"</|quote|>said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying | "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda."<|quote|>"It's not how I should have put it,"</|quote|>said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a | quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda."<|quote|>"It's not how I should have put it,"</|quote|>said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is | the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda."<|quote|>"It's not how I should have put it,"</|quote|>said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me." "But did you know that they proposed to ask for two thousand?" "Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He hung up the receiver and went back to the smoking-room. His mind had suddenly become clearer on many points that had puzzled him. A whole Gothic world had come to grief... there was now no armour glittering through the forest glades, no embroidered feet on the green sward; the cream and dappled unicorns had fled... Reggie sat expanded in his chair. | a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee." When they were settled in front of the fire in the empty smoking-room, he answered, "Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda."<|quote|>"It's not how I should have put it,"</|quote|>said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me." "But did you know that they proposed to ask for two thousand?" "Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He hung up the receiver and went back to the smoking-room. His mind had suddenly become clearer on many points that had puzzled him. A whole Gothic world had come to grief... there was now no armour glittering through the forest glades, no embroidered feet on the green sward; the cream and dappled unicorns had fled... Reggie sat expanded in his chair. "Well?" "I got on to her. You were quite right. I'm sorry I didn't believe you. It seemed so unlikely at first." "That's all right, my dear fellow." "I've decided exactly what's going to happen." "Good." "Brenda is not going to get her divorce. The evidence I provided at Brighton isn't worth anything. There happens to have been a child there all the time. She slept both nights in the room I am supposed to have occupied. If you care to bring the case I shall defend it and win, but I think when you have seen my evidence you will drop it. I am going away for six months or so. When I come back, if she wishes it, I shall divorce Brenda without settlements of any kind. Is that clear?" "But look here, my dear fellow." "Good night. Thank you for the dinner. Good luck to the excavations." On his way out of the club he noticed that John Beaver of Bratt's Club was up for election. * * * * * "Who on earth would have expected the old boy to turn up like that?" asked Polly Cockpurse. "Now I understand why they keep going on in the papers about divorce law reform," said Veronica. "It's _too_ monstrous that he should be allowed to get away with it." "The mistake they made was in telling him first," said Souki. "It's so like Brenda to trust everyone," said Jenny Abdul Akbar. * * * * * "I do think Tony comes out of this pretty poorly," said Marjorie. "Oh, I don't know," said Allan. "I expect your ass of a brother put the thing wrong." CHAPTER V IN SEARCH OF A CITY [I] "any idea how many times round the deck make a mile?" "None, I'm afraid," said Tony. "But I should think you must have walked a great distance." "Twenty-two times. One soon gets out of sorts at sea if you're used to an active life. She's not much of a boat. Travel with this line often?" "Never before." "Ah. Thought you might have been in business in the islands. Not many tourists going out this time of year. Just the other way about. All coming home, if you see what I mean. Going far?" "Demerara." "Ah. Looking for minerals perhaps?" "No, to tell you the truth I am looking for a city." The genial passenger was | lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda."<|quote|>"It's not how I should have put it,"</|quote|>said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" | A Handful Of Dust | can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda."<|quote|>"It's not how I should have put it,"</|quote|>said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying | {
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"content": "can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way.\" \"Yes, I see his point,\" said Tony. \"So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda.\"<|quote|>\"It's not how I should have put it,\"</|quote|>said Reggie. \"Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you.\" \"No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying",
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We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called | No speaker | "We are the Iron Youth."<|quote|>We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called</|quote|>"Saul" and a bundle of | Müller asks him. He laughs. "We are the Iron Youth."<|quote|>We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called</|quote|>"Saul" and a bundle of poems. Many an evening I | broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth."<|quote|>We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called</|quote|>"Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our | huts. I think of the letter that I must write to-morrow to Kemmerich's mother. I am freezing. I could do with a tot of rum. Müller pulls up some grass and chews it. Suddenly little Kropp throws his cigarette away, stamps on it savagely, and looking round him with a broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth."<|quote|>We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called</|quote|>"Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth." All the older men | so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the boots. "They would fit me perfectly. In these boots I get blister after blister. Do you think he will last till to-morrow after drill? If he passes out in the night, we know where the boots----" Kropp returns. "Do you think----?" he asks. "Done for," says Müller emphatically. We go back to the huts. I think of the letter that I must write to-morrow to Kemmerich's mother. I am freezing. I could do with a tot of rum. Müller pulls up some grass and chews it. Suddenly little Kropp throws his cigarette away, stamps on it savagely, and looking round him with a broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth."<|quote|>We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called</|quote|>"Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth." All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on | things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions. "Well, we could exchange," suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him to come back in the morning. Müller talks of doing so too. He is thinking of the lace-up boots and means to be on the spot. Kemmerich groans. He is feverish. We get hold of an orderly outside and ask him to give Kemmerich a dose of morphia. He refuses. "If we were to give morphia to everyone we would have to have tubs full----" "You only attend to officers properly," says Kropp viciously. I hastily intervene and give him a cigarette. He takes it. "Are you usually allowed to give it, then?" I ask him. He is annoyed. "If you don't think so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the boots. "They would fit me perfectly. In these boots I get blister after blister. Do you think he will last till to-morrow after drill? If he passes out in the night, we know where the boots----" Kropp returns. "Do you think----?" he asks. "Done for," says Müller emphatically. We go back to the huts. I think of the letter that I must write to-morrow to Kemmerich's mother. I am freezing. I could do with a tot of rum. Müller pulls up some grass and chews it. Suddenly little Kropp throws his cigarette away, stamps on it savagely, and looking round him with a broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth."<|quote|>We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called</|quote|>"Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth." All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already | eyes. Here lies our comrade, Kemmerich, who a little while ago was roasting horse-flesh with us and squatting in the shell-holes. He it is still and yet it is not he any longer. His features have become uncertain and faint, like a photographic plate on which two pictures have been taken. Even his voice sounds like ashes. I think of the time when we went away. His mother, a good plump matron, brought him to the station. She wept continually, her face was bloated and swollen. Kemmerich felt embarrassed, for she was the least composed of all; she simply dissolved into fat and water. Then she caught sight of me and took hold of my arm again and again, and implored me to look after Franz out there. Indeed he did have a face like a child, and such frail bones that after four weeks pack-carrying he already had flat feet. But how can a man look after anyone in the field! "Now you will soon be going home," says Kropp. "You would have had to wait at least three or four months for your leave." Kemmerich nods. I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how can it be possible---- Müller leans over. "We have brought your things, Franz." Kemmerich signs with his hand. "Put them under the bed." Müller does so. Kemmerich starts on again about the watch. How can one calm him without making him suspicious? Müller reappears with a pair of airman's boots. They are fine English boots of soft, yellow leather which reach to the knee and lace all the way--they are things to be coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only one--they are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions. "Well, we could exchange," suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him to come back in the morning. Müller talks of doing so too. He is thinking of the lace-up boots and means to be on the spot. Kemmerich groans. He is feverish. We get hold of an orderly outside and ask him to give Kemmerich a dose of morphia. He refuses. "If we were to give morphia to everyone we would have to have tubs full----" "You only attend to officers properly," says Kropp viciously. I hastily intervene and give him a cigarette. He takes it. "Are you usually allowed to give it, then?" I ask him. He is annoyed. "If you don't think so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the boots. "They would fit me perfectly. In these boots I get blister after blister. Do you think he will last till to-morrow after drill? If he passes out in the night, we know where the boots----" Kropp returns. "Do you think----?" he asks. "Done for," says Müller emphatically. We go back to the huts. I think of the letter that I must write to-morrow to Kemmerich's mother. I am freezing. I could do with a tot of rum. Müller pulls up some grass and chews it. Suddenly little Kropp throws his cigarette away, stamps on it savagely, and looking round him with a broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth."<|quote|>We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called</|quote|>"Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth." All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud | poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how can it be possible---- Müller leans over. "We have brought your things, Franz." Kemmerich signs with his hand. "Put them under the bed." Müller does so. Kemmerich starts on again about the watch. How can one calm him without making him suspicious? Müller reappears with a pair of airman's boots. They are fine English boots of soft, yellow leather which reach to the knee and lace all the way--they are things to be coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only one--they are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions. "Well, we could exchange," suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him to come back in the morning. Müller talks of doing so too. He is thinking of the lace-up boots and means to be on the spot. Kemmerich groans. He is feverish. We get hold of an orderly outside and ask him to give Kemmerich a dose of morphia. He refuses. "If we were to give morphia to everyone we would have to have tubs full----" "You only attend to officers properly," says Kropp viciously. I hastily intervene and give him a cigarette. He takes it. "Are you usually allowed to give it, then?" I ask him. He is annoyed. "If you don't think so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the boots. "They would fit me perfectly. In these boots I get blister after blister. Do you think he will last till to-morrow after drill? If he passes out in the night, we know where the boots----" Kropp returns. "Do you think----?" he asks. "Done for," says Müller emphatically. We go back to the huts. I think of the letter that I must write to-morrow to Kemmerich's mother. I am freezing. I could do with a tot of rum. Müller pulls up some grass and chews it. Suddenly little Kropp throws his cigarette away, stamps on it savagely, and looking round him with a broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth."<|quote|>We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called</|quote|>"Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth." All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. | All Quiet on the Western Front | broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth."<|quote|>We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called</|quote|>"Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our | {
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"content": "broken and distracted face, stammers: \"Damned shit, the damned shit!\" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. \"What has Kantorek written to you?\" Müller asks him. He laughs. \"We are the Iron Youth.\"<|quote|>We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called</|quote|>\"Saul\" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our",
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"I have read for the last time." | Tony Last | man. You read so well."<|quote|>"I have read for the last time."</|quote|>"I hope not," said Mr | have no need of another man. You read so well."<|quote|>"I have read for the last time."</|quote|>"I hope not," said Mr Todd politely. That evening at | man. Read me another chapter." "Mr Todd, I swear by anything you like that when I get to Man?os I will find someone to take my place. I will pay a man to read to you all day." "But I have no need of another man. You read so well."<|quote|>"I have read for the last time."</|quote|>"I hope not," said Mr Todd politely. That evening at supper only one plate of dried meat and farine was brought in and Mr Todd ate alone. Tony lay without speaking, staring at the thatch. Next day at noon a single plate was put before Mr Todd but with it | present you are keeping me here against my will. I demand to be released." "But, my friend, what is keeping you? You are under no restraint. Go when you like." "You know very well that I can't get away without your help." "In that case you must humour an old man. Read me another chapter." "Mr Todd, I swear by anything you like that when I get to Man?os I will find someone to take my place. I will pay a man to read to you all day." "But I have no need of another man. You read so well."<|quote|>"I have read for the last time."</|quote|>"I hope not," said Mr Todd politely. That evening at supper only one plate of dried meat and farine was brought in and Mr Todd ate alone. Tony lay without speaking, staring at the thatch. Next day at noon a single plate was put before Mr Todd but with it lay his gun, cocked, on his knee, as he ate. Tony resumed the reading of _Martin Chuzzlewit_ where it had been interrupted. Weeks passed hopelessly. They read _Nicholas Nickleby_ and _Little Dorrit_ and _Oliver Twist_. Then a stranger arrived in the savannah, a half-caste prospector, one of that lonely order | he found a document written in pencil in irregular characters. Year 1919. I James Todd of Brazil do swear to Barnabas Washington of Georgetown that if he finish this book in fact Martin Chuzzlewit I will let him go away back as soon as finished. There followed a heavy pencil X and after it: _Mr Todd made this mark signed Barnabas Washington_. "Mr Todd," said Tony, "I must speak frankly. You saved my life, and when I get back to civilization I will reward you to the best of my ability. I will give you anything within reason. But at present you are keeping me here against my will. I demand to be released." "But, my friend, what is keeping you? You are under no restraint. Go when you like." "You know very well that I can't get away without your help." "In that case you must humour an old man. Read me another chapter." "Mr Todd, I swear by anything you like that when I get to Man?os I will find someone to take my place. I will pay a man to read to you all day." "But I have no need of another man. You read so well."<|quote|>"I have read for the last time."</|quote|>"I hope not," said Mr Todd politely. That evening at supper only one plate of dried meat and farine was brought in and Mr Todd ate alone. Tony lay without speaking, staring at the thatch. Next day at noon a single plate was put before Mr Todd but with it lay his gun, cocked, on his knee, as he ate. Tony resumed the reading of _Martin Chuzzlewit_ where it had been interrupted. Weeks passed hopelessly. They read _Nicholas Nickleby_ and _Little Dorrit_ and _Oliver Twist_. Then a stranger arrived in the savannah, a half-caste prospector, one of that lonely order of men who wander for a lifetime through the forests, tracing the little streams, sifting the gravel and, ounce by ounce, filling the little leather sack of gold dust, more often than not dying of exposure and starvation with five hundred dollars worth of gold hung round their necks. Mr Todd was vexed at his arrival, gave him farine and _tasso_ and sent him on his journey within an hour of his arrival, but in that hour Tony had time to scribble his name on a slip of paper and put it into the man's hand. From now on there | a sketch of a canoe in the sand, he went through some vague motions of carpentry, pointed from them to him, then made motions of giving something to them and scratched out the outlines of a gun and a hat and a few other recognizable articles of trade. One of the women giggled but no one gave any sign of comprehension, and he went away unsatisfied. At their mid-day meal Mr Todd said, "Mr Last, the Indians tell me that you have been trying to speak with them. It is easier that you say anything you wish through me. You realize, do you not, that they would do nothing without my authority. They regard themselves, quite rightly in many cases, as my children." "Well, as a matter of fact, I was asking them about a canoe." "So they gave me to understand... and now if you have finished your meal perhaps we might have another chapter. I am quite absorbed in the book." * * * * * They finished _Dombey and Son_. Nearly a year had passed since Tony had left England, and his gloomy foreboding of permanent exile became suddenly acute when, between the pages of _Martin Chuzzlewit_, he found a document written in pencil in irregular characters. Year 1919. I James Todd of Brazil do swear to Barnabas Washington of Georgetown that if he finish this book in fact Martin Chuzzlewit I will let him go away back as soon as finished. There followed a heavy pencil X and after it: _Mr Todd made this mark signed Barnabas Washington_. "Mr Todd," said Tony, "I must speak frankly. You saved my life, and when I get back to civilization I will reward you to the best of my ability. I will give you anything within reason. But at present you are keeping me here against my will. I demand to be released." "But, my friend, what is keeping you? You are under no restraint. Go when you like." "You know very well that I can't get away without your help." "In that case you must humour an old man. Read me another chapter." "Mr Todd, I swear by anything you like that when I get to Man?os I will find someone to take my place. I will pay a man to read to you all day." "But I have no need of another man. You read so well."<|quote|>"I have read for the last time."</|quote|>"I hope not," said Mr Todd politely. That evening at supper only one plate of dried meat and farine was brought in and Mr Todd ate alone. Tony lay without speaking, staring at the thatch. Next day at noon a single plate was put before Mr Todd but with it lay his gun, cocked, on his knee, as he ate. Tony resumed the reading of _Martin Chuzzlewit_ where it had been interrupted. Weeks passed hopelessly. They read _Nicholas Nickleby_ and _Little Dorrit_ and _Oliver Twist_. Then a stranger arrived in the savannah, a half-caste prospector, one of that lonely order of men who wander for a lifetime through the forests, tracing the little streams, sifting the gravel and, ounce by ounce, filling the little leather sack of gold dust, more often than not dying of exposure and starvation with five hundred dollars worth of gold hung round their necks. Mr Todd was vexed at his arrival, gave him farine and _tasso_ and sent him on his journey within an hour of his arrival, but in that hour Tony had time to scribble his name on a slip of paper and put it into the man's hand. From now on there was hope. The days followed their unvarying routine; coffee at sunrise, a morning of inaction while Mr Todd pottered about on the business of the farm, farine and _tasso_ at noon, Dickens in the afternoon, farine and _tasso_ and sometimes some fruit for supper, silence from sunset to dawn with the small wick glowing in the beef fat and the palm thatch overhead dimly discernible; but Tony lived in quiet confidence and expectation. Sometime, this year or the next, the prospector would arrive at a Brazilian village with news of his discovery. The disasters of the Messinger expedition would not have passed unnoticed. Tony could imagine the headlines that must have appeared in the popular press; even now, probably, there were search parties working over the country he had crossed; any day English voices must sound over the savannah and a dozen friendly adventurers come crashing through the bush. Even as he was reading, while his lips mechanically followed the printed pages, his mind wandered away from his eager, crazy host opposite, and he began to narrate to himself incidents of his homecoming--the gradual re-encounters with civilization (he shaved and bought new clothes at Man?os, telegraphed for money, received wires | disturb yourself about that. You will have time to finish it, my friend." For the first time Tony noticed something slightly menacing in his host's manner. That evening at supper, a brief meal of farine and dried beef, eaten just before sundown, Tony renewed the subject. "You know, Mr Todd, the time has come when I must be thinking about getting back to civilization. I have already imposed myself on your hospitality far too long." Mr Todd bent over the plate, crunching mouthfuls of farine, but made no reply. "How soon do you think I shall be able to get a boat?... I said, how soon do you think I shall be able to get a boat? I appreciate all your kindness to me more than I can say, but..." "My friend, any kindness I may have shown is amply repaid by your reading of Dickens. Do not let us mention the subject again." "Well, I'm very glad you have enjoyed it. I have, too. But I really must be thinking of getting back..." "Yes," said Mr Todd. "The black man was like that. He thought of it all the time. But he died here..." Twice during the next day Tony opened the subject, but his host was evasive. Finally, he said, "Forgive me, Mr Todd, but I really must press the point. When can I get a boat?" "There is no boat." "Well, the Indians can build one." "You must wait for the rains. There is not enough water in the river now." "How long will that be?" "A month... two months..." They had finished _Bleak House_ and were nearing the end of _Dombey and Son_ when the rain came. "Now it is time to make preparations to go." "Oh, that is impossible. The Indians will not make a boat during the rainy season--it is one of their superstitions." "You might have told me." "Did I not mention it? I forgot." Next morning Tony went out alone while his host was busy, and, looking as aimless as he could, strolled across the savannah to the group of Indian houses. There were four or five Pie-wies sitting in one of the doorways. They did not look up as he approached them. He addressed them in the few words of Macushi he had acquired during the journey but they made no sign whether they understood him or not. Then he drew a sketch of a canoe in the sand, he went through some vague motions of carpentry, pointed from them to him, then made motions of giving something to them and scratched out the outlines of a gun and a hat and a few other recognizable articles of trade. One of the women giggled but no one gave any sign of comprehension, and he went away unsatisfied. At their mid-day meal Mr Todd said, "Mr Last, the Indians tell me that you have been trying to speak with them. It is easier that you say anything you wish through me. You realize, do you not, that they would do nothing without my authority. They regard themselves, quite rightly in many cases, as my children." "Well, as a matter of fact, I was asking them about a canoe." "So they gave me to understand... and now if you have finished your meal perhaps we might have another chapter. I am quite absorbed in the book." * * * * * They finished _Dombey and Son_. Nearly a year had passed since Tony had left England, and his gloomy foreboding of permanent exile became suddenly acute when, between the pages of _Martin Chuzzlewit_, he found a document written in pencil in irregular characters. Year 1919. I James Todd of Brazil do swear to Barnabas Washington of Georgetown that if he finish this book in fact Martin Chuzzlewit I will let him go away back as soon as finished. There followed a heavy pencil X and after it: _Mr Todd made this mark signed Barnabas Washington_. "Mr Todd," said Tony, "I must speak frankly. You saved my life, and when I get back to civilization I will reward you to the best of my ability. I will give you anything within reason. But at present you are keeping me here against my will. I demand to be released." "But, my friend, what is keeping you? You are under no restraint. Go when you like." "You know very well that I can't get away without your help." "In that case you must humour an old man. Read me another chapter." "Mr Todd, I swear by anything you like that when I get to Man?os I will find someone to take my place. I will pay a man to read to you all day." "But I have no need of another man. You read so well."<|quote|>"I have read for the last time."</|quote|>"I hope not," said Mr Todd politely. That evening at supper only one plate of dried meat and farine was brought in and Mr Todd ate alone. Tony lay without speaking, staring at the thatch. Next day at noon a single plate was put before Mr Todd but with it lay his gun, cocked, on his knee, as he ate. Tony resumed the reading of _Martin Chuzzlewit_ where it had been interrupted. Weeks passed hopelessly. They read _Nicholas Nickleby_ and _Little Dorrit_ and _Oliver Twist_. Then a stranger arrived in the savannah, a half-caste prospector, one of that lonely order of men who wander for a lifetime through the forests, tracing the little streams, sifting the gravel and, ounce by ounce, filling the little leather sack of gold dust, more often than not dying of exposure and starvation with five hundred dollars worth of gold hung round their necks. Mr Todd was vexed at his arrival, gave him farine and _tasso_ and sent him on his journey within an hour of his arrival, but in that hour Tony had time to scribble his name on a slip of paper and put it into the man's hand. From now on there was hope. The days followed their unvarying routine; coffee at sunrise, a morning of inaction while Mr Todd pottered about on the business of the farm, farine and _tasso_ at noon, Dickens in the afternoon, farine and _tasso_ and sometimes some fruit for supper, silence from sunset to dawn with the small wick glowing in the beef fat and the palm thatch overhead dimly discernible; but Tony lived in quiet confidence and expectation. Sometime, this year or the next, the prospector would arrive at a Brazilian village with news of his discovery. The disasters of the Messinger expedition would not have passed unnoticed. Tony could imagine the headlines that must have appeared in the popular press; even now, probably, there were search parties working over the country he had crossed; any day English voices must sound over the savannah and a dozen friendly adventurers come crashing through the bush. Even as he was reading, while his lips mechanically followed the printed pages, his mind wandered away from his eager, crazy host opposite, and he began to narrate to himself incidents of his homecoming--the gradual re-encounters with civilization (he shaved and bought new clothes at Man?os, telegraphed for money, received wires of congratulation; he enjoyed the leisurely river journey to Belem, the big liner to Europe; savoured good claret and fresh meat and spring vegetables; he was shy at meeting Brenda and uncertain how to address her... "_Darling_, you've been much longer than you said. I quite thought you were lost..."). And then Mr Todd interrupted. "May I trouble you to read that passage again? It is one I particularly enjoy." The weeks passed; there was no sign of rescue but Tony endured the day for hope of what might happen on the morrow; he even felt a slight stirring of cordiality towards his jailer and was therefore quite willing to join him when, one evening after a long conference with an Indian neighbour he proposed a celebration. "It is one of the local feast days," he explained, "and they have been making _pivari_. You may not like it but you should try some. We will go across to this man's home to-night." Accordingly after supper they joined a party of Indians that were assembled round the fire in one of the huts at the other side of the savannah. They were singing in an apathetic, monotonous manner and passing a large calabash of liquid from mouth to mouth. Separate bowls were brought for Tony and Mr Todd, and they were given hammocks to sit in. "You must drink it all without lowering the cup. That is the etiquette." Tony gulped the dark liquid, trying not to taste it. But it was not unpleasant, hard and muddy on the palate like most of the beverages he had been offered in Brazil, but with a flavour of honey and brown bread. He leant back in the hammock feeling unusually contented. Perhaps at that very moment the search party was in camp a few hours" journey from them. Meanwhile he was warm and drowsy. The cadence of song rose and fell interminably, liturgically. Another calabash of _pivari_ was offered him and he handed it back empty. He lay full length watching the play of shadows on the thatch as the Pie-wies began to dance. Then he shut his eyes and thought of England and Hetton and fell asleep. * * * * * He awoke, still in the Indian hut, with the impression that he had outslept his usual hour. By the position of the sun he knew it was late afternoon. No | build one." "You must wait for the rains. There is not enough water in the river now." "How long will that be?" "A month... two months..." They had finished _Bleak House_ and were nearing the end of _Dombey and Son_ when the rain came. "Now it is time to make preparations to go." "Oh, that is impossible. The Indians will not make a boat during the rainy season--it is one of their superstitions." "You might have told me." "Did I not mention it? I forgot." Next morning Tony went out alone while his host was busy, and, looking as aimless as he could, strolled across the savannah to the group of Indian houses. There were four or five Pie-wies sitting in one of the doorways. They did not look up as he approached them. He addressed them in the few words of Macushi he had acquired during the journey but they made no sign whether they understood him or not. Then he drew a sketch of a canoe in the sand, he went through some vague motions of carpentry, pointed from them to him, then made motions of giving something to them and scratched out the outlines of a gun and a hat and a few other recognizable articles of trade. One of the women giggled but no one gave any sign of comprehension, and he went away unsatisfied. At their mid-day meal Mr Todd said, "Mr Last, the Indians tell me that you have been trying to speak with them. It is easier that you say anything you wish through me. You realize, do you not, that they would do nothing without my authority. They regard themselves, quite rightly in many cases, as my children." "Well, as a matter of fact, I was asking them about a canoe." "So they gave me to understand... and now if you have finished your meal perhaps we might have another chapter. I am quite absorbed in the book." * * * * * They finished _Dombey and Son_. Nearly a year had passed since Tony had left England, and his gloomy foreboding of permanent exile became suddenly acute when, between the pages of _Martin Chuzzlewit_, he found a document written in pencil in irregular characters. Year 1919. I James Todd of Brazil do swear to Barnabas Washington of Georgetown that if he finish this book in fact Martin Chuzzlewit I will let him go away back as soon as finished. There followed a heavy pencil X and after it: _Mr Todd made this mark signed Barnabas Washington_. "Mr Todd," said Tony, "I must speak frankly. You saved my life, and when I get back to civilization I will reward you to the best of my ability. I will give you anything within reason. But at present you are keeping me here against my will. I demand to be released." "But, my friend, what is keeping you? You are under no restraint. Go when you like." "You know very well that I can't get away without your help." "In that case you must humour an old man. Read me another chapter." "Mr Todd, I swear by anything you like that when I get to Man?os I will find someone to take my place. I will pay a man to read to you all day." "But I have no need of another man. You read so well."<|quote|>"I have read for the last time."</|quote|>"I hope not," said Mr Todd politely. That evening at supper only one plate of dried meat and farine was brought in and Mr Todd ate alone. Tony lay without speaking, staring at the thatch. Next day at noon a single plate was put before Mr Todd but with it lay his gun, cocked, on his knee, as he ate. Tony resumed the reading of _Martin Chuzzlewit_ where it had been interrupted. Weeks passed hopelessly. They read _Nicholas Nickleby_ and _Little Dorrit_ and _Oliver Twist_. Then a stranger arrived in the savannah, a half-caste prospector, one of that lonely order of men who wander for a lifetime through the forests, tracing the little streams, sifting the gravel and, ounce by ounce, filling the little leather sack of gold dust, more often than not dying of exposure and starvation with five hundred dollars worth of gold hung round their necks. Mr Todd was vexed at his arrival, gave him farine and _tasso_ and sent him on his journey within an hour of his arrival, but in that hour Tony had time to scribble his name on a slip of paper and put it into the man's hand. From now on there was hope. The days followed their unvarying routine; coffee at sunrise, a morning of inaction while Mr Todd pottered about on the business of the farm, farine and _tasso_ at noon, Dickens in the afternoon, farine and _tasso_ and sometimes some fruit for supper, silence from sunset to dawn with the small wick glowing in the beef fat and the palm thatch overhead dimly discernible; but Tony lived in quiet confidence and expectation. Sometime, this year or the next, the prospector would arrive at a Brazilian village with news of his discovery. The disasters of the Messinger expedition would not have passed unnoticed. Tony could imagine the headlines that must have appeared in the popular press; even now, probably, there were search parties working over the country he had crossed; any day English voices must sound over the savannah and a dozen friendly adventurers come crashing through the bush. Even as he was reading, while his lips mechanically followed the printed pages, his mind wandered away from his eager, crazy host opposite, and he began to narrate to himself incidents of his homecoming--the gradual re-encounters with civilization (he shaved and bought new clothes at Man?os, telegraphed for money, received wires of congratulation; he enjoyed the leisurely river journey to Belem, the big liner to Europe; savoured good claret and | A Handful Of Dust | man. Read me another chapter." "Mr Todd, I swear by anything you like that when I get to Man?os I will find someone to take my place. I will pay a man to read to you all day." "But I have no need of another man. You read so well."<|quote|>"I have read for the last time."</|quote|>"I hope not," said Mr Todd politely. That evening at supper only one plate of dried meat and farine was brought in and Mr Todd ate alone. Tony lay without speaking, staring at the thatch. Next day at noon a single plate was put before Mr Todd but with it | {
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He blows his nose and wipes his beard. | No speaker | rolled up from the top."<|quote|>He blows his nose and wipes his beard.</|quote|>"Completely rolled up they must | through in Flanders and then rolled up from the top."<|quote|>He blows his nose and wipes his beard.</|quote|>"Completely rolled up they must be, from the top to | little sector and so cannot have any general survey. You do your duty, you risk your lives, that deserves the highest honour--every man of you ought to have the Iron Cross--but first of all the enemy line must be broken through in Flanders and then rolled up from the top."<|quote|>He blows his nose and wipes his beard.</|quote|>"Completely rolled up they must be, from the top to the bottom. And then to Paris." I would like to know just how he pictures it to himself, and pour the third glass of beer into me. Immediately he orders another. But I break away. He stuffs a few more | many reserves. Besides, the war may be rather different from what people think. He dismisses the idea loftily and informs me I know nothing about it. "The details, yes," says he, "but this relates to the whole. And of that you are not able to judge. You see only your little sector and so cannot have any general survey. You do your duty, you risk your lives, that deserves the highest honour--every man of you ought to have the Iron Cross--but first of all the enemy line must be broken through in Flanders and then rolled up from the top."<|quote|>He blows his nose and wipes his beard.</|quote|>"Completely rolled up they must be, from the top to the bottom. And then to Paris." I would like to know just how he pictures it to himself, and pour the third glass of beer into me. Immediately he orders another. But I break away. He stuffs a few more cigars into my pocket and sends me off with a friendly slap. "All of the best! I hope we will soon hear something worth while from you." * * I imagined leave would be different from this. Indeed, it was different a year ago. It is I of course that | The head-master with the steel watch-chain wants to have at least the whole of Belgium, the coal-areas of France, and a slice of Russia. He produces reasons why we must have them and is quite inflexible until at last the others give in to him. Then he begins to expound just whereabouts in France the break-through must come, and turns to me: "Now, shove ahead a bit out there with your everlasting trench warfare--Smash through the johnnies and then there will be peace." I reply that in our opinion a break-through may not be possible. The enemy may have too many reserves. Besides, the war may be rather different from what people think. He dismisses the idea loftily and informs me I know nothing about it. "The details, yes," says he, "but this relates to the whole. And of that you are not able to judge. You see only your little sector and so cannot have any general survey. You do your duty, you risk your lives, that deserves the highest honour--every man of you ought to have the Iron Cross--but first of all the enemy line must be broken through in Flanders and then rolled up from the top."<|quote|>He blows his nose and wipes his beard.</|quote|>"Completely rolled up they must be, from the top to the bottom. And then to Paris." I would like to know just how he pictures it to himself, and pour the third glass of beer into me. Immediately he orders another. But I break away. He stuffs a few more cigars into my pocket and sends me off with a friendly slap. "All of the best! I hope we will soon hear something worth while from you." * * I imagined leave would be different from this. Indeed, it was different a year ago. It is I of course that have changed in the interval. There lies a gulf between that time and to-day. At that time I still knew nothing about the war, we had been only in quiet sectors. But now I see that I have been crushed without knowing it. I find I do not belong here any more, it is a foreign world. Some of these people ask questions, some ask no questions, but one can see that they are quite confident they know all about it; they often say so with their air of comprehension, so there is no point in discussing it. They make | least get decent food out there, so I hear. You look well, Paul, and fit. Naturally it's worse here. Naturally. The best for our soldiers every time, that goes without saying." He drags me along to a table with a lot of others. They welcome me, a head-master shakes hands with me and says: "So you come from the front? What is the spirit like out there? Excellent, eh? excellent?" I explain that no one would be sorry to be back home. He laughs uproariously. "I can well believe it! But first you have to give the Froggies a good hiding. Do you smoke? Here, try one. Waiter, bring a beer as well for our young warrior." Unfortunately I have accepted the cigar, so I have to remain. And they are all so dripping with good will that it is impossible to object. All the same I feel annoyed and smoke like a chimney as hard as I can. In order to make at least some show of appreciation I toss off the beer in one gulp. Immediately a second is ordered; people know how much they are indebted to the soldiers. They argue about what we ought to annex. The head-master with the steel watch-chain wants to have at least the whole of Belgium, the coal-areas of France, and a slice of Russia. He produces reasons why we must have them and is quite inflexible until at last the others give in to him. Then he begins to expound just whereabouts in France the break-through must come, and turns to me: "Now, shove ahead a bit out there with your everlasting trench warfare--Smash through the johnnies and then there will be peace." I reply that in our opinion a break-through may not be possible. The enemy may have too many reserves. Besides, the war may be rather different from what people think. He dismisses the idea loftily and informs me I know nothing about it. "The details, yes," says he, "but this relates to the whole. And of that you are not able to judge. You see only your little sector and so cannot have any general survey. You do your duty, you risk your lives, that deserves the highest honour--every man of you ought to have the Iron Cross--but first of all the enemy line must be broken through in Flanders and then rolled up from the top."<|quote|>He blows his nose and wipes his beard.</|quote|>"Completely rolled up they must be, from the top to the bottom. And then to Paris." I would like to know just how he pictures it to himself, and pour the third glass of beer into me. Immediately he orders another. But I break away. He stuffs a few more cigars into my pocket and sends me off with a friendly slap. "All of the best! I hope we will soon hear something worth while from you." * * I imagined leave would be different from this. Indeed, it was different a year ago. It is I of course that have changed in the interval. There lies a gulf between that time and to-day. At that time I still knew nothing about the war, we had been only in quiet sectors. But now I see that I have been crushed without knowing it. I find I do not belong here any more, it is a foreign world. Some of these people ask questions, some ask no questions, but one can see that they are quite confident they know all about it; they often say so with their air of comprehension, so there is no point in discussing it. They make up a picture of it for themselves. I prefer to be alone, so that no one troubles me. For they all come back to the same thing, how badly it goes and how well it goes; one thinks it is this way, another that; and yet they are always absorbed in the things that go to make up their own existence. Formerly I lived in just the same way myself, but now I feel no contact here any longer. They talk to me too much. They have worries, aims, desires, that I can not comprehend. I often sit with one of them in the little beer-garden and try to explain to him that this is really the only thing: just to sit quietly, like this. They understand of course, they agree, they may even feel it so too, but only with words, only with words, yes, that is it--they feel it, but always with only half of themselves, the rest of their being is taken up with other things, they are so divided in themselves that none feels it with his whole essence; I cannot even say myself exactly what I mean. When I see them here, in their rooms, | makes me less strange to her. But my father would rather I kept my uniform on so that he could take me to visit his acquaintances. But I refuse. * * It is pleasant to sit quietly somewhere, in the beer-garden for example, under the chestnuts by the skittle-alley. The leaves fall down on the table and on the ground, only a few, the first. A glass of beer stands in front of me, I've learned to drink in the army. The glass is half empty, but there are still a few good swigs ahead of me, and besides I can always order a second and a third if I wish to. There are no bugles and no bombardments, the children of the house play in the skittle-alley, and the dog rests his head against my knee. The sky is blue, between the leaves of the chestnuts rises the green spire of St. Margaret's Church. This is good, I like it. But I cannot get on with the people. My mother is the only one who asks no questions. Not so my father. He wants me to tell him about the front; he is curious in a way that I find stupid and distressing; I no longer have any real contact with him. There is nothing he likes more than just hearing about it. I realize he does not know that a man cannot talk of such things; I would do it willingly, but it is too dangerous for me to put these things into words. I am afraid they might then become gigantic and I be no longer able to master them. What would become of us if everything that happens out there were quite clear to us? So I confine myself to telling him a few amusing things. But he wants to know whether I have ever had a hand-to-hand fight. I say "No," and get up and go out. But that does not mend matters. After I have been startled a couple of times in the street by the screaming of the tramcars, which resembles the shriek of a shell coming straight for one, somebody taps me on the shoulder. It is my German-master, and he fastens on me with the usual question: "Well, how are things out there? Terrible, terrible, eh? Yes, it is dreadful, but we must carry on. And after all, you do at least get decent food out there, so I hear. You look well, Paul, and fit. Naturally it's worse here. Naturally. The best for our soldiers every time, that goes without saying." He drags me along to a table with a lot of others. They welcome me, a head-master shakes hands with me and says: "So you come from the front? What is the spirit like out there? Excellent, eh? excellent?" I explain that no one would be sorry to be back home. He laughs uproariously. "I can well believe it! But first you have to give the Froggies a good hiding. Do you smoke? Here, try one. Waiter, bring a beer as well for our young warrior." Unfortunately I have accepted the cigar, so I have to remain. And they are all so dripping with good will that it is impossible to object. All the same I feel annoyed and smoke like a chimney as hard as I can. In order to make at least some show of appreciation I toss off the beer in one gulp. Immediately a second is ordered; people know how much they are indebted to the soldiers. They argue about what we ought to annex. The head-master with the steel watch-chain wants to have at least the whole of Belgium, the coal-areas of France, and a slice of Russia. He produces reasons why we must have them and is quite inflexible until at last the others give in to him. Then he begins to expound just whereabouts in France the break-through must come, and turns to me: "Now, shove ahead a bit out there with your everlasting trench warfare--Smash through the johnnies and then there will be peace." I reply that in our opinion a break-through may not be possible. The enemy may have too many reserves. Besides, the war may be rather different from what people think. He dismisses the idea loftily and informs me I know nothing about it. "The details, yes," says he, "but this relates to the whole. And of that you are not able to judge. You see only your little sector and so cannot have any general survey. You do your duty, you risk your lives, that deserves the highest honour--every man of you ought to have the Iron Cross--but first of all the enemy line must be broken through in Flanders and then rolled up from the top."<|quote|>He blows his nose and wipes his beard.</|quote|>"Completely rolled up they must be, from the top to the bottom. And then to Paris." I would like to know just how he pictures it to himself, and pour the third glass of beer into me. Immediately he orders another. But I break away. He stuffs a few more cigars into my pocket and sends me off with a friendly slap. "All of the best! I hope we will soon hear something worth while from you." * * I imagined leave would be different from this. Indeed, it was different a year ago. It is I of course that have changed in the interval. There lies a gulf between that time and to-day. At that time I still knew nothing about the war, we had been only in quiet sectors. But now I see that I have been crushed without knowing it. I find I do not belong here any more, it is a foreign world. Some of these people ask questions, some ask no questions, but one can see that they are quite confident they know all about it; they often say so with their air of comprehension, so there is no point in discussing it. They make up a picture of it for themselves. I prefer to be alone, so that no one troubles me. For they all come back to the same thing, how badly it goes and how well it goes; one thinks it is this way, another that; and yet they are always absorbed in the things that go to make up their own existence. Formerly I lived in just the same way myself, but now I feel no contact here any longer. They talk to me too much. They have worries, aims, desires, that I can not comprehend. I often sit with one of them in the little beer-garden and try to explain to him that this is really the only thing: just to sit quietly, like this. They understand of course, they agree, they may even feel it so too, but only with words, only with words, yes, that is it--they feel it, but always with only half of themselves, the rest of their being is taken up with other things, they are so divided in themselves that none feels it with his whole essence; I cannot even say myself exactly what I mean. When I see them here, in their rooms, in their offices, about their occupations, I feel an irresistible attraction in it, I would like to be here too and forget the war; but also it repels me, it is so narrow, how can that fill a man's life, he ought to smash it to bits; how can they do it, while out at the front the splinters are whining over the shell-holes and the star-shells go up, the wounded are carried back on water-proof sheets and comrades crouch in the trenches.-- They are different men here, men I cannot properly understand, whom I envy and despise. I must think of Kat and Albert and Müller and Tjaden, what will they be doing? No doubt they are sitting in the canteen, or perhaps swimming--soon they will have to go up to the front-line again. * * In my room behind the table stands a brown leather sofa. I sit down on it. On the walls are pasted countless pictures that I once used to cut out of the newspapers. In between are drawings and postcards that have come my way. In the corner is a small iron stove. Against the wall opposite stand the book-shelves with my books. I used to live in this room before I was a soldier. The books I bought gradually with the money I earned by coaching. Many of them are second-hand, all the classics for example, one volume in blue cloth boards cost one mark twenty pfennig. I bought them complete because I was thoroughgoing, I did not trust the editors of selections, even though they may have chosen all the best. So I purchased only "collected works." I read most of them with laudable zeal, but few of them really appealed to me. I preferred the other books, the moderns, which were of course much dearer. A few I came by not quite honestly, I borrowed and did not return them because I did not want to part with them. One shelf is filled with school books. They are not so well cared for, they are badly thumbed, and pages have been torn out for certain purposes. Then below are periodicals, papers, and letters all jammed in together with drawings and rough sketches. I want to think myself back into that time. It is still in the room, I feel it at once, the walls have preserved it. My hands rest on | the tramcars, which resembles the shriek of a shell coming straight for one, somebody taps me on the shoulder. It is my German-master, and he fastens on me with the usual question: "Well, how are things out there? Terrible, terrible, eh? Yes, it is dreadful, but we must carry on. And after all, you do at least get decent food out there, so I hear. You look well, Paul, and fit. Naturally it's worse here. Naturally. The best for our soldiers every time, that goes without saying." He drags me along to a table with a lot of others. They welcome me, a head-master shakes hands with me and says: "So you come from the front? What is the spirit like out there? Excellent, eh? excellent?" I explain that no one would be sorry to be back home. He laughs uproariously. "I can well believe it! But first you have to give the Froggies a good hiding. Do you smoke? Here, try one. Waiter, bring a beer as well for our young warrior." Unfortunately I have accepted the cigar, so I have to remain. And they are all so dripping with good will that it is impossible to object. All the same I feel annoyed and smoke like a chimney as hard as I can. In order to make at least some show of appreciation I toss off the beer in one gulp. Immediately a second is ordered; people know how much they are indebted to the soldiers. They argue about what we ought to annex. The head-master with the steel watch-chain wants to have at least the whole of Belgium, the coal-areas of France, and a slice of Russia. He produces reasons why we must have them and is quite inflexible until at last the others give in to him. Then he begins to expound just whereabouts in France the break-through must come, and turns to me: "Now, shove ahead a bit out there with your everlasting trench warfare--Smash through the johnnies and then there will be peace." I reply that in our opinion a break-through may not be possible. The enemy may have too many reserves. Besides, the war may be rather different from what people think. He dismisses the idea loftily and informs me I know nothing about it. "The details, yes," says he, "but this relates to the whole. And of that you are not able to judge. You see only your little sector and so cannot have any general survey. You do your duty, you risk your lives, that deserves the highest honour--every man of you ought to have the Iron Cross--but first of all the enemy line must be broken through in Flanders and then rolled up from the top."<|quote|>He blows his nose and wipes his beard.</|quote|>"Completely rolled up they must be, from the top to the bottom. And then to Paris." I would like to know just how he pictures it to himself, and pour the third glass of beer into me. Immediately he orders another. But I break away. He stuffs a few more cigars into my pocket and sends me off with a friendly slap. "All of the best! I hope we will soon hear something worth while from you." * * I imagined leave would be different from this. Indeed, it was different a year ago. It is I of course that have changed in the interval. There lies a gulf between that time and to-day. At that time I still knew nothing about the war, we had been only in quiet sectors. But now I see that I have been crushed without knowing it. I find I do not belong here any more, it is a foreign world. Some of these people ask questions, some ask no questions, but one can see that they are quite confident they know all about it; they often say so with their air of comprehension, so there is no point in discussing it. They make up a picture of it for themselves. I prefer to be alone, so that no one troubles me. For they all come back to the same thing, how badly it goes and how well it goes; one thinks it is this way, another that; and yet they are always absorbed in the things that go to make up their own existence. Formerly I lived in just the same way myself, but now I feel no contact | All Quiet on the Western Front | little sector and so cannot have any general survey. You do your duty, you risk your lives, that deserves the highest honour--every man of you ought to have the Iron Cross--but first of all the enemy line must be broken through in Flanders and then rolled up from the top."<|quote|>He blows his nose and wipes his beard.</|quote|>"Completely rolled up they must be, from the top to the bottom. And then to Paris." I would like to know just how he pictures it to himself, and pour the third glass of beer into me. Immediately he orders another. But I break away. He stuffs a few more | {
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"If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting." | Anne Shirley | worth telling," said Anne eagerly.<|quote|>"If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting."</|quote|>"No, I don't want any | _know_ about myself isn't really worth telling," said Anne eagerly.<|quote|>"If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting."</|quote|>"No, I don't want any of your imaginings. Just you | just sounds like music. How far is it to White Sands?" "It's five miles; and as you're evidently bent on talking you might as well talk to some purpose by telling me what you know about yourself." "Oh, what I _know_ about myself isn't really worth telling," said Anne eagerly.<|quote|>"If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting."</|quote|>"No, I don't want any of your imaginings. Just you stick to bald facts. Begin at the beginning. Where were you born and how old are you?" "I was eleven last March," said Anne, resigning herself to bald facts with a little sigh. "And I was born in Bolingbroke, Nova | dreamily. "Is it as nice as it sounds? Just when you said" ?shore road' "I saw it in a picture in my mind, as quick as that! And White Sands is a pretty name, too; but I don't like it as well as Avonlea. Avonlea is a lovely name. It just sounds like music. How far is it to White Sands?" "It's five miles; and as you're evidently bent on talking you might as well talk to some purpose by telling me what you know about yourself." "Oh, what I _know_ about myself isn't really worth telling," said Anne eagerly.<|quote|>"If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting."</|quote|>"No, I don't want any of your imaginings. Just you stick to bald facts. Begin at the beginning. Where were you born and how old are you?" "I was eleven last March," said Anne, resigning herself to bald facts with a little sigh. "And I was born in Bolingbroke, Nova Scotia. My father's name was Walter Shirley, and he was a teacher in the Bolingbroke High School. My mother's name was Bertha Shirley. Aren't Walter and Bertha lovely names? I'm so glad my parents had nice names. It would be a real disgrace to have a father named--well, say Jedediah, | see where the comforting comes in myself," said Marilla. "Why, because it sounds so nice and romantic, just as if I were a heroine in a book, you know. I am so fond of romantic things, and a graveyard full of buried hopes is about as romantic a thing as one can imagine isn't it? I'm rather glad I have one. Are we going across the Lake of Shining Waters today?" "We're not going over Barry's pond, if that's what you mean by your Lake of Shining Waters. We're going by the shore road." "Shore road sounds nice," said Anne dreamily. "Is it as nice as it sounds? Just when you said" ?shore road' "I saw it in a picture in my mind, as quick as that! And White Sands is a pretty name, too; but I don't like it as well as Avonlea. Avonlea is a lovely name. It just sounds like music. How far is it to White Sands?" "It's five miles; and as you're evidently bent on talking you might as well talk to some purpose by telling me what you know about yourself." "Oh, what I _know_ about myself isn't really worth telling," said Anne eagerly.<|quote|>"If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting."</|quote|>"No, I don't want any of your imaginings. Just you stick to bald facts. Begin at the beginning. Where were you born and how old are you?" "I was eleven last March," said Anne, resigning herself to bald facts with a little sigh. "And I was born in Bolingbroke, Nova Scotia. My father's name was Walter Shirley, and he was a teacher in the Bolingbroke High School. My mother's name was Bertha Shirley. Aren't Walter and Bertha lovely names? I'm so glad my parents had nice names. It would be a real disgrace to have a father named--well, say Jedediah, wouldn't it?" "I guess it doesn't matter what a person's name is as long as he behaves himself," said Marilla, feeling herself called upon to inculcate a good and useful moral. "Well, I don't know." Anne looked thoughtful. "I read in a book once that a rose by any other name would smell as sweet, but I've never been able to believe it. I don't believe a rose _would_ be as nice if it was called a thistle or a skunk cabbage. I suppose my father could have been a good man even if he had been called Jedediah; but | enjoy things if you make up your mind firmly that you will. Of course, you must make it up _firmly_. I am not going to think about going back to the asylum while we're having our drive. I'm just going to think about the drive. Oh, look, there's one little early wild rose out! Isn't it lovely? Don't you think it must be glad to be a rose? Wouldn't it be nice if roses could talk? I'm sure they could tell us such lovely things. And isn't pink the most bewitching color in the world? I love it, but I can't wear it. Redheaded people can't wear pink, not even in imagination. Did you ever know of anybody whose hair was red when she was young, but got to be another color when she grew up?" "No, I don't know as I ever did," said Marilla mercilessly, "and I shouldn't think it likely to happen in your case either." Anne sighed. "Well, that is another hope gone." ?My life is a perfect graveyard of buried hopes.' "That's a sentence I read in a book once, and I say it over to comfort myself whenever I'm disappointed in anything." "I don't see where the comforting comes in myself," said Marilla. "Why, because it sounds so nice and romantic, just as if I were a heroine in a book, you know. I am so fond of romantic things, and a graveyard full of buried hopes is about as romantic a thing as one can imagine isn't it? I'm rather glad I have one. Are we going across the Lake of Shining Waters today?" "We're not going over Barry's pond, if that's what you mean by your Lake of Shining Waters. We're going by the shore road." "Shore road sounds nice," said Anne dreamily. "Is it as nice as it sounds? Just when you said" ?shore road' "I saw it in a picture in my mind, as quick as that! And White Sands is a pretty name, too; but I don't like it as well as Avonlea. Avonlea is a lovely name. It just sounds like music. How far is it to White Sands?" "It's five miles; and as you're evidently bent on talking you might as well talk to some purpose by telling me what you know about yourself." "Oh, what I _know_ about myself isn't really worth telling," said Anne eagerly.<|quote|>"If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting."</|quote|>"No, I don't want any of your imaginings. Just you stick to bald facts. Begin at the beginning. Where were you born and how old are you?" "I was eleven last March," said Anne, resigning herself to bald facts with a little sigh. "And I was born in Bolingbroke, Nova Scotia. My father's name was Walter Shirley, and he was a teacher in the Bolingbroke High School. My mother's name was Bertha Shirley. Aren't Walter and Bertha lovely names? I'm so glad my parents had nice names. It would be a real disgrace to have a father named--well, say Jedediah, wouldn't it?" "I guess it doesn't matter what a person's name is as long as he behaves himself," said Marilla, feeling herself called upon to inculcate a good and useful moral. "Well, I don't know." Anne looked thoughtful. "I read in a book once that a rose by any other name would smell as sweet, but I've never been able to believe it. I don't believe a rose _would_ be as nice if it was called a thistle or a skunk cabbage. I suppose my father could have been a good man even if he had been called Jedediah; but I'm sure it would have been a cross. Well, my mother was a teacher in the High school, too, but when she married father she gave up teaching, of course. A husband was enough responsibility. Mrs. Thomas said that they were a pair of babies and as poor as church mice. They went to live in a weeny-teeny little yellow house in Bolingbroke. I've never seen that house, but I've imagined it thousands of times. I think it must have had honeysuckle over the parlor window and lilacs in the front yard and lilies of the valley just inside the gate. Yes, and muslin curtains in all the windows. Muslin curtains give a house such an air. I was born in that house. Mrs. Thomas said I was the homeliest baby she ever saw, I was so scrawny and tiny and nothing but eyes, but that mother thought I was perfectly beautiful. I should think a mother would be a better judge than a poor woman who came in to scrub, wouldn't you? I'm glad she was satisfied with me anyhow, I would feel so sad if I thought I was a disappointment to her--because she didn't live very long | in all my life saw or heard anything to equal her," muttered Marilla, beating a retreat down to the cellar after potatoes. "She is kind of interesting as Matthew says. I can feel already that I'm wondering what on earth she'll say next. She'll be casting a spell over me, too. She's cast it over Matthew. That look he gave me when he went out said everything he said or hinted last night over again. I wish he was like other men and would talk things out. A body could answer back then and argue him into reason. But what's to be done with a man who just _looks?_" Anne had relapsed into reverie, with her chin in her hands and her eyes on the sky, when Marilla returned from her cellar pilgrimage. There Marilla left her until the early dinner was on the table. "I suppose I can have the mare and buggy this afternoon, Matthew?" said Marilla. Matthew nodded and looked wistfully at Anne. Marilla intercepted the look and said grimly: "I'm going to drive over to White Sands and settle this thing. I'll take Anne with me and Mrs. Spencer will probably make arrangements to send her back to Nova Scotia at once. I'll set your tea out for you and I'll be home in time to milk the cows." Still Matthew said nothing and Marilla had a sense of having wasted words and breath. There is nothing more aggravating than a man who won't talk back--unless it is a woman who won't. Matthew hitched the sorrel into the buggy in due time and Marilla and Anne set off. Matthew opened the yard gate for them and as they drove slowly through, he said, to nobody in particular as it seemed: "Little Jerry Buote from the Creek was here this morning, and I told him I guessed I'd hire him for the summer." Marilla made no reply, but she hit the unlucky sorrel such a vicious clip with the whip that the fat mare, unused to such treatment, whizzed indignantly down the lane at an alarming pace. Marilla looked back once as the buggy bounced along and saw that aggravating Matthew leaning over the gate, looking wistfully after them. CHAPTER V. Anne's History "DO you know," said Anne confidentially, "I've made up my mind to enjoy this drive. It's been my experience that you can nearly always enjoy things if you make up your mind firmly that you will. Of course, you must make it up _firmly_. I am not going to think about going back to the asylum while we're having our drive. I'm just going to think about the drive. Oh, look, there's one little early wild rose out! Isn't it lovely? Don't you think it must be glad to be a rose? Wouldn't it be nice if roses could talk? I'm sure they could tell us such lovely things. And isn't pink the most bewitching color in the world? I love it, but I can't wear it. Redheaded people can't wear pink, not even in imagination. Did you ever know of anybody whose hair was red when she was young, but got to be another color when she grew up?" "No, I don't know as I ever did," said Marilla mercilessly, "and I shouldn't think it likely to happen in your case either." Anne sighed. "Well, that is another hope gone." ?My life is a perfect graveyard of buried hopes.' "That's a sentence I read in a book once, and I say it over to comfort myself whenever I'm disappointed in anything." "I don't see where the comforting comes in myself," said Marilla. "Why, because it sounds so nice and romantic, just as if I were a heroine in a book, you know. I am so fond of romantic things, and a graveyard full of buried hopes is about as romantic a thing as one can imagine isn't it? I'm rather glad I have one. Are we going across the Lake of Shining Waters today?" "We're not going over Barry's pond, if that's what you mean by your Lake of Shining Waters. We're going by the shore road." "Shore road sounds nice," said Anne dreamily. "Is it as nice as it sounds? Just when you said" ?shore road' "I saw it in a picture in my mind, as quick as that! And White Sands is a pretty name, too; but I don't like it as well as Avonlea. Avonlea is a lovely name. It just sounds like music. How far is it to White Sands?" "It's five miles; and as you're evidently bent on talking you might as well talk to some purpose by telling me what you know about yourself." "Oh, what I _know_ about myself isn't really worth telling," said Anne eagerly.<|quote|>"If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting."</|quote|>"No, I don't want any of your imaginings. Just you stick to bald facts. Begin at the beginning. Where were you born and how old are you?" "I was eleven last March," said Anne, resigning herself to bald facts with a little sigh. "And I was born in Bolingbroke, Nova Scotia. My father's name was Walter Shirley, and he was a teacher in the Bolingbroke High School. My mother's name was Bertha Shirley. Aren't Walter and Bertha lovely names? I'm so glad my parents had nice names. It would be a real disgrace to have a father named--well, say Jedediah, wouldn't it?" "I guess it doesn't matter what a person's name is as long as he behaves himself," said Marilla, feeling herself called upon to inculcate a good and useful moral. "Well, I don't know." Anne looked thoughtful. "I read in a book once that a rose by any other name would smell as sweet, but I've never been able to believe it. I don't believe a rose _would_ be as nice if it was called a thistle or a skunk cabbage. I suppose my father could have been a good man even if he had been called Jedediah; but I'm sure it would have been a cross. Well, my mother was a teacher in the High school, too, but when she married father she gave up teaching, of course. A husband was enough responsibility. Mrs. Thomas said that they were a pair of babies and as poor as church mice. They went to live in a weeny-teeny little yellow house in Bolingbroke. I've never seen that house, but I've imagined it thousands of times. I think it must have had honeysuckle over the parlor window and lilacs in the front yard and lilies of the valley just inside the gate. Yes, and muslin curtains in all the windows. Muslin curtains give a house such an air. I was born in that house. Mrs. Thomas said I was the homeliest baby she ever saw, I was so scrawny and tiny and nothing but eyes, but that mother thought I was perfectly beautiful. I should think a mother would be a better judge than a poor woman who came in to scrub, wouldn't you? I'm glad she was satisfied with me anyhow, I would feel so sad if I thought I was a disappointment to her--because she didn't live very long after that, you see. She died of fever when I was just three months old. I do wish she'd lived long enough for me to remember calling her mother. I think it would be so sweet to say ?mother,' don't you? And father died four days afterwards from fever too. That left me an orphan and folks were at their wits' end, so Mrs. Thomas said, what to do with me. You see, nobody wanted me even then. It seems to be my fate. Father and mother had both come from places far away and it was well known they hadn't any relatives living. Finally Mrs. Thomas said she'd take me, though she was poor and had a drunken husband. She brought me up by hand. Do you know if there is anything in being brought up by hand that ought to make people who are brought up that way better than other people? Because whenever I was naughty Mrs. Thomas would ask me how I could be such a bad girl when she had brought me up by hand--reproachful-like." "Mr. and Mrs. Thomas moved away from Bolingbroke to Marysville, and I lived with them until I was eight years old. I helped look after the Thomas children--there were four of them younger than me--and I can tell you they took a lot of looking after. Then Mr. Thomas was killed falling under a train and his mother offered to take Mrs. Thomas and the children, but she didn't want me. Mrs. Thomas was at _her_ wits' end, so she said, what to do with me. Then Mrs. Hammond from up the river came down and said she'd take me, seeing I was handy with children, and I went up the river to live with her in a little clearing among the stumps. It was a very lonesome place. I'm sure I could never have lived there if I hadn't had an imagination. Mr. Hammond worked a little sawmill up there, and Mrs. Hammond had eight children. She had twins three times. I like babies in moderation, but twins three times in succession is _too much_. I told Mrs. Hammond so firmly, when the last pair came. I used to get so dreadfully tired carrying them about." "I lived up river with Mrs. Hammond over two years, and then Mr. Hammond died and Mrs. Hammond broke up housekeeping. She divided | had a sense of having wasted words and breath. There is nothing more aggravating than a man who won't talk back--unless it is a woman who won't. Matthew hitched the sorrel into the buggy in due time and Marilla and Anne set off. Matthew opened the yard gate for them and as they drove slowly through, he said, to nobody in particular as it seemed: "Little Jerry Buote from the Creek was here this morning, and I told him I guessed I'd hire him for the summer." Marilla made no reply, but she hit the unlucky sorrel such a vicious clip with the whip that the fat mare, unused to such treatment, whizzed indignantly down the lane at an alarming pace. Marilla looked back once as the buggy bounced along and saw that aggravating Matthew leaning over the gate, looking wistfully after them. CHAPTER V. Anne's History "DO you know," said Anne confidentially, "I've made up my mind to enjoy this drive. It's been my experience that you can nearly always enjoy things if you make up your mind firmly that you will. Of course, you must make it up _firmly_. I am not going to think about going back to the asylum while we're having our drive. I'm just going to think about the drive. Oh, look, there's one little early wild rose out! Isn't it lovely? Don't you think it must be glad to be a rose? Wouldn't it be nice if roses could talk? I'm sure they could tell us such lovely things. And isn't pink the most bewitching color in the world? I love it, but I can't wear it. Redheaded people can't wear pink, not even in imagination. Did you ever know of anybody whose hair was red when she was young, but got to be another color when she grew up?" "No, I don't know as I ever did," said Marilla mercilessly, "and I shouldn't think it likely to happen in your case either." Anne sighed. "Well, that is another hope gone." ?My life is a perfect graveyard of buried hopes.' "That's a sentence I read in a book once, and I say it over to comfort myself whenever I'm disappointed in anything." "I don't see where the comforting comes in myself," said Marilla. "Why, because it sounds so nice and romantic, just as if I were a heroine in a book, you know. I am so fond of romantic things, and a graveyard full of buried hopes is about as romantic a thing as one can imagine isn't it? I'm rather glad I have one. Are we going across the Lake of Shining Waters today?" "We're not going over Barry's pond, if that's what you mean by your Lake of Shining Waters. We're going by the shore road." "Shore road sounds nice," said Anne dreamily. "Is it as nice as it sounds? Just when you said" ?shore road' "I saw it in a picture in my mind, as quick as that! And White Sands is a pretty name, too; but I don't like it as well as Avonlea. Avonlea is a lovely name. It just sounds like music. How far is it to White Sands?" "It's five miles; and as you're evidently bent on talking you might as well talk to some purpose by telling me what you know about yourself." "Oh, what I _know_ about myself isn't really worth telling," said Anne eagerly.<|quote|>"If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting."</|quote|>"No, I don't want any of your imaginings. Just you stick to bald facts. Begin at the beginning. Where were you born and how old are you?" "I was eleven last March," said Anne, resigning herself to bald facts with a little sigh. "And I was born in Bolingbroke, Nova Scotia. My father's name was Walter Shirley, and he was a teacher in the Bolingbroke High School. My mother's name was Bertha Shirley. Aren't Walter and Bertha lovely names? I'm so glad my parents had nice names. It would be a real disgrace to have a father named--well, say Jedediah, wouldn't it?" "I guess it doesn't matter what a person's name is as long as he behaves himself," said Marilla, feeling herself called upon to inculcate a good and useful moral. "Well, I don't know." Anne looked thoughtful. "I read in a book once that a rose by any other name would smell as sweet, but I've never been able to believe it. I don't believe a rose _would_ be as nice if it was called a thistle or a skunk cabbage. I suppose my father could have been a good man even if he had been called Jedediah; but I'm sure it would have been a cross. Well, my mother was a teacher in the High school, too, but when she married father she gave up teaching, of course. A husband was enough responsibility. Mrs. Thomas said that they were a pair of babies and as poor as church mice. They went to live in a weeny-teeny little yellow house in Bolingbroke. I've never seen that house, but I've imagined it thousands of times. I think it must have had honeysuckle over the parlor window and lilacs in the front yard and lilies of the | Anne Of Green Gables | just sounds like music. How far is it to White Sands?" "It's five miles; and as you're evidently bent on talking you might as well talk to some purpose by telling me what you know about yourself." "Oh, what I _know_ about myself isn't really worth telling," said Anne eagerly.<|quote|>"If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting."</|quote|>"No, I don't want any of your imaginings. Just you stick to bald facts. Begin at the beginning. Where were you born and how old are you?" "I was eleven last March," said Anne, resigning herself to bald facts with a little sigh. "And I was born in Bolingbroke, Nova | {
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"content": "just sounds like music. How far is it to White Sands?\" \"It's five miles; and as you're evidently bent on talking you might as well talk to some purpose by telling me what you know about yourself.\" \"Oh, what I _know_ about myself isn't really worth telling,\" said Anne eagerly.<|quote|>\"If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting.\"</|quote|>\"No, I don't want any of your imaginings. Just you stick to bald facts. Begin at the beginning. Where were you born and how old are you?\" \"I was eleven last March,\" said Anne, resigning herself to bald facts with a little sigh. \"And I was born in Bolingbroke, Nova",
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"If I had been the boy you sent for," | Anne Shirley | I'd rather drop in harness."<|quote|>"If I had been the boy you sent for,"</|quote|>said Anne wistfully, "I'd be | always worked pretty hard and I'd rather drop in harness."<|quote|>"If I had been the boy you sent for,"</|quote|>said Anne wistfully, "I'd be able to help you so | reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."<|quote|>"If I had been the boy you sent for,"</|quote|>said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. | back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."<|quote|>"If I had been the boy you sent for,"</|quote|>said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory | think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."<|quote|>"If I had been the boy you sent for,"</|quote|>said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name | take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."<|quote|>"If I had been the boy you sent for,"</|quote|>said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came | to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana. "Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave." Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."<|quote|>"If I had been the boy you sent for,"</|quote|>said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes. "Oh, Marilla," she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as I have you'll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank. The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned. When the calm night came softly down over Green Gables the old house was hushed and tranquil. In the parlor lay Matthew Cuthbert in his coffin, his long gray hair framing his placid face on which there was a little kindly smile as if he but slept, dreaming pleasant dreams. There were flowers about him--sweet old-fashioned flowers which his mother had planted in the homestead garden in her bridal days and for which Matthew had always had a secret, wordless love. Anne had gathered them and brought them to him, her anguished, tearless eyes burning in her white face. It was the last thing she could do for him. The Barrys and Mrs. Lynde stayed with them that night. Diana, going to the east gable, where Anne was standing at her window, said gently: "Anne dear, would you like to have me sleep with you tonight?" "Thank you, Diana." Anne looked earnestly into her friend's face. "I think you won't misunderstand me when I say I want to be alone. I'm not afraid. I haven't been alone one minute since it happened--and I want to be. I want to be quite silent and quiet and try to realize it. I can't realize it. Half the time it | Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."<|quote|>"If I had been the boy you sent for,"</|quote|>said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an | Anne Of Green Gables | reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness."<|quote|>"If I had been the boy you sent for,"</|quote|>said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. | {
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"content": "reproachfully. \"Why won't you take things easier?\" \"Well now, I can't seem to,\" said Matthew, as he opened the yard gate to let the cows through. \"It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness.\"<|quote|>\"If I had been the boy you sent for,\"</|quote|>said Anne wistfully, \"I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that.\" \"Well now, I'd rather have you than a dozen boys, Anne,\" said Matthew patting her hand.",
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} | Anne Shirley |
said the Mock Turtle. | No speaker | didn't!" interrupted Alice. "You did,"<|quote|>said the Mock Turtle.</|quote|>"Hold your tongue!" added the | it--" "I never said I didn't!" interrupted Alice. "You did,"<|quote|>said the Mock Turtle.</|quote|>"Hold your tongue!" added the Gryphon, before Alice could speak | the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did,"<|quote|>said the Mock Turtle.</|quote|>"Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock | called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did,"<|quote|>said the Mock Turtle.</|quote|>"Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of | of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did,"<|quote|>said the Mock Turtle.</|quote|>"Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to | not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did,"<|quote|>said the Mock Turtle.</|quote|>"Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in | the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did,"<|quote|>said the Mock Turtle.</|quote|>"Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back | she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did,"<|quote|>said the Mock Turtle.</|quote|>"Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't | Alices Adventures In Wonderland | the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did,"<|quote|>said the Mock Turtle.</|quote|>"Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock | {
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"content": "the earth. At last the Gryphon said to the Mock Turtle, \"Drive on, old fellow! Don't be all day about it!\" and he went on in these words: \"Yes, we went to school in the sea, though you mayn't believe it--\" \"I never said I didn't!\" interrupted Alice. \"You did,\"<|quote|>said the Mock Turtle.</|quote|>\"Hold your tongue!\" added the Gryphon, before Alice could speak again. The Mock Turtle went on. \"We had the best of educations--in fact, we went to school every day--\" \"_I've_ been to a day-school, too,\" said Alice; \"you needn't be so proud as all that.\" \"With extras?\" asked the Mock",
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"Is he often like that?" | John Beaver | not to make surprise visits."<|quote|>"Is he often like that?"</|quote|>"No, it's quite new." The | He's got to be taught not to make surprise visits."<|quote|>"Is he often like that?"</|quote|>"No, it's quite new." The telephone bell rang. "D'you suppose | "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits."<|quote|>"Is he often like that?"</|quote|>"No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are | this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits."<|quote|>"Is he often like that?"</|quote|>"No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll | other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits."<|quote|>"Is he often like that?"</|quote|>"No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I | more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits."<|quote|>"Is he often like that?"</|quote|>"No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. | down at Tony's table. "Been chucked?" asked Tony again. "Yes, it's the last time I ask that bitch out." "Better have a drink. I've been drinking a whole lot. Much the best thing." They took what was left of the Burgundy and ordered another bottle. "Just come up for the night," said Tony. "Staying here." "You've got a flat now, haven't you?" "Well, Brenda has. There isn't really room for two... we tried it once and it wasn't a success." "What's she doing to-night?" "Out somewhere. I didn't let her know I was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits."<|quote|>"Is he often like that?"</|quote|>"No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car. "Tell you what, I shouldn't drive if I were you." "Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting us." "Well, I can't walk all that way. Besides, I don't think she really wanted us to come." "She'll be pleased when she sees us." "Yes, but it's a long way. Let's go some other place." "I'd like to see Brenda," said Jock. "I'm very fond of Brenda." "She's a grand girl." "She's a grand girl." "Well, let's take a taxi to Brenda's." But half-way Jock said, "Don't let's go there. Let's go some other place. Let's go to some low joint." "All the same to me. Tell him to go to some lousy joint." "Go to some lousy joint," said Jock, putting his head through the window. The cab wheeled round and made towards Regent Street. "We can always ring Brenda from the lousy joint." "Yes, I think we ought to do that. She's a grand girl." "Grand girl." The cab turned into Golden Square and then down Sink Street, a dingy little place inhabited for the most part by Asiatics. "D'you know, I believe he's taking us to the Old Hundredth." "Can't still be open? Thought they closed it down years ago." But the door was brightly illuminated and a seedy figure in peaked cap and braided overcoat stepped out to open the taxi for them. The Old Hundredth has never been shut. For a generation, while other night clubs have sprung into being, with various names and managers, and various pretensions to respectability, have enjoyed a precarious and brief existence, and come to grief at the hands either of police or creditors, the Old Hundredth has maintained a solid front against all adversity. It has not been immune from persecution; far from it. Times out of number, magistrates have struck it off, cancelled its licence, condemned its premises; the staff and proprietor have been | mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits."<|quote|>"Is he often like that?"</|quote|>"No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. | A Handful Of Dust | "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits."<|quote|>"Is he often like that?"</|quote|>"No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are | {
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"content": "\"Well, I want to speak to her.\" \"Good night,\" said the voice. \"The old boy's plastered,\" said Beaver as he rang off. \"Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits.\"<|quote|>\"Is he often like that?\"</|quote|>\"No, it's quite new.\" The telephone bell rang. \"D'you suppose that's him again? I'd better answer it.\" \"I want to speak to Lady Brenda Last.\" \"Tony, darling, this _is_ me, Brenda.\" \"Some damn fool said I couldn't speak to you.\" \"I left a message from where I was dining. Are",
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"On the march, about turn," | Mittelstaedt | squad; if the order comes<|quote|>"On the march, about turn,"</|quote|>the line of skirmishers simply | paces in front of his squad; if the order comes<|quote|>"On the march, about turn,"</|quote|>the line of skirmishers simply turns about, but the squad | of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes<|quote|>"On the march, about turn,"</|quote|>the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no | years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes<|quote|>"On the march, about turn,"</|quote|>the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes | too, Boettcher, our school porter. And he is a model! Kantorek shoots a glance at me as if he would like to eat me. But I grin at him innocently, as though I do not recognize him any more. Nothing could look more ludicrous than his forage-cap and his uniform. And this is the object before whom we used to stand in anguish, as he sat up there enthroned at his desk, spearing at us with his pencil for our mistakes in those irregular French verbs with which afterwards we made so little headway in France. That is barely two years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes<|quote|>"On the march, about turn,"</|quote|>the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and | out with a suitable equipment. You will see in a minute." We go out to the parade ground. The company has fallen in. Mittelstaedt stands them at ease and inspects. Then I see Kantorek and am scarcely able to stifle my laughter. He is wearing a faded blue tunic. On the back and in the sleeves there are big dark patches. The overcoat must have belonged to a giant. The black, worn breeches are just as much too short; they reach barely halfway down his calf. The boots, tough old clod-hoppers, with turned-up toes and laces at the side, are much too big for him. But as a compensation the cap is too small, a terribly dirty, mean little pill-box. The whole rig-out is just pitiful. Mittelstaedt stops in front of him: "Territorial Kantorek, do you call those buttons polished? You seem as though you can never learn. Inadequate, Kantorek, quite inadequate----" It makes me bubble with glee. In school Kantorek used to chasten Mittelstaedt with exactly the same expression-- "Inadequate, Mittelstaedt, quite inadequate." Mittelstaedt continues to upbraid him: "Look at Boettcher now, there's a model for you to learn from." I can hardly believe my eyes. Boettcher is there too, Boettcher, our school porter. And he is a model! Kantorek shoots a glance at me as if he would like to eat me. But I grin at him innocently, as though I do not recognize him any more. Nothing could look more ludicrous than his forage-cap and his uniform. And this is the object before whom we used to stand in anguish, as he sat up there enthroned at his desk, spearing at us with his pencil for our mistakes in those irregular French verbs with which afterwards we made so little headway in France. That is barely two years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes<|quote|>"On the march, about turn,"</|quote|>the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the | it that have been marked. I look, turn over the pages, take up fresh books. Already they are piled up beside me. Speedily more join the heap, papers, magazines, letters. I stand there dumb. As before a judge. Dejected. Words, Words, Words--they do not reach me. Slowly I place the books back in the shelves. Nevermore. Quietly, I go out of the room. * * Still I do not give up hope. I do not, indeed, go to my room any more, but comfort myself with the thought that a few days are not enough to judge by. Afterwards--later on--there is plenty of time for that. So I go over to see Mittelstaedt in the barracks, and we sit in his room, there is an atmosphere about it that I do not like but with which I am quite familiar. Mittelstaedt has some news ready for me that electrifies me on the spot. He tells me Kantorek has been called up as a territorial. "Just think of it," says he, and takes out a couple of good cigars, "I come back here from the hospital and bump right into him. He stretches out his paw to me and bleats: 'Hullo Mittelstaedt, how are you?'--I look at him and say: 'Territorial Kantorek, business is business and schnapps is schnapps, you ought to know that well enough yourself. Stand to attention when you speak to a superior officer.' You should have seen his face! A cross between a dud and a pickled cucumber. He tried once again to chum up. So I snubbed him a bit harder. Then he brought up his biggest guns and asked confidentially: 'Would you like me to use my influence so that you can take an emergency-exam.?' He was trying to remind me of those things, you know. Then I got mad and I reminded him of something instead. 'Territorial Kantorek, two years ago you preached us into enlisting; and among us there was one, Joseph Behm, who didn't want to enlist. He was killed three months before he would have been called up in the ordinary way. If it had not been for you he would have lived just that much longer. And now: Dismiss. You will hear from me later.' It was easy to get put in charge of his company. First thing I did was to take him to the stores and fit him out with a suitable equipment. You will see in a minute." We go out to the parade ground. The company has fallen in. Mittelstaedt stands them at ease and inspects. Then I see Kantorek and am scarcely able to stifle my laughter. He is wearing a faded blue tunic. On the back and in the sleeves there are big dark patches. The overcoat must have belonged to a giant. The black, worn breeches are just as much too short; they reach barely halfway down his calf. The boots, tough old clod-hoppers, with turned-up toes and laces at the side, are much too big for him. But as a compensation the cap is too small, a terribly dirty, mean little pill-box. The whole rig-out is just pitiful. Mittelstaedt stops in front of him: "Territorial Kantorek, do you call those buttons polished? You seem as though you can never learn. Inadequate, Kantorek, quite inadequate----" It makes me bubble with glee. In school Kantorek used to chasten Mittelstaedt with exactly the same expression-- "Inadequate, Mittelstaedt, quite inadequate." Mittelstaedt continues to upbraid him: "Look at Boettcher now, there's a model for you to learn from." I can hardly believe my eyes. Boettcher is there too, Boettcher, our school porter. And he is a model! Kantorek shoots a glance at me as if he would like to eat me. But I grin at him innocently, as though I do not recognize him any more. Nothing could look more ludicrous than his forage-cap and his uniform. And this is the object before whom we used to stand in anguish, as he sat up there enthroned at his desk, spearing at us with his pencil for our mistakes in those irregular French verbs with which afterwards we made so little headway in France. That is barely two years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes<|quote|>"On the march, about turn,"</|quote|>the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent," I say, "but hasn't he reported you yet?" "He did try. Our C.O. laughed like the deuce when he heard the story. He hasn't any time for schoolmasters. Besides, I'm sweet with his daughter." "He'll mess up the examination for you." "I don't care," says Mittelstaedt calmly. "Besides, his complaint came to nothing because I could show that he had had hardly anything but light duty." "Couldn't you polish him up a bit?" I ask. "He's too stupid, I couldn't be bothered," answers Mittelstaedt contemptuously. * * What is leave?--A pause that only makes everything after it so much worse. Already the sense of parting begins to intrude itself. My mother watches me silently,--I know she counts the days;--every morning she is sad. It is one day less. She has put away my pack, she does not want to be reminded by it. The hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he | Kantorek and am scarcely able to stifle my laughter. He is wearing a faded blue tunic. On the back and in the sleeves there are big dark patches. The overcoat must have belonged to a giant. The black, worn breeches are just as much too short; they reach barely halfway down his calf. The boots, tough old clod-hoppers, with turned-up toes and laces at the side, are much too big for him. But as a compensation the cap is too small, a terribly dirty, mean little pill-box. The whole rig-out is just pitiful. Mittelstaedt stops in front of him: "Territorial Kantorek, do you call those buttons polished? You seem as though you can never learn. Inadequate, Kantorek, quite inadequate----" It makes me bubble with glee. In school Kantorek used to chasten Mittelstaedt with exactly the same expression-- "Inadequate, Mittelstaedt, quite inadequate." Mittelstaedt continues to upbraid him: "Look at Boettcher now, there's a model for you to learn from." I can hardly believe my eyes. Boettcher is there too, Boettcher, our school porter. And he is a model! Kantorek shoots a glance at me as if he would like to eat me. But I grin at him innocently, as though I do not recognize him any more. Nothing could look more ludicrous than his forage-cap and his uniform. And this is the object before whom we used to stand in anguish, as he sat up there enthroned at his desk, spearing at us with his pencil for our mistakes in those irregular French verbs with which afterwards we made so little headway in France. That is barely two years ago--and now here stands Territorial Kantorek, the spell quite broken, with bent knees, arms like pothooks, unpolished buttons and that ludicrous rig-out--an impossible soldier. I cannot reconcile this with the menacing figure at the schoolmaster's desk. I wonder what I, the old soldier, would do if this skin full of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes<|quote|>"On the march, about turn,"</|quote|>the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no sooner has he arrived than the order "On the march, about turn," comes again and he once more has to race at top speed another forty paces to the other side. In this way the squad has made merely the turn-about and a couple of paces while the squad-leader dashes backwards and forwards like a fart on a curtain pole. That is one of Himmelstoss' well-worn recipes. Kantorek can hardly expect anything else from Mittelstaedt, for he once messed up the latter's chance of promotion, and Mittelstaedt would be a big fool not to make the best of such a good opportunity as this, before he goes back to the front again. A man might well die easier after the army has given him just one such stroke of luck. In the meantime Kantorek is dashing up and down like a wild-boar. After a while Mittelstaedt stops the skirmish and begins the very important exercise of creeping. On hands and knees, carrying his gun in regulation fashion, Kantorek shoves his absurd figure over the sand immediately in front of us. He is breathing hard, and his panting is music. Mittelstaedt encourages Kantorek the Territorial with quotations from Kantorek the school-master. "Territorial Kantorek, we have the good fortune to live in a great age, we must all humble ourselves and for once put aside bitterness." Kantorek sweats and spits out a dirty piece of wood that has lodged in his teeth. Mittelstaedt stoops down and says reproachfully: "And in the trifles never lose sight of the great adventure, Territorial Kantorek!" It amazes me that Kantorek does not explode with a bang, especially when, during physical exercises, Mittelstaedt copies him to perfection, seizing him by the seat of his trousers as he is climbing along the horizontal bar, so that he can just raise his chin above the beam, and then starts to give him good advice. That is exactly what Kantorek used to do to him at school. The extra fatigues are next detailed off. "Kantorek and Boettcher, bread fatigue! Take the handcart with you." In a couple of minutes the two set off together pushing the barrow. Kantorek in a fury walks with his head down. But the porter is delighted to have scored light duty. The bakehouse is away at the other end of the town, and the two must go there and back through the whole length of it. "They've done that a couple of times already," grins Mittelstaedt. "There are still a few people waiting to see them." "Excellent," I say, "but hasn't he reported you yet?" "He did try. Our | All Quiet on the Western Front | of woe ever dared to say to me again: "Bäumer, give the imperfect of 'aller.'" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes<|quote|>"On the march, about turn,"</|quote|>the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no | {
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"content": "of woe ever dared to say to me again: \"Bäumer, give the imperfect of 'aller.'\" Then Mittelstaedt makes them practice skirmishing, and as a favour appoints Kantorek squad leader. Now in skirmishing the squad leader has always to keep twenty paces in front of his squad; if the order comes<|quote|>\"On the march, about turn,\"</|quote|>the line of skirmishers simply turns about, but the squad leader, who now finds himself suddenly twenty paces in rear of the line, has to rush up at the double and take his position again twenty paces in front of the squad. That makes altogether forty paces double-march. But no",
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"As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!" | The Mouse | the end of his tail.<|quote|>"As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!"</|quote|>"I won't indeed!" said Alice, | who was trembling down to the end of his tail.<|quote|>"As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!"</|quote|>"I won't indeed!" said Alice, in a great hurry to | beg your pardon!" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. "We won't talk about her any more if you'd rather not." "We indeed!" cried the Mouse, who was trembling down to the end of his tail.<|quote|>"As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!"</|quote|>"I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, | quiet thing," Alice went on, half to herself, as she swam lazily about in the pool, "and she sits purring so nicely by the fire, licking her paws and washing her face--and she is such a nice soft thing to nurse--and she's such a capital one for catching mice--oh, I beg your pardon!" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. "We won't talk about her any more if you'd rather not." "We indeed!" cried the Mouse, who was trembling down to the end of his tail.<|quote|>"As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!"</|quote|>"I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's | leap out of the water, and seemed to quiver all over with fright. "Oh, I beg your pardon!" cried Alice hastily, afraid that she had hurt the poor animal's feelings. "I quite forgot you didn't like cats." "Not like cats!" cried the Mouse, in a shrill, passionate voice. "Would _you_ like cats if you were me?" "Well, perhaps not," said Alice in a soothing tone: "don't be angry about it. And yet I wish I could show you our cat Dinah: I think you'd take a fancy to cats if you could only see her. She is such a dear quiet thing," Alice went on, half to herself, as she swam lazily about in the pool, "and she sits purring so nicely by the fire, licking her paws and washing her face--and she is such a nice soft thing to nurse--and she's such a capital one for catching mice--oh, I beg your pardon!" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. "We won't talk about her any more if you'd rather not." "We indeed!" cried the Mouse, who was trembling down to the end of his tail.<|quote|>"As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!"</|quote|>"I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and | and she soon made out that it was only a mouse that had slipped in like herself. "Would it be of any use, now," thought Alice, "to speak to this mouse? Everything is so out-of-the-way down here, that I should think very likely it can talk: at any rate, there's no harm in trying." So she began: "O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!" (Alice thought this must be the right way of speaking to a mouse: she had never done such a thing before, but she remembered having seen in her brother's Latin Grammar, "A mouse--of a mouse--to a mouse--a mouse--O mouse!") The Mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing. "Perhaps it doesn't understand English," thought Alice; "I daresay it's a French mouse, come over with William the Conqueror." (For, with all her knowledge of history, Alice had no very clear notion how long ago anything had happened.) So she began again: "O? est ma chatte?" which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water, and seemed to quiver all over with fright. "Oh, I beg your pardon!" cried Alice hastily, afraid that she had hurt the poor animal's feelings. "I quite forgot you didn't like cats." "Not like cats!" cried the Mouse, in a shrill, passionate voice. "Would _you_ like cats if you were me?" "Well, perhaps not," said Alice in a soothing tone: "don't be angry about it. And yet I wish I could show you our cat Dinah: I think you'd take a fancy to cats if you could only see her. She is such a dear quiet thing," Alice went on, half to herself, as she swam lazily about in the pool, "and she sits purring so nicely by the fire, licking her paws and washing her face--and she is such a nice soft thing to nurse--and she's such a capital one for catching mice--oh, I beg your pardon!" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. "We won't talk about her any more if you'd rather not." "We indeed!" cried the Mouse, who was trembling down to the end of his tail.<|quote|>"As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!"</|quote|>"I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice, "Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs." It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow | one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether. "That _was_ a narrow escape!" said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. "I wish I hadn't cried so much!" said Alice, as she swam about, trying to find her way out. "I shall be punished for it now, I suppose, by being drowned in my own tears! That _will_ be a queer thing, to be sure! However, everything is queer to-day." Just then she heard something splashing about in the pool a little way off, and she swam nearer to make out what it was: at first she thought it must be a walrus or hippopotamus, but then she remembered how small she was now, and she soon made out that it was only a mouse that had slipped in like herself. "Would it be of any use, now," thought Alice, "to speak to this mouse? Everything is so out-of-the-way down here, that I should think very likely it can talk: at any rate, there's no harm in trying." So she began: "O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!" (Alice thought this must be the right way of speaking to a mouse: she had never done such a thing before, but she remembered having seen in her brother's Latin Grammar, "A mouse--of a mouse--to a mouse--a mouse--O mouse!") The Mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing. "Perhaps it doesn't understand English," thought Alice; "I daresay it's a French mouse, come over with William the Conqueror." (For, with all her knowledge of history, Alice had no very clear notion how long ago anything had happened.) So she began again: "O? est ma chatte?" which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water, and seemed to quiver all over with fright. "Oh, I beg your pardon!" cried Alice hastily, afraid that she had hurt the poor animal's feelings. "I quite forgot you didn't like cats." "Not like cats!" cried the Mouse, in a shrill, passionate voice. "Would _you_ like cats if you were me?" "Well, perhaps not," said Alice in a soothing tone: "don't be angry about it. And yet I wish I could show you our cat Dinah: I think you'd take a fancy to cats if you could only see her. She is such a dear quiet thing," Alice went on, half to herself, as she swam lazily about in the pool, "and she sits purring so nicely by the fire, licking her paws and washing her face--and she is such a nice soft thing to nurse--and she's such a capital one for catching mice--oh, I beg your pardon!" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. "We won't talk about her any more if you'd rather not." "We indeed!" cried the Mouse, who was trembling down to the end of his tail.<|quote|>"As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!"</|quote|>"I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice, "Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs." It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide | how small she was now, and she soon made out that it was only a mouse that had slipped in like herself. "Would it be of any use, now," thought Alice, "to speak to this mouse? Everything is so out-of-the-way down here, that I should think very likely it can talk: at any rate, there's no harm in trying." So she began: "O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!" (Alice thought this must be the right way of speaking to a mouse: she had never done such a thing before, but she remembered having seen in her brother's Latin Grammar, "A mouse--of a mouse--to a mouse--a mouse--O mouse!") The Mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing. "Perhaps it doesn't understand English," thought Alice; "I daresay it's a French mouse, come over with William the Conqueror." (For, with all her knowledge of history, Alice had no very clear notion how long ago anything had happened.) So she began again: "O? est ma chatte?" which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water, and seemed to quiver all over with fright. "Oh, I beg your pardon!" cried Alice hastily, afraid that she had hurt the poor animal's feelings. "I quite forgot you didn't like cats." "Not like cats!" cried the Mouse, in a shrill, passionate voice. "Would _you_ like cats if you were me?" "Well, perhaps not," said Alice in a soothing tone: "don't be angry about it. And yet I wish I could show you our cat Dinah: I think you'd take a fancy to cats if you could only see her. She is such a dear quiet thing," Alice went on, half to herself, as she swam lazily about in the pool, "and she sits purring so nicely by the fire, licking her paws and washing her face--and she is such a nice soft thing to nurse--and she's such a capital one for catching mice--oh, I beg your pardon!" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. "We won't talk about her any more if you'd rather not." "We indeed!" cried the Mouse, who was trembling down to the end of his tail.<|quote|>"As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!"</|quote|>"I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice, "Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs." It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them | Alices Adventures In Wonderland | beg your pardon!" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. "We won't talk about her any more if you'd rather not." "We indeed!" cried the Mouse, who was trembling down to the end of his tail.<|quote|>"As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!"</|quote|>"I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, | {
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"content": "beg your pardon!\" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. \"We won't talk about her any more if you'd rather not.\" \"We indeed!\" cried the Mouse, who was trembling down to the end of his tail.<|quote|>\"As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!\"</|quote|>\"I won't indeed!\" said Alice, in a great hurry to change the subject of conversation. \"Are you--are you fond--of--of dogs?\" The Mouse did not answer, so Alice went on eagerly: \"There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier,",
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said Alice, quite forgetting her promise. | No speaker | know--" "What did they draw?"<|quote|>said Alice, quite forgetting her promise.</|quote|>"Treacle," said the Dormouse, without | were learning to draw, you know--" "What did they draw?"<|quote|>said Alice, quite forgetting her promise.</|quote|>"Treacle," said the Dormouse, without considering at all this time. | story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?"<|quote|>said Alice, quite forgetting her promise.</|quote|>"Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place | again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?"<|quote|>said Alice, quite forgetting her promise.</|quote|>"Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she | "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?"<|quote|>said Alice, quite forgetting her promise.</|quote|>"Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it | alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?"<|quote|>said Alice, quite forgetting her promise.</|quote|>"Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?" "Really, now you ask me," said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as | only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?"<|quote|>said Alice, quite forgetting her promise.</|quote|>"Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?" "Really, now you ask me," said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "But everything's curious today. I think I may as well go in at once." And in she went. Once more she found herself in the long hall, and close to the little glass table. "Now, I'll manage better this time," she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and _then_--she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains. CHAPTER VIII. The Queen's Croquet-Ground A large rose-tree stood near the entrance of the garden: the roses growing on it were white, but there were three gardeners at it, busily painting them red. Alice thought this a very curious thing, and she went nearer to watch them, and just as she came up to them she heard one of them say, "Look out now, Five! Don't go splashing paint over me like that!" "I couldn't help it," said Five, in a sulky tone; "Seven jogged my elbow." On which Seven looked up and said, "That's right, Five! Always lay the blame on others!" "_You'd_ better not talk!" said Five. "I heard the Queen say only yesterday you deserved to be beheaded!" "What for?" said the one who had spoken first. "That's none of _your_ business, Two!" said Seven. "Yes, it _is_ his business!" said Five, "and I'll tell him--it was for bringing the cook tulip-roots instead of onions." Seven flung down his brush, and had just begun "Well, of all the unjust things--" when his eye chanced to fall upon Alice, as she stood watching them, and he checked himself suddenly: the others looked round also, and all of them bowed low. "Would you tell me," said Alice, a little timidly, "why you are painting those roses?" Five and Seven said nothing, but looked at Two. Two began in a low voice, "Why the fact is, you see, Miss, this here ought to have been | "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?"<|quote|>said Alice, quite forgetting her promise.</|quote|>"Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew | Alices Adventures In Wonderland | story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?"<|quote|>said Alice, quite forgetting her promise.</|quote|>"Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place | {
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"content": "story for yourself.\" \"No, please go on!\" Alice said very humbly; \"I won't interrupt again. I dare say there may be _one_.\" \"One, indeed!\" said the Dormouse indignantly. However, he consented to go on. \"And so these three little sisters--they were learning to draw, you know--\" \"What did they draw?\"<|quote|>said Alice, quite forgetting her promise.</|quote|>\"Treacle,\" said the Dormouse, without considering at all this time. \"I want a clean cup,\" interrupted the Hatter: \"let's all move one place on.\" He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place",
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"No. I must say he took a very intelligent interest when we went round the house." | Tony Last | "Oh, he wasn't too awful."<|quote|>"No. I must say he took a very intelligent interest when we went round the house."</|quote|>* * * * * | that you're mad about him." "Oh, he wasn't too awful."<|quote|>"No. I must say he took a very intelligent interest when we went round the house."</|quote|>* * * * * Mrs Beaver was eating her | feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful."<|quote|>"No. I must say he took a very intelligent interest when we went round the house."</|quote|>* * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I | they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful."<|quote|>"No. I must say he took a very intelligent interest when we went round the house."</|quote|>* * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything | on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful."<|quote|>"No. I must say he took a very intelligent interest when we went round the house."</|quote|>* * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the | live anywhere else, of course. He's crazy about the place... It's funny. None of us minded very much when my brother Reggie sold _our_ house--and that was built by Vanbrugh, you know... I suppose we're lucky to be able to afford to keep it up at all. Do you know how much it costs just to live here? We should be quite rich if it wasn't for that. As it is we support fifteen servants indoors, besides gardeners and carpenters and a night-watchman and all the people at the farm and odd little men constantly popping in to wind the clocks and cook the accounts and clean the moat, while Tony and I have to fuss about whether it's cheaper to take a car up to London for the night or buy an excursion ticket... I shouldn't feel so badly about it if it were a really lovely house--like my home for instance... but of course Tony's been brought up here and sees it all differently..." Tony joined them for tea. "I don't want to seem inhospitable, but if you're going to catch that train, you ought really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful."<|quote|>"No. I must say he took a very intelligent interest when we went round the house."</|quote|>* * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. The newspapers used always to refer to them as "the lovely Rex sisters". Marjorie and Allan were hard up and popular; they could not afford a baby; they lived in a little house in the neighbourhood of Portman Square, very convenient for Paddington Station. They had a Pekingese dog named Djinn. Brenda had come on impulse, leaving the butler to ring up and tell Marjorie of her arrival. She emerged from the train, after two hours and a quarter in a carriage crowded five a side, looking as fresh and fragile as if she had that moment left a circle of masseuses, chiropodists, manicurists and coiffeuses in an hotel suite. It was an aptitude she had, never to look half-finished; when she was really exhausted, as she often was on her return to Hetton after these days in London, she went completely to pieces quite suddenly and became a waif; then she would sit over the fire with a cup of bread and milk, hardly alive, until Tony took her up to bed. Marjorie had her hat on and was sitting at | can do it. Besides, Beaver isn't so bad. He's quite like us in some ways." "He's not like me," said Tony. After luncheon Tony said, "Well, if it would really amuse you, we might go over the house. I know it isn't fashionable to like this sort of architecture now--my Aunt Frances says it is an authentic Pecksniff--but I think it's good of its kind." It took them two hours. Beaver was well practised in the art of being shown over houses; he had been brought up to it in fact, ever since he had begun to accompany his mother, whose hobby it had always been, and later, with changing circumstances, profession. He made apt and appreciative comments and greatly enhanced the pleasure Tony always took in exposing his treasures. They saw it all: the shuttered drawing-room, like a school speech hall, the cloistral passages, the dark inner courtyard, the chapel where, until Tony's succession, family prayers had been daily read to the assembled household, the plate-room and estate office, the bedrooms and attics, the water-tank concealed among the battlements. They climbed the spiral staircase into the works of the clock and waited to see it strike half-past three. Thence they descended with ringing ears to the collections--enamel, ivories, seals, snuff-boxes, china, ormulu, cloisonn?; they paused before each picture in the oak gallery and discussed its associations; they took out the more remarkable folios in the library and examined prints of the original buildings, manuscript account-books of the old Abbey, travel journals of Tony's ancestors. At intervals Beaver would say, "The So-and-so's have got one rather like that at Such-and-such a place" ", and Tony would say, "Yes, I've seen it but I think mine is the earlier." Eventually they came back to the smoking-room and Tony left Beaver to Brenda. She was stitching away at the petit-point, hunched in an armchair. "Well," she asked, without looking up from her needlework, "what did you think of it?" "Magnificent." "You don't have to say that to me, you know." "Well, a lot of the things are very fine." "Yes, the _things_ are all right, I suppose." "But don't you like the house?" "Me? I _detest_ it... at least I don't mean that really, but I do wish sometimes that it wasn't _all_, every bit of it, so appallingly ugly. Only I'd die rather than say that to Tony. We could never live anywhere else, of course. He's crazy about the place... It's funny. None of us minded very much when my brother Reggie sold _our_ house--and that was built by Vanbrugh, you know... I suppose we're lucky to be able to afford to keep it up at all. Do you know how much it costs just to live here? We should be quite rich if it wasn't for that. As it is we support fifteen servants indoors, besides gardeners and carpenters and a night-watchman and all the people at the farm and odd little men constantly popping in to wind the clocks and cook the accounts and clean the moat, while Tony and I have to fuss about whether it's cheaper to take a car up to London for the night or buy an excursion ticket... I shouldn't feel so badly about it if it were a really lovely house--like my home for instance... but of course Tony's been brought up here and sees it all differently..." Tony joined them for tea. "I don't want to seem inhospitable, but if you're going to catch that train, you ought really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful."<|quote|>"No. I must say he took a very intelligent interest when we went round the house."</|quote|>* * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. The newspapers used always to refer to them as "the lovely Rex sisters". Marjorie and Allan were hard up and popular; they could not afford a baby; they lived in a little house in the neighbourhood of Portman Square, very convenient for Paddington Station. They had a Pekingese dog named Djinn. Brenda had come on impulse, leaving the butler to ring up and tell Marjorie of her arrival. She emerged from the train, after two hours and a quarter in a carriage crowded five a side, looking as fresh and fragile as if she had that moment left a circle of masseuses, chiropodists, manicurists and coiffeuses in an hotel suite. It was an aptitude she had, never to look half-finished; when she was really exhausted, as she often was on her return to Hetton after these days in London, she went completely to pieces quite suddenly and became a waif; then she would sit over the fire with a cup of bread and milk, hardly alive, until Tony took her up to bed. Marjorie had her hat on and was sitting at her writing-table puzzling over her cheque-book and a sheaf of bills. "Darling, what _does_ the country do to you? You look like a thousand pounds. Where _did_ you get that suit?" "I don't know. Some shop." "What's the news at Hetton?" "All the same. Tony madly feudal. John Andrew cursing like a stable boy." "And you?" "Me? Oh, I'm all right." "Who's been to stay?" "No one. We had a friend of Tony's called Mr Beaver last week-end." "John Beaver?... How very odd. I shouldn't have thought he was at all Tony's ticket." "He wasn't... What's he like?" "I hardly know him. I see him at Margot's sometimes. He's a great one for going everywhere." "I thought he was rather pathetic." "Oh, he's _pathetic_ all right. D'you fancy him?" "Heavens, no." They took Djinn for a walk in the park. He was a very unrepaying dog who never looked about him and had to be dragged along by his harness; they took him to Watts's _Physical Energy_; when loosed he stood perfectly still, gazing moodily at the asphalt until they turned towards home; only once did he show any sign of emotion, when he snapped at a small child who attempted to stroke him; later he got lost and was found a few yards away, sitting under a chair and staring at a shred of waste paper. He was quite colourless, with pink nose and lips and pink circles of bald flesh round his eyes. "I don't believe he has a spark of human feeling," said Marjorie. They talked about Mr Cruttwell, their bone-setter, and Marjorie's new treatment. "He's never done that to me," said Brenda enviously; presently, "What do you suppose is Mr Beaver's sex-life?" "I shouldn't know. Pretty dim, I imagine... You _do_ fancy him?" "Oh well," said Brenda, "I don't see such a lot of young men..." They left the dog at home and did some shopping--towels for the nursery, pickled peaches, a clock for one of the lodgekeepers who was celebrating his sixtieth year of service at Hetton, a pot of Morecambe Bay shrimps as a surprise for Tony; they made an appointment with Mr Cruttwell for that afternoon. They talked about Polly Cockpurse's party. "Do come up for it. It's certain to be amusing." "I might... if I can find someone to take me. Tony doesn't like her... I can't go to parties alone at | but if you're going to catch that train, you ought really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week." Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful."<|quote|>"No. I must say he took a very intelligent interest when we went round the house."</|quote|>* * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. The newspapers used always to refer to them as "the lovely Rex sisters". Marjorie and Allan were hard up and popular; they could not afford a baby; they lived in a little house in the neighbourhood of Portman Square, very convenient for Paddington Station. They had a Pekingese dog named Djinn. Brenda had come on impulse, leaving the butler to ring up and tell Marjorie of her arrival. She emerged from the train, after two hours and a quarter in a carriage crowded five a side, looking as fresh and fragile as if she had that moment left a circle of masseuses, chiropodists, manicurists and coiffeuses in an hotel suite. It was an aptitude she had, never to look half-finished; when she was really exhausted, as she often was on her return to Hetton after these days in London, she went completely to pieces quite suddenly and became a waif; then she would sit over the fire with a cup of bread and milk, hardly alive, until Tony took her up to bed. Marjorie had her hat on and was sitting at her writing-table | A Handful Of Dust | feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. "Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful."<|quote|>"No. I must say he took a very intelligent interest when we went round the house."</|quote|>* * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I | {
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"content": "feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. \"Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him.\" \"Oh, he wasn't too awful.\"<|quote|>\"No. I must say he took a very intelligent interest when we went round the house.\"</|quote|>* * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. \"Who was there?\" \"No one.\" \"No one? My poor boy.\" \"They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke.\" \"I",
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"If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you." | Marilla Cuthbert | this development of the situation.<|quote|>"If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you."</|quote|>"I'll try to be a | Marilla, concealing her delight at this development of the situation.<|quote|>"If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you."</|quote|>"I'll try to be a model pupil," agreed Anne dolefully. | is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation.<|quote|>"If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you."</|quote|>"I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have | as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation.<|quote|>"If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you."</|quote|>"I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I'm going round by the road. I couldn't bear to go by the Birch Path all alone. I should weep bitter tears if I did." Anne was welcomed back to school with open | and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation.<|quote|>"If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you."</|quote|>"I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I'm going round by the road. I couldn't bear to go by the Birch Path all alone. I should weep bitter tears if I did." Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue--a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied | of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation.<|quote|>"If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you."</|quote|>"I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I'm going round by the road. I couldn't bear to go by the Birch Path all alone. I should weep bitter tears if I did." Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue--a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied carefully on a piece of pale pink paper scalloped on the edges the following effusion: When twilight drops her curtain down And pins it with a star Remember that you have a friend Though she may wander far. "It's so nice to be appreciated," sighed Anne rapturously to Marilla that night. The girls were not the only scholars who "appreciated" her. When Anne went to her seat after dinner hour--she had been told by Mr. Phillips to sit with the model Minnie Andrews--she found on her desk a big luscious "strawberry apple." Anne caught it up all ready to take a bite when she remembered that the only place in Avonlea where strawberry apples grew was in the old Blythe orchard on the other side of the Lake of Shining Waters. Anne dropped the apple as if it were a red-hot coal and ostentatiously wiped her fingers on her handkerchief. The apple lay untouched on her desk until the next morning, when little Timothy Andrews, who swept the school and kindled the fire, annexed it as one of his perquisites. Charlie Sloane's slate pencil, gorgeously bedizened with striped red and yellow paper, costing two cents where ordinary pencils cost only | gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child's tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XVII. A New Interest in Life THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will," sobbed Diana, "and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation.<|quote|>"If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you."</|quote|>"I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I'm going round by the road. I couldn't bear to go by the Birch Path all alone. I should weep bitter tears if I did." Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue--a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied carefully on a piece of pale pink paper scalloped on the edges the following effusion: When twilight drops her curtain down And pins it with a star Remember that you have a friend Though she may wander far. "It's so nice to be appreciated," sighed Anne rapturously to Marilla that night. The girls were not the only scholars who "appreciated" her. When Anne went to her seat after dinner hour--she had been told by Mr. Phillips to sit with the model Minnie Andrews--she found on her desk a big luscious "strawberry apple." Anne caught it up all ready to take a bite when she remembered that the only place in Avonlea where strawberry apples grew was in the old Blythe orchard on the other side of the Lake of Shining Waters. Anne dropped the apple as if it were a red-hot coal and ostentatiously wiped her fingers on her handkerchief. The apple lay untouched on her desk until the next morning, when little Timothy Andrews, who swept the school and kindled the fire, annexed it as one of his perquisites. Charlie Sloane's slate pencil, gorgeously bedizened with striped red and yellow paper, costing two cents where ordinary pencils cost only one, which he sent up to her after dinner hour, met with a more favorable reception. Anne was graciously pleased to accept it and rewarded the donor with a smile which exalted that infatuated youth straightway into the seventh heaven of delight and caused him to make such fearful errors in his dictation that Mr. Phillips kept him in after school to rewrite it. But as, The Caesar's pageant shorn of Brutus' bust Did but of Rome's best son remind her more, so the marked absence of any tribute or recognition from Diana Barry who was sitting with Gertie Pye embittered Anne's little triumph. "Diana might just have smiled at me once, I think," she mourned to Marilla that night. But the next morning a note most fearfully and wonderfully twisted and folded, and a small parcel were passed across to Anne. Dear Anne (ran the former) Mother says I'm not to play with you or talk to you even in school. It isn't my fault and don't be cross at me, because I love you as much as ever. I miss you awfully to tell all my secrets to and I don't like Gertie Pye one bit. I made you one of the new bookmarkers out of red tissue paper. They are awfully fashionable now and only three girls in school know how to make them. When you look at it remember Your true friend Diana Barry. Anne read the note, kissed the bookmark, and dispatched a prompt reply back to the other side of the school. My own darling Diana:-- Of course I am not cross at you because you have to obey your mother. Our spirits can commune. I shall keep your lovely present forever. Minnie Andrews is a very nice little girl--although she has no imagination--but after having been Diana's busum friend I cannot be Minnie's. Please excuse mistakes because my spelling isn't very good yet, although much improoved. Yours until death us do part Anne or Cordelia Shirley. P.S. I shall sleep with your letter under my pillow tonight. A. _or_ C.S. Marilla pessimistically expected more trouble since Anne had again begun to go to school. But none developed. Perhaps Anne caught something of the "model" spirit from Minnie Andrews; at least she got on very well with Mr. Phillips thenceforth. She flung herself into her studies heart and soul, determined not to be outdone | and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said ?thou' and ?thee.' ?Thou' and ?thee' seem so much more romantic than ?you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation.<|quote|>"If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you."</|quote|>"I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I'm going round by the road. I couldn't bear to go by the Birch Path all alone. I should weep bitter tears if I did." Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue--a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied carefully on a piece of pale pink paper scalloped on the edges the following effusion: When twilight drops her curtain down And pins it with a star Remember that you have a friend Though she may wander far. "It's so nice to be appreciated," sighed Anne rapturously to Marilla that night. The girls were not the only scholars who "appreciated" her. When Anne went to her seat after dinner hour--she had been told by Mr. Phillips to sit with the model Minnie Andrews--she found on her desk a big luscious "strawberry apple." Anne caught it up all ready to take a bite when she remembered that the only place in Avonlea where strawberry apples grew was in the old Blythe orchard on the other side of the Lake of Shining Waters. Anne dropped the apple as if it were a red-hot coal and ostentatiously wiped her fingers on her | Anne Of Green Gables | is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation.<|quote|>"If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you."</|quote|>"I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have | {
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I say, | No speaker | I ask. "To Cologne." "Albert,"<|quote|>I say,</|quote|>"we stick together; you see." | far does the train go?" I ask. "To Cologne." "Albert,"<|quote|>I say,</|quote|>"we stick together; you see." On the sister's next round | myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert,"<|quote|>I say,</|quote|>"we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would | train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert,"<|quote|>I say,</|quote|>"we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm | his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert,"<|quote|>I say,</|quote|>"we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I | smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert,"<|quote|>I say,</|quote|>"we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches | at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert,"<|quote|>I say,</|quote|>"we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones. "Such an absurdity!" I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!" we yell. They withdraw. The little one who came first is the last to go. "Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. | lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert,"<|quote|>I say,</|quote|>"we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. | All Quiet on the Western Front | myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert,"<|quote|>I say,</|quote|>"we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would | {
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"content": "myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. \"How far does the train go?\" I ask. \"To Cologne.\" \"Albert,\"<|quote|>I say,</|quote|>\"we stick together; you see.\" On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. \"Are you in pain?\" \"Yes,\" I groan, \"all of a sudden.\" She gives me a thermometer and goes on. I would",
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said Anne rapturously. | No speaker | I'm going to eat breakfast,"<|quote|>said Anne rapturously.</|quote|>"Breakfast seems so commonplace at | in." "I don't see how I'm going to eat breakfast,"<|quote|>said Anne rapturously.</|quote|>"Breakfast seems so commonplace at such an exciting moment. I'd | don't think you needed the dress; but since Matthew has got it for you, see that you take good care of it. There's a hair ribbon Mrs. Lynde left for you. It's brown, to match the dress. Come now, sit in." "I don't see how I'm going to eat breakfast,"<|quote|>said Anne rapturously.</|quote|>"Breakfast seems so commonplace at such an exciting moment. I'd rather feast my eyes on that dress. I'm so glad that puffed sleeves are still fashionable. It did seem to me that I'd never get over it if they went out before I had a dress with them. I'd never | Anne laid the dress over a chair and clasped her hands. "Matthew, it's perfectly exquisite. Oh, I can never thank you enough. Look at those sleeves! Oh, it seems to me this must be a happy dream." "Well, well, let us have breakfast," interrupted Marilla. "I must say, Anne, I don't think you needed the dress; but since Matthew has got it for you, see that you take good care of it. There's a hair ribbon Mrs. Lynde left for you. It's brown, to match the dress. Come now, sit in." "I don't see how I'm going to eat breakfast,"<|quote|>said Anne rapturously.</|quote|>"Breakfast seems so commonplace at such an exciting moment. I'd rather feast my eyes on that dress. I'm so glad that puffed sleeves are still fashionable. It did seem to me that I'd never get over it if they went out before I had a dress with them. I'd never have felt quite satisfied, you see. It was lovely of Mrs. Lynde to give me the ribbon too. I feel that I ought to be a very good girl indeed. It's at times like this I'm sorry I'm not a model little girl; and I always resolve that I will | in reverent silence. Oh, how pretty it was--a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashionable way, with a little ruffle of filmy lace at the neck. But the sleeves--they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon. "That's a Christmas present for you, Anne," said Matthew shyly. "Why--why--Anne, don't you like it? Well now--well now." For Anne's eyes had suddenly filled with tears. "Like it! Oh, Matthew!" Anne laid the dress over a chair and clasped her hands. "Matthew, it's perfectly exquisite. Oh, I can never thank you enough. Look at those sleeves! Oh, it seems to me this must be a happy dream." "Well, well, let us have breakfast," interrupted Marilla. "I must say, Anne, I don't think you needed the dress; but since Matthew has got it for you, see that you take good care of it. There's a hair ribbon Mrs. Lynde left for you. It's brown, to match the dress. Come now, sit in." "I don't see how I'm going to eat breakfast,"<|quote|>said Anne rapturously.</|quote|>"Breakfast seems so commonplace at such an exciting moment. I'd rather feast my eyes on that dress. I'm so glad that puffed sleeves are still fashionable. It did seem to me that I'd never get over it if they went out before I had a dress with them. I'd never have felt quite satisfied, you see. It was lovely of Mrs. Lynde to give me the ribbon too. I feel that I ought to be a very good girl indeed. It's at times like this I'm sorry I'm not a model little girl; and I always resolve that I will be in future. But somehow it's hard to carry out your resolutions when irresistible temptations come. Still, I really will make an extra effort after this." When the commonplace breakfast was over Diana appeared, crossing the white log bridge in the hollow, a gay little figure in her crimson ulster. Anne flew down the slope to meet her. "Merry Christmas, Diana! And oh, it's a wonderful Christmas. I've something splendid to show you. Matthew has given me the loveliest dress, with _such_ sleeves. I couldn't even imagine any nicer." "I've got something more for you," said Diana breathlessly. "Here--this box. | beautiful white world. It had been a very mild December and people had looked forward to a green Christmas; but just enough snow fell softly in the night to transfigure Avonlea. Anne peeped out from her frosted gable window with delighted eyes. The firs in the Haunted Wood were all feathery and wonderful; the birches and wild cherry trees were outlined in pearl; the plowed fields were stretches of snowy dimples; and there was a crisp tang in the air that was glorious. Anne ran downstairs singing until her voice reechoed through Green Gables. "Merry Christmas, Marilla! Merry Christmas, Matthew! Isn't it a lovely Christmas? I'm so glad it's white. Any other kind of Christmas doesn't seem real, does it? I don't like green Christmases. They're not green--they're just nasty faded browns and grays. What makes people call them green? Why--why--Matthew, is that for me? Oh, Matthew!" Matthew had sheepishly unfolded the dress from its paper swathings and held it out with a deprecatory glance at Marilla, who feigned to be contemptuously filling the teapot, but nevertheless watched the scene out of the corner of her eye with a rather interested air. Anne took the dress and looked at it in reverent silence. Oh, how pretty it was--a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashionable way, with a little ruffle of filmy lace at the neck. But the sleeves--they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon. "That's a Christmas present for you, Anne," said Matthew shyly. "Why--why--Anne, don't you like it? Well now--well now." For Anne's eyes had suddenly filled with tears. "Like it! Oh, Matthew!" Anne laid the dress over a chair and clasped her hands. "Matthew, it's perfectly exquisite. Oh, I can never thank you enough. Look at those sleeves! Oh, it seems to me this must be a happy dream." "Well, well, let us have breakfast," interrupted Marilla. "I must say, Anne, I don't think you needed the dress; but since Matthew has got it for you, see that you take good care of it. There's a hair ribbon Mrs. Lynde left for you. It's brown, to match the dress. Come now, sit in." "I don't see how I'm going to eat breakfast,"<|quote|>said Anne rapturously.</|quote|>"Breakfast seems so commonplace at such an exciting moment. I'd rather feast my eyes on that dress. I'm so glad that puffed sleeves are still fashionable. It did seem to me that I'd never get over it if they went out before I had a dress with them. I'd never have felt quite satisfied, you see. It was lovely of Mrs. Lynde to give me the ribbon too. I feel that I ought to be a very good girl indeed. It's at times like this I'm sorry I'm not a model little girl; and I always resolve that I will be in future. But somehow it's hard to carry out your resolutions when irresistible temptations come. Still, I really will make an extra effort after this." When the commonplace breakfast was over Diana appeared, crossing the white log bridge in the hollow, a gay little figure in her crimson ulster. Anne flew down the slope to meet her. "Merry Christmas, Diana! And oh, it's a wonderful Christmas. I've something splendid to show you. Matthew has given me the loveliest dress, with _such_ sleeves. I couldn't even imagine any nicer." "I've got something more for you," said Diana breathlessly. "Here--this box. Aunt Josephine sent us out a big box with ever so many things in it--and this is for you. I'd have brought it over last night, but it didn't come until after dark, and I never feel very comfortable coming through the Haunted Wood in the dark now." Anne opened the box and peeped in. First a card with "For the Anne-girl and Merry Christmas," written on it; and then, a pair of the daintiest little kid slippers, with beaded toes and satin bows and glistening buckles. "Oh," said Anne, "Diana, this is too much. I must be dreaming." "I call it providential," said Diana. "You won't have to borrow Ruby's slippers now, and that's a blessing, for they're two sizes too big for you, and it would be awful to hear a fairy shuffling. Josie Pye would be delighted. Mind you, Rob Wright went home with Gertie Pye from the practice night before last. Did you ever hear anything equal to that?" All the Avonlea scholars were in a fever of excitement that day, for the hall had to be decorated and a last grand rehearsal held. The concert came off in the evening and was a pronounced success. | tongue though, for I can see Marilla doesn't want advice and she thinks she knows more about bringing children up than I do for all she's an old maid. But that's always the way. Folks that has brought up children know that there's no hard and fast method in the world that'll suit every child. But them as never have think it's all as plain and easy as Rule of Three--just set your three terms down so fashion, and the sum ?ll work out correct. But flesh and blood don't come under the head of arithmetic and that's where Marilla Cuthbert makes her mistake. I suppose she's trying to cultivate a spirit of humility in Anne by dressing her as she does; but it's more likely to cultivate envy and discontent. I'm sure the child must feel the difference between her clothes and the other girls'. But to think of Matthew taking notice of it! That man is waking up after being asleep for over sixty years." Marilla knew all the following fortnight that Matthew had something on his mind, but what it was she could not guess, until Christmas Eve, when Mrs. Lynde brought up the new dress. Marilla behaved pretty well on the whole, although it is very likely she distrusted Mrs. Lynde's diplomatic explanation that she had made the dress because Matthew was afraid Anne would find out about it too soon if Marilla made it. "So this is what Matthew has been looking so mysterious over and grinning about to himself for two weeks, is it?" she said a little stiffly but tolerantly. "I knew he was up to some foolishness. Well, I must say I don't think Anne needed any more dresses. I made her three good, warm, serviceable ones this fall, and anything more is sheer extravagance. There's enough material in those sleeves alone to make a waist, I declare there is. You'll just pamper Anne's vanity, Matthew, and she's as vain as a peacock now. Well, I hope she'll be satisfied at last, for I know she's been hankering after those silly sleeves ever since they came in, although she never said a word after the first. The puffs have been getting bigger and more ridiculous right along; they're as big as balloons now. Next year anybody who wears them will have to go through a door sideways." Christmas morning broke on a beautiful white world. It had been a very mild December and people had looked forward to a green Christmas; but just enough snow fell softly in the night to transfigure Avonlea. Anne peeped out from her frosted gable window with delighted eyes. The firs in the Haunted Wood were all feathery and wonderful; the birches and wild cherry trees were outlined in pearl; the plowed fields were stretches of snowy dimples; and there was a crisp tang in the air that was glorious. Anne ran downstairs singing until her voice reechoed through Green Gables. "Merry Christmas, Marilla! Merry Christmas, Matthew! Isn't it a lovely Christmas? I'm so glad it's white. Any other kind of Christmas doesn't seem real, does it? I don't like green Christmases. They're not green--they're just nasty faded browns and grays. What makes people call them green? Why--why--Matthew, is that for me? Oh, Matthew!" Matthew had sheepishly unfolded the dress from its paper swathings and held it out with a deprecatory glance at Marilla, who feigned to be contemptuously filling the teapot, but nevertheless watched the scene out of the corner of her eye with a rather interested air. Anne took the dress and looked at it in reverent silence. Oh, how pretty it was--a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashionable way, with a little ruffle of filmy lace at the neck. But the sleeves--they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon. "That's a Christmas present for you, Anne," said Matthew shyly. "Why--why--Anne, don't you like it? Well now--well now." For Anne's eyes had suddenly filled with tears. "Like it! Oh, Matthew!" Anne laid the dress over a chair and clasped her hands. "Matthew, it's perfectly exquisite. Oh, I can never thank you enough. Look at those sleeves! Oh, it seems to me this must be a happy dream." "Well, well, let us have breakfast," interrupted Marilla. "I must say, Anne, I don't think you needed the dress; but since Matthew has got it for you, see that you take good care of it. There's a hair ribbon Mrs. Lynde left for you. It's brown, to match the dress. Come now, sit in." "I don't see how I'm going to eat breakfast,"<|quote|>said Anne rapturously.</|quote|>"Breakfast seems so commonplace at such an exciting moment. I'd rather feast my eyes on that dress. I'm so glad that puffed sleeves are still fashionable. It did seem to me that I'd never get over it if they went out before I had a dress with them. I'd never have felt quite satisfied, you see. It was lovely of Mrs. Lynde to give me the ribbon too. I feel that I ought to be a very good girl indeed. It's at times like this I'm sorry I'm not a model little girl; and I always resolve that I will be in future. But somehow it's hard to carry out your resolutions when irresistible temptations come. Still, I really will make an extra effort after this." When the commonplace breakfast was over Diana appeared, crossing the white log bridge in the hollow, a gay little figure in her crimson ulster. Anne flew down the slope to meet her. "Merry Christmas, Diana! And oh, it's a wonderful Christmas. I've something splendid to show you. Matthew has given me the loveliest dress, with _such_ sleeves. I couldn't even imagine any nicer." "I've got something more for you," said Diana breathlessly. "Here--this box. Aunt Josephine sent us out a big box with ever so many things in it--and this is for you. I'd have brought it over last night, but it didn't come until after dark, and I never feel very comfortable coming through the Haunted Wood in the dark now." Anne opened the box and peeped in. First a card with "For the Anne-girl and Merry Christmas," written on it; and then, a pair of the daintiest little kid slippers, with beaded toes and satin bows and glistening buckles. "Oh," said Anne, "Diana, this is too much. I must be dreaming." "I call it providential," said Diana. "You won't have to borrow Ruby's slippers now, and that's a blessing, for they're two sizes too big for you, and it would be awful to hear a fairy shuffling. Josie Pye would be delighted. Mind you, Rob Wright went home with Gertie Pye from the practice night before last. Did you ever hear anything equal to that?" All the Avonlea scholars were in a fever of excitement that day, for the hall had to be decorated and a last grand rehearsal held. The concert came off in the evening and was a pronounced success. The little hall was crowded; all the performers did excellently well, but Anne was the bright particular star of the occasion, as even envy, in the shape of Josie Pye, dared not deny. "Oh, hasn't it been a brilliant evening?" sighed Anne, when it was all over and she and Diana were walking home together under a dark, starry sky. "Everything went off very well," said Diana practically. "I guess we must have made as much as ten dollars. Mind you, Mr. Allan is going to send an account of it to the Charlottetown papers." "Oh, Diana, will we really see our names in print? It makes me thrill to think of it. Your solo was perfectly elegant, Diana. I felt prouder than you did when it was encored. I just said to myself," ?It is my dear bosom friend who is so honored.'" "Well, your recitations just brought down the house, Anne. That sad one was simply splendid." "Oh, I was so nervous, Diana. When Mr. Allan called out my name I really cannot tell how I ever got up on that platform. I felt as if a million eyes were looking at me and through me, and for one dreadful moment I was sure I couldn't begin at all. Then I thought of my lovely puffed sleeves and took courage. I knew that I must live up to those sleeves, Diana. So I started in, and my voice seemed to be coming from ever so far away. I just felt like a parrot. It's providential that I practiced those recitations so often up in the garret, or I'd never have been able to get through. Did I groan all right?" "Yes, indeed, you groaned lovely," assured Diana. "I saw old Mrs. Sloane wiping away tears when I sat down. It was splendid to think I had touched somebody's heart. It's so romantic to take part in a concert, isn't it? Oh, it's been a very memorable occasion indeed." "Wasn't the boys' dialogue fine?" said Diana. "Gilbert Blythe was just splendid. Anne, I do think it's awful mean the way you treat Gil. Wait till I tell you. When you ran off the platform after the fairy dialogue one of your roses fell out of your hair. I saw Gil pick it up and put it in his breast pocket. There now. You're so romantic that I'm sure you | does it? I don't like green Christmases. They're not green--they're just nasty faded browns and grays. What makes people call them green? Why--why--Matthew, is that for me? Oh, Matthew!" Matthew had sheepishly unfolded the dress from its paper swathings and held it out with a deprecatory glance at Marilla, who feigned to be contemptuously filling the teapot, but nevertheless watched the scene out of the corner of her eye with a rather interested air. Anne took the dress and looked at it in reverent silence. Oh, how pretty it was--a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashionable way, with a little ruffle of filmy lace at the neck. But the sleeves--they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon. "That's a Christmas present for you, Anne," said Matthew shyly. "Why--why--Anne, don't you like it? Well now--well now." For Anne's eyes had suddenly filled with tears. "Like it! Oh, Matthew!" Anne laid the dress over a chair and clasped her hands. "Matthew, it's perfectly exquisite. Oh, I can never thank you enough. Look at those sleeves! Oh, it seems to me this must be a happy dream." "Well, well, let us have breakfast," interrupted Marilla. "I must say, Anne, I don't think you needed the dress; but since Matthew has got it for you, see that you take good care of it. There's a hair ribbon Mrs. Lynde left for you. It's brown, to match the dress. Come now, sit in." "I don't see how I'm going to eat breakfast,"<|quote|>said Anne rapturously.</|quote|>"Breakfast seems so commonplace at such an exciting moment. I'd rather feast my eyes on that dress. I'm so glad that puffed sleeves are still fashionable. It did seem to me that I'd never get over it if they went out before I had a dress with them. I'd never have felt quite satisfied, you see. It was lovely of Mrs. Lynde to give me the ribbon too. I feel that I ought to be a very good girl indeed. It's at times like this I'm sorry I'm not a model little girl; and I always resolve that I will be in future. But somehow it's hard to carry out your resolutions when irresistible temptations come. Still, I really will make an extra effort after this." When the commonplace breakfast was over Diana appeared, crossing the white log bridge in the hollow, a gay little figure in her crimson ulster. Anne flew down the slope to meet her. "Merry Christmas, Diana! And oh, it's a wonderful Christmas. I've something splendid to show you. Matthew has given me the loveliest dress, with _such_ sleeves. I couldn't even imagine any nicer." "I've got something more for you," said Diana breathlessly. "Here--this box. Aunt Josephine sent us out a big box with ever so many things in it--and this is for you. I'd have brought it over last night, but it didn't come until after dark, and I never feel very comfortable coming through the Haunted Wood in the dark now." Anne opened the box and peeped in. First a card with "For the Anne-girl and Merry Christmas," written on it; and then, a pair of the daintiest little kid slippers, with beaded toes and satin bows and glistening buckles. "Oh," said Anne, "Diana, this is too much. I must be dreaming." "I call it providential," said Diana. "You won't have to borrow Ruby's slippers now, and that's a blessing, for they're two sizes too big for you, and it would be awful to hear a fairy shuffling. Josie Pye would be delighted. Mind you, Rob Wright went home with Gertie Pye from the practice night before last. Did you ever hear anything equal to that?" All the Avonlea scholars were in a fever of excitement that day, for the hall had to be decorated and a last grand rehearsal held. The concert came off in the evening and was a pronounced success. The little hall was crowded; all the performers did excellently well, but Anne was the bright particular star of the occasion, as even envy, in the shape of Josie Pye, dared not deny. "Oh, hasn't it been a brilliant evening?" sighed Anne, when it was all over and she and Diana were walking home together under a dark, starry sky. "Everything went off very well," said Diana practically. "I guess we must have made as much as ten dollars. Mind you, Mr. Allan is going to send an account of it to the Charlottetown papers." "Oh, Diana, will we really see our names in print? It makes me thrill to think of it. Your solo was | Anne Of Green Gables | don't think you needed the dress; but since Matthew has got it for you, see that you take good care of it. There's a hair ribbon Mrs. Lynde left for you. It's brown, to match the dress. Come now, sit in." "I don't see how I'm going to eat breakfast,"<|quote|>said Anne rapturously.</|quote|>"Breakfast seems so commonplace at such an exciting moment. I'd rather feast my eyes on that dress. I'm so glad that puffed sleeves are still fashionable. It did seem to me that I'd never get over it if they went out before I had a dress with them. I'd never | {
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"Hindenburg too, he has to stand up stiff to him, eh?" | Tjaden | front of him!" He meditates:<|quote|>"Hindenburg too, he has to stand up stiff to him, eh?"</|quote|>"Sure," says Kat. Tjaden hasn't | to stand up stiff in front of him!" He meditates:<|quote|>"Hindenburg too, he has to stand up stiff to him, eh?"</|quote|>"Sure," says Kat. Tjaden hasn't finished yet. He thinks for | all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates:<|quote|>"Hindenburg too, he has to stand up stiff to him, eh?"</|quote|>"Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention | front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates:<|quote|>"Hindenburg too, he has to stand up stiff to him, eh?"</|quote|>"Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go | it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates:<|quote|>"Hindenburg too, he has to stand up stiff to him, eh?"</|quote|>"Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if | Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates:<|quote|>"Hindenburg too, he has to stand up stiff to him, eh?"</|quote|>"Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, | and the like, about generals and sergeant-majors. Afterwards I accompany them both to the railway station. They give me a pot of jam and a bag of potato-cakes that my mother has made for me. Then they go off and I return to the camp. In the evening I spread the jam on the cakes and eat some. But I have no taste for them. So I go out to give them to the Russians. Then it occurs to me that my mother cooked them herself and that she was probably in pain as she stood before the hot stove. I put the bag back in my pack and take only two cakes to the Russians. CHAPTER IX We travel for several days. The first aeroplanes appear in the sky. We roll on past transport lines. Guns, guns. The light railway picks us up. I search for my regiment. No one knows exactly where it lies. Somewhere or other I put up for the night, somewhere or other I receive provisions and a few vague instructions. And so with my pack and my rifle I set out again on the way. By the time I come up they are no longer in that devastated place. I hear we have become one of the flying divisions that are pushed in wherever it is hottest. That does not sound cheerful to me. They tell me of heavy losses that we have been having. I inquire after Kat and Albert. No one knows anything of them. I search farther and wander about here and there; it is a wonderful feeling. One night and then another I camp out like a Red Indian. Then at last I get some definite information, and by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates:<|quote|>"Hindenburg too, he has to stand up stiff to him, eh?"</|quote|>"Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But | Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates:<|quote|>"Hindenburg too, he has to stand up stiff to him, eh?"</|quote|>"Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had | All Quiet on the Western Front | all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates:<|quote|>"Hindenburg too, he has to stand up stiff to him, eh?"</|quote|>"Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention | {
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"Come on," | Tony Last | "You've had breakfast," said Winnie.<|quote|>"Come on,"</|quote|>said Tony. "Plenty of time | think I'll sleep a little." "You've had breakfast," said Winnie.<|quote|>"Come on,"</|quote|>said Tony. "Plenty of time to sleep afterwards. This is | once and then turned over. Do get her to come out. I want to go on the pier." "Milly," said Tony firmly. "Milly." "Oh," she said. "What time is it?" "We've got to have breakfast." "Don't want any breakfast. I think I'll sleep a little." "You've had breakfast," said Winnie.<|quote|>"Come on,"</|quote|>said Tony. "Plenty of time to sleep afterwards. This is what we came for." Milly sat up in bed. "O.K.," she said. "Winnie, darling, give mother her jacket off the chair." She was a conscientious girl, ready to go through with her job, however unattractive it might seem. "But it's | all. You'll never get your divorce if you don't give your mind to it more." "All right," said Tony. "I'll have breakfast again." "In bed, mind." "In bed." And he went wearily upstairs to his rooms. Winnie had drawn the curtains but her mother was still asleep. "She woke up once and then turned over. Do get her to come out. I want to go on the pier." "Milly," said Tony firmly. "Milly." "Oh," she said. "What time is it?" "We've got to have breakfast." "Don't want any breakfast. I think I'll sleep a little." "You've had breakfast," said Winnie.<|quote|>"Come on,"</|quote|>said Tony. "Plenty of time to sleep afterwards. This is what we came for." Milly sat up in bed. "O.K.," she said. "Winnie, darling, give mother her jacket off the chair." She was a conscientious girl, ready to go through with her job, however unattractive it might seem. "But it's early." Tony went into his room and took off his shoes, collar and tie, coat and waistcoat, and put on a dressing-gown. "You are greedy," said Winnie, "eating two breakfasts." "When you're a little older you'll understand these things. It's the Law. Now I want you to stay in the | smoked a pipe in the lounge and glanced over the Sunday papers. Here at nine o'clock he was interrupted by the arrival of Blenkinsop. "We missed you last night," he said. "We went to a party." "You shouldn't have done that--not strictly, but I daresay no harm will come of it. Have you had your breakfast?" "Yes, in the dining-room with Winnie." "But, Mr Last, what are you thinking of? You've got to get evidence from the hotel servants." "Well, I didn't like to wake Milly." "She's paid for it, isn't she? Come, come, Mr Last, this won't do at all. You'll never get your divorce if you don't give your mind to it more." "All right," said Tony. "I'll have breakfast again." "In bed, mind." "In bed." And he went wearily upstairs to his rooms. Winnie had drawn the curtains but her mother was still asleep. "She woke up once and then turned over. Do get her to come out. I want to go on the pier." "Milly," said Tony firmly. "Milly." "Oh," she said. "What time is it?" "We've got to have breakfast." "Don't want any breakfast. I think I'll sleep a little." "You've had breakfast," said Winnie.<|quote|>"Come on,"</|quote|>said Tony. "Plenty of time to sleep afterwards. This is what we came for." Milly sat up in bed. "O.K.," she said. "Winnie, darling, give mother her jacket off the chair." She was a conscientious girl, ready to go through with her job, however unattractive it might seem. "But it's early." Tony went into his room and took off his shoes, collar and tie, coat and waistcoat, and put on a dressing-gown. "You are greedy," said Winnie, "eating two breakfasts." "When you're a little older you'll understand these things. It's the Law. Now I want you to stay in the sitting-room for a quarter of an hour very quietly. Promise? And afterwards you can do exactly what you like." "Can I bathe?" "Yes, certainly, if you're quiet now." Tony got into bed beside Milly and pulled the dressing-gown tight round his throat. "Does that look all right?" "Love's young dream," said Milly. "All right, then. I'll ring the bell." When the tray had been brought, Tony got out of bed and put on his things. "So much for my infidelity," he said. "It is curious to reflect that this will be described in the papers as "intimacy"." "Can I bathe | Four or five rugged old men were hobbling down to bathe, hissing like ostlers. "Oh, come on," said Winnie. They went down to the beach and stumbled painfully across the shingle to the margin of the sea. Winnie threw some stones. The bathers were in the water now; some of them had dogs who swam snorting beside them. "Why don't you bathe?" asked Winnie. "Far too cold." "But _they're_ bathing. I want to." "You must ask your mother." "I believe you're afraid. Can you swim?" "Yes." "Well, why don't you? Bet you can't." "All right. I can't." "Then why did you say you could. Fibber." They walked along the shingle. Winnie slithered about astride a backwater. "Now my knickers are wet," she said. "Better come back and change." "It feels horrible. Let's go and have breakfast." The hotel did not, as a rule, cater for guests who breakfasted downstairs at eight o'clock on Sunday morning. It took a long time before anything could be got ready. There were no ices, much to Winnie's annoyance. She ate grapefruit and kippers and scrambled eggs on toast, complaining fitfully about her wet clothing. After breakfast Tony sent her upstairs to change and himself smoked a pipe in the lounge and glanced over the Sunday papers. Here at nine o'clock he was interrupted by the arrival of Blenkinsop. "We missed you last night," he said. "We went to a party." "You shouldn't have done that--not strictly, but I daresay no harm will come of it. Have you had your breakfast?" "Yes, in the dining-room with Winnie." "But, Mr Last, what are you thinking of? You've got to get evidence from the hotel servants." "Well, I didn't like to wake Milly." "She's paid for it, isn't she? Come, come, Mr Last, this won't do at all. You'll never get your divorce if you don't give your mind to it more." "All right," said Tony. "I'll have breakfast again." "In bed, mind." "In bed." And he went wearily upstairs to his rooms. Winnie had drawn the curtains but her mother was still asleep. "She woke up once and then turned over. Do get her to come out. I want to go on the pier." "Milly," said Tony firmly. "Milly." "Oh," she said. "What time is it?" "We've got to have breakfast." "Don't want any breakfast. I think I'll sleep a little." "You've had breakfast," said Winnie.<|quote|>"Come on,"</|quote|>said Tony. "Plenty of time to sleep afterwards. This is what we came for." Milly sat up in bed. "O.K.," she said. "Winnie, darling, give mother her jacket off the chair." She was a conscientious girl, ready to go through with her job, however unattractive it might seem. "But it's early." Tony went into his room and took off his shoes, collar and tie, coat and waistcoat, and put on a dressing-gown. "You are greedy," said Winnie, "eating two breakfasts." "When you're a little older you'll understand these things. It's the Law. Now I want you to stay in the sitting-room for a quarter of an hour very quietly. Promise? And afterwards you can do exactly what you like." "Can I bathe?" "Yes, certainly, if you're quiet now." Tony got into bed beside Milly and pulled the dressing-gown tight round his throat. "Does that look all right?" "Love's young dream," said Milly. "All right, then. I'll ring the bell." When the tray had been brought, Tony got out of bed and put on his things. "So much for my infidelity," he said. "It is curious to reflect that this will be described in the papers as "intimacy"." "Can I bathe now?" "Certainly." Milly turned over to sleep again. Tony took Winnie to the beach. The wind had got up and a heavy sea was pounding on the shingle. "This little girl would like to bathe," said Tony. "No bathing for children to-day," said the beach attendant. "The very idea," said various onlookers. "Does he want to drown the child?" "He's no business to be trusted with children." "_Unnatural beast._" "But I _want_ to bathe," said Winnie. "You said I could bathe if you had two breakfasts." The people who had clustered round to witness Tony's discomfort, looked at one another askance. "Two breakfasts? Wanting to let the child bathe? The man's balmy." "Never mind," said Tony. "We'll go on the pier." Several of the crowd followed them round the slots, curious to see what new enormity this mad father might attempt. "There's a man who's eaten two breakfasts and tries to drown his little girl," they informed other spectators, sceptically observing his attempts to amuse Winnie with skee-ball. Tony's conduct confirmed the view of human nature derived from the weekly newspapers which they had all been reading that morning. * * * * * "Well," said Brenda's solicitor. "We have | ages. Then I was taking her to Dieppe for the week-end and she wanted to bring the child along too. Of course that put the kybosh on it, but I've always liked Milly just the same. You can trust her to behave anywhere." He said this with a sour glance towards Baby, who was full of the right stuff and showing it. It was after three before the party broke up. Dan's friend renewed his invitation to come again when the roses were out. "I doubt if you'll find a better show of roses anywhere in the south of England," he said. Dan drove them back to the hotel. Baby sat beside him in front, disposed to be quarrelsome. "Where were you?" she kept asking. "Never saw you all the evening. Where did you get to? Where were you hiding? I call it a lousy way to take a girl out." Tony and Milly sat at the back. From habit and exhaustion she put her head on his shoulder and her hand in his. When they reached their rooms, however, she said, "Go quietly. We don't want to wake Winnie." For an hour or so Tony lay in the warm little bedroom, reviewing over and over again the incidents of the last three months; then he too fell asleep. * * * * * He was awakened by Winnie. "Mother's still asleep," she said. Tony looked at his watch. "So I should think," he said. It was a quarter-past seven. "Go back to bed." "No, I'm dressed. Let's go out." She went to the window and pulled back the curtains, filling the room with glacial, morning light. "It's hardly raining at all," she said. "What do you want to do?" "I want to go on the pier." "It won't be open yet." "Well, I want to go down to the sea. Come on." Tony knew that he would not get to sleep again that morning. "All right. You go and wait while I dress." "I'll wait here. Mother snores so." Twenty minutes later they went downstairs into the hall where aproned waiters were piling up the furniture and brushing the carpets. A keen wind met them as they emerged from the swing door. The asphalt promenade was wet with spray and rain. Two or three female figures were scudding along, bowed to the wind, prayer-books clutched in their gloved hands. Four or five rugged old men were hobbling down to bathe, hissing like ostlers. "Oh, come on," said Winnie. They went down to the beach and stumbled painfully across the shingle to the margin of the sea. Winnie threw some stones. The bathers were in the water now; some of them had dogs who swam snorting beside them. "Why don't you bathe?" asked Winnie. "Far too cold." "But _they're_ bathing. I want to." "You must ask your mother." "I believe you're afraid. Can you swim?" "Yes." "Well, why don't you? Bet you can't." "All right. I can't." "Then why did you say you could. Fibber." They walked along the shingle. Winnie slithered about astride a backwater. "Now my knickers are wet," she said. "Better come back and change." "It feels horrible. Let's go and have breakfast." The hotel did not, as a rule, cater for guests who breakfasted downstairs at eight o'clock on Sunday morning. It took a long time before anything could be got ready. There were no ices, much to Winnie's annoyance. She ate grapefruit and kippers and scrambled eggs on toast, complaining fitfully about her wet clothing. After breakfast Tony sent her upstairs to change and himself smoked a pipe in the lounge and glanced over the Sunday papers. Here at nine o'clock he was interrupted by the arrival of Blenkinsop. "We missed you last night," he said. "We went to a party." "You shouldn't have done that--not strictly, but I daresay no harm will come of it. Have you had your breakfast?" "Yes, in the dining-room with Winnie." "But, Mr Last, what are you thinking of? You've got to get evidence from the hotel servants." "Well, I didn't like to wake Milly." "She's paid for it, isn't she? Come, come, Mr Last, this won't do at all. You'll never get your divorce if you don't give your mind to it more." "All right," said Tony. "I'll have breakfast again." "In bed, mind." "In bed." And he went wearily upstairs to his rooms. Winnie had drawn the curtains but her mother was still asleep. "She woke up once and then turned over. Do get her to come out. I want to go on the pier." "Milly," said Tony firmly. "Milly." "Oh," she said. "What time is it?" "We've got to have breakfast." "Don't want any breakfast. I think I'll sleep a little." "You've had breakfast," said Winnie.<|quote|>"Come on,"</|quote|>said Tony. "Plenty of time to sleep afterwards. This is what we came for." Milly sat up in bed. "O.K.," she said. "Winnie, darling, give mother her jacket off the chair." She was a conscientious girl, ready to go through with her job, however unattractive it might seem. "But it's early." Tony went into his room and took off his shoes, collar and tie, coat and waistcoat, and put on a dressing-gown. "You are greedy," said Winnie, "eating two breakfasts." "When you're a little older you'll understand these things. It's the Law. Now I want you to stay in the sitting-room for a quarter of an hour very quietly. Promise? And afterwards you can do exactly what you like." "Can I bathe?" "Yes, certainly, if you're quiet now." Tony got into bed beside Milly and pulled the dressing-gown tight round his throat. "Does that look all right?" "Love's young dream," said Milly. "All right, then. I'll ring the bell." When the tray had been brought, Tony got out of bed and put on his things. "So much for my infidelity," he said. "It is curious to reflect that this will be described in the papers as "intimacy"." "Can I bathe now?" "Certainly." Milly turned over to sleep again. Tony took Winnie to the beach. The wind had got up and a heavy sea was pounding on the shingle. "This little girl would like to bathe," said Tony. "No bathing for children to-day," said the beach attendant. "The very idea," said various onlookers. "Does he want to drown the child?" "He's no business to be trusted with children." "_Unnatural beast._" "But I _want_ to bathe," said Winnie. "You said I could bathe if you had two breakfasts." The people who had clustered round to witness Tony's discomfort, looked at one another askance. "Two breakfasts? Wanting to let the child bathe? The man's balmy." "Never mind," said Tony. "We'll go on the pier." Several of the crowd followed them round the slots, curious to see what new enormity this mad father might attempt. "There's a man who's eaten two breakfasts and tries to drown his little girl," they informed other spectators, sceptically observing his attempts to amuse Winnie with skee-ball. Tony's conduct confirmed the view of human nature derived from the weekly newspapers which they had all been reading that morning. * * * * * "Well," said Brenda's solicitor. "We have our case now, all quite regular and complete. I don't think it can come on until next term--there's a great rush at the moment, but there's no harm in you having your own evidence ready. I've got it typed out for you. You'd better keep it by you and get it clear in your mind." "_...My marriage was an ideally happy one_," she read "_until shortly before Christmas last year when I began to suspect that my husband's attitude had changed towards me. He always remained in the country when my studies took me to London. I realized that he no longer cared for me as he used to. He began to drink heavily and on one occasion made a disturbance at our flat in London, constantly ringing up when drunk and sending a drunken friend round to knock on the door._ "Is that necessary?" "Not strictly, but it is advisable to put it in. A great deal depends on psychological impression. Judges in their more lucid moments sometimes wonder why perfectly respectable, happily married men go off for week-ends to the seaside with women they do not know. It is always helpful to offer evidence of general degeneracy." "I see," said Brenda. "_From then onwards I had him watched by private agents and as a result of what they told me, I left my husband's house on April 5th._ "Yes, that all seems quite clear." [III] Lady St Cloud preserved an atavistic faith in the authority and preternatural good judgment of the Head of the Family; accordingly, her first act, on learning from Marjorie of Brenda's wayward behaviour, was to cable for Reggie's return from Tunisia where he was occupied in desecrating some tombs. His departure, like all his movements, was leisurely. He did not take the first available boat or the second, but eventually he arrived in London on the Monday after Tony's visit to Brighton. He held a family conclave in his library, consisting of his mother, Brenda, Marjorie, Allan and the solicitor; later he discussed the question fully with each of them severally; he took Beaver out to luncheon; he dined with Jock; he even called on Tony's Aunt Frances. Finally, on Thursday evening he arranged to meet Tony for dinner at Brown's. He was eight years older than Brenda; very occasionally a fugitive, indefinable likeness was detectable between him and Marjorie, but both in character | right. I can't." "Then why did you say you could. Fibber." They walked along the shingle. Winnie slithered about astride a backwater. "Now my knickers are wet," she said. "Better come back and change." "It feels horrible. Let's go and have breakfast." The hotel did not, as a rule, cater for guests who breakfasted downstairs at eight o'clock on Sunday morning. It took a long time before anything could be got ready. There were no ices, much to Winnie's annoyance. She ate grapefruit and kippers and scrambled eggs on toast, complaining fitfully about her wet clothing. After breakfast Tony sent her upstairs to change and himself smoked a pipe in the lounge and glanced over the Sunday papers. Here at nine o'clock he was interrupted by the arrival of Blenkinsop. "We missed you last night," he said. "We went to a party." "You shouldn't have done that--not strictly, but I daresay no harm will come of it. Have you had your breakfast?" "Yes, in the dining-room with Winnie." "But, Mr Last, what are you thinking of? You've got to get evidence from the hotel servants." "Well, I didn't like to wake Milly." "She's paid for it, isn't she? Come, come, Mr Last, this won't do at all. You'll never get your divorce if you don't give your mind to it more." "All right," said Tony. "I'll have breakfast again." "In bed, mind." "In bed." And he went wearily upstairs to his rooms. Winnie had drawn the curtains but her mother was still asleep. "She woke up once and then turned over. Do get her to come out. I want to go on the pier." "Milly," said Tony firmly. "Milly." "Oh," she said. "What time is it?" "We've got to have breakfast." "Don't want any breakfast. I think I'll sleep a little." "You've had breakfast," said Winnie.<|quote|>"Come on,"</|quote|>said Tony. "Plenty of time to sleep afterwards. This is what we came for." Milly sat up in bed. "O.K.," she said. "Winnie, darling, give mother her jacket off the chair." She was a conscientious girl, ready to go through with her job, however unattractive it might seem. "But it's early." Tony went into his room and took off his shoes, collar and tie, coat and waistcoat, and put on a dressing-gown. "You are greedy," said Winnie, "eating two breakfasts." "When you're a little older you'll understand these things. It's the Law. Now I want you to stay in the sitting-room for a quarter of an hour very quietly. Promise? And afterwards you can do exactly what you like." "Can I bathe?" "Yes, certainly, if you're quiet now." Tony got into bed beside Milly and pulled the dressing-gown tight round his throat. "Does that look all right?" "Love's young dream," said Milly. "All right, then. I'll ring the bell." When the tray had been brought, Tony got out of bed and put on his things. "So much for my infidelity," he said. "It is curious to reflect that this will be described in the papers as "intimacy"." "Can I bathe now?" "Certainly." Milly turned over to sleep again. Tony took Winnie to the beach. The wind had got up and a heavy sea was pounding on the shingle. "This little girl would like to bathe," said Tony. "No bathing for children to-day," said the beach attendant. "The very idea," said various onlookers. "Does he want to drown the child?" "He's no business to be trusted with children." "_Unnatural beast._" "But I _want_ to bathe," said Winnie. "You said I could bathe if you had two breakfasts." The people who had clustered round to witness Tony's discomfort, looked at one another askance. "Two breakfasts? Wanting to let the child bathe? The man's balmy." "Never mind," said Tony. "We'll go on the pier." Several of the crowd followed them round the slots, curious to see what new enormity this mad father might attempt. "There's a man who's eaten two breakfasts and tries to drown his little girl," they informed other spectators, sceptically observing his attempts to amuse Winnie with skee-ball. Tony's conduct confirmed the view of human nature derived from the weekly newspapers which they had all been reading that morning. * * * * * "Well," said Brenda's solicitor. "We have our case now, all quite regular and complete. I don't think it can come on until next term--there's a great rush at the moment, but there's no harm in you having your own evidence ready. I've got it typed out for you. You'd better keep it by you and get it clear in your mind." "_...My marriage was an ideally happy one_," she read "_until shortly before Christmas last year when I began | A Handful Of Dust | once and then turned over. Do get her to come out. I want to go on the pier." "Milly," said Tony firmly. "Milly." "Oh," she said. "What time is it?" "We've got to have breakfast." "Don't want any breakfast. I think I'll sleep a little." "You've had breakfast," said Winnie.<|quote|>"Come on,"</|quote|>said Tony. "Plenty of time to sleep afterwards. This is what we came for." Milly sat up in bed. "O.K.," she said. "Winnie, darling, give mother her jacket off the chair." She was a conscientious girl, ready to go through with her job, however unattractive it might seem. "But it's | {
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"content": "once and then turned over. Do get her to come out. I want to go on the pier.\" \"Milly,\" said Tony firmly. \"Milly.\" \"Oh,\" she said. \"What time is it?\" \"We've got to have breakfast.\" \"Don't want any breakfast. I think I'll sleep a little.\" \"You've had breakfast,\" said Winnie.<|quote|>\"Come on,\"</|quote|>said Tony. \"Plenty of time to sleep afterwards. This is what we came for.\" Milly sat up in bed. \"O.K.,\" she said. \"Winnie, darling, give mother her jacket off the chair.\" She was a conscientious girl, ready to go through with her job, however unattractive it might seem. \"But it's",
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} | Tony Last |
"He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out." | Diana Barry | in school today," said Diana.<|quote|>"He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out."</|quote|>Diana's voice indicated that she | guess Gilbert Blythe will be in school today," said Diana.<|quote|>"He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out."</|quote|>Diana's voice indicated that she rather liked having her life | telling her so. That was three weeks ago and all had gone smoothly so far. And now, this crisp September morning, Anne and Diana were tripping blithely down the Birch Path, two of the happiest little girls in Avonlea. "I guess Gilbert Blythe will be in school today," said Diana.<|quote|>"He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out."</|quote|>Diana's voice indicated that she rather liked having her life tormented out than not. "Gilbert Blythe?" said Anne. "Isn't his name that's written up on the porch wall with Julia Bell's and a big ?Take Notice' over them?" "Yes," said Diana, tossing her head, "but I'm sure he doesn't like | life and you can't imagine what a strange feeling it gave me. Marilla, have I really a pretty nose? I know you'll tell me the truth." "Your nose is well enough," said Marilla shortly. Secretly she thought Anne's nose was a remarkable pretty one; but she had no intention of telling her so. That was three weeks ago and all had gone smoothly so far. And now, this crisp September morning, Anne and Diana were tripping blithely down the Birch Path, two of the happiest little girls in Avonlea. "I guess Gilbert Blythe will be in school today," said Diana.<|quote|>"He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out."</|quote|>Diana's voice indicated that she rather liked having her life tormented out than not. "Gilbert Blythe?" said Anne. "Isn't his name that's written up on the porch wall with Julia Bell's and a big ?Take Notice' over them?" "Yes," said Diana, tossing her head, "but I'm sure he doesn't like Julia Bell so very much. I've heard him say he studied the multiplication table by her freckles." "Oh, don't speak about freckles to me," implored Anne. "It isn't delicate when I've got so many. But I do think that writing take-notices up on the wall about the boys and girls | gave me an apple and Sophia Sloane lent me a lovely pink card with" ?May I see you home?' "on it. I'm to give it back to her tomorrow. And Tillie Boulter let me wear her bead ring all the afternoon. Can I have some of those pearl beads off the old pincushion in the garret to make myself a ring? And oh, Marilla, Jane Andrews told me that Minnie MacPherson told her that she heard Prissy Andrews tell Sara Gillis that I had a very pretty nose. Marilla, that is the first compliment I have ever had in my life and you can't imagine what a strange feeling it gave me. Marilla, have I really a pretty nose? I know you'll tell me the truth." "Your nose is well enough," said Marilla shortly. Secretly she thought Anne's nose was a remarkable pretty one; but she had no intention of telling her so. That was three weeks ago and all had gone smoothly so far. And now, this crisp September morning, Anne and Diana were tripping blithely down the Birch Path, two of the happiest little girls in Avonlea. "I guess Gilbert Blythe will be in school today," said Diana.<|quote|>"He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out."</|quote|>Diana's voice indicated that she rather liked having her life tormented out than not. "Gilbert Blythe?" said Anne. "Isn't his name that's written up on the porch wall with Julia Bell's and a big ?Take Notice' over them?" "Yes," said Diana, tossing her head, "but I'm sure he doesn't like Julia Bell so very much. I've heard him say he studied the multiplication table by her freckles." "Oh, don't speak about freckles to me," implored Anne. "It isn't delicate when I've got so many. But I do think that writing take-notices up on the wall about the boys and girls is the silliest ever. I should just like to see anybody dare to write my name up with a boy's. Not, of course," she hastened to add, "that anybody would." Anne sighed. She didn't want her name written up. But it was a little humiliating to know that there was no danger of it. "Nonsense," said Diana, whose black eyes and glossy tresses had played such havoc with the hearts of Avonlea schoolboys that her name figured on the porch walls in half a dozen take-notices. "It's only meant as a joke. And don't you be too sure your name | off that you are not to come home telling tales about him. That is something I won't encourage. I hope you were a good girl." "Indeed I was," said Anne comfortably. "It wasn't so hard as you might imagine, either. I sit with Diana. Our seat is right by the window and we can look down to the Lake of Shining Waters. There are a lot of nice girls in school and we had scrumptious fun playing at dinnertime. It's so nice to have a lot of little girls to play with. But of course I like Diana best and always will. I _adore_ Diana. I'm dreadfully far behind the others. They're all in the fifth book and I'm only in the fourth. I feel that it's kind of a disgrace. But there's not one of them has such an imagination as I have and I soon found that out. We had reading and geography and Canadian history and dictation today. Mr. Phillips said my spelling was disgraceful and he held up my slate so that everybody could see it, all marked over. I felt so mortified, Marilla; he might have been politer to a stranger, I think. Ruby Gillis gave me an apple and Sophia Sloane lent me a lovely pink card with" ?May I see you home?' "on it. I'm to give it back to her tomorrow. And Tillie Boulter let me wear her bead ring all the afternoon. Can I have some of those pearl beads off the old pincushion in the garret to make myself a ring? And oh, Marilla, Jane Andrews told me that Minnie MacPherson told her that she heard Prissy Andrews tell Sara Gillis that I had a very pretty nose. Marilla, that is the first compliment I have ever had in my life and you can't imagine what a strange feeling it gave me. Marilla, have I really a pretty nose? I know you'll tell me the truth." "Your nose is well enough," said Marilla shortly. Secretly she thought Anne's nose was a remarkable pretty one; but she had no intention of telling her so. That was three weeks ago and all had gone smoothly so far. And now, this crisp September morning, Anne and Diana were tripping blithely down the Birch Path, two of the happiest little girls in Avonlea. "I guess Gilbert Blythe will be in school today," said Diana.<|quote|>"He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out."</|quote|>Diana's voice indicated that she rather liked having her life tormented out than not. "Gilbert Blythe?" said Anne. "Isn't his name that's written up on the porch wall with Julia Bell's and a big ?Take Notice' over them?" "Yes," said Diana, tossing her head, "but I'm sure he doesn't like Julia Bell so very much. I've heard him say he studied the multiplication table by her freckles." "Oh, don't speak about freckles to me," implored Anne. "It isn't delicate when I've got so many. But I do think that writing take-notices up on the wall about the boys and girls is the silliest ever. I should just like to see anybody dare to write my name up with a boy's. Not, of course," she hastened to add, "that anybody would." Anne sighed. She didn't want her name written up. But it was a little humiliating to know that there was no danger of it. "Nonsense," said Diana, whose black eyes and glossy tresses had played such havoc with the hearts of Avonlea schoolboys that her name figured on the porch walls in half a dozen take-notices. "It's only meant as a joke. And don't you be too sure your name won't ever be written up. Charlie Sloane is _dead gone_ on you. He told his mother--his _mother_, mind you--that you were the smartest girl in school. That's better than being good looking." "No, it isn't," said Anne, feminine to the core. "I'd rather be pretty than clever. And I hate Charlie Sloane, I can't bear a boy with goggle eyes. If anyone wrote my name up with his I'd never _get_ over it, Diana Barry. But it _is_ nice to keep head of your class." "You'll have Gilbert in your class after this," said Diana, "and he's used to being head of his class, I can tell you. He's only in the fourth book although he's nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn't go to school hardly any until they came back. You won't find it so easy to keep head after this, Anne." "I'm glad," said Anne quickly. "I couldn't really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling ?ebullition.' Josie Pye | and the murmur and laugh of wood winds in the trees overhead. Now and then you might see a rabbit skipping across the road if you were quiet--which, with Anne and Diana, happened about once in a blue moon. Down in the valley the path came out to the main road and then it was just up the spruce hill to the school. The Avonlea school was a whitewashed building, low in the eaves and wide in the windows, furnished inside with comfortable substantial old-fashioned desks that opened and shut, and were carved all over their lids with the initials and hieroglyphics of three generations of school children. The schoolhouse was set back from the road and behind it was a dusky fir wood and a brook where all the children put their bottles of milk in the morning to keep cool and sweet until dinner hour. Marilla had seen Anne start off to school on the first day of September with many secret misgivings. Anne was such an odd girl. How would she get on with the other children? And how on earth would she ever manage to hold her tongue during school hours? Things went better than Marilla feared, however. Anne came home that evening in high spirits. "I think I'm going to like school here," she announced. "I don't think much of the master, through. He's all the time curling his mustache and making eyes at Prissy Andrews. Prissy is grown up, you know. She's sixteen and she's studying for the entrance examination into Queen's Academy at Charlottetown next year. Tillie Boulter says the master is _dead gone_ on her. She's got a beautiful complexion and curly brown hair and she does it up so elegantly. She sits in the long seat at the back and he sits there, too, most of the time--to explain her lessons, he says. But Ruby Gillis says she saw him writing something on her slate and when Prissy read it she blushed as red as a beet and giggled; and Ruby Gillis says she doesn't believe it had anything to do with the lesson." "Anne Shirley, don't let me hear you talking about your teacher in that way again," said Marilla sharply. "You don't go to school to criticize the master. I guess he can teach _you_ something, and it's your business to learn. And I want you to understand right off that you are not to come home telling tales about him. That is something I won't encourage. I hope you were a good girl." "Indeed I was," said Anne comfortably. "It wasn't so hard as you might imagine, either. I sit with Diana. Our seat is right by the window and we can look down to the Lake of Shining Waters. There are a lot of nice girls in school and we had scrumptious fun playing at dinnertime. It's so nice to have a lot of little girls to play with. But of course I like Diana best and always will. I _adore_ Diana. I'm dreadfully far behind the others. They're all in the fifth book and I'm only in the fourth. I feel that it's kind of a disgrace. But there's not one of them has such an imagination as I have and I soon found that out. We had reading and geography and Canadian history and dictation today. Mr. Phillips said my spelling was disgraceful and he held up my slate so that everybody could see it, all marked over. I felt so mortified, Marilla; he might have been politer to a stranger, I think. Ruby Gillis gave me an apple and Sophia Sloane lent me a lovely pink card with" ?May I see you home?' "on it. I'm to give it back to her tomorrow. And Tillie Boulter let me wear her bead ring all the afternoon. Can I have some of those pearl beads off the old pincushion in the garret to make myself a ring? And oh, Marilla, Jane Andrews told me that Minnie MacPherson told her that she heard Prissy Andrews tell Sara Gillis that I had a very pretty nose. Marilla, that is the first compliment I have ever had in my life and you can't imagine what a strange feeling it gave me. Marilla, have I really a pretty nose? I know you'll tell me the truth." "Your nose is well enough," said Marilla shortly. Secretly she thought Anne's nose was a remarkable pretty one; but she had no intention of telling her so. That was three weeks ago and all had gone smoothly so far. And now, this crisp September morning, Anne and Diana were tripping blithely down the Birch Path, two of the happiest little girls in Avonlea. "I guess Gilbert Blythe will be in school today," said Diana.<|quote|>"He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out."</|quote|>Diana's voice indicated that she rather liked having her life tormented out than not. "Gilbert Blythe?" said Anne. "Isn't his name that's written up on the porch wall with Julia Bell's and a big ?Take Notice' over them?" "Yes," said Diana, tossing her head, "but I'm sure he doesn't like Julia Bell so very much. I've heard him say he studied the multiplication table by her freckles." "Oh, don't speak about freckles to me," implored Anne. "It isn't delicate when I've got so many. But I do think that writing take-notices up on the wall about the boys and girls is the silliest ever. I should just like to see anybody dare to write my name up with a boy's. Not, of course," she hastened to add, "that anybody would." Anne sighed. She didn't want her name written up. But it was a little humiliating to know that there was no danger of it. "Nonsense," said Diana, whose black eyes and glossy tresses had played such havoc with the hearts of Avonlea schoolboys that her name figured on the porch walls in half a dozen take-notices. "It's only meant as a joke. And don't you be too sure your name won't ever be written up. Charlie Sloane is _dead gone_ on you. He told his mother--his _mother_, mind you--that you were the smartest girl in school. That's better than being good looking." "No, it isn't," said Anne, feminine to the core. "I'd rather be pretty than clever. And I hate Charlie Sloane, I can't bear a boy with goggle eyes. If anyone wrote my name up with his I'd never _get_ over it, Diana Barry. But it _is_ nice to keep head of your class." "You'll have Gilbert in your class after this," said Diana, "and he's used to being head of his class, I can tell you. He's only in the fourth book although he's nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn't go to school hardly any until they came back. You won't find it so easy to keep head after this, Anne." "I'm glad," said Anne quickly. "I couldn't really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling ?ebullition.' Josie Pye was head and, mind you, she peeped in her book. Mr. Phillips didn't see her--he was looking at Prissy Andrews--but I did. I just swept her a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don't speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews's Latin, Diana whispered to Anne, "That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe _is_ handsome," confided Anne to Diana, "but I think he's very bold. It isn't good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her | "Indeed I was," said Anne comfortably. "It wasn't so hard as you might imagine, either. I sit with Diana. Our seat is right by the window and we can look down to the Lake of Shining Waters. There are a lot of nice girls in school and we had scrumptious fun playing at dinnertime. It's so nice to have a lot of little girls to play with. But of course I like Diana best and always will. I _adore_ Diana. I'm dreadfully far behind the others. They're all in the fifth book and I'm only in the fourth. I feel that it's kind of a disgrace. But there's not one of them has such an imagination as I have and I soon found that out. We had reading and geography and Canadian history and dictation today. Mr. Phillips said my spelling was disgraceful and he held up my slate so that everybody could see it, all marked over. I felt so mortified, Marilla; he might have been politer to a stranger, I think. Ruby Gillis gave me an apple and Sophia Sloane lent me a lovely pink card with" ?May I see you home?' "on it. I'm to give it back to her tomorrow. And Tillie Boulter let me wear her bead ring all the afternoon. Can I have some of those pearl beads off the old pincushion in the garret to make myself a ring? And oh, Marilla, Jane Andrews told me that Minnie MacPherson told her that she heard Prissy Andrews tell Sara Gillis that I had a very pretty nose. Marilla, that is the first compliment I have ever had in my life and you can't imagine what a strange feeling it gave me. Marilla, have I really a pretty nose? I know you'll tell me the truth." "Your nose is well enough," said Marilla shortly. Secretly she thought Anne's nose was a remarkable pretty one; but she had no intention of telling her so. That was three weeks ago and all had gone smoothly so far. And now, this crisp September morning, Anne and Diana were tripping blithely down the Birch Path, two of the happiest little girls in Avonlea. "I guess Gilbert Blythe will be in school today," said Diana.<|quote|>"He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out."</|quote|>Diana's voice indicated that she rather liked having her life tormented out than not. "Gilbert Blythe?" said Anne. "Isn't his name that's written up on the porch wall with Julia Bell's and a big ?Take Notice' over them?" "Yes," said Diana, tossing her head, "but I'm sure he doesn't like Julia Bell so very much. I've heard him say he studied the multiplication table by her freckles." "Oh, don't speak about freckles to me," implored Anne. "It isn't delicate when I've got so many. But I do think that writing take-notices up on the wall about the boys and girls is the silliest ever. I should just like to see anybody dare to write my name up with a boy's. Not, of course," she hastened to add, "that anybody would." Anne sighed. She didn't want her name written up. But it was a little humiliating to know that there was no danger of it. "Nonsense," said Diana, whose black eyes and glossy tresses had played such havoc with the hearts of Avonlea schoolboys that her name figured on the porch walls in half a dozen take-notices. "It's only meant as a joke. And don't you be too sure your name won't ever be written up. Charlie Sloane is _dead gone_ on you. He told his mother--his _mother_, mind you--that you were the smartest girl in school. That's better than being good looking." "No, it isn't," said Anne, feminine to the | Anne Of Green Gables | telling her so. That was three weeks ago and all had gone smoothly so far. And now, this crisp September morning, Anne and Diana were tripping blithely down the Birch Path, two of the happiest little girls in Avonlea. "I guess Gilbert Blythe will be in school today," said Diana.<|quote|>"He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out."</|quote|>Diana's voice indicated that she rather liked having her life tormented out than not. "Gilbert Blythe?" said Anne. "Isn't his name that's written up on the porch wall with Julia Bell's and a big ?Take Notice' over them?" "Yes," said Diana, tossing her head, "but I'm sure he doesn't like | {
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"content": "telling her so. That was three weeks ago and all had gone smoothly so far. And now, this crisp September morning, Anne and Diana were tripping blithely down the Birch Path, two of the happiest little girls in Avonlea. \"I guess Gilbert Blythe will be in school today,\" said Diana.<|quote|>\"He's been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He's _aw'fly_ handsome, Anne. And he teases the girls something terrible. He just torments our lives out.\"</|quote|>Diana's voice indicated that she rather liked having her life tormented out than not. \"Gilbert Blythe?\" said Anne. \"Isn't his name that's written up on the porch wall with Julia Bell's and a big ?Take Notice' over them?\" \"Yes,\" said Diana, tossing her head, \"but I'm sure he doesn't like",
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"That's the way," | Mrs. Beaver | the crates like a man.<|quote|>"That's the way,"</|quote|>she said, "you are doing | shorter one who was handling the crates like a man.<|quote|>"That's the way,"</|quote|>she said, "you are doing very nicely, Joyce. I'll soon | to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.<|quote|>"That's the way,"</|quote|>she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to | Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.<|quote|>"That's the way,"</|quote|>she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. | mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.<|quote|>"That's the way,"</|quote|>she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's | came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.<|quote|>"That's the way,"</|quote|>she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst of bonhomie immediately after the war. It was intended for young men, to be a place where they could straddle across the fire and be jolly in the card-room without incurring scowls from older members. But now these founders were themselves passing into middle age; they were heavier, balder and redder in the face than when they had been demobilized, but their joviality persisted and it was their | the top of his chest of drawers the collection of sombre and bulky objects that had stood in his father's dressing-room; indestructible presents for his wedding and twenty-first birthday, ivory, brass bound, covered in pigskin, crested and gold mounted, suggestive of expensive Edwardian masculinity--racing flasks and hunting flasks, cigar cases, tobacco jars, jockeys, elaborate meerschaum pipes, buttonhooks and hat brushes. There were four servants, all female and all, save one, elderly. When anyone asked Beaver why he stayed there instead of setting up on his own, he sometimes said that he thought his mother liked having him there (in spite of her business she was lonely); sometimes that it saved him at least five pounds a week. His total income varied around six pounds a week, so this was an important saving. He was twenty-five years old. From leaving Oxford until the beginning of the slump he had worked in an advertising agency. Since then no one had been able to find anything for him to do. So he got up late and sat near his telephone most of the day, hoping to be rung up. Whenever it was possible, Mrs Beaver took an hour off in the middle of the morning. She was always at her shop punctually at nine, and by half-past eleven she needed a break. Then, if no important customer was imminent, she would get into her two-seater and drive home to Sussex Gardens. Beaver was usually dressed by then and she had grown to value their morning interchange of gossip. "What was your evening?" "Audrey rang up at eight and asked me to dinner. Ten of us at the Embassy, rather dreary. Afterwards we all went on to a party given by a woman called de Trommet." "I know who you mean. American. She hasn't paid for the toile-de-jouy chair covers we made her last April. I had a dull time too; didn't hold a card all the evening and came away four pounds ten to the bad." "Poor mumsy." "I'm lunching at Viola Chasm's. What are you doing? I didn't order anything here, I'm afraid." "Nothing so far. I can always go round to Bratt's." "But that's so expensive. I'm sure if we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.<|quote|>"That's the way,"</|quote|>she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst of bonhomie immediately after the war. It was intended for young men, to be a place where they could straddle across the fire and be jolly in the card-room without incurring scowls from older members. But now these founders were themselves passing into middle age; they were heavier, balder and redder in the face than when they had been demobilized, but their joviality persisted and it was their turn now to embarrass their successors, deploring their lack of manly and gentlemanly qualities. Six broad backs shut Beaver from the bar. He settled in one of the armchairs in the outer room and turned over the pages of the _New Yorker_, waiting until someone he knew should turn up. Jock Grant-Menzies came upstairs. The men at the bar greeted him saying, "Hullo, Jock old boy, what are you drinking?" or, more simply, "Well, old boy?" He was too young to have fought in the war but these men thought he was all right; they liked him far more than they did Beaver, who, they thought, ought never to have got into the club at all. But Jock stopped to talk to Beaver. "Well, old boy," he said. "What are you drinking?" "Nothing so far." Beaver looked at his watch. "But I think it's time I had one. Brandy and ginger ale." Jock called to the barman and then said: "Who was the old girl you wished on me at that party last night?" "She's called Mrs Tipping." "I thought she might be. That explains it. They gave me a message downstairs that someone with a name like that wanted me to lunch with her." "Are you going?" "No, I'm no good at lunch parties. Besides, I decided when I got up that I'd have oysters here." The barman came with the drinks. "Mr Beaver, sir, there's ten shillings against you in my books for last month." "Ah, thank you, Macdougal, remind me some time, will you?" "Very good, sir." Beaver said, "I'm going to Hetton to-morrow." "Are you now? Give Tony and Brenda my love." "What's the form?" "Very quiet and enjoyable." "No paper games?" "Oh, no, nothing like that. A certain amount of bridge and backgammon and low poker with the neighbours." "Comfortable?" "Not bad. Plenty to drink. Rather a shortage of bathrooms. You can stay in bed all the morning." "I've never met Brenda." "You'll like her, she's a grand girl. I often think Tony Last's one of the happiest men I know. He's got just enough money, loves the place, one son he's crazy about, devoted wife, not a worry in the world." "Most enviable. You don't know anyone else who's going, do you? I was wondering if I could get a lift down there." "I don't, I'm afraid. It's quite easy by train." "Yes, but | we ask Chambers she'll be able to get you something in. I thought you were certain to be out." "Well, I still may be. It isn't twelve yet." (Most of Beaver's invitations came to him at the last moment; occasionally even later, when he had already begun to eat a solitary meal from a tray... "John, darling, there's been a muddle and Sonia has arrived without Reggie. Could you be an angel and help me out? Only be quick, because we're going in now" "... Then he would go headlong for a taxi and arrive, with apologies, after the first course... One of his few recent quarrels with his mother had occurred when he left a luncheon party of hers in this way.) "Where are you going for the week-end?" "Hetton." "Who's that? I forget." "Tony Last." "Yes, of course. She's lovely, he's rather a stick. I didn't know you knew them." "Well, I don't really. Tony asked me in Bratt's the other night. He may have forgotten." "Send a telegram and remind them. It is far better than ringing up. It gives them less chance to make excuses. Send it to-morrow just before you start. They owe me for a table." "What's their dossier?" "I used to see her quite a lot before she married. She was Brenda Rex, Lord St Cloud's daughter, very fair, underwater look. People used to be mad about her when she was a girl. Everyone thought she would marry Jock Grant-Menzies at one time. Wasted on Tony Last, he's a prig. I should say it was time she began to be bored. They've been married five or six years. Quite well off but everything goes in keeping up the house. I've never seen it but I've an idea it's huge and quite hideous. They've got one child at least, perhaps more." "Mumsy, you are wonderful. I believe you know about everyone." "It's a great help. All a matter of paying attention while people are talking." Mrs Beaver smoked a cigarette and then drove back to her shop. An American woman bought two patchwork quilts at thirty guineas each, Lady Metroland telephoned about a bathroom ceiling, an unknown young man paid cash for a cushion; in the intervals between these events, Mrs Beaver was able to descend to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.<|quote|>"That's the way,"</|quote|>she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to work upstairs. Both had paid good premiums to learn Mrs Beaver's art. Beaver sat on beside his telephone. Once it rang and a voice said, "Mr Beaver? Will you please hold the line, sir, Mrs Tipping would like to speak to you." The intervening silence was full of pleasant expectation. Mrs Tipping had a luncheon party that day, he knew; they had spent some time together the evening before and he had been particularly successful with her. Someone had chucked... "Oh, Mr Beaver, I _am_ so sorry to trouble you. I was wondering, could you _possibly_ tell me the name of the young man you introduced to me last night at Madame de Trommet's? The one with the reddish moustache. I think he was in Parliament." "I expect you mean Jock Grant-Menzies." "Yes, that's the name. You don't by any chance know where I can find him, do you?" "He's in the book but I don't suppose he'll be at home now. You might be able to get him at Bratt's at about one. He's almost always there." "Jock Grant-Menzies, Bratt's Club. Thank you so _very_ much. It _is_ kind of you. I hope you will come and see me some day. _Good_-bye." After that the telephone was silent. At one o'clock Beaver despaired. He put on his overcoat, his gloves, his bowler hat and with neatly rolled umbrella set off to his club, taking a penny bus as far as the corner of Bond Street. * * * * * The air of antiquity pervading Bratt's, derived from its elegant Georgian fa?ade, and finely panelled rooms, was entirely spurious, for it was a club of recent origin, founded in the burst of bonhomie immediately after the war. It was intended for young men, to be a place where they could straddle across the fire and be jolly in the card-room without incurring scowls from older members. But now these | A Handful Of Dust | to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.<|quote|>"That's the way,"</|quote|>she said, "you are doing very nicely, Joyce. I'll soon get you on to something more interesting." "Thank you, Mrs Beaver." They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to | {
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"content": "to the basement where two dispirited girls were packing lampshades. It was cold down there in spite of a little oil stove, and the walls were always damp. The girls were becoming quite deft, she noticed with pleasure, particularly the shorter one who was handling the crates like a man.<|quote|>\"That's the way,\"</|quote|>she said, \"you are doing very nicely, Joyce. I'll soon get you on to something more interesting.\" \"Thank you, Mrs Beaver.\" They had better stay in the packing department for a bit, Mrs Beaver decided; as long as they would stand it. They had neither of them enough chic to",
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asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence: | No speaker | backside boils." "And you, Detering?"<|quote|>asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence:</|quote|>"I would go straight on | till the water in his backside boils." "And you, Detering?"<|quote|>asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence:</|quote|>"I would go straight on with the harvesting." Then he | to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?"<|quote|>asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence:</|quote|>"I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his | so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?"<|quote|>asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence:</|quote|>"I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his little corner of Oldenburg. They haven't brought the hay in yet. At this moment Himmelstoss appears. He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then | village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie looks at him sadly and is silent. His thoughts still linger over the clear evenings in autumn, the Sundays in the heather, the village bells, the afternoons and evenings with the servant girls, the fried bacon and barley, the care-free evening hours in the ale-house---- He can't part with all these dreams so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?"<|quote|>asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence:</|quote|>"I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his little corner of Oldenburg. They haven't brought the hay in yet. At this moment Himmelstoss appears. He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then he marches up to us. No one makes any motion to stand up. Kropp looks up at him with interest. He continues to stand in front of us and wait. As no one says anything he launches a "Well?" A couple of seconds go by. Apparently Himmelstoss doesn't quite know what to do. He would like most to set us all on the run again. But he seems to have learned already that the front line isn't a parade ground. He tries it on though, and by addressing himself to one instead of to all of us hopes to get | surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie looks at him sadly and is silent. His thoughts still linger over the clear evenings in autumn, the Sundays in the heather, the village bells, the afternoons and evenings with the servant girls, the fried bacon and barley, the care-free evening hours in the ale-house---- He can't part with all these dreams so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?"<|quote|>asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence:</|quote|>"I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his little corner of Oldenburg. They haven't brought the hay in yet. At this moment Himmelstoss appears. He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then he marches up to us. No one makes any motion to stand up. Kropp looks up at him with interest. He continues to stand in front of us and wait. As no one says anything he launches a "Well?" A couple of seconds go by. Apparently Himmelstoss doesn't quite know what to do. He would like most to set us all on the run again. But he seems to have learned already that the front line isn't a parade ground. He tries it on though, and by addressing himself to one instead of to all of us hopes to get some response. Kropp is nearest, so he favours him. "Well, you here too?" But Albert's no friend of his. "A bit longer than you, I fancy," he retorts. The red moustache twitches: "You don't recognize me any more, what?" Tjaden now opens his eyes. "I do though." Himmelstoss turns to him: "Tjaden, isn't it?" Tjaden lifts his head. "And do you know what you are?" Himmelstoss is disconcerted. "Since when have we become so familiar? I don't remember that we ever slept in the gutter together?" He has no idea what to make of the situation. He didn't expect this open hostility. But he is on his guard: someone has already dinned some rot into him about getting a shot in the back. The question about the gutter makes Tjaden so mad that he becomes almost witty: "No, you slept there by yourself." Himmelstoss begins to boil. But Tjaden gets in ahead of him. He must bring off his insult: "Wouldn't you like to know what you are? A dirty hound, that's what you are. I've been wanting to tell you that for a long time." The satisfaction of months shines in his dull pig's eyes as he spits out: | themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie looks at him sadly and is silent. His thoughts still linger over the clear evenings in autumn, the Sundays in the heather, the village bells, the afternoons and evenings with the servant girls, the fried bacon and barley, the care-free evening hours in the ale-house---- He can't part with all these dreams so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?"<|quote|>asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence:</|quote|>"I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his little corner of Oldenburg. They haven't brought the hay in yet. At this moment Himmelstoss appears. He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then he marches up to us. No one makes any motion to stand up. Kropp looks up at him with interest. He continues to stand in front of us and wait. As no one says anything he launches a "Well?" A couple of seconds go by. Apparently Himmelstoss doesn't quite know what to do. He would like most to set us all on the run again. But he seems to have learned already that the front line isn't a parade ground. He tries it on though, and by addressing himself to one instead of to all of us hopes to get some response. Kropp is nearest, so he favours him. "Well, you here too?" But Albert's no friend of his. "A bit longer than you, I fancy," he retorts. The red moustache twitches: "You don't recognize me any more, what?" Tjaden now opens his eyes. "I do though." Himmelstoss turns to him: "Tjaden, isn't it?" Tjaden lifts his head. "And do you know what you are?" Himmelstoss is disconcerted. "Since when have we become so familiar? I don't remember that we ever slept in the gutter together?" He has no idea what to make of the situation. He didn't expect this open hostility. But he is on his guard: someone has already dinned some rot into him about getting a shot in the back. The question about the gutter makes Tjaden so mad that he becomes almost witty: "No, you slept there by yourself." Himmelstoss begins to boil. But Tjaden gets in ahead of him. He must bring off his insult: "Wouldn't you like to know what you are? A dirty hound, that's what you are. I've been wanting to tell you that for a long time." The satisfaction of months shines in his dull pig's eyes as he spits out: Dirty hound! Himmelstoss lets fly too, now. "What's that, you muck-rake, you dirty peat-stealer? Stand up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?" urges the thoroughgoing Müller. "Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," | of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie looks at him sadly and is silent. His thoughts still linger over the clear evenings in autumn, the Sundays in the heather, the village bells, the afternoons and evenings with the servant girls, the fried bacon and barley, the care-free evening hours in the ale-house---- He can't part with all these dreams so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?"<|quote|>asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence:</|quote|>"I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his little corner of Oldenburg. They haven't brought the hay in yet. At this moment Himmelstoss appears. He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then he marches up to us. No one makes any motion to stand up. Kropp looks up at him with interest. He continues to stand in front of us and wait. As no one says anything he launches a "Well?" A couple of seconds go by. Apparently Himmelstoss doesn't quite know what to do. He would like most to set us all on the run again. But he seems to have learned already that the front line isn't a parade ground. He tries it on though, and by addressing himself to one instead of to all of us hopes to get some response. Kropp is nearest, so he favours him. "Well, you here too?" But Albert's no friend of his. "A bit longer than you, I fancy," he retorts. The red moustache twitches: "You don't recognize me any more, what?" Tjaden now opens his eyes. "I do though." Himmelstoss turns to him: "Tjaden, isn't it?" Tjaden lifts his head. "And do you know what you are?" Himmelstoss is disconcerted. "Since when have we become so familiar? I don't remember that we ever slept in the gutter together?" He has no idea what to make of the situation. He didn't expect this open hostility. But he is on his guard: someone has already dinned some rot into him about getting a shot in the back. The question about the gutter makes Tjaden so mad that he becomes almost witty: "No, you slept there by yourself." Himmelstoss begins to boil. But Tjaden gets in ahead of him. He must bring off his insult: "Wouldn't you like to know what you are? A dirty hound, that's what you are. I've been wanting to tell you that for a long time." The satisfaction of months shines in his dull pig's eyes as he spits out: Dirty hound! Himmelstoss lets fly too, now. "What's that, you muck-rake, you dirty peat-stealer? Stand up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," | All Quiet on the Western Front | to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?"<|quote|>asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence:</|quote|>"I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his | {
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"Oh, I _am_ grateful," | Anne Shirley | wincey things you've been wearing."<|quote|>"Oh, I _am_ grateful,"</|quote|>protested Anne. "But I'd be | most anything after those skimpy wincey things you've been wearing."<|quote|>"Oh, I _am_ grateful,"</|quote|>protested Anne. "But I'd be ever so much gratefuller if--if | will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing."<|quote|>"Oh, I _am_ grateful,"</|quote|>protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I | trouble my head about getting pretty dresses for you. I don't believe in pampering vanity, Anne, I'll tell you that right off. Those dresses are good, sensible, serviceable dresses, without any frills or furbelows about them, and they're all you'll get this summer. The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing."<|quote|>"Oh, I _am_ grateful,"</|quote|>protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I hadn't any material to waste on puffed sleeves. I think they are ridiculous-looking things anyhow. I prefer the plain, sensible ones." "But I'd rather look ridiculous when everybody else does than plain and sensible all by myself," persisted Anne mournfully. "Trust you for that! Well, hang those dresses carefully up | which she had purchased that week at a Carmody store. She had made them up herself, and they were all made alike--plain skirts fulled tightly to plain waists, with sleeves as plain as waist and skirt and tight as sleeves could be. "I'll imagine that I like them," said Anne soberly. "I don't want you to imagine it," said Marilla, offended. "Oh, I can see you don't like the dresses! What is the matter with them? Aren't they neat and clean and new?" "Yes." "Then why don't you like them?" "They're--they're not--pretty," said Anne reluctantly. "Pretty!" Marilla sniffed. "I didn't trouble my head about getting pretty dresses for you. I don't believe in pampering vanity, Anne, I'll tell you that right off. Those dresses are good, sensible, serviceable dresses, without any frills or furbelows about them, and they're all you'll get this summer. The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing."<|quote|>"Oh, I _am_ grateful,"</|quote|>protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I hadn't any material to waste on puffed sleeves. I think they are ridiculous-looking things anyhow. I prefer the plain, sensible ones." "But I'd rather look ridiculous when everybody else does than plain and sensible all by myself," persisted Anne mournfully. "Trust you for that! Well, hang those dresses carefully up in your closet, and then sit down and learn the Sunday school lesson. I got a quarterly from Mr. Bell for you and you'll go to Sunday school tomorrow," said Marilla, disappearing downstairs in high dudgeon. Anne clasped her hands and looked at the dresses. "I did hope there would be a white one with puffed sleeves," she whispered disconsolately. "I prayed for one, but I didn't much expect it on that account. I didn't suppose God would have time to bother about a little orphan girl's dress. I knew I'd just have to depend on Marilla for it. Well, | the same thing as praying," said Anne meditatively. "But I'm going to imagine that I'm the wind that is blowing up there in those tree tops. When I get tired of the trees I'll imagine I'm gently waving down here in the ferns--and then I'll fly over to Mrs. Lynde's garden and set the flowers dancing--and then I'll go with one great swoop over the clover field--and then I'll blow over the Lake of Shining Waters and ripple it all up into little sparkling waves. Oh, there's so much scope for imagination in a wind! So I'll not talk any more just now, Marilla." "Thanks be to goodness for that," breathed Marilla in devout relief. CHAPTER XI. Anne's Impressions of Sunday-School "WELL, how do you like them?" said Marilla. Anne was standing in the gable room, looking solemnly at three new dresses spread out on the bed. One was of snuffy colored gingham which Marilla had been tempted to buy from a peddler the preceding summer because it looked so serviceable; one was of black-and-white checkered sateen which she had picked up at a bargain counter in the winter; and one was a stiff print of an ugly blue shade which she had purchased that week at a Carmody store. She had made them up herself, and they were all made alike--plain skirts fulled tightly to plain waists, with sleeves as plain as waist and skirt and tight as sleeves could be. "I'll imagine that I like them," said Anne soberly. "I don't want you to imagine it," said Marilla, offended. "Oh, I can see you don't like the dresses! What is the matter with them? Aren't they neat and clean and new?" "Yes." "Then why don't you like them?" "They're--they're not--pretty," said Anne reluctantly. "Pretty!" Marilla sniffed. "I didn't trouble my head about getting pretty dresses for you. I don't believe in pampering vanity, Anne, I'll tell you that right off. Those dresses are good, sensible, serviceable dresses, without any frills or furbelows about them, and they're all you'll get this summer. The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing."<|quote|>"Oh, I _am_ grateful,"</|quote|>protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I hadn't any material to waste on puffed sleeves. I think they are ridiculous-looking things anyhow. I prefer the plain, sensible ones." "But I'd rather look ridiculous when everybody else does than plain and sensible all by myself," persisted Anne mournfully. "Trust you for that! Well, hang those dresses carefully up in your closet, and then sit down and learn the Sunday school lesson. I got a quarterly from Mr. Bell for you and you'll go to Sunday school tomorrow," said Marilla, disappearing downstairs in high dudgeon. Anne clasped her hands and looked at the dresses. "I did hope there would be a white one with puffed sleeves," she whispered disconsolately. "I prayed for one, but I didn't much expect it on that account. I didn't suppose God would have time to bother about a little orphan girl's dress. I knew I'd just have to depend on Marilla for it. Well, fortunately I can imagine that one of them is of snow-white muslin with lovely lace frills and three-puffed sleeves." The next morning warnings of a sick headache prevented Marilla from going to Sunday-school with Anne. "You'll have to go down and call for Mrs. Lynde, Anne," she said. "She'll see that you get into the right class. Now, mind you behave yourself properly. Stay to preaching afterwards and ask Mrs. Lynde to show you our pew. Here's a cent for collection. Don't stare at people and don't fidget. I shall expect you to tell me the text when you come home." Anne started off irreproachable, arrayed in the stiff black-and-white sateen, which, while decent as regards length and certainly not open to the charge of skimpiness, contrived to emphasize every corner and angle of her thin figure. Her hat was a little, flat, glossy, new sailor, the extreme plainness of which had likewise much disappointed Anne, who had permitted herself secret visions of ribbon and flowers. The latter, however, were supplied before Anne reached the main road, for being confronted halfway down the lane with a golden frenzy of wind-stirred buttercups and a glory of wild roses, Anne promptly and | about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn't think so much about your looks, Anne. I'm afraid you are a very vain little girl." "How can I be vain when I know I'm homely?" protested Anne. "I love pretty things; and I hate to look in the glass and see something that isn't pretty. It makes me feel so sorrowful--just as I feel when I look at any ugly thing. I pity it because it isn't beautiful." "Handsome is as handsome does," quoted Marilla. "I've had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren't these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue," said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm. "It's lovely to be going home and know it's home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard." Something warm and pleasant welled up in Marilla's heart at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you'll be a good girl you'll always be happy, Anne. And you should never find it hard to say your prayers." "Saying one's prayers isn't exactly the same thing as praying," said Anne meditatively. "But I'm going to imagine that I'm the wind that is blowing up there in those tree tops. When I get tired of the trees I'll imagine I'm gently waving down here in the ferns--and then I'll fly over to Mrs. Lynde's garden and set the flowers dancing--and then I'll go with one great swoop over the clover field--and then I'll blow over the Lake of Shining Waters and ripple it all up into little sparkling waves. Oh, there's so much scope for imagination in a wind! So I'll not talk any more just now, Marilla." "Thanks be to goodness for that," breathed Marilla in devout relief. CHAPTER XI. Anne's Impressions of Sunday-School "WELL, how do you like them?" said Marilla. Anne was standing in the gable room, looking solemnly at three new dresses spread out on the bed. One was of snuffy colored gingham which Marilla had been tempted to buy from a peddler the preceding summer because it looked so serviceable; one was of black-and-white checkered sateen which she had picked up at a bargain counter in the winter; and one was a stiff print of an ugly blue shade which she had purchased that week at a Carmody store. She had made them up herself, and they were all made alike--plain skirts fulled tightly to plain waists, with sleeves as plain as waist and skirt and tight as sleeves could be. "I'll imagine that I like them," said Anne soberly. "I don't want you to imagine it," said Marilla, offended. "Oh, I can see you don't like the dresses! What is the matter with them? Aren't they neat and clean and new?" "Yes." "Then why don't you like them?" "They're--they're not--pretty," said Anne reluctantly. "Pretty!" Marilla sniffed. "I didn't trouble my head about getting pretty dresses for you. I don't believe in pampering vanity, Anne, I'll tell you that right off. Those dresses are good, sensible, serviceable dresses, without any frills or furbelows about them, and they're all you'll get this summer. The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing."<|quote|>"Oh, I _am_ grateful,"</|quote|>protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I hadn't any material to waste on puffed sleeves. I think they are ridiculous-looking things anyhow. I prefer the plain, sensible ones." "But I'd rather look ridiculous when everybody else does than plain and sensible all by myself," persisted Anne mournfully. "Trust you for that! Well, hang those dresses carefully up in your closet, and then sit down and learn the Sunday school lesson. I got a quarterly from Mr. Bell for you and you'll go to Sunday school tomorrow," said Marilla, disappearing downstairs in high dudgeon. Anne clasped her hands and looked at the dresses. "I did hope there would be a white one with puffed sleeves," she whispered disconsolately. "I prayed for one, but I didn't much expect it on that account. I didn't suppose God would have time to bother about a little orphan girl's dress. I knew I'd just have to depend on Marilla for it. Well, fortunately I can imagine that one of them is of snow-white muslin with lovely lace frills and three-puffed sleeves." The next morning warnings of a sick headache prevented Marilla from going to Sunday-school with Anne. "You'll have to go down and call for Mrs. Lynde, Anne," she said. "She'll see that you get into the right class. Now, mind you behave yourself properly. Stay to preaching afterwards and ask Mrs. Lynde to show you our pew. Here's a cent for collection. Don't stare at people and don't fidget. I shall expect you to tell me the text when you come home." Anne started off irreproachable, arrayed in the stiff black-and-white sateen, which, while decent as regards length and certainly not open to the charge of skimpiness, contrived to emphasize every corner and angle of her thin figure. Her hat was a little, flat, glossy, new sailor, the extreme plainness of which had likewise much disappointed Anne, who had permitted herself secret visions of ribbon and flowers. The latter, however, were supplied before Anne reached the main road, for being confronted halfway down the lane with a golden frenzy of wind-stirred buttercups and a glory of wild roses, Anne promptly and liberally garlanded her hat with a heavy wreath of them. Whatever other people might have thought of the result it satisfied Anne, and she tripped gaily down the road, holding her ruddy head with its decoration of pink and yellow very proudly. When she had reached Mrs. Lynde's house she found that lady gone. Nothing daunted, Anne proceeded onward to the church alone. In the porch she found a crowd of little girls, all more or less gaily attired in whites and blues and pinks, and all staring with curious eyes at this stranger in their midst, with her extraordinary head adornment. Avonlea little girls had already heard queer stories about Anne. Mrs. Lynde said she had an awful temper; Jerry Buote, the hired boy at Green Gables, said she talked all the time to herself or to the trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson's class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla's drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!" said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia. "They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. | at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you'll be a good girl you'll always be happy, Anne. And you should never find it hard to say your prayers." "Saying one's prayers isn't exactly the same thing as praying," said Anne meditatively. "But I'm going to imagine that I'm the wind that is blowing up there in those tree tops. When I get tired of the trees I'll imagine I'm gently waving down here in the ferns--and then I'll fly over to Mrs. Lynde's garden and set the flowers dancing--and then I'll go with one great swoop over the clover field--and then I'll blow over the Lake of Shining Waters and ripple it all up into little sparkling waves. Oh, there's so much scope for imagination in a wind! So I'll not talk any more just now, Marilla." "Thanks be to goodness for that," breathed Marilla in devout relief. CHAPTER XI. Anne's Impressions of Sunday-School "WELL, how do you like them?" said Marilla. Anne was standing in the gable room, looking solemnly at three new dresses spread out on the bed. One was of snuffy colored gingham which Marilla had been tempted to buy from a peddler the preceding summer because it looked so serviceable; one was of black-and-white checkered sateen which she had picked up at a bargain counter in the winter; and one was a stiff print of an ugly blue shade which she had purchased that week at a Carmody store. She had made them up herself, and they were all made alike--plain skirts fulled tightly to plain waists, with sleeves as plain as waist and skirt and tight as sleeves could be. "I'll imagine that I like them," said Anne soberly. "I don't want you to imagine it," said Marilla, offended. "Oh, I can see you don't like the dresses! What is the matter with them? Aren't they neat and clean and new?" "Yes." "Then why don't you like them?" "They're--they're not--pretty," said Anne reluctantly. "Pretty!" Marilla sniffed. "I didn't trouble my head about getting pretty dresses for you. I don't believe in pampering vanity, Anne, I'll tell you that right off. Those dresses are good, sensible, serviceable dresses, without any frills or furbelows about them, and they're all you'll get this summer. The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing."<|quote|>"Oh, I _am_ grateful,"</|quote|>protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I hadn't any material to waste on puffed sleeves. I think they are ridiculous-looking things anyhow. I prefer the plain, sensible ones." "But I'd rather look ridiculous when everybody else does than plain and sensible all by myself," persisted Anne mournfully. "Trust you for that! Well, hang those dresses carefully up in your closet, and then sit down and learn the Sunday school lesson. I got a quarterly from Mr. Bell for you and you'll go to Sunday school tomorrow," said Marilla, disappearing downstairs in high dudgeon. Anne clasped her hands and looked at the dresses. "I did hope there would be a white one with puffed sleeves," she whispered disconsolately. "I prayed for one, but I didn't much expect it on that account. I didn't suppose God would have time to bother about a little orphan girl's dress. I knew I'd just have to depend on Marilla for it. Well, fortunately I can imagine that one of them is of snow-white muslin with lovely lace frills and three-puffed sleeves." The next morning warnings of a sick headache prevented Marilla from going to Sunday-school with Anne. "You'll have to go down and call for Mrs. Lynde, Anne," she said. "She'll see that you get into the right class. Now, mind you behave yourself properly. Stay to preaching afterwards and ask Mrs. Lynde to show you our pew. Here's a cent for collection. Don't stare at people and don't fidget. I shall expect you to tell me the text when you come home." Anne started off irreproachable, arrayed in the stiff black-and-white sateen, which, while decent as regards length and certainly not open to the | Anne Of Green Gables | will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing."<|quote|>"Oh, I _am_ grateful,"</|quote|>protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I | {
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} | Anne Shirley |
"What's the matter?" | Dr Messinger | lice from her friend's hair.<|quote|>"What's the matter?"</|quote|>asked Dr Messinger. "I told | she picked and crunched the lice from her friend's hair.<|quote|>"What's the matter?"</|quote|>asked Dr Messinger. "I told you to bring the men | their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair.<|quote|>"What's the matter?"</|quote|>asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men | and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair.<|quote|>"What's the matter?"</|quote|>asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and | trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair.<|quote|>"What's the matter?"</|quote|>asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and Tony together prised open one of the cases and began to spread out the contents on a blanket. They had chosen these things together at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made | Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair.<|quote|>"What's the matter?"</|quote|>asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and Tony together prised open one of the cases and began to spread out the contents on a blanket. They had chosen these things together at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply. "Each man can choose three things from this box if he comes in the boats." But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively expensive articles; they had cost three and sixpence each, and Tony remembered vividly the embarrassment with which he had witnessed their demonstration on the floor of the toy department. They were of German manufacture; the size of large rats, but conspicuously painted in spots of green and white; they had large glass eyes, stiff whiskers and green-and-white-ringed tails; they ran on hidden wheels, and inside them were little bells that jingled as they moved. Dr Messinger took one out of their box, unwrapped the tissue-paper and held it up to general scrutiny. There was no doubt that he had captured | to take you down the river with us. We need you to help us talk to the men. Understand?" Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs. "Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair.<|quote|>"What's the matter?"</|quote|>asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and Tony together prised open one of the cases and began to spread out the contents on a blanket. They had chosen these things together at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply. "Each man can choose three things from this box if he comes in the boats." But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively expensive articles; they had cost three and sixpence each, and Tony remembered vividly the embarrassment with which he had witnessed their demonstration on the floor of the toy department. They were of German manufacture; the size of large rats, but conspicuously painted in spots of green and white; they had large glass eyes, stiff whiskers and green-and-white-ringed tails; they ran on hidden wheels, and inside them were little bells that jingled as they moved. Dr Messinger took one out of their box, unwrapped the tissue-paper and held it up to general scrutiny. There was no doubt that he had captured his audience's interest. Then he wound it up. The Indians stirred apprehensively at the sound. The ground where they were camping was hard mud, inundated at flood time. Dr Messinger put the toy down at his feet and set it going; tinkling merrily it ran towards the group of Indians. For a moment, Tony was afraid that it would turn over or become stuck against a root, but the mechanism was unimpaired and by good chance there was a clear course. The effect exceeded anything that he had expected. There was a loud intake of breath, a series of horrified, small grunts, a high wail of terror from the women, and a sudden stampede; a faint patter of bare brown feet among the fallen leaves, bare limbs, quiet as bats, pushed through the undergrowth, ragged cotton gowns caught and tore in the thorn bushes. Before the toy had run down, before it had jingled its way to the place where the nearest Indian had been squatting, the camp was empty. "Well, I'm damned," said Dr Messinger, "that's better than I expected." "More than you expected, anyway." "Oh, it's all right. They'll come back. I know them." But by sundown there was still no sign. Throughout the hot afternoon Tony and Dr Messinger, shrouded from cabouri fly, sprawled in their hammocks. The empty canoes lay in the river; the mechanical mouse had been put away. At sundown Dr Messinger said, "We'd better make a fire. They'll come back when it is dark." They brushed the earth away from the old embers, brought new wood and made a fire; they lit the storm lantern. "We'd better get some supper," said Tony. They boiled water and made some cocoa, opened a tin of salmon and finished the peaches that were left over from mid-day. They lit their pipes and drew the sheaths of mosquito netting across their hammocks. Most of this time they were silent. Presently they decided to go to sleep. "We shall find them all here in the morning," said Dr Messinger. "They're an odd bunch." All round them the voices of the bush whistled and croaked, changing with the hours as the night wore on to morning. * * * * * Dawn broke in London, clear and sweet, dove grey and honey, with promise of good weather; the lamps in the streets paled and disappeared; the empty streets ran | was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair.<|quote|>"What's the matter?"</|quote|>asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and Tony together prised open one of the cases and began to spread out the contents on a blanket. They had chosen these things together at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply. "Each man can choose three things from this box if he comes in the boats." But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively | A Handful Of Dust | their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair.<|quote|>"What's the matter?"</|quote|>asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men | {
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"content": "their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair.<|quote|>\"What's the matter?\"</|quote|>asked Dr Messinger. \"I told you to bring the men here.\" Rosa said nothing. \"So Macushi people are cowards. They are afraid of Pie-wie people.\" \"It is the cassava field,\" said Rosa. \"We must go back to dig the cassava. Otherwise it will be bad.\" \"Listen. I want the men",
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And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. | No speaker | only you can find it."<|quote|>And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.</|quote|>"The game's going on rather | "Everything's got a moral, if only you can find it."<|quote|>And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.</|quote|>"The game's going on rather better now," she said, by | that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it."<|quote|>And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.</|quote|>"The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their | that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it."<|quote|>And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.</|quote|>"The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in | very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it."<|quote|>And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.</|quote|>"The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting | before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it."<|quote|>And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.</|quote|>"The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the | must be removed," said the King very decidedly, and he called the Queen, who was passing at the moment, "My dear! I wish you would have this cat removed!" The Queen had only one way of settling all difficulties, great or small. "Off with his head!" she said, without even looking round. "I'll fetch the executioner myself," said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it."<|quote|>And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.</|quote|>"The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," | back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it."<|quote|>And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.</|quote|>"The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't | Alices Adventures In Wonderland | that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it."<|quote|>And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.</|quote|>"The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their | {
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"content": "that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit.\" \"Perhaps it hasn't one,\" Alice ventured to remark. \"Tut, tut, child!\" said the Duchess. \"Everything's got a moral, if only you can find it.\"<|quote|>And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.</|quote|>\"The game's going on rather better now,\" she said, by way of keeping up the conversation a little. \"'Tis so,\" said the Duchess: \"and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'\" \"Somebody said,\" Alice whispered, \"that it's done by everybody minding their",
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the Gryphon replied rather impatiently: | No speaker | "Soles and eels, of course,"<|quote|>the Gryphon replied rather impatiently:</|quote|>"any shrimp could have told | a tone of great curiosity. "Soles and eels, of course,"<|quote|>the Gryphon replied rather impatiently:</|quote|>"any shrimp could have told you that." "If I'd been | gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course,"<|quote|>the Gryphon replied rather impatiently:</|quote|>"any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no | and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course,"<|quote|>the Gryphon replied rather impatiently:</|quote|>"any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean | the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course,"<|quote|>the Gryphon replied rather impatiently:</|quote|>"any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was | the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course,"<|quote|>the Gryphon replied rather impatiently:</|quote|>"any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer | as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course,"<|quote|>the Gryphon replied rather impatiently:</|quote|>"any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?" "It's the first position in dancing." Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes, I think you'd better leave off," said the Gryphon: and Alice was only too glad to do so. "Shall we try another figure of the Lobster Quadrille?" the Gryphon went on. "Or would you like the Mock Turtle to sing you a | Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course,"<|quote|>the Gryphon replied rather impatiently:</|quote|>"any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." | Alices Adventures In Wonderland | gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course,"<|quote|>the Gryphon replied rather impatiently:</|quote|>"any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no | {
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"You can't think how glad I am to see you again, you dear old thing!" | The Duchess | IX. The Mock Turtle's Story<|quote|>"You can't think how glad I am to see you again, you dear old thing!"</|quote|>said the Duchess, as she | back to the game. CHAPTER IX. The Mock Turtle's Story<|quote|>"You can't think how glad I am to see you again, you dear old thing!"</|quote|>said the Duchess, as she tucked her arm affectionately into | moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story<|quote|>"You can't think how glad I am to see you again, you dear old thing!"</|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the | grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story<|quote|>"You can't think how glad I am to see you again, you dear old thing!"</|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new | they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story<|quote|>"You can't think how glad I am to see you again, you dear old thing!"</|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured | one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story<|quote|>"You can't think how glad I am to see you again, you dear old thing!"</|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't | so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely to win, that it's hardly worth while finishing the game." The Queen smiled and passed on. "Who _are_ you talking to?" said the King, going up to Alice, and looking at the Cat's head with great curiosity. "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me like that!" He got behind Alice as he spoke. "A cat may look at a king," said Alice. "I've read that in some book, but I don't remember where." "Well, it must be removed," said the King very decidedly, and he called the Queen, who was passing at the moment, "My dear! I wish you would have this cat removed!" The Queen had only one way of settling all difficulties, great or small. "Off with his head!" she said, without even looking round. "I'll fetch the executioner myself," said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story<|quote|>"You can't think how glad I am to see you again, you dear old thing!"</|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began | once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story<|quote|>"You can't think how glad I am to see you again, you dear old thing!"</|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the | Alices Adventures In Wonderland | moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story<|quote|>"You can't think how glad I am to see you again, you dear old thing!"</|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the | {
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"content": "moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story<|quote|>\"You can't think how glad I am to see you again, you dear old thing!\"</|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the",
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said the Dormouse, who was sitting next to her. | No speaker | wish you wouldn't squeeze so."<|quote|>said the Dormouse, who was sitting next to her.</|quote|>"I can hardly breathe." "I | was room for her. "I wish you wouldn't squeeze so."<|quote|>said the Dormouse, who was sitting next to her.</|quote|>"I can hardly breathe." "I can't help it," said Alice | made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so."<|quote|>said the Dormouse, who was sitting next to her.</|quote|>"I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous | all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so."<|quote|>said the Dormouse, who was sitting next to her.</|quote|>"I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me | to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so."<|quote|>said the Dormouse, who was sitting next to her.</|quote|>"I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said | read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so."<|quote|>said the Dormouse, who was sitting next to her.</|quote|>"I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, | way, was the King; and as he wore his crown over the wig, (look at the frontispiece if you want to see how he did it,) he did not look at all comfortable, and it was certainly not becoming. "And that's the jury-box," thought Alice, "and those twelve creatures," (she was obliged to say "creatures," you see, because some of them were animals, and some were birds,) "I suppose they are the jurors." She said this last word two or three times over to herself, being rather proud of it: for she thought, and rightly too, that very few little girls of her age knew the meaning of it at all. However, "jury-men" would have done just as well. The twelve jurors were all writing very busily on slates. "What are they doing?" Alice whispered to the Gryphon. "They can't have anything to put down yet, before the trial's begun." "They're putting down their names," the Gryphon whispered in reply, "for fear they should forget them before the end of the trial." "Stupid things!" Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, "Silence in the court!" and the King put on his spectacles and looked anxiously round, to make out who was talking. Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down "stupid things!" on their slates, and she could even make out that one of them didn't know how to spell "stupid," and that he had to ask his neighbour to tell him. "A nice muddle their slates'll be in before the trial's over!" thought Alice. One of the jurors had a pencil that squeaked. This of course, Alice could _not_ stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so."<|quote|>said the Dormouse, who was sitting next to her.</|quote|>"I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone | taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so."<|quote|>said the Dormouse, who was sitting next to her.</|quote|>"I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the | Alices Adventures In Wonderland | made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so."<|quote|>said the Dormouse, who was sitting next to her.</|quote|>"I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous | {
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cried Anne. | No speaker | apron pattern." "Oh--it's--it's too dark,"<|quote|>cried Anne.</|quote|>"Too dark? Why, it's only | if she'll lend me Diana's apron pattern." "Oh--it's--it's too dark,"<|quote|>cried Anne.</|quote|>"Too dark? Why, it's only twilight. And goodness knows you've | can't say I'm sorry," said Marilla, who sometimes wondered how she could have lived before Anne came to Green Gables, "no, not exactly sorry. If you've finished your lessons, Anne, I want you to run over and ask Mrs. Barry if she'll lend me Diana's apron pattern." "Oh--it's--it's too dark,"<|quote|>cried Anne.</|quote|>"Too dark? Why, it's only twilight. And goodness knows you've gone over often enough after dark." "I'll go over early in the morning," said Anne eagerly. "I'll get up at sunrise and go over, Marilla." "What has got into your head now, Anne Shirley? I want that pattern to cut | it. It was the turning point in my life. Of course it wouldn't seem so important to you. I've been here for a year and I've been so happy. Of course, I've had my troubles, but one can live down troubles. Are you sorry you kept me, Marilla?" "No, I can't say I'm sorry," said Marilla, who sometimes wondered how she could have lived before Anne came to Green Gables, "no, not exactly sorry. If you've finished your lessons, Anne, I want you to run over and ask Mrs. Barry if she'll lend me Diana's apron pattern." "Oh--it's--it's too dark,"<|quote|>cried Anne.</|quote|>"Too dark? Why, it's only twilight. And goodness knows you've gone over often enough after dark." "I'll go over early in the morning," said Anne eagerly. "I'll get up at sunrise and go over, Marilla." "What has got into your head now, Anne Shirley? I want that pattern to cut out your new apron this evening. Go at once and be smart too." "I'll have to go around by the road, then," said Anne, taking up her hat reluctantly. "Go by the road and waste half an hour! I'd like to catch you!" "I can't go through the Haunted Wood, | most ravishing spot, Marilla. There are two maple trees on it and the brook flows right around it. At last it struck me that it would be splendid to call it Victoria Island because we found it on the Queen's birthday. Both Diana and I are very loyal. But I'm sorry about that pie and the handkerchiefs. I wanted to be extra good today because it's an anniversary. Do you remember what happened this day last year, Marilla?" "No, I can't think of anything special." "Oh, Marilla, it was the day I came to Green Gables. I shall never forget it. It was the turning point in my life. Of course it wouldn't seem so important to you. I've been here for a year and I've been so happy. Of course, I've had my troubles, but one can live down troubles. Are you sorry you kept me, Marilla?" "No, I can't say I'm sorry," said Marilla, who sometimes wondered how she could have lived before Anne came to Green Gables, "no, not exactly sorry. If you've finished your lessons, Anne, I want you to run over and ask Mrs. Barry if she'll lend me Diana's apron pattern." "Oh--it's--it's too dark,"<|quote|>cried Anne.</|quote|>"Too dark? Why, it's only twilight. And goodness knows you've gone over often enough after dark." "I'll go over early in the morning," said Anne eagerly. "I'll get up at sunrise and go over, Marilla." "What has got into your head now, Anne Shirley? I want that pattern to cut out your new apron this evening. Go at once and be smart too." "I'll have to go around by the road, then," said Anne, taking up her hat reluctantly. "Go by the road and waste half an hour! I'd like to catch you!" "I can't go through the Haunted Wood, Marilla," cried Anne desperately. Marilla stared. "The Haunted Wood! Are you crazy? What under the canopy is the Haunted Wood?" "The spruce wood over the brook," said Anne in a whisper. "Fiddlesticks! There is no such thing as a haunted wood anywhere. Who has been telling you such stuff?" "Nobody," confessed Anne. "Diana and I just imagined the wood was haunted. All the places around here are so--so--_commonplace_. We just got this up for our own amusement. We began it in April. A haunted wood is so very romantic, Marilla. We chose the spruce grove because it's so gloomy. Oh, | Matthew's handkerchiefs! And most people when they put a pie in the oven to warm up for dinner take it out and eat it when it gets hot instead of leaving it to be burned to a crisp. But that doesn't seem to be your way evidently." Headaches always left Marilla somewhat sarcastic. "Oh, I'm so sorry," said Anne penitently. "I never thought about that pie from the moment I put it in the oven till now, although I felt _instinctively_ that there was something missing on the dinner table. I was firmly resolved, when you left me in charge this morning, not to imagine anything, but keep my thoughts on facts. I did pretty well until I put the pie in, and then an irresistible temptation came to me to imagine I was an enchanted princess shut up in a lonely tower with a handsome knight riding to my rescue on a coal-black steed. So that is how I came to forget the pie. I didn't know I starched the handkerchiefs. All the time I was ironing I was trying to think of a name for a new island Diana and I have discovered up the brook. It's the most ravishing spot, Marilla. There are two maple trees on it and the brook flows right around it. At last it struck me that it would be splendid to call it Victoria Island because we found it on the Queen's birthday. Both Diana and I are very loyal. But I'm sorry about that pie and the handkerchiefs. I wanted to be extra good today because it's an anniversary. Do you remember what happened this day last year, Marilla?" "No, I can't think of anything special." "Oh, Marilla, it was the day I came to Green Gables. I shall never forget it. It was the turning point in my life. Of course it wouldn't seem so important to you. I've been here for a year and I've been so happy. Of course, I've had my troubles, but one can live down troubles. Are you sorry you kept me, Marilla?" "No, I can't say I'm sorry," said Marilla, who sometimes wondered how she could have lived before Anne came to Green Gables, "no, not exactly sorry. If you've finished your lessons, Anne, I want you to run over and ask Mrs. Barry if she'll lend me Diana's apron pattern." "Oh--it's--it's too dark,"<|quote|>cried Anne.</|quote|>"Too dark? Why, it's only twilight. And goodness knows you've gone over often enough after dark." "I'll go over early in the morning," said Anne eagerly. "I'll get up at sunrise and go over, Marilla." "What has got into your head now, Anne Shirley? I want that pattern to cut out your new apron this evening. Go at once and be smart too." "I'll have to go around by the road, then," said Anne, taking up her hat reluctantly. "Go by the road and waste half an hour! I'd like to catch you!" "I can't go through the Haunted Wood, Marilla," cried Anne desperately. Marilla stared. "The Haunted Wood! Are you crazy? What under the canopy is the Haunted Wood?" "The spruce wood over the brook," said Anne in a whisper. "Fiddlesticks! There is no such thing as a haunted wood anywhere. Who has been telling you such stuff?" "Nobody," confessed Anne. "Diana and I just imagined the wood was haunted. All the places around here are so--so--_commonplace_. We just got this up for our own amusement. We began it in April. A haunted wood is so very romantic, Marilla. We chose the spruce grove because it's so gloomy. Oh, we have imagined the most harrowing things. There's a white lady walks along the brook just about this time of the night and wrings her hands and utters wailing cries. She appears when there is to be a death in the family. And the ghost of a little murdered child haunts the corner up by Idlewild; it creeps up behind you and lays its cold fingers on your hand--so. Oh, Marilla, it gives me a shudder to think of it. And there's a headless man stalks up and down the path and skeletons glower at you between the boughs. Oh, Marilla, I wouldn't go through the Haunted Wood after dark now for anything. I'd be sure that white things would reach out from behind the trees and grab me." "Did ever anyone hear the like!" ejaculated Marilla, who had listened in dumb amazement. "Anne Shirley, do you mean to tell me you believe all that wicked nonsense of your own imagination?" "Not believe _exactly_," faltered Anne. "At least, I don't believe it in daylight. But after dark, Marilla, it's different. That is when ghosts walk." "There are no such things as ghosts, Anne." "Oh, but there are, Marilla," cried Anne | here I don't really care whether Gil--whether anybody gets ahead of me in class or not. But when I'm up in school it's all different and I care as much as ever. There's such a lot of different Annes in me. I sometimes think that is why I'm such a troublesome person. If I was just the one Anne it would be ever so much more comfortable, but then it wouldn't be half so interesting." One June evening, when the orchards were pink blossomed again, when the frogs were singing silverly sweet in the marshes about the head of the Lake of Shining Waters, and the air was full of the savor of clover fields and balsamic fir woods, Anne was sitting by her gable window. She had been studying her lessons, but it had grown too dark to see the book, so she had fallen into wide-eyed reverie, looking out past the boughs of the Snow Queen, once more bestarred with its tufts of blossom. In all essential respects the little gable chamber was unchanged. The walls were as white, the pincushion as hard, the chairs as stiffly and yellowly upright as ever. Yet the whole character of the room was altered. It was full of a new vital, pulsing personality that seemed to pervade it and to be quite independent of schoolgirl books and dresses and ribbons, and even of the cracked blue jug full of apple blossoms on the table. It was as if all the dreams, sleeping and waking, of its vivid occupant had taken a visible although unmaterial form and had tapestried the bare room with splendid filmy tissues of rainbow and moonshine. Presently Marilla came briskly in with some of Anne's freshly ironed school aprons. She hung them over a chair and sat down with a short sigh. She had had one of her headaches that afternoon, and although the pain had gone she felt weak and "tuckered out," as she expressed it. Anne looked at her with eyes limpid with sympathy. "I do truly wish I could have had the headache in your place, Marilla. I would have endured it joyfully for your sake." "I guess you did your part in attending to the work and letting me rest," said Marilla. "You seem to have got on fairly well and made fewer mistakes than usual. Of course it wasn't exactly necessary to starch Matthew's handkerchiefs! And most people when they put a pie in the oven to warm up for dinner take it out and eat it when it gets hot instead of leaving it to be burned to a crisp. But that doesn't seem to be your way evidently." Headaches always left Marilla somewhat sarcastic. "Oh, I'm so sorry," said Anne penitently. "I never thought about that pie from the moment I put it in the oven till now, although I felt _instinctively_ that there was something missing on the dinner table. I was firmly resolved, when you left me in charge this morning, not to imagine anything, but keep my thoughts on facts. I did pretty well until I put the pie in, and then an irresistible temptation came to me to imagine I was an enchanted princess shut up in a lonely tower with a handsome knight riding to my rescue on a coal-black steed. So that is how I came to forget the pie. I didn't know I starched the handkerchiefs. All the time I was ironing I was trying to think of a name for a new island Diana and I have discovered up the brook. It's the most ravishing spot, Marilla. There are two maple trees on it and the brook flows right around it. At last it struck me that it would be splendid to call it Victoria Island because we found it on the Queen's birthday. Both Diana and I are very loyal. But I'm sorry about that pie and the handkerchiefs. I wanted to be extra good today because it's an anniversary. Do you remember what happened this day last year, Marilla?" "No, I can't think of anything special." "Oh, Marilla, it was the day I came to Green Gables. I shall never forget it. It was the turning point in my life. Of course it wouldn't seem so important to you. I've been here for a year and I've been so happy. Of course, I've had my troubles, but one can live down troubles. Are you sorry you kept me, Marilla?" "No, I can't say I'm sorry," said Marilla, who sometimes wondered how she could have lived before Anne came to Green Gables, "no, not exactly sorry. If you've finished your lessons, Anne, I want you to run over and ask Mrs. Barry if she'll lend me Diana's apron pattern." "Oh--it's--it's too dark,"<|quote|>cried Anne.</|quote|>"Too dark? Why, it's only twilight. And goodness knows you've gone over often enough after dark." "I'll go over early in the morning," said Anne eagerly. "I'll get up at sunrise and go over, Marilla." "What has got into your head now, Anne Shirley? I want that pattern to cut out your new apron this evening. Go at once and be smart too." "I'll have to go around by the road, then," said Anne, taking up her hat reluctantly. "Go by the road and waste half an hour! I'd like to catch you!" "I can't go through the Haunted Wood, Marilla," cried Anne desperately. Marilla stared. "The Haunted Wood! Are you crazy? What under the canopy is the Haunted Wood?" "The spruce wood over the brook," said Anne in a whisper. "Fiddlesticks! There is no such thing as a haunted wood anywhere. Who has been telling you such stuff?" "Nobody," confessed Anne. "Diana and I just imagined the wood was haunted. All the places around here are so--so--_commonplace_. We just got this up for our own amusement. We began it in April. A haunted wood is so very romantic, Marilla. We chose the spruce grove because it's so gloomy. Oh, we have imagined the most harrowing things. There's a white lady walks along the brook just about this time of the night and wrings her hands and utters wailing cries. She appears when there is to be a death in the family. And the ghost of a little murdered child haunts the corner up by Idlewild; it creeps up behind you and lays its cold fingers on your hand--so. Oh, Marilla, it gives me a shudder to think of it. And there's a headless man stalks up and down the path and skeletons glower at you between the boughs. Oh, Marilla, I wouldn't go through the Haunted Wood after dark now for anything. I'd be sure that white things would reach out from behind the trees and grab me." "Did ever anyone hear the like!" ejaculated Marilla, who had listened in dumb amazement. "Anne Shirley, do you mean to tell me you believe all that wicked nonsense of your own imagination?" "Not believe _exactly_," faltered Anne. "At least, I don't believe it in daylight. But after dark, Marilla, it's different. That is when ghosts walk." "There are no such things as ghosts, Anne." "Oh, but there are, Marilla," cried Anne eagerly. "I know people who have seen them. And they are respectable people. Charlie Sloane says that his grandmother saw his grandfather driving home the cows one night after he'd been buried for a year. You know Charlie Sloane's grandmother wouldn't tell a story for anything. She's a very religious woman. And Mrs. Thomas's father was pursued home one night by a lamb of fire with its head cut off hanging by a strip of skin. He said he knew it was the spirit of his brother and that it was a warning he would die within nine days. He didn't, but he died two years after, so you see it was really true. And Ruby Gillis says--" "Anne Shirley," interrupted Marilla firmly, "I never want to hear you talking in this fashion again. I've had my doubts about that imagination of yours right along, and if this is going to be the outcome of it, I won't countenance any such doings. You'll go right over to Barry's, and you'll go through that spruce grove, just for a lesson and a warning to you. And never let me hear a word out of your head about haunted woods again." Anne might plead and cry as she liked--and did, for her terror was very real. Her imagination had run away with her and she held the spruce grove in mortal dread after nightfall. But Marilla was inexorable. She marched the shrinking ghost-seer down to the spring and ordered her to proceed straightaway over the bridge and into the dusky retreats of wailing ladies and headless specters beyond. "Oh, Marilla, how can you be so cruel?" sobbed Anne. "What would you feel like if a white thing did snatch me up and carry me off?" "I'll risk it," said Marilla unfeelingly. "You know I always mean what I say. I'll cure you of imagining ghosts into places. March, now." Anne marched. That is, she stumbled over the bridge and went shuddering up the horrible dim path beyond. Anne never forgot that walk. Bitterly did she repent the license she had given to her imagination. The goblins of her fancy lurked in every shadow about her, reaching out their cold, fleshless hands to grasp the terrified small girl who had called them into being. A white strip of birch bark blowing up from the hollow over the brown floor of the grove made | ironed school aprons. She hung them over a chair and sat down with a short sigh. She had had one of her headaches that afternoon, and although the pain had gone she felt weak and "tuckered out," as she expressed it. Anne looked at her with eyes limpid with sympathy. "I do truly wish I could have had the headache in your place, Marilla. I would have endured it joyfully for your sake." "I guess you did your part in attending to the work and letting me rest," said Marilla. "You seem to have got on fairly well and made fewer mistakes than usual. Of course it wasn't exactly necessary to starch Matthew's handkerchiefs! And most people when they put a pie in the oven to warm up for dinner take it out and eat it when it gets hot instead of leaving it to be burned to a crisp. But that doesn't seem to be your way evidently." Headaches always left Marilla somewhat sarcastic. "Oh, I'm so sorry," said Anne penitently. "I never thought about that pie from the moment I put it in the oven till now, although I felt _instinctively_ that there was something missing on the dinner table. I was firmly resolved, when you left me in charge this morning, not to imagine anything, but keep my thoughts on facts. I did pretty well until I put the pie in, and then an irresistible temptation came to me to imagine I was an enchanted princess shut up in a lonely tower with a handsome knight riding to my rescue on a coal-black steed. So that is how I came to forget the pie. I didn't know I starched the handkerchiefs. All the time I was ironing I was trying to think of a name for a new island Diana and I have discovered up the brook. It's the most ravishing spot, Marilla. There are two maple trees on it and the brook flows right around it. At last it struck me that it would be splendid to call it Victoria Island because we found it on the Queen's birthday. Both Diana and I are very loyal. But I'm sorry about that pie and the handkerchiefs. I wanted to be extra good today because it's an anniversary. Do you remember what happened this day last year, Marilla?" "No, I can't think of anything special." "Oh, Marilla, it was the day I came to Green Gables. I shall never forget it. It was the turning point in my life. Of course it wouldn't seem so important to you. I've been here for a year and I've been so happy. Of course, I've had my troubles, but one can live down troubles. Are you sorry you kept me, Marilla?" "No, I can't say I'm sorry," said Marilla, who sometimes wondered how she could have lived before Anne came to Green Gables, "no, not exactly sorry. If you've finished your lessons, Anne, I want you to run over and ask Mrs. Barry if she'll lend me Diana's apron pattern." "Oh--it's--it's too dark,"<|quote|>cried Anne.</|quote|>"Too dark? Why, it's only twilight. And goodness knows you've gone over often enough after dark." "I'll go over early in the morning," said Anne eagerly. "I'll get up at sunrise and go over, Marilla." "What has got into your head now, Anne Shirley? I want that pattern to cut out your new apron this evening. Go at once and be smart too." "I'll have to go around by the road, then," said Anne, taking up her hat reluctantly. "Go by the road and waste half an hour! I'd like to catch you!" "I can't go through the Haunted Wood, Marilla," cried Anne desperately. Marilla stared. "The Haunted Wood! Are you crazy? What under the canopy is the Haunted Wood?" "The spruce wood over the brook," said Anne in a whisper. "Fiddlesticks! There is no such thing as a haunted wood anywhere. Who has been telling you such stuff?" "Nobody," confessed Anne. "Diana and I just imagined the wood was haunted. All the places around here are so--so--_commonplace_. We just got this up for our own amusement. We began it in April. A haunted wood is so very romantic, Marilla. We chose the spruce grove because it's so gloomy. Oh, we have imagined the most harrowing things. There's a white lady walks along the brook just about this time of the night and wrings her hands and utters wailing cries. She appears when there is to be a death in the family. And the ghost of a little murdered child haunts the corner up by Idlewild; it creeps up behind you and lays its cold fingers on your hand--so. Oh, Marilla, it gives me a shudder to think of it. And there's a headless man stalks up and down the path and skeletons glower at you between the boughs. Oh, Marilla, I wouldn't go through the Haunted Wood after dark now for anything. I'd be sure that white things would reach out from behind the trees and grab me." "Did ever anyone hear the like!" ejaculated Marilla, who had listened in dumb amazement. "Anne Shirley, do you mean to tell me you believe all that wicked nonsense of your own imagination?" "Not believe _exactly_," faltered Anne. "At least, I don't believe it in daylight. But after dark, Marilla, it's different. That is when ghosts walk." "There are no such things as ghosts, Anne." "Oh, but there are, Marilla," cried Anne eagerly. "I know people who have seen them. And they are respectable people. Charlie Sloane says that his grandmother saw his grandfather driving home the cows one night after he'd been buried for a year. You know Charlie | Anne Of Green Gables | can't say I'm sorry," said Marilla, who sometimes wondered how she could have lived before Anne came to Green Gables, "no, not exactly sorry. If you've finished your lessons, Anne, I want you to run over and ask Mrs. Barry if she'll lend me Diana's apron pattern." "Oh--it's--it's too dark,"<|quote|>cried Anne.</|quote|>"Too dark? Why, it's only twilight. And goodness knows you've gone over often enough after dark." "I'll go over early in the morning," said Anne eagerly. "I'll get up at sunrise and go over, Marilla." "What has got into your head now, Anne Shirley? I want that pattern to cut | {
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"You two are officers, aren't you?" | Babs | too late now." Babs said,<|quote|>"You two are officers, aren't you?"</|quote|>"No, why?" "I thought you | lady," said Milly. "Oh, it's too late now." Babs said,<|quote|>"You two are officers, aren't you?"</|quote|>"No, why?" "I thought you were." Milly said, "I like | all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said,<|quote|>"You two are officers, aren't you?"</|quote|>"No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a | myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said,<|quote|>"You two are officers, aren't you?"</|quote|>"No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." | had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said,<|quote|>"You two are officers, aren't you?"</|quote|>"No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring | was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said,<|quote|>"You two are officers, aren't you?"</|quote|>"No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell | Hundredth." "Can't still be open? Thought they closed it down years ago." But the door was brightly illuminated and a seedy figure in peaked cap and braided overcoat stepped out to open the taxi for them. The Old Hundredth has never been shut. For a generation, while other night clubs have sprung into being, with various names and managers, and various pretensions to respectability, have enjoyed a precarious and brief existence, and come to grief at the hands either of police or creditors, the Old Hundredth has maintained a solid front against all adversity. It has not been immune from persecution; far from it. Times out of number, magistrates have struck it off, cancelled its licence, condemned its premises; the staff and proprietor have been constantly in and out of prison; there have been questions in the House and committees of enquiry, but whatever Home Secretaries and Commissioners of Police have risen into eminence and retired discredited, the doors of the Old Hundredth have always been open from nine in the evening until four at night, and inside there has been an unimpeded flow of dubious, alcoholic preparations. A kindly young lady admitted Tony and Jock to the ramshackle building. "D'you mind signing on?" Tony and Jock inscribed fictitious names at the foot of a form which stated, _I have been invited to a Bottle Party at 100 Sink Street given by Captain Weybridge_. "That's five bob each, please." It is not an expensive club to run, because none of the staff, except the band, receive any wages; they make what they can by going through the overcoat pockets and giving the wrong change to drunks. The young ladies get in free but they have to see to it that their patrons spend money. "Last time I was here, Tony, was the bachelor party before your wedding." "Tight that night." "Stinking." "I'll tell you who else was tight that night--Reggie. Broke a fruit gum machine." "Reggie was stinking." "I say, you don't still feel low about that girl?" "I don't feel low." "Come on, we'll go downstairs." The dance-room was fairly full. An elderly man had joined the band and was trying to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said,<|quote|>"You two are officers, aren't you?"</|quote|>"No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make surprise visits." "You are one for making people learn things," said Beaver. Tony emerged from the 3.18 feeling cold, tired, and heavy with guilt. John Andrew had | The dance-room was fairly full. An elderly man had joined the band and was trying to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said,<|quote|>"You two are officers, aren't you?"</|quote|>"No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up | A Handful Of Dust | all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said,<|quote|>"You two are officers, aren't you?"</|quote|>"No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a | {
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"content": "all right, Tony.\" \"Well, good night.\" Tony went down to the table. \"I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?\" \"We promised we would,\" said Jock. \"You should never disappoint a lady,\" said Milly. \"Oh, it's too late now.\" Babs said,<|quote|>\"You two are officers, aren't you?\"</|quote|>\"No, why?\" \"I thought you were.\" Milly said, \"I like business gentlemen best, myself. They've more to say.\" \"What d'you do?\" \"I design postmen's hats,\" said Jock. \"Oh, go on.\" \"And my friend here trains sea-lions.\" \"Tell us another.\" Babs said, \"I've got a gentleman friend who works on a",
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John slipped out of the room and trotted down the passage to Galahad. | No speaker | "Well, she's probably awake, then."<|quote|>John slipped out of the room and trotted down the passage to Galahad.</|quote|>"May I come in?" "Hullo, | Mr Last's orders, my lady." "Well, she's probably awake, then."<|quote|>John slipped out of the room and trotted down the passage to Galahad.</|quote|>"May I come in?" "Hullo, Johnny-boy. Come in." He swung | I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then."<|quote|>John slipped out of the room and trotted down the passage to Galahad.</|quote|>"May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I | very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then."<|quote|>John slipped out of the room and trotted down the passage to Galahad.</|quote|>"May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to | "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then."<|quote|>John slipped out of the room and trotted down the passage to Galahad.</|quote|>"May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox | embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then."<|quote|>John slipped out of the room and trotted down the passage to Galahad.</|quote|>"May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny | than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then."<|quote|>John slipped out of the room and trotted down the passage to Galahad.</|quote|>"May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, | said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then."<|quote|>John slipped out of the room and trotted down the passage to Galahad.</|quote|>"May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we | A Handful Of Dust | I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then."<|quote|>John slipped out of the room and trotted down the passage to Galahad.</|quote|>"May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I | {
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"I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." | Reggie St Cloud | things going as it is."<|quote|>"I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had."</|quote|>"It would mean giving up | I can do to keep things going as it is."<|quote|>"I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had."</|quote|>"It would mean giving up Hetton." "Well, I gave up | rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is."<|quote|>"I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had."</|quote|>"It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally | raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is."<|quote|>"I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had."</|quote|>"It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize | When they were settled in front of the fire in the empty smoking-room, he answered, "Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is."<|quote|>"I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had."</|quote|>"It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't | think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee." When they were settled in front of the fire in the empty smoking-room, he answered, "Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is."<|quote|>"I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had."</|quote|>"It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as | got the idea that she's in love with him. But it won't last. It couldn't with a chap like Beaver. She'll want to come back in a year, just you see. Allan says the same." "I've told Allan. I don't want her back." "Well, that's vindictive." "No, I just couldn't feel the same about her again." "Well, why feel _the same_? One has to change as one gets older. Why, ten years ago I couldn't be interested in anything later than the Sumerian age and I assure you that now I find even the Christian era full of significance." For some time he spoke about some _tabulae exsecrationum_ that he had lately unearthed. "Almost every grave had them," he said, "mostly referring to the circus factions, scratched on lead. They used to be dropped in through a funnel. We had found forty-three up-to-date, before this wretched business happened, and I had to come back. Naturally I'm upset." He sat for a little, eating silently. This last observation had brought the conversation back to its point of departure. He clearly had more to say on the subject and was meditating the most convenient approach. He ate in a ruthless manner, champing his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee." When they were settled in front of the fire in the empty smoking-room, he answered, "Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is."<|quote|>"I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had."</|quote|>"It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me." "But did you know that they proposed to ask for two thousand?" "Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He hung up the receiver and went back to the smoking-room. His mind had suddenly become clearer on many points that had puzzled him. A whole Gothic world had come to grief... there was now no armour glittering through the forest glades, no embroidered feet on the green sward; the cream and dappled unicorns had fled... Reggie sat expanded in his chair. "Well?" "I got on to her. You were quite right. I'm sorry I didn't believe you. It seemed so unlikely at first." "That's all right, my dear fellow." "I've decided exactly what's going to happen." "Good." "Brenda is not going to get her divorce. The evidence I provided at Brighton isn't worth anything. There happens to have been a child there all the time. She slept both nights in | others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee." When they were settled in front of the fire in the empty smoking-room, he answered, "Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is."<|quote|>"I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had."</|quote|>"It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, | A Handful Of Dust | rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is."<|quote|>"I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had."</|quote|>"It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally | {
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"content": "rather less than a third of your income.\" \"Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is.\"<|quote|>\"I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had.\"</|quote|>\"It would mean giving up Hetton.\" \"Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally",
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and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, | No speaker | out "The race is over!"<|quote|>and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said,</|quote|>"_Everybody_ has won, and all | again, the Dodo suddenly called out "The race is over!"<|quote|>and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said,</|quote|>"_Everybody_ has won, and all must have prizes." "But who | they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!"<|quote|>and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said,</|quote|>"_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! | I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!"<|quote|>and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said,</|quote|>"_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must | to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!"<|quote|>and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said,</|quote|>"_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as | and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!"<|quote|>and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said,</|quote|>"_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing. "It _is_ a long tail, certainly," said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no | thought), and it said in a low trembling voice, "Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs." It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!"<|quote|>and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said,</|quote|>"_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing. "It _is_ a long tail, certainly," said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' Said cunning old Fury: 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly: "you had got to the fifth bend, I think?" "I had _not!_" cried the Mouse, sharply and very angrily. "A knot!" said Alice, always ready to make herself useful, and looking anxiously about her. "Oh, do let me help to undo it!" "I shall do nothing of the sort," said the Mouse, getting up and walking away. "You insult me by talking such nonsense!" "I didn't mean it!" pleaded poor Alice. "But you're so easily offended, you know!" The Mouse only growled in reply. "Please come back and finish your story!" Alice called after it; and the others all joined in chorus, "Yes, please do!" but the Mouse only shook its head impatiently, and walked a little quicker. "What a pity it wouldn't stay!" sighed the Lory, as soon as it was quite out of sight; and an old Crab took the opportunity of saying to her daughter "Ah, my dear! Let this be a lesson to you never to lose _your_ temper!" "Hold your tongue, Ma!" said the young Crab, a little snappishly. "You're enough to try the patience of an oyster!" "I wish I had our Dinah here, I know I do!" said Alice aloud, addressing nobody in particular. "She'd soon fetch it back!" "And who is Dinah, if I might venture to ask the question?" said the Lory. Alice replied eagerly, for she was always ready to talk about her pet: "Dinah's our cat. And she's such a capital one for catching mice you can't think! And oh, I wish you could see her after the birds! Why, she'll eat a little bird as soon as look at it!" This speech caused a remarkable sensation among the party. Some of the birds hurried off at once: one old Magpie began wrapping itself up very carefully, remarking, "I really must be getting home; the night-air doesn't suit my throat!" and a Canary called out in a trembling voice to its | a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!"<|quote|>and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said,</|quote|>"_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of | Alices Adventures In Wonderland | they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!"<|quote|>and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said,</|quote|>"_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! | {
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"content": "they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out \"The race is over!\"<|quote|>and they all crowded round it, panting, and asking, \"But who has won?\" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said,</|quote|>\"_Everybody_ has won, and all must have prizes.\" \"But who is to give the prizes?\" quite a chorus of voices asked. \"Why, _she_, of course,\" said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, \"Prizes!",
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"Well, let me tell you," | Kropp | "I don't feel myself offended."<|quote|>"Well, let me tell you,"</|quote|>says Albert sourly, "it doesn't | here at all," replies Tjaden, "I don't feel myself offended."<|quote|>"Well, let me tell you,"</|quote|>says Albert sourly, "it doesn't apply to tramps like you." | or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended."<|quote|>"Well, let me tell you,"</|quote|>says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if | again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended."<|quote|>"Well, let me tell you,"</|quote|>says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are | Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended."<|quote|>"Well, let me tell you,"</|quote|>says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one | strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended."<|quote|>"Well, let me tell you,"</|quote|>says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, | possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended."<|quote|>"Well, let me tell you,"</|quote|>says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better that the war is here instead of in Germany. Just you take a look at the shell-holes." "True," assents Tjaden, "but no war at all would be better still." He is quite proud of himself because he has for once scored over us volunteers. And his opinion is quite typical here, one meets it time and again, and there is nothing with which one can properly counter it, because that is the limit of their comprehension of the factors involved. The national feeling of the tommy resolves itself into this--here he is. But that is the end of it; everything else from joining up onwards he criticizes from a practical point of view. Albert lies down on the grass and growls angrily: "The best thing is not to talk about the rotten business." "It won't make any difference, that's sure," agrees Kat. As for the windfall, we have to return almost all the new things and take back our old rags again. The good ones were merely for the inspection. * * Instead of going to Russia, we go up the line again. On the way we pass through a devastated wood with the tree trunks shattered and the ground ploughed up. At several places there are tremendous craters. "Great guns, something's hit that," I say to Kat. "Trench mortars," he replies, and then points up at one of the trees. In the branches dead men are hanging. A naked soldier is squatting in the fork of a tree, he still has his helmet on, otherwise he is entirely unclad. There is only half of him sitting up there, the top half, the legs are missing. "What can that mean?" I ask. "He's been blown out of his clothes," mutters Tjaden. "It's funny," says Kat, "we have seen that a couple of times now. If a mortar gets you it blows you almost clean out of your clothes. It's the concussion that does it." I search around. And so it is. Here hang bits of uniform, and somewhere else is plastered a bloody mess that was once a human limb. Over there lies a body with nothing but a piece of the underpants on one leg and the collar of the tunic around its neck. Otherwise it is naked and the clothes are hanging up in the tree. Both arms are missing as though they had been | a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended."<|quote|>"Well, let me tell you,"</|quote|>says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better that the war is here instead of in Germany. Just you take a look at the shell-holes." "True," assents Tjaden, "but no war at all would be better still." He is quite proud of himself because he has for once scored over us volunteers. And his opinion is quite typical here, one meets it time and again, and there is nothing with which one can properly counter it, because that is the limit of their comprehension of the factors involved. The national feeling of the tommy resolves itself into this--here he is. But that is the end of it; everything else from joining up onwards he criticizes from a practical point of view. Albert lies down on the grass and growls angrily: "The best thing is not to talk about the rotten business." "It won't make any difference, that's sure," agrees Kat. As for the windfall, we have to return almost all the new things and take back our old rags again. The good ones were | All Quiet on the Western Front | or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended."<|quote|>"Well, let me tell you,"</|quote|>says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if | {
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"content": "or a wood, or a field of wheat.\" \"Are you really as stupid as that, or are you just pulling my leg?\" growls Kropp, \"I don't mean that at all. One people offends the other----\" \"Then I haven't any business here at all,\" replies Tjaden, \"I don't feel myself offended.\"<|quote|>\"Well, let me tell you,\"</|quote|>says Albert sourly, \"it doesn't apply to tramps like you.\" \"Then I can be going home right away,\" retorts Tjaden, and we all laugh. \"Ach, man! he means the people as a whole, the State----\" exclaims Müller. \"State, State\" --Tjaden snaps his fingers contemptuously, \"Gendarmes, police, taxes, that's your State;--if",
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} | Kropp |
"Nothing much has happened," | Tony Last | worms is quite well again."<|quote|>"Nothing much has happened,"</|quote|>said Tony. "We've missed you. | carthorse the one that had worms is quite well again."<|quote|>"Nothing much has happened,"</|quote|>said Tony. "We've missed you. What did you find to | fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again."<|quote|>"Nothing much has happened,"</|quote|>said Tony. "We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very | up ever so high and Thunderclap and I jumped it six times yesterday and six times again to-day and two more of the fish in the little pond are dead, floating upside down all swollen and nanny burnt her finger on the kettle yesterday and daddy and I saw a fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again."<|quote|>"Nothing much has happened,"</|quote|>said Tony. "We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd | her himself. And then she give him a hiding." Presently the train came in and Brenda emerged exquisitely from her third-class carriage. "You've _both_ come. What angels you are. I don't at all deserve it." "Oh, mummy, have you brought the monkey-lady?" "What _does_ the child mean?" "He's got it into his head that your chum Polly has a tail." "Come to think of it, I shouldn't be surprised if she had." Two little cases held all her luggage. The chauffeur strapped them on behind the car, and they drove to Hetton. "What's all the news?" "Ben's put the rail up ever so high and Thunderclap and I jumped it six times yesterday and six times again to-day and two more of the fish in the little pond are dead, floating upside down all swollen and nanny burnt her finger on the kettle yesterday and daddy and I saw a fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again."<|quote|>"Nothing much has happened,"</|quote|>said Tony. "We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. | Beaver again. He was sitting some way from her and they did not speak to each other until everyone was going. "I kept trying to get through to you this morning," he said, "but the line was always engaged." "Oh, come on," said Brenda, "I'll sock you a movie." Later she wired to Tony: _Staying with Marjorie another day or two all love to you both_. [IV] "Is mummy coming back to-day?" "I hope so." "That monkey-woman's party has lasted a long time. Can I come in to the station and meet her?" "Yes, we'll both go." "She hasn't seen Thunderclap for four days. She hasn't seen me jump the new post and rail, has she, daddy?" She was coming by the 3.18. Tony and John Andrew were there early. They wandered about the station looking at things, and bought some chocolate from a slot machine. The stationmaster came out to talk to them. "Her ladyship coming back to-day?" He was an old friend of Tony's. "I've been expecting her every day. You know what it is when ladies get to London." "Sam Brace's wife went to London and he couldn't get her back. Had to go up and fetch her himself. And then she give him a hiding." Presently the train came in and Brenda emerged exquisitely from her third-class carriage. "You've _both_ come. What angels you are. I don't at all deserve it." "Oh, mummy, have you brought the monkey-lady?" "What _does_ the child mean?" "He's got it into his head that your chum Polly has a tail." "Come to think of it, I shouldn't be surprised if she had." Two little cases held all her luggage. The chauffeur strapped them on behind the car, and they drove to Hetton. "What's all the news?" "Ben's put the rail up ever so high and Thunderclap and I jumped it six times yesterday and six times again to-day and two more of the fish in the little pond are dead, floating upside down all swollen and nanny burnt her finger on the kettle yesterday and daddy and I saw a fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again."<|quote|>"Nothing much has happened,"</|quote|>said Tony. "We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt on the sofa, sitting back on her heels. "Listen, you haven't been brooding?" "No." "Because, you see, when you say 'flat' you're thinking of something quite different to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell | only Allan from the Conservative Central Office, to say how sorry he had been not to get to the party the night before. "I hear Brenda disgraced herself," he said. "Goodness," said Brenda. "People do think that young men are easily come by." * * * * * "I scarcely saw you at Polly's last night," said Mrs Beaver. "What became of you?" "We went early. Brenda Last was tired." "She was looking lovely. I am so glad you've made friends with her. When are you going to see her again?" "I said I'd ring up." "Well, why don't you?" "Oh, mumsy, what's the use? I can't afford to start taking about women like Brenda Last. If I ring up she'll say, what are you doing, and I shall have to ask her to something, and it will be the same thing every day. I simply haven't the money." "I know, my son. It's very difficult for you... and you're wonderful about money. I ought to be grateful that I haven't a son always coming to me with debts. Still, it doesn't do to deny yourself _everything_, you know. You're getting to be an old bachelor already at twenty-five. I could see Brenda liked you, that evening she came here." "Oh, she likes me all right." "I hope she makes up her mind about that flat. They're going like hot cakes. I shall have to look about for another suitable house to split up. You'd be surprised who've been taking them--quite a number of people with houses in London already... Well, I must be getting back to work. I'm away for two nights by the way. See that Chambers looks after you properly. There are some Australians Sylvia Newport discovered who want to take a house in the country, so I'm driving them round to one or two that might do for them. Where are you lunching?" "Margot's." By one o'clock, when they came back from taking Djinn to the park, Beaver had not rung up. "So that's that," said Brenda, "I daresay I'm glad really." She sent a telegram to Tony to expect her by the afternoon train and, in a small voice, ordered her things to be packed. "I don't seem to have anywhere to lunch," she said. "Why don't you come to Margot's? I know she'd love it." "Well, ring up and ask her." So she met Beaver again. He was sitting some way from her and they did not speak to each other until everyone was going. "I kept trying to get through to you this morning," he said, "but the line was always engaged." "Oh, come on," said Brenda, "I'll sock you a movie." Later she wired to Tony: _Staying with Marjorie another day or two all love to you both_. [IV] "Is mummy coming back to-day?" "I hope so." "That monkey-woman's party has lasted a long time. Can I come in to the station and meet her?" "Yes, we'll both go." "She hasn't seen Thunderclap for four days. She hasn't seen me jump the new post and rail, has she, daddy?" She was coming by the 3.18. Tony and John Andrew were there early. They wandered about the station looking at things, and bought some chocolate from a slot machine. The stationmaster came out to talk to them. "Her ladyship coming back to-day?" He was an old friend of Tony's. "I've been expecting her every day. You know what it is when ladies get to London." "Sam Brace's wife went to London and he couldn't get her back. Had to go up and fetch her himself. And then she give him a hiding." Presently the train came in and Brenda emerged exquisitely from her third-class carriage. "You've _both_ come. What angels you are. I don't at all deserve it." "Oh, mummy, have you brought the monkey-lady?" "What _does_ the child mean?" "He's got it into his head that your chum Polly has a tail." "Come to think of it, I shouldn't be surprised if she had." Two little cases held all her luggage. The chauffeur strapped them on behind the car, and they drove to Hetton. "What's all the news?" "Ben's put the rail up ever so high and Thunderclap and I jumped it six times yesterday and six times again to-day and two more of the fish in the little pond are dead, floating upside down all swollen and nanny burnt her finger on the kettle yesterday and daddy and I saw a fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again."<|quote|>"Nothing much has happened,"</|quote|>said Tony. "We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt on the sofa, sitting back on her heels. "Listen, you haven't been brooding?" "No." "Because, you see, when you say 'flat' you're thinking of something quite different to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night," "you say," "instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage it, but it'll mean putting off the improvements down here." "I don't really deserve it," she said, clinching the matter. "I've been carrying on _anyhow_ this week." * * * * * Brenda's stay at Hetton lasted only for three nights. Then she returned to London, saying that she had to see about the flat. It did not, however, require very great attention. There was only the colour of the paint to choose and some few articles of furniture. Mrs Beaver had them ready for her inspection, a bed, a carpet, a dressing table and chair--there was not room for more. Mrs Beaver tried to sell her a set of needlework pictures for the walls, but these she refused, also an electric bed-warmer, a miniature weighing machine for the bathroom, a Frigidaire, an antique grandfather clock, a backgammon set of looking-glass and synthetic ivory, a set of prettily bound French eighteenth-century poets, a massage apparatus, and a wireless set fitted in a case of Regency lacquer, all of which had been grouped in the shop for her as a "suggestion". Mrs Beaver bore Brenda no ill will for the modesty of her requirements; she was doing very well on the floor above with a Canadian lady who was having her walls covered with chromium plating at immense expense. Meanwhile Brenda stayed with Marjorie, on terms which gradually became acrimonious. "I'm sorry to be pompous," she said one morning, "but I just don't want your Mr Beaver hanging about the house all day and calling me Marjorie." "Oh well, the flat won't be long now." "And I shall go on saying that I think you're making a ridiculous mistake." "It's just that you don't like Mr Beaver." "It isn't only that. I think it's hard cheese on Tony." "Oh, Tony's all right." "And if there's a row--" "There won't be a row." "You never know. If there is, I don't | another suitable house to split up. You'd be surprised who've been taking them--quite a number of people with houses in London already... Well, I must be getting back to work. I'm away for two nights by the way. See that Chambers looks after you properly. There are some Australians Sylvia Newport discovered who want to take a house in the country, so I'm driving them round to one or two that might do for them. Where are you lunching?" "Margot's." By one o'clock, when they came back from taking Djinn to the park, Beaver had not rung up. "So that's that," said Brenda, "I daresay I'm glad really." She sent a telegram to Tony to expect her by the afternoon train and, in a small voice, ordered her things to be packed. "I don't seem to have anywhere to lunch," she said. "Why don't you come to Margot's? I know she'd love it." "Well, ring up and ask her." So she met Beaver again. He was sitting some way from her and they did not speak to each other until everyone was going. "I kept trying to get through to you this morning," he said, "but the line was always engaged." "Oh, come on," said Brenda, "I'll sock you a movie." Later she wired to Tony: _Staying with Marjorie another day or two all love to you both_. [IV] "Is mummy coming back to-day?" "I hope so." "That monkey-woman's party has lasted a long time. Can I come in to the station and meet her?" "Yes, we'll both go." "She hasn't seen Thunderclap for four days. She hasn't seen me jump the new post and rail, has she, daddy?" She was coming by the 3.18. Tony and John Andrew were there early. They wandered about the station looking at things, and bought some chocolate from a slot machine. The stationmaster came out to talk to them. "Her ladyship coming back to-day?" He was an old friend of Tony's. "I've been expecting her every day. You know what it is when ladies get to London." "Sam Brace's wife went to London and he couldn't get her back. Had to go up and fetch her himself. And then she give him a hiding." Presently the train came in and Brenda emerged exquisitely from her third-class carriage. "You've _both_ come. What angels you are. I don't at all deserve it." "Oh, mummy, have you brought the monkey-lady?" "What _does_ the child mean?" "He's got it into his head that your chum Polly has a tail." "Come to think of it, I shouldn't be surprised if she had." Two little cases held all her luggage. The chauffeur strapped them on behind the car, and they drove to Hetton. "What's all the news?" "Ben's put the rail up ever so high and Thunderclap and I jumped it six times yesterday and six times again to-day and two more of the fish in the little pond are dead, floating upside down all swollen and nanny burnt her finger on the kettle yesterday and daddy and I saw a fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again."<|quote|>"Nothing much has happened,"</|quote|>said Tony. "We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt on the sofa, sitting back on her heels. "Listen, you haven't been brooding?" "No." "Because, you see, when you say 'flat' you're thinking of something quite different to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and | A Handful Of Dust | fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again."<|quote|>"Nothing much has happened,"</|quote|>said Tony. "We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very | {
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"Ruby Gillis says she means to have a beau as soon as she's fifteen," | Diana Barry | then without being laughed at."<|quote|>"Ruby Gillis says she means to have a beau as soon as she's fifteen,"</|quote|>said Diana. "Ruby Gillis thinks | able to use big words then without being laughed at."<|quote|>"Ruby Gillis says she means to have a beau as soon as she's fifteen,"</|quote|>said Diana. "Ruby Gillis thinks of nothing but beaus," said | suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at."<|quote|>"Ruby Gillis says she means to have a beau as soon as she's fifteen,"</|quote|>said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but | behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at."<|quote|>"Ruby Gillis says she means to have a beau as soon as she's fifteen,"</|quote|>said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I | to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at."<|quote|>"Ruby Gillis says she means to have a beau as soon as she's fifteen,"</|quote|>said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. | the concert over and over again. That's one splendid thing about such affairs--it's so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at."<|quote|>"Ruby Gillis says she means to have a beau as soon as she's fifteen,"</|quote|>said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write | scheme, but I suppose there's no real harm in it after all. Anyhow, I was proud of Anne tonight, although I'm not going to tell her so." "Well now, I was proud of her and I did tell her so ?fore she went upstairs," said Matthew. "We must see what we can do for her some of these days, Marilla. I guess she'll need something more than Avonlea school by and by." "There's time enough to think of that," said Marilla. "She's only thirteen in March. Though tonight it struck me she was growing quite a big girl. Mrs. Lynde made that dress a mite too long, and it makes Anne look so tall. She's quick to learn and I guess the best thing we can do for her will be to send her to Queen's after a spell. But nothing need be said about that for a year or two yet." "Well now, it'll do no harm to be thinking it over off and on," said Matthew. "Things like that are all the better for lots of thinking over." CHAPTER XXVI. The Story Club Is Formed |JUNIOR Avonlea found it hard to settle down to humdrum existence again. To Anne in particular things seemed fearfully flat, stale, and unprofitable after the goblet of excitement she had been sipping for weeks. Could she go back to the former quiet pleasures of those faraway days before the concert? At first, as she told Diana, she did not really think she could. "I'm positively certain, Diana, that life can never be quite the same again as it was in those olden days," she said mournfully, as if referring to a period of at least fifty years back. "Perhaps after a while I'll get used to it, but I'm afraid concerts spoil people for everyday life. I suppose that is why Marilla disapproves of them. Marilla is such a sensible woman. It must be a great deal better to be sensible; but still, I don't believe I'd really want to be a sensible person, because they are so unromantic. Mrs. Lynde says there is no danger of my ever being one, but you can never tell. I feel just now that I may grow up to be sensible yet. But perhaps that is only because I'm tired. I simply couldn't sleep last night for ever so long. I just lay awake and imagined the concert over and over again. That's one splendid thing about such affairs--it's so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at."<|quote|>"Ruby Gillis says she means to have a beau as soon as she's fifteen,"</|quote|>said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then | life can never be quite the same again as it was in those olden days," she said mournfully, as if referring to a period of at least fifty years back. "Perhaps after a while I'll get used to it, but I'm afraid concerts spoil people for everyday life. I suppose that is why Marilla disapproves of them. Marilla is such a sensible woman. It must be a great deal better to be sensible; but still, I don't believe I'd really want to be a sensible person, because they are so unromantic. Mrs. Lynde says there is no danger of my ever being one, but you can never tell. I feel just now that I may grow up to be sensible yet. But perhaps that is only because I'm tired. I simply couldn't sleep last night for ever so long. I just lay awake and imagined the concert over and over again. That's one splendid thing about such affairs--it's so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at."<|quote|>"Ruby Gillis says she means to have a beau as soon as she's fifteen,"</|quote|>said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the | Anne Of Green Gables | suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at."<|quote|>"Ruby Gillis says she means to have a beau as soon as she's fifteen,"</|quote|>said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but | {
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"content": "suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at.\"<|quote|>\"Ruby Gillis says she means to have a beau as soon as she's fifteen,\"</|quote|>said Diana. \"Ruby Gillis thinks of nothing but beaus,\" said Anne disdainfully. \"She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but",
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"You're the first person who's spoken to me for days," | Tony Last | and addressed him in English.<|quote|>"You're the first person who's spoken to me for days,"</|quote|>said Tony. "The others won't | but stopped when Todd approached and addressed him in English.<|quote|>"You're the first person who's spoken to me for days,"</|quote|>said Tony. "The others won't stop. They keep bicycling by... | of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English.<|quote|>"You're the first person who's spoken to me for days,"</|quote|>said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with | pocket and set out in the direction indicated. The man was already clear of the bush when Mr Todd reached him, sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English.<|quote|>"You're the first person who's spoken to me for days,"</|quote|>said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who | employed from the outside world came to him through a long succession of traders, passed from hand to hand, bartered for in a dozen languages at the extreme end of one of the longest threads in the web of commerce that spreads from Man?os into the remote fastness of the forest. One day while Mr Todd was engaged in filling some cartridges, a Pie-wie came to him with the news that a white man was approaching through the forest, alone and very sick. He closed the cartridge and loaded his gun with it, put those that were finished into his pocket and set out in the direction indicated. The man was already clear of the bush when Mr Todd reached him, sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English.<|quote|>"You're the first person who's spoken to me for days,"</|quote|>said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said, "indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating." "Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your | DE CHEZ TODD Although Mr Todd had lived in Amazonas for nearly six years, no one except a few families of Pie-wie Indians was aware of his existence. His house stood in a small savannah, one of those little patches of sand and grass that crop up occasionally in that neighbourhood, three miles or so across, bounded on all sides by forest. The stream which watered it was not marked on any map; it ran through rapids, always dangerous and at most seasons of the year impassable, to join the upper waters of the river where Dr Messinger had come to grief. None of the inhabitants of the district, except Mr Todd, had ever heard of the governments of Brazil or Dutch Guiana, both of which from time to time claimed its possession. Mr Todd's house was larger than those of his neighbours, but similar in character--a palm thatch roof, breast-high walls of mud and wattle, and a mud floor. He owned the dozen or so head of puny cattle which grazed in the savannah, a plantation of cassava, some banana and mango trees, a dog and, unique in the neighbourhood, a single-barrelled, breech-loading shot-gun. The few commodities which he employed from the outside world came to him through a long succession of traders, passed from hand to hand, bartered for in a dozen languages at the extreme end of one of the longest threads in the web of commerce that spreads from Man?os into the remote fastness of the forest. One day while Mr Todd was engaged in filling some cartridges, a Pie-wie came to him with the news that a white man was approaching through the forest, alone and very sick. He closed the cartridge and loaded his gun with it, put those that were finished into his pocket and set out in the direction indicated. The man was already clear of the bush when Mr Todd reached him, sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English.<|quote|>"You're the first person who's spoken to me for days,"</|quote|>said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said, "indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating." "Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at | Wood. A mechanical green fox with a bell inside him that jingled as he ran. It frightened them so much that they ran away and the whole beach was deserted and there was no bathing except for Beaver. He can bathe every day, for the time is different in Brazil." "I'm in love with John Beaver," said Ambrose. "Why, I didn't know you were here." "I came to remind you that you were ill, sir. You must on no account leave your hammock." "But how can I reach the City if I stay here?" "I will serve it directly, sir, in the library." "Yes, in the library. There is no point in using the dining-hall now that her Ladyship has gone to live in Brazil." "I will send the order to the stables, sir." "But I don't want the pony. I told Ben to sell her." "You will have to ride to the smoking-room, sir. Dr Messinger has taken the canoe." "Very well, Ambrose." "Thank you, sir." The committee had moved off down the avenue; all except Colonel Inch who had taken the other drive and was trotting towards Compton Last. Tony and Mrs Rattery were all alone. "Bow-wow," she said, scooping in the cards. "That carries the motion." Looking up from the card table, Tony saw beyond the trees the ramparts and battlement of the City; it was quite near him. From the turret of the gatehouse a heraldic banner floated in the tropic breeze. He struggled into an upright position and threw aside his blankets. He was stronger and steadier when the fever was on him. He picked his way through the surrounding thorn-scrub; the sound of music rose from the glittering walls; some procession or pageant was passing along them. He lurched into three trunks and became caught up in roots and hanging tendrils of bush-vine; but he pressed forward, unconscious of pain and fatigue. At last he came into the open. The gates were before him and trumpets were sounding along the walls, saluting his arrival; from bastion to bastion the message ran to the four points of the compass; petals of almond and apple blossom were in the air; they carpeted the way, as, after a summer storm, they lay in the orchards at Hetton. Gilded cupolas and spires of alabaster shone in the sunlight. Ambrose announced, "The City is served." CHAPTER VI DU C?T? DE CHEZ TODD Although Mr Todd had lived in Amazonas for nearly six years, no one except a few families of Pie-wie Indians was aware of his existence. His house stood in a small savannah, one of those little patches of sand and grass that crop up occasionally in that neighbourhood, three miles or so across, bounded on all sides by forest. The stream which watered it was not marked on any map; it ran through rapids, always dangerous and at most seasons of the year impassable, to join the upper waters of the river where Dr Messinger had come to grief. None of the inhabitants of the district, except Mr Todd, had ever heard of the governments of Brazil or Dutch Guiana, both of which from time to time claimed its possession. Mr Todd's house was larger than those of his neighbours, but similar in character--a palm thatch roof, breast-high walls of mud and wattle, and a mud floor. He owned the dozen or so head of puny cattle which grazed in the savannah, a plantation of cassava, some banana and mango trees, a dog and, unique in the neighbourhood, a single-barrelled, breech-loading shot-gun. The few commodities which he employed from the outside world came to him through a long succession of traders, passed from hand to hand, bartered for in a dozen languages at the extreme end of one of the longest threads in the web of commerce that spreads from Man?os into the remote fastness of the forest. One day while Mr Todd was engaged in filling some cartridges, a Pie-wie came to him with the news that a white man was approaching through the forest, alone and very sick. He closed the cartridge and loaded his gun with it, put those that were finished into his pocket and set out in the direction indicated. The man was already clear of the bush when Mr Todd reached him, sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English.<|quote|>"You're the first person who's spoken to me for days,"</|quote|>said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said, "indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating." "Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under the fallen battlements..." Mr Todd put a hand behind Tony's head and held up the concoction of herbs in the calabash. Tony sipped and turned away his head. "Nasty medicine," he said, and began to cry. Mr Todd stood by him holding the calabash. Presently Tony drank some more, screwing up his face and shuddering slightly at the bitterness. Mr Todd stood beside him until the draught was finished; then he threw out the dregs on to the mud floor. Tony lay back in the hammock sobbing quietly. Soon he fell into a deep sleep. * * * * * Tony's recovery was | and became caught up in roots and hanging tendrils of bush-vine; but he pressed forward, unconscious of pain and fatigue. At last he came into the open. The gates were before him and trumpets were sounding along the walls, saluting his arrival; from bastion to bastion the message ran to the four points of the compass; petals of almond and apple blossom were in the air; they carpeted the way, as, after a summer storm, they lay in the orchards at Hetton. Gilded cupolas and spires of alabaster shone in the sunlight. Ambrose announced, "The City is served." CHAPTER VI DU C?T? DE CHEZ TODD Although Mr Todd had lived in Amazonas for nearly six years, no one except a few families of Pie-wie Indians was aware of his existence. His house stood in a small savannah, one of those little patches of sand and grass that crop up occasionally in that neighbourhood, three miles or so across, bounded on all sides by forest. The stream which watered it was not marked on any map; it ran through rapids, always dangerous and at most seasons of the year impassable, to join the upper waters of the river where Dr Messinger had come to grief. None of the inhabitants of the district, except Mr Todd, had ever heard of the governments of Brazil or Dutch Guiana, both of which from time to time claimed its possession. Mr Todd's house was larger than those of his neighbours, but similar in character--a palm thatch roof, breast-high walls of mud and wattle, and a mud floor. He owned the dozen or so head of puny cattle which grazed in the savannah, a plantation of cassava, some banana and mango trees, a dog and, unique in the neighbourhood, a single-barrelled, breech-loading shot-gun. The few commodities which he employed from the outside world came to him through a long succession of traders, passed from hand to hand, bartered for in a dozen languages at the extreme end of one of the longest threads in the web of commerce that spreads from Man?os into the remote fastness of the forest. One day while Mr Todd was engaged in filling some cartridges, a Pie-wie came to him with the news that a white man was approaching through the forest, alone and very sick. He closed the cartridge and loaded his gun with it, put those that were finished into his pocket and set out in the direction indicated. The man was already clear of the bush when Mr Todd reached him, sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English.<|quote|>"You're the first person who's spoken to me for days,"</|quote|>said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said, "indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating." "Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will | A Handful Of Dust | of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English.<|quote|>"You're the first person who's spoken to me for days,"</|quote|>said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with | {
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"content": "of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English.<|quote|>\"You're the first person who's spoken to me for days,\"</|quote|>said Tony. \"The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with",
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"I was afraid you would have." | Brenda | Brenda had observed his hesitation.<|quote|>"I was afraid you would have."</|quote|>"But we'll meet there." "Yes, | to dine out for it." Brenda had observed his hesitation.<|quote|>"I was afraid you would have."</|quote|>"But we'll meet there." "Yes, if I go." "I wish | said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation.<|quote|>"I was afraid you would have."</|quote|>"But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave | evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation.<|quote|>"I was afraid you would have."</|quote|>"But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." | ate some chocolate and buns in her carriage; they bought them together at the buffet. There was plenty of time before the train left and the carriage was not yet full. Beaver came in and sat with her. "I'm sure you want to go away." "No, really." "I've got lots to read." "I _want_ to stay." "It's very sweet of you." Presently she said, rather timidly, for she was not used to asking for that sort of thing, "I suppose you wouldn't like to take me to Polly's party, would you?" Beaver hesitated. There would be several dinner parties that evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation.<|quote|>"I was afraid you would have."</|quote|>"But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * | flat?" Marjorie asked. "Oh, just something I thought of..." * * * * * That afternoon, as she lay luxuriously on the osteopath's table, and her vertebrae, under his strong fingers, snapped like patent fasteners, Brenda wondered whether Beaver would be at home that evening. "Probably not, if he's so keen on going about," she thought, "and, anyhow, what's the sense?..." But he was there, in spite of two other invitations. She heard all about the maisonette. Mrs Beaver knew her job. What people wanted, she said, was somewhere to dress and telephone. She was subdividing a small house in Belgravia into six flats at three pounds a week, of one room each and a bath; the bathrooms were going to be slap-up, with limitless hot water and every transatlantic refinement; the other room would have a large built-in wardrobe with electric light inside, and space for a bed. It would fill a long-felt need, Mrs Beaver said. "I'll ask my husband and let you know." "You _will_ let me know soon, won't you, because _everyone_ will be wanting one." "I'll let you know very soon." When she had to go, Beaver came with her to the station. She usually ate some chocolate and buns in her carriage; they bought them together at the buffet. There was plenty of time before the train left and the carriage was not yet full. Beaver came in and sat with her. "I'm sure you want to go away." "No, really." "I've got lots to read." "I _want_ to stay." "It's very sweet of you." Presently she said, rather timidly, for she was not used to asking for that sort of thing, "I suppose you wouldn't like to take me to Polly's party, would you?" Beaver hesitated. There would be several dinner parties that evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation.<|quote|>"I was afraid you would have."</|quote|>"But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. | was getting the order, should the restaurant still be open, for its spring redecorations. It was, transparently, a made-up party, the guests being chosen for no mutual bond--least of all affection for Mrs Beaver or for each other--except that their names were in current use--an accessible but not wholly renegade duke, an unmarried girl of experience, a dancer and a novelist and a scene designer, a shamefaced junior minister who had not realized what he was in for until too late, and Lady Cockpurse. "God, what a party," said Marjorie, waving brightly to them all. "You're both coming to my party, darlings?" Polly Cockpurse's strident tones rang across the restaurant. "Only don't tell anyone about it. It's just a very small, secret party. The house will only hold a few people--just old friends." "It would be wonderful to see what Polly's _real_ old friends were like," said Marjorie. "She hasn't known anyone more than five years." "I wish Tony could see her point." (Although Polly's fortune was derived from men, her popularity was chiefly among women, who admired her clothes and bought them from her second-hand at bargain prices; her first steps to eminence had been in circles so obscure that they had made her no enemies in the world to which she aspired; some time ago she had married a good-natured earl, whom nobody else happened to want at the time; since then she had scaled all but the highest peaks of every social mountain.) After luncheon Mrs Beaver came across to their table. "I _must_ come and speak to you, though I'm in a great hurry. It's _so_ long since we met and John has been telling me about a _delightful_ week-end he had with you." "It was very quiet." "That's just what he _loves_. Poor boy, he gets rushed off his feet in London. Tell me, Lady Brenda, is it true you are looking for a flat?--because I think I've got just the place for you. It's being done up now and will be ready well before Christmas." She looked at her watch. "Oh dear, I must fly. You couldn't possibly come in for a cocktail, this evening? Then you could hear all about it." "I _could_..." said Brenda doubtfully. "Then _do_. I'll expect you about six. I daresay you don't know where I live?" She told her and left the table. "What's all this about a flat?" Marjorie asked. "Oh, just something I thought of..." * * * * * That afternoon, as she lay luxuriously on the osteopath's table, and her vertebrae, under his strong fingers, snapped like patent fasteners, Brenda wondered whether Beaver would be at home that evening. "Probably not, if he's so keen on going about," she thought, "and, anyhow, what's the sense?..." But he was there, in spite of two other invitations. She heard all about the maisonette. Mrs Beaver knew her job. What people wanted, she said, was somewhere to dress and telephone. She was subdividing a small house in Belgravia into six flats at three pounds a week, of one room each and a bath; the bathrooms were going to be slap-up, with limitless hot water and every transatlantic refinement; the other room would have a large built-in wardrobe with electric light inside, and space for a bed. It would fill a long-felt need, Mrs Beaver said. "I'll ask my husband and let you know." "You _will_ let me know soon, won't you, because _everyone_ will be wanting one." "I'll let you know very soon." When she had to go, Beaver came with her to the station. She usually ate some chocolate and buns in her carriage; they bought them together at the buffet. There was plenty of time before the train left and the carriage was not yet full. Beaver came in and sat with her. "I'm sure you want to go away." "No, really." "I've got lots to read." "I _want_ to stay." "It's very sweet of you." Presently she said, rather timidly, for she was not used to asking for that sort of thing, "I suppose you wouldn't like to take me to Polly's party, would you?" Beaver hesitated. There would be several dinner parties that evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation.<|quote|>"I was afraid you would have."</|quote|>"But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly." Marjorie was rung up by the woman at whose house she was dining. (" "Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man." "Oh dear, I didn't realize..." Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs | as she lay luxuriously on the osteopath's table, and her vertebrae, under his strong fingers, snapped like patent fasteners, Brenda wondered whether Beaver would be at home that evening. "Probably not, if he's so keen on going about," she thought, "and, anyhow, what's the sense?..." But he was there, in spite of two other invitations. She heard all about the maisonette. Mrs Beaver knew her job. What people wanted, she said, was somewhere to dress and telephone. She was subdividing a small house in Belgravia into six flats at three pounds a week, of one room each and a bath; the bathrooms were going to be slap-up, with limitless hot water and every transatlantic refinement; the other room would have a large built-in wardrobe with electric light inside, and space for a bed. It would fill a long-felt need, Mrs Beaver said. "I'll ask my husband and let you know." "You _will_ let me know soon, won't you, because _everyone_ will be wanting one." "I'll let you know very soon." When she had to go, Beaver came with her to the station. She usually ate some chocolate and buns in her carriage; they bought them together at the buffet. There was plenty of time before the train left and the carriage was not yet full. Beaver came in and sat with her. "I'm sure you want to go away." "No, really." "I've got lots to read." "I _want_ to stay." "It's very sweet of you." Presently she said, rather timidly, for she was not used to asking for that sort of thing, "I suppose you wouldn't like to take me to Polly's party, would you?" Beaver hesitated. There would be several dinner parties that evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation.<|quote|>"I was afraid you would have."</|quote|>"But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner | A Handful Of Dust | said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation.<|quote|>"I was afraid you would have."</|quote|>"But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave | {
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"content": "said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... \"I wish I could,\" he said, \"but I've promised to dine out for it.\" Brenda had observed his hesitation.<|quote|>\"I was afraid you would have.\"</|quote|>\"But we'll meet there.\" \"Yes, if I go.\" \"I wish I could have taken you.\" \"It's quite all right... I just wondered.\" The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, \"Well, I think perhaps I'll leave",
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"Go and find someone to speak to us," | Dr Messinger | afeared," said the black boy.<|quote|>"Go and find someone to speak to us,"</|quote|>said Dr Messinger. The nigger | was inhabited. "Dey people all afeared," said the black boy.<|quote|>"Go and find someone to speak to us,"</|quote|>said Dr Messinger. The nigger went to the low door | into a wide clearing. There were eight or nine circular huts of mud and palm thatch. No one was visible, but two or three columns of smoke, rising straight and thin into the morning air, told them that the place was inhabited. "Dey people all afeared," said the black boy.<|quote|>"Go and find someone to speak to us,"</|quote|>said Dr Messinger. The nigger went to the low door of the nearest house and peered in. "Dere ain't no one but women dere," he reported. "Dey dressing deirselves. Come on out dere," he shouted into the gloom. "De chief want talk to you." At last, very shyly, a little | encumbered by numerous fallen trunks; they waded knee-deep through two streams that ran to feed the big river; underfoot there was sometimes a hard network of bare root, sometimes damp and slippery leaf-mould. Presently they reached the village. They came into sight of it quite suddenly, emerging from the bush into a wide clearing. There were eight or nine circular huts of mud and palm thatch. No one was visible, but two or three columns of smoke, rising straight and thin into the morning air, told them that the place was inhabited. "Dey people all afeared," said the black boy.<|quote|>"Go and find someone to speak to us,"</|quote|>said Dr Messinger. The nigger went to the low door of the nearest house and peered in. "Dere ain't no one but women dere," he reported. "Dey dressing deirselves. Come on out dere," he shouted into the gloom. "De chief want talk to you." At last, very shyly, a little old woman emerged, clad in the filthy calico gown that was kept for use in the presence of strangers. She waddled towards them on bandy legs. Her ankles were tightly bound with blue beads. Her hair was lank and ragged; her eyes were fixed on the earthenware bowl of liquid | go back with the boat. At dawn Tony and Dr Messinger drank a mug each of hot cocoa and ate some biscuits and what was left over from the bully beef opened the night before. Then they set out for the village. One of the blacks went in front with a cutlass to clear the trail. Dr Messinger and Tony followed, one behind the other; another black came behind them carrying samples of trade goods--a twenty-dollar Belgian gun, some rolls of printed cotton, hand-mirrors in coloured celluloid frames, some bottles of highly scented pomade. It was a rough, unfrequented trail, encumbered by numerous fallen trunks; they waded knee-deep through two streams that ran to feed the big river; underfoot there was sometimes a hard network of bare root, sometimes damp and slippery leaf-mould. Presently they reached the village. They came into sight of it quite suddenly, emerging from the bush into a wide clearing. There were eight or nine circular huts of mud and palm thatch. No one was visible, but two or three columns of smoke, rising straight and thin into the morning air, told them that the place was inhabited. "Dey people all afeared," said the black boy.<|quote|>"Go and find someone to speak to us,"</|quote|>said Dr Messinger. The nigger went to the low door of the nearest house and peered in. "Dere ain't no one but women dere," he reported. "Dey dressing deirselves. Come on out dere," he shouted into the gloom. "De chief want talk to you." At last, very shyly, a little old woman emerged, clad in the filthy calico gown that was kept for use in the presence of strangers. She waddled towards them on bandy legs. Her ankles were tightly bound with blue beads. Her hair was lank and ragged; her eyes were fixed on the earthenware bowl of liquid which she carried. When she was a few feet from Tony and Dr Messinger she set the bowl on the ground, and, still with downcast eyes, shook hands with them. Then she stopped, picked up the bowl once more and held it to Dr Messinger. "Gassiri," he explained, "the local drink made of fermented cassava." He drank some and handed the bowl to Tony. It contained a thick, purplish liquid. When Tony had drunk a little, Dr Messinger explained, "It is made in an interesting way. The women chew the root up and spit it into a hollow tree-trunk." He | "You're going through with the divorce?" "I don't know, Jock. It doesn't really depend on me. It's all a matter of holding down Mr Beaver. He's getting very restive. I have to feed him a bit of high-life every week or so, and I suppose that'll all stop if there's a divorce. Any news of Tony?" "Not for some time now. I got a cable when he landed. He's gone off on some expedition with a crook doctor." "Is it _absolutely_ safe?" "Oh, I imagine so. The whole world is civilized now, isn't it--charabancs and Cook's offices everywhere." "Yes, I suppose it is... I hope he's not _brooding_. I shouldn't like to think of him being unhappy." "I expect he's getting used to things." "I do hope so. I'm very fond of Tony, you know, in spite of the monstrous way he behaved." * * * * * There was an Indian village a mile or two distant from the camp. It was here that Tony and Dr Messinger proposed to recruit porters for the two-hundred-mile march that lay between them and the Pie-wie country. The niggers were river men and could not be taken into Indian territory. They would go back with the boat. At dawn Tony and Dr Messinger drank a mug each of hot cocoa and ate some biscuits and what was left over from the bully beef opened the night before. Then they set out for the village. One of the blacks went in front with a cutlass to clear the trail. Dr Messinger and Tony followed, one behind the other; another black came behind them carrying samples of trade goods--a twenty-dollar Belgian gun, some rolls of printed cotton, hand-mirrors in coloured celluloid frames, some bottles of highly scented pomade. It was a rough, unfrequented trail, encumbered by numerous fallen trunks; they waded knee-deep through two streams that ran to feed the big river; underfoot there was sometimes a hard network of bare root, sometimes damp and slippery leaf-mould. Presently they reached the village. They came into sight of it quite suddenly, emerging from the bush into a wide clearing. There were eight or nine circular huts of mud and palm thatch. No one was visible, but two or three columns of smoke, rising straight and thin into the morning air, told them that the place was inhabited. "Dey people all afeared," said the black boy.<|quote|>"Go and find someone to speak to us,"</|quote|>said Dr Messinger. The nigger went to the low door of the nearest house and peered in. "Dere ain't no one but women dere," he reported. "Dey dressing deirselves. Come on out dere," he shouted into the gloom. "De chief want talk to you." At last, very shyly, a little old woman emerged, clad in the filthy calico gown that was kept for use in the presence of strangers. She waddled towards them on bandy legs. Her ankles were tightly bound with blue beads. Her hair was lank and ragged; her eyes were fixed on the earthenware bowl of liquid which she carried. When she was a few feet from Tony and Dr Messinger she set the bowl on the ground, and, still with downcast eyes, shook hands with them. Then she stopped, picked up the bowl once more and held it to Dr Messinger. "Gassiri," he explained, "the local drink made of fermented cassava." He drank some and handed the bowl to Tony. It contained a thick, purplish liquid. When Tony had drunk a little, Dr Messinger explained, "It is made in an interesting way. The women chew the root up and spit it into a hollow tree-trunk." He then addressed the woman in Wapishiana. She looked at him for the first time. Her brown, Mongol face was perfectly blank, devoid alike of comprehension and curiosity. Dr Messinger repeated and amplified his question. The woman took the bowl from Tony and set it on the ground. Meanwhile other faces were appearing at the doors of the huts. Only one woman ventured out. She was very stout and she smiled confidently at the visitors. "Good morning," she said. "How do you do? I am Rosa. I speak English good. I live bottom-side two years with Mr Forbes. You give me cigarette." "Why doesn't this woman answer?" "She no speak English." "But I was speaking Wapishiana." "She Macushi woman. All these people Macushi people." "Oh. I didn't know. Where are the men?" "Men all go hunting three days." "When will they be back?" "They go after bush-pig." "When will they be back?" "No, bush-pig. Plenty bush-pig. Men all go hunting. You give me cigarette." "Listen, Rosa, I want to go to the Pie-wie country." "No, this Macushi. All the people Macushi." "But we want to go Pie-wie." "No, _all_ Macushi. You give me cigarette." "It's hopeless," said Dr Messinger. "We shall | that moment in London, with Brenda there and the surprised look with which she greeted each new arrival. If there was a fire she would be as near it as she could get. Would there be a fire at the end of May? He could not remember. There were nearly always fires at Hetton in the evening, whatever the season. Then, after another bout of scratching, it occurred to Tony that it was not half-past eight in England. There was five hours' difference in time. They had altered their watches daily on the voyage out. Which way? It ought to be easy to work out. The sun rose in the east. England was east of America so he and Dr Messinger got the sun later. It came to them at second-hand and slightly soiled after Polly Cockpurse and Mrs Beaver and Princess Abdul Akbar had finished with it... Like Polly's dresses which Brenda used to buy for ten or fifteen pounds each... he fell asleep. He woke an hour later to hear Dr Messinger cursing, and to see him sitting astride his hammock working with bandages and iodine at his great toe. "A vampire bat got it. I must have gone to sleep with my foot against the netting. God knows how long he had been at it, before I woke up. That lamp ought to keep them off but it doesn't seem to." The black boys were still awake, munching over the fire. "Vampires plenty bad this side, Chief," they said. "Dat for why us no leave de fire." "It's just the way to get sick, blast it," said Dr Messinger. "I may have lost pints of blood." * * * * * Brenda and Jock were dancing together at Anchorage House. It was late, the party was thinning, and now, for the first time that evening, it was possible to dance with pleasure. The ballroom was hung with tapestry and lit by candles. Lady Anchorage had lately curtsied her farewell to the last royalty. "How I hate staying up late," Brenda said, "but it seems a shame to take my Mr Beaver away. He's so thrilled to be here, bless him, and it was a great effort to get him asked... Come to think of it," she added later, "I suppose that this is the last year _I_ shall be able to go to this kind of party." "You're going through with the divorce?" "I don't know, Jock. It doesn't really depend on me. It's all a matter of holding down Mr Beaver. He's getting very restive. I have to feed him a bit of high-life every week or so, and I suppose that'll all stop if there's a divorce. Any news of Tony?" "Not for some time now. I got a cable when he landed. He's gone off on some expedition with a crook doctor." "Is it _absolutely_ safe?" "Oh, I imagine so. The whole world is civilized now, isn't it--charabancs and Cook's offices everywhere." "Yes, I suppose it is... I hope he's not _brooding_. I shouldn't like to think of him being unhappy." "I expect he's getting used to things." "I do hope so. I'm very fond of Tony, you know, in spite of the monstrous way he behaved." * * * * * There was an Indian village a mile or two distant from the camp. It was here that Tony and Dr Messinger proposed to recruit porters for the two-hundred-mile march that lay between them and the Pie-wie country. The niggers were river men and could not be taken into Indian territory. They would go back with the boat. At dawn Tony and Dr Messinger drank a mug each of hot cocoa and ate some biscuits and what was left over from the bully beef opened the night before. Then they set out for the village. One of the blacks went in front with a cutlass to clear the trail. Dr Messinger and Tony followed, one behind the other; another black came behind them carrying samples of trade goods--a twenty-dollar Belgian gun, some rolls of printed cotton, hand-mirrors in coloured celluloid frames, some bottles of highly scented pomade. It was a rough, unfrequented trail, encumbered by numerous fallen trunks; they waded knee-deep through two streams that ran to feed the big river; underfoot there was sometimes a hard network of bare root, sometimes damp and slippery leaf-mould. Presently they reached the village. They came into sight of it quite suddenly, emerging from the bush into a wide clearing. There were eight or nine circular huts of mud and palm thatch. No one was visible, but two or three columns of smoke, rising straight and thin into the morning air, told them that the place was inhabited. "Dey people all afeared," said the black boy.<|quote|>"Go and find someone to speak to us,"</|quote|>said Dr Messinger. The nigger went to the low door of the nearest house and peered in. "Dere ain't no one but women dere," he reported. "Dey dressing deirselves. Come on out dere," he shouted into the gloom. "De chief want talk to you." At last, very shyly, a little old woman emerged, clad in the filthy calico gown that was kept for use in the presence of strangers. She waddled towards them on bandy legs. Her ankles were tightly bound with blue beads. Her hair was lank and ragged; her eyes were fixed on the earthenware bowl of liquid which she carried. When she was a few feet from Tony and Dr Messinger she set the bowl on the ground, and, still with downcast eyes, shook hands with them. Then she stopped, picked up the bowl once more and held it to Dr Messinger. "Gassiri," he explained, "the local drink made of fermented cassava." He drank some and handed the bowl to Tony. It contained a thick, purplish liquid. When Tony had drunk a little, Dr Messinger explained, "It is made in an interesting way. The women chew the root up and spit it into a hollow tree-trunk." He then addressed the woman in Wapishiana. She looked at him for the first time. Her brown, Mongol face was perfectly blank, devoid alike of comprehension and curiosity. Dr Messinger repeated and amplified his question. The woman took the bowl from Tony and set it on the ground. Meanwhile other faces were appearing at the doors of the huts. Only one woman ventured out. She was very stout and she smiled confidently at the visitors. "Good morning," she said. "How do you do? I am Rosa. I speak English good. I live bottom-side two years with Mr Forbes. You give me cigarette." "Why doesn't this woman answer?" "She no speak English." "But I was speaking Wapishiana." "She Macushi woman. All these people Macushi people." "Oh. I didn't know. Where are the men?" "Men all go hunting three days." "When will they be back?" "They go after bush-pig." "When will they be back?" "No, bush-pig. Plenty bush-pig. Men all go hunting. You give me cigarette." "Listen, Rosa, I want to go to the Pie-wie country." "No, this Macushi. All the people Macushi." "But we want to go Pie-wie." "No, _all_ Macushi. You give me cigarette." "It's hopeless," said Dr Messinger. "We shall have to wait till the men come back." He took a packet of cigarettes from his pocket. "Look," he said, "cigarettes." "Give me." "When men come back from hunting you come to river and tell me. Understand?" "No, men hunting bush-pig. You give me cigarettes." Dr Messinger gave her the cigarettes. "What else you got?" she said. Dr Messinger pointed to the load which the second nigger had laid on the ground. "Give me," she said. "When men come back, I give you plenty things if men come with me to Pie-wies." "No, _all_ Macushi here." "We aren't doing any good," said Dr Messinger. "We'd better go back to camp and wait. The men have been away three days. It's not likely they will be much longer... I wish I could speak Macushi." They turned about, the four of them, and left the village. It was ten o'clock by Tony's wrist watch when they reached their camp. Ten o'clock on the river Waurupang was question time at Westminster. For a long time now Jock had had a question which his constituents wanted him to ask. It came up that afternoon. "Number twenty," he said. A few members turned to the order paper. _No. 20._ "_To ask the Minister of Agriculture whether in view of the dumping in this country of Japanese pork pies, the right honourable member is prepared to consider a modification of the eight-and-a-half-score basic pig from two and a half inches of thickness round the belly as originally specified, to two inches._" Replying for the Minister, the under-secretary said: "The matter is receiving the closest attention. As the honourable member is no doubt aware, the question of the importation of pork pies is a matter for the Board of Trade, not for the Board of Agriculture. With regard to the specifications of the basic pig, I must remind the honourable member that, as he is doubtless aware, the eight-and-a-half-score pig is modelled on the requirements of the bacon curers and has no direct relation to pig meat for sale in pies. That is being dealt with by a separate committee who have not yet made their report." "Would the honourable member consider an increase of the specified maximum of fatness on the shoulders?" "I must have notice of that question." Jock left the House that afternoon with the comfortable feeling that he had at last done something | this is the last year _I_ shall be able to go to this kind of party." "You're going through with the divorce?" "I don't know, Jock. It doesn't really depend on me. It's all a matter of holding down Mr Beaver. He's getting very restive. I have to feed him a bit of high-life every week or so, and I suppose that'll all stop if there's a divorce. Any news of Tony?" "Not for some time now. I got a cable when he landed. He's gone off on some expedition with a crook doctor." "Is it _absolutely_ safe?" "Oh, I imagine so. The whole world is civilized now, isn't it--charabancs and Cook's offices everywhere." "Yes, I suppose it is... I hope he's not _brooding_. I shouldn't like to think of him being unhappy." "I expect he's getting used to things." "I do hope so. I'm very fond of Tony, you know, in spite of the monstrous way he behaved." * * * * * There was an Indian village a mile or two distant from the camp. It was here that Tony and Dr Messinger proposed to recruit porters for the two-hundred-mile march that lay between them and the Pie-wie country. The niggers were river men and could not be taken into Indian territory. They would go back with the boat. At dawn Tony and Dr Messinger drank a mug each of hot cocoa and ate some biscuits and what was left over from the bully beef opened the night before. Then they set out for the village. One of the blacks went in front with a cutlass to clear the trail. Dr Messinger and Tony followed, one behind the other; another black came behind them carrying samples of trade goods--a twenty-dollar Belgian gun, some rolls of printed cotton, hand-mirrors in coloured celluloid frames, some bottles of highly scented pomade. It was a rough, unfrequented trail, encumbered by numerous fallen trunks; they waded knee-deep through two streams that ran to feed the big river; underfoot there was sometimes a hard network of bare root, sometimes damp and slippery leaf-mould. Presently they reached the village. They came into sight of it quite suddenly, emerging from the bush into a wide clearing. There were eight or nine circular huts of mud and palm thatch. No one was visible, but two or three columns of smoke, rising straight and thin into the morning air, told them that the place was inhabited. "Dey people all afeared," said the black boy.<|quote|>"Go and find someone to speak to us,"</|quote|>said Dr Messinger. The nigger went to the low door of the nearest house and peered in. "Dere ain't no one but women dere," he reported. "Dey dressing deirselves. Come on out dere," he shouted into the gloom. "De chief want talk to you." At last, very shyly, a little old woman emerged, clad in the filthy calico gown that was kept for use in the presence of strangers. She waddled towards them on bandy legs. Her ankles were tightly bound with blue beads. Her hair was lank and ragged; her eyes were fixed on the earthenware bowl of liquid which she carried. When she was a few feet from Tony and Dr Messinger she set the bowl on the ground, and, still with downcast eyes, shook hands with them. Then she stopped, picked up the bowl once more and held it to Dr Messinger. "Gassiri," he explained, "the local drink made of fermented cassava." He drank some and handed the bowl to Tony. It contained a thick, purplish liquid. When Tony had drunk a little, Dr Messinger explained, "It is made in an interesting way. The women chew the root up and spit it into a hollow tree-trunk." He then addressed the woman in Wapishiana. She looked at him for the first time. Her brown, Mongol face was perfectly blank, devoid alike of comprehension and curiosity. Dr Messinger repeated and amplified his question. The woman took the bowl from Tony and set it on the ground. Meanwhile other faces were appearing at the doors of the huts. Only one woman ventured out. She was very stout and she smiled confidently at the visitors. "Good morning," she said. "How do you do? I am Rosa. I speak English good. I live bottom-side two years with Mr Forbes. You give me cigarette." "Why doesn't this woman answer?" "She no speak English." "But I was speaking Wapishiana." "She Macushi woman. All these people Macushi people." "Oh. I didn't know. Where are the men?" "Men all go hunting three days." "When will they be back?" "They go after bush-pig." "When will they be back?" "No, bush-pig. Plenty bush-pig. Men all go hunting. You give me cigarette." "Listen, Rosa, I want to go to the Pie-wie country." "No, this Macushi. All the people Macushi." "But we want to go Pie-wie." "No, _all_ Macushi. You give me cigarette." "It's hopeless," said Dr Messinger. "We shall have to wait till the men come back." He took a packet of cigarettes from his pocket. "Look," he said, "cigarettes." "Give me." "When men come back from hunting you come to river and tell me. Understand?" "No, men hunting bush-pig. You give me cigarettes." Dr Messinger gave her the cigarettes. "What else you got?" she said. Dr Messinger pointed to the load which the second nigger had laid on the ground. "Give me," she said. "When men come back, I give you plenty things if men come with me to Pie-wies." "No, _all_ Macushi here." "We aren't doing any good," said Dr Messinger. "We'd better go back to camp and wait. The men have been away three days. It's not likely they will be much longer... I wish I could speak | A Handful Of Dust | into a wide clearing. There were eight or nine circular huts of mud and palm thatch. No one was visible, but two or three columns of smoke, rising straight and thin into the morning air, told them that the place was inhabited. "Dey people all afeared," said the black boy.<|quote|>"Go and find someone to speak to us,"</|quote|>said Dr Messinger. The nigger went to the low door of the nearest house and peered in. "Dere ain't no one but women dere," he reported. "Dey dressing deirselves. Come on out dere," he shouted into the gloom. "De chief want talk to you." At last, very shyly, a little | {
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"content": "into a wide clearing. There were eight or nine circular huts of mud and palm thatch. No one was visible, but two or three columns of smoke, rising straight and thin into the morning air, told them that the place was inhabited. \"Dey people all afeared,\" said the black boy.<|quote|>\"Go and find someone to speak to us,\"</|quote|>said Dr Messinger. The nigger went to the low door of the nearest house and peered in. \"Dere ain't no one but women dere,\" he reported. \"Dey dressing deirselves. Come on out dere,\" he shouted into the gloom. \"De chief want talk to you.\" At last, very shyly, a little",
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Rosa looked stolidly ahead of her and said nothing. | No speaker | give you plenty, plenty cigarettes."<|quote|>Rosa looked stolidly ahead of her and said nothing.</|quote|>"Listen. You will have your | with men in boats, I give you plenty, plenty cigarettes."<|quote|>Rosa looked stolidly ahead of her and said nothing.</|quote|>"Listen. You will have your man and seven others to | hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes."<|quote|>Rosa looked stolidly ahead of her and said nothing.</|quote|>"Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," | Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes."<|quote|>Rosa looked stolidly ahead of her and said nothing.</|quote|>"Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats | said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes."<|quote|>Rosa looked stolidly ahead of her and said nothing.</|quote|>"Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for | us. Four can stay behind with the women to guard the camp. Once we are among the Pie-wies, everything will be easy. These Macushis can go home then. I don't think they will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?" Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs. "Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes."<|quote|>Rosa looked stolidly ahead of her and said nothing.</|quote|>"Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside | their bare feet seemed never to disturb the fallen leaves, their bare shoulders made no rustle in the tangled undergrowth; their speech was brief and scarcely audible, they never joined in the chatter and laughter of their women; sometimes they gave little grunts as they worked; only once they were merry, when one of them let his knife slip as he was working on the tree-trunk and cut deeply into the ball of his thumb. Dr Messinger dressed the wound with iodine, lint and bandages. After that the women constantly solicited him, showing him little scratches on their arms and legs and asking for iodine. Two of the trees were finished on one day, then another next day (that was the one which split) and the fourth two days after that; it was a larger tree than the others. When the last fibre was severed, four men got round the trunk and lifted the skin clear. It curled up again at once, making a hollow cylinder, which the men carried down to the waterside and set afloat, fastening it to a tree with a loop of vine-rope. When all the woodskins were ready it was an easy matter to make canoes of them. Four men held them open while two others fixed the struts. The ends were left open, and curled up slightly so as to lift them clear (when the craft was fully laden it drew only an inch or two of water). Then the men set about fashioning some single-bladed paddles; that, too, was an easy matter. Every day Dr Messinger asked Rosa, "When will the boats be ready? Ask the men." And she replied, "Just now." "How many days--four?--five?--how many?" "No, not many. Boats finish just now." At last when it was clear that the work was nearly complete, Dr Messinger busied himself with arrangements. He sorted out the stores, dividing the necessary freight into two groups; he and Tony were to sit in separate boats and each had with him a rifle and ammunition, a camera, tinned rations, trade goods and his own luggage. The third canoe, which would be manned solely by Indians, was to hold the flour and rice, sugar and farine and the rations for the men. The canoes would not hold all the stores and an "emergency dump" was made a little way up the bank. "We shall take eight men with us. Four can stay behind with the women to guard the camp. Once we are among the Pie-wies, everything will be easy. These Macushis can go home then. I don't think they will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?" Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs. "Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes."<|quote|>Rosa looked stolidly ahead of her and said nothing.</|quote|>"Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair. "What's the matter?" asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and Tony together prised open one of the cases and began to spread out the contents on a blanket. They had chosen these things together at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply. "Each man can choose three things from this box if he comes in the boats." But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. | with him a rifle and ammunition, a camera, tinned rations, trade goods and his own luggage. The third canoe, which would be manned solely by Indians, was to hold the flour and rice, sugar and farine and the rations for the men. The canoes would not hold all the stores and an "emergency dump" was made a little way up the bank. "We shall take eight men with us. Four can stay behind with the women to guard the camp. Once we are among the Pie-wies, everything will be easy. These Macushis can go home then. I don't think they will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?" Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs. "Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes."<|quote|>Rosa looked stolidly ahead of her and said nothing.</|quote|>"Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to | A Handful Of Dust | hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes."<|quote|>Rosa looked stolidly ahead of her and said nothing.</|quote|>"Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," | {
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"content": "You are helpful",
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"content": "hidden country. \"Pie-wie peoples there,\" she said. \"Macushi peoples no go with Pie-wie peoples.\" \"Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--\" \"Yes, give me cigarettes.\" \"You come with men in boats, I give you plenty, plenty cigarettes.\"<|quote|>Rosa looked stolidly ahead of her and said nothing.</|quote|>\"Listen. You will have your man and seven others to protect you. How can we talk with men without you?\" \"Men no go,\" said Rosa. \"Of course the men will go. The only question is, will you come too?\" \"Macushi peoples no go with Pie-wie peoples,\" said Rosa. \"Oh God,\"",
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"--briefly. | No speaker | teach too, isn't he?" "Yes"<|quote|>"--briefly.</|quote|>"What a nice-looking fellow he | "Gilbert Blythe is going to teach too, isn't he?" "Yes"<|quote|>"--briefly.</|quote|>"What a nice-looking fellow he is," said Marilla absently. "I | to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes"<|quote|>"--briefly.</|quote|>"What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and | won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes"<|quote|>"--briefly.</|quote|>"What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never | then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes"<|quote|>"--briefly.</|quote|>"What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road |MARILLA went to | says that the specialist will be in town tomorrow and he insists that I must go in and have my eyes examined. I suppose I'd better go and have it over. I'll be more than thankful if the man can give me the right kind of glasses to suit my eyes. You won't mind staying here alone while I'm away, will you? Martin will have to drive me in and there's ironing and baking to do." "I shall be all right. Diana will come over for company for me. I shall attend to the ironing and baking beautifully--you needn't fear that I'll starch the handkerchiefs or flavor the cake with liniment." Marilla laughed. "What a girl you were for making mistakes in them days, Anne. You were always getting into scrapes. I did use to think you were possessed. Do you mind the time you dyed your hair?" "Yes, indeed. I shall never forget it," smiled Anne, touching the heavy braid of hair that was wound about her shapely head. "I laugh a little now sometimes when I think what a worry my hair used to be to me--but I don't laugh _much_, because it was a very real trouble then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes"<|quote|>"--briefly.</|quote|>"What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road |MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know," said Marilla wearily, looking up. "I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then | Allan, the world and life seem very beautiful and interesting to me for all. Today Diana said something funny and I found myself laughing. I thought when it happened I could never laugh again. And it somehow seems as if I oughtn't to." "When Matthew was here he liked to hear you laugh and he liked to know that you found pleasure in the pleasant things around you," said Mrs. Allan gently. "He is just away now; and he likes to know it just the same. I am sure we should not shut our hearts against the healing influences that nature offers us. But I can understand your feeling. I think we all experience the same thing. We resent the thought that anything can please us when someone we love is no longer here to share the pleasure with us, and we almost feel as if we were unfaithful to our sorrow when we find our interest in life returning to us." "I was down to the graveyard to plant a rosebush on Matthew's grave this afternoon," said Anne dreamily. "I took a slip of the little white Scotch rosebush his mother brought out from Scotland long ago; Matthew always liked those roses the best--they were so small and sweet on their thorny stems. It made me feel glad that I could plant it by his grave--as if I were doing something that must please him in taking it there to be near him. I hope he has roses like them in heaven. Perhaps the souls of all those little white roses that he has loved so many summers were all there to meet him. I must go home now. Marilla is all alone and she gets lonely at twilight." "She will be lonelier still, I fear, when you go away again to college," said Mrs. Allan. Anne did not reply; she said good night and went slowly back to green Gables. Marilla was sitting on the front door-steps and Anne sat down beside her. The door was open behind them, held back by a big pink conch shell with hints of sea sunsets in its smooth inner convolutions. Anne gathered some sprays of pale-yellow honeysuckle and put them in her hair. She liked the delicious hint of fragrance, as some aerial benediction, above her every time she moved. "Doctor Spencer was here while you were away," Marilla said. "He says that the specialist will be in town tomorrow and he insists that I must go in and have my eyes examined. I suppose I'd better go and have it over. I'll be more than thankful if the man can give me the right kind of glasses to suit my eyes. You won't mind staying here alone while I'm away, will you? Martin will have to drive me in and there's ironing and baking to do." "I shall be all right. Diana will come over for company for me. I shall attend to the ironing and baking beautifully--you needn't fear that I'll starch the handkerchiefs or flavor the cake with liniment." Marilla laughed. "What a girl you were for making mistakes in them days, Anne. You were always getting into scrapes. I did use to think you were possessed. Do you mind the time you dyed your hair?" "Yes, indeed. I shall never forget it," smiled Anne, touching the heavy braid of hair that was wound about her shapely head. "I laugh a little now sometimes when I think what a worry my hair used to be to me--but I don't laugh _much_, because it was a very real trouble then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes"<|quote|>"--briefly.</|quote|>"What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road |MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know," said Marilla wearily, looking up. "I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes | indeed. I shall never forget it," smiled Anne, touching the heavy braid of hair that was wound about her shapely head. "I laugh a little now sometimes when I think what a worry my hair used to be to me--but I don't laugh _much_, because it was a very real trouble then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes"<|quote|>"--briefly.</|quote|>"What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road |MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know," said Marilla wearily, looking up. "I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to | Anne Of Green Gables | to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes"<|quote|>"--briefly.</|quote|>"What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and | {
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"content": "to teach?\" \"No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west.\" \"Gilbert Blythe is going to teach too, isn't he?\" \"Yes\"<|quote|>\"--briefly.</|quote|>\"What a nice-looking fellow he is,\" said Marilla absently. \"I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and",
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said Alice. | No speaker | do you know I'm mad?"<|quote|>said Alice.</|quote|>"You must be," said the | I'm mad. You're mad." "How do you know I'm mad?"<|quote|>said Alice.</|quote|>"You must be," said the Cat, "or you wouldn't have | _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?"<|quote|>said Alice.</|quote|>"You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. | you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?"<|quote|>said Alice.</|quote|>"You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," | to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?"<|quote|>said Alice.</|quote|>"You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought | was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?"<|quote|>said Alice.</|quote|>"You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther | when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish," thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?"<|quote|>said Alice.</|quote|>"You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself "Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!" CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you | creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?"<|quote|>said Alice.</|quote|>"You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it | Alices Adventures In Wonderland | _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?"<|quote|>said Alice.</|quote|>"You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. | {
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"content": "_that_ direction,\" waving the other paw, \"lives a March Hare. Visit either you like: they're both mad.\" \"But I don't want to go among mad people,\" Alice remarked. \"Oh, you can't help that,\" said the Cat: \"we're all mad here. I'm mad. You're mad.\" \"How do you know I'm mad?\"<|quote|>said Alice.</|quote|>\"You must be,\" said the Cat, \"or you wouldn't have come here.\" Alice didn't think that proved it at all; however, she went on \"And how do you know that you're mad?\" \"To begin with,\" said the Cat, \"a dog's not mad. You grant that?\" \"I suppose so,\" said Alice.",
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"What did they draw?" | Alice | learning to draw, you know--"<|quote|>"What did they draw?"</|quote|>said Alice, quite forgetting her | these three little sisters--they were learning to draw, you know--"<|quote|>"What did they draw?"</|quote|>said Alice, quite forgetting her promise. "Treacle," said the Dormouse, | you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--"<|quote|>"What did they draw?"</|quote|>said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and | a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--"<|quote|>"What did they draw?"</|quote|>said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to | bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--"<|quote|>"What did they draw?"</|quote|>said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning | one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--"<|quote|>"What did they draw?"</|quote|>said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?" "Really, now you ask me," said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never | beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--"<|quote|>"What did they draw?"</|quote|>said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?" "Really, now you ask me," said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "But everything's curious today. I think I may as well go in at once." And in she went. Once more she found herself in the long hall, and close to the little glass table. "Now, I'll manage better this time," she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and _then_--she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains. CHAPTER VIII. The Queen's Croquet-Ground A large rose-tree stood near the entrance of the garden: the roses growing on it were white, but there were three gardeners at it, busily painting them red. Alice thought this a very curious thing, and she went nearer to watch them, and just as she came up to them she heard one of them say, "Look out now, Five! Don't go splashing paint over me like that!" "I couldn't help it," said Five, in a sulky tone; "Seven jogged my elbow." On which Seven looked up and said, "That's right, Five! Always lay the blame on others!" "_You'd_ better not talk!" said Five. "I heard the Queen say only yesterday you deserved to be beheaded!" "What for?" said the one who had spoken first. "That's none of _your_ business, Two!" said Seven. "Yes, it _is_ his business!" said Five, "and I'll tell him--it was for bringing the cook tulip-roots instead of onions." Seven flung down his brush, and had just begun "Well, of all the unjust things--" when his eye chanced to fall upon Alice, as she stood watching them, and he checked himself suddenly: the others looked round also, and all of them bowed low. "Would you tell me," said Alice, a little timidly, "why you are painting those roses?" Five and Seven said nothing, but looked at Two. Two began in a low voice, "Why the fact is, you see, Miss, | what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--"<|quote|>"What did they draw?"</|quote|>said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: "--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are" "much of a muchness" "--did you ever see such a thing as a drawing of a muchness?" "Really, now you ask me," said Alice, very much confused, "I don't think--" "Then you shouldn't talk," said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they | Alices Adventures In Wonderland | you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--"<|quote|>"What did they draw?"</|quote|>said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and | {
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"content": "you'd better finish the story for yourself.\" \"No, please go on!\" Alice said very humbly; \"I won't interrupt again. I dare say there may be _one_.\" \"One, indeed!\" said the Dormouse indignantly. However, he consented to go on. \"And so these three little sisters--they were learning to draw, you know--\"<|quote|>\"What did they draw?\"</|quote|>said Alice, quite forgetting her promise. \"Treacle,\" said the Dormouse, without considering at all this time. \"I want a clean cup,\" interrupted the Hatter: \"let's all move one place on.\" He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and",
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} | Alice |
"Bad interview?" | Mrs. Rattery | Rattery had resumed her patience.<|quote|>"Bad interview?"</|quote|>she asked, without looking up. | whisky and ginger ale. Mrs Rattery had resumed her patience.<|quote|>"Bad interview?"</|quote|>she asked, without looking up. "Awful." He drank the whisky | After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience.<|quote|>"Bad interview?"</|quote|>she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk | Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience.<|quote|>"Bad interview?"</|quote|>she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery. "Of course," Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very | to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out." "I say, you know, really, I shouldn't take that line about it." "It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience.<|quote|>"Bad interview?"</|quote|>she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery. "Of course," Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, Veronica and Daisy and Sybil, Souki de Foucald-Esterhazy, and four or five others, all women. They were there to consult a new fortune-teller called Mrs Northcote. Mrs Beaver had discovered her and for every | Other cultures, too, were represented by a set of Lalique bottles and powder boxes, a phallic fetish from Senegal, a Dutch copper bowl, a waste-paper basket made of varnished aquatint, a golliwog presented at the gala dinner of a seaside hotel, a dozen or so framed photographs of the Princess, a garden scene ingeniously constructed in pieces of coloured wood, and a radio set in fumed oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out." "I say, you know, really, I shouldn't take that line about it." "It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience.<|quote|>"Bad interview?"</|quote|>she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery. "Of course," Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, Veronica and Daisy and Sybil, Souki de Foucald-Esterhazy, and four or five others, all women. They were there to consult a new fortune-teller called Mrs Northcote. Mrs Beaver had discovered her and for every five guineas that she earned at her introduction Mrs Beaver took a commission of two pounds twelve and sixpence. She told fortunes in a new way, by reading the soles of the feet. They waited their turn impatiently. "What a time she is taking over Daisy." "She is very thorough," said Polly, "and it tickles rather." Presently Daisy emerged. "What was she like?" they asked. "I mustn't tell or it spoils it all," said Daisy. They had dealt cards for precedence. It was Brenda's turn now. She went next door to Mrs Northcote, who was sitting at a stool beside an armchair. She was a dowdy, middle-aged woman with a slightly genteel accent. Brenda sat down and took off her shoe and stocking. Mrs Northcote laid the foot on her knee and gazed at it with great solemnity; then she picked it up and began tracing the small creases of the sole with the point of a silver pencil case. Brenda wriggled her toes luxuriously and settled down to listen. Next door they said, "Where's Mr Beaver to-day?" "He's flown over to France with his mother to see some new wallpapers. She's been worrying all day thinking he's had an | flat. It was in a large, featureless house, typical of the district. Mrs Beaver deplored the space wasted by the well staircase and empty, paved hall. There was no porter; a woman came three mornings a week with bucket and mop. A board painted with the names of the tenants informed Jock that Brenda was IN. But he put little reliance on this information, knowing that Brenda was not one to remember, as she came in and out, to change the indicator. He found her front door on the second floor. After the first flight the staircase changed from marble to a faded carpet that had been there before Mrs Beaver undertook the reconstruction. Jock pressed the bell and heard it ringing just inside the door. Nobody came to open it. It was past five, and he had not expected to find Brenda at home. He had decided on the road up that after trying the flat, he would go to his club and ring up various friends of Brenda's who might know where she was. He rang again, from habit, and waited a little; then turned to go. But at that moment the door next to Brenda's opened and a dark lady in a dress of crimson velvet looked out at him; she wore very large earrings of oriental filigree, set with bosses of opaque, valueless stone. "Are you looking for Lady Brenda Last?" "I am. Is she a friend of yours?" "Oh, _such_ a friend," said Princess Abdul Akbar. "Then perhaps you can tell me where I can find her?" "I think she's bound to be at Lady Cockpurse's. I'm just going there myself. Can I give her any message?" "I had better come and see her." "Well, wait five minutes and you can go with me. Come inside." The Princess's single room was furnished promiscuously and with truly Eastern disregard of the right properties of things; swords meant to adorn the state robes of a Moorish caid were swung from the picture rail; mats made for prayer were strewn on the divan; the carpet on the floor had been made in Bokhara as a wall covering; while over the dressing table was draped a shawl made in Yokohama for sale to cruise-passengers; an octagonal table from Port Said held a Tibetan Buddha of pale soapstone; six ivory elephants from Bombay stood along the top of the radiator. Other cultures, too, were represented by a set of Lalique bottles and powder boxes, a phallic fetish from Senegal, a Dutch copper bowl, a waste-paper basket made of varnished aquatint, a golliwog presented at the gala dinner of a seaside hotel, a dozen or so framed photographs of the Princess, a garden scene ingeniously constructed in pieces of coloured wood, and a radio set in fumed oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out." "I say, you know, really, I shouldn't take that line about it." "It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience.<|quote|>"Bad interview?"</|quote|>she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery. "Of course," Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, Veronica and Daisy and Sybil, Souki de Foucald-Esterhazy, and four or five others, all women. They were there to consult a new fortune-teller called Mrs Northcote. Mrs Beaver had discovered her and for every five guineas that she earned at her introduction Mrs Beaver took a commission of two pounds twelve and sixpence. She told fortunes in a new way, by reading the soles of the feet. They waited their turn impatiently. "What a time she is taking over Daisy." "She is very thorough," said Polly, "and it tickles rather." Presently Daisy emerged. "What was she like?" they asked. "I mustn't tell or it spoils it all," said Daisy. They had dealt cards for precedence. It was Brenda's turn now. She went next door to Mrs Northcote, who was sitting at a stool beside an armchair. She was a dowdy, middle-aged woman with a slightly genteel accent. Brenda sat down and took off her shoe and stocking. Mrs Northcote laid the foot on her knee and gazed at it with great solemnity; then she picked it up and began tracing the small creases of the sole with the point of a silver pencil case. Brenda wriggled her toes luxuriously and settled down to listen. Next door they said, "Where's Mr Beaver to-day?" "He's flown over to France with his mother to see some new wallpapers. She's been worrying all day thinking he's had an accident." "It's all very touching, isn't it? Though I can't see his point myself..." "You must never do anything on Thursdays," said Mrs Northcote. "Nothing?" "Nothing important. You are intellectual, imaginative, sympathetic, easily led by others, impulsive, affectionate. You are highly artistic and are not giving full scope to your capabilities." "Isn't there anything about love?" "I am coming to love. All these lines from the great toe to the instep represent lovers." "Yes, go on some more about that..." Princess Abdul Akbar was announced. "Where's Brenda?" she said. "I thought she'd be here." "Mrs Northcote's doing her now." "Jock Menzies wants to see her. He's downstairs." "Darling Jock... Why on earth didn't you bring him up?" "No, it's something terribly important. He's got to see Brenda alone." "My dear, how mysterious. Well, she won't be long now. We can't disturb them. It would upset Mrs Northcote." Jenny told them the news. On the other side of the door, Brenda's leg was beginning to feel slightly chilly. "Four men dominate your fate," Mrs Northcote was saying, "one is loyal and tender but he has not yet disclosed his love, one is passionate and overpowering, you are a little afraid of him." "Dear me," said Brenda. "How very exciting. Who _can_ they be?" "One you must avoid; he bodes no good for you, he is steely hearted and rapacious." "I bet that's my Mr Beaver, bless him." Downstairs Jock was waiting in the small front room where Polly's guests usually assembled before luncheon. It was five past six. Soon Brenda pulled on her stocking, stepped into her shoe and joined the ladies. "_Most_ enjoyable," she pronounced. "Why, how odd you all look." "Jock Grant-Menzies wants to see you downstairs." "Jock? How very extraordinary. It isn't anything awful, is it?" "You'd better go and see him." Suddenly Brenda became frightened by the strange air of the room and the unfamiliar expression in her friends' faces. She ran downstairs to the room where Jock was waiting. "What is it, Jock? Tell me quickly, I'm scared. It's nothing awful, is it?" "I'm afraid it is. There's been a very serious accident." "John?" "Yes." "Dead?" He nodded. She sat down on a hard little Empire chair against the wall, perfectly still with her hands folded in her lap, like a small well-brought-up child introduced into a room full of grown-ups. She said, "Tell me what | a seaside hotel, a dozen or so framed photographs of the Princess, a garden scene ingeniously constructed in pieces of coloured wood, and a radio set in fumed oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out." "I say, you know, really, I shouldn't take that line about it." "It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience.<|quote|>"Bad interview?"</|quote|>she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery. "Of course," Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, Veronica and Daisy and Sybil, Souki de Foucald-Esterhazy, and four or five others, all women. They were there to consult a new fortune-teller called Mrs Northcote. Mrs Beaver had discovered her and for every five guineas that she earned at her introduction Mrs Beaver took a commission of two pounds twelve and sixpence. She told fortunes in a new way, by reading the soles of the feet. They waited their turn impatiently. "What a time she is taking over Daisy." "She is very thorough," said Polly, "and it tickles rather." Presently Daisy emerged. "What was she like?" they asked. "I mustn't tell or it spoils it all," said Daisy. They had dealt cards for precedence. It was Brenda's turn now. She went next door to Mrs Northcote, who was sitting at a stool beside an armchair. She was a dowdy, middle-aged woman with a slightly genteel accent. Brenda sat down and took off her shoe and stocking. Mrs Northcote laid the foot on her knee and gazed at it with great solemnity; then she picked it up and began tracing the small creases of the sole with the point of a silver pencil case. Brenda wriggled her toes luxuriously and settled down to listen. Next door they said, "Where's Mr Beaver to-day?" "He's flown over to France with his mother to see some new wallpapers. She's been worrying all day thinking he's had an accident." "It's all very touching, isn't it? Though I can't see his point myself..." "You must never do anything on Thursdays," said Mrs Northcote. "Nothing?" "Nothing important. You are intellectual, imaginative, sympathetic, easily led by others, impulsive, affectionate. You are highly artistic and are not giving full scope to your capabilities." "Isn't there anything about love?" "I am coming to love. All these lines from the great toe to the instep represent lovers." "Yes, go on some more about that..." Princess Abdul Akbar was announced. "Where's Brenda?" she said. "I thought she'd be here." "Mrs Northcote's doing her now." "Jock Menzies wants to see her. He's downstairs." "Darling Jock... Why on earth didn't you bring him up?" "No, it's something terribly important. He's got to see Brenda alone." "My dear, how mysterious. Well, she won't be long now. We can't disturb them. It would upset Mrs Northcote." Jenny told them the news. On | A Handful Of Dust | After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience.<|quote|>"Bad interview?"</|quote|>she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk | {
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"you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" | Mrs. Spencer | face. "Dear, dear," she exclaimed,<|quote|>"you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?"</|quote|>"I'm as well as can | welcome mingled on her benevolent face. "Dear, dear," she exclaimed,<|quote|>"you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?"</|quote|>"I'm as well as can be expected, thank you," said | the end of everything." CHAPTER VI. Marilla Makes Up Her Mind |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed,<|quote|>"you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?"</|quote|>"I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer | Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed,<|quote|>"you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?"</|quote|>"I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" | I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed,<|quote|>"you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?"</|quote|>"I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla | "She's got too much to say," thought Marilla, "but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed,<|quote|>"you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?"</|quote|>"I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential." Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard | deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--?The Battle of Hohenlinden' and ?Edinburgh after Flodden,' and ?Bingen of the Rhine,' and most of the ?Lady of the Lake' and most of ?The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--?The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye. "O-o-o-h," faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say," thought Marilla, "but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed,<|quote|>"you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?"</|quote|>"I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential." Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies. "Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't wiggle. Let me take your hats. Flora Jane, go out and put the kettle on. Good afternoon, Mrs. Blewett. We were just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed woman? She felt a lump coming up in her throat and her eyes smarted painfully. She was beginning to be afraid she couldn't keep the tears back when Mrs. Spencer returned, flushed and beaming, quite capable of taking any and every difficulty, physical, mental or spiritual, into consideration and settling it out of hand. "It seems there's been a mistake about this little girl, Mrs. Blewett," she said. "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you." Mrs. Blewett darted her eyes over Anne from head to foot. "How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations | mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say," thought Marilla, "but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything." CHAPTER VI. Marilla Makes Up Her Mind |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed,<|quote|>"you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?"</|quote|>"I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential." Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies. "Well, I'll go in and we'll talk the matter over," she said. | Anne Of Green Gables | the end of everything." CHAPTER VI. Marilla Makes Up Her Mind |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed,<|quote|>"you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?"</|quote|>"I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer | {
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"content": "the end of everything.\" CHAPTER VI. Marilla Makes Up Her Mind |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. \"Dear, dear,\" she exclaimed,<|quote|>\"you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?\"</|quote|>\"I'm as well as can be expected, thank you,\" said Anne smilelessly. A blight seemed to have descended on her. \"I suppose we'll stay a little while to rest the mare,\" said Marilla, \"but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer",
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Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches, | No speaker | Josie said that to me,"<|quote|>Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches,</|quote|>"because I thought it was | "I didn't say anything when Josie said that to me,"<|quote|>Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches,</|quote|>"because I thought it was part of my punishment and | head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn't say anything when Josie said that to me,"<|quote|>Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches,</|quote|>"because I thought it was part of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes | try to imagine it away, either. I never thought I was vain about my hair, of all things, but now I know I was, in spite of its being red, because it was so long and thick and curly. I expect something will happen to my nose next." Anne's clipped head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn't say anything when Josie said that to me,"<|quote|>Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches,</|quote|>"because I thought it was part of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn't it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it's better to be good. I know it is, but it's sometimes so hard to believe a | the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I'll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I'd do penance for being wicked that way. I'll look at myself every time I come to my room and see how ugly I am. And I won't try to imagine it away, either. I never thought I was vain about my hair, of all things, but now I know I was, in spite of its being red, because it was so long and thick and curly. I expect something will happen to my nose next." Anne's clipped head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn't say anything when Josie said that to me,"<|quote|>Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches,</|quote|>"because I thought it was part of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn't it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it's better to be good. I know it is, but it's sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine | the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the end of the week Marilla said decidedly: "It's no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can't go out with it looking like that." Anne's lips quivered, but she realized the bitter truth of Marilla's remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it over. Oh, I feel that my heart is broken. This is such an unromantic affliction. The girls in books lose their hair in fevers or sell it to get money for some good deed, and I'm sure I wouldn't mind losing my hair in some such fashion half so much. But there is nothing comforting in having your hair cut off because you've dyed it a dreadful color, is there? I'm going to weep all the time you're cutting it off, if it won't interfere. It seems such a tragic thing." Anne wept then, but later on, when she went upstairs and looked in the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I'll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I'd do penance for being wicked that way. I'll look at myself every time I come to my room and see how ugly I am. And I won't try to imagine it away, either. I never thought I was vain about my hair, of all things, but now I know I was, in spite of its being red, because it was so long and thick and curly. I expect something will happen to my nose next." Anne's clipped head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn't say anything when Josie said that to me,"<|quote|>Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches,</|quote|>"because I thought it was part of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn't it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it's better to be good. I know it is, but it's sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has | about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla," ?what a tangled web we weave when first we practice to deceive.' "That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne's unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the end of the week Marilla said decidedly: "It's no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can't go out with it looking like that." Anne's lips quivered, but she realized the bitter truth of Marilla's remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it over. Oh, I feel that my heart is broken. This is such an unromantic affliction. The girls in books lose their hair in fevers or sell it to get money for some good deed, and I'm sure I wouldn't mind losing my hair in some such fashion half so much. But there is nothing comforting in having your hair cut off because you've dyed it a dreadful color, is there? I'm going to weep all the time you're cutting it off, if it won't interfere. It seems such a tragic thing." Anne wept then, but later on, when she went upstairs and looked in the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I'll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I'd do penance for being wicked that way. I'll look at myself every time I come to my room and see how ugly I am. And I won't try to imagine it away, either. I never thought I was vain about my hair, of all things, but now I know I was, in spite of its being red, because it was so long and thick and curly. I expect something will happen to my nose next." Anne's clipped head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn't say anything when Josie said that to me,"<|quote|>Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches,</|quote|>"because I thought it was part of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn't it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it's better to be good. I know it is, but it's sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had" ?all her bright hair streaming down,' "you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and | can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla," ?what a tangled web we weave when first we practice to deceive.' "That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne's unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the end of the week Marilla said decidedly: "It's no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can't go out with it looking like that." Anne's lips quivered, but she realized the bitter truth of Marilla's remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it over. Oh, I feel that my heart is broken. This is such an unromantic affliction. The girls in books lose their hair in fevers or sell it to get money for some good deed, and I'm sure I wouldn't mind losing my hair in some such fashion half so much. But there is nothing comforting in having your hair cut off because you've dyed it a dreadful color, is there? I'm going to weep all the time you're cutting it off, if it won't interfere. It seems such a tragic thing." Anne wept then, but later on, when she went upstairs and looked in the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I'll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I'd do penance for being wicked that way. I'll look at myself every time I come to my room and see how ugly I am. And I won't try to imagine it away, either. I never thought I was vain about my hair, of all things, but now I know I was, in spite of its being red, because it was so long and thick and curly. I expect something will happen to my nose next." Anne's clipped head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn't say anything when Josie said that to me,"<|quote|>Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches,</|quote|>"because I thought it was part of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn't it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it's better to be good. I know it is, but it's sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it. CHAPTER XXVIII. An Unfortunate Lily Maid "OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. ""I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had" ?all her bright hair streaming down,' "you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, | Anne Of Green Gables | head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn't say anything when Josie said that to me,"<|quote|>Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches,</|quote|>"because I thought it was part of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes | {
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"By-the-bye, what became of the baby?" | The Cat | been, it suddenly appeared again.<|quote|>"By-the-bye, what became of the baby?"</|quote|>said the Cat. "I'd nearly | the place where it had been, it suddenly appeared again.<|quote|>"By-the-bye, what became of the baby?"</|quote|>said the Cat. "I'd nearly forgotten to ask." "It turned | very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again.<|quote|>"By-the-bye, what became of the baby?"</|quote|>said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did | wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again.<|quote|>"By-the-bye, what became of the baby?"</|quote|>said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving | "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again.<|quote|>"By-the-bye, what became of the baby?"</|quote|>said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a | few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again.<|quote|>"By-the-bye, what became of the baby?"</|quote|>said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself "Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!" CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it | into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again.<|quote|>"By-the-bye, what became of the baby?"</|quote|>said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself "Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!" CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember | she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again.<|quote|>"By-the-bye, what became of the baby?"</|quote|>said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself "Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!" CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together | Alices Adventures In Wonderland | very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again.<|quote|>"By-the-bye, what became of the baby?"</|quote|>said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did | {
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"content": "very much,\" said Alice, \"but I haven't been invited yet.\" \"You'll see me there,\" said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again.<|quote|>\"By-the-bye, what became of the baby?\"</|quote|>said the Cat. \"I'd nearly forgotten to ask.\" \"It turned into a pig,\" Alice quietly said, just as if it had come back in a natural way. \"I thought it would,\" said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did",
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"Yes, thanks. Good night." | John Beaver | "Certainly. Got everything you want?"<|quote|>"Yes, thanks. Good night."</|quote|>"Good night." But when he | the morning?" "May I ring?" "Certainly. Got everything you want?"<|quote|>"Yes, thanks. Good night."</|quote|>"Good night." But when he got back he said, "You | They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad. "I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?"<|quote|>"Yes, thanks. Good night."</|quote|>"Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to | was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad. "I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?"<|quote|>"Yes, thanks. Good night."</|quote|>"Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But | bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad. "I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?"<|quote|>"Yes, thanks. Good night."</|quote|>"Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire | able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic." Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad. "I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?"<|quote|>"Yes, thanks. Good night."</|quote|>"Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; Tony had it in mind to revive the practice next winter. On Christmas Day and Harvest Thanksgiving Tony read the lessons from the back of the brass eagle. When service was over he stood for a few minutes at the porch chatting affably with the vicar's sister and the people from the village. Then he returned home by a path across the fields which led to a side door in the walled garden; he visited the hothouses and picked himself a buttonhole, stopped by the gardeners' cottages for a few words (the smell of Sunday dinners rising warm and overpowering from the little doorways) and then, rather solemnly, drank a glass of sherry in the library. That was the simple, mildly ceremonious order of his Sunday morning, which had evolved, more or less spontaneously, from the more severe practices of his parents; he adhered to it with great satisfaction. Brenda teased him whenever she caught him posing as an upright, God-fearing gentleman of the old school and Tony saw the joke, but this did not at all diminish the pleasure he derived from his weekly routine, or his annoyance when the presence of guests suspended | down the steps, into the Dutch garden, and back round the orangery without suffering a moment's real embarrassment. She even heard herself telling Beaver that his mother was one of her oldest friends. Tony returned in time for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?" "That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." "Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic." Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad. "I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?"<|quote|>"Yes, thanks. Good night."</|quote|>"Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; Tony had it in mind to revive the practice next winter. On Christmas Day and Harvest Thanksgiving Tony read the lessons from the back of the brass eagle. When service was over he stood for a few minutes at the porch chatting affably with the vicar's sister and the people from the village. Then he returned home by a path across the fields which led to a side door in the walled garden; he visited the hothouses and picked himself a buttonhole, stopped by the gardeners' cottages for a few words (the smell of Sunday dinners rising warm and overpowering from the little doorways) and then, rather solemnly, drank a glass of sherry in the library. That was the simple, mildly ceremonious order of his Sunday morning, which had evolved, more or less spontaneously, from the more severe practices of his parents; he adhered to it with great satisfaction. Brenda teased him whenever she caught him posing as an upright, God-fearing gentleman of the old school and Tony saw the joke, but this did not at all diminish the pleasure he derived from his weekly routine, or his annoyance when the presence of guests suspended it. For this reason his heart sank when, emerging from his study into the great hall at a quarter to eleven, he met Beaver already dressed and prepared to be entertained; it was only a momentary vexation, however, for while he wished him good morning he noticed that his guest had an _A.B.C._ in his hands and was clearly looking out a train. "I hope you slept all right?" "Beautifully," said Beaver, though his wan expression did not confirm the word. "I'm so glad. I always sleep well here myself. I say, I don't like the look of that train guide. I hope you weren't thinking of leaving us yet?" "Alas, I've got to get up to-night, I'm afraid." "Too bad. I've hardly seen you. The trains aren't very good on Sundays. The best leaves at five-forty-five and gets up about nine. It stops a lot and there's no restaurant car." "That'll do fine." "Sure you can't stay until to-morrow?" "Quite sure." The church bells were ringing across the park. "Well, I'm just off to church. I don't suppose you'd care to come." Beaver always did what was expected of him when he was staying away, even on a visit as unsatisfactory as the present one. "Oh yes, I should like to very much." "No, really, I shouldn't if I were you. You wouldn't enjoy it. I only go because I more or less have to. You stay here. Brenda will be down directly. Ring for a drink when you feel like it." "Oh, all right." "See you later then." Tony took his hat and stick from the lobby and let himself out. "Now I've behaved inhospitably to that young man again," he reflected. The bells were clear and clamorous in the drive and Tony walked briskly towards them. Presently they ceased and gave place to a single note, warning the village that there was only five minutes to go before the organist started the first hymn. He caught up nanny and John, also on their way to church. John was in one of his rare, confidential moods; he put his small gloved hand into Tony's and, without introduction, embarked upon a story which lasted them all the way to the church door; it dealt with the mule Peppermint who had drunk the company's rum ration, near Wipers in 1917; it was told breathlessly, as John trotted to keep pace | "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic." Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad. "I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?"<|quote|>"Yes, thanks. Good night."</|quote|>"Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; Tony had it in mind to revive the practice next winter. On Christmas Day and Harvest Thanksgiving Tony read the lessons from the back of the brass eagle. When service was over he stood for a few minutes at the porch chatting affably with the vicar's sister and the people from the village. Then he returned home by a path across the fields which led to a side door in the walled garden; he visited the hothouses and picked himself a buttonhole, stopped by the gardeners' cottages for a few words (the smell of Sunday dinners rising warm and overpowering from the little doorways) and then, rather solemnly, drank a glass of sherry in the library. That was the simple, mildly ceremonious order of his Sunday morning, which had evolved, more or less spontaneously, from the more severe practices of his parents; he adhered to it with great satisfaction. Brenda teased him whenever she caught him posing as an upright, God-fearing gentleman of the old school and Tony saw the joke, but this did not at all diminish the pleasure he derived from his weekly routine, or his annoyance when the presence of guests suspended it. For this reason his heart sank when, emerging from his study into the great | A Handful Of Dust | They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad. "I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?"<|quote|>"Yes, thanks. Good night."</|quote|>"Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to | {
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} | John Beaver |
"Oh, Marilla," | Rachel Lynde | tears came into her eyes.<|quote|>"Oh, Marilla,"</|quote|>she said gravely. "I don't | anxious faces sorrowfully and the tears came into her eyes.<|quote|>"Oh, Marilla,"</|quote|>she said gravely. "I don't think--we can do anything for | was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes.<|quote|>"Oh, Marilla,"</|quote|>she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as | threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes.<|quote|>"Oh, Marilla,"</|quote|>she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as I have you'll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was | is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes.<|quote|>"Oh, Marilla,"</|quote|>she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as I have you'll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank. The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned. When the calm night came softly down over Green Gables the old | "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes.<|quote|>"Oh, Marilla,"</|quote|>she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as I have you'll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank. The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned. When the calm night came softly down over Green Gables the old house was hushed and tranquil. In the parlor lay Matthew Cuthbert in his coffin, his long gray hair framing his placid face on which there was a little kindly smile as if he but slept, dreaming pleasant dreams. There were flowers about him--sweet old-fashioned flowers which his mother had planted in the homestead garden in her bridal days and for which Matthew had always had a secret, wordless love. Anne had gathered them and brought them to him, her anguished, tearless eyes burning in her white face. It was the last thing she could do for him. The Barrys and Mrs. Lynde stayed with them that night. Diana, going to the east gable, where Anne was standing at her window, said gently: "Anne dear, would you like to have me sleep with you tonight?" "Thank you, Diana." Anne looked earnestly into her friend's face. "I think you won't misunderstand me when I say I want to be alone. I'm not afraid. I haven't been alone one minute since it happened--and I want to be. I want to be quite silent and quiet and try to realize it. I can't realize it. Half the time it seems to me that Matthew | well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes.<|quote|>"Oh, Marilla,"</|quote|>she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as I have you'll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank. The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned. When the calm night came softly down over Green Gables the old house was hushed and tranquil. In the parlor lay Matthew Cuthbert in his coffin, his long gray hair framing his placid face on which there was a little kindly smile as if he but slept, dreaming pleasant dreams. There were flowers about him--sweet old-fashioned flowers which his mother had planted in the homestead garden in her bridal days and for which Matthew had always had a secret, wordless love. Anne had gathered them and brought them to him, her anguished, tearless eyes burning in her white face. It was the last thing she could do for him. The Barrys and Mrs. Lynde stayed with them that night. Diana, going to the east gable, where Anne was standing at her window, said gently: "Anne dear, would you like to have me sleep with you tonight?" "Thank you, Diana." Anne looked earnestly into her friend's face. "I think you won't misunderstand me when I say I want to be alone. I'm not afraid. I haven't been alone one minute since it happened--and I want to be. I want to be quite silent and quiet and try to realize it. I can't realize it. Half the time it seems to me that Matthew can't be dead; and the other half it seems as if he must have been dead for a long time and I've had this horrible dull ache ever since." Diana did not quite understand. Marilla's impassioned grief, breaking all the bounds of natural reserve and lifelong habit in its stormy rush, she could comprehend better than Anne's tearless agony. But she went away kindly, leaving Anne alone to keep her first vigil with sorrow. Anne hoped that the tears would come in solitude. It seemed to her a terrible thing that she could not shed a tear for Matthew, whom she had loved so much and who had been so kind to her, Matthew who had walked with her last evening at sunset and was now lying in the dim room below with that awful peace on his brow. But no tears came at first, even when she knelt by her window in the darkness and prayed, looking up to the stars beyond the hills--no tears, only the same horrible dull ache of misery that kept on aching until she fell asleep, worn out with the day's pain and excitement. In the night she awakened, with the stillness and the darkness about her, and the recollection of the day came over her like a wave of sorrow. She could see Matthew's face smiling at her as he had smiled when they parted at the gate that last evening--she could hear his voice saying, "My girl--my girl that I'm proud of." Then the tears came and Anne wept her heart out. Marilla heard her and crept in to comfort her. "There--there--don't cry so, dearie. It can't bring him back. It--it--isn't right to cry so. I knew that today, but I couldn't help it then. He'd always been such a good, kind brother to me--but God knows best." "Oh, just let me cry, Marilla," sobbed Anne. "The tears don't hurt me like that ache did. Stay here for a little while with me and keep your arm round me--so. I couldn't have Diana stay, she's good and kind and sweet--but it's not her sorrow--she's outside of it and she couldn't come close enough to my heart to help me. It's our sorrow--yours and mine. Oh, Marilla, what will we do without him?" "We've got each other, Anne. I don't know what I'd do if you weren't here--if you'd never come. Oh, Anne, | ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes.<|quote|>"Oh, Marilla,"</|quote|>she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as I have you'll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank. The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned. When the calm night came softly down over Green Gables the old house was hushed and tranquil. In the parlor lay Matthew Cuthbert in his coffin, his long gray hair framing his placid face on which there was a little kindly smile as if he but slept, dreaming pleasant dreams. There were flowers about him--sweet old-fashioned flowers which his mother had planted in the homestead garden in her bridal days and for which Matthew had always had a secret, wordless love. Anne had gathered them and brought them to him, her anguished, tearless eyes burning in her white face. It was the last thing she could do for him. The Barrys and Mrs. Lynde stayed with them that night. Diana, going to the east gable, where Anne was standing at her window, said gently: "Anne dear, would you like to have me sleep with you tonight?" "Thank you, Diana." Anne looked earnestly into her friend's face. "I think you won't misunderstand me when I say I want to be alone. I'm not afraid. I haven't been alone one minute since it happened--and I want to be. I want to be quite silent and quiet and try to realize it. I can't realize it. Half the time it seems to me that Matthew can't be dead; and the other half it seems as if he must have been dead for a long time and I've had this horrible dull ache ever since." Diana did not quite understand. Marilla's impassioned grief, breaking all the bounds of natural reserve and lifelong habit in its stormy rush, she could comprehend better than Anne's tearless agony. But she went away kindly, leaving Anne alone to keep her first vigil with sorrow. Anne hoped that the tears would come in solitude. It seemed to her a terrible thing that she could not shed a tear for Matthew, whom she had loved so much and who had been so kind to her, Matthew who had walked with her last evening at sunset and was now lying in the dim room below with that awful peace on his brow. But no tears came at first, even when she knelt by her window in the darkness and prayed, looking up to the stars beyond the hills--no tears, only the same horrible dull ache of misery that kept on aching until she fell | Anne Of Green Gables | was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes.<|quote|>"Oh, Marilla,"</|quote|>she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as | {
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"What a nice-looking fellow he is," | Marilla Cuthbert | too, isn't he?" "Yes" "--briefly.<|quote|>"What a nice-looking fellow he is,"</|quote|>said Marilla absently. "I saw | Blythe is going to teach too, isn't he?" "Yes" "--briefly.<|quote|>"What a nice-looking fellow he is,"</|quote|>said Marilla absently. "I saw him in church last Sunday | teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly.<|quote|>"What a nice-looking fellow he is,"</|quote|>said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." | _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly.<|quote|>"What a nice-looking fellow he is,"</|quote|>said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty | I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly.<|quote|>"What a nice-looking fellow he is,"</|quote|>said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road |MARILLA went to town the next day and returned | that the specialist will be in town tomorrow and he insists that I must go in and have my eyes examined. I suppose I'd better go and have it over. I'll be more than thankful if the man can give me the right kind of glasses to suit my eyes. You won't mind staying here alone while I'm away, will you? Martin will have to drive me in and there's ironing and baking to do." "I shall be all right. Diana will come over for company for me. I shall attend to the ironing and baking beautifully--you needn't fear that I'll starch the handkerchiefs or flavor the cake with liniment." Marilla laughed. "What a girl you were for making mistakes in them days, Anne. You were always getting into scrapes. I did use to think you were possessed. Do you mind the time you dyed your hair?" "Yes, indeed. I shall never forget it," smiled Anne, touching the heavy braid of hair that was wound about her shapely head. "I laugh a little now sometimes when I think what a worry my hair used to be to me--but I don't laugh _much_, because it was a very real trouble then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly.<|quote|>"What a nice-looking fellow he is,"</|quote|>said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road |MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know," said Marilla wearily, looking up. "I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a | the world and life seem very beautiful and interesting to me for all. Today Diana said something funny and I found myself laughing. I thought when it happened I could never laugh again. And it somehow seems as if I oughtn't to." "When Matthew was here he liked to hear you laugh and he liked to know that you found pleasure in the pleasant things around you," said Mrs. Allan gently. "He is just away now; and he likes to know it just the same. I am sure we should not shut our hearts against the healing influences that nature offers us. But I can understand your feeling. I think we all experience the same thing. We resent the thought that anything can please us when someone we love is no longer here to share the pleasure with us, and we almost feel as if we were unfaithful to our sorrow when we find our interest in life returning to us." "I was down to the graveyard to plant a rosebush on Matthew's grave this afternoon," said Anne dreamily. "I took a slip of the little white Scotch rosebush his mother brought out from Scotland long ago; Matthew always liked those roses the best--they were so small and sweet on their thorny stems. It made me feel glad that I could plant it by his grave--as if I were doing something that must please him in taking it there to be near him. I hope he has roses like them in heaven. Perhaps the souls of all those little white roses that he has loved so many summers were all there to meet him. I must go home now. Marilla is all alone and she gets lonely at twilight." "She will be lonelier still, I fear, when you go away again to college," said Mrs. Allan. Anne did not reply; she said good night and went slowly back to green Gables. Marilla was sitting on the front door-steps and Anne sat down beside her. The door was open behind them, held back by a big pink conch shell with hints of sea sunsets in its smooth inner convolutions. Anne gathered some sprays of pale-yellow honeysuckle and put them in her hair. She liked the delicious hint of fragrance, as some aerial benediction, above her every time she moved. "Doctor Spencer was here while you were away," Marilla said. "He says that the specialist will be in town tomorrow and he insists that I must go in and have my eyes examined. I suppose I'd better go and have it over. I'll be more than thankful if the man can give me the right kind of glasses to suit my eyes. You won't mind staying here alone while I'm away, will you? Martin will have to drive me in and there's ironing and baking to do." "I shall be all right. Diana will come over for company for me. I shall attend to the ironing and baking beautifully--you needn't fear that I'll starch the handkerchiefs or flavor the cake with liniment." Marilla laughed. "What a girl you were for making mistakes in them days, Anne. You were always getting into scrapes. I did use to think you were possessed. Do you mind the time you dyed your hair?" "Yes, indeed. I shall never forget it," smiled Anne, touching the heavy braid of hair that was wound about her shapely head. "I laugh a little now sometimes when I think what a worry my hair used to be to me--but I don't laugh _much_, because it was a very real trouble then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly.<|quote|>"What a nice-looking fellow he is,"</|quote|>said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road |MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know," said Marilla wearily, looking up. "I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here | that the specialist will be in town tomorrow and he insists that I must go in and have my eyes examined. I suppose I'd better go and have it over. I'll be more than thankful if the man can give me the right kind of glasses to suit my eyes. You won't mind staying here alone while I'm away, will you? Martin will have to drive me in and there's ironing and baking to do." "I shall be all right. Diana will come over for company for me. I shall attend to the ironing and baking beautifully--you needn't fear that I'll starch the handkerchiefs or flavor the cake with liniment." Marilla laughed. "What a girl you were for making mistakes in them days, Anne. You were always getting into scrapes. I did use to think you were possessed. Do you mind the time you dyed your hair?" "Yes, indeed. I shall never forget it," smiled Anne, touching the heavy braid of hair that was wound about her shapely head. "I laugh a little now sometimes when I think what a worry my hair used to be to me--but I don't laugh _much_, because it was a very real trouble then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly.<|quote|>"What a nice-looking fellow he is,"</|quote|>said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVIII. The Bend in the road |MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She | Anne Of Green Gables | teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes" "--briefly.<|quote|>"What a nice-looking fellow he is,"</|quote|>said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." | {
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"content": "teach?\" \"No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west.\" \"Gilbert Blythe is going to teach too, isn't he?\" \"Yes\" \"--briefly.<|quote|>\"What a nice-looking fellow he is,\"</|quote|>said Marilla absently. \"I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau.\"",
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the Gryphon remarked: | No speaker | the reason they're called lessons,"<|quote|>the Gryphon remarked:</|quote|>"because they lessen from day | curious plan!" exclaimed Alice. "That's the reason they're called lessons,"<|quote|>the Gryphon remarked:</|quote|>"because they lessen from day to day." This was quite | faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons,"<|quote|>the Gryphon remarked:</|quote|>"because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage | the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons,"<|quote|>the Gryphon remarked:</|quote|>"because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, | to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons,"<|quote|>the Gryphon remarked:</|quote|>"because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so | day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons,"<|quote|>the Gryphon remarked:</|quote|>"because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very | break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons,"<|quote|>the Gryphon remarked:</|quote|>"because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them | Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons,"<|quote|>the Gryphon remarked:</|quote|>"because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said | Alices Adventures In Wonderland | faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons,"<|quote|>the Gryphon remarked:</|quote|>"because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage | {
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